A Director's Approach to Annie Baker's the Aliens Evin Mcquistion
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9/11 Report”), July 2, 2004, Pp
Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5. -
Press Release
FOR IMMEDIATE RELEASE Media Contact: Summer L. Williams Phone #: 617.448.5780 Email: [email protected] www.companyone.org Company One Theatre, in CollaBoration with Suffolk University, Presents THE FLICK High resolution photos availaBle here: http://www.companyone.org/Season15/The_Flick/photos_videos.shtml Boston, MA (FeBruary 2014) — Company One Theatre (C1), recently named "Boston's Best Theatre Company" By The Improper Bostonian, in collaBoration with Suffolk University, present the New England premiere of THE FLICK, By OBIE award winning playwright, Annie Baker. Performances take place FeBruary 20‐March 15, 2014 at the Suffolk University Modern Theatre (525 Washington Street, Boston, MA 02111). Tickets, from $20‐$38 , are onsale now at www.companyone.org. THE FLICK welcomes you to a run‐down movie theatre in Worcester County, MA, where Sam, Avery and Rose are navigating lives as sticky as the soda under the seats. The movies on the Big screen are no match for the tiny Battles and not‐so‐tiny heartBreaks that play out in the empty aisles. Annie Baker (THE ALIENS) and C1 Artistic Director Shawn LaCount reunite with this hilarious and heart‐rending cry for authenticity in a fast‐changing world. With this production, the artists of C1 answer the call from New England fans of one of America’s most celeBrated contemporary playwrights. Boston’s relationship with Annie Baker Began with the C1 award‐winning production of THE ALIENS as part of the Shirley, VT Plays Festival. Annie Baker (who grew up in Amherst, Massachusetts) recently won Both an OBIE for playwriting, and the Susan Smith BlackBurn Prize for THE FLICK. -
Downloaded by Michael Mitnick and Grace, Or the Art of Climbing by Lauren Feldman
The Dream Continues: American New Play Development in the Twenty-First Century by Gregory Stuart Thorson B.A., University of Oregon, 2001 M.A., University of Colorado, 2008 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Theatre This thesis entitled: The Dream Continues: American New Play Development in the Twenty-First Century written by Gregory Stuart Thorson has been approved by the Department of Theatre and Dance _____________________________________ Dr. Oliver Gerland ____________________________________ Dr. James Symons Date ____________ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. IRB protocol # 12-0485 iii Abstract Thorson, Gregory Stuart (Ph.D. Department of Theatre) The Dream Continues: American New Play Development in the Twenty-First Century Thesis directed by Associate Professor Oliver Gerland New play development is an important component of contemporary American theatre. In this dissertation, I examined current models of new play development in the United States. Looking at Lincoln Center Theater and Signature Theatre, I considered major non-profit theatres that seek to create life-long connections to legendary playwrights. I studied new play development at a major regional theatre, Denver Center Theatre Company, and showed how the use of commissions contribute to its new play development program, the Colorado New Play Summit. I also examined a new model of play development that has arisen in recent years—the use of small black box theatres housed in large non-profit theatre institutions. -
<I>Twenty-First Century American Playwrights</I>
The Journal of American Drama and Theatre (JADT) https://jadt.commons.gc.cuny.edu Twenty-First Century American Playwrights Twenty-First Century American Playwrights. Christopher Bigsby. Cambridge: Cambridge University Press, 2018; Pp. 228. In 1982, Christopher Bigsby penned A Critical Introduction to Twentieth-Century American Drama. What was originally planned as a single volume expanded to three, with volume 2 being released in 1984 and Volume 3 in 1985. Although Bigsby, a literary analyst and novelist with more than 50 books to his credit, hails from Britain, he is drawn to American playwrights because of their “stylistic inventiveness…sexual directness…[and] characters ranged across the social spectrum in a way that for long, and for the most part, had not been true of the English theatre” (1). This admiration brought Bigsby’s research across the millennium line to give us his latest offering Twenty-First Century American Playwrights. What Bigsby provides is an in-depth survey of nine writers who entered the American theatre landscape during the past twenty years, including chapters on Annie Baker, Frances Ya-Chu Cowhig, Katori Hall, Amy Herzog, Tracy Letts, David Lindsay-Abaire, Lynn Nottage, Sarah Ruhl, and Naomi Wallace. While these playwrights vary in the manner they work and styles of creative output, what places them together in this volume “is the sense that theatre has a unique ability to engage with audiences in search of some insight into the way we live…to witness how words become manifest, how artifice can, at its best, be the midwife of truth” (5). This explanation, however vague, does little to provide a concrete rubric for why these dramatists were included over others. -
2013-WHAT-Playbill-W
at The Julie Harris Stage WELLFLEET HARBOR ACTORS THEATER what.org 2013-2014 Season A Journey (with just a little mayhem) Theater Dance Opera Music Movies WHAT for Kids 2 what.org Wellfleet Harbor Actors Theater 2013-2014 3 at WHAT’s Inside... The Julie Harris Stage Theater.Dance.Opera.Music.Movies 2013 Summer Season WELLFLEET HARBOR ACTORS THEATER what.org Utility Monster ........................................................... 18 The Julie harris sTage 2357 route 6, Wellfleet, Ma This season marks the 29th anniversary of Wellfleet Summer Music Festival ............................................ 21 WhaT for Kids TenT Harbor Actors Theater. Founded in 1985, WHAT is the Six Characters in Search of an Author ..................... 22 2357 route 6, Wellfleet, Ma award-winning non-profit theater on Cape Cod that the WHAT for Kids .......................................................... 24 (508) 349-WhaT (9428) • what.org New York Times says brought “a new vigor for theater on the Cape” and the Boston Globe says “is a jewel in One Slight Hitch........................................................ 26 honorary Board Chair Board PresidenT eMeriTus Julie harris Carol green Massachusetts’ crown.” Boston Magazine named Lewis Black at WHAT ............................................... 28 18 PresidenT and Board Co-ChairMan WHAT the Best Theater in 2004 and the Boston Drama Bruce a. Bierhans, esquire August Special Events.............................................. 29 Critics Association has twice awarded WHAT its 22 21 Board Co-ChairMan prestigious Elliot Norton Award. UnHitched Cabaret John dubinsky Jazzical Fusion exeCuTive direCTor Andre Gregory: Before and After Dinner Jeffry george arTisTiC direCTor Cat on a Hot Tin Roof ............................................... 30 dan lombardo ProduCer/ProduCTion Manager Ted vitale Also inside: WhaT for Kids iMPresario stephen russell Letter from the President ........................................... -
DAVID CAPARELLIOTIS Caparelliotis Casting /212-575-1987 [email protected]
DAVID CAPARELLIOTIS Caparelliotis Casting /212-575-1987 [email protected] CASTING DIRECTOR (selected) Holler If Ya Hear Me (Todd Kreidler) Palace Theatre/Broadway dir. Kenny Leon (upcoming) Casa Valentina (Harvey Fierstein) Freidman Theatre/ Broadway dir. Joe Mantello (upcoming) Commons of Pensacola (Amanda Peet) Manhattan Theater Club dir. Lynne Meadow The Snow Geese (Sharr White) Freidman Theatre/ Broadway dir. Daniel Sullivan All New People (Zach Braff) Second Stage Theatre dir. Peter DuBois Water By The Spoonful (Quiara Hudes) Second Stage Theatre dir. Davis McCallum My Name Is Rachel Corrie Minetta Lane/Off-Broadway dir. Alan Rickman Complicit (Joe Sutton) Old Vic/London dir. Kevin Spacey Orphans (Lyle Kessler) Schoenfeld Theatre/ Broadway dir. Daniel Sullivan Lonely I’m Not (Paul Weitz) Second Stage Theatre dir. Trip Cullman Tales of the City: the musical American Conservatory Theatre dir: Jason Moore Romantic Poetry (John P. Shanley) MTC/Off-Broadway dir: John P. Shanley Trip to Bountiful (Horton Foote) Sondheim Theatre/ Broadway dir. Michael Wilson Dead Accounts (Theresa Rebeck) Music Box Theatre/ Broadway dir. Jack O’Brien Fences (August Wilson) Cort Theatre/Broadway dir. Kenny Leon Sweet Bird of Youth (T. Williams) Goodman Theatre/ Chicago dir. David Cromer The Other Place (Sharr White) Freidman Theatre/ Broadway dir. Joe Mantello Seminar (Theresa Rebeck) Golden Theatre/ Broadway dir. Sam Gold Grace (Craig Wright) Court Theatre/ Broadway dir. Dexter Bullard Bengal Tiger … (Rajiv Josef) Richard Rodgers/ Broadway dir. Moises Kaufman Stick Fly (Lydia Diamond) Cort Theatre/ Broadway dir. Kenny Leon The Columnist (David Auburn) Freidman Theatre/Broadway dir. Daniel Sullivan The Royal Family (Ferber) Freidman Theatre/ Broadway dir. -
ABSTRACT by Zachary Elijah Dailey This Creative
ABSTRACT FINDING THE RHYTHMS AND THE ACCIDENTAL POETRY: ANNIE BAKER AND THE CONDITION OF A CONTEMPORARY FEMALE PLAYWRIGHT by Zachary Elijah Dailey This creative thesis in directing is a three part study into the critical and commercial success of Pulitzer Prize-winning playwright Annie Baker, the first realist female playwright to win one of the theatre’s highest honors in a quarter of a century. This thesis was accompanied by the Walking Theatre Project’s 2015 production of Body Awareness on campus at Miami University. Focusing on Baker’s life and works, this thesis locates the playwright within the shifting tides of feminist theory in the contemporary world of theatre. FINDING THE RHYTHMS AND THE ACCIDENTAL POETRY: ANNIE BAKER AND THE CONDITION OF A CONTEMPORARY FEMALE PLAYWRIGHT A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Theatre by Zachary Elijah Dailey Miami University Oxford, Ohio 2015 Advisor_____________________________________________________ (Dr. Paul K. Bryant-Jackson) Reader______________________________________________________ (Dr. Katelyn Hale Wood) Reader______________________________________________________ (Dr. Katie N. Johnson) iii TABLE OF CONTENTS ABSTRACT TITLE PAGE i TABLE OF CONTENTS: ii DEDICATION: iii ACKNOWLEDGEMENTS: iv PROLOGUE: 1 “She’s Just Fabulous:” Annie Baker and the Pulitzer Prize CHAPTER ONE: 4 “This is a Weird Town:” A Dramaturgical Discussion CHAPTER TWO: 18 “And Then There’s the White Male Gaze:” Annie Baker in a Postfeminist Landscape CHAPTER THREE: 37 “The Whole Thing Is Like a Joke Now:” Directing Body Awareness EPILOGUE: 50 “The Ability to Empathize:” Final Thoughts on Annie Baker APPENDIX: 52 Body Awareness Audition Notice Body Awareness Production Script Body Awareness Production Photos *All of the chapter titles are direct quotes from Annie Baker’s Body Awareness. -
Impact Stories
Our Impact: Playwright Success Stories A Few of the Bright Spots [from over 500] LIZ DUFFY ADAMS Playwrights Foundation helped to launch Liz’s career shortly after she graduated from Yale School of Drama. In 2002, her seminal work, Dog Act was developed on the Bay Area Playwrights Festival (BAPF) and then went on to its 2004 premiere in the Bay Area - with Playwrights Foundation (PF) and Shotgun Players in Berkeley, CA, winning the 2005 Glickman Award for the Bay Area’s Best New Play. The play has since been produced in San Diego, Los Angeles, New York, Massachusetts, Winnipeg, and dozens of other cities. Her next play One Big Lie was co-commissioned by Crowded Fire Theater (CFT) and PF as part of our Producing Partnership Initiative (PPI). The play received a year of development in our studio, culminating in the BAPF in 2004, and subsequently premiered in 2005 in a highly-acclaimed production at CFT. Her play The Listener was developed in PF’s Rough Readings Series (RRS), premiered in a PPI with Crowded Fire in 2008, and went on to productions in Portland and San Diego. And, her play The Train Play was chosen as part of PF’s Des Voix Festival for a French translation and reading in Paris in 2014. Subsequently, as a result of our support, Liz landed her first New York premiere for Or, at the Women’s Project, which has been produced some 50 times since. Liz’s plays have continued to live on stages nation-wide, including the Magic Theater and Seattle Rep, and won her honors including a Women of Achievement Award, a Lillian Hellman Award, and the Will Glickman Award. -
Nyc Area Productions
FALL FORUM 2009 Opportunity Knocks: Proactive Leadership in a “Wait and See” World November 6–8, 2009 New York City NYC AREA PRODUCTIONS We strongly encourage you to attend productions at any of the New York area TCG member theatres while you are in town for the Forum. The following theatres provided information to us about their current productions and are offering special discount ticket prices to Fall Forum participants; please remember to use the discount code, if one is provided, when placing your order. The Barrow Group Website: www.barrowgroup.org Fax: 212-760-2962 B.O. Website: , www.smarttix.com Email: [email protected] Phone: 212-760-2615 The Thickness of Skin By Clare McIntyre, directed by Jacob White In this American Premiere, McIntyre asks ‘in what ways are we responsible to help our fellow human beings’? She highlights the humorous and humanistic side of life while encouraging us each to reflect and perhaps transform. The Barrow Group - TBG Studio Theatre, 312 W. 36th Street, 3rd Floor at 8th Avenue Show times & Prices: Offering discount – use code TCG15 Saturday, 11/7 @ 8:00 p.m. ($15) Sunday, 11/8 @ 3:00 p.m. ($15) Sunday, 11/8 @ 8:00 p.m. ($15) Castillo Theatre Website: www.castillo.org Fax: 212-941-8340 Phone: 212-941-1234 Email: [email protected] Safe at Third (or Josh Gibson Don't Bunt) By Fred Newman, directed by Fred Newman Four historical figures — Albert Einstein; the great Negro League slugger Josh Gibson, Otto René Castillo, the martyred Guatemalan poet and revolutionary; and the legendary aviator Amelia Earhart — find themselves stranded at third base with no way home in this whimsical fantasy. -
Extraordinary Encounters: an Encyclopedia of Extraterrestrials and Otherworldly Beings
EXTRAORDINARY ENCOUNTERS EXTRAORDINARY ENCOUNTERS An Encyclopedia of Extraterrestrials and Otherworldly Beings Jerome Clark B Santa Barbara, California Denver, Colorado Oxford, England Copyright © 2000 by Jerome Clark All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Clark, Jerome. Extraordinary encounters : an encyclopedia of extraterrestrials and otherworldly beings / Jerome Clark. p. cm. Includes bibliographical references and index. ISBN 1-57607-249-5 (hardcover : alk. paper)—ISBN 1-57607-379-3 (e-book) 1. Human-alien encounters—Encyclopedias. I. Title. BF2050.C57 2000 001.942'03—dc21 00-011350 CIP 0605040302010010987654321 ABC-CLIO, Inc. 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116-1911 This book is printed on acid-free paper I. Manufactured in the United States of America. To Dakota Dave Hull and John Sherman, for the many years of friendship, laughs, and—always—good music Contents Introduction, xi EXTRAORDINARY ENCOUNTERS: AN ENCYCLOPEDIA OF EXTRATERRESTRIALS AND OTHERWORLDLY BEINGS A, 1 Angel of the Dark, 22 Abductions by UFOs, 1 Angelucci, Orfeo (1912–1993), 22 Abraham, 7 Anoah, 23 Abram, 7 Anthon, 24 Adama, 7 Antron, 24 Adamski, George (1891–1965), 8 Anunnaki, 24 Aenstrians, 10 Apol, Mr., 25 -
Circle Mirror Transformation
47th Season • 449th Production JULIANNE ARGYROS STAGE / JANUARY 9-30, 2011 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents CIRCLE MIRROR TRANSFORMATION BY Annie Baker David Zinn Angela Balogh Calin Mark Barton Leah Gelpe SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN David Roy Jackie S. Hill Jennifer Ellen Butler* ASSISTANT SOUND DESIGN PRodUctioN MANAgeR StAge MANAgeR DIRECTED BY Sam Gold Larry and Dee Higby HoNoRARY PRodUceRS CIRCLE MIRROR TRANSFORMATION is presented by special arrangement with Dramatists Play Service, Inc., New York. Circle Mirror Transformation • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of speaking) Theresa ............................................................................................. Marin Hinkle* James ................................................................................................. Brian Kerwin* Lauren .............................................................................................. Lily Holleman* Schultz ................................................................................................... Arye Gross* Marty ............................................................................................ Linda Gehringer* SETTING A windowless dance studio in the town of Shirley, Vermont. Summertime. LENGTH Approximately one hour and 50 minutes with no intermission. PRODUCTION STAFF Casting .................................................................................. Joanne DeNaut, CSA Dramaturg ....................................................................................... -
Jlm Slmpson ARTISTIC DIRECTOR CAROL OSTROW PRODUCING
THE FLEA THEATER JIM SIMPSON ARTISTIC DIRECTOR CAROL OSTROW PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF I SEE YOU WRITTEN BY KATE ROBIN DIRECTED BY JIM SIMPSON KYLE CHEPULIS SET DESIGN BRIAN ALDOUS LIGHTING DESIGN CLAUDIA BROWN COSTUME DESIGN JANIE BULLARD SOUND DESIGN KELLY DAVIS PROP DESIGN MICHAL V. MENDELSON STAGE MANAGER JONATHAN COTTLE TECHNICAL DIRECTOR RON LAskO/SPIN CYCLE PRESS REPRESENTATIVE CALLERI CASTING CASTING I SEE YOU was originally commissioned by South Coast Repertory. CAST Nina .................................................................. Danielle Slavick Jesse ...................................................... Stephen Barker Turner CREATIVE TEAM Playwright ..................................................................Kate Robin Director ................................................................... Jim Simpson Set Designer .......................................................... Kyle Chepulis Lighting Designer ....................................................Brian Aldous Costume Designer ................................................Claudia Brown I See You Sound Designer ...................................................... Janie Bullard ER Prop Designer .............................................................Kelly Davis T Casting ............................................................... Calleri Casting Stage Manager ........................................... HEA Michal V. Mendelson T Technical Director ..............................................Jonathan Cottle Assistant