An Exchange of Immigrant Integration Practices Partner Acknowledgements
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2012 02 13 Metro Morning Interview
Metro Morning: CBC Radio Toronto Monday, February 13, 2012: 7:12 a.m. Interview with John Stapleton by host Matt Galloway MATT GALLOWAY The gap between the rich and the poor in this city is much broader than just the 1% versus the 99%. In fact, according to a new report by the Metcalf Foundation, that gap is getting wider across the GTA and those who are a part of the working poor are more numerous than perhaps even before the 2008 recession This study looks at the working poor and people who have a job, perhaps even more than one but make less then what used to be called the poverty line. John Stapleton is one of the co-authors of the study. He’s with me in studio now. Good morning. JOHN STAPLETON Good morning Matt. MATT GALLOWAY Much of what you do in this report initially defines that term, the working poor. So, from your perspective, what is the working poor? JOHN STAPLETON Well, we had to come up with a new and resilient definition and anyone who has over $3,000.00 in earnings, we said that is a threshold for the working poor and then we took ‘what is known’ as the low income measure, the Stats Canada poverty line that varies by family size, and let’s say that for a single person right now that’s about $18,500 after tax. MATT GALLOWAY $18,500? JOHN STAPLETON Yes. MATT GALLOWAY And again, these are people who are working at one or more jobs. -
Siriusxm-Schedule.Pdf
on SCHEDULE - Eastern Standard Time - Effective: Sept. 6/2021 ET Mon Tue Wed Thu Fri Saturday Sunday ATL ET CEN MTN PAC NEWS NEWS NEWS 6:00 7:00 6:00 5:00 4:00 3:00 Rewind The Doc Project The Next Chapter NEWS NEWS NEWS 7:00 8:00 7:00 6:00 5:00 4:00 Quirks & The Next Now or Spark Unreserved Play Me Day 6 Quarks Chapter Never NEWS What on The Cost of White Coat NEWS World 9:00 8:00 7:00 6:00 5:00 8:00 Pop Chat WireTap Earth Living Black Art Report Writers & Company The House 8:37 NEWS World 10:00 9:00 8:00 7:00 6:00 9:00 World Report The Current Report The House The Sunday Magazine 10:00 NEWS NEWS NEWS 11:00 10:00 9:00 8:00 7:00 Day 6 q NEWS NEWS NEWS 12:00 11:00 10:00 9:00 8:00 11:00 Because News The Doc Project Because The Cost of What on Front The Pop Chat News Living Earth Burner Debaters NEWS NEWS NEWS 1:00 12:00 The Cost of Living 12:00 11:00 10:00 9:00 Rewind Quirks & Quarks What on Earth NEWS NEWS NEWS 1:00 Pop Chat White Coat Black Art 2:00 1:00 12:00 11:00 10:00 The Next Quirks & Unreserved Tapestry Spark Chapter Quarks Laugh Out Loud The Debaters NEWS NEWS NEWS 2:00 Ideas in 3:00 2:00 1:00 12:00 11:00 Podcast Now or CBC the Spark Now or Never Tapestry Playlist Never Music Live Afternoon NEWS NEWS NEWS 3:00 CBC 4:00 3:00 2:00 1:00 12:00 Writers & The Story Marvin's Reclaimed Music The Next Chapter Writers & Company Company From Here Room Top 20 World This Hr The Cost of Because What on Under the NEWS NEWS 4:00 WireTap 5:00 4:00 3:00 2:00 1:00 Living News Earth Influence Unreserved Cross Country Check- NEWS NEWS Up 5:00 The Current -
Cbc Radio One, Today
Stratégies gagnantes Auditoires et positionnement Effective strategies Audiences and positioning Barrera, Lilian; MacKinnon, Emily; Sauvé, Martin 6509619; 5944927; 6374185 [email protected]; [email protected]; [email protected] Rapport remis au professeur Pierre C. Bélanger dans le cadre du cours CMN 4515 – Médias et radiodiffusion publique 14 juin 2014 TABLE OF CONTENT ABSTRACT ......................................................................................... 2 INTRODUCTION .................................................................................. 3 CBC RADIO ONE, TODAY ...................................................................... 4 Podcasting the CBC Radio One Channel ............................................... 6 The Mobile App for CBC Radio One ...................................................... 7 Engaging with Audiences, Attracting New Listeners ............................... 9 CBC RADIO ONE, TOMORROW ............................................................. 11 Tomorrow’s Audience: Millennials ...................................................... 11 Fishing for Generation Y ................................................................... 14 Strengthening Market-Share among the Middle-aged ............................ 16 Favouring CBC Radio One in Institutional Settings ................................ 19 CONCLUSION .................................................................................... 21 REFERENCES .................................................................................... -
Compendium of Action for Black Student Success
DURHAM DISTRICT SCHOOL BOARD COMPENDIUM OF ACTION * for BLACK STUDENT SUCCESS COMPANION RESOURCE Equity and Diversity Strategic Framework 2018-2021 The voices of the DDSB What can Change Educators do to narratives about them. support the success of Black students? Push academics An education on the more and sports Hire more people challenges Blacks may face less, as the of colour to teach, in society due to negative means to especially in our perceptions and greater an end. schools where people empathy may be required. of colour attend. Understand that Blacks are no less intelligent than other children but do face overt obstacles that are More training in challenging to quantify understanding or qualify. who people of colour are. The teaching staff should reflect the student body, as there is no one around to As a young Black person, support us. what do you see as the biggest opportunities and challenges It appears there is less focus on for Black people your age in academics than Durham, in terms of growing up there is on athletic and preparing to be a part of scholarships. We need today’s society? more Black role models. 2 DURHAM DISTRICT SCHOOL BOARD | COMPENDIUM OF ACTION FOR BLACK STUDENT SUCCESS STUDENT Racism still goes on in the school, Black historical voices even though it is figures should be not reported all represented in the time. history classes. We shouldn’t just have to take Black studies to What should learn about them. educators know about History shouldn’t just the experiences of be about Don’t single slavery. -
The Canadian Broadcasting Corporation's Annual Report For
ANNUAL REPORT 2001-2002 Valuable Canadian Innovative Complete Creative Invigorating Trusted Complete Distinctive Relevant News People Trust Arts Sports Innovative Efficient Canadian Complete Excellence People Creative Inv Sports Efficient Culture Complete Efficien Efficient Creative Relevant Canadian Arts Renewed Excellence Relevant Peopl Canadian Culture Complete Valuable Complete Trusted Arts Excellence Culture CBC/RADIO-CANADA ANNUAL REPORT 2001-2002 2001-2002 at a Glance CONNECTING CANADIANS DISTINCTIVELY CANADIAN CBC/Radio-Canada reflects Canada to CBC/Radio-Canada informs, enlightens Canadians by bringing diverse regional and entertains Canadians with unique, and cultural perspectives into their daily high-impact programming BY, FOR and lives, in English and French, on Television, ABOUT Canadians. Radio and the Internet. • Almost 90 per cent of prime time This past year, • CBC English Television has been programming on our English and French transformed to enhance distinctiveness Television networks was Canadian. Our CBC/Radio-Canada continued and reinforce regional presence and CBC Newsworld and RDI schedules were reflection. Our audience successes over 95 per cent Canadian. to set the standard for show we have re-connected with • The monumental Canada: A People’s Canadians – almost two-thirds watched broadcasting excellence History / Le Canada : Une histoire CBC English Television each week, populaire enthralled 15 million Canadian delivering 9.4 per cent of prime time in Canada, while innovating viewers, nearly half Canada’s population. and 7.6 per cent share of all-day viewing. and taking risks to deliver • The Last Chapter / Le Dernier chapitre • Through programming renewal, we have reached close to 5 million viewers for its even greater value to reinforced CBC French Television’s role first episode. -
CBC IDEAS Sales Catalog (AZ Listing by Episode Title. Prices Include
CBC IDEAS Sales Catalog (A-Z listing by episode title. Prices include taxes and shipping within Canada) Catalog is updated at the end of each month. For current month’s listings, please visit: http://www.cbc.ca/ideas/schedule/ Transcript = readable, printed transcript CD = titles are available on CD, with some exceptions due to copyright = book 104 Pall Mall (2011) CD $18 foremost public intellectuals, Jean The Academic-Industrial Ever since it was founded in 1836, Bethke Elshtain is the Laura Complex London's exclusive Reform Club Spelman Rockefeller Professor of (1982) Transcript $14.00, 2 has been a place where Social and Political Ethics, Divinity hours progressive people meet to School, The University of Chicago. Industries fund academic research discuss radical politics. There's In addition to her many award- and professors develop sideline also a considerable Canadian winning books, Professor Elshtain businesses. This blurring of the connection. IDEAS host Paul writes and lectures widely on dividing line between universities Kennedy takes a guided tour. themes of democracy, ethical and the real world has important dilemmas, religion and politics and implications. Jill Eisen, producer. 1893 and the Idea of Frontier international relations. The 2013 (1993) $14.00, 2 hours Milton K. Wong Lecture is Acadian Women One hundred years ago, the presented by the Laurier (1988) Transcript $14.00, 2 historian Frederick Jackson Turner Institution, UBC Continuing hours declared that the closing of the Studies and the Iona Pacific Inter- Acadians are among the least- frontier meant the end of an era for religious Centre in partnership with known of Canadians. -
Cloudfront.Net
Canadian Broadcasting Corporation Societe Radio-Canada ••• CBC est!' Radio-Canada Mr. Jason Plotz 2-44 Clarey Avenue Ottawa, Ontario KI S 2R 7 Our file: A-2015-00 I 02 I YJP Dear Mr. Plotz, This is in response to your request under the Access to Information Act (Act) dated March 21, 2016, received by our office on March 24, 2016, for the following: ""Provide copies of all documents, including memos, briefingnotes, e-mails, correspondence, etc. regarding any discussions about sponsorships or coverage to mark David Suzuki's 80th Birthday, since Janua,y 1, 2016. "" Attached are copies of all the accessible documents which you requested under the Act. Please note that certain information has been severed from them pursuant to sections 16(2), l 8(b ), 19( I) and 21( I)(b) of the Act. Some of the requested infom1ationrelates also to our programming activities, and is excluded from t e application of the Act pursuant to section 68.1, which states: "68.1 This Act does not apply to any information that is under the contr I of th� a adian Broadcasting Corporation that relates to its journalistic, creative or programming acti 'ties other than information that relates to its general administration." Please note that CBC reserves the right to claim exemptions pursuant to the Act. Please be advised that you are entitled to complain to the Information Commissioner concerning the processing of your request within sixty days of the receipt of this notice. In the event you decide to avail yourself of this right, your notice of complaint should be addressed to: Office of the Information Commissioner of Canada 30 Victoria Street Gatineau, Quebec KI A I H3 Should you have any questions concerning the processing of your request, please contact Yves Lapierre at 613-288-6248. -
Unsettling the White Noise: Deconstructing the Nation-Building
Unsettling the White Noise: Deconstructing the Nation-Building Project of CBC Radio One’s Canada Reads By Emily M. Burns A thesis submitted to the Graduate Program in the Department of Gender Studies in conformity with the requirements for the Degree of Master of Arts Queen’s University Kingston, Ontario, Canada August, 2012 Copyright @ Emily M. Burns, 2012 Abstract The Canadian Broadcasting Corporation’s Canada Reads program, based on the popular television show Survivor, welcomes five Canadian personalities to defend one Canadian book, per year, that they believe all Canadians should read. The program signifies a common discourse in Canada as a nation-state regarding its own lack of coherent and fixed identity, and can be understood as a nationalist project. I am working with Canada Reads as an existing archive, utilizing materials as both individual and interconnected entities in a larger and ongoing process of cultural production – and it is important to note that it is impossible to separate cultural production from cultural consumption. Each year offers a different set of insights that can be consumed in their own right, which is why this project is written in the present tense. Focusing on the first ten years of the Canada Reads competition, I argue that Canada Reads plays a specific and calculated role in the CBC’s goal of nation-building: one that obfuscates repressive national histories and legacies and instead promotes the transformative powers of literacy as that which can conquer historical and contemporary inequalities of all types. This research lays bare the imagined and idealized ‘communities’ of Canada Reads audiences that the CBC wishes to reflect in its programming, and complicates this construction as one that abdicates contemporary responsibilities of settlers. -
The Academic Who Coined 'Creative Class' Now Says It's Causing More Problems Than He Thought
The academic who coined 'creative class' now says it's causing more problems than he thought Young intellectuals brought prosperity but also gentrification, says writer Richard Florida CBC News Posted: May 08, 2017 10:12 AM ET Last Updated: May 08, 2017 10:12 AM ET Ten years ago, author Richard Florida coined the term "creative class" to refer to the young, talented and affluent people who he believed would revive North American cities and lead them to grow and prosper. In his latest book, The New Urban Crisis: How Our Cities Are Increasing Inequality, Deepening Segregation, and Failing the Middle Class and What We Can Do About It, he argues those same people are actually creating greater divides within cities and ushering in a wave of inequality. Florida, who is the cities director of the Martin Prosperity Institute at the University of Toronto, spoke to Metro Morning host Matt Galloway Monday about what went wrong with the rise of the creative class and how we can solve it. Questions and answers have been edited and condensed. Matt Galloway: You built your reputation on the idea that creative classes were the key to strong cities, that if you attract them, your cities will flourish. Why do you think now that you got it wrong? I don't think that I got it wrong. I actually think I underpredicted the extent of the knowledgedriven, highly clustered urban revival. In the book, I talk about moving to Toronto, working with former mayor David Miller and trying to build a more inclusive prosperity here and then seeing the backlash to this clustered urban knowledge wealth that resulted in the election in Toronto of Rob Ford. -
2017 Final Schedule
_________________________________________________________________________________________________ 2017 FINAL SCHEDULE ASSOCIATION CANADIENNE D’ÉTUDES CINÉMATOGRAPHIQUES / FILM STUDIES ASSOCIATION OF CANADA _________________________________________________________________________________________________ Annual Conference / Conférence annuelle May/ mai 27 – 29, 2017 Ryerson University / Université Ryerson Toronto, Ontario, Canada HeLd in conjunction with the Congress of the Humanities and Social Sciences Tenu dans Le cadre du Congrès des sciences humaines « On Indigenous Lands / En terre autochtone » Program Chair/Responsible du programme: DarreLL Varga (NSCAD University) Local Arrangement Coordinator/Coordonnateur: Paul Moore (Ryerson University *Ryerson is a bottled water free campus, bring your own refiLLable container. Ryerson est un campus sans eau embouteiLLée, apportez votre propre bouteiLLe réutLisable. ___________________________________________May 26 mai________________________________________ Welcome Gathering / Rassemblement de bienvenue Doors open at 7:00 p.m. Film Screening / Projection CFMDC50: Where Do You Come From? Screening begins at 8pm, running time: 60 mins 2017 marks the Canadian FiLmmakers Distribution Centre’s 50th anniversary, coinciding with Canada’s 150th. Taking a critical pause, Where Do You Come From? considers what this question poses in doing and/or undoing connections to place, Land, home, history, generationaL memory and trauma. The program brings into question CFMDC’s institutional role in the representation -
A City "... Waiting for the Sunrise " : Toronto in Song and Sound*
A City "... Waiting for the Sunrise " : Toronto in Song and Sound* Michael J. Doucet Abstract: One aspect of urban culture is examined to evaluate Toronto's position within the urban hierarchy, namely, the production of songs and sounds about the city. Although much music has been performed and created in Toronto over the years, and many songs have been urritten about a variety of features of life in the city, the musical images of Toronto remain largely unknown beyond its borders—even to many of the city's own residents. If Toronto is a "world-class city," the evidence for such a claim would have to be found on other dimensions than the one explored here. No one ever wrote / A single note / About Toronto. — Johnny Wayne and Frank Shuster (19%) I find that lately, I'm missing old Toronto, Where bass is strong and drums are full of fire. — from the Lenny Breau song "New York City" (1987) No nation can exist by the balance sheet alone. Stories, song, dance, music, art and the rest are the lifeblood of a country, the cultural images defining a people just as surely as their geography and the gross national product. — Robert Lewis, editor of Maclean's (19%) Interestingly, though, we don't seem to have an immediately identifiable style. The last time anyone spoke about a 'Toronto Sound' [former Mayor] Alan Lamport was booting hippies out of Yorkville. Unlike a Nashville or Manchester, there isn't any one thing that makes you say 'That's Toronto' -- Bob Mackowycz, writer and broadcaster (1991) Toronto itself doesn't have a distinctive civic culture. -
New Politics Podcast, All Things Considered Host & More
ON AIR & ONLINE SEPTEMBER 2016 Planet Money Oil Series Welcome Brady Carlson Chris Thile on APHC WI Vote on the Road Job Openings at WPR Featured Photo Every day our music hosts find the best new releases, historic WPR Launches New Politics Podcast performances and hidden gems for our classical, world and folk programs. Thanks to some upgrades to our library If you can't get enough of Wisconsin politics, or you have a hard time software, you can now keeping up with the news, WPR's new Politics Podcast might be the get the track, album and answer. The short, 10 to 15 minute weekly episodes are designed to artist names for most of fill you in on stories you might have missed and dive a bit deeper on our classical and folk the stories everyone is talking about. music selections at wpr.org. Hosted by John Wilson (pictured center), a digital journalist at wpr.org and self-described "politics nerd," each podcast features conversations with WPR reporters like Capital Bureau Chief Shawn Johnson (right) and Capital Reporter Laurel White (left), among Sound Bites others. The tone is light, but the topics are robust - like the recently leaked papers from the "John Doe 2" investigation or the influence of the Marquette Law School Poll on state politics. Presidential Debates Start September 26 Election season is in full swing and WPR is "Political reporters are in the business because they're genuinely bringing the candidate interested in this stuff - they live and breathe and geek out about it," debates to you.