Powys Society Newsletter 96, March 2019
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Randolph Bourne on Education
Randolph Bourne on education Item Type text; Thesis-Reproduction (electronic) Authors Horsman, Susan Alice, 1937- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 18:30:39 Link to Item http://hdl.handle.net/10150/317858 RANDOLPH BOURNE ON EDUCATION by Susam Horsmam A Thesis Submitted t© the Faculty of the DEPARTMENT OF HISTORY In Partial Fulfillment of the.Requirements For the Degree of MASTER OF ARTS In the Graduate College THE. UNIVERSITY OF ARIZONA 19 6 5 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library0 Brief quotations from this, thesis are al lowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended.quotation from or re production of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below? . J. -
Staging the Obscene in a Glastonbury Romance (1932) by John Cowper Powys
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 21 | 2020 Modernism and the Obscene Staging the Obscene in A Glastonbury Romance (1932) by John Cowper Powys Florence Marie Electronic version URL: http://journals.openedition.org/miranda/27847 DOI: 10.4000/miranda.27847 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Florence Marie, “Staging the Obscene in A Glastonbury Romance (1932) by John Cowper Powys ”, Miranda [Online], 21 | 2020, Online since 09 October 2020, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/27847 ; DOI: https://doi.org/10.4000/miranda.27847 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Staging the Obscene in A Glastonbury Romance (1932) by John Cowper Powys 1 Staging the Obscene in A Glastonbury Romance (1932) by John Cowper Powys Florence Marie 1 “Nobody quite knows what the word ‘obscene’ itself means, or what it is intended to mean: but gradually all the old words that belong to the body below the navel have come to be judged as obscene. Obscene means today that the policeman thinks he has a right to arrest you, nothing else” (Lawrence 625). As made clear by D. H. Lawrence in 1929, there existed no definition of the term “obscenity” under English statute law. Nevertheless the idea that “fiction has the power to corrupt and offend in its cultural significance” (Potter 2013b, 10) and as a consequence that censorship was advisable was still very much in the foreground in the 1920s. -
Self-Portraiture in Borrow and the Powys
— 1 — Published in la lettre powysienne numéro 5, printemps 2003, see : http://www.powys-lannion.net/Powys/LettrePowysienne/number5.htm Stonehenge Leaving the bridge I ascended a gentle declivity, and presently reached what appeared to be a tract of moory undulating ground. It was now tolerably light, but there was a mist or haze abroad which prevented my seeing objects with much precision. I felt chill in the damp air of the early morn, and walked rapidly forward. In about half an hour I arrived where the road divided into two at an angle or tongue of dark green sward. “To the right or the left?” said I, and forthwith took, without knowing why, the left-hand road, along which I proceeded about a hundred yards, when, in the midst of the tongue or sward formed by the two roads, collaterately with myself, I perceived what I at first conceived to be a small grove of blighted trunks of oaks, barked and grey. I stood still for a moment, and then, turning off the road, advanced slowly towards it over the sward; as I drew nearer, I perceived that the objects which had attracted my curiosity, and which formed a kind of circle, were not trees, but immense upright stones. A thrill pervaded my system; just before me were two, the mightiest of the whole, tall as the stems of proud oaks, supporting on their tops a huge transverse stone, and forming a wonderful doorway. I knew now where I was, and laying down my stick and bundle, and taking off my hat, I advanced slowly, and cast myself — it was folly, perhaps, but I could not help what I did — cast myself, with my face on the dewy earth, in the middle of the portal of giants, beneath the transverse stone. -
Weymouth Sands to Owen Glendower
Durham E-Theses The shattered skull: a study of john Cowper Powys' ction Fox, Jeremy Robin How to cite: Fox, Jeremy Robin (1991) The shattered skull: a study of john Cowper Powys' ction, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/6023/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. THE SHATTERED SKULL: A STUDY OF JOHN COWPER POWYS' FICTION JEREMY ROBIN FOX A THESIS SUBMITTED TO THE CENTRE FOR THE STUDY OF LITERATURE AND THEOLOGY IN THE DEPARTMENT OF THEOLOGY IN THE FACULTY OF ARTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF DURHAM SEPTEMBER 1991 2 1 J UL 1992 TABLE OF CONTENTS Acknowledgements ....................................................... -
Reader's Companion to John Cowper Powys's a Glastonbury Romance
John Cowper Powys’s A Glastonbury Romance: A Reader’s Companion Updated and Expanded Edition W. J. Keith December 2010 . “Reader’s Companions” by Prof. W.J. Keith to other Powys works are available at: https://www.powys-society.org/Articles.html Preface The aim of this list is to provide background information that will enrich a reading of Powys’s novel/ romance. It glosses biblical, literary and other allusions, identifies quotations, explains geographical and historical references, and offers any commentary that may throw light on the more complex aspects of the text. Biblical citations are from the Authorized (King James) Version. (When any quotation is involved, the passage is listed under the first word even if it is “a” or “the”.) References are to the first edition of A Glastonbury Romance, but I follow G. Wilson Knight’s admirable example in including the equivalent page-numbers of the 1955 Macdonald edition (which are also those of the 1975 Picador edition), here in square brackets. Cuts were made in the latter edition, mainly in the “Wookey Hole” chapter as a result of the libel action of 1934. References to JCP’s works published in his lifetime are not listed in “Works Cited” but are also to first editions (see the Powys Society’s Checklist) or to reprints reproducing the original pagination, with the following exceptions: Wolf Solent (London: Macdonald, 1961), Weymouth Sands (London: Macdonald, 1963), Maiden Castle (ed. Ian Hughes. Cardiff: University of Wales Press, 1990), Psychoanalysis and Morality (London: Village Press, 1975), The Owl, the Duck and – Miss Rowe! Miss Rowe! (London: Village Press, 1975), and A Philosophy of Solitude, in which the first English edition is used. -
Ankenym Powysjournal 1996
Powys Journal, 1996, vol. 6, pp. 7-61. ISSN: 0962-7057 http://www.powys-society.org/ http://www.powys-society.org/The%20Powys%20Society%20-%20Journal.htm © 1996 Powys Society. All rights reserved. Drawing of John Cowper Powys by Ivan Opffer, 1920 MELVON L. ANKENY Lloyd Emerson Siberell, Powys 'Bibliomaniac' and 'Extravagantic' John Cowper Powys referred to him as 'a "character", if you catch my meaning, this good Emerson Lloyd S. — a very resolute chap (with a grand job in a big office) & a swarthy black- haired black-coated Connoisseur air, as a Missioner of a guileless culture, but I fancy no fool in his office or in the bosom of his family!'1 and would later describe him as 'a grand stand-by & yet what an Extravagantic on his own our great Siberell is for now and for always!'2 Lloyd Emerson Siberell, the 'Extravagantic' from the midwestern United States, had a lifelong fascination and enthusiasm for the Powys family and in pursuit of his avocations as magazine editor, publisher, writer, critic, literary agent, collector, and corresponding friend was a constant voice championing the Powys cause for over thirty years. Sometimes over-zealous, always persistent, unfailingly solicitous, both utilized and ignored, he served the family faithfully as an American champion of their art. He was born on 18 September 1905 and spent his early years in the small town of Kingston, Ohio; 'a wide place in the road, on the fringe of the beautiful Pickaway plains the heart of Ohio's farming region, at the back door of the country, so to speak.' In his high school days he 'was always too busy reading the books [he] liked and playing truant to ever study seriously...' He 'enjoyed life' and was 'a voracious reader but conversely not the bookworm type of man.'3 At seventeen he left school and worked a year at the Mead Corporation paper mill in Chillicothe, Ohio and from this experience he dated his interest in the art and craft of paper and paper making. -
Open, Yet Missed the Powyses, John Cowper and Autobiography in Paradoxically Enigmatic Figure
Powys Notes CONTENTS the semiannual journal and newsletter of the In This Issue 4 Powys Society of North America Powys's Alien Story: Travelling, Speaking, Writing BEN JONES 5 Editor: "The People We Have Been": Denis Lane Notes on Childhood in Powys's Autobioqraphy A. THOMAS SOOTHWICK 13 Editorial Board: Friendships: John Cowper Powys, Llewelyn Powys, and Alyse Gregory Ben Jones, Carleton University HILDEGARDE LASELL WATSON 17 Peter Powys Grey, To Turn and Re-Turn: New York A review of Mary Casey, The Kingfisher1s Wing Richard Maxwell, CHARLES LOCK 24 Valparaiso University Editor's Notes 27 Charles Lock, University of Toronto Editorial Address: * * * 1 West Place, Chappaqua, N.Y. 10514 Subscription: THE POWYS SOCIETY OF NORTH AMERICA $10.00 U.S. ($12.00 Can.) for two issues; includes membership in PSNA Founded in December, 1983, the Powys Society of North America seeks to promote the study and Subscription Addresses: appreciation of the literary works of the Powys In the U.S.: InCanada: family, especially those of JOHN COWPER POWYS Richard Maxwell Ben Jones (1872-1963), T. F. POWYS (1875-1953), and LLEWELYN Department of English Department of English POWYS (1884-1939). Valparaiso University Carleton University Valparaiso, IN 46383 Ottawa, Ontario, K1S 5B6 The Society takes a special interest in the North American connections and experiences of the Powyses, and encourages the exploration of the extensive POWYS NOTES, Vol- 5, No* 1: Spring, 1989. (c) , 1989, The Powys collections of Powys material in North America and the Society of North America. Quotations from the works of John involvement, particularly of John Cowper and Llewelyn, Cowper Powys and T. -
Creating Great Ebooks Using Jutoh
CREATING GREAT EBOOKS USING JUTOH A complete guide to making ebooks for Kindle, iPad, Nook, Kobo and more, from new project to publication by Julian Smart Published by Anthemion © Julian Smart 2011 Edition 2.22 All rights reserved. You are welcome to redistribute this book in its original form. The author acknowledges the trademarked status and trademark owners of various products referenced in this work. This book was created using Jutoh. The author acknowledges the trademarked status and trademark owners of various products referenced in this work, which have been used without permission. The publication/use of these trademarks is not authorized, associated with, or sponsored by the trademark owners. Table of Contents From the Horse’s Mouth........................................................................................................................xi Preface...................................................................................................................................................xiii Bring on the revolution.....................................................................................................................xiii About the author..........................................................................................................................xiv How this book is structured...............................................................................................................xiv Conventions and terms used in this book..........................................................................................xvi -
Opening Article Is an Edition of Her Journals 1923-48 (1973)
The Powys Review NUMBER EIGHT Angus Wilson SETTING THE WORLD ON FIRE "A very distinguished novel ... It is superb entertain- ment and social criticism but it is also a poem about the life of human beings - a moving and disturbing book and a very superior piece of art.'' Anthony Burgess, Observer "Wonderfully intricate and haunting new novel. The complex relationships between art and reality . are explored with a mixture of elegance, panache and concern that is peculiarly his ... magnificent." Margaret Drabble, Listener "As much for the truth and pathos of its central relation- ships as for the brilliance of the grotesques who sur- round them, I found Setting the World on Fire the most successful Wilson novel since Late Call. I enjoyed it very much indeed.'' Michael Ratcliffe, The Times "A novel which will give much pleasure and which exemplifies the civilised standards it aims to defend." Thomas Hinde, Sunday Telegraph "A book which I admire very much . this is an immensely civilised novel, life enhancing, with wonder- fully satirical moments.'' David Holloway, Daily Telegraph "... an exceptionally rich work . the book is witty, complex and frightening, as well as beautifully written.'' Isobel Murray, Financial Times Cover: Mary Cowper Powys with (1. to r.) Llewelyn, Marian and Philippa, c. 1886. The Powys Review Editor Belinda Humfrey Reviews Editor Peter Miles Advisory Board Glen Cavaliero Ben Jones Derrick Stephens Correspondence, contributions, and books for review may be addressed to the Editor, Department of English, Saint David's University College, Lampeter, Dyfed, SA48 7ED Copyright ©, The Editor The Powys Review is published with the financial support of the Welsh Arts Council. -
A Glastonbury Romance—Bert's Cauldron
Published in la lettre powysienne numéro 9, printemps 2005, see : http://www.powys-lannion.net/Powys/LettrePowysienne/number9.htm A Glastonbury Romance — Bert’s Cauldron NO WORD in literature, unless perhaps ‘ballad’ or ‘legend’, can have more power to evoke the magical and the marvellous than ‘romance’. Under the roofs of Powys’s Glastonbury and under the craniums of its extraordinary inhabitants marvels occur as everyday happenings. In John Cowper Powys’s letter to Frances Gregg in 19311 he writes of his intention to invent the characters of his book “in Vacuo out of life and experience”—a phrase which, in his case, must imply a very broad imaginative scope indeed. Mr Geard—‘Bloody Johnny’—the holy magician of the story, was laughingly compared by Canon William Crow to Rabelais’s “Frère Jean 2 des Entommeures”, “Friar John of the Funnels” . Geard describes himself as a conduit—receiving, channelling and knowing vicariously the feelings and sensations of those in the world around him and drawing on forces and powers from beyond the visible world. He is a medium. Geard’s creator, John Cowper Powys, is a medium of a very different kind—the funnel and conduit of his own unfettered imagination, free to dictate and shape A Glastonbury Romance. The result is a poetic and extremely complex book which almost defies overall cohesive study. Glastonbury is itself a character of the romance. The life of the town is dreamlike, vivid to the senses and contained in its own reality. It is affected by the consciousnesses of those who have been there, by personified forces (or gods)—particularly Chance—and by the dual malice and goodness of a ‘First Cause’ interacting with the goodness and malice in all other identities. -
THE INTERACTION BETWEEN LANDSCAPE and MYTH in the NOVELS of JOHN COWPER POWYS by GWYNETH F. MILES MA Bryn Mawr College, 196?
c . \ THE INTERACTION BETWEEN LANDSCAPE AND MYTH IN THE NOVELS OF JOHN COWPER POWYS by GWYNETH F. MILES M.A. Bryn Mawr College, 196? A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in the Department of English We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, 1973 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department The University of British Columbia Vancouver 8, Canada i Abstract Powys' novels are deeply rooted in a sense of place; much of their conflict develops through the effect of a particular locality upon the characters who live there or come there. This thesis demonstrates how Powys' sense of place is com• pounded of both a feeling for the physical landscape, and an awareness of the historical and mythical traditions which form its human past. Powys finds correspondences between the scenery and legends of a locality and the psychological states of his personae, and thus uses landscape and myth for symbolic purposes. The interaction of myth and landscape largely creates the characteristic atmosphere of the five novels studied here. -
In Translation
May 2010 In Translation It is surely not too early in the year to start predicting the crime writing Oscars for 2010, by which of course I mean my Shots of the Year awards (which come with no trophy, no prize-money, very little publicity and minimal prestige). I raise the matter now because I have just finished the best ensemble police crime novel I have read this year, and it is eligible for both Crime Shot of the Year and the Shot in Translation titles. Translated from Afrikaans, Deon Meyer’s Thirteen Hours (Hodder) is simply brilliant and puts the South African author up there with Michael Connelly and Ian Rankin – yes, it’s that good. Meyer has created a great cast of policemen and women with the alcoholic Inspector Benny Griessel taking the lead and, in Thirteen Hours, acting as a mentor to junior officers working two seemingly unconnected cold- blooded murders, wrapping them both up in thirteen breathless hours of one chaotic Cape Town day, complete with horrendous traffic jams, power cuts and casual violence. The twin strands of the plot dig into a resurgent South African music scene and a particularly unsavoury form of human trafficking which is almost as sleazy and corrupt. And readers of a delicate persuasion should be warned there is one particularly gruesome (though not gratuitous) piece of violence. Benny Griessel as an alcoholic cop with marital problems hardly sounds a unique creation, but unusually for crime fiction he manages his guilt humanely and without resorting to preachiness. But it is the ensemble cast of cops under Griessel’s reluctant command which really impress – whether white, black or ‘coloured’ - especially the overweight Zulu woman detective Mbali Kaleni.