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『Sex Blood Rock N' Roll』
『SEX BLOOD ROCK N’ ROLL』 OUT NOW VAMPS’ career-spanning overseas debut album “SEX BLOOD ROCK N’ ROLL” is now ready!! VAMPS, Japan’s most daring rock duo formed by HYDE (L’Arc~en~Ciel) and K.A.Z (Oblivion Dust) have recently celebrated charLng in at 3rd place in the Oricon Weekly Charts with their most recent single “AHEAD/REPLAY”. “SEX BLOOD ROCK N’ ROLL” is VAMPS’ overseas debut album. HYDE commented, “This album isn’t just a compilaon of our previous releases. We’ve newly recorded some of the instrumental parts, re-recorded the vocals for each track with enLrely English lyrics, and we’ve also redone the mixing. It’ll be our first overseas album which shows us at our absolute best, as well as serving as our “best of” album in Japan”. The album is released not only in the countries that they just finished playing as part of their European tour, but also in other areas which are soon to be announced as their next desLnaon. Their European tour in Spain, France, Germany and the U.K., held in partnership with LIVE NATION, known for producing worldwide tours for stars such as Lady Gaga, Madonna and U2. The album was released on Sept 30th in the U.K, Oct 15th in The U.S.A, and Sept 25th in Japan (releases is following in other countries). The track list consists of 13 tracks – “DEVIL SIDE”, “REDRUM”, “REVOLUTION II”, “THE PAST”, “VAMPIRE DEPRESSION”, “SWEET DREAMS”, “Life On Mars?”, “HUNTING II”, “LOVE ADDICT”, “ANGEL TRIP”, “MEMORIES”, “MY FIRST LAST” and “SEX BLOOD ROCK N’ ROLL”. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Universidade Federal Fluminense Instituto De Arte E Comunicação Social Programa De Pós-Graduação Em Comunicação
UNIVERSIDADE FEDERAL FLUMINENSE INSTITUTO DE ARTE E COMUNICAÇÃO SOCIAL PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO KRYSTAL CORTEZ LUZ URBANO BEYOND WESTERN POP LENSES: O circuito das japonesidades e coreanidades pop e seus eventos culturais/musicais no Brasil Niterói – RJ 2018 KRYSTAL CORTEZ LUZ URBANO BEYOND WESTERN POP LENSES: O circuito das japonesidades e coreanidades pop e seus eventos culturais/musicais no Brasil Tese apresentada ao Programa de Pós- Graduação em Comunicação da Universidade Federal Fluminense como requisitos necessários à obtenção do Grau de Doutora. Área de Concentração: Comunicação Social. Linha de Pesquisa: Mídia, Cultura e Produção de Sentidos. Orientador: Prof. Dr. Afonso de Albuquerque Niterói – RJ 2018 Ficha catalográfica automática - SDC/BCG Gerada com informações fornecidas pelo autor U72b Urbano, Krystal Cortez Luz BEYOND WESTERN POP LENSES: : o circuito das japonesidades e coreanidades pop e seus eventos culturais/musicais no Brasil / Krystal Cortez Luz Urbano ; Afonso de Albuquerque, orientador. Niterói, 2018. 283 f. Tese (doutorado)-Universidade Federal Fluminense, Niterói, 2018. DOI: http://dx.doi.org/10.22409/PPGCOM.2018.d.00195487370 1. Cultura Pop. 2. Coreia do Sul. 3. Japão. 4. Desocidentalização. 5. Produção intelectual. I. Albuquerque, Afonso de, orientador. II. Universidade Federal Fluminense. Instituto de Arte e Comunicação Social. III. Título. CDD - Bibliotecária responsável: Thiago Santos de Assis - CRB7/6164 KRYSTAL CORTEZ LUZ URBANO BEYOND WESTERN POP LENSES: O circuito das japonesidades e coreanidades pop e seus eventos culturais/musicais no Brasil Tese apresentada ao Programa de Pós- Graduação em Comunicação da Universidade Federal Fluminense como parte dos requisitos necessários à obtenção do Grau de Doutora. Data da defesa: 21 de setembro de 2018. -
ALIH KODE DAN CAMPUR KODE DALAM LIRIK LAGU BAND VAMPS (Kajian Sosiolinguistik) BAND VAMPS の歌詞における
ALIH KODE DAN CAMPUR KODE DALAM LIRIK LAGU BAND VAMPS (Kajian Sosiolinguistik) BAND VAMPS の歌詞における コードスイッチングとコードミクシング Skripsi Diajukan sebagai Salah Satu Syarat untuk Memenuhi Ujian Sarjana Program S1 Humaniora dalam Ilmu Bahasa dan Sastra Jepang Oleh : Esa Ufi Susanti NIM 13050112130062 PROGRAM STUDI S1 SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS DIPONEGORO SEMARANG 2017 ALIH KODE DAN CAMPUR KODE DALAM LIRIK LAGU BAND VAMPS (Kajian Sosiolinguistik) BAND VAMPS の歌詞における コードスイッチングとコードミクシング Skripsi Diajukan sebagai Salah Satu Syarat untuk Memenuhi Ujian Sarjana Program S1 Humaniora dalam Ilmu Bahasa dan Sastra Jepang Oleh : Esa Ufi Susanti NIM 13050112130062 PROGRAM STUDI S1 SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS DIPONEGORO SEMARANG 2017 HALAMAN PERNYATAAN Dengan sebenarnya, penulis menyatakan bahwa skripsi ini disusun tanpa mengambil bahan hasil penelitian baik untuk memperoleh suatu gelar sarjana atau diploma yang sudah ada di universitas lain maupun hasil penelitian lainnya. Penulis juga menyatakan bahwa skripsi ini tidak mengambil bahan dari publikasi atau tulisan orang lain kecuali yang sudah disebutkan dalam rujukan dan dalam Daftar Pustaka. Penulis bersedia menerima sanksi jika terbukti melakukan plagiasi/penjiplakan. Semarang, 23 Februari 2017 Penulis Esa Ufi Susanti ii HALAMAN PERSETUJUAN Disetujui : Dosen Pembimbing I Dosen Pembimbing II Dra. Sri Puji Astuti, M.Pd. Maharani Patria Ratna, S.S., M.Hum. NIP 196701161992032002 NIK 19860909012015012028 iii HALAMAN PENGESAHAN Skripsi dengan judul “Alih Kode dan Campur Kode dalam Lirik Lagu Band Vamps (Kajian Sosiolinguistik)” ini telah diterima dan disahkan oleh Panitia Ujian Skripsi Program Strata-1 Jurusan Sastra Jepang Fakultas Ilmu Budaya Universitas Diponegoro. Pada tanggal : 10 Maret 2017. Tim Penguji Skripsi Ketua ……………………………………… Dra. Sri Puji Astuti, M.Pd. -
Jemf Quarterly
JEMF QUARTERLY JOHN EDWARDS MEMORIAL FOUNDATION VOL XIV SPRING 1978 No. 49 Digitized by the Internet Archive in 2013 http://archive.org/details/jemfquarterlyser1978john . — LETTERS Sir: Here's some microtrivia that may be of use to have had previous experience in the phonograph someone: the people sitting in the second row in record business and possibly had an interest in the picture of the WNAX "Dinner Bell Roundup" cast a NYRL in NYC. At any rate there is the re- on p. 110 of JEMFQ #43 spent some time in Maine. peated second-hand story that Satherley record- Jimmy and Dick (The Novelty Boys) and their troupe ed some NYRL material in a similarly named stu- summered in the Bangor area 1939-42 and again in dio in NYC. the late '40s (I believe). Jimmie Pierson and Dick The first record was pressed in Grafton Klasi were the core of the group. Jimmie 's bro- (their only pressing plant, a few miles from ther "Flash Willie" in Bernard Haeerty's (mentioned their furniture factory in Port Washington) on article on Radio Station WNAX \_JEMFQ #40, p. 18l]) 29 June 1917. played fiddle. Cora Dean ("the Kansas City Kitty") was the Pierson brothers' sister and married to In a building across from the pressing Dick. Jimmie was married (or otherwise attached) plant a recording facility (electrical) was to a lady named Dot. They were enormously popular started in about the end of 1927. Marsh Studios everyone remembers them. My memory is hazy, but in Chicago, a New York recording studio, Gennett one of the women died, her husband had some kind Studios in Richmond and other recording facili- of breakdown and the group broke up. -
Various Hide Tribute Spirits Mp3, Flac, Wma
Various Hide Tribute Spirits mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Hide Tribute Spirits Country: Thailand Released: 1999 Style: Alternative Rock MP3 version RAR size: 1180 mb FLAC version RAR size: 1168 mb WMA version RAR size: 1364 mb Rating: 4.6 Votes: 632 Other Formats: DMF XM WMA MOD AAC VOC MIDI Tracklist Hide Credits A1 –Yoshiki Introduction 1:02 Rocket Dive A2 –布袋寅泰* Backing Vocals – Ryo TaguchiProgrammed By, Edited By [Digital Edit] – 5:02 ワタナベノブタカ*Vocals, Guitar, Bass, Keyboards, Backing Vocals – 布袋寅泰* Beauty & Stupid A3 –清春 ・ Shoji* Guitar, Bass, Programmed By, Keyboards – Shoji*Keyboards – 増田隆 4:35 宣*Programmed By – 中尾昌文*Vocals – 清春 Tell Me A4 –kyo & Tetsu* Bass – 金内孝史Chorus – 井上秀樹*Drums – Tetsu*Guitar – 石垣愛*Keyboards – 富樫春生 5:16 *Synthesizer – 木本ヤスオ*Vocals, Chorus – Kyo ピンク スパイダー A5 –Siam Shade Bass – NatinDrums – 淳士Guitar – DAITAVocals – Hideki*Vocals, Guitar – 3:37 Kazuma* Lemoned I Scream A6 –Shame 3:24 Bass – KosoyoDrums – Kazutomo*Guitar – Takeya*Vocals, Guitar – Cutt ピンク スパイダー A7 –Cornelius Keyboards, Edited By [Pro Tools] – 美島豊明*Performer [All Instruments] – 小 4:27 山田圭吾* Flame A8 –Zeppet Store 4:57 Bass – 中村雄一*Drums – 柳田英輝*Guitar – 赤羽根謙二*Vocals, Guitar – 木村世治* Scanner B1 –Luna Sea 3:48 Bass – J Drums – 真矢*Guitar – Inoran, SugizoVocals – Ryuichi* Doubt '99 B2 –Buck-Tick Bass – 樋口豊*Drums – ヤガミトール*Electronics [Manipulate], Keyboards, 4:57 Noises – 横山和俊*Guitar – 星野英彦*Guitar, Noises, Vocals – 今井寿*Vocals – 櫻井敦司* Ever Free B3 –Transtic Nerve 4:19 Bass – Ryo Drums – Masaki Guitar – Masato , Tal Vocals – Taka 限界破裂 B4 –Oblivion Dust Bass – Rikiji Masuda*Drums – Souta OofurutonGuitar – Kaz 4:29 Iwaike*Vocals – Ken Lloyd Misery B5 –Glay Bass – Jiro Drums – Toshi Nagai*Guitar – Hisashi*, Takuro*Keyboards – 5:36 小森"sk55"茂生*Vocals – Teru Celebration –I.N.A. -
The Uncanny Child in Transnational Cinema
FILM CULTURE IN TRANSITION The Uncanny Child in Transnational Cinema Ghosts of Futurity at the Turn of the Twenty-First Century jessica balanzategui The Uncanny Child in Transnational Cinema The Uncanny Child in Transnational Cinema Ghosts of Futurity at the Turn of the Twenty-First Century Jessica Balanzategui Amsterdam University Press Excerpts from the conclusion previously appeared in Terrifying Texts: Essays on Books of Good and Evil in Horror Cinema © 2018 Edited by Cynthia J. Miller and A. Bowdoin Van Riper by permission of McFarland & Company, Inc., Box 611, Jefferson NC 28640. Excerpts from Chapter Four previously appeared in Monstrous Children and Childish Monsters: Essays on Cinema’s Holy Terrors © 2015 Edited by Markus P.J. Bohlmann and Sean Moreland by permission of McFarland & Company, Inc., Box 611, Jefferson NC 28640. Cover illustration: Sophia Parsons Cope, 2017 Cover design: Kok Korpershoek, Amsterdam Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 651 0 e-isbn 978 90 4853 779 2 (pdf) doi 10.5117/9789462986510 nur 670 © J. Balanzategui / Amsterdam University Press B.V., Amsterdam 2018 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Table of Contents Acknowledgements 7 Introduction 9 The Child as Uncanny Other Section One Secrets and Hieroglyphs: The Uncanny Child in American Horror Film 1. -
JOHN C. BURGER GEBOORTEPLAATS Shinjuku-Ku,TOKYO / JAPAN NATIONALITEITJAPANS D.V.G 06/06/1969 CONSTELLATIE TWEELINGEN T.V.B B INTRODUCEREN :::::JOHN C
FOTOGRAAF JOHN C. BURGER GEBOORTEPLAATS Shinjuku-Ku,TOKYO / JAPAN NATIONALITEITJAPANS D.V.G 06/06/1969 CONSTELLATIE TWEELINGEN T.V.B B INTRODUCEREN :::::JOHN C. BURGER JOHN CHEESEBURGER werd geboren in Tokyo en woonde in de Verenigde Staten in de dagen van de vroege tienerjaren. Ik was geïnteresseerd in een foto op dat moment het ik was 20 jaar oud toen ik woonde in Hollywood/CA zijn begonnen met de foto van een persoon en de stad Los Angeles te nemen. Ik speelde een toetsenbord en een gitaar als professioneel muzikant tijdens het werken aan de fotografie die persoonlijk was na terug naar Tokio. Ze zijn een concert tour of studio-opname van de Japanse beroemdheid zangers. Ik voerde een verscheidenheid aan activiteiten achteraf op het gebied van muziek,waaronder muziek produceren en event planning en het management. Ik onafhankelijk werd als fotograaf in het vroege voorjaar,2006 en maakte mijn debuut met een grote muziek-magazine. De eerste grote bedrijf dat ik in het jaar was erg groot Rock Fes genaamd SUMMERSONIC en LOUDPARK. Ik kreeg een kans om big band fotograferen zoals METALLICA,DIO,Slayer,linkinpark,Zebrahead,Avenged Sevenfold,als officiële fotograaf van de MTV-JAPAN daar. Daarna heb ik fotografeerde een show en het magazine cover van Japan en in het buitenland vele kunstenaars tot het heden. Het zijn banden van wereld klassen,zoals Metallica,Slipknot Arch Enemy,en meer. En ik fotografeer een bekende artiest in Japan zoals LOUDNESS,VAMPS,ANNA TSUCHIYA,en meer,in Japan,en ze vaak eer te geven op een artikel en de cover van het tijdschrift. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Contemporary Hairstyling All American The Bigger Picture Synopsis When a college scout comes to talk to Spencer, he must decide if the strings attached is worth it. Technical Description The unique challenge of The Bigger Picture was using almost exclusively heatless techniques while creating styles that suited the contemporary culture of our young cast. A library of approaches were used to achieve the perfect kinky twists, swirly wavy edges and sleek ponytails which included flexible rods, finger coiling, braids, roller sets, expert use of product and twisting of textured hair. With zero last looks (due to Covid) and minimal to no heat we achieved high artistry and precise continuity. Away Goodnight Mars Synopsis Emma's behavior becomes a cause for concern, Kwesi and Lu team up on a plant mystery, and Rex makes an impulsive decision with far-reaching consequences. Technical Description I chose this Episode 7, Goodnight Mars for the natural resecting of hair. The hairstyles executed were with exclusion techniques to create a natural appearance while respecting the personalities of each character. Behind Her Eyes Behind Her Eyes Synopsis A stunning revelation makes Louise dig deeper into David and Adele's past, and what she discovers pushes her to demand the truth. Technical Description To make the series work, we had to change the look of every characters’ hair from the present-day to the flashbacks (still contemporary, just a few years earlier). Louise, our protagonist had a big transformation using wigs, wefts, and hair extensions. As we were never shooting in sequence, many of the looks needed to be changed quickly. -
Enqvist Niina Maukonen Taru.Pdf (1.386Mt)
Niina Enqvist ja Taru Maukonen BOU ON POIKA JA PUKEE HAMEEN JA SE ON OK Japanilainen rockmusiikki Suomessa Opinnäytetyö Kulttuurituotannon koulutusohjelma Huhtikuu 2010 KUVAILULEHTI Opinnäytetyön päivämäärä Tekijä(t) Koulutusohjelma ja suuntautuminen Niina Enqvist ja Taru Maukonen Kulttuurituotannon koulutusohjelma Nimeke Bou on poika ja pukee hameen ja se on ok – Japanilainen rockmusiikki Suomessa Tiivistelmä Opinnäytetyön tavoite oli selvittää j-rockin osaa suomalaisessa nuorisokulttuurissa. Opinnäytetyössä tutkittiin harrastajamääriä, taloudellisia mahdollisuuksia, ilmiön kestävyyttä sekä muuntautumista suo- malaisiin olosuhteisiin sopivaksi. Tutkimus pyrki ymmärtämään ilmiön luonnetta, sen syitä ja seurauksia sekä samalla nuorisoa ja heidän motiivejaan. J-rockista ei ole juurikaan tehty aikaisempia tutkimuksia Suomessa. Tutkimuksella pyrittiin osoittamaan j-rockin mahdollisuudet Suomessa niin markkinoiden näkökulmasta mutta myös suomalaista nuorisokulttuuria rikastuttavana tekijänä. Tutkimuksessa selvitettiin harrastajakunnan lähtökohdat, kuten ikä, paikkakunta, sukupuoli ja kuinka vahva kiinnostus harrastuneisuuteen on. Harrastajakuntaa selvitettiin kahdella erillisellä kyselyllä, Web- ropol-alustalla toteutettu monivalintakysely sekä vapaamuotoinen sähköpostikysely, jolloin pystyttiin profiloimaan keskivertoharrastaja. Molemmissa kyselyissä ilmeni yhtäläisyyksiä, jotka on pyritty huomi- oimaan työssä. Kyselyssä saatujen tietojen mukaan pystyttiin hahmottamaan harrastajien kulutustottumuksia oheistuot- teiden, konserttien ja levyjen -
Kaz Rodriguez on “The Journey” Diving Deep Into a Few of the Drummer’S Nasty Grooves and fills
WIN A $5,700 YAMAHA/PAISTE PACKAGE! THE WORLD’S #1 DRUM MAGAZINE P!NK’S MARK SCHULMAN LIFTING THE VIBE! FUNKIFY YOUR SWING FEEL INTERNALIZE ODD TIMES + MAY 2019 YEAH YEAH YEAHS’ BRIAN CHASE KAZ RODRIGUEZ • TERENCE HIGGINS TALKING HEADS’ REMAIN IN LIGHT THE ORIGINAL. ONLY BETTER. The 5000AH4 combines an old school chain-and-sprocket drive system and vintage-style footboard with modern functionality. Sought-after DW feel, reliability and playability. The original just got better. www.dwdrums.com PEDALS AND ©2018 Drum Workshop, Inc. All Rights Reserved. HARDWARE 12 Modern Drummer June 2014 CONTENTS Volume 43 • Number 5 CONTENTS Cover photo by David Phillips Contents photo by Lisa Skarell-Schulman ON THE COVER 36 DRUM WISDOM: 20 P!NK’S MARK SCHULMAN BRUCE BECKER In his fi rst MD cover story, the BONUS LESSON: Bruce Becker’s elite drummer lays out, by 16th-Note-Triplet Flow by Jacob Slichter example and explanation, what it takes to get to the top—and stay there. 40 JOSH GROBAN’S BONUS LESSON: Schulman dives into “Just Breathe,” a track he KAZ RODRIGUEZ recently laid down for the Swiss BONUS LESSON: “The Journey”— Diving Deep into a Few of Kaz’s duo Sinplus. Nasty Grooves and Fills by Billy Amendola by Ilya Stemkovsky 46 ANI DIFRANCO’S TERENCE HIGGINS by Robin Tolleson 52 YEAH YEAH YEAHS’ BRIAN CHASE by John Colpitts LESSONS DEPARTMENTS 4 AN EDITOR’S OVERVIEW 58 JAZZ DRUMMER’S WORKSHOP Enduring Eff ort Funkify Your Swing Feel Part 1: Clyde Stubblefi eld Interpretations by Steve Fidyk by Willie Rose 60 ROCK PERSPECTIVES 6 READERS’ PLATFORM The Duality of 16th-Note Meters A Method for Internalizing Odd-Time Grooves What’s Your Favorite 2000s Metal by Aaron Edgar Drumming Album? 62 HEALTH AND SCIENCE 8 OUT NOW Warm-Ups and Mobility Guidance Part 5: Drumset Applications by Brandon Green Navene Koperweis on Whitechapel’s The Valley 10 ON TOUR EQUIPMENT Jharis Yokley with My Brightest Diamond 12 PRODUCT CLOSE-UP WIN! 72 RETAILER PROFILE A $5,700 package from RBH Westwood Series Drumset Bentley’s Drum Shop Pfeifer Drum Co. -
DB1907 Test.Pdf
JuLY 2019 VOLUME 86 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; Denmark: Jan Persson; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.