WCM Supported Video/Audio Codec Guideline

Total Page：16

File Type：pdf, Size：1020Kb

Updated: Jun, 2014 WCM Supported Video/Audio Codec Guideline Supported File Format Video Encoding Audio Encoding Remark File Extension MP4 .mp4 MPEG4 AAC, MP3 H.264 AAC, MP3 AAC, AMR Narrowband, IMA 4:1, PCM, QDesign Music2, MOV .mov MPEG4 u-law 2:1, Apple lossless, MACE3- 1, MACE6-1, Qualcomm QDesign Music2, u-law 2:1, Apple H.264 lossless, MACE3- AAC, AMR Narrowband, IMA 4:1, PCM, QDesign Music2, u-law 2:1, Sorensom Video Apple lossless, MACE3-1, MACE6- 1, Qualcomm AAC, AMR Narrowband, IMA 4:1, PCM, QDesign Music 2, u-law 2:1, Sorensom Video 3 Apple lossless, MACE3-1, MACE6- 1, Qualcomm AAC, AMR Narrowband, IMA 4:1, PCM, QDesign Music2, u-law 2:1, Cinepak Apple lossless, MACE3-1, MACE6- 1, Qualcomm AAC, A-LAW2-1, AMR Narrowband, Apple Lossless, Photo_JPEG IMA4-1, Linear PCM, MACE3- 1, MACE6-1,QDM2, Qualcomm, U-law2-1 AAC, A-law, AMR, Apple lossless, Motion JPEG A IMA4-1, LPCM, MACE3-1, MACE6- 1, QDM2, Qualcomm, U-law AAC, A-law, AMR, Apple lossless, Video(QTRpza) IMA4-1, LPCM, MACE3-1, MACE6- 1, QDM2, Qualcomm, U-law 1 Supported File Format Video Encoding Audio Encoding Remark File Extension AAC, A-law, AMR, Apple lossless, IMA4-1, LPCM, Animation(RLE) MACE3-1, MACE6-1, QDM2, Qualcomm, U-law MPEG1 (mpeg-1 system .mpg, .mpeg MPEG1 MP2, MP3 stream) MPEG2 (mpeg-2 program .mpg, .mpeg MPEG2 AC3, MP2, MP3 stream) TS(mpeg-2 Transport .mpg, .mpeg MPEG2 AC3, MP2, MP3 stream) VOB .vob, .mpg MPEG2 AC3, MP2 M2TS .m2ts MPEG2 MP3 WMA v2(Windows Media Audio 9.2), WMA Windows Media Video 7 lossless(Windows Media WMV .wmv (WMV1) Audio 9.2 Lossless), WMA pro(Windows Media Audio 10 Professional) WMA v2(Windows Media Audio 9.2), WMA Windows Media Video 8 lossless(Windows Media (WMV2) Audio 9.2 Lossless), WMA pro(Windows Media Audio 10 Professional) WMA v2(Windows Media Audio 9.2), WMA Windows Media Video 9 lossless(Windows Media (WMV3, simple and main Audio 9.2 Lossless), WMA profiles) pro(Windows Media Audio 10 Professional) WMA v2(Windows Please make sure Media Audio 9.2), WMA Windows Media VC-1 (Windows Media lossless(Windows Media Player 11 or above Video 9 advanced profile) Audio 9.2 Lossless), WMA version installed for VC-1 pro(Windows Media support Audio 10 Professional) FLV .flv FLV4/VP62, MP3 FLV1 MP3 H.264 MP3, AAC, H.264, AAC MKV .mkv MPEG4 AAC, MP3, AC3 H.264 AAC, MP3, AC3 MTS .mts H.264 AC3 2 Supported File Format Video Encoding Audio Encoding Remark File Extension MP3, PCM(Little/ AVI .avi XVID Unsigned 16 bits), ADPCM IMA MP3, PCM(Little/ DivX5 Unsigned 16 bits), ADPCM IMA MP3, PCM(Little/ H.264 Unsigned 16 bits), ADPCM IMA MP3, PCM(Little/ MPEG4 Unsigned 16 bits), ADPCM IMA MP3, PCM(Little/ MS MPEG4 V2 Unsigned 16 bits), ADPCM IMA MP3, PCM(Little/ MPEG1 Unsigned 16 bits), ADPCM IMA MP3, PCM(Little/ FLV1 Unsigned 16 bits), ADPCM IMA MP3, PCM(Little/ MPEG2 Unsigned 16 bits), ADPCM IMA, MP3, PCM(Little/ MJPEG Unsigned 16 bits), ADPCM IMA, WMA v1, WMA Windows Media Video 7 ASF .asf v2(Windows Media Audio (WMV1) V8) WMA v1, WMA Windows Media Video 8 v2(Windows Media Audio (WMV2) V8) WMV and ASF supported For streaming URL MMS above starts with mms://. WMV and ASF supported For streaming URL RTSP above starts with rtsp://. Real Audio, Real Audio RM .rm, .rmvb, .ram, .ra RV30(8) High Response, Real Audio AAC Real Audio, Real Audio RV40(9/10) High Response, Real Audio AAC DT Research, Inc. 2000 Concourse Drive, San Jose, CA 95131 Copyright © 2014, DT Research, Inc. All Rights Reserved. DT Research is a registered trademark or a trademark of DT Research, Inc. 3.

Copy Link

Recommended publications

Download Media Player Codec Pack Version 4.1 Media Player Codec Pack
download media player codec pack version 4.1 Media Player Codec Pack. Description: In Microsoft Windows 10 it is not possible to set all file associations using an installer. Microsoft chose to block changes of file associations with the introduction of their Zune players. Third party codecs are also blocked in some instances, preventing some files from playing in the Zune players. A simple workaround for this problem is to switch playback of video and music files to Windows Media Player manually. In start menu click on the "Settings". In the "Windows Settings" window click on "System". On the "System" pane click on "Default apps". On the "Choose default applications" pane click on "Films & TV" under "Video Player". On the "Choose an application" pop up menu click on "Windows Media Player" to set Windows Media Player as the default player for video files. Footnote: The same method can be used to apply file associations for music, by simply clicking on "Groove Music" under "Media Player" instead of changing Video Player in step 4. Media Player Codec Pack Plus. Codec's Explained: A codec is a piece of software on either a device or computer capable of encoding and/or decoding video and/or audio data from files, streams and broadcasts. The word Codec is a portmanteau of ' co mpressor- dec ompressor' Compression types that you will be able to play include: x264 | x265 | h.265 | HEVC | 10bit x265 | 10bit x264 | AVCHD | AVC DivX | XviD | MP4 | MPEG4 | MPEG2 and many more. File types you will be able to play include: .bdmv | .evo | .hevc | .mkv | .avi | .flv | .webm | .mp4 | .m4v | .m4a | .ts | .ogm .ac3 | .dts | .alac | .flac | .ape | .aac | .ogg | .ofr | .mpc | .3gp and many more.
[Show full text]
Marantz Guide to Pc Audio
White paper MARANTZ GUIDE TO PCAUDIO Contents: Introduction • Introduction As you know, in recent years the way to listen to music has changed. There has been a progression from the use of physical • Digital Connections media to a more digital approach, allowing access to unlimited digital entertainment content via the internet or from the library • Audio Formats and TAGs stored on a computer. It can be iTunes, Windows Media Player or streaming music or watching YouTube and many more. The com- • System requirements puter is a centre piece to all this entertainment. • System Setup for PC and MAC The computer is just a simple player and in a standard setup the performance is just average or even less. • Tips and Tricks But there is also a way to lift the experience to a complete new level of enjoyment, making the computer a good player, by giving the • High Resolution audio download responsibility for the audio to an external component, for example a “USB-DAC”. A DAC is a Digital to Analogue Converter and the USB • Audio transmission modes terminal is connected to the USB output of the computer. Doing so we won’t be only able to enjoy the above mentioned standard audio, but gain access to high resolution audio too, exceeding the CD quality of 16-bit / 44.1kHz. It is possible to enjoy studio master quality as 24-bit/192kHz recordings or even the SACD format DSD with a bitstream at 2.8MHz and even 5.6MHz. However to reach the above, some equipment is needed which needs to be set up and adjusted.
[Show full text]
BDL4330QL/00 Philips Q-Line Display
Philips Signage Solutions Q-Line Display 43" Direct LED Backlight Full HD BDL4330QL Stand out Easy-setup 16/7 display. Inform and enthral with a Philips Q-Line professional Full HD display. This reliable solution can be up and running as quickly as you need-with no additional hardware. Brilliant picture. Reliable performance • Full HD. Clear images. Crisp contrast Effortless setup. Total control. • Remote system management through CMND • Operate, monitor and maintain with CMND & Control • CMND & Create. Develop and launch your own content Cost-effective system solution • Energy-saving automatic backlight control • Integrated media player. Easily schedule USB content • Easy control. Remotely manage networked displays • Internal memory. Upload content for instant play Q-Line Display BDL4330QL/00 43" Direct LED Backlight, Full HD Highlights CMND and monitoring display status. Whether you're Integrated media player Take control of your Philips Professional in charge of one screen or 100. Easily schedule content to play from USB. Your Display network. CMND lets you manage, Philips Professional Display will wake from update, maintain, and play via one easy-to-use CMND & Create standby to play the content you want, and then interface. From installation to daily operation. return to standby once playback is done. CMND & Control Internal memory Save and play content without the need for a Take control of your content with CMND & permanent external player. Your Philips Create. A drag-and-drop interface makes it professional display has an internal memory, simple to publish your own content-whether which allows you to upload media into the Run your display network over a local (LAN) it's a daily specials board or branded corporate display for instant playback.
[Show full text]
Ardour Export Redesign
Ardour Export Redesign Thorsten Wilms [email protected] Revision 2 2007-07-17 Table of Contents 1 Introduction 4 4.5 Endianness 8 2 Insights From a Survey 4 4.6 Channel Count 8 2.1 Export When? 4 4.7 Mapping Channels 8 2.2 Channel Count 4 4.8 CD Marker Files 9 2.3 Requested File Types 5 4.9 Trimming 9 2.4 Sample Formats and Rates in Use 5 4.10 Filename Conflicts 9 2.5 Wish List 5 4.11 Peaks 10 2.5.1 More than one format at once 5 4.12 Blocking JACK 10 2.5.2 Files per Track / Bus 5 4.13 Does it have to be a dialog? 10 2.5.3 Optionally store timestamps 5 5 Track Export 11 2.6 General Problems 6 6 MIDI 12 3 Feature Requests 6 7 Steps After Exporting 12 3.1 Multichannel 6 7.1 Normalize 12 3.2 Individual Files 6 7.2 Trim silence 13 3.3 Realtime Export 6 7.3 Encode 13 3.4 Range ad File Export History 7 7.4 Tag 13 3.5 Running a Script 7 7.5 Upload 13 3.6 Export Markers as Text 7 7.6 Burn CD / DVD 13 4 The Current Dialog 7 7.7 Backup / Archiving 14 4.1 Time Span Selection 7 7.8 Authoring 14 4.2 Ranges 7 8 Container Formats 14 4.3 File vs Directory Selection 8 8.1 libsndfile, currently offered for Export 14 4.4 Container Types 8 8.2 libsndfile, also interesting 14 8.3 libsndfile, rather exotic 15 12 Specification 18 8.4 Interesting 15 12.1 Core 18 8.4.1 BWF – Broadcast Wave Format 15 12.2 Layout 18 8.4.2 Matroska 15 12.3 Presets 18 8.5 Problematic 15 12.4 Speed 18 8.6 Not of further interest 15 12.5 Time span 19 8.7 Check (Todo) 15 12.6 CD Marker Files 19 9 Encodings 16 12.7 Mapping 19 9.1 Libsndfile supported 16 12.8 Processing 19 9.2 Interesting 16 12.9 Container and Encodings 19 9.3 Problematic 16 12.10 Target Folder 20 9.4 Not of further interest 16 12.11 Filenames 20 10 Container / Encoding Combinations 17 12.12 Multiplication 20 11 Elements 17 12.13 Left out 21 11.1 Input 17 13 Credits 21 11.2 Output 17 14 Todo 22 1 Introduction 4 1 Introduction 2 Insights From a Survey The basic purpose of Ardour's export functionality is I conducted a quick survey on the Linux Audio Users to create mixdowns of multitrack arrangements.
[Show full text]
PXC 550 Wireless Headphones
PXC 550 Wireless headphones Instruction Manual 2 | PXC 550 Contents Contents Important safety instructions ...................................................................................2 The PXC 550 Wireless headphones ...........................................................................4 Package includes ..........................................................................................................6 Product overview .........................................................................................................7 Overview of the headphones .................................................................................... 7 Overview of LED indicators ........................................................................................ 9 Overview of buttons and switches ........................................................................10 Overview of gesture controls ..................................................................................11 Overview of CapTune ................................................................................................12 Getting started ......................................................................................................... 14 Charging basics ..........................................................................................................14 Installing CapTune .....................................................................................................16 Pairing the headphones ...........................................................................................17
[Show full text]
Blackberry QNX Multimedia Suite
PRODUCT BRIEF QNX Multimedia Suite The QNX Multimedia Suite is a comprehensive collection of media technology that has evolved over the years to keep pace with the latest media requirements of current-day embedded systems. Proven in tens of millions of automotive infotainment head units, the suite enables media-rich, high-quality playback, encoding and streaming of audio and video content. The multimedia suite comprises a modular, highly-scalable architecture that enables building high value, customized solutions that range from simple media players to networked systems in the car. The suite is optimized to leverage system-on-chip (SoC) video acceleration, in addition to supporting OpenMAX AL, an industry open standard API for application-level access to a device’s audio, video and imaging capabilities. Overview Consumer’s demand for multimedia has fueled an anywhere- o QNX SDK for Smartphone Connectivity (with support for Apple anytime paradigm, making multimedia ubiquitous in embedded CarPlay and Android Auto) systems. More and more embedded applications have require- o Qt distributions for QNX SDP 7 ments for audio, video and communication processing capabilities. For example, an infotainment system’s media player enables o QNX CAR Platform for Infotainment playback of content, stored either on-board or accessed from an • Support for a variety of external media stores external drive, mobile device or streamed over IP via a browser. Increasingly, these systems also have streaming requirements for Features at a Glance distributing content across a network, for instance from a head Multimedia Playback unit to the digital instrument cluster or rear seat entertainment units. Multimedia is also becoming pervasive in other markets, • Software-based audio CODECs such as medical, industrial, and whitegoods where user interfaces • Hardware accelerated video CODECs are increasingly providing users with a rich media experience.
[Show full text]
SA1OPS English User Manual
Register your product and get support at www.philips.com/welcome SA1OPS08 SA1OPS16 SA1OPS32 EN User manual Select files and playlists for manual Contents sync 15 Copy files from GoGear Opus to your computer 16 English 1 Important safety information 3 WMP11 playlists 16 General maintenance 3 Create a regular playlist 16 Recycling the product 4 Create an auto playlist 16 Edit playlist 17 2 Your new GoGear Opus 6 Transfer playlists to GoGear Opus 17 What’s in the box 6 Search for music or pictures with WMP11 17 Delete files and playlists from WMP11 3 Getting started 7 library 17 Overview of the controls and Delete files and playlists from GoGear connections 7 Opus 18 Overview of the main menu 7 Edit song information with WMP11 18 Install software 8 Format GoGear Opus with WMP11 19 Connect and charge 8 Connect GoGear Opus to a computer 8 6 Music 20 Battery level indication 8 Listen to music 20 Battery level indication 9 Find your music 20 Disconnect GoGear Opus safely 9 Delete music tracks 20 Turn GoGear Opus on and off 9 Automatic standby and shut-down 9 7 Audiobooks 21 Add audiobooks to GoGear Opus 21 4 Use GoGear Opus to carry files 10 Audiobook controls 21 Select audiobook by book title 21 Adjust audiobook play speed 22 5 Windows Media Player 11 Add a bookmark in an audiobook 22 (WMP11) 11 Find a bookmark in an audiobook 22 Install Windows Media Player 11 Delete a bookmark in an audiobook 22 (WMP11) 11 Transfer music and picture files to WMP11 library 11 8 Video 23 Switch between music and pictures Download, convert and transfer library
[Show full text]
Audio Coding for Digital Broadcasting
Recommendation ITU-R BS.1196-7 (01/2019) Audio coding for digital broadcasting BS Series Broadcasting service (sound) ii Rec. ITU-R BS.1196-7 Foreword The role of the Radiocommunication Sector is to ensure the rational, equitable, efficient and economical use of the radio- frequency spectrum by all radiocommunication services, including satellite services, and carry out studies without limit of frequency range on the basis of which Recommendations are adopted. The regulatory and policy functions of the Radiocommunication Sector are performed by World and Regional Radiocommunication Conferences and Radiocommunication Assemblies supported by Study Groups. Policy on Intellectual Property Right (IPR) ITU-R policy on IPR is described in the Common Patent Policy for ITU-T/ITU-R/ISO/IEC referenced in Resolution ITU-R 1. Forms to be used for the submission of patent statements and licensing declarations by patent holders are available from http://www.itu.int/ITU-R/go/patents/en where the Guidelines for Implementation of the Common Patent Policy for ITU-T/ITU-R/ISO/IEC and the ITU-R patent information database can also be found. Series of ITU-R Recommendations (Also available online at http://www.itu.int/publ/R-REC/en) Series Title BO Satellite delivery BR Recording for production, archival and play-out; film for television BS Broadcasting service (sound) BT Broadcasting service (television) F Fixed service M Mobile, radiodetermination, amateur and related satellite services P Radiowave propagation RA Radio astronomy RS Remote sensing systems S Fixed-satellite service SA Space applications and meteorology SF Frequency sharing and coordination between fixed-satellite and fixed service systems SM Spectrum management SNG Satellite news gathering TF Time signals and frequency standards emissions V Vocabulary and related subjects Note: This ITU-R Recommendation was approved in English under the procedure detailed in Resolution ITU-R 1.
[Show full text]
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format.
[Show full text]
Ogg Audio Codec Download
Ogg audio codec download click here to download To obtain the source code, please see the xiph download page. To get set up to listen to Ogg Vorbis music, begin by selecting your operating system above. Check out the latest royalty-free audio codec from Xiph. To obtain the source code, please see the xiph download page. Ogg Vorbis is Vorbis is everywhere! Download music Music sites Donate today. Get Set Up To Listen: Windows. Playback: These DirectShow filters will let you play your Ogg Vorbis files in Windows Media Player, and other OggDropXPd: A graphical encoder for Vorbis. Download Ogg Vorbis Ogg Vorbis is a lossy audio codec which allows you to create and play Ogg Vorbis files using the command-line. The following end-user download links are provided for convenience: The www.doorway.ru DirectShow filters support playing of files encoded with Vorbis, Speex, Ogg Codecs for Windows, version , ; project page - for other. Vorbis Banner Xiph Banner. In our effort to bring Ogg: Media container. This is our native format and the recommended container for all Xiph codecs. Easy, fast, no torrents, no waiting, no surveys, % free, working www.doorway.ru Free Download Ogg Vorbis ACM Codec - A new audio compression codec. Ogg Codecs is a set of encoders and deocoders for Ogg Vorbis, Speex, Theora and FLAC. Once installed you will be able to play Vorbis. Ogg Vorbis MSACM Codec was added to www.doorway.ru by Bjarne (). Type: Freeware. Updated: Audiotags: , 0x Used to play digital music, such as MP3, VQF, AAC, and other digital audio formats.
[Show full text]
Multimedia Compression Techniques for Streaming
International Journal of Innovative Technology and Exploring Engineering (IJITEE) ISSN: 2278-3075, Volume-8 Issue-12, October 2019 Multimedia Compression Techniques for Streaming Preethal Rao, Krishna Prakasha K, Vasundhara Acharya most of the audio codes like MP3, AAC etc., are lossy as Abstract: With the growing popularity of streaming content, audio files are originally small in size and thus need not have streaming platforms have emerged that offer content in more compression. In lossless technique, the file size will be resolutions of 4k, 2k, HD etc. Some regions of the world face a reduced to the maximum possibility and thus quality might be terrible network reception. Delivering content and a pleasant compromised more when compared to lossless technique. viewing experience to the users of such locations becomes a The popular codecs like MPEG-2, H.264, H.265 etc., make challenge. audio/video streaming at available network speeds is just not feasible for people at those locations. The only way is to use of this. FLAC, ALAC are some audio codecs which use reduce the data footprint of the concerned audio/video without lossy technique for compression of large audio files. The goal compromising the quality. For this purpose, there exists of this paper is to identify existing techniques in audio-video algorithms and techniques that attempt to realize the same. compression for transmission and carry out a comparative Fortunately, the field of compression is an active one when it analysis of the techniques based on certain parameters. The comes to content delivering. With a lot of algorithms in the play, side outcome would be a program that would stream the which one actually delivers content while putting less strain on the audio/video file of our choice while the main outcome is users' network bandwidth? This paper carries out an extensive finding out the compression technique that performs the best analysis of present popular algorithms to come to the conclusion of the best algorithm for streaming data.
[Show full text]
A Multi-Frame PCA-Based Stereo Audio Coding Method
applied sciences Article A Multi-Frame PCA-Based Stereo Audio Coding Method Jing Wang *, Xiaohan Zhao, Xiang Xie and Jingming Kuang School of Information and Electronics, Beijing Institute of Technology, 100081 Beijing, China; [email protected] (X.Z.); [email protected] (X.X.); [email protected] (J.K.) * Correspondence: [email protected]; Tel.: +86-138-1015-0086 Received: 18 April 2018; Accepted: 9 June 2018; Published: 12 June 2018 Abstract: With the increasing demand for high quality audio, stereo audio coding has become more and more important. In this paper, a multi-frame coding method based on Principal Component Analysis (PCA) is proposed for the compression of audio signals, including both mono and stereo signals. The PCA-based method makes the input audio spectral coefficients into eigenvectors of covariance matrices and reduces coding bitrate by grouping such eigenvectors into fewer number of vectors. The multi-frame joint technique makes the PCA-based method more efficient and feasible. This paper also proposes a quantization method that utilizes Pyramid Vector Quantization (PVQ) to quantize the PCA matrices proposed in this paper with few bits. Parametric coding algorithms are also employed with PCA to ensure the high efficiency of the proposed audio codec. Subjective listening tests with Multiple Stimuli with Hidden Reference and Anchor (MUSHRA) have shown that the proposed PCA-based coding method is efficient at processing stereo audio. Keywords: stereo audio coding; Principal Component Analysis (PCA); multi-frame; Pyramid Vector Quantization (PVQ) 1. Introduction The goal of audio coding is to represent audio in digital form with as few bits as possible while maintaining the intelligibility and quality required for particular applications [1].
[Show full text]