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Museum Plantin- Moretus
MUSEUM PLANTIN- MORETUS GROUND FLOOR STAIRCASE WELCOME Welcome to the Plantin-Moretus Museum. This was the home and workplace of Chris- tophe Plantin and the Moretus family. For 300 years books were the heart and soul of this place, and they still are. Who lived here? Who worked here? What exactly did they print? What kind of know- ledge and ideas travelled from the house to the four corners of the world, beyond the frontiers of Europe? Downstairs you will meet Christophe Plan- tin: forefather, businessman, manager, hu- manist* and printer. Upstairs you can have a close look at the beautiful books that were printed in this house, from richly illustra- ted bibles to simple almanacs. Here and there you will see reproduc- tions of books that were printed on the premises. They are for you to pick up and enjoy. We wish you a pleasant visit. * From A to Z Humanism? Folio or quarto? What is a breviary? A number of terms need to be explained. At the back of the visitor guide 7 you will find a glossary. THE SMALL DRAWING ROOM 1 THE GOLDEN COMPASSES A 17th-century traveller describes the hous- es of wealthy Antwerp citizens as ‘...solid and constructed with good materials. They are beauti- ful too because they are built in long and straight lines. The entrance gates are adorned with car- vings and in the gardens there are sculptures.’ The Plantin-Moretus Museum is an exam- ple of such a solid and well-built house belonging to an affluent Antwerp family. It contains more than 30 rooms. -
Balthasar Moretus
BALTHASAR MORETUS and the Passion of Publishing Museum Plantin-Moretus | Print Cabinet Cover: Anonymous, after Peter Paul Rubens, The Four Philosophers, 17th century (MPM.V.IV.075) BALTHASAR and the Passion of Publishing MORETUS Dirk Imhof Paul van Capelleveen Goran Proot Andrew Steeves Guy Vingerhoets Museum Plantin-Moretus | Print Cabinet TABLE OF CONTENTS 7 50 Foreword Literary publishing & deep regard - The Alderman for Culture, City of Antwerp - Andrew Steeves 10 55 Balthasar I Moretus: a concise biography Engravers from Antwerp or Brussels? Illustrating the works of Hermannus Hugo 12 ‘Ex arte et decore typographica’: 57 Balthasar I Moretus, publisher of Baroque books Publishing for a difficult author: the - Dirk Imhof Bartholomaeus de los Ríos publications 29 60 Peter Paul Rubens, the Moretuses and the Visual Editions: Stories for contemporary readers Plantin Press - Paul van Capelleveen 32 75 The pricing policy of the Officina Plantiniana, The fate of the copper-plate engravings bearing 1580–1655 designs by Peter Paul Rubens - Goran Proot 78 45 Imschoot, Uitgevers. The history of a passion Engraving, reworking and printing from - Guy Vingerhoets copper plates: Theodore Galle’s workshop 87 48 Colophon The breviary in folio of 1614: a pet project of the Moretus brothers Foreword 7 ‘Balthasar Moretus and the Passion of Publishing’, a story of co-creation The Alderman for Culture, City of Antwerp ntwerp is the archetypal Baroque city. That was Rubens and Moretus worked together on more than so in the seventeenth century, and it still is today. twenty book projects. Designs for title pages and illustrations This identity has much to do with the savoir-vivre were also supplied to Moretus by Erasmus Quellinus, Karel ofA Antwerp’s inhabitants: a wealth of tradition that includes de Mallery, Peeter de Jode and Abraham Van Diepenbeeck. -
April 2010 Newsletter
historians of netherlandish art NEWSLETTER AND REVIEW OF BOOKS Dedicated to the Study of Netherlandish, German and Franco-Flemish Art and Architecture, 1350-1750 Vol. 27, No. 1 www.hnanews.org April 2010 Hans von Aachen, The Fall of Phaeton, c. 1600. Kunsthistorisches Museum, Vienna, on loan to Schloss Ambras In the exhibition Hans von Aachen (1552-1615), Hofkünstler in Europa, Suermondt-Ludwig Museum, Aachen, March 11 – June 13, 2010; Prague Castle Gallery, July 1 – October 3, 2010; Kunsthistorisches Museum, Vienna, October 19, 2010 – January 9, 2011. © KHM HNA Newsletter, Vol. 23, No. 2, November 2006 1 historians of netherlandish art 23 S. Adelaide Avenue, Highland Park, NJ 08904 Telephone/Fax: (732) 937-8394 E-Mail: [email protected] www.hnanews.org Historians of Netherlandish Art Offi cers President - Stephanie Dickey Bader Chair in Northern Baroque Art Queen’s University Kingston ON K7L 3N6 Canada Vice-President - Amy Golahny Lycoming College Williamsport, PA 17701 Treasurer - Rebecca Brienen University of Miami Art & Art History Department PO Box 248106 Coral Gables FL 33124-2618 European Treasurer and Liaison - Fiona Healy Seminarstrasse 7 D-55127 Mainz Germany Board Members Dagmar Eichberger Contents Wayne Franits Matt Kavaler HNA News ............................................................................1 Henry Luttikhuizen Personalia ............................................................................... 2 Shelley Perlove Exhibitions ............................................................................ 3 Joaneath -
Christophe Plantin's Correspondence – Titelpagina.Indd 1 31/10/20 10:36
Dirk i mhof Christophe Plantin’s Correspondence Perspectives on Life and Work as a Publisher in 16th-century Europe AP - Christophe Plantin's Correspondence – Titelpagina.indd 1 31/10/20 10:36 Dirk i mhof Christophe Plantin’s Correspondence Perspectives on Life and Work as a Publisher in 16th-century Europe AP - Christophe Plantin's Correspondence – Titelpagina.indd 1 31/10/20 10:36 Uitgeverij Academia Press Coupure Rechts 88 9000 Gent België www.academiapress.be Academia Press is part of Lannoo Publishers, the book and multimedia division of Uitgeverij Lannoo nv. ISBN 978 94 014 7466 5 D/2020/45/606 NUR 610 Dirk Imhof Christophe Plantin’s Correspondence. Perspectives on Life and Work as a Publisher in 16th- century Europe Gent, Academia Press, 2020, 248 p. Cover design: LetterLust | Stefaan Verboven Graphic design: Studio Lannoo Formatting: Banananas Translation letters: Paul Arblaster & Greta Holmer Translation commentary: Guy Shipton Photographic credits: Museum Plantin-Moretus This book is published on the occasion of the 500th anniversary of the birth of Christophe Plantin in 2020 The English translation of this text was realized with the financial support of the Friends of the Plantin-Moretus Museum © Dirk Imhof, Uitgeverij Lannoo nv, Tielt, 2020 Our thanks go to: Alderman for Culture: Nabilla Ait Daoud Director of Culture, Sports, Youth and Education of the City of Antwerp: Steven Thielemans Coördinator Museums and Heritage of the City of Antwerp: Lies Buyse Director Museum Plantin-Moretus, Iris Kockelbergh All rights reserved. Nothing from this publication may be copied, stored in an automated database and/or be made public in any form or in any way, either electronic, mechanical or in any other manner without the prior written consent of the publisher. -
Museum Plantin-Moretus, Antwerp
MUSEUM PLANTIN- MORETUS GROUND FLOOR GROUND FLOOR STAIRCASE WELCOME Welcome to the Plantin-Moretus Museum. This was the home and workplace of Chris- tophe Plantin and the Moretus family. For 300 years books were the heart and soul of this place, and they still are. Who lived here? Who worked here? What exactly did they print? What kind of know- ledge and ideas travelled from the house to the four corners of the world, beyond the frontiers of Europe? Downstairs you will meet Christophe Plan- tin: forefather, businessman, manager, hu- manist* and printer. Upstairs you can have a close look at the beautiful books that were printed in this house, from richly illustra- ted bibles to simple almanacs. Here and there you will see reproduc- tions of books that were printed on the premises. They are for you to pick up and enjoy. We wish you a pleasant visit. * From A to Z Humanism? Folio or quarto? What is a breviary? A number of terms need to be explained. At the back of the visitor guide 7 you will find a glossary. THE SMALL DRAWING ROOM 1 THE GOLDEN COMPASSES A 17th-century traveller describes the hous- es of wealthy Antwerp citizens as ‘...solid and constructed with good materials. They are beauti- ful too because they are built in long and straight lines. The entrance gates are adorned with car- vings and in the gardens there are sculptures.’ The Plantin-Moretus Museum is an exam- ple of such a solid and well-built house belonging to an affluent Antwerp family. -
227 of the Student Disputations Were Devoted to Theology and Only Ten Percent to the Arts
reviews 227 of the student disputations were devoted to theology and only ten percent to the arts. At the Amsterdam Athenaeum eighty-one percent of the disputations were in philosophy and none in theology. Clearly, the Athenaeum retained throughout its first phase a propaedeutical character, fulfilling the felt need of its founders to perform a bridg- ing function of transitioning students into university, even though it sometimes provided some competition for universities toward the end of the seventeenth century. Overall, van Miert’s investigation reveals an educational venture in which Aristotelian humanism remained deeply imbedded during an age of the emergence of the “new science.” Physics forced itself on the attention of eclectic Aristotelians, but they dealt with new phe- nomena by incorporating them into the old Aristotelian framework with necessary modifications. Descartes made no inroads at Amster- dam until late in the century, Spinoza not at all. Illustrious schools like the Amsterdam Athenaeum survived by copying the universities and perished if they were too innovative. By the end of the seventeenth century, the Aristotelian humanists had faded, but they were succeeded by empirical Cartesians because pure rationalist Cartesianism had come to a dead end. Van Miert thus concludes his study by agreeing with Anthony Grafton’s observation that, “Humanism lived, deep into the age of science,” an insight evidenced buy the experience of the Amsterdam Athenaeum. Clear, graceful and thorough, this is a distinguished and rewarding contribu- tion to the history of higher education. Karen Bowen and Dirk Imhof. Christopher Plantin and Engraved Book Illustrations in Sixteenth-Century Europe.