2011 May HTMA Newsletter.Pdf
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Flatpicking Guitar Magazine Index of Reviews
Flatpicking Guitar Magazine Index of Reviews All reviews of flatpicking CDs, DVDs, Videos, Books, Guitar Gear and Accessories, Guitars, and books that have appeared in Flatpicking Guitar Magazine are shown in this index. CDs (Listed Alphabetically by artists last name - except for European Gypsy Jazz CD reviews, which can all be found in Volume 6, Number 3, starting on page 72): Brandon Adams, Hardest Kind of Memories, Volume 12, Number 3, page 68 Dale Adkins (with Tacoma), Out of the Blue, Volume 1, Number 2, page 59 Dale Adkins (with Front Line), Mansions of Kings, Volume 7, Number 2, page 80 Steve Alexander, Acoustic Flatpick Guitar, Volume 12, Number 4, page 69 Travis Alltop, Two Different Worlds, Volume 3, Number 2, page 61 Matthew Arcara, Matthew Arcara, Volume 7, Number 2, page 74 Jef Autry, Bluegrass ‘98, Volume 2, Number 6, page 63 Jeff Autry, Foothills, Volume 3, Number 4, page 65 Butch Baldassari, New Classics for Bluegrass Mandolin, Volume 3, Number 3, page 67 William Bay: Acoustic Guitar Portraits, Volume 15, Number 6, page 65 Richard Bennett, Walking Down the Line, Volume 2, Number 2, page 58 Richard Bennett, A Long Lonesome Time, Volume 3, Number 2, page 64 Richard Bennett (with Auldridge and Gaudreau), This Old Town, Volume 4, Number 4, page 70 Richard Bennett (with Auldridge and Gaudreau), Blue Lonesome Wind, Volume 5, Number 6, page 75 Gonzalo Bergara, Portena Soledad, Volume 13, Number 2, page 67 Greg Blake with Jeff Scroggins & Colorado, Volume 17, Number 2, page 58 Norman Blake (with Tut Taylor), Flatpickin’ in the -
CONCESSION 23 Opens for the JAMES KING BAND
BMACC Notes The Bluegrass Music Association of Central Canada Newsletter—Volume 4 Issue 2—April 2010 Winter Concert Series—February 23—Ottawa hosted by The Ottawa Valley Bluegrass Association CONCESSION 23 opens for THE JAMES KING BAND www.bmacc.ca BMACCPhotos CourtesyNotes—April of Rosemary 2010 Page Davis1 BOARD OF DIRECTORS ADVERTISING RATES Publicize your event, band or organization in “NOTES” or President – Denis Chadbourn on our website. Home: 705-776-7754 Work: 705-474-2271 BMACC NOTES Vice-president – Donald Tarte Single Issue Annual 877-876-3369 1/8 Page (Business Card) $25.00 $ 90.00 Secretary – Leann Chadbourn 1/4 Page 35.00 126.00 705-776-7754 1/2 Page 55.00 198.00 Treasurer – Roland Aucoin Full Page 80.00 288.00 905-635-1818 Envelope stuffing is 10¢ per insert Directors at Large WEBSITE Gord deVries 519-668-0418 Quarterly Annual Karen May 100 px X 250 pixels $20.00 $ 72.00 705-788-4362 200 px X 250 pixels 30.00 108.00 Open 400 px X 250 pixels 35.00 180.00 Full Page 50.00 252.00 Bernie Melosh Open COMBO NEWSLETTER + WEBSITE Larry Johnston BEST VALUE 519-576-9768 Quarterly Annual Open 100 px X 250 pixels $35.00 $126.00 200 px X 250 pixels 50.00 180.00 400 px X 250 pixels 75.00 270.00 Full Page 115.00 414.00 Members receive 25% discount off the above rates. Maximize Your Membership WHAT”S INSIDE From the President—Page 3 If there are individual members of BMACC that belong to a band or Leadership Bluegrass 2010—Page 5/6 other organization, you should consider paying an additional $30 to take advantage of what BMACC can offer. -
December 2004 Troubadour
FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news January 2005 www.sandiegotroubadour.com Vol. 4, No. 4 what’s Nickel Creek: inside Living the Dream Welcome Mat ………3 Mission Statement Contributors Tales from the Trails Full Circle.. …………4 Eugene Vacher Recordially, Lou Curtiss Front Porch …………6 KKSM’s Joan Rubin Tom Boyer Parlor Showcase... …8 Nickel Creek Ramblin’... …………10 Bluegrass Corner Zen of Recording Hosing Down Radio Daze The Highway’s Song... 12 Al Kooper Of Note. ……………13 Griffin House The Taylor Harvey Band Itai ickles the horse chews February 1981, also a home grown Sean and Sara when the surf is good, Rookie Card contentedly in the prodigy raised in the Idylwild moun - and one can feel the excitement in Tom McRae small backyard pasture tains a couple of hours from Vista, it the house as they prepare for one of ‘Round About ....... …14 as the three young - is the mandolin. The three friends are their regular surf safaris to Carlsbad. January Music Calendar sters on the back already creating quite a stir at blue - Mom Karen happily shows the latest porch play their instru - grass festivals and contests. photos of the body board exploits, The Local Seen ……15 ments. It’s peaceful and Life is good in those early days. and Sean and Sara both expound on Photo Page Pbucolic in rural Vista during the mid School at home, church and church the great rides, and “getting pound - 1980s for these three home- activities, surfing, skiing, camping with ed” on the bigger days. -
Roland White Band
The Roland White Band Roland White Bluegrass mandolin master Roland White has played in some of the most influential and popular groups in the music's history, and has played a notable part in creating that history. Springing from a large family of musicians, Roland and his younger brothers Eric and Clarence first played together as youngsters in their native Maine. Moving to southern California in 1955, The Country Boys (later to become The Kentucky Colonels) won talent contests, appeared on local television shows and even landed appearances on The Andy Griffith Show. They toured the country during the folk music boom of the early 60's, creating a sensation among coffeehouse, festival and college audiences with their instrumental virtuosity, traditional brother vocal harmonies and rhythmic innovations. The Kentucky Colonels' influence far exceeded the band's short tenure as an active band. Their "Appalachian Swing" album remains one of the most important albums of that era, a landmark in the history of bluegrass. Moving from The Kentucky Colonels into a position as guitarist for Bill Monroe in the late 60's, Roland absorbed the traditional feel and repertoire from his mentor, the Father Of Bluegrass, which remains a strong element in his music today. From Monroe's band, Roland joined that of another bluegrass pioneer, Lester Flatt, playing mandolin and recording several albums as a member of The Nashville Grass from 1969-1973. In 1973 a short-lived reunion of The White Brothers was brought to an untimely end due to Clarence White's tragic death. Of this brief reunion came two concert recordings that capture the excitement of the White Brothers' sound fully matured, after Clarence's excursions in country rock with the Byrds and Roland's studies with the Monroe and Flatt. -
Need Christmas Presents? We’Ve Got You Covered!
Return Service Requested NON-PROFIT ORGANIZATION U.S. POSTAGE PAID PO Box 21748 Juneau, AK Juneau, AK 99802-1748 Permit #194 www.akfolkfest.org November 2014 Newsletter 41st Annual Alaska Folk Festival April 6-12, 2015 Need Christmas Presents? We’ve Got You Covered! e have reordered some of last year’s W amazing festival merchandise. Our merchandise last year sold like hot-cakes and we’ve heard from a lot of members that they wish they could still get their hands on the 40th festival items. You can find our festival merchandise at the gift store at the JACC year-round and we’ve got an extra large stock on hand for this year’s Public Market on November 28th,29th, & 30th. And for the first time ever we will have a pop-up store for Gallery Walk! The Senate Building, 2nd floor (where the fly fishing shop used to be) will be hosting the Alaska Folk Festival as part of this year’s December First Friday event, also known as Gallery Walk, on December 5th from 4:00 - 7:30pm. Come chat with board members, pick up some beautiful merchandise, and sign up for, or renew your membership. Merchandise is one of the primary ways that the festival gen- erates funds and we greatly appreciate your support, and we LOVE seeing those folk fest hoodies around town. The 2015 AFF Guest Artist: The Byron Berline Band he Alaska Folk Festival is thrilled to have the Byron Year.' As one of the world’s premier fiddle players, Berline T Berline Band as our 2015 guest artist. -
Elliott's Ramblers
1 COPYRIGHT © CENTRAL TEXAS BLUEGRASS ASSOCIATION IBMA Member Central Vol. 34 No. 7 Texas Bluegrass July 1, 2012 Copyright © 2012 by Central Texas Bluegrass Association Elliott’s Ramblers Interview with Elliott & Janice Rogers 2 COPYRIGHT © CENTRAL TEXAS BLUEGRASS ASSOCIATION The Listening Post The Listening Post is a forum established to monitor bluegrass musical recordings, live performances, or events in Texas. Our mailbox sometimes contains CDs for us to review. Here is where you will find reviews of the CD’s Central Texas Bluegrass Association receives as well as reviews of live performances or workshops. Blue Bell & Bluegrass Festival in Llano is Jam Good MilkDrive Waves In case you weren’t paying attention, Austin has one of the best jazz-grass bands in the world. I don’t know how they do it but Milk- Drive’s Brian Beken, Den- nis Ludiker, Noah Jeffries, & Matt Mefford have re- leased another new sophis- ticated CD. “Waves” release was at the Cactus on June 19th and audiences were once again floored by their (l to r) Alan Munde & Rolf Sieker Photo by Ken Brown incredible musicianship. The new CD consists of The music started Friday evening with the Taste of Llano, with lots of jam- four covers and six originals. ming and free food. Then the jammers moved to The Badu House for the rest Again, the guys teamed up of the night. The live music started promptly at 9 AM Saturday, with bands with producer Bil VornDick playing every hour through 6 PM. We were treated to a broad and eclectic (who has produced Alison mix of Bluegrass music, anchored in tradition with the great performance of Kraus & Bela Fleck) and fea- the Alan Munde Gazette. -
Gonzo Weekly #175
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 Dear Friends, Welcome to another issue of the magazine which I started on a whim, and which continues to astonish me by going from strength to strength when I truly never expected it to. The fact it is put together on a the spirit behind the magazine. As most of wing and a prayer each week, with some you know I am also the director of the Centre issues pushing a hundred pages, never ceases for Fortean Zoology, and we have as our to amaze me, but I think this is testament to motto the latin phrase Pro Bona Causa 4 “This year is shaping up to be one of the nastiest in my memory, and I have a horrible feeling that things are not going to get easier” Facimus (we do it for good reason) which I atrocity, this time in Brussels, where - as I pinched many years ago from a children’s write this on Wednesday night - 34 people book called The Case of the Silver Egg by were killed and hundreds wounded by attacks the late Desmond Skirrow. It has always led by a pair of fraternal suicide bombers. been a watchword of mine that when one This year is shaping up to be one of the does things for the right reason they work nastiest in my memory, and I have a horrible out far better than when one does things for feeling that things are not going to get easier purely mercenary considerations. -
Mundealan2011-12-08Transcript.Pdf (1.076Mb)
Oral History Interview of Alan Munde Interviewed by: Andy Wilkinson December 8, 2011 Wimberley, Texas Part of the: Crossroads of Music Archive Texas Tech University’s Southwest Collection/Special Collections Library, Oral History Program Copyright and Usage Information: An oral history release form was signed by Alan Munde on December 8, 2011. This transfers all rights of this interview to the Southwest Collection/Special Collections Library, Texas Tech University. This oral history transcript is protected by U.S. copyright law. By viewing this document, the researcher agrees to abide by the fair use standards of U.S. Copyright Law (1976) and its amendments. This interview may be used for educational and other non-commercial purposes only. Any reproduction or transmission of this protected item beyond fair use requires the written and explicit permission of the Southwest Collection. Please contact Southwest Collection Reference staff for further information. Preferred Citation for this Document: Munde, Alan Oral History Interview, December 8, 2011. Interview by Andy Wilkinson, Online Transcription, Southwest Collection/Special Collections Library. URL of PDF, date accessed. The Southwest Collection/Special Collections Library houses almost 6000 oral history interviews dating back to the late 1940s. The historians who conduct these interviews seek to uncover the personal narratives of individuals living on the South Plains and beyond. These interviews should be considered a primary source document that does not implicate the final verified narrative of any event. These are recollections dependent upon an individual’s memory and experiences. The views expressed in these interviews are those only of the people speaking and do not reflect the views of the Southwest Collection or Texas Tech University. -
The Shakin' Street Gazette, Volume 2
State University of New York College at Buffalo - Buffalo State College Digital Commons at Buffalo State Shakin Street Gazette, Student Music Magazine Buffalo State Archives: History of the College 11-1-1973 The Shakin' Street Gazette, Volume 2 The Shakin' Street Gazette Follow this and additional works at: https://digitalcommons.buffalostate.edu/shakinstreet Part of the History Commons Recommended Citation The Shakin' Street Gazette, "The Shakin' Street Gazette, Volume 2" (1973). Shakin Street Gazette, Student Music Magazine. 2. https://digitalcommons.buffalostate.edu/shakinstreet/2 This Book is brought to you for free and open access by the Buffalo State Archives: History of the College at Digital Commons at Buffalo State. It has been accepted for inclusion in Shakin Street Gazette, Student Music Magazine by an authorized administrator of Digital Commons at Buffalo State. For more information, please contact [email protected]. The most-asked question of the week is why Joe Perry always makes a puss when a picture of Aerosmith i$ taken. No matter, we're glad to )see "Dream On" Tee;nageMusicin the 70's: Part 2!! climbing up the charts, and Aerosmith "Checkin' out the halls, makin' sure the coast is clear, -GARY SPERRAZZA! will prove, within the next six months, to Hi there! .. , Nab, don't get excited, I'm Lookin' in the stalls, Nah, there /3.in't nobody here, be one of the more important bands of still dead, but me and the boys figured Well, my buddy Fang and me and Paul, the 70's. this is a good enough way to attract your To get caught would surely be the death of us all ' ,, . -
Nominations for 2019 International Bluegrass Music Awards Announced
Nominations for 2019 International Bluegrass Music Awards Announced Balsam Range, Sam Bush Band, The Earls of Leicester, Del McCoury Band, and Joe Mullins & the Radio Ramblers are the “Entertainer of the Year” nominees IBMA Announces 2019 Annual Inductees to the Bluegrass Hall of Fame: Mike Auldridge, Bill Emerson, The Kentucky Colonels Five Bluegrass Industry Innovators Announced as Recipients of the Distinguished Achievement Award Nashville, TN, July 24, 2019 –Nominees for the 2019 International Bluegrass Music Awards were announced today in Nashville, Tennessee. The extraordinary talent of the performers nominated for “Entertainer of the Year”- Balsam Range, Sam Bush Band, The Earls of Leicester, Del McCoury Band, and Joe Mullins & the Radio Ramblers - is evident, with 24 Bluegrass Music Awards nominations among the five nominees this year. Multiple nominations for Sister Sadie, Carolina Blue, Mile Twelve, Molly Tuttle, Missy Raines and Rhonda Vincent also are notable on this year’s list of nominees. Results of the balloting will be revealed at the International Bluegrass Music Awards on Thursday, September 26, at the Duke Energy Performing Arts Center in Raleigh, North Carolina. Also announced today were three inductees into the Bluegrass Hall of Fame: prolific dobro innovator Mike Auldridge, influential banjo player Bill Emerson, and influential West Coast band The Kentucky Colonels; additionally, five people who have made significant contributions to bluegrass music were named as recipients of the Distinguished Achievement Award: broadcaster Katy Daley, label founder Mickey Gamble, former Executive Director of IBMA Dan Hays, musician Allen Mills, and Japanese bluegrass magazine Moonshiner. Tickets for the 30th Annual International Bluegrass Music Awards Show are available by logging onto worldofbluegrass.org or by calling 1-800-514-3849. -
Phil Nusbaum AB: Art Bjorngjeld PN
Art Bjorngjeld Narrator Phil Nusbaum Interviewer May 18, 2010 PN: Phil Nusbaum AB: Art Bjorngjeld PN: Well, this is May 18th, 2010. I’m Phil Nusbaum, and Art Bjorngjeld is the interviewee. We’re talking about Art’s experiences and perceptions in Bluegrass, and related idioms and such. Let me ask you first, your birth date, where you’re from, and all that information. AB: Alright. I was born in 1954, grew up in Brooklyn Center, Minnesota. My dad built a home there in ‘49, after the war, and settled there and that’s where I grew up. PN: When did you first become aware of music? AB: I grew up in a family that had get-togethers, and every time we’d have a get-together they’d play music: my uncles and my dad. My dad played the accordion, my Uncle Irvin played the banjo, Clarence played the harmonica, and so every time there was a family get-together, there was music. I did not participate much, and didn’t really appreciate it for a long time, but I was certainly aware of it. PN: Were you encouraged by the others to participate? AB: Oh yeah, always. When I was about six years old, they had a drum set for me, and I’d drum along. They encouraged me to play music in band, and as a kid, we had an organ in the house, I had organ lessons. I played clarinet in high school, but no real big interest in any of it. PN: Just something that was taking place in the house. -
The History of the Walnut Valley Festival
COMING HOME TO WINFIELD: THE HISTORY OF THE WALNUT VALLEY FESTIVAL A Thesis by Seth Stephen Bate Bachelor of Arts, Southwestern College, 1993 Submitted to the Department of History and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts May 2018 © 2018 by Seth Bate All Rights Reserved COMING HOME TO WINFIELD: THE HISTORY OF THE WALNUT VALLEY FESTIVAL The following faculty members have examined the final copy of this thesis for form and content, and recommend that it be accepted in partial fulfilment of the requirement for the degree of Master of Arts with a major in History. _________________________________________ Jay Price, Committee Chair _________________________________________ Jeffrey Hayton, Committee Member _________________________________________ Peter Cohen, Committee Member iii DEDICATION To Emma Eleni and Owen Mathers, who have the Walnut Valley Festival in their blood. iv “You know I’m not traditional and I’ve never claimed to be. But I come from a tradition that others made for me. They’re still alive inside my heart although they’re now long gone; I like to think they trusted me to pass the music on.” — Si Kahn and Tom Chapin v ACKNOWLEDGMENTS I would like to thank my colleagues in the Wichita State University Community Engagement Institute for their encouragement and flexibility as I have attempted to balance my professional and scholarly pursuits. In particular, thank you to my fellow WSU leadership facilitators and coaches, including Sonja Armbruster, Kevin Bomhoff, Peter Cohen, Jessica Fiscus, Joyce McEwen Crane, and Teresa Strausz.