DOCSLIB.ORG

Circle K 118 Country Club Road, Sherwood, Arkansas

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Circle K 118 Country Club Road, Sherwood, Arkansas CIRCLE K 118 COUNTRY CLUB ROAD, SHERWOOD, ARKANSAS OFFERING MEMORANDUM MCDONALD’S Walgreens CAMP JOSEPH T. ROBINSON 40 NORTH LITTLE ROCK DOWNTOWN LITTLE ROCK The information in this package has been secured from sources we believe to be reliable, but we make no representations or warranties, expressed or implied, as to the accuracy of the information. References to square footage or age are approximate. Buyer must verify the information and bears all risk for any inaccuracies. Any projections, opinions, assumptions or estimates used herein are for example purposes only and do not represent the current or future performance of the property. Marcus & Millichap Real Estate Investment Services is a service mark of Marcus & Millichap Real Estate Investment Services, Inc. © 2013 Marcus Millichap. ACT ID ZAA0070307 MARCUS & MILLICHAP 2 // Circle K Executive Summary 118 Country Club Road, Sherwood, AR 72120 FINANCIAL SUMMARY ANNUALIZED OPERATING DATA Price $5,155,600 Lease Years Annual Rent Cap Rate Cap Rate 6.30% 1 - 5 $324,802.53 6.30% Building Size 4,200 SF 6 - 10 $357,282.78 6.93% Net Cash Flow 6.30% $324,802.53 (1) (2) 11 - 15 $393,011.06 7.62% Year Built 2020 16 - 20 $432,312.16 8.39% Land/Lot Size 2.19 Acres Options Annual Rent Cap Rate LEASE SUMMARY Option 1 $475,543.38 9.22% Lease Type Absolute Triple-Net (NNN) Lease Option 2 $523,097.72 10.15% Tenant Circle K Option 3 $575,407.49 11.16% Guarantor Gas Express, LLC Option 4 $632,948.24 12.28% Roof & Structure Tenant Responsible Lease Commencement Date April 2020 Base Rent $324,802.53 Lease Expiration Date October 31, 2040 Net Operating Income $324,802.53 Lease Term 20 Years Total Return 6.30% $324,802.53 Rental Increases 10% Every 5 Years Renewal Options 4, 5 Year Options FOOTNOTES: Right of First Refusal 14 Days (1) The above annual rent is an estimate of what the final rent will be. The Tenant is re- quired to pay Seller (Developer) an annual rent based on a percentage of final construction costs. The final rent will be adjusted no later than thirty (30) days from rent commence- ment. Any pre-negotiated purchase price with a prospective Buyer will be modified based on the agreed upon cap rate at that time. (2) The Tenant has a 6-month interest only rent period from the time of opening. Seller will credit Buyer at closing the difference in rent. MARCUS & MILLICHAP 3 // Circle K MCDONALD’S JOHN F KENNEDY BLVD N HILLS BLVD COUNTRY CLUB RD MARCUS & MILLICHAP 4 // Circle K Property Description DEMOGRAPHICS 1-mile 3-miles 5-miles Population 2024 Projection 10,337 57,904 100,909 2019 Estimate 10,153 55,653 97,647 Growth 2019 – 2024 1.81% 4.05% 3.34% Households 2024 Projection 4,261 24,544 41,962 2019 Estimate 4,146 23,445 40,354 Growth 2019 – 2024 2.79% 4.69% 3.98% Income 2019 Est. Average $95,560 $75,366 $63,615 Household Income 2019 Est. Median INVESTMENT HIGHLIGHTS $67,817 $54,297 $45,368 Household Income » New 20 Year Absolute Triple-Net (NNN) Lease - 2020 Build 2019 Est. Per $39,019 $31,813 $26,386 Capita Income » 10% Rental Increases Every 5 Years » 100+ Unit Franchisee » Signalized Hard Corner Location » 97,647 Residents within a 5-Mile Radius, Growing Trade Area - Little Rock MSA » Across from Kroger-Anchored Shopping Center - Other Tenants Include Dollar Tree, Goodwill, McDonald’s, and Starbucks » Average Household Income Exceeds $95K within a 1-Mile Radius » Minutes from Downtown Little Rock » Strong Daytime Population - 102,886 Employees in Surrounding Area » Less Than 2 Miles Off the US-60 (82,000 Cars/Day) MARCUS & MILLICHAP 5 // Circle K Tenant Overview Tempe, Arizona Alimentation Couche-Tard 15,000+ 1951 www.circlek.com Headquarters Parent Company Locations Founded Website Circle K has become one of the most widely recognized convenience store Circle K’s parent company, Alimentation Couche-Tard Inc., is the leader in brands, known worldwide for quality products and great customer service. the Canadian convenience store industry. In the United States, it is the largest Founded in 1951 in El Paso, Texas, the company is now owned and operated by independent convenience store operator in terms of number of company- the Canada-based Alimentation Couche-Tard. It is present in most of the 50 U.S. operated stores. As of July 22, 2018, Couche-Tard’s network comprised 9,978 states, all Canadian provinces, and a number of European countries. convenience stores throughout North America. Whether you’re looking for snacks, beverages, or everyday necessities, Circle K FRANCHISEE OVERVIEW: Gas Express is a one-stop shop. Circle K’s brand “Favorites” carries products such as water, Gas Express is a franchisee of Circle K, known worldwide for quality products candy, soda, etc. The brand is well-known for their Polar Pop - a fountain beverage and great customer service. The franchise has over 100 locations throughout in a cup that “stays colder longer.” Additionally, the brand offers premium coffee, Alabama, Arkansas, Georgia,and Louisiana. Their goal is to continue to expand allowing customers to choose from a variety of brews, flavors, and sweeteners. the Circle K presence through an exclusive master franchise agreement. MARCUS & MILLICHAP 6 // Circle K MARCUS & MILLICHAP 7 // Circle K Location Overview 6 Miles to Downtown Little Rock 11 Miles to Bill & Hillary Clinton National Airport 12 Miles to University of Arkansas at Little Rock 19 Miles to Outlets of Little Rock Sherwood is a city in Arkansas’ Pulaski County, part of the Little Rock metropolitan America (WalletHub), and 12 Best Places to Live (Outside Magazine). area. As of 2018, the city’s estimated population was 31,237 residents. With over one million people residing within 50 minutes of downtown Little Little Rock, Arkansas sits on the banks of the Arkansas River in Pulaski County, Rock, the metro area has a strong and thriving economy. Global companies located in the center of the state. With a population of nearly 200,000 people, it have operations in the city, including Acxiom, Caterpillar Inc., Dassault Falcon is the largest city in Arkansas. Little Rock is a cultural, economic, government, Jet Corp., Dillard’s Inc., FIS Global, LM Wind Power, L’Oreal USA Products and transportation within Arkansas and the South. The city is home to strong Inc., Stephens Inc., and Welspun Tubular LLC. Organizations like the Arkansas institutions like Fortune 500 companies, urban universities and technical Regional Innovation Hub, Little Rock Tech Park, and The Venture Center, add to colleges, hospitals, arts and civil rights organizations, and churches. Little Rock the city’s impact in the startup realm. In recent years, the city has added $2.2 has received numerous accolades, including the 23rd Best Affordable Place to billion in new capital investment, $518 million in new annual payroll, and 15,480 Live (U.S. News and World Report, 2019). Little Rock also found its place on the jobs. list of 10 Cities to Watch in 2020 (Worth Magazine), 2019’s Best Foodie Cities in MARCUS & MILLICHAP 8 // Circle K [ exclusively listed by ] Zack House Mark J. Ruble Chris N. Lind Jamie A. Medress Anne Williams Associate Advisor Senior Managing Director First Vice President Senior Managing Director Broker of Record 602 687 6650 602 687 6766 602 687 6780 602 687 6778 License #: PB00066390 [email protected] [email protected] [email protected] [email protected] Offices Nationwide www.marcusmillichap.com NET LEASED DISCLAIMER entity without the written consent of Marcus & Millichap. By taking possession of and reviewing the information contained Marcus & Millichap hereby advises all prospective purchasers of Net Leased property as follows: herein the recipient agrees to hold and treat all such information in the strictest confidence. The recipient further agrees By accepting this Marketing Brochure, you agree to treat the information contained herein regarding the lease terms as that recipient will not photocopy or duplicate any part of the offering memorandum. If you have no interest in the subject confidential and proprietary and to only use such information to evaluate a potential purchase of this net leased property. property at this time, please return this offering memorandum to Marcus & Millichap. The information contained in this Marketing Brochure has been obtained from sources we believe to be reliable. However, This offering memorandum has been prepared to provide summary, unverified financial and physical information Marcus & Millichap has not and will not verify any of this information, nor has Marcus & Millichap conducted any to prospective purchasers, and to establish only a preliminary level of interest in the subject property. The information investigation regarding these matters. Marcus & Millichap makes no guarantee, warranty or representation whatsoever contained herein is not a substitute for a thorough due diligence investigation. Marcus & Millichap has not made any about the accuracy or completeness of any information provided. investigation, and makes no warranty or representation with respect to the income or expenses for the subject property, the future projected financial performance of the property, the size and square footage of the property and improvements, As the Buyer of a net leased property, it is the Buyer’s responsibility to independently confirm the accuracy and completeness the presence or absence of contaminating substances, PCBs or asbestos, the compliance with local, state and federal of all material information before completing any purchase. This Marketing Brochure is not a substitute for your thorough regulations, the physical condition of the improvements thereon, or the financial condition or business prospects of any due diligence investigation of this investment opportunity. Marcus & Millichap expressly denies any obligation to conduct a tenant, or any tenant’s plans or intentions to continue its occupancy of the subject property.
Load more

Recommended publications
  • Shabbat on the Circle
    January/February 2019 Tevet/Shevat/Adar I 5779 Founded in 1866 Publication No. 8180 • Vol. 93 • Issue No. 1 Our mission is to ensure the flourishing of Jewish life through educational, social and Conservative religious experiences in a warm and dynamic community. Tidings B’NAI JESHURUN CONGREGATION n t Join us t o he C for aN engaging ba ir Shabbat b c on the circle! a l B’NAI JESHURUN h e CONGREGATIONAL SHABBATON S COURTYARD BY MARRIOTT, UNIVERSITY CIRCLE • Fun and educational experiences for all ages • Connect and learn with family, JOIN US! friends and clergy • University Circle museums and MARCH 1-3, attractions 2019 • Catering by Kantina FEE: $90/adult (double occupancy) $50/child (2-13 years old) $280 family max (additional $50 for single occupancy) REGISTER TODAY AT bnaijeshurun.org Building our Community B’nai Jeshurun Congregation gratefully acknowledges the Retreat Institute (RI) and Congregational Enrichment Funds (CEF) of the Jewish Education Center of Cleveland with Heart and Soul (JECC) for financial and programmatic assistance. The JECC’s RI and CEF are supported by the Fund for the Jewish Future of the Jewish Federation of Cleveland. 27501 Fairmount Boulevard • Pepper Pike, Ohio 44124 • TEL: 216-831-6555 • FAX: 216-831-4599 • EMAIL: [email protected] • WEBSITE: www.bnaijeshurun.org Beineinu - Between Us My colleague, Rabbi Donald Rossoff, once wrote a sermon he entitled, “Kaddish Deficiency Syndrome.” In it, he mourned the Candle Lighting fact that so many people no longer choose to come to say January 4 ...............................4:52 pm kaddish for their loved ones on their yahrzeit (anniversary of January 11 ...............................4:59 pm death).
    [Show full text]
  • Squaring the Circle a Case Study in the History of Mathematics the Problem
    Squaring the Circle A Case Study in the History of Mathematics The Problem Using only a compass and straightedge, construct for any given circle, a square with the same area as the circle. The general problem of constructing a square with the same area as a given figure is known as the Quadrature of that figure. So, we seek a quadrature of the circle. The Answer It has been known since 1822 that the quadrature of a circle with straightedge and compass is impossible. Notes: First of all we are not saying that a square of equal area does not exist. If the circle has area A, then a square with side √A clearly has the same area. Secondly, we are not saying that a quadrature of a circle is impossible, since it is possible, but not under the restriction of using only a straightedge and compass. Precursors It has been written, in many places, that the quadrature problem appears in one of the earliest extant mathematical sources, the Rhind Papyrus (~ 1650 B.C.). This is not really an accurate statement. If one means by the “quadrature of the circle” simply a quadrature by any means, then one is just asking for the determination of the area of a circle. This problem does appear in the Rhind Papyrus, but I consider it as just a precursor to the construction problem we are examining. The Rhind Papyrus The papyrus was found in Thebes (Luxor) in the ruins of a small building near the Ramesseum.1 It was purchased in 1858 in Egypt by the Scottish Egyptologist A.
    [Show full text]
  • Circle of the Dance, Alma Brasileira the Art of Clea
    CIRCLE OF THE DANCE, ALMA BRASILEIRA THE ART OF CLEA GALHANO, JOAN GRIFFITH AND LUCIA NEWELL BEATRIZ H. RAMOS AMARAL "Music and movement, as organic expressions of what it means to be human, are so entrenched and interlaced that it is difficult to define where the boundary between them is, or even if there is a boundary." (Carlos D. Fregtman) This intersection of musical styles - samba, choro, bossa-nova, baião – and talented interpreters and the works of some of the best Brazilian composers could only result in a splendid album. CIRCLE OF THE DANCE was recorded in Minneapolis, Minnesota by Clea Galhano (flutist), Joan Griffith (guitar and composer) and Lucia Newell (vocals), who make up the Alma Brasileira (Brazilian Soul) trio. The producer is Steven Wiese, and pianist Laura Caviani and percussionist Tim O'Keefe contributed to some of the tracks. The fifteen tracks of this CD brings us work by Egberto Gismonti, Hermeto Pascoal, Pixinguinha, Mário Mascarenhas, Luis Bonfá, Waldir Azevedo and Ari Barroso, as well as five pieces by Joan Griffith, all compositions based on traditional Brazilian rhythms such as the baião, samba and bossa nova, through which the interpreter/composer/arranger navigates with extreme ease and comfort. As soon as one listens to this CD for the first time, one is overtaken by the desire to listen to it again, and again and again ... an infinite number of times. This important phonographic record is the result of the musical meeting of Clea Galhano, Joan Griffith and Lucia Newell, all artists with solid international careers. Clea is a Brazilian flute virtuoso who has lived in the US for many years (2), and Joan and Lucia are well-known artists.
    [Show full text]
  • Channel 4 Response to Ofcom's Consultation on 'Protecting Participants in TV and Radio Programmes'
    Channel 4 response to Ofcom’s consultation on ‘Protecting participants in TV and radio programmes’ Executive Summary • Channel 4 considers that treating contributors to programmes with due care is of paramount importance, separate to and including our responsibilities under the Ofcom Broadcasting Code (“the Code”).1 • Contributor care has for many years been, and continues to remain, a central priority for us. Working with our production partners we develop comprehensive, proactive and robust welfare protocols and processes which are regularly reviewed and updated. • We take a bespoke approach to contributor care, with the type of support given tailored to the individual nature of each situation. In our experience, what constitutes the proper exercise of our duty of care in each programme depends very much on the nature of the programme, and a ‘one size fits all’ or standard template approach is not appropriate. • As such, we welcome Ofcom’s recognition that “different types of participation may raise very different risks of harm to participants.” And that any proposed new rules “need to be flexible enough to work in a range of situations, and to take account of the fact that very different types and levels of care may be necessary.” • Channel 4 recognises that Ofcom, as the broadcast regulator, has an important role to play in ensuring consistent standards in contributor care across the industry and we believe our current approach is aligned with what Ofcom is seeking to deliver • Whilst we agree that it is vital that Ofcom should be able to provide guidance to the industry and to deal effectively with complaints by viewers and contributors, it must do so within the parameters of the authority granted to it by Parliament and with due regard to other rights and duties including the right to freedom of expression as expressed in Article 10 of the European Convention on Human Rights.
    [Show full text]
  • Social Media Use and Its Relationship with Anxiety and Depression
    SOCIAL MEDIA USE AND ITS RELATIONSHIP WITH ANXIETY AND DEPRESSION A Senior Seminar Paper Presented to Faculty of the Department of English School of Arts & Humanities Ferrum College Ferrum, Virginia In Partial Fulfillment of the requirements for the degree of Bachelor of Arts By Micaela Alexandria Reddick May 2018 2 APPROVAL SHEET This senior seminar paper is submitted in the partial fulfillment of the requirements for the degree of Bachelor of Arts Micaela Alexandria Reddick Approved, December 2017 Lana A. Whited, Ph.D., Senior Seminar Professor M. Katherine Grimes, Ph.D., English Program Coordinator Angie Dahl, Ph.D., Assistant Professor of Psychology ______________________________________________________________________ Mingxiao Sui, Ph.D., Assistant Professor of Media and Communication 3 HONOR BOARD POLICY COMPLIANCE STATEMENT This senior seminar paper is submitted in compliance with the policies of the Ferrum College Honor Board. Author (Full name) Date 4 ACKKNOWLEDGEMENTS I’d like to express my deepest appreciation to my mother, Karin McKinney. My mother has been my rock every since I can remember and I’m so thankful for her. Through the tough times we endured, there is always a light at the end of the tunnel and I’m so happy God chose you to be my mother. To my grandmother who has been the light of my life ever since I can remember, I hope I am making you proud and I can’t wait to hand you my degree and remind you of how much you have meant to me throughout my life. To my Senior thesis committee, Dr. Grimes, Dr. Sui, and Dr.
    [Show full text]
  • Women's Circles As a Culturally Safe Psychosocial Intervention
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by King's Research Portal King’s Research Portal DOI: 10.1186/s12905-019-0744-z Document Version Publisher's PDF, also known as Version of record Link to publication record in King's Research Portal Citation for published version (APA): Chomat, A. M., Andersson, N., Menchu, A. I., Ramirez-Sea, M., Pedersen, D., Bleile, A., ... Araya Baltra, R. (2019). Women’s circles as a culturally safe psychosocial intervention in Guatemalan indigenous communities: a community-led pilot randomised trial. BMC Women's Health, 19(1), [53]. https://doi.org/10.1186/s12905-019- 0744-z Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research.
    [Show full text]
  • Annual Report 2018
    Channel Four Television Corporation Report and Financial Statements 2018 Incorporating the Statement of Media Content Policy Presented to Parliament pursuant to Paragraph 13(1) of Schedule 3 to the Broadcasting Act 1990 Channel 4 Annual Report 2018 Contents OVERVIEW FINANCIAL REPORT AND STATEMENTS Chair’s Statement 4 Strategic Report Chief Executive’s Statement 8 Financial review and highlights 156 The heart of what we do 13 Our principal activities 159 Remit 38 Key performance indicators 160 At a glance 40 People and corporate annualreport.channel4.com social responsibility 162 STATEMENT OF MEDIA CONTENT POLICY Risk management 164 Strategic and financial outlook 2018 programme highlights 42 and Viability statement 167 4 All the UK 46 Please contact us via our website (channel4.com/corporate) if you’d like this in an alternative Governance format such as Braille, large print or audio. Remit performance The Channel 4 Board 168 Investing in content 48 © Channel Four Television Corporation copyright 2019 Printed in the UK by CPI Colour on Report of the Members 172 Innovation 56 FSC® certified paper. CPI Colour’s Corporate governance 174 The text of this document may be reproduced free environmental management Young people 64 of charge in any format or medium provided that it is Audit Committee Report 179 system is certified to ISO 14001, reproduced accurately and not in a misleading context. Inclusion and diversity 70 and is accredited to FSC® chain of Members’ Remuneration Report 183 The material must be acknowledged as Channel Four custody scheme. CPI Colour is a Supporting creative businesses 78 ® Television Corporation copyright and the document certified CarbonNeutral company Talent 84 Consolidated financial statements title specified.
    [Show full text]
  • The Circle Dance of Time
    7KH&LUFOH'DQFHRI7LPH 'XQQH-RKQ6 3XEOLVKHGE\8QLYHUVLW\RI1RWUH'DPH3UHVV 'XQQH-RKQ6 7KH&LUFOH'DQFHRI7LPH 1RWUH'DPH8QLYHUVLW\RI1RWUH'DPH3UHVV 3URMHFW086( :HE0DUKWWSPXVHMKXHGX For additional information about this book http://muse.jhu.edu/books/9780268077716 Access provided by your local institution (5 May 2015 14:41 GMT) Dunne Book:Layout 1 4/15/10 10:11 AM Page 135 Notes Preface 1. The last words of the ghost of Darius in a new version of Aeschylus’ The Persians by Ellen McLaughlin which I saw per - formed by the Aurora Theatre Company in Berkeley on Octo- ber 15, 2004. 2. The first and last lines of “East Coker” in T. S. Eliot, Four Quartets (San Diego, New York, London: Harcourt Brace Jovanovich, 1988), pp. 23 and 32. 3. T. E. Lawrence, Seven Pillars of Wisdom (Harmondsworth, England: Penguin and Jonathan Cape, 1971), p. 364. See my dis - cussion in my Reasons of the Heart (New York: Macmillan, 1978; pbk. Notre Dame, Ind.: University of Notre Dame Press, 1979), p. 1. 4. Plotinus, Enneads 6:9 in A. H. Armstrong, ed. and trans., Plotinus , vol. 7 (Cambridge, Mass.: Harvard University Press, 1988), pp. 333 and 335. See my discussion in my Music of Time (Notre Dame, Ind.: University of Notre Dame Press, 1996), p. 159. 5. Dag Hammarskjöld, “A Room of Quiet: The United Nations Meditation Room” (New York: United Nations, 1971), opening sentence. 6. Patricia McKillip, The Sorceress and the Cygnet (New York: Ace, 1991), p. 92. See discussion below in the chapter “The Far Point on the Circle: Love Passing through Loneliness.” 7.
    [Show full text]
  • The Dallas Symphony Orchestra Presents: Beethoven at 250
    The Dallas Symphony Orchestra Presents: Beethoven at 250 January 22 and 23, 2020 Dear Fellow Educators, Ludwig van Beethoven lived a life driven by an unquenchable need to make music. On this, the 250th anniver- sary of his birth, the Dallas Symphony celebrates his legacy: music that still delights, challenges, and moves us. Consumed by a towering genius, he lived a life that was complex, inspired, unique, and difficult. But even when he was young, it was clear that he would leave a lasting impact. At the age of 17, Beethoven made his first trip to Vienna, the city that would become his home. There, he was quickly immersed in the life of Europe’s cultural capital, and played the piano for none other than Mozart. Mozart’s prediction: “You will make a big noise in the world.” At the dawn of the 19th century, the world was changing. The French Revolution had rocked Europe, Napoleon was rising to power, and every aspect of human life seemed to shift. It was an age of change in ideas, the arts, science, and the structure of society itself. Musically, Beethoven led the charge into a new century by replacing established Classical ideals with a wave of Romanticism, valuing imagination and emotion over intellect and reason. Music has never been the same since, and his many musical innovations paved the way for countless composers after him. Some of his string quartets, in fact, prompted one man to remark, “Surely you do not consider these works to be music?” Beethoven replied, “Oh, they are not for you, but for a later age.” He was right.
    [Show full text]
  • The Circle.’ Back Row, Left to Right, Travis Vaden, Dou- Glas Weston, Nancy Bell, John Hines, Rebecca Dines and John-David Keller
    38th Season • 365th Production MAINSTAGE / AUGUST 31 THROUGH OCTOBER 7, 2001 David Emmes Martin Benson Producing Artistic Director Artistic Director presents by W. SOMERSET MAUGHAM Scenic Design Costume Design Lighting Design RALPH FUNICELLO WALKER HICKLIN YORK KENNEDY Composer/Sound Design Production Manager Stage Manager MICHAEL ROTH TOM ABERGER *SCOTT HARRISON Directed by WARNER SHOOK AMERICAN AIRLINES, Honorary Producers PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Elizabeth Champion-Cheney ............................................................................ *Nancy Bell Arnold Champion-Cheney, M.P. ....................................................................... *John Hines Footman ................................................................................................. *John-David Keller Mrs. Anna Shenstone .................................................................................. *Rebecca Dines Teddie Luton ............................................................................................. *Douglas Weston Clive Champion-Cheney ...................................................................... *Paxton Whitehead Lady Catherine Champion-Cheney ........................................................... *Carole Shelley Lord Porteous .................................................................................. *William Biff McGuire Jr. Footman .....................................................................................................
    [Show full text]
  • Full Playlist/Lyrics
    Boots on the Ground, Skin on the Line A Winter 2021 Singing Playlist Thank you for joining us! We are grateful to have your voice with many of us from around the world, learning these potent songs in service to our resilience, courage, and justice for all. Thank you for respecting the artists and the integrity of this project by not sharing this document or the playlists with others. We will open the songs up widely for public release later in 2021. You now have free access to the full playlist as well as a bonus playlist. Enjoy! A tech-support guide is at the end of this document. A few days after each Zoom call, we’ll post video recordings for you to enjoy here. Meeting links for next Zoom sing can be found here too: https://thebirdsings.com/winter2021playlist-zoom. At the bottom of the page you’ll also find supplemental materials. CLICK HERE FOR THE SOUNDCLOUD PLAYLIST: https://soundcloud.com/thebirdsings/sets/boots/s-xfoBTYpS9nb CLICK HERE FOR THE BONUS PLAYLIST: https://soundcloud.com/thebirdsings/sets/boots-bonus/s-wwmnW8XA1Wh CLICK HERE FOR THE MP3 FILES FOR BOTH PLAYLISTS (IN GOOGLE DRIVE): https://tinyurl.com/winter-playlist2021 Zoom Calls While entirely optional, you will receive email invitations and are encouraged to join us at six Zoom calls. There you’ll have a chance to meet the songwriters, hear more about the background of the songs, imbue them with greater relevance and meaning, learn each and every harmony line, and meet others who are singing these songs alongside you.
    [Show full text]
  • Background Paper Studio Lambert the Circle
    Contributor Agreement (Series 1) [INSERT DETAILS] [INSERT DATE] Dear [INSERT NAME] “The Circle” (working title) – Contributor Agreement Thank you for agreeing to participate in the series of television programmes which Studio Lambert Associates Limited (“us/we”) intends but does not undertake to co-produce with Motion Content Group (“Motion”) provisionally entitled “The Circle” ("the Programme”, which shall include any re-edited, reformatted, compilation or interactive versions, websites, apps, games and/or related programmes). The Programme has been commissioned by Channel 4 (“Broadcaster”) and we write now to confirm the terms of your participation in the Programme. In consideration of the mutual undertakings in this Agreement and for other good and valuable consideration (sufficiency and receipt of which is hereby acknowledged), the parties agree as follows: 1. Description of Programme and Participation 1.1 The Circle is an ambitious new TV factual entertainment series, where contestants compete against each other to be deemed the most popular. Contestants in The Circle will all live in one modern block but separately in individual apartments, interacting with one another through a bespoke voice-activated social media platform, called The Circle, that the production team controls and curates. Like many people using social media today, The Circle will enable them to chat, make friends, argue and maybe even fall in love. Building their own profiles, contestants will only get to know each other from what they choose to reveal via The Circle. Contestants are filmed around the clock, for the duration of the series, with little or no contact with the outside world. Throughout the contest the competitors will rate each other with whoever is liked the least running the risk of being ‘blocked’ and removed from The Circle.
    [Show full text]