Robespierre's Catechism of Terror
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Roberts & Tilton
ROBERTS & TILTON FOR IMMEDIATE RELEASE March 12, 2016 Daniel Joseph Martinez IF YOU DRINK HEMLOCK, I SHALL DRINK IT WITH YOU or A BEAUTIFUL DEATH; player to player, pimp to pimp. (As performed by the inmates of the Asylum of Charenton under the direction of the Marquis de Sade) April 9 – May 21, 2016 Sade: “Justine (or The Misfortunes of Virtue)” 1791 Opening Reception Saturday, April 9th, 6-8pm Roberts & Tilton is pleased to present a new installation by Daniel Joseph Martinez. “IF YOU DRINK HEMLOCK, I SHALL DRINK IT WITH YOU or A BEAUTIFUL DEATH; player to player, pimp to pimp. (As performed by the inmates of the Asylum of Charenton under the direction of the Marquis de Sade)” is an immersive environment referencing Jacques-Louis David’s seminal portrait The Death of Marat (1793). Whereas David’s painting represents a single moment, Martinez’s interpretation is conceived as a mise en scène, constantly oscillating between past and present. Entering the gallery, the viewer is confronted by a pair of aluminum bleachers dividing the gallery space. Monitors depicting slow moving clouds are hung over each set, suggesting windows. In the space carved out between the bleachers are three life-like sculptures of Martinez as Marat, his assassin Charlotte Corday, and of the artist himself. A closer look reveals that while the figures are modeled after the artist’s own body, each appropriate the signifiers specific to their character: a knife; fresh wounds; a bathtub; a chore jacket. Confronting this hyper-awareness of the physical body is the fourth character, who appears in the deadpan recital of Corday’s monologues from Peter Weiss’s play “Marat/Sade” (1963) projected throughout the installation. -
'The Collection of Marat's Bibliographer' at the British Library
'THE COLLECTION OF MARAT'S BIBLIOGRAPHER' AT THE BRITISH LIBRARY JACQUES DE COCK 'TELL me what you do and I shall tell you who you are.' We are reminded of this saying when considering the personality of Francois Chevremont, an enthusiastic collector, a scholar and the author of two works on Jean-Paul Marat. From 1845 onwards throughout fifty years of patient research/ Chevremont assembled the most important collection of documents relating to the * Friend of the People'. His works are highly regarded and yet we know almost nothing about this man, who was born in 1824 and died in 1907, who lived in Paris in the Avenue de Clichy, before moving to Lizy-sur-Ourcq in the department of Seine-et-Marne. His destiny is, therefore, especially connected with that of his work and his collection. It is with the fate of the latter that we shall be concerned here.^ Around 1880 Francois Chevremont, then almost sixty, was extremely worried about keeping his collection together; he therefore sent various French libraries a form letter worded as follows: Fig. I. Jean Paul Marat; frontispiece engraving from Les Chaines de Pesdavage (1833). 645.3.4 44 Dear Sir, For thirty years I have been collecting everything relating to J.-P. Marat. Apart from the complete set of the scientific, philosophical and political works of the scholar, philosopher and journalist, today this collection consists of: 1° The seven original folio placards 2° The plan for critninal legislation reprinted by Marat's widow 3" A considerable number of brochures and documents all relating to Marat 4'' An important collection of engravings and drawings 5" Two paintings, a miniature, some medallion portraits, two copper engravings one of which is by Copia etc. -
Analysing the High Art of Propaganda During the French Revolution
Thema Close to the Source: Analysing the High Art of Propaganda during the French Revolution Jacques-Louis David’s The Death of Marat reveals the blurred lines between historical fact and fiction. Cam Wilson, undergraduate student, The University of Melbourne Analysing primary source material is both an The Death of Marat (1793, see Figure 1) by Jacques- important and highly rewarding exercise in historical Louis David is a uniquely complex historical source scholarship. The ability to critically examine and that captures both the brutal reality and the elaborate evaluate primary documents is the foundation of fiction of the French Revolution. The tragic depiction quality historical research. Analysis requires historians of Jean-Paul Marat, the radical journalist and political to look far beyond first impressions of a historical agitator lying dead in his bath, reveals the methods source. They must examine it in fine detail and be employed by political propagandists to manufacture able to communicate their description to the reader. a new ideological reality for the revolutionary state. Reconstructing the historical context of the source Simultaneously, it serves to accentuate the sense of both deepens the analysis and frequently provides tragedy and death the revolution has left in its wake. This analysis examines the multiple meanings of inspiration for further research. Armed with detailed David’s iconic painting to explain how a historical research and observation, the focus of the analysis source with such a deliberate political agenda can is to uncover the intentions of the author and the reveal so much about revolutionary France. message they are trying to convey. -
Origins of the Worship of Reason During the French Revolution
K64 W. W. Kifner Origins of the. Worship of Reesson Durinq the French Rev-o(<jfion ORIGINS OF THE WORSHIP OF REASON DURING THE FRENCH REVOLUTION BY WILLIAM WALTER KITNER A. B. Illinois College, 1917 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN HISTORY IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS 1920 UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL JUNE 5, 191 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION RY WILLIAM WALTER KTTNER ENTITLED^ ORIGINS OF THE WORSHIP OF REASON DURING THE FRENCH REVOLUTION. BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF_ MASTER OF ARTS Head of Department Recommendation concurred in* Committee on Final Examination* *Required for doctor's degree but not for master's .. i 915 This study was undertaken at the suggestion of Professor Albert H. Lybyer. The author wishes to express his appreciation for the courtesies extended and the valuable assistance he has given. uiuc . ORIGINS OF THE WORSHIP OF REASON DURING THE FRENCH REVOLUTION. CONTENTS Chapters. Page Introduction. 1 I The Rise of the Gallican Church. 6 II Origins of Rationalism in France. 24 III The Eighteenth Century. 33 IV Church and State in France, 1789-93, 44 V The Formation of the Cult of Reason. 68 VI The FStes of Reason. 7b Conclusion. 80 Appendices. 7 I Alleged Correspondance between Boniface VIII and Philip the Fair, King of France. 83 II, The Council of Basel. 84 III The Pragmatic Sanction of Bourges. 86 IV Doctrines of the Cult of Reason. -
Prometheus & Atlas
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Prometheus & Atlas: An Inquiry into the Spectral Essence of Technoscience A Dissertation Presented by Jason Reza Jorjani to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Philosophy Stony Brook University September 2013 Stony Brook University The Graduate School Jason Reza Jorjani We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Edward S. Casey Distinguished Professor of Philosophy Don Ihde Distinguished Professor of Philosophy Megan Craig Associate Professor of Philosophy, Masters Program Director Jeffrey J. Kripal J. Newton Rayzor Chair in Philosophy and Religious Thought Chair of the Department of Religious Studies, Rice University This dissertation is accepted by the Graduate School Charles Taber Interim Dean of the Graduate School ii Abstract of the Dissertation Prometheus & Atlas by Jason Reza Jorjani Doctor of Philosophy in Philosophy Stony Brook University 2013 Technological science has shattered the worldviews of all traditional cultures subjected to it, at times provoking reactionary religious responses that only underscore the traumatic force of this worldwide development. Yet, as I argue, this world-colonizing force is not neutral. The anticipatory projection and world-building characteristic of scientific theorization are grounded in a practical comportment, so that the essence of technology or Craft is ontologically prior to theoretical science. In other words, science is always already Technoscience. -
The Cult of the Martyrs of Liberty
THE CULT OF THE MARTYRS OF LIBERTY: RADICAL RELIGIOSITY IN THE FRENCH REVOLUTION A Thesis Presented to The Faculty of Graduate Studies of The University of Guelph by ASHLEY SHIFFLETT In partial fulfillment of requirements for the degree of Master of Arts July 2008 © Ashley Shifflett, 2008. Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-42839-9 Our file Notre reference ISBN: 978-0-494-42839-9 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
An Analysis of Jacques-Louis David's History
Bound Away: The Liberty Journal of History Volume 4 Issue 1 Article 2 February 2021 Death and the Transformation of Women’s Roles Surrounding Death: An Analysis of Jacques-Louis David’s History Paintings Miranda Boljat [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/ljh Part of the Cultural History Commons, European History Commons, Fine Arts Commons, Other History of Art, Architecture, and Archaeology Commons, Painting Commons, and the Social History Commons Recommended Citation Boljat, Miranda (2021) "Death and the Transformation of Women’s Roles Surrounding Death: An Analysis of Jacques-Louis David’s History Paintings," Bound Away: The Liberty Journal of History: Vol. 4 : Iss. 1 , Article 2. Available at: https://digitalcommons.liberty.edu/ljh/vol4/iss1/2 This Article is brought to you for free and open access by Scholars Crossing. It has been accepted for inclusion in Bound Away: The Liberty Journal of History by an authorized editor of Scholars Crossing. For more information, please contact [email protected]. Death and the Transformation of Women’s Roles Surrounding Death: An Analysis of Jacques-Louis David’s History Paintings Abstract Jacques-Louis David is remembered today for his contributions to the world of Neoclassical art before the French Revolution, during the Revolution, and during the reign of Napoleon Bonaparte. His body of work represents an impressive journey from his Rococo roots to his Neoclassical political works to his many different portraits of Napoleon. In comparing his pieces, an observer can track the development of a variety of themes. Specifically, it is possible to see the different ways David portrayed the event of death in his history paintings. -
Leyla Cárdenas Especular (Threshold)
Leyla Cárdenas Especular (Threshold) Presented by LACMA and the UCLA Chicano Studies Research Center Curated by Chon Noriega The Colombian writer Manuel Hernández B. defines his nation’s capital, Bogotá, as a permanent threshold that announces the promise of a place that never arrives. Leyla Cárdenas’s Especular provides a real-world yet ghost-like image of this insight with her set of photographic prints of Bogota’s neoclassical train station façade. First built in the late 1880s—concurrent with the formation of the Republic of Colombia—the station is a once-hopeful symbol of the nation that then became a long abandoned modern ruin. Cárdenas represents the façade with two printed scrims suspended back-to-back from the ceiling, over twenty feet up, and running a similar distance along the floor. These discontinuous panels are cut to match the different track gauges used in Colombia that made a unified national transportation infrastructure impossible. Especular is part of a series in which the artist documents the architectural remnants of the urban fabric. Cárdenas reflects on these artworks as illustrating “History repeating itself: vicious circles and accumulation of thresholds that lead nowhere.” Daniel Joseph Martinez IF YOU DRINK HEMLOCK, I SHALL DRINK IT WITH YOU or A BEAUTIFUL DEATH; player to player, pimp to pimp. (As performed by the inmates of the Asylum of Charenton under the direction of the Marquis de Sade) Presented by LACMA and the UCLA Chicano Studies Research Center Curated by Chon Noriega Daniel Joseph Martinez’s immersive environment references Jacques-Louis David’s seminal portrait The Death of Marat (1793), painted and also reproduced shortly after Marat’s assassination during the French Revolution. -
Furies of the Guillotine: Female Revolutionaries In
FURIES OF THE GUILLOTINE: FEMALE REVOLUTIONARIES IN THE FRENCH REVOLUTION AND IN VICTORIAN LITERARY IMAGINATION A Thesis Presented to the faculty of the Department of History California State University, Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in History by Tori Anne Horton FALL 2016 © 2016 Tori Anne Horton ALL RIGHTS RESERVED ii FURIES OF THE GUILLOTINE: FEMALE REVOLUTIONARIES IN THE FRENCH REVOLUTION AND IN VICTORIAN LITERARY IMAGINATION A Thesis by Tori Anne Horton Approved by: __________________________________, Committee Chair Dr. Mona Siegel __________________________________, Second Reader Dr. Rebecca Kluchin ____________________________ Date iii Student: Tori Anne Horton I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. __________________________, Department Chair ___________________ Dr. Jeffrey Wilson Date Department of History iv Abstract of FURIES OF THE GUILLOTINE: FEMALE REVOLUTIONARIES IN THE FRENCH REVOLUTION AND IN VICTORIAN LITERARY IMAGINATION by Tori Anne Horton The idea of female revolutionaries struck a particular chord of terror both during and after the French Revolution, as represented in both legislation and popular literary imagination. The level and form of female participation in the events of the Revolution varied among social classes. Female participation during the Revolution led to an overwhelming fear of women demanding and practicing democratic rights in both a nonviolent manner (petitioning for education, demanding voting rights, serving on committees), and in a violent manner (engaging in armed protest and violent striking). The terror surrounding female democratic participation was manifested in the fear of the female citizen, or citoyenne. -
CO 480 Lecture 17 the French Revolution, Sophie Germain and History of Women in Mathematics
CO 480 Lecture 17 The French Revolution, Sophie Germain and History of Women in Mathematics July 4th, 2017 This Day in History July 4th, 1843 Liouville began an address to the Academy of Sciences with the words: \I hope to interest the Academy in announcing [that in] the papers of Evariste Galois I have found a solution, as precise as it is profound, of this beautiful problem: whether or not [the general equation of fifth degree] is solvable by radicals." This work of Galois was published in 1846. Announcements • Editorial Review is due Thursday at 2:30pm. • Assignment 4 is due Thursday July 20th at 2:30pm. • Final Edition will be due on Tuesday July 25th • Final Quiz will be on Tuesday July 25th. Today's Lecture • In the next three lectures, we will be talking about Sophie Germain and Adrien-Marie Legendre (later Gauss who will also be important) • Both lived during the French Revolution • I will start this topic with an extremely limited and brief overview of the French Revolution. Our library has a plethora of resources on the topic. • The Revolution has many debates surrounding it and I will do my best to give an objective view of it (and some parallels to modern day) France from 1780-1789 • France consisted of three estates and the monarchy. • This was called the Old Regime or Ancien R´egime. • Estates were the clergy, the nobles and the others (wage labourers, serfs/peasants, bourgeoisie (middle class) etc.) • Primarily, citizens lived in rural areas which was 10 times what it was today [McP02, p. -
Chapter 29 Revolutions and National States in the Atlantic World
Chapter 29 Revolutions and National States in the Atlantic World THE CHAPTER IN PERSPECTIVE Revolutions shook the Atlantic world in the late eighteenth and early nineteenth centuries, bringing unprecedented political and social changes. The American Revolution brought independence from Great Britain and the creation of a new republic. Shortly thereafter a revolution broke out that radically transformed French society and shook Europe to its core. Central and South America, including the Caribbean, would undergo similar transformations. These revolutions spread Enlightenment ideals and promoted the consolidation of national states. OVERVIEW Popular Sovereignty and Political Upheaval Obviously, much of the intellectual foundation for this revolutionary age relates back directly to Enlightenment thinkers. Enlightenment ideals such as popular sovereignty, individual freedom, political and legal equality, and the social contract formed the core of the philosophy of these revolutionary thinkers. The American Revolution proved a natural, although at the time surprising, expression of these concepts. The overwhelming victory in the Seven Years’ War pushed the British ahead in the race for world hegemony, but it also increased tension with their North American colonies. Jefferson’s Declaration of Independence mirrored the influence of Enlightenment thinkers such as Locke as well as the growing colonial dissatisfaction with the nature of their constitutional relationship to England. The colonial victory in the resulting war—due to a combination of American grit, British indecisiveness, and French aid—stood as an example for other thinkers dreaming of a new world. The French were inspired by the American example but also pushed to carry out change on a much more profound and radical level. -
The Republic
SECTION 2 The Republic Getting Started As you BEFORE Y OU R EAD read, take 5SETHEInteractive Reader and Study Guide notes on the changes TOFAMILIARIZESTUDENTSWITHTHESECTION MAIN I DEA READING F OCUS KEY T ERMS AND P EOPLE made in French gov- CONTENT An extreme government 1. What changes did the radical Maximilien Robespierre ernment and society changed French society and government make in French guillotine and on the Reign of Interactive Reader and Study Guide, tried through harsh means society and politics? counterrevolution Terror. Section 2 to eliminate its critics within 2. What was the Reign of Reign of Terror France. Terror, and how did it end? The Republic Name _____________________________ Class _________________ Date __________________ The French Revolution and Napoleon Section 2 MAIN IDEA An extreme government changed French society and tried through harsh means to eliminate its critics within France. Key Terms and People Jean-Paul Marat Maximilien Robespierre Mountain member and a leader of the National Convention guillotine an execution device that drops a sharp, heavy blade through the victim’s neck counterrevolution a revolution against a government established by a revolution Reign of Terror series of accusations, arrests and executions started by the Mountain MUST DIE! Taking Notes As you read the summary, use a chart like the one below to record changes in French government and society as well as those brought about by the Reign of Terror. Jacques-Louis David painted the Death of Marat Original content Copyright © by Holt, Rinehart and Winston. Additions and changes to the original content are the responsibility of the instructor.