DOCSLIB.ORG

The Hustler Pickup Announcement 2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Hustler Pickup Announcement 2019 Oct. 14, 2019 NEW CRAIG FERGUSON-HOSTED GAME SHOW, ABC’S ‘THE HUSTLER,’ CHALLENGES VIEWERS TO HONE THEIR DETECTIVE SKILLS Photo credit: ABC/Eric McCandless* ABC announced today the network has picked up the mind-bendinG, new Game show series, “The Hustler.” Hosted by Emmy® Award-winninG game show host, actor, writer, comedian and ABC alum CraiG FerGuson, “The Hustler” breaks the Game show mold by featurinG one player who secretly already knows the answers. Don’t be fooled. Just because they have a leg up doesn’t mean they’ll be takinG home the prize. “The Hustler” is set to beGin production later this fall, with an airdate to be announced at a later date. Each episode of “The Hustler” will follow five contestants as they collaborate to answer a series of trivia questions, with the Goal of buildinG a collective prize pot that increases with each correct answer. The catch? One of the five contestants, the Hustler, already knows the answers but must keep their identity a secret in order to have a shot at winninG the Grand prize. ThrouGhout each episode, two contestants are anonymously eliminated by the Hustler, leavinG three remaininG contestants – the Hustler and two others, who must collectively decide who they think the Hustler is. If they are riGht, they share the prize pot. If the two contestants are wronG, the Hustler goes home with the full cash reward. “It’s rare and eXcitinG to have a mystery-based Game show that employs viewers and contestants to tap into their sleuth skills,” said Rob Mills, senior vice president, Alternative Series, Specials and Late NiGht, ABC Entertainment. “This fun, new format is the perfect addition to our dynamic Game show lineup, and CraiG’s unmatched wit and humor make him the ideal host. We couldn’t be more excited to welcome him back to ABC.” “Studio Lambert and format creator Richard Bacon are incredibly eXcited to partner with ABC on ‘The Hustler,’” said Studio Lambert CEO Stephen Lambert. “With CraiG in the driver’s seat, the comedic beats of this Game are very much to the fore. We think ABC viewers will lauGh a lot but also be shocked and surprised by the twists of this Game, which invites contestants and viewers to play detective, solvinG a whodunit or, in this case, a whoisit.” “The Hustler,” which is produced by All3Media-backed production company Studio Lambert, is an oriGinal format created by British TV and radio host Richard Bacon, who serves as an eXecutive producer alonG with Studio Lambert company founder Stephen Lambert, eXecutive vice president of Studio Lambert USA Jack BurGess, creative director Tim Harcourt and Susan House. About ABC Entertainment ABC Entertainment airs compellinG proGramminG across all day parts, includinG “Grey’s Anatomy,” the lonGest-runninG medical drama in prime-time television; rivetinG dramas “The Good Doctor,” “How to Get Away with Murder,” “A Million Little ThinGs” and “Station 19”; the Emmy® Award-winninG “Modern Family” and trailblazinG comedy favorites “American Housewife,” “black-ish,” “Bless This Mess,” “The Conners,” “The GoldberGs,” and “Schooled”; the popular “Summer Fun & Games” proGramminG block, includinG “Card Sharks,” “Celebrity Family Feud,” “Holey Moley” and “Press Your Luck”; star-makinG sensation “American Idol”; reality phenomenon “Shark Tank”; “The Bachelor” franchise; lonG-runninG hits “DancinG with the Stars” and “America’s Funniest Home Videos”; “General Hospital,” which has aired for more than 55 years on the network; and late-niGht talk show “Jimmy Kimmel Live!”; as well as the critically acclaimed hit special ”Live in Front of a Studio Audience: Norman Lear’s ‘All in the Family’ and ‘The Jeffersons.’” The network also boasts some of television’s most prestiGious awards shows, includinG “The Oscars®,” “The CMA Awards” and the “American Music Awards.” ABC proGramming can also be viewed on ABC.com, the ABC app and Hulu. About StuDio Lambert Studio Lambert is a British and American production company producinG hiGh quality scripted and unscripted series. It was established in 2008 by Stephen Lambert, creator of many well-known Global formats includinG the CBS Emmy-winninG “Undercover Boss” and BAFTA-winninG “Wife Swap”, which ran on ABC for many years. Studio Lambert is part of the All3Media Group and is currently producinG scripted series for the BBC and Amazon and several new unscripted series for UK and US networks, includinG Global phenomenon “The Circle”, soon to launch on NetfliX. In two recent UK industry polls, Studio Lambert was ranked No. 1 by its peers. *COPYRIGHT ©2019 American BroadcastinG Companies, Inc. All photoGraphy is copyriGhted material and is for editorial use only. Images are not to be archived, altered, duplicated, resold, retransmitted or used for any other purposes without written permission of ABC. Images are distributed to the press in order to publicize current proGramminG. Any other usage must be licensed. Photos posted for Web use must be at the low resolution of 72dpi, no larGer than 2x3 in size. ABC Media Relations Katherine Taylor (818) 460-7920 [email protected] PhotoGraphy/video available at www.wdtvpress.com. Follow ABC Publicity on Twitter and InstaGram. -- ABC -- .
Load more

Recommended publications
  • Shabbat on the Circle
    January/February 2019 Tevet/Shevat/Adar I 5779 Founded in 1866 Publication No. 8180 • Vol. 93 • Issue No. 1 Our mission is to ensure the flourishing of Jewish life through educational, social and Conservative religious experiences in a warm and dynamic community. Tidings B’NAI JESHURUN CONGREGATION n t Join us t o he C for aN engaging ba ir Shabbat b c on the circle! a l B’NAI JESHURUN h e CONGREGATIONAL SHABBATON S COURTYARD BY MARRIOTT, UNIVERSITY CIRCLE • Fun and educational experiences for all ages • Connect and learn with family, JOIN US! friends and clergy • University Circle museums and MARCH 1-3, attractions 2019 • Catering by Kantina FEE: $90/adult (double occupancy) $50/child (2-13 years old) $280 family max (additional $50 for single occupancy) REGISTER TODAY AT bnaijeshurun.org Building our Community B’nai Jeshurun Congregation gratefully acknowledges the Retreat Institute (RI) and Congregational Enrichment Funds (CEF) of the Jewish Education Center of Cleveland with Heart and Soul (JECC) for financial and programmatic assistance. The JECC’s RI and CEF are supported by the Fund for the Jewish Future of the Jewish Federation of Cleveland. 27501 Fairmount Boulevard • Pepper Pike, Ohio 44124 • TEL: 216-831-6555 • FAX: 216-831-4599 • EMAIL: [email protected] • WEBSITE: www.bnaijeshurun.org Beineinu - Between Us My colleague, Rabbi Donald Rossoff, once wrote a sermon he entitled, “Kaddish Deficiency Syndrome.” In it, he mourned the Candle Lighting fact that so many people no longer choose to come to say January 4 ...............................4:52 pm kaddish for their loved ones on their yahrzeit (anniversary of January 11 ...............................4:59 pm death).
    [Show full text]
  • Squaring the Circle a Case Study in the History of Mathematics the Problem
    Squaring the Circle A Case Study in the History of Mathematics The Problem Using only a compass and straightedge, construct for any given circle, a square with the same area as the circle. The general problem of constructing a square with the same area as a given figure is known as the Quadrature of that figure. So, we seek a quadrature of the circle. The Answer It has been known since 1822 that the quadrature of a circle with straightedge and compass is impossible. Notes: First of all we are not saying that a square of equal area does not exist. If the circle has area A, then a square with side √A clearly has the same area. Secondly, we are not saying that a quadrature of a circle is impossible, since it is possible, but not under the restriction of using only a straightedge and compass. Precursors It has been written, in many places, that the quadrature problem appears in one of the earliest extant mathematical sources, the Rhind Papyrus (~ 1650 B.C.). This is not really an accurate statement. If one means by the “quadrature of the circle” simply a quadrature by any means, then one is just asking for the determination of the area of a circle. This problem does appear in the Rhind Papyrus, but I consider it as just a precursor to the construction problem we are examining. The Rhind Papyrus The papyrus was found in Thebes (Luxor) in the ruins of a small building near the Ramesseum.1 It was purchased in 1858 in Egypt by the Scottish Egyptologist A.
    [Show full text]
  • Circle of the Dance, Alma Brasileira the Art of Clea
    CIRCLE OF THE DANCE, ALMA BRASILEIRA THE ART OF CLEA GALHANO, JOAN GRIFFITH AND LUCIA NEWELL BEATRIZ H. RAMOS AMARAL "Music and movement, as organic expressions of what it means to be human, are so entrenched and interlaced that it is difficult to define where the boundary between them is, or even if there is a boundary." (Carlos D. Fregtman) This intersection of musical styles - samba, choro, bossa-nova, baião – and talented interpreters and the works of some of the best Brazilian composers could only result in a splendid album. CIRCLE OF THE DANCE was recorded in Minneapolis, Minnesota by Clea Galhano (flutist), Joan Griffith (guitar and composer) and Lucia Newell (vocals), who make up the Alma Brasileira (Brazilian Soul) trio. The producer is Steven Wiese, and pianist Laura Caviani and percussionist Tim O'Keefe contributed to some of the tracks. The fifteen tracks of this CD brings us work by Egberto Gismonti, Hermeto Pascoal, Pixinguinha, Mário Mascarenhas, Luis Bonfá, Waldir Azevedo and Ari Barroso, as well as five pieces by Joan Griffith, all compositions based on traditional Brazilian rhythms such as the baião, samba and bossa nova, through which the interpreter/composer/arranger navigates with extreme ease and comfort. As soon as one listens to this CD for the first time, one is overtaken by the desire to listen to it again, and again and again ... an infinite number of times. This important phonographic record is the result of the musical meeting of Clea Galhano, Joan Griffith and Lucia Newell, all artists with solid international careers. Clea is a Brazilian flute virtuoso who has lived in the US for many years (2), and Joan and Lucia are well-known artists.
    [Show full text]
  • Channel 4 Response to Ofcom's Consultation on 'Protecting Participants in TV and Radio Programmes'
    Channel 4 response to Ofcom’s consultation on ‘Protecting participants in TV and radio programmes’ Executive Summary • Channel 4 considers that treating contributors to programmes with due care is of paramount importance, separate to and including our responsibilities under the Ofcom Broadcasting Code (“the Code”).1 • Contributor care has for many years been, and continues to remain, a central priority for us. Working with our production partners we develop comprehensive, proactive and robust welfare protocols and processes which are regularly reviewed and updated. • We take a bespoke approach to contributor care, with the type of support given tailored to the individual nature of each situation. In our experience, what constitutes the proper exercise of our duty of care in each programme depends very much on the nature of the programme, and a ‘one size fits all’ or standard template approach is not appropriate. • As such, we welcome Ofcom’s recognition that “different types of participation may raise very different risks of harm to participants.” And that any proposed new rules “need to be flexible enough to work in a range of situations, and to take account of the fact that very different types and levels of care may be necessary.” • Channel 4 recognises that Ofcom, as the broadcast regulator, has an important role to play in ensuring consistent standards in contributor care across the industry and we believe our current approach is aligned with what Ofcom is seeking to deliver • Whilst we agree that it is vital that Ofcom should be able to provide guidance to the industry and to deal effectively with complaints by viewers and contributors, it must do so within the parameters of the authority granted to it by Parliament and with due regard to other rights and duties including the right to freedom of expression as expressed in Article 10 of the European Convention on Human Rights.
    [Show full text]
  • Social Media Use and Its Relationship with Anxiety and Depression
    SOCIAL MEDIA USE AND ITS RELATIONSHIP WITH ANXIETY AND DEPRESSION A Senior Seminar Paper Presented to Faculty of the Department of English School of Arts & Humanities Ferrum College Ferrum, Virginia In Partial Fulfillment of the requirements for the degree of Bachelor of Arts By Micaela Alexandria Reddick May 2018 2 APPROVAL SHEET This senior seminar paper is submitted in the partial fulfillment of the requirements for the degree of Bachelor of Arts Micaela Alexandria Reddick Approved, December 2017 Lana A. Whited, Ph.D., Senior Seminar Professor M. Katherine Grimes, Ph.D., English Program Coordinator Angie Dahl, Ph.D., Assistant Professor of Psychology ______________________________________________________________________ Mingxiao Sui, Ph.D., Assistant Professor of Media and Communication 3 HONOR BOARD POLICY COMPLIANCE STATEMENT This senior seminar paper is submitted in compliance with the policies of the Ferrum College Honor Board. Author (Full name) Date 4 ACKKNOWLEDGEMENTS I’d like to express my deepest appreciation to my mother, Karin McKinney. My mother has been my rock every since I can remember and I’m so thankful for her. Through the tough times we endured, there is always a light at the end of the tunnel and I’m so happy God chose you to be my mother. To my grandmother who has been the light of my life ever since I can remember, I hope I am making you proud and I can’t wait to hand you my degree and remind you of how much you have meant to me throughout my life. To my Senior thesis committee, Dr. Grimes, Dr. Sui, and Dr.
    [Show full text]
  • Women's Circles As a Culturally Safe Psychosocial Intervention
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by King's Research Portal King’s Research Portal DOI: 10.1186/s12905-019-0744-z Document Version Publisher's PDF, also known as Version of record Link to publication record in King's Research Portal Citation for published version (APA): Chomat, A. M., Andersson, N., Menchu, A. I., Ramirez-Sea, M., Pedersen, D., Bleile, A., ... Araya Baltra, R. (2019). Women’s circles as a culturally safe psychosocial intervention in Guatemalan indigenous communities: a community-led pilot randomised trial. BMC Women's Health, 19(1), [53]. https://doi.org/10.1186/s12905-019- 0744-z Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research.
    [Show full text]
  • Annual Report 2018
    Channel Four Television Corporation Report and Financial Statements 2018 Incorporating the Statement of Media Content Policy Presented to Parliament pursuant to Paragraph 13(1) of Schedule 3 to the Broadcasting Act 1990 Channel 4 Annual Report 2018 Contents OVERVIEW FINANCIAL REPORT AND STATEMENTS Chair’s Statement 4 Strategic Report Chief Executive’s Statement 8 Financial review and highlights 156 The heart of what we do 13 Our principal activities 159 Remit 38 Key performance indicators 160 At a glance 40 People and corporate annualreport.channel4.com social responsibility 162 STATEMENT OF MEDIA CONTENT POLICY Risk management 164 Strategic and financial outlook 2018 programme highlights 42 and Viability statement 167 4 All the UK 46 Please contact us via our website (channel4.com/corporate) if you’d like this in an alternative Governance format such as Braille, large print or audio. Remit performance The Channel 4 Board 168 Investing in content 48 © Channel Four Television Corporation copyright 2019 Printed in the UK by CPI Colour on Report of the Members 172 Innovation 56 FSC® certified paper. CPI Colour’s Corporate governance 174 The text of this document may be reproduced free environmental management Young people 64 of charge in any format or medium provided that it is Audit Committee Report 179 system is certified to ISO 14001, reproduced accurately and not in a misleading context. Inclusion and diversity 70 and is accredited to FSC® chain of Members’ Remuneration Report 183 The material must be acknowledged as Channel Four custody scheme. CPI Colour is a Supporting creative businesses 78 ® Television Corporation copyright and the document certified CarbonNeutral company Talent 84 Consolidated financial statements title specified.
    [Show full text]
  • The Circle Dance of Time
    7KH&LUFOH'DQFHRI7LPH 'XQQH-RKQ6 3XEOLVKHGE\8QLYHUVLW\RI1RWUH'DPH3UHVV 'XQQH-RKQ6 7KH&LUFOH'DQFHRI7LPH 1RWUH'DPH8QLYHUVLW\RI1RWUH'DPH3UHVV 3URMHFW086( :HE0DUKWWSPXVHMKXHGX For additional information about this book http://muse.jhu.edu/books/9780268077716 Access provided by your local institution (5 May 2015 14:41 GMT) Dunne Book:Layout 1 4/15/10 10:11 AM Page 135 Notes Preface 1. The last words of the ghost of Darius in a new version of Aeschylus’ The Persians by Ellen McLaughlin which I saw per - formed by the Aurora Theatre Company in Berkeley on Octo- ber 15, 2004. 2. The first and last lines of “East Coker” in T. S. Eliot, Four Quartets (San Diego, New York, London: Harcourt Brace Jovanovich, 1988), pp. 23 and 32. 3. T. E. Lawrence, Seven Pillars of Wisdom (Harmondsworth, England: Penguin and Jonathan Cape, 1971), p. 364. See my dis - cussion in my Reasons of the Heart (New York: Macmillan, 1978; pbk. Notre Dame, Ind.: University of Notre Dame Press, 1979), p. 1. 4. Plotinus, Enneads 6:9 in A. H. Armstrong, ed. and trans., Plotinus , vol. 7 (Cambridge, Mass.: Harvard University Press, 1988), pp. 333 and 335. See my discussion in my Music of Time (Notre Dame, Ind.: University of Notre Dame Press, 1996), p. 159. 5. Dag Hammarskjöld, “A Room of Quiet: The United Nations Meditation Room” (New York: United Nations, 1971), opening sentence. 6. Patricia McKillip, The Sorceress and the Cygnet (New York: Ace, 1991), p. 92. See discussion below in the chapter “The Far Point on the Circle: Love Passing through Loneliness.” 7.
    [Show full text]
  • The Dallas Symphony Orchestra Presents: Beethoven at 250
    The Dallas Symphony Orchestra Presents: Beethoven at 250 January 22 and 23, 2020 Dear Fellow Educators, Ludwig van Beethoven lived a life driven by an unquenchable need to make music. On this, the 250th anniver- sary of his birth, the Dallas Symphony celebrates his legacy: music that still delights, challenges, and moves us. Consumed by a towering genius, he lived a life that was complex, inspired, unique, and difficult. But even when he was young, it was clear that he would leave a lasting impact. At the age of 17, Beethoven made his first trip to Vienna, the city that would become his home. There, he was quickly immersed in the life of Europe’s cultural capital, and played the piano for none other than Mozart. Mozart’s prediction: “You will make a big noise in the world.” At the dawn of the 19th century, the world was changing. The French Revolution had rocked Europe, Napoleon was rising to power, and every aspect of human life seemed to shift. It was an age of change in ideas, the arts, science, and the structure of society itself. Musically, Beethoven led the charge into a new century by replacing established Classical ideals with a wave of Romanticism, valuing imagination and emotion over intellect and reason. Music has never been the same since, and his many musical innovations paved the way for countless composers after him. Some of his string quartets, in fact, prompted one man to remark, “Surely you do not consider these works to be music?” Beethoven replied, “Oh, they are not for you, but for a later age.” He was right.
    [Show full text]
  • The Circle.’ Back Row, Left to Right, Travis Vaden, Dou- Glas Weston, Nancy Bell, John Hines, Rebecca Dines and John-David Keller
    38th Season • 365th Production MAINSTAGE / AUGUST 31 THROUGH OCTOBER 7, 2001 David Emmes Martin Benson Producing Artistic Director Artistic Director presents by W. SOMERSET MAUGHAM Scenic Design Costume Design Lighting Design RALPH FUNICELLO WALKER HICKLIN YORK KENNEDY Composer/Sound Design Production Manager Stage Manager MICHAEL ROTH TOM ABERGER *SCOTT HARRISON Directed by WARNER SHOOK AMERICAN AIRLINES, Honorary Producers PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Elizabeth Champion-Cheney ............................................................................ *Nancy Bell Arnold Champion-Cheney, M.P. ....................................................................... *John Hines Footman ................................................................................................. *John-David Keller Mrs. Anna Shenstone .................................................................................. *Rebecca Dines Teddie Luton ............................................................................................. *Douglas Weston Clive Champion-Cheney ...................................................................... *Paxton Whitehead Lady Catherine Champion-Cheney ........................................................... *Carole Shelley Lord Porteous .................................................................................. *William Biff McGuire Jr. Footman .....................................................................................................
    [Show full text]
  • Full Playlist/Lyrics
    Boots on the Ground, Skin on the Line A Winter 2021 Singing Playlist Thank you for joining us! We are grateful to have your voice with many of us from around the world, learning these potent songs in service to our resilience, courage, and justice for all. Thank you for respecting the artists and the integrity of this project by not sharing this document or the playlists with others. We will open the songs up widely for public release later in 2021. You now have free access to the full playlist as well as a bonus playlist. Enjoy! A tech-support guide is at the end of this document. A few days after each Zoom call, we’ll post video recordings for you to enjoy here. Meeting links for next Zoom sing can be found here too: https://thebirdsings.com/winter2021playlist-zoom. At the bottom of the page you’ll also find supplemental materials. CLICK HERE FOR THE SOUNDCLOUD PLAYLIST: https://soundcloud.com/thebirdsings/sets/boots/s-xfoBTYpS9nb CLICK HERE FOR THE BONUS PLAYLIST: https://soundcloud.com/thebirdsings/sets/boots-bonus/s-wwmnW8XA1Wh CLICK HERE FOR THE MP3 FILES FOR BOTH PLAYLISTS (IN GOOGLE DRIVE): https://tinyurl.com/winter-playlist2021 Zoom Calls While entirely optional, you will receive email invitations and are encouraged to join us at six Zoom calls. There you’ll have a chance to meet the songwriters, hear more about the background of the songs, imbue them with greater relevance and meaning, learn each and every harmony line, and meet others who are singing these songs alongside you.
    [Show full text]
  • Background Paper Studio Lambert the Circle
    Contributor Agreement (Series 1) [INSERT DETAILS] [INSERT DATE] Dear [INSERT NAME] “The Circle” (working title) – Contributor Agreement Thank you for agreeing to participate in the series of television programmes which Studio Lambert Associates Limited (“us/we”) intends but does not undertake to co-produce with Motion Content Group (“Motion”) provisionally entitled “The Circle” ("the Programme”, which shall include any re-edited, reformatted, compilation or interactive versions, websites, apps, games and/or related programmes). The Programme has been commissioned by Channel 4 (“Broadcaster”) and we write now to confirm the terms of your participation in the Programme. In consideration of the mutual undertakings in this Agreement and for other good and valuable consideration (sufficiency and receipt of which is hereby acknowledged), the parties agree as follows: 1. Description of Programme and Participation 1.1 The Circle is an ambitious new TV factual entertainment series, where contestants compete against each other to be deemed the most popular. Contestants in The Circle will all live in one modern block but separately in individual apartments, interacting with one another through a bespoke voice-activated social media platform, called The Circle, that the production team controls and curates. Like many people using social media today, The Circle will enable them to chat, make friends, argue and maybe even fall in love. Building their own profiles, contestants will only get to know each other from what they choose to reveal via The Circle. Contestants are filmed around the clock, for the duration of the series, with little or no contact with the outside world. Throughout the contest the competitors will rate each other with whoever is liked the least running the risk of being ‘blocked’ and removed from The Circle.
    [Show full text]