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RADIO DIGES T Illustrated THE NATIONAL BROADCAST AUTHORITY

E. C. RAYNER, Harold P. Brown, Publisher Editor

December, 1929 CONTENTS SPECIAL ARTICLES

BRAD BROWNE—Radio's new idol just natu- rally found himself after trying several jobs. Bill Schudt, Jr. to the LULLABY BOYS—jack, Gene and Glenn see T\EAR 10 JLJ hearts of the things on a visit to Greenwich Village. Fred Smith great CKLC audi- COLLIER HOUR—Colliers' associate editor 16 ence is the spark- writes review for Radio Digest. John B. Kennedy ling-eyed Gladys CARICATURES—Some of the Big Time broad- 18 Dickson. She casters are sketched by this master of the pen. Xavier Cugat touches the throaty JESSICA — ex- MYSTERY HOUSE—Fictionized episode of pipe organ and it 20 quisite Jessica NBC Serial Thriller. (Specially posed photos.) purrs soft poetic Dragonette—dainty words from its ALBUM—The Fair of the Air. 22 idol of a countless throng who believe tuneful lips—voic- MADGE—Night Club Romance. One of the Col- her possessed of ing the mountain's umbia Broadcast system weekly features. (Specially 30 Donald Clark the most thunder or whis- posed photos.) perfect pering maple leaves. singing voice on CHICAGO OPERA—The greatest system for the air. Her sim- broadcasting ever assemb led and used for this Radio A. R. Williamson 44 ple and unaffected presentation. personality wins for MARCELLA 71 her the listener's VOICE OF THE LISTENER 75 highest esteem.

FICTION

sparkling modern comedy in GERTRUDE—A 12 three parts by this inimitable author. Salisbury Field Illustrated by Dudley Gloyne Summers

' BI c in n a /iner s Unes ° ^ OctavusRoy Cohen fl? ™o^etl Tc, Illustrated by W. H. Wiest THE GIGOLO MYSTERY—The third install- ment of this fascinating story brings new adven- Arthur B. Reeve 42 tures to Craig Kennedy. Illustrated by Charles Robb STATION FEATURES

NEWS GOSSIP—Snappy stories of the studios and artists you hear daily. 46 PHILHARMONIC OVER WOR—Toscanini, one of the greatest, heard over this Newark station. Eleanor Champlin 50 SOUTH BOASTS HISTORIC SITE—Vir- ginia's Voice stands on battle ground. Stuart Qrant 55 SPECIALISTS FOR RADIO CENTRAL- NBC Chicago studios the world's largest. 58 WOW IS A WOW OF A STATION—Omaha station makes rapid strides in six years. Donald Burchard 64 COAST SINGER IS U. S. TRAINED— Greenwood Mitchell is pride of KOMO. 67 TORONTO SYMPHONY ON AIR—Famous orchestra is broadcast on CNR hookup. 70 CHAIN CALENDAR FEATURES 78 TX/H1LE far WHO'S WHO IN RADIO 85 rOUNGER and W from Red Deer more beautiful is little Ann Leaf each day grows the in rumbling New dark and langorous Eastern Representatives: Ingraham & Walker, 33 W. 42nd St., New York City. Phone Lackawanna 2091-2 York, where she Bebe Daniels (see enchants a million Western Representatives: A. T. Sears & Son, 122 S. Michigan Ave., Chicago, 111. Phone Harrison 3077-8 page 21). Somehow harmonies from the ivhen you heard her great Columbia or- Member Audit Bureau of Circulations over the National gan, making it pour net and from the forth a riot of song screen were you not Radio Digest, Illustrated. Volume XXIV. No. 2. 111., its published Chicago, December, 1929. Published monthly by from mystic Radio Digest Publishing Co. (Incorporated). 510 North Dearborn Street. Chicago. Illinois. Subscription rates reminded of Span- caverns to begin yearly. Four Dollars: Foreign Postage, One Dollar additional; single copies, Thirty-five cents. Entered as ish patios, balconies second-class matter Oct. 25. 1929, at the post office at Chicago, Illinois, under the Act of March 3, 1879. Title and end the Radio Reg. U. S. Patent Office and Canada. Copyright, 1929, by Radio Digest Publishing Co. All rights reserved. and moonlight? No day. foolin'. VOTES COME BY THOUSANDS IN Gold Cup Contest Ballots for Most Popular Broadcaster Point to Hot Battle for Honors

and small— nation reaching and local only—the fans "I like that station, wish it could win the Gold Cup offered by BIGlike them and don't hesitate to say so. Flocks of new the Radio Digest." So it is with other stations. nominations and ballots have flooded the Contest Give them a chance. Fill in the coupons at the bottom of this Editor's desk since this new Gold Cup Contest for the page, read the contest rules, and send them in. The prestige most popular station in North America was announced in the and success of every broadcasting station rests solely upon the October issue of Radio Digest. strong support of its listeners. Every indication points to the hottest contest ever sponsored Every broadcasting station has an individuality—an indi- by this magazine. Not only are the Radio listeners writing viduality and characteristics built up over a period of time warm letters of praise to the Contest Editor, but the stations and determined by personalities appearing before its micro- nominated are straining every phones and the type of pro- nerve to put on the best pro- grams offered. There is grams possible that their list- always that indefinite and yet eners may judge them to be very real SOMETHING that their favorite station. gives a station popularity. To the station in the United States or Canada which re- "O INDIVIDUAL: can tell ceives the largest number of N°J,ith any great degree of popular votes from listeners - accuracy exactly how any and readers of Radio Digest given station rates with its will be awarded a handsome listeners. Only through a com- and valuable gold cup. This parison as may be indicated in trophy will be in the form of a contest such as this spon- a golden microphone, and will sored by Radio Digest may a be engraved with the name of true rating be established. the winning station. Here the listeners have an That the contest may be opportunity to register their more representative, and in choice and thereby prove the order that the favorite station true status of each station in in your section of the country the country. may win honors over its "I hope that my vote may neighbors, six silver cups will be one of the many necessary be awarded in the sectional to give WTMJ, the Milwau- race. These trophies will be kee Journal station, the Gold similar in every way except Cup," writes Mrs. Leroy Bur- the metal of the principal lingame of Milwaukee. "We award and will be given to the enjoy the programs that come most popular stations in the from our favorite station and six divisions of the continent may always depend on it to representing the East, South, furnish us with uniformly good Middle West, West, Far entertainment and service." West, and Canada. "Here is my nomination for KFNF and Henry Field of FOR the individual station Shenandoah, Iowa." says H. winning the Gold Cup will C. L. of Omaha. "Of all the Gold Cup Design for Popularity Award come world-wide recognition stations in this country, and I as the most popular station on the globe. Nowhere else has hear most of them, KFNF wins all honors, hands down, for Radio achieved such unanimous popularity and general utility real service. Henry Field is a great man, and has built up a as in North America. great station." It is by no means the most powerful stations of the metro- From New Mexico and Virginia come strong letters of praise politan area that may justly claim the greatest popularity in and nominations for WLS, and countless other correspondents the sense of this contest. Radio Digest is seeking to uncover are sending in their ballots, accompanied by letters. This race is the broadcaster that has the staunchest friends, followers who getting hotter and hotter, and the fans themselves seem to real- are sufficiently interested to stand up and fight for the honor ize it. This is their chance and they are taking advantage of it. and success of their favorite listening post. Whether or not your favorite station is listed among those You have a favorite broadcasting station. Everyone who already nominated, fill in the coupons today and give it a b< owns a receiving set has one broadcaster who, to his mind, on the road to winning the Gold Cup for the most popular puts on. better programs and renders better all-around service station in the world. than the other fellow. Don't just sit back and think to yourself. (Rules and nominations on page 118)

NOMINATION BLANK—Radio Digest's Number COUPON BALLOT—Radio Digest's WORLD'S MOST POPULAR STATION 3WORLD'S MOST POPULAR STATION GOLD CUP CONTEST GOLD CUP CONTEST POPULAR STATION Editor, Radio Digest, POPULAR STATION Editor, Radio Digest. 510 N. Dearborn St., Chicago, 111. 510 North Dearborn Street, Chicago, 111. Please credit this ballot to: I Nominate Broadcasting Station Station (Call Letters) (Call Letters) in the World's Most Popular Station Gold Cup Contest. (City) (State) Signed Signed Address Address City State City State — —

RADIO DIGES T Illustrated

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Advance Tips YOU are holding in your hand right now the magazine Radio Digest has long contemplated. Be- i i Y^I7"HAT is the biggest thing in Radio today?" sides the innumerable Radio features VV This question was put to an executive of one of the greatest broad- including the illustrated log of chain casting organizations days specials (our surprise), and original a few ago by a representative of Radio Digest. broadcast scripts with specially posed "Education," came the immediate and emphatic response. It is the foremost scenes, there are fiction stories by subject in the minds of the leaders. Even the most casual program carries an known writers in some of the best appeal to the mind. Before another year rolls around many of us may be enrolled America. * * * in serious courses of study and research directed by daily lectures from some But just as we have looked forward great university. State schools throughout the country have already carried on to this December, 1929, edition of the preliminary experiments with marked success. Great plans are afoot by with its diversity of Radio Digest some of America's greatest educators. interesting contents so now we are looking forward to the January, 1930, It would be hard to imagine a world without Radio today. Mind to mind, issue and other succeeding numbers thirty million strong, we sit unitedly listening to a promulgation of national ambitions. with still greater hopes and thought by the President. Who can estimate the power of such thinking ? What * # * will it lead to ? What has it already accomplished ? Those who are in a position Doty Hobart will be back with us to know say this : That we have grown measurably in our appreciation of good in January with a most interesting article entitled "This Way to the Big music, that we have responded nobly with appeals for help, that we have become Show." He will tell you more con- infinitely more spiritual and that we have manifested unmistakably an almost celebrities cerning some of the great passionate thirst for greater knowledge. People in middle life, even in advanced he has schooled to the microphone age are grasping at instructive programs. And thus Radio is lifting us to heights and those near, intimate sketches that show you better how they act and where the mass mental vision is broader than ever before in the history of the think than you could observe with world. No wonder the broadcast generals and the chief educators hold daily your own eyes even if you were there councils of historic importance on this subject yourself. * * * Fred Smith, the Greenwich Villager who takes you touring through the THERE are many people who turn their feelings quickly into action town in this issue with Ford and when they are pleased or displeased. The first and most common Glenn, is working on another inter- manifestation of this action is by voice. it is a fine bit of acting esting article that will entertain and When inform you equally well. on the stage we applaud with our hands. If it is an especially pleasing pro- * * * gram on the air we write a letter. And perhaps it is because the Radio Frank R. Adams, one of the most listener has learned to write applause letters to the broadcast station that fiction writers in the United popular Radio Digest has received so many kind letters from its reader-listeners. States, has written a graphic study of These letters have from time to time done more to make this magazine a a girl, a man and a married woman who came between. It is called The success than any other one factor. Without real, sincere, well-wishing Background. The first background friends no magazine can hope to survive. It is with the utmost heart-felt was plotted by the girl who did not gratitude that the publisher and the editor of Radio Digest take this occa- know of the other background—and sion all kindly their the man, being a knight of modern to publicly thank those who have so encouraged us by chivalry, could not explain. It comes letters—especially those letters that have come since we have resumed in January. monthly publication. * * * Gertrude, by Salisbury Field, which starts in this issue for a three part serial, will reach an astonishing peak ART is an important element in the structure of a first class magazine. of comedy romance in January. This Radio Digest readers will be glad to note that we have another cover is a story you probably will see and artist, Hoff. doubtless a great deal of hear later in the talking pictures. It by the famous Guy Mr. Hoff owes will create a great deal of talk. his artistic success to his infinite patience. We know that he has patience % * * because when he received the commission to paint two covers for this There's another Octavus Roy Co- magazine he had booked passage on. a certain large liner for a trip to hen story on the schedule. You will Europe. And it so happened that Miss Olive Shea, the subject for the like this story probably better than any you have ever read before by this second portrait, was elected betimes the world's most beautiful Radio scintillating young author. entertainer. Rushed hither and yon on the crest of her new wave she sfc sK ^ found it more difficult to keep her appointments with Mr. Hoff. The Everybody seems to be talking result was that Mr. Hoff canceled his first reservations for sailing and took about Seth Parker. Well, we finally passage on a smaller boat departing twenty-four hours later and for no heard from Seth himself and it ap- pears likely we'll be having one of the other reason than to have Miss Shea pose at her very best for the Radio meetin' house singin' school episodes Digest cover. You will see this eventful portrait on the January number. along about January. And we're Dudley Gloyne Summers who illustrates the Salisbury Field story, goin' to have a picture of ol' Seth, Gertrude, in this issue is new to Radio Digest but not new to various too, by hookey. * * * of the best known magazines in America. He will continue to be repre- For the more^serious minded of our sented in future issues of these pages. readers there will be an article of interest by Miss Margaret Harrison of the Teachers College of Columbia Newsstands Don't Always Publisher Radio Digest, 12 " 29 University on what Radio is doing for Have One Left 510 N. Dearborn St., public education today—and what it Chicago, Illinois. is expected to do tomorrow. WHEN YOU WANT * * * Please find enclosed check, M. O., for Four Dollars There's real Radio romance in the (Five Dollars Foreign), for One Year's Subscrip- story of Sen Kaney, senior announcer tion to Radio Digest, Illustrated. and program director at the Chicago Radio Digest studios of the National Broadcasting company. Sen Kaney originated a YOU WANT IT! style eight years ago and it's been prowing in favor ever since. He's a Be Sure of Your Monthly vet, proud of it, and you'll like the Copy by Subscribing Now story. ,

WWn™''" -T-w-tr*^T'

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(See The Collier Hour, by John B. Kennedy, on page 16) is the %vho JDRADFORD BROWNE, Radio's latest • idol, man others. He LJ gave life to the Nit Wit Hour, Cellar Knights, and Captain Kid m received his first widespread popular recognition as great popularity the Kid Boots program, a feature which achieved service under his direction. Brad has a very definite ideal in his of at it. Bill entertainment to the Radio audience, and works hard the Schudt, Jr., gives us many interesting sidelights on the Chief of Nit Wits in the story on the opposite page. in Boy Makes Strike in Radio qjradford Browne, Creator of Famous Nit JVits and Chief of the Tribe Once a Floorwalker— a Thrill or a Laugh a Minute's His Goal for You

By Bill Schudt, Jr.

he was a floor-walker in a department store, now all over again. Finally he hit on the keynote idea. The present ONCEhe entertains millions! Once he was a pin boy who Nit Wit Hour series is the result. plunked on an old banjo when away from the alleys, The popularity of this highly burlesqued hour of entertainment now his pleasing voice echoes and re-echoes from the can best be judged by the fact that in a recent voting contest con- Atlantic to the Pacific, from the Gulf to the border, thundering ducted by the New York Telegram the Nit Wit Hour was

its way through ethereal lanes. . . . Bradford Browne, the named among the biggest hours on the air in America today. announcer; Bradford Browne, who gave life to the Nit Wit Hour, Cellar Knights and others; Bradford Browne, who intro- IT IS not generally known that Bradford recently married duced Moran and Mack for countless Sunday nights in the one of the members of his Nit Wit cast. The character of Majestic Hour last year has had Patience Bumpstead, which is por- countless adventures and disappoint- trayed by Margaret E. Young (offi- ments before finally locating his life cially, assistant program manager work—Radio. A WARM New England sun shone for the Columbia system), is well To interview Browne is something l\. down on a frozusy-headed little boy known to Radio listeners. Miss Young that has to be done in a series of five sitting on a rock by the farm house in and Bradford were married minute conversations either riding early in the summer of this year. North Adams, Massachusetts. The little up and down in the elevator as he Edson Bradford Browne has had goes from studio to studio or during boy was plunking away on a banjo which an eventful life, although pleasant. the brief few minutes he spends in zuas nearly as large as he. There was He was born in North Adams. His the lunchroom "grabbing a sand- melody coming from that banjo being father was the end man in a min- wich and a cup of coffee." strel show. Most of Bradford's rela- plunked by eight-year-old Edson Brad- When we first cornered Bradford tives are musically inclined. for this interview he was half way ford Browne, who in later years zvas to be A banjo was the inspiration that through his script for the next Sat- known to Radio listeners of WABC and sent Bradford Browne on what was urday's Nit Wit Hour. the Columbia Broadcasting system sta- eventually to lead to a music-drama Bradford is the brother of Harry life in the business world. tions for his unique, fascinating drama- Browne, who, incidentally, is the Browne never studied music. writer and producer of Hank Sim- tizations of almost everything. In later When he became of sufficient age mons' Show Boat broadcasts heard years he temporarily forgot his music and to study for his future profession he every week over the Columbia chain. studied law, also at times setting pins in took up law. He studied law at He was born in North Adams, Georgetown University and finally a bowling alley, and then acting as a floor- Mass., and had a versatile career was graduated with honors. about which more will be revealed zvalker in a department store. Then he But that is getting ahead of our in subsequent paragraphs. found Radio his life work. story. Back in North Adams, Brad- No doubt the success of the ford plunked away on his banjo. Browne productions can be traced Now and then he would play some- to the fact that much time is spent thing that sounded different and on every script. Detail and time mean much to Radio produc- people would sneer and think him funny. tions, Browne will tell you. How many hours does he work? From the banjo Bradford went to plunking on his father's Usually from about ten o'clock in the morning until midnight piano. Here is where he first began composing original music. during which time Bradford writes scripts, announces, plays His musical ability made him the "life of every party" and it parts in his own productions' rehearsals or broadcasts, and does was not long before he was in great demand. his regular work as continuity writer. His musical education ended here for a brief time. He became pin boy in the local bowling alley. Then wanderlust ;<"V7"OU have to give them something good on the Radio," gripped him and he went to Washington, and from there X Browne told this writer. "Poor stuff just doesn't go, it traveled extensively. falls flat and causes your regular listeners to lose faith in your acts and tune them out on other nights." That is why he spends AFTER the war he worked in a department store in Newark. so much time on the details. If it's a comedy Bradford believes where he became floorwalker and held a large assortment in giving the audience a laugh a minute or suffer the conse- of other jobs in the organization over a period of four years. quences. • This work just didn't appeal to Bradford, and he began his In "You haven't got the people in your theatre," he explained, music work again. Newark he teamed up with Al Llewelyn, who was later to become his colleague in the Cellar Knights act "they are out there . . . scattered everywhere and if you sans; well together. People often said don't 'click,' your act is tuned out." Bradford laughed. Just at WABC. They so. like that, he said, snapping his fingers. "They don't care," he They sang so well, in fact, that it was not long before the continued, "who you are or what you might give them later in duo received an invitation from a Newark Radio station to

the program . . . it's what you're giving them every instant appear over the air. This they did and the response was electric. that counts and you either give them a thrill or a laugh a Bradford liked the atmosphere of the broadcasting station minute or you lose two or three million listeners." and spent much of his spare time there. Finally one day his chance came. of the was ill. Bradford Browne's first attempt at Radio drama, The Cellar One announcers The others some reason or other, were not present. Knights, was made about four years ago, just after he left the Perhaps young Browne could aid department store and became affiliated with a Newark, New them, the studio manager thought. Browne jumped at idea, lie did very well, in Jersey, Radio station. The Cellar Knights were so good that the fuel so well that he earned himself job some months later when Bradford was asked to join the staff a immediately at the station where he became announcer and finally chief of WABC, then owned by A. H. Grebe, the officials asked him continuity man. In this latter to continue his skit over their station. This Bradford did and capacity he turned out many interesting dramatizations. when the Columbia Broadcasting system purchased WABC Then one day Bradford received an invitation from officials early this year the Cellar Knights skit was immediately put of the Atlantic Broadcasting corporation in New York, then on the huge national chain. operating WABC. WBOQ and other stations. He was offered a position. He accepted it. It was shortly after Columbia had acquired WABC that Bradford got the idea of the Nit Wit Hour. Half a dozen scripts For a while things went rather quietly at WABC for Brad- were prepared and promptly discarded following rehearsals. ford Browne. He did much announcing work. Bradford knew what he wanted but when the production When Columbia Broadcasting system purchased WABC, went into rehearsal it did not sound just right. So he started (Continued on page 118) — — — ;

10 Ford and Tour Green Famous mith, Who Deserted

TpRED SMITH, who was director of WLW for five I picked up a thin volume of Clement Wood poetry, read: T years, left Cincinnati eighteen months ago to manage a daily news service sent by Time, the Weekly News- i i \ATA Y down south in Greenwich Village, magazine, to a national group of Radio stations. Mr. V r Main Street maidens come for thrillage, Smith, who originated the Radio news service and many From Duluth and Pensacola, other broadcast features, is credited with having written To live a la Flaubert and Zola; the first Radio play and subsequently many others. He After each new thrill still racing, adapted a number of the most famous dramas in modern Rarely chaste, and always chasing literature to Radio presentation form and dramatised for Apartments keep no maids, in Washington Square! Radio the first serial story ever presented over a large group of Radio stations—The Step on the Stair by Geniuses from middle Texas Robert J. Casey, published in Radio Digest. Now he is Solve the social ills that vex us; in New York for the exclusive purpose of writing. College radicals, post-progressive, During the past year he has made several biographical Damn all culture as oppressive. studies of noted men in contemporary life, including a Ph.D.'s are D.Ph's, number of Radio celebrities. In the atmosphere of Green- Swear the Dots and Jens and Raches; wich Village Mr. Smith is now concentrating on a book Deans get Gunga'd, down in Washington Square! of short stories, notes for which were gathered during his eight years in Europe (1913-1922). Way down south in Greenwich Village, Thinking is mere bourgeois frillage, Since the Freudians dared to launch us By Fred Smith On that ocean called Subconscious. Ev-e-ry erotomania ANSWER to the bell, I stepped to the door, opened it, Known from Auckland to Ukrania INcalled: "Come on up—just keep on coming!" Is a daily dozen, down in Washington Square!" Three flights down I heard Ford's baritone voice answering: "We're on the way!" "Oh boy!" exclaimed Glenn, "Where is Washington Square?" Marjorie and I stood in the hallway, welcomed Mr. and Mrs. "Now! Now! called cautious Ford. "The evening is Ford, Madame and Little Glenn. before us." "So this is the Village!" exclaimed—puffing—Little Glenn. "Let's get behind it, then, and give it a push!" "Oh, some of the modern apartments have elevators—but our To give them a bird's-eye view of the previous Village, before building was once a livery stable, our apartment formerly a plunging into it, I led the crowd up a narrow stairway from hay loft." the hall to the storm door atop the building, thence on to the "No foolin'!" roof—a sway-back roof, reminiscent of horses grown sway- To prove it I led them to the double doors of glass, in the back under heavy loads. We dodged under aerials, gazed front of the apartment, opened them, pointed to the little court- through the sunset glow at the Village—buildings chiefly three yard below which was paved with patch-work cement and stone. to five stories high—and to the great beyond of sky-scrapers "Look—there to the left, in the corner, is the old trough for rising like sentinels over the world's greatest city. the horses. Right under us, where the stable used to be, there Standing there, Little Glenn knitted his blond brows, said: " is a garish restaurant . . . see, they are bringing out the "What worries me is which tables and placing them about in the courtyard for those who "Now, now," cautioned Ford, "I told you many days ago that enjoy dining as they do in Paris! Also, they've had a mason you should never allow yourself to worry about anything that decorate the trough, transform it into a fountain . . . Then happens any place except in front of a microphone. There is you see the window to the right? That is the window to a where the worrying act should come in." single room apartment—once the office of the stable where you "Excuse me, teacher, "apologized Glenn, "but may I ask a paid your quarter for a rig!" question?" Glenn, looking about our apartment, measuring with his eye "You may if you don't ask me." the forty-foot room, the huge, decorative mirrors, the fire-place, Interposed Mrs. Glenn: "That goes for me, too!" the books, grand piano, velvet curtains—remarked: Thereupon Glenn looked all around the group, received and "Nothing left of the barn here but the rafters!" perceived no further objections, smiled, said: "Come," I said, "have a look at Greenwich Village!" "Which is it wich or ich, and why? "Who?" LED them to the balcony on the East side of the apartment, "And is it green or gren, and why do the people who insist on I led them into the twilight, showed them below the garden wich say gren instead of green?" t of Cherry Lane, the row of little houses and apartments—each "What in the world are you talking about?" three stories high, with here and there one towering an extra "The name of this place, of course! * G-R-E-E-N-W-I-C-H story higher, pointed out to them the little, gabled, three-story Village!" brick house, only twelve feet wide—reputed to be the smallest "Why my boy," condescended Ford, "you have evidently in Manhattan—where Edna St. Vincent Millay had lived and forgotten your latitudes and longitudes." written so long and so much. "I certainly couldn't tell you from here—looking at all those "Lots of writers down here, I guess," suggested Ford. crooked streets!—which way North is to save my life!" "Lots trying to be—some getting away with it. The Village, "I did not speak of direction— I spoke of relative position." as you will see as we walk over to the restaurant in a few "Where's that?" moments—is, to first glance, chiefly Italian. Then there are "It begins in Greenwich England, pronounced by all good still some of the old-timers—Americans, Irish—descendants of dictionaries—and people of intelligence grin, like the thing you families who settled here long time ago. But not until you get generally wear on your face, grin-ij, so that it sounds just like I into the restaurants will you find the crowd that has given the said it: Grinij." Village its most popular reputation—I mean the writers, artists, Glenn brightened, said: "Then Green-wich is not right." models." "No." "Let's hurry!" exclaimed Glenn, then perceived that his curi- "And the people who say Grenich are wrong, too?" osity had beaten his discretion to his tongue, so he added: "Why, of course!" "An' hear about 'em!" Glenn was now grinning triumphantly. "So," he said, "it "Famous writer lives in the apartment below us," said I. turns out that nobody's right." "Who?" "I wouldn't say that," contradicted Ford. "I am" "Clement Wood." "That's what I said the first time nobody's right." "What did he write?" " "The Outline of Man's Knowledge, Henry The Rake, and THE PASSIONATE look of scorn which Ford threw at "Was he the Henry who raked hay for the barn in the Glenn at this moment, caused me to interpose hastily by way Village?" (Continued on page 90) 11 wicti Village^- See Things! Through Historic Gotham Art Colony Cincinnati for OF Manhattan

Ford, Gene and Glenn just after Ford and Glenn had returned from New York, where they toured Greenwich Village as guests of Fred Smith, formerly of WLW and now one of the Villagers —

IS ERTRUD By S a lis bu ry

Marriage Proved a Mirage So She Figured Out Her Own Course For True Love—And Brother Harry Paid the Bills

gave me brains and a natural GODlove of culture and refinement and on my father's side, an Uncle Harry for whom I was named. We hadn't heard from Uncle Harry for years; and then, suddenly, a letter came from Aus- tralia saying he'd died and left me a million dollars. It was a shock to me, of course but a pleasant one. And right then and there I made up my mind to two things— to live on my income, and to make a lady out of my sister Gertrude. Which was some job if you knew Gert. A sweet child, 3'ou understand, and all that, but a wild Indian if there ever was one. Gert and I were living at the time in a little town called Spring Lake in the San Bernardino mountains. Mother was living, too—but with her fourth husband in Salt Lake City. So the first thing I did, after making arrangements with the Spring Lake bank, was to stake the organist at the Gem theater to a divorce. What Gert wanted with the baldheaded little bozo was beyond me. But music is a refining influence, and with a Radio and Victor in the home (that was his silly name, Victor, though he looked like defeat from the feet up) . . . Anyway, with Victor Wiggins and a swell flat in Hollywood,. I thought maybe Gert would turn over a few new leaves and' get refined. So I gave her my blessing and a bank roll, then bought a ticket on one of those 'round-the-world cruises with the idea of getting a little culture myself. Not that I wouldn't have preferred seeing my own country first. But how can one, safely, when it's so full of bad gin? It was a swell trip at that. And if I didn't corral all the culture in the world, by the time I got back I could at least tell the difference between a Nautch girl and a narghile—even if I had a cold. You may be sure I sent Gert a picture postcard from every port and a lot of other junk besides. And it was on her account that I only spent four months in Paris. For I'd been almost a father and a mother to that girl, and being full of ideals and and sister talk while Victor was. changing the baby. hopes for her, I made it a point to be home "On the level, how's everything?" I asked. for her wedding. (It takes a year to get a divorce in Cali- "Grand," said Gert. fornia.) And say, it was as pretty a wedding as you'd wish "Still strong for Victor?" to see; Gert and Victor . . . and the baby . . . "Yep." I was real proud of Gert. If she hadn't had bobbed hair and "Is he working?" been a whole lot younger, she'd have looked like one of those "No." madonnas an Italian guide showed me. Of course Victor still "Has he worked since you came to Hollywood?" looked like Ignatz, the mouse, and why, after a whole year, it "No." was a wedding instead of a funeral was beyond me. The "Why not?" baby, though, was a knockout. "He's never seemed to get 'round to it," said Gert. "I used "A great kid," I said, "and he does you both credit. Only to raise Cain with him about it, but every time I did he'd put where in the world did he get his red hair?" on his hat and say he was going back to his wife." "Sssh!" said Gert. "That's the only thing Victor is sensitive "Well, he can't run that bluff on you now. He's your lawful about. We've named him after you, Harry. Because where wedded washout now, and if he ever does go back to his first would we be today if ycu hadn't been named after your uncle?" wife you can put him in jail." You can see for yourself Gert had changed: common sense, a "Can I really? Oh, Harry! You're such a comfort to me," good wife, a splendid mother ... We had a nice brother she said. IS Field

Illustrations by DUDLEY GLOYNE SUMMERS

"~Y7~OU'VE improved a lot yourself," I replied. "You got 1 repose. "Yes, I sleep well." "And you don't paint your face the way you used to. "You can't, Harry—not when you're a mother." "I saw girls in Paris out with dukes and earls that weren't a patch on you, Gert." "Did you, honest?" "Yes. And that's what I wanted. I wanted you to be a lady. Well, you are. You got a nice home, a swell kid, and now you're married and I can quit worrying about you." Just then the bootlegger came. And as he was a friend of Victor's, we invited him to stay for the wedding breakfast. After living for a whole year among the effete nations of the earth, to sit down to a simple American meal in simple American surroundings touched me deeply. I even warmed towards Victor. "Here's a couple of hundred," I said. "You can take Gert and little Harry over to Catalina for your honeymoon." "Get out of here," cried Gert. So off they went, leaving me and the bootlegger to finish "What do you mean by trailing ?" the ice cream. a dead fish over my best rug "It's a great day for me," I said. "Will you have strawberry "I gotta trail it," said Victor. or vanilla?" And when Carbona, the black cleaning-woman, woke us up next morning— it was afternoon.

CHAPTER II

THAT night was all right, too, because I slept some more. Rut the next day I was lonely. Here I'd traveled six thousand miles to see Gert, only to have her leave almost at once on her honeymoon. And you can't very well join your sister on her honeymoon—even if you don't like her husband. So I hired an automobile and drove up to Spring Lake with To tell the truth, of all the folks I know there, nobody the idea of giving the old home town the once over. seemed interested in what I'd done or where I'd been excepting It's funny. But you can't go 'round the world and see Elmer Lovejoy, who was an old Same of Gert's, Ami. later. cathedrals, skyscrapers and what-not without getting a new he spoiled everything by borrowing a hundred dollars I point of view. Compared to the way remembered it, the me. So 1 spent only tWO nights at Spring 1-ake. instead of whole town had shrunk to the size of a peanut. And I'm the week I'd planned, getting back to Hollywood late in the bound to admit my interest in its inhabitants had shrunk tin- afternoon, with three days to till in before Gert not hack—or same. SO I thought. But 1 hadn't been in the house ten minutes — — u

when who should walk in the front door but Gert and little the thing." But it was always something on this order: Harry. WANTED aggressive partner with fifty thou- At the sight of me she tossed her hat on the floor, little sand dollars to invest. No experience necessary. Harry into an overstuffed chair, then fell on my neck. "Very nice," I'd say. "But if you can land a job at four "Harry!" she cried. dollars a day, I'd take it." "What's the matter? Why are you back from Catalina so So things ran along. And then, one morning, Victor got up soon?" on the wrong side of the bed, or Gert did, or maybe it was "Soon? It may seem soon to you, but it seems like a life- little Harry. Anyway, at breakfast time to me." We'd planned that day to run out and look at a rabbit ranch. "Where's Victor?" For after a lot of figuring on the backs of old envelopes—mostly multiplying—Victor had decided that raising rabbits was the af^ OMING in another taxi. I wouldn't even ride with him. thing he was best fitted for. v-^ Do you know what that little side-winder did to me?" It seems a couple of bright real estate lads, having subdivided "There, there," I said. "Be calm. Whatever it was, he'll some land you couldn't raise anything else on, were as good answer to me. What did he do, anyway?" as broke till they thought of rabbits. And now they were "Do? The minute we got on the boat he began acting like getting rich. RAISE RABBITS AND RULE THE WORLD. a husband—left me flat. I didn't see hair nor hide of him Not to eat, you understand, but for the fur. There was a the whole way over. He spent all that evening at a place called startling shortage of fur. Women were using it on everything. the Tuna club. And next morning he got up at four o'clock And the rabbit had been Burbanked till now you could raise and went on a fishing trp with a man he'd met on the boat. ermine rabbits, chinchilla rabbits, wire-haired Astrakhan rab- "When he didn't get back for dinner that night I was nearly bits— In fact, the only coat they couldn't supply was a crazy. I just knew he was drowned. And then who should raccoon coat—and raccoon coats weren't fashionable any come in but a Wop fisherman with a note Victor had given more, anyway. him off San Clemente, which is another island, saying he was Even Gert thought it was a swell idea. "They'll be so cute," having a swell time, and if I didn't mind he'd stay out another she said, "for little Harry to play with." day. "Can you imagine, Harry? Us on our honeymoon, and AND while I didn't believe in it as a strictly commercial ven- Victor laying off one island, and me and little Harry all alone ture, if Gert and Victor were willing to live in a sand wash, on another and not knowing a soul?" and do K. P. to a regiment of rabbits, it was all right by me. "Did Victor catch anything?" I asked. •But this morning Victor wasn't so optimistic. "If little "I'll say he did! You don't know what it means to a wife Harry makes pets of all our rabbits," he said, "how can we and mother, Harry, to go on her first honeymoon—and then have the heart to kill them?" not have any." "We can't," said Gert.

"If you're really through with him," I began . . . "But if we don't kill 'em, how are we going to sell the fur?" I never finished the sentence, for in through the door came "Maybe we can keep them," said Gert, "till little Harry Victor, red as a lobster with sunburn, but with a light in his grows up and goes to Harvard." eye that never was on sea nor land; for he was trailing a fish "He's not going to Harvard," said Victor. "He's going to almost as big as he was—a sixteen pound barracuda. Stanford." "You're mistaken," said Gert. "He's going to Harvard." 4 4/^ ET out of here," cried Gert. "What do you mean by "Not if I have anything to say about it." vJ trailing a dead fish over my best rug?" "You haven't." "I gotta trail it," said Victor. "I brought it home to you, "No, nor about anything else in this house." Harry." "If you ask me," said Gert. "You're lucky to have a roof "You have no home," said Gert. "Not after the way you over your head." deserted me on our honeymoon." "Sure," said Victor; "I'm a fool for luck. Had a fine wife "It wasn't a honeymoon. We've been having a honeymoon left her. Had a good job—left it, too. And now look at me. for a whole year. What I went to Catalina for was a vacation." What am I? Nothing but a nursemaid to somebody's kid." There are two things no thinking American will ever get I'll have to hand it to Gert. She might have shied a plate mixed up in if he can help it—a League of Nations and a family at him; instead, she drew herself up like a duchess. row. When I got back from my walk around the block, "This is the end," she said. Victor was busy cleaning the fish, and all seemed quiet along "Suits me," said Victor. "If your lawyer wants to get in the Potomac. But you never can tell about Gert. touch with me, he can send me a letter, care of my first wife." "I've decided on one thing," she confided, as we partook of "I'm sorry, Gert," I said, as the front door slammed behind a bit of cheer in the pantry. "Victor has got to go to work." Victor. "Do you think you ought to disturb him? He seems so "Oh, that's nothing! Victor and I used to have little spats happy with his fish." like this two or three times a day. He'll come back." "That was all right before we were married. But now the "But what made him talk that way about little Harry?" time has come when he's got to stand on his own feet." "That cuts out giving dancing lessons," I said. "What else ar\H, THAT'S just one of those things, Harry. Just another can the poor prune do, besides play the pipe organ?" V' of those crosses a wife and mother has got to bear. You "He's awfully quick at figures. Couldn't you use him as a see he's still jealous of Elmer Lovejoy. Of course, I did go sort of secretary?" around with Elmer, and Elmer has got red hair. I guess I was "I could." in love with him, too. Only when it came to a showdown, he "Will you?" wasn't the marrying kind and Victor was crazy about me. " — "I will not." So

"Not even for me? You see now that I'm married to Victor, . "You mean to tell me you never were in love with Victor?" I want little Harry to be proud of him." "Not much—at first. But I am now." "If little Harry can manage that," I said, "there's nothing "Honest?" that kid can't do." "Honest!" "Then if you really love him, why in the world didn't you CHAPTER III tell him your grandfather had red hair?" "I got too much pride, Harry. Besides, I don't remember WHEN you try to put through a merger, sometimes it's the pa's pa, or ma's pa. Which one of them had red hair?" Senate that objects, sometimes it's the Attorney General. "Neither of them," I said. "So you can take your choice." But in the merger we planned between Victor and work, "I think I'll choose Grandpa Giddings," said Gert. "Only nobody objected but Victor. maybe you'd better be the one to spring it on Victor." "I don't see why I should work," he declared. "Right," I said. "I can put it over, too. Have I ever men- "You owe it to little Harry," said Gert. "And you owe it tioned little Harry's red hair to Victor? No. Why haven't to big Harry, too. Why, who do you think has been support- I? Because I wasn't surprised he had it. Why wasn't I ing you all this time—and paying your first wife's alimony?" surprised? Grandfather Giddings." "But he promised to pay my alimony." "Do you think Victor will fall for it?" "I did," I said. "And I'm willing to go on paying it. Only "Certainly. And once he does, all this nonsense will be now you're married, Gert feels you ought to make something ended. As a man thinks, so he is." of yourself." "He might be, at that," said Gert. "Anyway, when I get "What?" demanded Victor. around to it, I'm going to see that little Harry has a sister." "You're full of music," said Gert. "You might become a "Little Harriet," I said. great conductor." "Sold!" said Gert. "That's exactly what I'll call her. Now "Or a good brakeman," I said. I'm going to slip on something and run over to the fish market "Well, I'll think about it," said Victor. and get Victor a cracked crab for his supper." So we passed a peaceful two weeks with Gert and me But Victor didn't come home to supper. At seven o'clock making trips to the beaches and movie studios, and Victor Gert was nervous; by eight she was frantic. staying home with little Harry, and thinking about work. "But he told you he wasn't coming back," I said. Occasionally, after reading the want ads in the morn- "He's told me that dozens of times. And he's gone out ing paper he'd come to me with a cheerful: "Here's just slamming the door so hard we've had to get new hinges. But T

15

"Who's your girl friend, Victor?" she says. Then I told her who I was and what she was and chased her out of the

apartment. . . . and after 1 had chased her out I told Victor a few things.

he's always come home in time for supper. I'm sure something "Moss?" 1 said. "Whose bos> terrible has happened to him." "My boss," said Victor. "You see, Harry, old scout, I've Gert was right. Something terrible had happened to Victor. gone to work.'' When he strolled in an hour later and told us about it, I could hardly believe my ears. CHAPTER IV. "Where have you been?" demanded Gert. "Down town." YOU'D have thought, having got her own way. Gert would "You wouldn't lie to me, honey?" have been perfectly happy. Not at all. She complained

"Sure 1 would. But 1 don't have to. I was down town bitterly when Victor didn't come home to dinner, which he 1 having dinner with the boss." i Continued on page 1 1 ! 16

Uncle Henry's Editor Man TVrites About <7*< Collier Hour By John B. Kennedy

A STREET in Trenton one morning three citizens ONmet. If Will Shakespeare, Ben Jonson, Kit Morley, or any of the Elizabethan loudspeakers who are par- ticularly interested in overhearing and reporting con- versations between citizens at street corners—if any or all of this blessed trio had been commissioned to put down the triologue, this would be about it:

1st Citizen: "Didst hear strange sounds i' the air last night?"

2nd Citizen: merrily o!" 3rd Citizen: "Music and voices FAMOUS artists who with play-acting. All passing pleas- make up the Collier ant, but methought at first 'twas hour as they gather in pranks or trickery." the NBC New York 1st Citizen: "By my bodkins I'll studios. Below, John B. ." swear 'twas a relishable hour. . . Kennedy, associate ed- Well, this sort of thing could go itor of Collier's maga- on for weeks. The fact remains as zine, and director of attested by a letter postmarked Tren- the Collier Hour. ton and signed with due knowledge by a citizen of the ancient capital, that three men did meet on the streets fighting were included in a studio's one morning, and they did talk about offerings. Pioneer attempts had been sounds they had heard in the air be- made, it is true, to furnish dramatic tween eight-fifteen and nine-fifteen ensembles and to bring stage atmos- the night before, and they did unani- phere to the American living-room as mously agree that the sounds were far as the limitations of one vehicle, about the best they had ever heard that of sound, would permit. But the on their Radio sets. So one citizen, trend of the larger commercial programs, in frankly engaging in the name of the others, told Col- orchestras or renowned vocalists—not excepting eminent pugi- lier's Weekly the true story of that incident, to use as the case lists—to play and sing and split ears and noses between direct- might be. advertising appeals, showed that the technique of combining entertainment with commercial utility was raw and undeveloped. COLLIER'S has resumed broadcasting. That is good news Then came Collier's, and from the first hour's production to millions of Radio listeners. there was no mistaking the success of the project. The con- Before Collier's experimented with broadcasting the con- tents of the magazine, interesting enough to command the tents of a magazine, air-programs were of a level that ran attention of some 1,500,000 each week, were found, when tran- mostly to the mediocre, save when the names of celebrities scribed to air delivery, attractive to Radio fans in every corner in politics, the theatre or movies, music and, of course, prize- (Continued on page 115) 17 ^Al and ^ay "Who OOPY-OOP AT KMOX

Al, of Al and Fay, hang- ing on to a deep one while^Fay chimes in.

BEHOLD Al and Fay, the melodious duo at KMOX, in the since last June much to the listeners' joy. midst of one of those soul-stirring rhapsodies for which Many Radio listeners will recognize Al Hurt and Fay Smith they are noted. Al seems to be reaching low down in as former members of the Kay Miller's Brunswick Recording his throat for a deep note and for all we can tell by the picture orchestra, which has toured the country playing at the he's made it and is still holding it. Maybe it's "Oopy-oop-doop." vaudeville houses. They also were featured with Thelma Al and Fay have a national reputation. After President Terry's Play Boys, a Columbia recording orchestra. Fay is Coolidge had listened to them on the White House lawn they versatile with the strings and plunks a banjo with the same were considered good enough for WBAP of the Fort Worth facility that he cajoles a guitar. Al is a boom-boom artist, Star-Telegram. They played for that fiery knight of the South- aside from his vocal talents. He made bis first public appear- land, W. K. Henderson, owner of KWKH, Shreeveport, La. ance as a drummer at the age of eight. George Junkin heard them while dialing around the country So it's oopy-oop and boom-dee-ay on your loud speaker one night and whistled them over to KMOX at St. Louis. when you tune in to KMOX. But don't worry, it's only this Finding the spirit of St. Louis very suitable to their air diver- famous melody team doing its stuff before the mike for the tissements, Al and Fay have camped on the KMOX campus entertainment of the thousands who love their offer' r»«

18 Tinners

ist Cugat Sketches

Whose Business It Is 19 a la Caricature

sicians

NONE other than Nat Shil- kret, Victor artist, seen above in an amiable mood.

EVERYBODY Happy? The headless gent above is the inimitable Ted Lewis, while at the right you see Sam Lanin of the Ipana Troubadours and Ingraham Shavers. " — " " a

SMontegle Kidnaps Margot and Robs MYSTERY HOU Episode From Finis Fart's Serial Over NBC Provides Thrilling Story

STANDING bleak and alone, the only dwelling in a our friend Johnny here who really performed the thrilling neighborhood of lofts and warehouses down near the deed. ... I feel kind of creepy right now—but I guess we river in New York is the old Denby mansion, remodelled are all alone after a fashion and made tenable for Richard Brooke III, "It's 12 o'clock—hear the funny old grandfather clock toll- wealthy young bachelor. ing away down stairs," said Johnny. For some special reason, not altogether clear to his asso- Suddenly a large, dark figure like a grotesque shadow from ciates, young Brooke has taken up his abode in the old place a candle flame slid silently into the room. He laughed— where he is visited most often by his good friend Johnny silly madman's cackle. Walker. His personal needs are attended to by his faithful "Not quite alone, my friends," he said. "You are not quite valet, Williams. alone—Professor Montegle is here. And the fabulous Denby Haunting the district of the old Denby home, in more recent diamonds—they sparkle there on the table. Ah ha!" years known as Mystery House, is a particularly vicious gang "Montegle—himself—in person—not a picture!" Bob ex- of murderous cutthroats under the domination of a powerful claimed, and then he added softly, "nor a ghost. Well, what overlord known as Professor Montegle. Who Montegle really do you want, Montegle?" is or from whence he came seems to be somewhat legendary. "You shall soon see, Mr. Brooke." There are those who live in the neighborhood who say he is "Don't try to bluff me, Professor. That won't work. Besides only a myth. Others maintain he is a super-educated man I've a mind to— gone daft on socialism—that he formerly held a high position "Stop where you are, Brooke—one more step—don't move, on the faculty of a prominent New England university. I warn you now." Montegle in recent months has directed a villainous cam- Brooke glared blue lightning at the intruder but he stopped. paign against young Brooke, to drive him from Mystery Margot gasped audibly and Johnny emitted a venomous growl. House. He has been aided by his powerful henchman, Fra- "Margot! Johnny! Stay right where you are. I'll take goni, patroon of the Club Siena and a sinister shadow between care of this—" Bob hissed under his breath. the law and the outlaw. "Oh, Bob, be careful; he'll hurt you," begged Margot. Not long ago the New York newspapers were filled with This brought a grin of amusement to Montegle's massive the accounts of the strange kidnaping of Brooke who was face. aided in his escape by a dancing girl named Sally. And Sally "You are quite right, Miss Hemingway," he agreed. "Mr. was discovered to be one of the girls at the Club Siena. This Brooke is in acute danger. He should heed your. advice. And embarrassing publicity brought Margot Hemingway, Brooke's now for a look at those diamonds— fiancee, to his strange abode to ascertain for herself the true Bob twitched under mighty restraint as Montegle edged facts. rather hesitatingly toward the table. Suddenly he threw back his shoulders with a roar. HT WISH I could tell you the whole story now," said Bob "Keep away from that table!" J- as they sat in the re-made splendor of the old drawing room, which still contained some of the original furniture. (From the NBC Continuity Script) "There are some things I am trying to straighten out which so far are only theories of mine. They involve names that MONTEGLE: I'm going to get those diamonds, Brooke, must not be smirched by unproven suspicions." and you can't stop me. "But who is this strange bandit Montegle? Why does he BROOKE: Sorry, old man, but you are going to do nothing seem so vindictive toward you," Margot persisted as she of the sort. leaned back in an old plush upholstered chair with intricately WALKER: For heaven's sake, Bob! Leave him alone. carved woodwork over the back. BROOKE: Not this time. This is too good a chance. "Now you would laugh if I told you that Williams doesn't MONTEGLE: You're right. This is a good chance. believe he is a real man at all. He thinks he is the ghost of Fragoni! Old Man Denby. He says that he is the exact counterpart FRAGONI: All right, boss. What's it gonna be? of a picture of the old renegade taken shortly after the Civil MONTEGLE: Just stand here beside me. War. And you may as well know, Margot, that old Denby BROOKE: Here's the other one; this is a nice little re- I 'and my grandfather were partners in this old house where they union. I'm awfully glad to see you, Mr. Fragoni. piled up a fortune through all kinds of nefarious schemes. FRAGONI: Yeah? Montegle is no ghost but he may be blood relative of old MONTEGLE: Don't talk, Fragoni. Leave that to me. all ; Denby, and I suspect he knows that there is a great deal of BROOKE: By means. valuable treasure hidden in this building. would like to FRAGONI: Yeah? Say, boss, I'm going to drill this fellow. , He get rid of me so he can ransack the place." MONTEGLE: Wait, wait! Do you see those diamonds on L. "And what about this girl Sally, Bob?" the table? > "An unfortunate little waif in very bad hands—good at FRAGONI: Sure, I see 'em. They're puttin' me eyes out. heart—" MONTEGLE: Good. Close the box and put them in your "Listen, what was that?" Margot stirred uneasily. pocket. _ "Spooks, maybe," said Johnny, who had just come in from BROOKE: I warn you, Mr. Fragoni, you'd better leave an adjacent room. "The place is haunted, you know. Why, them alone. Old Man Denby was strangled to death in that very chair MARGOT: Bob! Don|t talk to theml where you are sitting, Margot. They looped a piece of win- WALKER: If those diamonds are all they want, what dow shade cord around his neck and tied the ends to the I say is, they're welcome to them. carved lion heads on the back. They say he comes back every BROOKE: Let me run this, Johnny. Friday at midnight and groans from that chair." WALKER: By all means. "Don't be silly," laughed Margot. — MONTEGLE: Go on, Fragoni, pick up the diamonds. "But this is Friday night, and in five minutes it will be BROOKE (whispering): Johnny! When he reaches for "Say, ghosts or no ghosts, I certainly heard something them upset the table. I'll do the rest. then," said Bob. The two men walked toward the street FRAGONI: Have you got 'em covered, boss? window and peered through the old fashioned shutters. MONTEGLE: Certainly. If you move, Mr. Brooke, I'll shoot you through the head. MARGOT feasted her eyes on a heap of gems—the Denby BROOKE: You haven't that much nerve. One shot would diamonds—which Ransome Renwick, the expert crimi- bring the police in here in half a minute. nologist, had discovered while searching for young Brooke MONTEGLE (laughing): The police! That's pretty good, after he had been kidnaped. They had been hidden for forty eh, Fragoni? years in a secret chest off from the living room. FRAGONI: Them cops won't bother us now. "Did this girl Sally really rescue you?" asked Margot, whose MONTEGLE: Go ahead and pick up the diamonds, Fragoni. mind apparently was elsewhere from the object of her vision. FRAGONI: O. K., boss. "She helped, but it was Renwick and Sergt. Hanrahan and BROOKE: Now! Johnny! —

21

As they moved toward the door Fragoni seized Margot's wrists in his gorilla grip. Just as she screamed in sheer agony came a strange voice, "Let go that woman!"

SIMULTANEOUSLY with the clatter of the falling table again. Alas!" the room was plunged in darkness. This was an incident "The police will be here at any moment." neither Bob or Johnny had anticipated. There was the sound "Do not be alarmed; they will not find you." of a dull popping explosion, Margot screamed, and her voice "Can't you see how absurd this is? Everybody will know you was suddenly muffled as though a hand had closed over her have these diamonds." mouth. "Ah, Miss Hemingway, how little you understand every- "Turn on the lights, Johnny. Turn on the lights," Bob thing! If the unexpected should happen and Mr. Brooke would shouted with a stifled sneeze and a burning sensation in his put in a demand for the Denby diamonds, I am sure you would eyes. be very useful in helping to persuade him that it would be Then the lights flashed on, but Johnny continued to grope, much better for him to forget all about the Denby diamonds." stumbling over the furniture. "Plain blackmail is your game, then, Professor Montegle?" "Margot! Margot!" Bob called frantically. There was no "Terminology, my dear Miss Hemingway, is sometimes mis- answer. They were alone in the room. leading. Nothing is plain where beauty is concerned. Black- "Good Lord, Johnny," Bob wailed, "They've kidnaped her!" mail is ambiguous." "And those confounded diamonds too," Johnny observed. Williams was aroused from his sleep and sent scurrying to "W^HY do you not call up Mr. Brooke and arrange your the nearest police station. Bob and Johnny returned to the » » terms immediately? It would be better for all of us." room for clews as to the raiders' retreat. They were con- "Doubtless that is the most sensible thing 1 ever heard you fronted by a fog of eerie green gas, it came seeping in from say, but there are certain contingencies now in suspense. At beneath an unused door. almost any moment I expect a report on the results of a certain "Open the window quick, I'm dying," moaned Johnny as scientific experiment that may render further parley with Mr. he wilted blindly down on the rug. Brooke unnecessary. And. you know, there is a girl named "Professor Montegle's trick," Bob surmised. "We're locked Sally in whom he was so much interested. It is such a pity in. We'll both be dead by the time Williams gets back." I fear she will not be with us long.'' Blinded and mentally in a whirl, Bob reeled a half a dozen "Yes, I read about Sally. Why. what is the matter with her?" steps and also collapsed without reaching the window. "Why, she tried to help Mr. Brooke more than she did me. And now she will have to die—die, just as you would if you "T SUPPOSE this is the Club Siena," said Margot after a were to make the same mistake." A tempestuous motor ride in which she had been conducted "Is she here now?" blindfolded to the room where she now sat. It was indeed a "Yes. Would you like to see her?" small private room. Beyond could be heard faint snatches of "Very much, indeed." dance music and intermittent singing. "Fragoni, bring Sally here, please. She may tell you some- "It is, Miss Hemingway," said Montegle. "Perhaps you have thing of her experience that will be useful to you. Miss not come here before?" I lemingway." "Certainly not," Margot tilted her nose haughtily as she "\o\\ are going to murder her?" answered. "I suppose you realize you are putting yourself in a "Again T must call attention to your frightful terminology. very dangerous position. Kidnapping is a penitentiary offence. Murder? Ugh! Xo. we must all die sooner or later. And death Mr. Brooke will be certain to bring you swift retribution." usually is such a wasteful transition. Nothing is accomplished. "Whatever Mr. Brooke may do does not interest me in the When 1 take a human life it is a laboratory experiment that scientific s least, my fine lady." adds to my knowledge. M tinier, as think oi it. i you # "Anyway you must let me go at once." generally the result of passion or greed tor gold. My oblitera- "Oh no, no! Why, you've only just come! And you're being tion of a human life achieves a nobler purpose. You see how here is a most flattering tribute to my genius. Moreover, the misleading your terminology is." diamonds—you must see them. It was so peculiar—they w en- "Here's you gal, Boss." Fragoni pushed a trembling young falling off the table when Fragoni caught them and absent- woman in dancing frock into the room. mindedly stuck the diamonds, morocco case and all in his "We'll leave you to gel acquainted," said Montegle as the two pocket." men walked from the little room to the crowded dance floor "Most remarkable dexterity, I must say. But you will have beyond. to give them back to Mr. Brooke, you know." Margot regarded the girl with a chill at her heart. "Now how could you possibly be so utterly mistaken. Miss "And you are the girl Sally?" she said softly, as though speak- Hemingway? Mr. Brooke never will see the Denby diamonds (Continued on pace L20) %$

TTARRIET CRUISE, known to KFAB listeners Ll as the Oriole of the Air—not that she sings exactly like an oriole, but she has that brilliant, flashing color in her voice. She's soloist in the Capella choir.

i 23

TyilBE DANIELS seems to look younger every J-J day, as this picture indicates. That may com ' from her joy at the discovery of her singing voice for the pictures. She has been featured by NBC on the Fleischmann hour. H

ij&Stot

who LOIS BROWNING is a Lone Star beauty radiates curls^ smiles and a dulcet voice from WFAA at Dallas. She was a candidate for the Radio World's Fair beauty queen, but this picture was lost in the mail.

.. JEANETTE MACDONALD sings songs m "The Love Parade" and the Radio crowds stand u/> on their toes and cheer. She is one of the stars heard during the Paratnount-Publix hour over the Columbia Broadcasting System. 26

TiHENO MARSHALL -ii- (above) and Ruth Messmer, b lues artistes. Smiley blues is their spe- cialty according to these photos; otherwise they are members — and pop- ular, too—of the KGW staff at Portland, Ore. £7

LJ1LP.I HANNAN, A. T. C. M.—and how our 11 British friends do love a nice collection of letters after a name} Miss Hannaii as pianoforte soloist in CKLC Calgary studio acts inspiration for her classical repertoire from a doll. MARIE CONNER, able I e ad er of the Rainbow Orchestra broad- casting from WIL, and Janice Smith (below), clever staff artist from the same station at St. Louis.

i 29

GEORGIA MILLER is another one of those favorites at KOA Denver, zvhose voice gives the mile-high station _ personality and distinct individuality. Georgia is as restful to the eye as to the ear. —

30 c^ADGE <^r in a pxact Reproduction of Columbia Radio Drama Script v9 Wherein Madge Helps Her Dad and Rescues Her Man

By Donald Clark

dialog new season finds a keener interest in the of the most EACHform of Radio entertainment. Probably one out outstanding features of this character to be brought Night Lluo during the past year is the series of Donald Clark chief of the Romances, written and directed by codes and their weaknesses; he has Broadcasting System. about newspaper men, their continuity department of Columbia graduating from Union College vivid imagination spent much of his time since Clark is a young man of exceptionally Don the news and writing it himself. His fertile mind may be judged from covering and facility of expression. and never see how these dramas are acted reproduced herewith was the twenty- For you who hear the fact that the script drama script reproduced exactly and as complete story, and each this is a typical Radio fourth in the weekly series, each a EDITOR background. originally written. with a similarity of _ particular story, is the daughter ot Madffe the heroine of this Again tonight, we invite you to travel out newspaper. Her rival lovers are news- ANNOUNCER: the managing editor of a into the night life of the metropolis. Clark knows all with us, in fancy at least, paper reporters, and of course, one is a villain.

,-L, 31 a£. GHT LUB

TED: In your condition? You're

boiled to the ears, Wilson . . .

JACK: I can manage my own af- fairs, 1 guess, Droman. Will you dance with me, Madge?

It has become our custom to seek out, one night in each week, we find ourselves tonight — here, we hope, we shall witness the some story in the making—some unusual incident in the caba- creation of another Night Club Romance. Let's go inside and rets of New York. Broadway at night presents a vivid, kaleido- look around. scopic picture, with its dazzling electric signs— its hurrying crowds, laughing or shouting as they go, ever in search of MUSIC: ORCHESTRA STARTS PLAYING No. l, UP diversion and entertainment. It is in one of the many glittering, FULL l\ riL CUE ( ). gaudy cabarets burrowed down behind a battery of lights that (Continued on page 91) " " HI

©tf/z Cupid Cues In on johnny's $ i g T i me

HUGE electric sign in front of the Lyric theater THEproclaimed to all and sundry that Jimmy Harper was in town. The daily papers were moxe specific: "Jimmy Harper, World's Funniest Comedian, Assisted by The Carrigan Sisters—In a Rib-Tickling Potpourri of Mirth and Melody." Gala week for the Lyric theater: Biggest headline attrac- tion in years. The dear, dollar-spending public choked the house twice daily/ Lobby signs proclaimed that it was Jimmy Harper—in Person; Not a Picture. Any citizen who, at this stage of the week's engagement, had failed to see Jimmy Harper was declasse. And yet now—at 11 o'clock at night while the lobby was disgorging patrons, two male figures slunk through the stage door and down the alley. One of them seemed shrunk within himself; he walked with a guilty air and his eyes quested about in the hope that he might not be recognized. Somehow, the great Jimmy Harper was not participating in his own ballyhoo.

THE TWO men discovered a furtive little restaurant where the oysters were reputed to be good. They sheltered themselves at an alcove and ordered—with cocktail sauce. The friend turned worried eyes upon the frowning counte- nance of Jimmy Harper. "Jimmy," he said, "I wonder if I'm a good enough friend to be honest." Jimmy sighed. "Petey;" he answered—"you are. So shoot." Petey drew a long breath. "I seen your act tonight, Jimmy." "Yeh?" "It's rotten." "Aw say—•" "Well, maybe it ain't fair for me to call it rotten. Really, it's worse than rotten. It's a flat flop." "Didn't they laugh?" "Sure they did. They was laughing at Jimmy Harper but they couldn't of told you why. It's a hard thing to explain. Jimmy; you was awful funny, but nothing like you ought to be. Every time I've seen you up 'til tonight you put half the paying guests into hysterics. You used to be a wow. Acts didn't use to like to follow you when you was working single because the house wouldn't quit laughing at you. Tonight "Guess so." when the curtain— dropped, you was completely forgotten. "And ain't you worried?" Folks was saying 'Jimmy Harper, he's right funny, ain't he?' "Sweet mama!" Now, Jimmy, I ask you—what's wrong?" "Wouldn't it do you good to spill your troubles and get The World's Funniest Comedian turned harrowed eyes upon some friendly advice?" his friend. "Everything," he answered mournfully. JIMMY inhaled a large oyster. "I told you how I come to Petey probed more deeply. "Them two wimmin?" sign 'em up; forty weeks—even break in money compared "Yeh." with I what was drawing single . . . and I was lonely. "Hmm! They ain't bad . . . swell lookers, and they Looked like a good idea. Well, we started out fine. They dress the act nice, and they step snappy. But say; what did said we was a panic, and we was. Stopped the show a dozen you team up with them for in the first place?" times. Swell kids, both of them. And' I guess we would said, "Just like you Petey; to dress the act. I been a single of made vaudeville history or something if it hadn't been for for so many years—well, my agent thought it would be a Oscar Swanson." good hunch to give 'em a little variety for a season or so, "What's that?" and he got me forty weeks' booking. I ain't losing nothing "Oscar Swanson is a man. I ought to hate him, but I don't. on it; I net what I got —single and the rest goes to those girls, He's a nice feller. He sells rubber goods." and the act is different "I didn't know anyone did that." "Sure it is. It's all wet. Now tell me what's wrong." "Yeh— I guess somebody has to. Hot water bottles and ice -" "Well— Jimmy sighed. "They ain't really sisters." bags and surgeons' gloves ... lot of stuff they use around "I heard that. But they been together for three-four years, hospitals. They say he's a hound on that sort of stuff. Well, haven't they?" I blame Oscar for everything." "Uh-huh. That's the trouble; each one feels like a mother Petey lighted a cigarette. "One thing I'll hand you, Jimmy ." to the other, and since they started fighting. . . —you sure do make things clear. Now tell me, who is "Holy smokes! they haven't both gone and fallen in love Oscar?" with you, have they?" "Well, he sells hot water bottles and— "Good Gawd, no!" "Not to you." "Some hope then. Tell me something, Jimmy—didn't you "No-o. But he's been following us around for about ten or know everything I told you before I said it?" twelve weeks. It seems he's the champion water bottle sales- " "

83 By OCTAVUS ROY COHEN

Illustrations by JV. H. JViest

They motored out to Broad

Ripple through moonlight . . . the first thing he remembered Evelyn was in his arms.

us all the time. Think of it, Petey: Suppose you had been married and happily divorced and your ex-wife was married to your partner and you was traveling around the country together ... I certainly can understand why Nora objects all right, all right." — Petey lost himself in thought for a moment "And Nora ain't jealous at all?" man of the world and he routes himself where he likes. And "I don't exactly say she ain't—although she does. But you every night and some matinees he's out front giving us the never can tell about wimmin." hungry eye." "You said it! Now, suppose Oscar went and married Eve- "Is it possible?" Petey leaned forward under the urge of an lyn, what would happen then?" idea. "Is he in love with one of them Carrigan girls?" "Nothing. Because he wouldn't." "I'm afraid so. You noticed the brunette, didn't you?" "Why?' "Yeh." "Because him and Nora split up on account of her refusing "Well, her name is Nora." to quit the stage and stay home while he was selling rubber "Ain't that remarkable!" goods and he has told me private that even if he could marry "The blonde is named Evelyn." Evelyn, he wouldn't unless she would resign from the two- "I can hardly believe it!" a-day." "Well, Oscar Swanson used to be married to Nora, and "But suppose he did marry her?" he's been following us around— "Then Nora would walk out." "Trying to re-marry her?" "Aaahl We begin to see daylight. It sure is lucky for you, "No!" Jimmy Harper, that you had the brains to discuss your trou- "Don't bite my head off; say something." bles with me, because I see a way to help you." ?" "Well, he's trying to marry Evelyn— —she's the blonde." "Yeh . . . Silence fell between them. Then "Lcmmc get this straight, "All you got to do is to work it so Oscar marries Evelyn; Jimmy. Oscar used to be Nora's husband and now he wants then Nora gets sore and walks out on you, and that breaks— to become the property of Evelyn; is that it?" your contract, because you must of contracted with the team "You said it." "I did." " "Well, why don't he?" — And when the team busts within itself you arc clear oi "Nora objects." both wimmin and you go back to the single." !" "Ah! Still in love with her ex-husband, ell?" "Hnim "No. That is, she swears she ain't." "Ain't my plan a swell one?" "Then I don't see—" Jimmy Harper shook his head slowly and solemnly. "Nope. It's terrible." ttYJ[7'ELL, I do. She says it's bad enough to see him out "Why?" VV front twice a day when we're on, but it just naturally "I —well, to tell you the truth, Petey— I don't want Xora would be indecent to have him marry Evelyn and travel with walking out on me.' " " " — — " —

Si

"Listen, Sugar foot; you got an awful fine head on your shoul- ders. Let's think up a scheme."

opened his lips to speak, then closed them very "I PETEY see. Just the same, you have got to get rid of him." suddenly. His eyes popped and he emitted an exclamation Can t be done. of amazement. ," Yel i1:'- ] s got to." Petey cupped chin in palm and "Good, Lord! You?" gave himself over to a session of intensive cogitation. Suddenly Jimmy blushed. "Uh-huh." he looked up and his face radiated optimism. "Got it!" "In love with Oscar's Nora!" What?" "Well, listen, now Petey, you ain't got no right using that "The idea how you can get rid of Oscar." tone of voice because you don't know Nora. She's a swell gleam A of hope shone from Jimmy's tired eyes. "Spill it." kid, the sweetest— Well—you say yourself that Oscar is probably nuts about "Dearest, cunningest, cutest, winsomest, wonderfullest little Evelyn. girl in the world and you can't live without her and—I com- ''Yeh." mence to understand, Jimmy, why your act has went fiooie. "And even if he ain't and is really daffy over Nora, his is afraid will ex-wife, Nora Evelyn marry Oscar, and you are kind of you would prefer to know it, wouldn't you?" suspicious that maybe Oscar is trailing around because he 'Uh-huh. Like the doctor telling me I ain't got more than his again, thirty wants to marry ex-wife eh?" days to live. I guess I would, though. Then I could "Well, why shouldn't he? She lays it over Evelyn seven buy me another pipe to smoke." and, besides, I of "All right. ways from the ace— get kind nervous with That makes everything jake. Now the way to him around, having been married to Nora like he was. I'm handle this thing is to find out where Oscar and Evelyn stand — with in a terrible fix each other—and how you are to do that is to give Evelyn "Boy! I'll say you are." the grand rush."

"And I don't know what to do . . . and with all that "Give who the what?" sort of thing going on the act is getting flatter than a- pancake which was cooked for last Sunday's breakfast." ii I E Evel n a r°yal time Cr Y y - Shower her with attentions; "It ain't doin' nothin' else. Now, suppose you was to marry VJ flowers and candy and taxi rides and all that sort of Nora—" stuff and— "There ain't any use of supposing anything like that, Petey, "Petey, did your folks ever let you fall when you was a because she will not discuss it with me at all except to say baby?" that it doesn't seem proper with her own husband looking at "I'm talking sense. Minute you begin to crowd Evelyn, us all the time." what happens?" "Hmm! There ain't but one answer to that." "I get put in the daffydill factory." "What is it?" "No, sir, nothing of the sort. Everything straightens out. "Get rid of the husband." If Oscar is in love with Nora, he don't pay no attention to A slow smile of derision appeared on Jimmy Harper's lips. your interest in Evelyn. Same thing goes for Nora—and you "I told you, you didn't know nothin'," he explained feebly. know right where you stand." "You ain't met this bird Oscar or you wouldn't advise nothing "In muddy water. I see. Go on." like that." "But if Oscar really is nuts about Evelyn, he gets awful "Why?" jealous when he sees you rushing her and he makes a com- "Oscar ain't the kind you can get rid of. I don't wonder promise about letting her stay on the stage and marries her in could sell that baby is a success rubber goods. He um- and even if that does break Up them two girls on account of brellas to sheiks, he could. I never see a guy so persistent Nora not wanting to buddy around with her husband's wife all life. Twice a day I see him out there staring at the in my — it leaves you with a clear field for Nora." stage . . . and Nora and Evelyn see him, too, and "I see. . . . Maybe you ain't as senseless as you sound, "How does Evelyn feel towards Mr. Swanson?" Petey." "We-e-ell, I wouldn't say for certain, but I think she's awful "Sure. Right you are, kid. Also, the minute you begin to crazy about him. Reason I thinks so is that she seems kind show Evelyn that you think she's the swellest chick that ever of jealous of Nora which used to be his wife. And, remember, swallowed corn, you find out where Nora stands as regards that Oscar ain't the kind of a bimbo you think he is from his you. If she gets upstage and snippy you know she's jealous name; he's big and tall and broad with blonde, wavy hair —and if she gets jealous you know it's all applesauce. Any regular Norseman type, whatever that is; and, I guess if I way you look at it you win—even if it's only by finding out was a woman I would fall for him also—but not if I was two that you're bound to lose; ain't that a fact?" women." (Continued on page 312) congratulated. Some. one said I was sitting on the top TTOW does a young girl feel at the moment and of the world, and I really felt that way. **- of her Radio debut ? Let Dolores of the The Editor of the Magazine of the Hour, Freeman Hubbard, asked were I, that I had received so much publicity for Crescent City tell you under her own title— who my first story. I asked myself the same question. I wanted to ask him a question—why did he feature my first story, the story of an unknown writer? How many writers can boast of oJYLy that honor, their first short story being accepted by a national known magazine and featured? I wonder. While I was re- joicing in this triumph, a friend of mine remarked, "Dolores, you were born under a lucky star"— I almost believed him at LUCKY STAR that time. Life was like a wondrous dream. THEN there was the Radio. Everywhere, everyone was dis- By Dolores Lila Martinez cussing the Radio. It was, as is now, the topic of the hour-, and secretly I thought it would be a great thrill to speak over r the Radio, with thousands of fans listening in—many times di l I muse over this My wish came true! I received a letter from our most popular announcer, Mr. Clyde Randall of WSMB, stating that they would be pleased to have me recite my poem, "Mother." over that station on the eve of Mother's day. I literally leaped

with joy, walked on air. My dream had been realized . . .

almost. . . . I was notified just one day before the eve of Mother's day: hence, I had but little time to memorize the poem. It was my own composition, 'tis true, still I never attempt to memorize every poem that I write— I read and re-read the lines, regret- ting a thousand times, I had been so averse to studying ex- pression. But I was so thrilled, so optimistic, I did not think or even dream of "Radio fright," or that my recitation would not be a decided success— I was confident of myself. Very. That night and the next morning I read and reread the lines in eager anticipation of the night to follow. At 6:30 p. m. I was to face the "mike". At 5:30 p. m. I sat composedly through a manicure. I eagerly ~ told my manicurist of my triumph-to-be and the proximity o r ?" it, and she queried curiously, "You're not at all nervous . . . "Nervous, why no ..." I answered surprisedly. But the (Continued on page 108)

THRILLS had come early to Dolores Lila Martinez, and she was confident of her first Radio appearance. But then came old man Mike Fright, and success in spite of him.

GREATEST thrill? My Radio debut! Successful- MYyes, because of my Lucky Star! When I was of an age when most little girls rejoice in their dollies, I was scribbling verse and knowing the thrill of having the little songs of the soul accepted and published, and even praised. People used to tell me I should be proud of my verse and what "a bright little girl" I was. I almost believed them for awhile. Then I grew up a-bit, donned short skirts and had my hair bobbed; isn't that how girls grow up now? And my first grown up thrill was to have my first short story accepted and fea- tured in a nationally known magazine. More than that, my name and the title of my story appeared on the cover! What a thrill—the thrills of seeing my poems published from early childhood seemed so very small compared with this great thrill. The magazine was conspicuously displayed everywhere. It was quite a thrill to walk into a store and see one's name star- ing at her from the cover of a brightly colored magazine—to hear people you had never seen before asking for the magazine containing your story—Dolores Lila Martinez's story— it was HERE'S the man who helped give Dolores the biggest all so wonderful, life seemed unreal! thrill of her life when she appeard before the micro- Publicity— I war. given loads of it. "The Rival Blondes" phone. He is Clyde Randall of station WSMB. New was a much read story, and the authoress was feted and praised Orleans, Louisiana. y 38 —

39

<$

nlP

Guess you know these two all right Jack Oakie and Here is the Barber Shop — Trio on the Ingraham Helen Kane on Paramount- Shavers program — Henry Publix hour. Shope, Walter Preston and Taylor Buckley.

m\

%.

Moran and Mack, heard recently over the Columbia system, al- ways score tremendously, but as the Two Black Crows would say, "Why bring dat up?"

Vr* Andy Mansfield talks as he plays and plays as he talks over the Nation's Station at Cincinnati Andy and Virginia Lee at midnight every Thursday.

This midnight jamboree is perpetrated every Sunday as a frivolous outburst of re- pressed desires over the Sab- bath day by the WBBM Nutty Club. — —

40 sor

By Jean Campbell

SHEA, the darling little blonde who won the and there while the pianist rambled intermittent strains from OLIVEbeauty contest at the last Radio World's Fair, beamed the Rhapsody in Blue. This frank informality accounts for the happily at me as I entered the artist's reception at the fine morale of the organization. It is 100 per cent cooperative Columbia .studios in New York last Tuesday. —the best for one is the best for all. "Please take me in with you to see Paul Whiteman rehearse," In the evening, when the real concert was filtered out to all she pleaded after a sidelong glance at her rrlother who sat America and a waiting world via New York, Chicago, St. beside her on the yellow leather upholstered bench against the Louis, New Orleans, Los Angeles, San Francisco, Portland wall. and a score of other cities, the Paul Whiteman orchestra was on "If we can crash through those formidable doors," I an- its toes every minute. They all wore yellow smocks and tarns swered. They were heavy green baize with small oblong plate bearing the label of the Old Gold cigarette, the manufacturers glass windows. They frowned down from the top of a short of which were sponsors of the program. flight of eight steps. Mrs. Shea and her talented young daugh- Ted Husing also garbed in smock and tarn seemed to repress ter joined me with the assault which was headed by a member his ebullient spirits with difficulty. But nothing went amiss of the press relations department. it never does so far as the Radio audience can discover. Paul The doors cracked open. Ted Husing, whose deep announc- Whiteman with a tam quite too small for his broad dome ing voice gives you the impression that he is serious minded, looked the leader that he is in spite of the somewhat ludicrous ushered us through a maze of brass, wood-winds and tinkling costume. His eye was full of fire—no vacant dreaming now. cymbals to seats in the back of the big studio. There we sat It was a concert and for me not half so interesting as the down and watched the show. A special performance of the rehearsal had been in the afternoon. highest priced band of its kind in America. IT WAS not until after the evening program I had my oppor- AND it was a show—something to see as well as to hear. tunity to chat with Professor Paul. He was still alive with The genius whom we have called Professor Whiteman the keen intensity with which he electrifies his men during the stood on a slightly raised stage sans coat, ves"t, collar and tie. concert. The band was rollicking through a medley of tunes scheduled "We must have dinner together one of these evenings," he for the evening performance. Every member seemed to be on said. There was some confusion in getting away. A bus was a lark. Those who were resting between measures were dis- waiting below to take them all to a rendezvous, at Valley porting themselves according to their individual fancies al- Stream on Long Island. Subsequently we had our dinner when though they seemed all to be swaying to the rhythm of the I learned all about the early struggles that lead to the contract unceasing movements of their leader. to appear at the Palais Royal in New York—his first big The great Paul himself bulked against the windows of the engagement and the beginning of the rise of Whiteman over operating room, the most, conspicuous figure in the room. I the horizon of the world's gayest night life. felt constrained to ask "What is Paul Whiteman thinking "Our pictures were in the papers," he said. '"The Palais about when he stands there, his face blandly expressionless, Royal, then the newest of New York's great cafes, was the although his arms are jerking up and down like engine pistons haunt of celebrities from near and far. Thus we came to meet with steam and vigor that shakes his whole body?" Is his Lord and Lady Mountbatten while on their honeymoon. This mind far away? Is he alertly conscious of all the multitude of English nobleman proved his democratic spirit by making the sounds that permeate the room? Does he hear every tiny vibra- acquaintance of each member of the band and declared that tion and check it against the accurate register in his mind? we must come to London so that the Prince of Wales could The eyes are unwavering, the lips immobile, not a tremor .'hear. us. The Prince is his cousin. disturbs the even brow. How profound—and yet those mas- "It was soon evident he was really in earnest for scarcely sive elbows tight against the sides continue their perfect had he returned to England than we received a reminder in rhythm—ah, a hip sags, the other responds! Yes he is almost the form of an imposing letter all bedecked with crests, and dancing. ."'*,., coronets formally sealed with wax. n , and Suddenly, as though a wandering' sunbeam had struck into _ "Soon we began to realize what New York popularity meant. the room, a twinkle sparkles in the leader's eye. He turns to We were the vogue. Contracts were thrust at us from every one of the players and points. His mouth is wide open as angle. Society demanded our services at their most exclusive though for an explosive laugh. But no sound escapes his lips. functions. Our time was at a premium. He shakes his baton and continues. The piccolo player notes, "Out of this endless swirl we found ourselves face to face several cigarette stubs on the floor. He shuffles from one to with a contract to join the Ziegfeld Follies. The contract was the other and kicks them all into a little pile. signed. New experiences followed. "It could not be denied—we had won out in New York. Yet YOU find yourself looking again at Whiteman. You mark sometimes I feared that New York might prove fickle, that it his well rounded figure and the tight belt that cuts in on might be easy for anyone suddenly to lose her good graces. the upward slope, the perky little mustache astraddle his Novelty more than ability seemed to be the watchword for puckering lip, the tiny smile crinkles at the corners of the success. eyes and again the face becomes passive, the eye expression- "We then decided to go to Europe, as that was the next less and you wonder what is going on behind that ponderous logical step for the ambitious plans we had. Besides it would brow. He is rightly called professor, probably working out be advantageous to acquire some of that exotic manner to be the intricacies of some new jazzical interpretation while he accomplished only by foreign travel. subconsciously beats to the tune in hand. Suddenly the eye- "In March, 1923, "we set sail to accept some of those numerr brows twitch a bit quizzically, the hands cease their rhyth- ous invitations from our friends among the notables on the mical piston movements—and like magic the music reels on Other Side. And such a seasick bunch of play boys we found while Paul dives for a cigarette, lights it, takes a puff or two, ourselves to be aboard that staunch ship, the S. S. President' lays it on the music rack before him and the guiding hands Harding." snap again to the pulsing rhythm. How the Paul Whiteman orchestra took the European Husing ambles up from behind and speaks to him. He capitals by storm is a story that has now become a vital chap- smiles and they both laugh as they look toward the hard ter in the history of American music. But the objective was working blower of the oom-pah. Husing shoulders out the attained. flutist and they begin trotting back and forth near the chairs And now we are soon to see and hear him on the screen as where we sit. This is too much for our vivacious Olive. Why the King of Jazz. His adventures in Hollywood would make should two mere males be wasting such priceless moments a story in itself. His first trip ended in failure, for the play so the flutist goes back to his fluting and flaming youth dances, the producers wanted did not suit Paul. Then Paul had a play just one boy and one girl, to the one and only Paul Whiteman written and it did not suit the producers^ At last reports the orchestra! I enjoyed that moment and I think Mrs. Shea was producer's play had been written to suit Paul's idea of what happy too. it should be. That he has real picture possibilities may be

Informal, brisk and airy the rehearsal flowed along for an judged from the movie tests . that were taken on the lot and hour or more. Ted injected a perfunctory announcement here which are reproduced on the ooposite page. u V! <7*GIGOLO MYSTERY CRAIG KENNEDY and Jameson in Their Search for the Murderers of Lola Langhorne Step into Line of Fire Between Two Rum Ships. WHAT subtle and mysterious ingredient had entered the blood stream of Lola Langhorne and caused her skin to turn a ghastly green as her life ebbed away in the -~ lonely cabin of the Gigolo? Even the master detective, Craig Kennedy, was mystified. But searching for a motive he discovered a suddenly organized clique under the direction of Eversley Barr to import a cargo of contraband booze. Barr and Donato, known as Don the Dude, were using their peculiar charm for women to involve / not only Lola Langhorne, the pretty divorcee, and her yacht but also little Judy Hancock, the seventeen-vear-old banker's

With a whack on each cheek and moans from Trixie, Mazie picked her up and flung her ... so that she dropped in his lap uncaught by his trussed-up hands.

daughter. Then there were the night club girls- Mazie Mellish jealous of Trixie Dare and perhaps of Lola, too. From Mazie Craig obtained his first clews that led him Lola Langhorne j.ust before her death. through some of the intricacies of the New York rum runners' Dietz brought Craig Kennedy and his newspaper reporter labyrinth. He obtained an introduction to Dietz, a liquor friend, Walter Jameson, to the tanker where Eversley Barr broker, and through Dietz as a guide and sponsor Kennedy peered. over the rail and directed them to come aboard. went out to the fleet in search of the ship that had carried the "Come aboard," shouted Barr, "something terrible has hap- other members of the party that had been associated with pened—maybe you can help us." —

43

up, but we were too far away to see who it was that was mak- ing the transfer to the other rum-runner. Sy ARTHUR B. REEVE, Our Viking laughed. "Cap'n has customer already! I gass we bane bring him luck!" Author of Famous "These fellows in small boats have their nerve, with the rev- enuers all on the watch," I observed. Craig Kennedy Detective Stories "Nerve?" repeated Ueitz. "You mean they have no nerves! They don't know what fear is. Take a chance on anything even being sunk out here in the ocean itself. They gotter be Chapter VII. that way. I tell you, you don't know what bein' high-handed is until you run up against one of these here revenue boats. THE TWELVE-MILE LIMIT They don't know no law of God or man in keepin' our country pure CROSS the water out there beyond the twelve-mile limit We had difficulty getting over the side of the "All Alone," I looked at the West-Indian Frenchman, perhaps a as Ev Barr had re-named his tanker which looked to me like quarter of a mile away. she might be rusted so through and through that she would K In the cold moonlight we could see a small boat come founder if you poked a stick at her. The name "Haugesand: Norway," a little fishing village in the Land of the Midnight Sun, had been clumsily painted out, in spite of the well-known superstition of the bad luck that attends the change of a boat's name. These were no ordinary sailors, however. (Continued on page 88)

S I u CHICAGO 5 T170RLD' S Greatest Singers Come to You Free from Adver- GRAND OPERA tising Through NBC.

By A. msoin. broadcast during the season. Every Saturday night from nine to ten, Central standard time, is Chicago Civic Opera hour. Among the artists not heard last year who will sing this season SCARCELY ten years ago, when the Radio infant was during broadcasts are Claudia Muzio, who returns to the com- first beginning to try out its lungs and little groups of pany after an absence of one year; Hallie Stiles, from the amateur enthusiasts were gathering every evening to Opera Comique of Paris, a newcomer to the Civic Opera "see what they could get," grand opera was broadcast forces, and a tenor new to America, Theodore Strack, who is for the first time. It was not much of an event in the history heard in the German repertoire; and Thelma Votipka, Ameri- of music, for the sounds which came into the ears of listeners, can soprano. mingled with "static" and other interfer- Mary Garden, Edith Mason, Frida Leider, Margherita Salvi. ence and marred by the inadequacy of the Maria Okszewska, Alice Mock, Cyrena Van Gordon, Coe Glade. equipment, could hardly be called music. Tito Schipa, Antonio Cortis, Charles Hackett, Richard Bonelli. But it was, nevertheless, an event, for it Vanni-Marcoux and Alexander Kipnis are a few favorites of was a forecast of the great things which the Civic Opera company who are again heard in the Civic the rapid advance of Radio science and the Opera broadcasts. eager response of the American public to Surrounding the stage from every quarter is a group of broadcast programs would some day make microphones, designed and placed to pick up the music and possible. send it out over the air in exactly the same way that the ears In the light of present day knowledge, of the audience pick up the music from the stage. Microphones it seems strange that early operatic broad- are installed in the footlights, in the wings, back-stage and in casting should have so thoroughly en- the orchestra pits. Far up in the last balcony, occupying much snared the public fancy as it did in those the same position as the projection room in a motion picture early days. Broadcasting operas was at house, are the two sound-proof, glass-windowed control booths, that time, and still is, one of the most where the monitor boards are installed. Under the stage is a difficult feats accomplished by .Radio power control room, where the power sent to each microphone engineers, and in the first attempts, the may be controlled as desired. broadcasters made what would seem to A. R. Williamson us now "a sorry "mess" of it. It is com- AND in the control booth are the two men upon whom the paratively simple to send out a good reproduction of the voice success of the broadcasting will depend, possibly even of a single singer, who sings with his mouth close to the more than upon the efforts of the artists on the staged, Sitting microphone, or a group of artists, performing within the con- at the monitor board, where the control of the microphones on fines of a small studio,; where acoustic properties and other and about the stage is handled, is C. C. Gray, NBC staff engi- details are especially, engineered for broadcasting. But it is a neer, who has performed this duty for- several seasons, and at different matter to broadcast a performance which takes place his elbow Don Bernard, program manager; of the Chicago stU" on a large stage, upon which the actors-move freely back and dios. It is Mr. Bernard's task to supervise the handling qf the forth, in a theatre designed to hold and seat spectators rather controls in much the same way the conductor' of the orchestra than for the sole purpose of broadcasting. directs the work of the musicians. He has the score of the But in spite of these handicaps, which the nature of the per- opera in his hands, which conforms exactly with the score formance makes unavoidable, operatic broadcasting has re- being used by the musicians. Following the music carefully mained one of the most popular aspects of Radio entertain- as it is played, it is necessary for him to instruct Mr. Gray ment. There is something wonderfulto the average listener during the whole course of the entertainment. If there is to be in knowing that he is hearing the finest the musical world can a loud crash of brass in the opera, Mr. Bernard will foresee it produce—arias sung by the world's greatest artists, orchestras by reading his score in advance, and the proper modifications composed of the finest musicians and conducted by interna- will be made by the engineers to preserve the full beauty of tionally known conductors^all within the walls of his own the passage as it is heard from the stage. Further adjustments home. As methods and means improved during the years, the will have to be made -every time a singer changes his position practice of broadcasting operas over the air has become more on the stage, and there are a thousand and one changes to be and more popular, until now, when the operatic scores can be made and emergencies to be met during the program, which heard with the same distinctness and delicacy of tone through only careful preparation and constant vigilance can make the loud-speaker as in the theatre itself, America's opera-going, possible. or, more properly, "opera-listening" audience numbers in the Included in this Uooth is the announcer, Thomas Breen, Jr.. millions. who gives out the necessary information to the Radio world. The advantage of the new equipment in the opera house is at WITH the beginning of the Chicago Civic Opera season once apparent, when it is realized that this booth gives a full this year, millions of families all over the West tuned in view of the stage, instead of being in the basement as it was in on their Radios for the broadcast of the programs. This year the old opera house. In this way, those in charge of the broad- the performances will make musical history. Gathering artists cast are not only able to see all that happens and able to repro- from all over the world, noted singers, dancers, musicians, duce it with more exactness, but get much more of the "feel" composers and critics for the dedication of its new twenty- of the production. million-dollar opera house, the Chicago Civic Opera company Another element with which the broadcasters have to con- has done everything that money and talent can do to make the tend is that of time. The Chicago Civic Opera this year is season one of the most colorful and brilliant in the operatic broadcast for one hour only, which means that everywhere one world. And not only the theatre audience, but the Radio audi- turns in the control booths he will see stop-watches, electric ence as well, will expect great things. clocks, and other time-keeping devices. The broadcast must In order to meet this expectation, every improvement of begin exactly on the scheduled time and end an hour later, modern Radio science has been called into use by the National regardless of the time schedule of the opera. There are times, Broadcasting company in its series of opera broadcasts which for instance, when the Radio broadcast must end right in the are carried over a wide network of stations throughout the middle of an inspiring aria, and in order to prevent a "chopped heart of America. In the old opera house, Radio was regarded off" effect in closing the program, the microphones must be somewhat as a noisy boy who made lots of trouble but had "faded out" in a manner which requires all the skill and del- very little importance. Although facilities were the best which icacy of touch of a concert pianist. could be provided under the circumstances, they were of a hit Unlike many attractions of a similar nature, this year's and miss nature, and those in charge of operations had to work broadcast of the opera is not a commercially sponsored pro- under great difficulties. The designers of the new building, gram. It comes as free as the air over which it is sent into the however, realized the true importance of the Radio audience in homes of America's millions, bringing them a touch of art and making their plans, and scientific installation of the micro- beauty which, without the magic of the Radio, they would phones and control boards in the new building has been treated never know. Until the last few years, grand opera has affected as a necessity rather than a somewhat superfluous added the lives of only a small per cent of the country's more cul- feature. tured classes; now the Radio makes it the heritage of the Fourteen performances of the Chicago Civic Opera will be millions. 45

Margherita Salvi as Rosina in The Barber of Seville

Three charming songbirds scheduled for this season's Uice Mork lis Gilda broadcast of Chicago Civic in Kigold to. Opera by the National Broadcast ing Company. 46 Newsy Gossip of tabon

Here's News for You TTERE in this twenty-four page section LJL of Radio Digest you will find, from g on month to month, interesting, newsy stories of Those Put of what is going on at your favorite listen- Who on ing post, the station, or stations, which above all others you enjoy. If they have a new studio, if new artists are added to the neighborhood theatre and celebrated by of students with actual broadcasts by offer staff, if the chief announcer gets married, accepting an to play on Broadway, advanced pupils. you will want to hear and read all about it. which enabled him to train himself in In present-day broadcasting it is sur- If you live in the South, you will find a the latest developments of featured prising to see to what lengths artists go special part of this section devoted to the organ music so that when a position at to prepare themselves for broadcasting. stations which come in best on your loud the Paramount theatre in New York was Take the case of Marion Selee, contralto, speaker. If you live in the West, the East, vacant he satisfied every requirement of singing from WOR, for instance. She the Middle West, Canada, or out on the that outstanding house and was engaged has a fellowship at the Juilliard Graduate school, Pacific Coast, you will find in these pages as assistant organist. with Paul Reimers for the two particular attention paid to your district. years 1928-29, and 1929-30, studied at the England conservatory in If you don't find any mention of your New Bos- favorite stations here don't blame us. We Artists Train for Air ton and received her diploma at the Con- servatoire Americain, Fontainbleau, have asked for the co-operation of every was when first-class artists of TIME France. Last year she was a star prin- station in the country. If they haven't re- the concert and operatic stage viewed cipal with the Chautauqua Opera asso- sponded, then write them a letter and be Radio with unconcealed scorn. Then a ciation and has many recitals behind her. sure that by another month we will have a few of them, tempted by unprecedented Her Radio appearances include the Eiffel picture or story about them. The aim is to emoluments, "consented" to appear "in- Tower station, KDKA and WOR. make this department of Radio Digest as cog" and with the condition that nothing complete and interesting as possible, and to that might disclose their identity should month as include as many statiom each go to the press. in possible.—D. B. Little by little conditions changed to Culture Demand the point that now, eight years after the ONE of the gauges of the importance a n birth of the industry, artists are not only of Radio is the type of men it is willing but anxious that the public know attracting into its ranks. There was a everything about them. They even fur- time when the average listener viewed arrival FRED FEIBEL, Radio's latest nish their "pedigrees" for filling in the the announcers, collectively if not, indi- in the organ field, who broadcasts station's records, and Radio appear- vidually, as a group of playboys, the regularly during the "Organ Reveries" ances before any of the "Big Four" sta- male counterparts of finale hoppers. period heard at 8 o'clock each weekday tions of the metropolitan area form no To crash the staff of any of the major, morning over station WABC and the little part of the literature that precedes stations nowadays there must be more, Columbia Broadcasting system, is con- a personal appearance on a concert stage. than a thin veneer of culture, education sidered one of the best men in his field It is very easy to visualize a day when and sangfroid. in America despite the fact he is but a "microphonologist" will be employed Floyd Judson Neale, a recent addition twenty-three years old. by prominent vocal and instrumental to the staff of WOR, furnishes a good At the age of ten, as a school boy in teachers and institutions in the training example. He was educated in Connec- Union City, N. J. Feibel started his musical education with instruction in violin, shortly after playing at local con- certs and with school musical organiza- tions. Despite his interest in the violin, the piano fascinated the boy and al- though he did not study it, he managed to puzzle out for himself the right and left hand fingerings until he could get them both working together and by con- stant practice he finally developed a fair degree of technique. It was at church, however, that he found the instrument he really wanted to play and after his first attempt at that instrument he began to study the organ. So well did the boy apply himself that he was made one of the assistant organ- ists of his church when only fourteen. The youngster's big opportunity came one afternoon when, watching a motion picture show in a small local theatre, he noticed that there was no musical ac- companiment for the movie. While he was not particularly interested in motion pictures, Feibel had been interested in this particular theatre because of the organ music and when an announcement flashed on the screen that an organist for afternoon work was needed, he hurried to the manager's office and offered him- self as an applicant for the job. The manager was dubious but gave Feibel a chance and seating himself at his first unit console, the boy launched himself on his career.

Before long Feibel . was transferred from his unimportant afternoon position to be chief organist in the theatre and later came to New York— the goal of so many ambitious young men. On his HERBERT HOOVER, Jr., is not highly excited over the fact that his father twenty-first birthday Feibel was com- occupiesithe White House. His chief interests are Radio and aviation. As Radio pleting his fifth year as organist in the expert for the Western Air Express he is heard over the air from time to time. —

17 and Artist: You Daily and Small in Broadcasting and Tales the Programs for

ticut's public and private schools and with the Seiberling Singers for a con- graduated from Harvard in 1912. He cert tour of Europe. He promised that has studied music, piano, organ and he would bring back with him the new- vocal in Boston, New York, Munich and est and finest examples of modern Euro- Rome. His business training includes pean music—and this was his first selec- such positions as confidential secretary tion. to Charles R. Flint, "father of trusts," The Seiberling Singers program also with the late Col. George Harvey, am- included another solo by Melton, a song bassador to Great Britain, on the North that Melton has endeared to Radio American Review, the Financial Chroni- listeners by his splendid interpretation cle and on the advertising staff of the "The Hills of Home," by the American New York Times. composer Fox. He is credited with making the orig- The Seiberling quartet also offered a inal suggestion of awarding a medal for special four part vocal arrangement of diction to a Radio announcer. Schubert's "Serenade," a new transcrip- tion of Jolson's "Little Pal," from the Ui sound-motion picture, "Say It With n Songs," and Deppen's ever-popular "Japanese Sunset" in modernistic quartet

SIDEWALK cafes of Paris, _ Berlin form.. Frank Black, musical director of music halls, singing gondoliers of the Seiberling hour, gave another of his Venice and gorgeous Viennese operettas surprise piano solos, and the famous BEAUTY is not lacking among the passed in vivid panorama before the Seiberling singing violins rendered stars of the Philco hour, as wit- Radio listeners of America when the Rubinstein's "Melody in F" in special ness this picture of attractive Kitty Seiberling singers score a musical string chorus arrangement. Altogether, O'Neill, one of the sopranos of this "scoop" and James Melton, Seiberling it was one of the greatest musical scoops popular feature. She would be a hit tenor, sang the outstanding European that Radio listeners have ever been in any stage production. song hit of the moment for the first time privileged to hear. in America. * % ^ The Song is "Gern Hab' Ich Die "Bill" Schudt's "Going to Press" be- Money for Musicians Fraun Gekuht," from Franz Lehar's gan as a one-station feature last Decem- THESE days when the "Did you latest operetta, "Paganini." The golden ber. Now just a year on the air this fea- JN know" columnists are having their voiced Melton sang the original German ture, dedicated to newspapermen and innings in the newspapers, one might lyrics. In introducing this beautiful com- newspaper topics, is now on the coast- be tempted to ask: "Did you know that position to America, Melton fulfilled a to-coast facilities of the Columbia Broad- the musicians in broadcasting orchestras promise made last summer, when he left casting system. get $18.00 a broadcast?" Most of them are actually on the air less than an hour for that sum. They are required to rehearse much more than that, however, and like actors are not paid for their rehearsals. Not a few musicians appear in as many as live broadcasts a day, which makes a tidy weekly wage. One might recall, however, the story of Michael Angelo. who when told that the sum he de- manded for retouching a painting was exorbitant, replied: "It is true that it took me a moment to do it, but think of the years I've been learning to do it in so short a time." * * * Horace Heidt. leader of the Califor- nians, heard from the NBC studios in the R-K-O hour, didn't start out to be a musician. He was considered as a pos- sible representative of America in the Olympic games during his school days at Culver Military Academy. Thomas Neeley, of the NBC music department, who met Heidt for the first time in eight years in the studios, recalls that the band leader on the day before his graduation pitched a one-hit game oi baseball: broke a school shot put record for the track: as captain oi the swim- ming team, set a new record for the •"'0-yard swim and then boxed at night. That's what happened to one athlete. * * *

Radio is following Broadway's ex- ample oi using all male easts in dra- matic shows. The cast for "The Wil- derness March" included Arthur Mien. THREE generations as seen at NBC studios. Two of them, Philip Katzman, Charles Webster. T. Daniel Frawley. the grandfather cornetist, and Louis Katzman, director, are regular members Wright Kramer. Alfred Shirley, John of the Hoover orchestra. Henry, at the piano, only visits and plays occasionally Knight, Charles IV Brown, Lawrence 11. during intermissions. He already is leader of his school orchestra. Cecil and Alfred Swenson. THIS danger- ously good-look- ing male crea- ture is none oth- er than Eli Spi- vak, the Russian baritone whose crooning solos with his guitar are so popular over the CBS.

chestral parts for performance must be my programs," he declared. "Now, how- furnished by the composer. ever, I am convinced that the Radio An -unusual feature of the series is that listener is as eager and capable of enjoy- Composers of U* S* when the composer of a work selected ing the same musical fare as a regular for presentation so desires, he may con- concert hall audience." ENCOURAGING native composition duct the rehearsals and the public pre- The General Electric hour goes on the and to enable composers who have sentation of his score. The Columbia air each Saturday evening at 9:00 o'clock, pre- not yet attained wide reputation to Symphony orchestra is used in all these Eastern Standard time. sent their works to as large an audience presentations. * * * as possible, the Columbia Broadcasting Selections submitted will be judged by German Radio authorities have guar- system has instituted a series of monthly a committee headed by Adele G. Lew- anteed the expenses of the 1930 Wagner concerts devoted exclusively to scores isohn and William S. Paley, President of Festival in Bayreuth. by composers native to or resident in the the Columbia Broadcasting system, United States. In this category are in- Howard Barlow, Julius Mattfeld and cluded all composers of talent, of what- Julius Seebach of the Music and Pro- ever race or age. In addition to works gram Departments of Columbia are the by living composers, the scores of Amer- other members of the committee. ican musicians of former periods will be presented from time to time on these programs, which had their premiere early in November at a time yet to be decided. It is hoped by this means to create an even wider public interest in American SIX complete symphonies will be per- music and to give opportunity to com- formed during the Winter for Radio posers of sincerity and talent, however listeners by the General Electric Sym- modest their expression may be, who phony orchestra, it was announced by would otherwise have no opportunity for Walter Damrosch, who resumed con- an advantageous representation. ducting the Saturday evening concerts At present, twelve monthly concerts October 12. These programs are broad- are to be given, but if the number of cast during the General Electric hour scores accepted for presentation war- over a coast-to-coast network of the Na- rants, more concerts will be added to the tional Broadcasting company. list. Composers are asked to submit The eminent maestro, who also con- scores which they consider eligible for ducts the National orchestra, has an- public performance. The music may be nounced plans for the entire winter in any form, for voice, or for symphony series. The first complete symphony to orchestra. Those who listen to these be broadcast was Glazounow's Sym- performances will be asked to give their phony No. 3. Damrosch has selected opinion on the music by letter, and at for the other five symphonies of Bee- the end of the season the works which thoven, Tschaikowsky, Mozart, Brahms have received the most popular support and Haydn. will be submitted to the conductors of Damrosch explained that he had re- HIS multiple duties as man- representative symphony orchestras for ceived a deluge of requests for complete TO use on their program. symphonies and he had reached the con- aging director of the Capitol Scores should be submitted to the clusion that the musical intelligence of theatre, vice-president of Metro- Librarian of the Columbia Broadcasting his Radio audiences warrants this inno- Goldwyn-Mayer, Major Edward system at 485 Madison Avenue, New vation. Bowes several years ago added the York City. Orchestral works to be per- "I have refrained from giving too important one of serving as liaison formed may be submitted for selection large doses of any one work and in- between the Capitol theatre and the in score or piano reduction, but the or- cluded only portions of symphonies in Radio public. 49

IF IT wasn't for that big brass horn and the cello, to say nothing of the trombone and clarinet, you might easily imagine this was a picture of a tribe of wild red men in council before going on the war path. Yes, you've guessed it, it's the United States Indian band, led by Chief Roaring Thunder, the big boy down in the center of the front row.

the new program series. More than 2,000,000 children listened in on "Damrosch's Musical University of the Air" last year, according to a sur- a vey made at the close of the school sea- WALTER DAMROSCH, dean of son. With the addition of many new THE great "Deutsche Funkausstel- American conductors, has returned stations, bringing the total number lung" or German Radio exposition, to the Radio audience with a new series above sixty, this audience is expected to has again been Europe's most important of educational programs broadcast be more than doubled this year, accord- show of its kind this year. Its opening through a coast-to-coast network of sta- ing to NBC officials. ceremonies in the vast halls on the Ex- tions associated with the National The courses this year are in four series. position grounds in the western part of Broadcasting company. graded to appeal to the musical develop- Berlin were of festival character. The Programs in the new series, described ment of children from the third grade full orchestra of the Berlin broadcasting as the most comprehensive ever built for upward to high school and college stu- station played the overture to Weber's broadcasting, are known as the NBC dents. "Euryanthe," and Beethoven's Seventh music appreciation hours, broadcast Programs for the two younger groups symphony, Sigrid Onegin sang songs by from 11 to 12 o'clock, noon, each Friday will be presented in two half-hour periods Richard Strauss and Mozart, and ad- until April 4, and are designed for stu- on the same Friday. dresses were made by Minister of Posts dents of schools and colleges in all sec- "Results last season convinced me that Schaetzle and Mayor Boess of Berlin. tions of the United States. A complete in three years we can revolutionize All the Radio manufacturing concerns orchestra is heard in each program. musical life in America," Mr. Damrosch in Germany without exception were rep- This year's series will be the basis for said. "Probably ninety-nine per cent of resented at this, the fifth exposition of a survey on the part of the rural educa- the school boys and girls in this country its kind, and many of Europe's leading tion department of the Teachers college, had never heard the great musical works Radio experts and inventors were in at- Columbia university, to determine the before Radio became a part of school tendance. There were in all 320 exhib- value and best use of Radio as an educa- life. Our survey has convinced me that itors. This is about thirty less than last tional aid. This announcement was made a majority of those who listened last year, but the area devoted to the exposi- by Miss Margaret Harrison, director of year were impressed and will benelit tion has been increased by some 4,000 Radio studies at the institution, shortly from what they heard." square yards to a total of more than after it was announced that Walter The conductor pointed out that the •7,300 square yards. Damrosch had been authorized by the new series is not designed to take the A new hall had to be added to those National Broadcasting company to con- place of personal instruction. It is a already on hand for last year's exposi- duct a three-year course in music appre- course in appreciation rather than tech- tion, and another has had to be built ciation. She will be in charge of the nique, he said. this year. Its walls and half of its roof research. Thirty-eight national leaders in music are of glass. Moreover, a second new Schools covering a wide area in the education, representing twenty-two dif- hall is under construction. These build- East will be included in the study, but ferent states, will act in an advisory ca- ings represent the beginning of prepa- particularly intensive research will be pacity to Mr. Damrosch during the cur- rations for the "Great German Building Conn., of done at Wilton, where a group rent season, he stated. In addition they Exposition," to open in 19:; 1. schools is conducted under the super- have agreed to co-operate in furthering In order to give the public a peep vision of Teachers college, Miss Harri- the establishment of the concerts as part behind the scenes of the Radio, the send- son said. of the regular curriculum of schools in ing operations o\ the Berlin "Funk- "Who shall test carefully the reaction their territories. Stunde ' were carried on during the expo * * * of pupils to these programs and definitely sition in a large hall adjoining the e? ascertain the usefulness of Radio as an One day John Wainman, who con- sition grounds. From here concerts. educational medium," the educator de- ducts auditions for the NBC in New cabaret performances, songs, etc.. were clared. York, took a little longer than the usual broadcast every evening in the presence hour for lunch. Keith McLeod, musical of the public. Albert Braun, the favorite WITH the inauguration of the music supervisor, wanted to know "Mow Berlin announcer, appeared personally at appreciation series, Mr. Damrosch, come?" the microphone. known wherever music is heard as a con- "I had to go all the way down to City * * * ductor and composer, will launch a 1 [all," lohn explained. Larry Cecil, heard in many NBC Dra- career devoted entirely to Radio, he has "Why?" matic Programs including Soconyland announced. Much of his summer vaca- "Well, you see 1 took my lunch hour Sketches, bis deserted the microphone tion was spent in preparing details for to got married." temporarily for the stage. 50 TOSCANINI Wears None of the insignia of PHILHARMONIC, PRIDE OF Popular Idol, an Extraor- dinary Man. His Concerts Always Bring Forth Richly Deserved Plaudits of Acclaim. &* Over WOR WBAL Looks Back on TOSCANINI, Mengelberg, Mollinari —truly names to conjure with. What Four Years on Air lover of music fails to thrill at the men- tion of such men, fails feel glow Frederick R. Huber to a of By anticipation when a program by the Director, WBAL great Philharmonic orchestra of New FOUR years ago station WBAL, Bal- York is announced? For the third suc- timore, came out of the ether and it cessive season WOR is broadcasting didn't take long for the Radio listeners concerts by the Philharmonic, with an back in 1925 to realize that here was a augmented schedule destined to become youngster for you. In the first place, a landmark in American musical annals. the new station created a veritable furore The season is one of twenty-nine in the listening world by announcing weeks, one week longer than last year. that nothing but good music would be Toscanini officiates during the first and broadcast from it. And by good music last eight weeks of the season. Mengel- it didn't mean maybe. It meant precisely berg directs eight weeks, beginning No- what its announcement, then termed ex- vember 25, and Mollinari the next five tremely radical, said—that there would weeks from January through to Febru- not be any jazz on the air from this ary 23. broadcaster. Just how closely WBAL The opening concert, incidentally, be- has lived up to that announcement since gan the 88th year of the Philharmonic it was made four years ago may be Symphony society's existence. It is Mr. judged by the fact that it is now nation- Toscanini's fifth year with the society, music," a slogan which it has justly and his third as regular conductor. earned. Mr. Mengelberg returns for his ninth When one looks back over the past year. four years of broadcasting and sees the Ernest Schelling has complete charge development of a gigantic industry, it is of the young people's concerts, compris- impossible to suppress a smile as some ing two series of children's concerts, of the things that were done then one and one series of Junior orchestral con- would not think of doing today, though certs. it is plain to be seen that each of those Beginning in 1842, in which the mu- now obsolete methods proved to be step- sicians shared directly in the profits and ping stones to better and more improved deficits of each season, the orchestra has ways. become one of the leading organizations Station WBAL came on the air at of the world. In recent years, its growth Baltimore in November, 1925, beginning both in artistic accomplishment and THIS clever little singer, dancer its broadcasting the first of that month. and impersonator of stage celeb- physical expansion is due primarily to It its career on 5,000 watts, being the activity and generosity began rities, Rose Marie, started her pro- of the board at time one of the compara- of directors with that among fessional career last summer at Clarence H. Mackay tively few stations, broadcasting on that WPG. Since then she has toured the as chairman. majority power, the of stations then country as a Keith circuit headliner. Each concert that Toscanini has given operating on less wattage. Within the has been the occasion for extraordinary She is frequently heard over the NBC past year, however, WBAL has increased and Columbia chains. acclaim. In foreign countries demon- its power to 10,000 watts, being officially strations, such as he has evoked, are per- licensed to operate on that full power. haps more common than in this one; The big Baltimore station is operated by certainly it is a sight rare in the annals remote control, the studios being located Mayo Is Seekinj of American concert rooms to behold in the heart of Baltimore's business dis- an audience risen to its feet, shouting, trict, while the transmitter is twenty stamping, waving hats, handkerchiefs, miles out in the country. umbrellas, programs—whatever comes concertmaster of All the programs from WBAL for the WALDO MAYO, quickest to hand—even weeping, for a in first two years were broadcast exclu- the Capitol Grand orchestra New quarter of an hour after the end of one sively from our own studios. Chain pro- York and soloist violinist of Major of his concerts. programs had not then been developed Edward Bowes' Capitol Family, under as they are now and, consequently, this the name of Mayo Wadler, made his facts are the more remarkable 1918. THE station, depending solely on its own concert debut in Carnegie hall in because of the entirely unsensational features for Radio recognition, soon be- He made extensive tours throughout appearance and methods of the conduc- came known on the air as a broadcaster Europe, the United States and Canada tor. Toscanini wears none of the ob- Tetraz- with decided individuality and, as the as co-artist with Enrico Caruso, vious insignia of the popular idol. He air then was not so full of signals, fans zini and Rosa Raisi. He has been a mem- is less than average height, but so erect is in practically every state in the Union ber of the Family for four years and and tense in his bearing that he is a and in Canada, Cuba, Mexico, became a native of New York. He received most dominating figure. He is gray haired regular listeners to Baltimore's only high of his musical education at the Royal and sixty-two years of age. He dresses of Berlin. power station. Academy Music in with simplicity and precision. He is, in For a while WBAL had its own opera The peculiar reaction of the micro- fact, that rare blend of the aristocrat, company, its own musical scenarios, its phone to sound effects, resulting in the the intellectual, and the man of impe- • own dinner orchestras, concert orches- development of orchestral arrangements rious force whose most extreme con- tras, etc. Then the next step brought unique in the concert field, has been ceptions are quickly translated into the commercial program. taken advantage of by Mayo, who has action. Recently WBAL has commenced experimented for three years with broad- Toscanini was born in Parma, Italy, broadcasting in the mornings as well as casting. Contrary to former conceptions March 25, 1867. He was graduated afternoons and evenings, its new fall of Radio music he has built an orches- from the conservatory of that city when schedule putting it on the air every tral combination with the microphone he was eighteen with a diploma for 'cello Monday, Wednesday and Friday from itself as the nucleus. His presentation playing and composition. He leaped 10 a. m. to 7 p. m. The other days in began with the playing of violin solos to into fame one year later when a member the week WBAL broadcasts from 7 in piano accompaniment and then gradu- of the orchestra at the opera house of the evening until midnight, while on ally add to the volume of tone as the Rio de Janeiro, South America. The Sundays it is on the air practically all mike increases its absorption strength. circumstances of his debut are legendary day, commencing at 11 o'clock in the He hopes to give rise to another "Dimen- by now. South American patrons of morning and broadcasting continuously sion" in musical and symphonic compo- opera are nervous and demonstrative. until 8 p. m. sitions with this orchestra. Deciding that the conductor of the eve- 61

VILLAINOUS looking bunch of cut-throats, aren't they? From what little can be seen of the background they might be a band of European Gypsies posing in one of the famous cellars of Paris. Really it is Emery Deutsch and his Gypsy Nomads, heard over WABC and the Columbia chain. ning was incompetent, the poor fellow musical monarchy of Toscanini in Met- found it expedient to depart just before ropolitan performances was early made New Transmitter at the curtain. The opera was Aida and, of known in his famous passage of arms course, the manager was in despair. His with Geraldine Farrar. She stopped the KDKA Is Under Way wealthy patrons and subscribers were rehearsal. WORK on the new transmitting Sta- insistent that the performance be given. "Maestro, I am the star of this per- tion of KDKA near Saxonburg, Pa.. Then someone observed that the score formance—not you." is well under way. The transmitter itself was known to the young Toscanini. He "Madame, there are no stars in my is now under construction. The first was dragged from a shelter he vainly performances. There are only stars in broadcasts from the new station will be endeavored to retain, and put in the con- heaven." early in 1930, it is predicted. This will ductor's chair. It is related that he re- Toscanini lives for his art. Serving be the second big transmitter move of moved the score from the stand in front it, he knows no obstacle and has no the Pioneer station since it began broad- of him and sat on it. The bare facts, at price. He lives with his music, often casting in 1920. The first was from the least, are that Toscanini, at the age of working all day and night, having few Fast Pittsburgh works to the present nineteen, conducted Aida from memory, recreations, and as a principal relaxation site, one mile from the works. and from that moment directed per- the reading of poetry or philosophy. Westinghouse officials are reluctant formances instead of taking part in them about predicting the value of their Radio as a player. Honesty Pays Him Well equipment because of the fact that their own men built it, thus reducing the cost, TOSCANINI does not merely mem- IpIFTY dollars interest for honesty. and because experiments now being car- orize, he actually absorbs a score, to Pays pretty well, at least in some ried on may alter their plans and add its final detail. Thanks to an unprece- cases. Ask Clifford Jarrett if you don't materially to the final expense. It is dented synthesis of the gifts of a great believe it. known, however, that the station will mind and a naming spirit he does indeed Jarrett, formerly an usher at the Roxy embody the latest developments in the recreate the music which he performs theatre in New York who has enrolled Radio field. —recreating it not in his own image but at the Randolph Macon academy at Fort The new building is located a mile in that of the composer. Interesting to Royal, Virginia, was greatly surprised to from Saxonburg on the road to Butler. those who know the psychology of the receive in the mail one morning a hun- The site was chosen only after extensive musician's task; in Toscanini's score dred dollar check from S. L. Rothafel to surveys and tests. Important among the there are no conductor's markings. be applied to his tuition. reasons for the choice were the location Everything is clear, ordered, precise in Fifty dollars of that amount repre- on an elevated rolling land, the presence the memory, and pencil marks, for this sented a bill which the boy found at tin- of ground water near the surface, and man perhaps of all conductors, are theatre just before he left for school and no big industrial sections nearby. superfluity. turned over to the management. It is a The building which will house the Those who understand something of rule of the Roxy theatre that after wait- transmitter will be one story high in the conductor's technique realize certain ing two weeks for a claimant, unclaimed front with a deep basement which will things not apparent to the inexperienced money is turned over to the finder. The lie above the ground level in the rear. observer. They recognize the clearness, other fifty is a bonus which Roxy him- It will be similar to the building being decision, yet plasticity of the beat of the self added as a reward for the boy's erected for KYYV in Chicago, which will right arm, and the complex independ- honesty. soon be completed. ence and virtuosity of a left hand and This little incident emphasizes tin- Originally eighty acres were purch arm which mold the phrase and build truth of the old copy bonk adage ami is for the station site, but Westinghouse the climax. convincing evidence of the moral caliber has just added forty acres adjoininj When Toscanini conducts, he allows of the Roxy uniformed staff. Little that ISO acres of land are available for no breach of discipline. The absolute thing's like that make for loyalty. future development. —

52

Interesting Story of

By Dorris R. Campbell REMEMBER the "Record Boys from WjZ"—Al Bernard, Frank Kamp- lain and Sammy Stept? Who that had felt the spell of their personalities could forget their broad- casts, every period chock-full of fun? With that past master in the art of 'round-the-bush conversation, that wan- ton waster of words, the intriguing Nor- man J. Brokenshire, gracing the mike in a fashion of his own! This talkingest of announcers,—he whose gift o' gab has contributed so much fun and humor and just charming nonsense to George Olsen's dance music programs (and this band and this an- nouncer seem peculiarly and delightfully suited to each other), to the Kansas Frolickers and to numerous other broad- casts,—is, at the moment of writing, a CBS attraction. The boys themselves separated at the cross-roads some time ago. Frank, the balladist and yodler of the trio, kept to the road straight ahead; THIS studious looking chap is Clar- with the consent of the others, and with ence I. Dreisbach, director and their good wishes, he took the unit name announcer of WCBA, Allentown, with him. Perhaps you see them some- Pennsylvania. He is doing big things times in vaudeville as "The Record at this station. 250-watt Boys," but this is not the original line-up. Sammy, the pianist—and a corking one — and accompanist, occasionally THE attitude of dreamy concentra- added his own vocal efforts which were tion is doubtless induced by one for the most part hot, clippt little sylla- of the many problems which come bles, softly staccatoed, of the do-do, dut- with building up a broadcasting sta- dut-dut type and the first of their kind tion. For this is Howdy Clark, the TRUE to his reputation of offering the I'd heard. He and Al wrote many of the Howdy man and station manager of best available in every field of enter- songs they used. The last time I heard WJAS at Pittsburgh, Pa. tainment, Roxy recently presented, in from Al, who is obviously very fond of his New York playhouse and on the air, the slim, dark, good-looking Stept boy, in the hotel. He also holds a written in- a program of brand new songs. Cer- he told me that Sam was in business for vitation from the National Broadcasting tainly not the least interesting of the himself, publishing his own songs, and company." Of course, Buddy who is compositions offered were two from "doing great." I've heard since, tho, — one of these little-but-oh-my! chaps, a "Great Day," by Vincent Youmans, for that Sammy has struck the western trail Boston Bull, is quite grown up now;. his which William Rose and Eddie Eliscue along with the many other song-writers — feet no longer get in his, and other peo- provided the lyrics. "Great Day," the signed by various companies to work on ple's, way and he has acquired those gen- principal song of the operetta, was sung musical shows for the out-loud movies. tlemanly qualities which make him so by Douglas Stanbury and the Roxy male But Al . . . Al is still a record boy, the welcome at the high-hat joints. How- quartet. Ethel Louise Wright sang any way you look, at it. . He, records his ever, all dogs in the neighborhood are, second new number, called "Without a own songs, as well as others, for several — no doubt, still stepping aside " 'cause he Song." phonograph companies; he makes an oc- looks so good!" A popular man-about- Another work heard for the first time casional personal appearance at some town,—Mr. Bud Bernard,—and a real anywhere was "My Fate Is in Your theatre; he is a prominent and popular good guy. No wonder Al is proud to be Hands," a new song by Thomas Waller, NBC entertainer, scintillating brightly as his accepted pal! composer of the music in "Hot Choco- Ray, one of those wise-cracking song- lates." It was sung by Mary McCoy. sters, on the WEAF chain, known as the "Evangeline," the most recent effort Raybestos Twins, and he adds, in his from the pen of Irving Berlin, was con- own inimitable way, to the general hilar- Her Second Birthday tributed by Willie Robyn and the Roxy ity of the Dutch Masters Minstrels HANNAH KLEIN, the popular young male quartet. David Drollet and Viola (which are heard each week on the WJZ pianist of Major Edward Bowes' Philo presented to the Radio audience chain), sharing many honors with Percy Capitol "Family," recently celebrated "Dance Away the Night," theme song of Hemus. I read in Billboard that the her second birthday as a member of this "Married in Hollywood," a new effort Dutch Masters have renewed his con- well-known Radio group by being the by Dave Stamper that promises to suc- tract for one year, holding an option on featured soloist on a "Family's" Sunday ceed the "Merry Widow" waltz in popu- his services for two years, and that he evening concert program. Miss Klein larity. has refused an offer of $1,000 a week for played an elaborate concerto opus with The program further marked the re- regular personal appearances at first- the Capitol Radio orchestra playing the turn of Arturo Fillippi to the ranks of class movie houses. accompanying orchestral score. the "Gang." Fillippi had been on a suc- One of Al's newest songs is "Louisi- With Sergei Rachmaninoff, Harold cessful concert tour of the West. He sang ana Susie," and Al should know all about Bauer, Leopold Godowsky and others of Cilea's "The Narrative of Frederico," these southe'n gals, for he was born 'way equal note as judges, Miss Klein won one of the notable compositions in his down South in New Orleans and he has two gold medals in contests held by the repertory. been imitating the Negro "from so New York Music Week association—in Dancers in the Roxy Ballet Corps high," as he expresses it. He's tall, slim, 1924 she won a gold medal for sight- have been recruited to participate in good-looking, with dark hair and twink- reading and in 1925 the highest gold experiments to determine the ideal femi- ling dark eyes. Married? Yes, ma'am medal award in the open piano competi- nine type for television broadcasting. a nice guy like him would be. tion for all ages. The tests were made as a special feature He's still crazy about that puppy, Bud, Her concert appearances include reci- of the Radio World's Fair in New York. the one he and Sammy wrote the song tals at Albany, N. Y.; Philadelphia, Pa.; Those selected represent perfect types about and without mention of whom any Carnegie Hall, New York; Town Hall, of the red-head, the blond and the bru- story about Al is utterly incomplete. New York; MacDowell Club, New nette. Among the headliners Irene Mc- "Black and white, with great, big feet, York; Hotels Roosevelt and Pennsyl- Bride and Julia Diamant, outstanding and when he's dressed he's hard to beat," vania, New York; Chickering Hall, New types of brunette beauty, were pitted says the song. "My Buddy," Al, assures York; Orange and Lakewood, N. J.; against Ann Fleming and Lo Reitzig, me, "is still the outstanding pup around. Barrington, Mass., and Thetford, Vt. blonds, with Patricia Bowman, premiere He has an invitation from the Astor She was twice soloist with the Brooklyn danseuse of the Roxy, as the inter- Hotel, and he is the only animal except Choral Society and the Elizabeth Ora- mediate red-head. Tom Mix's horse, Tony, to be allowed torio Society, New Jersey. 53

(e s s at

By Lewis S. Whitcomb "WILL" DODGE, well-known to » » every Radio listener in New Eng- land as organizer and director of broad- casting orchestras, is the musical advisor in program production and conductor of various programs at WEEI. Dodge was the leader of the first com- mercial broadcasting orchestra in -New England, more than six years ago, and has had no difficulty in maintaining mu- sical leadership in broadcasting. He has been referred to many times as New England's Radio impresario. While the music of various Dodge units has been heard for the past four years continuously on broadcasts from the Boston Edison station, his associa- tion with WEEI marks the broadcasting by this station to give regular daily periods of music by an orchestra com- prising thirteen musicians. Every morning from 9:00 to 10 :0n o'clock a concert orchestra under "Will'' Dodge supplements and furnishes a background for the shopping tours of Caroline Cabot and Nan, a feature spon- sored by the "Radio wise" merchants of Boston. This hour opens with a straight concert program of twenty minutes then "Caroline and Nan," battle over the bar- gains for 20 minutes and the hour is brought to a peaceful and hapoy end with another 20-minute period of concert music. The second new feature is heard each day from 10:30 to 11:15 and consists of a daily group of old time tunes with a different title each day. For instance, "The Family Album" is depicted in mu- sic each Thursday morning and "Will" Dodge has arranged 45 minutes of music that remind the listeners of the wedding picture of Aunt Hattie and Uncle Phineas that always held the frontispiece posi- tion in the album on the parlor table. Symphonic dance music furnishes the third big feature at WEEI, heard every

" evening from 5:00 to 6:00 o'clock. In se- _ '.. fi : curing Dodge and his organization the Boston Edison station was fortunate in they call this highly decorative sextette the Co-eds is rather hard to taking intact a broadcasting group with JUST why tell, for it is that masculine. They are several years microphone experience and evident two of the members are very heard weekly in light operettas over Philadelphia. a Radio following second to none in WCAU, New England. Now for something about William E. ncludcd the leadership of the Boston Dodge. He has had a long and varied Municipal orchestra, seasons with the Helen and Ted Meet career of musical activities. At the early Philharmonic symphony under the di- age of eight he began the study of the rection of Fritz Schael, concert tours BRIGHT eyed, dark haired young violin, through no fault of his own, ex- with his own trio, engagements as direc- A woman walked into one of the cept that he seemed to have an inclina- tor of music at several of the leading W'ABC studios not long ago. looked at tion to get noise out of cats. Not always hotels of the country. He was also the the orchestra, the director, the micro- having a cat that was agreeably inclined, assistant concert master of the Boston phones and the announcer, and prepared the best substitute was a violin. His Opera company during its entire exist- to walk out again. early endeavors gave a near enough imi- ence and has played with the Chicago The announcer forestalled this when tation to satisfy his unusual propensity. Civic Opera company in its appearances he stepped forward and apologized, From then on an appreciation and love in Boston. "Just a moment. Miss Morgan," he re- for music developed. Air. Dodge is one of the few musical marked, and brought another micro- His teachers included Emil Mollen- directors able to bring the same inter- phone from the control room, placing it hauer, Jacques Hoffman, and Felix Win- esting and finished interpretation to both beside the piano. "And you should have ternitz, each well-known to symphony a classical and a modern dance music your handkerchief in your hand," he lovers. At the age of 14 he was playing program. reminded, as lie assisted Helen Morgan solos publicly and also leading orches- * * * to climb to the top of the piano. tras and occasionally assuming leader- An announcer's "day's work" in lien- The star oi Show Boat, Applause and ship of the town band in the village of mark is prodigious, according to what other Broadway Successes turned to the Natick, Massachusetts. Carl F, Schionning, chief of the micro- director and nodded toward the an- Dodge first appeared in Boston mu- phone specialists of Denmark, told the nouncer, who had retired to the other sical circles, at the age of 15, with the staff of the British Broadcasting com- side of the studio. "Who is he?" Roston Festival orchestra under the pany. Mr. Schionning begins his labors "That's 'Ted' 11 using." was the reply. direction of Emil Mollenhauer and at at 9 a. m. every day, Sundays included, "It's a part of every announcer's duty the first concert no less an artist than and on alternate days maintains activity to know as much as possible about the eminent pianist de Pachmann was until midnight, on the other days at 5 celebrities and their idiosyncrasies," he the soloist. His virtuosity made a pro- p. m. Danish announcers also conduct added, "and 'Ted' knew you wouldn't found impression and added fresh fuel auditions and rehearsals, and make husi feel at home should you try to sing any to the musical flame in the heart of the ness arrangements in connection with place but on top of the piano, and knew embrionic musician. the engagements of artists and the pro- as well you wouldn't look natural with- From then on his varied experiences grams with which they will be connected. out your handkerchief in your hand." —

averse to Radio, but he was prevailed upon to give an address through a WTIC microphone. Also of some his- torical significance is the face that Rudy Vallee—now the idol of the feminine audience—made his Radio debut from Station WTIC.

DURING its second year—1926—the Hartford station inaugurated a plan which was later adopted with great success by Walter Damrosch through the NBC chain, that of teaching music appreciation to the children of the pub- lic schools by Radio. Dana S. Merri- THIS serious man, who was then musical director of looking gentle- Station WTIC and is now a member man with the of the NBC staff, collaborated with high forehead is members of the Connecticut State De- Tom McCrae, partment of Education to conduct a the genius who course in musical education for the acts as program pupils of the schools of five New Eng- director at land states. Approximately 175,000 chil- WTIC, the Trav- dren benefited by this course, and the eller's Radio idea attracted nation-wide interest. station at Hart- During its third year Station WTIC ford, Conn. became the pioneer in another field of Radio activity which developed with nation-wide significance. The station began one night a week to broadcast the proceedings from the stage of the Fox-Poli Capitol theatre, then known as Poli's Capitol. It was the first sta- tion to broadcast professional vaude- ville from the stage. Today the Radio- Keith-Orpheum and the Paramount- Publix organization recognize the value of broadcasting and each sponsors a weekly program. In 1927, however, vaudeville magnates regarded Radio as hostile, competition. In face, performers' consistency. To quote a British lis- contracts were constructed in a man- tener in Lancaster, England, "the ner designed to prevent their appearance carrier wave of Station WTIC is by in Radio presentations. Sylvester C. lio Headquarters far the strongest of the American sta- Poli, owner of the Poli chain of variety By George M. Smith tions we have heard here, and the mod- houses, did not share this antagonism. ulation is excellent." Rather, he encouraged it. His attitude HARTFORD, Connecticut, has for made it possible for the WTIC audi- generations been known as the THE growth of Station WTIC from ence to hear Doctor Rockwell, Belle nation's insurance center. It is the an unpretentious "local" station of Baker, Eddie Foy, Bert Lytell, Theo- "home office" of half-a-hundred nation- 500 watts -to a gigantic 50,000-watt dore Roberts, Pat Rooney, Bob Mur- ally known insurance companies. transmission plant of international phy, Aileen Stanley and a whole firma- Of recent years it has attained na- scope is a story which has occupied ap- ment of other stage stars. tional significance in still another field proximately five years of broadcasting For these broadcasts James F. Clancy, that of Radio. It is the birthplace and progress. manager of the Capitol theatre and a headquarters of the American Radio Station WTIC mounted the ether veteran showman whose experience Relay league, the organization of more waves for its initial program on Feb- covered many years in theatrical enter- than 17,000 Radio amateurs in the ruary 10, 1925. During that first year prises in both the United States and United States. it completed almost 700 hours of broad- Canada, was drafted for the role of It is also the home of Station WTIC, casting, utilizing a total of 19 remote announcer. His descriptions of proceed- one of the half-dozen "Big Fellows" of controls. One of these was at Yale ings on the stage and in the pit, to- Radio broadcasting. With its booming university in New Haven, which is gether with his intimate back-stage gos- signal strength, Station WTIC is serv- some 40 miles from Hartford. sip, won him a large following among ing the entire nation, and is capable of In the first two years of its his- Radio devotees. He later became man- sending entertainment almost around tory it become increasingly evident that ager of Station WTIC, and today heads the globe. the Hartford station intended to grow the WTIC studio staff. Station WTIC, operated by The Trav- into an institution of more than local Since 1928 the nation has looked to ellers, familiar to millions as the larg- importance. During that period it Station WTIC for the broadcast of one est multiple-line insurance organization broadcast several events of national im- of America's most colorful and thrill- in the world, transmits its programs on portance. President Coolidge, Secre- ing sports events, the annual Yale-Har- 50,000 watts from a plant which is the tary Hoover and other members of the vard regatta on the Thames river, near last word in the mechanics of modern cabinet (including Davis, Jardine and New London, Conn. Acting as key- broadcasting. Its transmitter bears Mellon) Chief Justice Taft and Vice- station for the NBC chain, the Hartford the number "One," being the first of President Dawes, were among the station each year installs a system of its kind manufactured by the Radio celebrities whose messages were trans- Radio and telephonic connections that Corporation of America. It is the mitted to the public from the antennae covers the entire course of the race. model after which the transmitter for of Station WTIC. Shortly after its More than 60,000 feet of telephone wire the proposed national station in Rome second anniversary, in 1927, it served was used last June to facilitate the is being constructed. a nation-wide network by hooking up broadcast. Approximately 100 Radio Although it is the primary principle with the National Broadcasting com- and telephone technicians, under the of Station WTIC to be "the Voice of pany for a broadcast of a Chamber of supervision of H. M. O'Neill, plant man- New England," and to give the Eastern Commerce meeting in New Haven, at ager, and J. Clayton Randall, plant States consistent service, Radio column- which Secretary Hoover was the prin- engineer of Station WTIC, installed the ists of newspapers scattered throughout cipal speaker. Walter Johnson, WTIC's connections through which five stellar the country assert "it comes in like a first announcer, had sole proprietor- announcers stationed at points of local" practically everywhere. There ship of the microphone for this chain vantage along the four-mile stretch nar- is not a state in the union nor a do- feature, an honor never before accorded rated eye-witness accounts of the con- minion in Canada in which the station an announcer not directly affiliated with test. The announcers were Graham Mc- cannot be heard. Early morning broad- the NBC. Namee and Paul Dumont of the NBC casts are received regularly in Aus- In the light of events which have staff, James F. Clancy, Paul Lucas and tralia, New Zealand, Hawaii and other transpired since that time, it is inter- Walter Johnson of WTIC. Nine oper- islands of the Pacific. To the East, out esting to note that John Philip Sousa ators and three engineers manipulated across the Atlantic, the station's weekly made his first broadcast from Station the controls for this broadcast, one of programs are heard with remarkable WTIC. In those days he was much the most spectacular of the year. —

55 ^outh Boasts Historic Site

FIRGINIA'S VOICE, first big station in the Old Dominion, stands on site of Civil War battle near Richmond. It is historic in location, sentiment and many features on its Daily Program of Broadcasts.

"yiRGINIA'S VOICE," the first big V broadcasting station in the Old Dominion, is on the air with a new plant boasting five times its previous strength. Historic in location, sentiment, and in many features on the program, the transmitter of WRVA stands on the site of the Civil War Battle of Seven Days, at Mechanicsville, near Richmond, Vir- ginia. The studios are on Main street, known to Pocahontas as an Indian trail; the same street up which Benedict Arnold and his British soldiers and, later, General Weitzel and his Union soldiers marched. Long ago the site was familiar to Colonel William Byrd, the founder of Richmond, and ancestor of Commander Richard Byrd. It was known to Alexander Tardy, the pirate, and to Edgar Allan Poe. Libby prison stood near the location of the present studios and St. John's church, famous HARRY O. NICHOLS of WREC at the console of the giant studio organ of for Patrick Henry's "Liberty or Death" "The Voice of Memphis," down in Tennessee. speech, is a stone's throw away. Past the hill where the tall towers now new Virginia and the South. The stand at Mechanicsville, the confederate new voice from those that the distant IS soldiers of Robert E. Lee marched towers listeners hear will in it, hope, against the forces of General George B. have we the ancient spirit of Cavalier Virginia McClellan in 1862 when the Seven Days courteous, romantic, adventurous, hos- battle began. General Lee is said to have sets within the radius of pitable." RECEIVING had his headquarters near the site of the service of WDBJ, Roanoke, Vir- "Virginia's Voice," owned and oper- WRVA transmitter building. ginia, are revelling in at least eight hours ated by Larus and Bro. company, began "In soil which was soaked with the a day of programs from New York in October 1925. Until the fall of 1928 blood of Americans in mortal combat we these days, for the Richardson-Wayland it was a strictly non-commercial station. have built the foundations of what we Electric company, operators and owners Since then it has accommodated numer- believe will be an agency of peace and of the station, have signed up with the ous chain programs and has acted as an understanding forevermore," said C. T. Columbia Broadcasting system. For the advertising medium for Virginia Lucy, station manager, on the occasion many past year a few programs have been business concerns. More than 15,000 of the dedication ceremonies. "From used from the CBS studios, but Roanoke persons have performed from WRVA these towers Virginia will send out daily now boasts a full time arrangement. under the slogan of "Down Where the messages of welcome to the world. The In May. 1924, Station WDBJ started South Begins," the station which uses tourist who pauses in his study of the its first broadcasting on a transmitter as its signature "Carry Me Back to Old worst battles in the war between the having 20 watts. This first station caused Virginny." Approximately 100 Virginia states will look upon a symbol of the much interest locally at that time. A communities have used the station's fa- little later the station was rebuilt to cilities, been and the programs have operate on 50 watts; then again Station heard in every state in the Union, the WDBJ was increased to 250 watts, on greater portion of Canada, and in Mex- which power it has been operating for ico, Honduras, Rico, Bermuda, Porto some time. Virgin Islands, Australia, Zealand. New WDBJ now has an entirely new sta- Among the popular features at tion with all operating machinery and WRVA are: the music of J. Harold antenna located on top of the Shenan- Lawrence, the blind musician; the ad- doah Life Insurance company building. dresses of Dr. Douglas S. Freeman, the The present station operates on 500 editor of the Richmond News-Leader watts. and one of the foremost authorities on One of the special features of the the history of the South; talks and songs transmitter of WDBJ is 100 per cent by Holland R. Wilkinson, the "Sunshine modulation, which makes it possible to Hour Man"; Negro spirituals; and the cover the same distance and produce Corn Cob Pipe club. signals as loud as a station having twice the power and using the ordinary dc WJAX Band Popular of modulation. The present station is capable of oper- THE Hotel George Washington or- ating on 1.000 watts and is readily chestra directed by John Lucy has adaptable for use up to 5,000 watts when been one of the most consistent broad- permission is granted. casting units ever to put out a program The present station has been on the over WJAX at Jacksonville. Fla. air since March 18 oi this year, and dur- Their schedule calls for three luncheon ing that time has drawn letters from and five dinner programs each week and practically all sections of the country. this schedule has boon continuous since The staff personnel of WDBJ is the summer of 1928, They grind out follows: F. E. Maddox, manager and HERE is Harry Stone, assistant some snappy dance stuff and are highlj technician: R. P. Jordan, program direc- director, announcer and chief popular both with the George Washing- tor: f. Virgil Huffman, announcer;

high mogul of the microphones when ton diners and the Radio listeners. Robert Avery, associate technician: .1. the boss is away, down at WSM in Randolph Mai handles the warbling in- Hayden Huddleston, operator; R. C. Nashville. Harry is quite a lad, in terruptions. Wolfenden, associate operator; Chas. E. spite of his serious expression in this This aggregation also does the music -. announcer: 11. K. Painter, Morse picture. on the Burwell Motor broadcast. telegrapher. 56

'INCE WBT moved into its new studios at Charlotte, N. C, a full studio orchestra has been maintained which, as a unit t or in parts furnishes the sustaining programs. The station is under the management of Earl Gluck, with Donnell O'Connor as program director and Fritz R. Hirsch as chief announcer.

the taking over of which by the Buick s Motor company made necessary the re- Recalls the Old Days moval to new quarters. HARRY STONE, Assistant Director Officials of the station state that equip- of WSM in Nashville, who dates the ment and facilities have been so rounded beginning of his Radio career back in DEDICATION of the new studios of out that it is second to none of compar- 1922, likes to look back on those 1 days Radio station WBT, located in able size in the country. occasionally and recall the many and Charlotte, N. C, was made recently WBT is a member of the National varied experiences which were the when installations were completed in the Broadcasting company network and has foundation for his training in Radio. Wilder building a new and modern been evolved from one of the pioneer A so-called "hay-wire" transmitter, office structure centrally located. The stations of the world. A full studio homemade microphones, tents for stu- 5,000-watt transmitter operates near orchestra is maintained which furnishes dios,, sometimes ten and twelve hours' Pineville, eight miles from the city. the sustaining programs. The station is workto broadcast one hour, fan mail by Until recently the station was owned managed by Earl Gluck, with Donnell the thousands on a single program, and by the former C. C. Coddington, a motor O'Connor as program director and Fritz all the while paying money out of his own car distributor of national repute. Mr. R. Hirsch, chief announcer. pocket to get to do it. It is no wonder * * * Coddington's death made the transfer then that he tells you that he is in Radio of the station tq.new interests essential, Pauline Haggard, NBC soprano, has today because of the love of the game. and it was recently reorganized as sta- her own "mike" technique when she And, he adds, there are none of us sorry tion WBT, incorporated. The studios sings sentimental songs. She pretends that those days are gone forever. were housed in the Coddington building, the mike is "him" and flirts with it. Harry knows quite a little about all phases of broadcasting from the techni- cal side through the business side and his announcing is one of the features of WSM. His work at the Nashville sta- tion has had much to do with the wide popularity it has achieved with the Radio audience. * * * The Bok Carillon at Lake Wales, Florida, which is the only thing of its kind in Florida, is to be heard on regular schedule over WFLA this winter. The tov^er is located almost 75 miles inland from the WFLA towers, and the weekly hookup over the Radio will give the list- eners a timely treat.

WFLA—won new honors for summer broadcasting when a postal card was received from a listener in Washington state, who described himself as a fre- quent listener in spite of static. * * * Harry Reser, leader of the Clicquot Club Eskimos in their weekly broadcasts over the NBC system, has been elected a fireman of Merrick, L. I., where Reser lives. The Eskimo chief says he's not sure yet which end of the hose is the nozzle—being too busy giving banjo lessons to the rest of the volunteer fire company. * * * Due to its rapidly increasing staff and number of entertainers, the Columbia Broadcasting system has taken over an- SACRED music is the specialty of this quartet, heard from WSM, Nashville. other floor in its new building for its Front left to right stand Ovid Collins, baritone; Christine Lamb, contralto; exclusive use, despite the fact it was Margaret Rich Ackerman, soprano, and George Nevins, tenor. Seated is Miss thought ample provision for everyone Frank Hollowell, accompanist. This talented group is on the air each Sunday had been made when the building was evening from the Tennessee station. occupied a few weeks ago. 57

IDEAL location for a broadcasting station, or almost anything else for that matter, is the Wonderful Isle of Dreams, site of WIOD. Just outside the limits of Miami and Miami Beach, Florida, towers 250 feet high shadow the beautifully designed buildings of studio and transmitter.

has a mighty sweet golden voice. New Talent Is Aim Blanche Cloyd first came to the atten- in Used tion of the regular WFLA staff at Clear- of WJSV Stunt water, Florida, when her soprano voice at won that station's Golden Voice audition DEVELOPING new talent for broad- contest. The result was her appointment By Donald Burchard stations that is really cap- casting as a regular staff member. Her musical providing while entertain- its fourth birthday, able of worth education was attained at Louisville CELEBRATING WSM presented an anniversary pro- ment, and which is "mike wise," is Conservatory of Music and Chicago Mu- gram that will live long in the minds of something of- a problem. WJSV at sical college. Washington, D. C, has evolved a plan the listening audience. Five southern Miss Cloyd is best known to the Radio stations joined in the festivities called the for bringing local talent not engaged in audience in her character sketches. In Gold-Filled chain. Those included in the Radio work before the microphone. addition to her regular studio work she broadcast were WSB. WMC, WAPI, .Each Saturday evening anyone desir- has made many personal appearances as and WSMB, besides the birthday station ing to be heard over the air from WJSV a soloist in the open air aggregation for itself. is given an audition. A committee hears the entertainment of the tourists. all prospective entertainers, and the first The reason for the trick name of the few evenings brought forth a wealth of- hookup is twofold, the principal one soloists of every variety, musicians and being that the program was a burlesque readers who had never broadcast. Wonder Island of of chain broadcasting, filled with good- feature emphasized natured hokum about the various pro- Another by WJSV Is is an undenominational church service Breams Real Dream grams which are heard regularly each broadcast each Sunday morning at 11 WONDERFUL Isle of Dreams — week through a network of many sta- o'clock. These services include scrip- that's the slogan of WIOD, down tions across the continent. ture reading, -singing of the old Gospel at Miami Beach, Florida, and if ever a Phillips Carlin, celebrated National hymns by a choir of twelve voices, and slogan was borne out by reality that of Broadcasting company announcer, Leo an inspirational sermon by a prominent this southern station is an inspiration. Fitzpatrick, "The Merry Old Chief" of evangelist. Not only is the island, which is just out- WJR, Detroit: Lambdin Kay. "The Lit- Orchestras, trios, old time fiddlers, side of the city limits, an ideal spot for tle Colonel" of WSB, Atlanta, Georgia: sopranos, contraltos, bassos, tenors, bari- a transmitter, but a spot of rare beauty Walter Campbell of WAPI, Birming- tones, watermelon, roasting ears, lemon- besides. Special buildings in the south- ham's excellent representative of the air; ade, hot dogs, tennis, kilocycles, grand ern patio style are grouped about the and Bucky Harris, of WMC. Memphis, masters and old time square dances—all towers which stand 2">0 feet high in the left their microphones to take part in these were gathered together in one spot center of the land. the festivities which originated at WSM when WJSV went on a picnic at Mt. Situated as it is in the heart of a beau- on October 5. Clyde Randall of WSMB, Vernon Hills, near Washington. Enter- tiful tropical setting, the headquarters New Orleans, on account of a heavy tainers, their families, their friends, their building is considered one of the most schedule was not able to be present. friend's families, and notables from the beautiful Radio buildings in the country. In addition to the guest announcers legislature and judiciary, it was quite a \n unusual design for a studio or trans- who took part in the program, several gathering and a large time was had by mitter, a Spanish court is featured. of the outstanding musical organizations all. This was really several months ago. The main studio of WIOD compares of Nashville added their able support. but they are still talking about it. and favorably with those of the largest cities The National Life and Accident In- everybody says it isn't too early to start ill the country. The ceiling is twenty surance company's station was repre- promoting another big party for next feet high and space is adequate to pro- sented on the air by members of its year. vide for a thirty-five piece symphony own staff, including George D. Hay, orchestra. It has been acoustically "The Solemn 01' Judge." director and treated to provide the best broadcasting announcer, and Harry Stone, assistant Voice Dixie Product conditions. director and announcer. MANY years ago, but not too many Jesse 11. Jay is the announcer and di- * * * at that, a Kentucky girl migrated recting manager of this Isle of Dreams Bobby Tucker has been retained as to Florida, Whether the state of Colonels station. With such an inspiring situa- staff pianist in the studios of WFLA. or the more southern state is to got the tion it is no wonder that Mr. Jay has Bobby has the distinction of being one credit is a question, but at any rate Miss developed bis station to such a high of the youngest musicians in such a Blanche Cloyd, the person in question, point of service and entertainment. capacity. —

58 Specialists for Radio Central RICKED Men Behind the Mike at World's Largest—NBC Chicago Studios

THE men behind the men behind' consequently is now the music authority the microphones who will be respon- of the Windy City studios, and Ber- sible for the efficient operation of the nard's most capable assistant. world's greatest broadcasting central George Redman, continuity editor, is the new studios and offices of the Na- an Illinois product who polished off his tional Broadcasting Company in Chi- writing ability at Illinois Wesleyan Uni- cago—are all specialists in their respec- versity and won his first prominence by tive work. contributions to newspaper columns. Niles Trammell, vice-president and His friendship with Richard Henry Lit- manager of the Chicago division of the tle took him to WGN soon after he had NBC who will head the organization in written "finis" on his college days, and its new headquarters, is a veteran in the from there he came to the NBC a year Radio industry. Born and reared in ago last June. His ability to use the Georgia and educated at the South's fa- King's English and a typewriter won mous institution, Swanee, he joined the him praise from the program manager Radio Corporation of America soon and before long he was writing continu- after the World War and at the time of ity for all of the shows out of Chicago. his joining the NBC was their Pacific He is now writing the notable Empire Coast sales manager. In May, 1928, he Builders program from material he was chosen M. H. Aylesworth, gathered this during RECENT addition to staff of by presi- summer a month's dent of the National Broadcasting com- tour of the Northwest and Puget Sound A KOIL, Harold Fair is announcer pany, country. and program director. His musical as manager of the Chicago divi- In experience includes theatrical work, sion. So noteworthy was his work and charge of the Chicago Press Rela- broadcasting, composing and playing so great has been the progress of the tions department is another Illinois Chicago division under his Wesleyan man Albert R. Williamson with various dance orchestras, in- management — that early in 1929 editor-in-chief cluding recording for Victor. he was named a vice- —who was of the school president o'f his company. paper when Redman was business man- Don Bernard, program manager for ager. He is a veteran newspaper man, the Chicago division, the man who is re- having been trained on the famous s sponsible for the high type of Radio pro- Bloomington Pantagraph, edited a coun- ductions that have established Chicago try_ weekly, learned metropolitan jour- on Staff at KMOX as one of the foremost program originat- nalism on Mr. Hearst's evening paper in ing centers in the country, is a product Chicago and then managed a group of new announcers, A. Russel TWO of Ohio. When but a boy he came to press association bureaus before joining C. Combs, Walker, Jr., and Homer Chicago and made his professional de- the NBC. have joined the staff of KMOX. Walker, but as a singer and violinist in motion The sales department in Chicago is who will be night announcer, succeeds picture theatres, and his Radio debut headed by I. E. Showerman, Chicagoan, Curtright, has resigned to Gale who over KYW, the Middle West's pioneer University of Illinois product and a enter the newspaper field, and Combs broadcaster. Later he became manager thorough advertising man, who knows will serve relief announcer. as of a station in Columbus, Ohio, and advertising and especially Radio adver- Both Walker and Combs served as an- from there went to the NBC in New tising from A to Z. nouncers during the Lions club Better York. He is a finished musician, a fine The newly organized Chicago division Baby Show broadcasts over KMOX, showman and a good executive. of the National Broadcasting and Con- and become regular members of the now Howard Luttgens, division engineer, cert Bureau is headed by Alex Robb, a staff. is a typical product of the Radio indus- showman of the old school, who was re- Graduating from Cleveland High try. He is young, efficient, a product of sponsible for discovering Radio's most school in 1925, Walker attended Wash- eastern training, and one of the most famous comedians, Amos 'n' Andy, and university for years, since ington two and capable young engineers in the country. putting them on the high road to suc- that time has with the been connected He was sent to Chicago from the New cess. His experience has been long and Superior Hardwood Floor company and York studios of the NBC and in less varied and his fine work known to al- the law firm of Strubinger and Tudor. than two years has handled some of the most everyone in the field. has active in the the * * * He been work of most difficult engineering assignments St. Louis of Junior Chamber Commerce. possible with the highest possible credit. It's always fair weather in the studios Combs is a teacher of science at the He is responsible for the good transmis- of WBBM since Harold Fair arrived to Webster Groves High school, coming sion and quality of programs from Chi- join the announcing staff. Harold is ex- from Georgetown college, where he at- cago, and has won the praise of engi- perienced, capable, a fine pianist, and a college tended and was instructor in neers in the highest circles. general all 'round good Radio man. He biology. While at Georgetown he was Frank E. Mullen, director of agricul- came to WBBM from KOIL at Council a of the glee member men's club and a ture for the NBC, has his headquarters Bluffs, Iowa, where he was chief an- member of the champion male quartet with the Chicago division and is the man nouncer and director of studios. Under of Kentucky. the latter title * * * responsible for the nationwide transmis- comes timing of pro- sion of agricultural programs. His work grams, checking continuity in much the Using the weather forecast to decide with the National Farm and Home hour, same manner as a proofreader in a what dress to wear each morning is one in co-operation with the United States newspaper office. Versatility is the word of the unique services of according WLS, Department of Agriculture, and other in an announcing staff, and Harold to a listener at Durand, 111. The two notable broadcasts of infinite value to has "it." girls of the family listen to the 6 a. m. the farmer, has won the acclaim of far- report from before finishing WLS their mers and agricultural experts in every The artists who appear before the dressing for school. As they ride five part of the country. He is a product of microphones of the WBBM Air Theatre, miles on horseback to school each day mid-western farms and agricultural col- Chicago, have an added incentive for the forecast for rain or fair weather is leges and has been in Radio since its making perfect broadcasts. If letters are especially important in determining what inception—first as a Radio editor on ag- received from the audience about a per- to wear, the girls said. ricultural publications, and then as a former's work, he or she is summoned * * * broadcaster and director of Radio activi- to appear before the court which will' be Activity is the _ key word at WBBM ties. held every Thursday night at 10 o'clock. since Carnival time arrived. Every other J. Oliver Riehl, music supervisor, is Pat Flanagan, the tough old Irish judge, Saturday from 9:00 until 10:00 P. M., the another Chicago division man who has presides on the bench, and he hands carnival broadcasts. You would have an been in Radio since its earliest days. He down severe sentences to artists found added treat if television were national, is a Pittsburgh product and joined guilty of misdemeanors on the air. In- because you could see the dancers, the KDKA soon after the war because Ra- stead of working out the sentence on the trained seals, the horses, as well as see dio fascinated him. He has never been rock pile, however, the artists are put and hear the Bally Hoo artists. able to throw off the fascination, and to work before the microphone. 59

THE SHOWERBATH WHEEZE being put into action by Pudd'n Rice of the Maple City Four. These four boys specialize at WLS on trick arrangements of songs. Helping Al with his tin flute and rubber hose are: Pat Patterson, Art Janes and Fritz Meissner, some singers.

coln period have been combed by Ray- Life of Lincoln on mond Warren, author of the series, in search for accurate historical material. Although possessing one of the out- iram standing collections of Lincoln books RADIO biography of Abraham Lin- and objects in the country, Warren, a WHK IX its programs for the Win- A coln is being unfolded in a series of prominent Chicago author and artist, has ter season will bring to its audience weekly dramas, "The Prairie President," searched in many states for anecdotes the best to be had in dance music. The broadcast by WLS, Chicago, each Fri- and sidelights of human interest on the broadcasts of Kay Kyser and his orches- day evening at 8 ::'.() p. m., CST. great president. tra are from the Bamboo Gardens. This The picure of Lincoln's pioneer family, Many months were spent by Warren band originated at the University of their hardships in Kentucky and migra- living with old settlers in the Middle North Carolina during Kyser's senior tion to Indiana and Illinois forms the West who knew Lincoln personally. year. All of the members of the band first part of the biography which began From the author's home town, Hanni- graduated from the University a year November 1. Week by week the WLS bal, Mo., came anecdotes and stories of later and came North to New York broadcasts trace the life of Lincoln. The Lincoln who often visited the river town Gity where they were featured by the "rail splitter" as a youth in the Middle when a young Illinois lawyer. Cor- National Broadcasting company. \\ bile West, as a promising lawyer, as the sol- respondence with other students of in the East they also made recordings dier, the town philosopher, and finally Lincoln resulted in a wealth of material for Victor. The band consists of twelve as the president of the LT nited States to use. Authentic programs of cere men and their instrumentation includes passes before the WLS microphone in a monies and meetings where Lincoln ap- two pianos with both their brass and sax variety of dramatic episodes. peared have been used to construct the sections doubling on many novel instru- • Through the trials and events of Civil individual dramas. Campaign songs, war ments. War Lincoln's life will be followed until songs, and old folk tunes handed down Lines are being installed in the Picca- his tragic assassination at Ford's theatre from the Civil War days will appear dilly for the programs to he played by in Washington. Interwoven with the frequently throughout the series. Mickey Katz and his orchestra. No thread of Lincoln's life is the story of the The biography on the air is to be sup- introduction need be made of Mickey American people and their customs, plemented by a complete book of the Katz, for he is one Radio artist whose home life, and their work during past series which will be published at the con- name is on the lips of everyone. decades. Because of the immense clusion of the broadcasts. Sammy Watkins and his orchestra will amount of material available the biog- * * + continue on the program of WHK. The raphy will extend over two years of \ middle-aged woman with an urge to remaining dance hands on schedule will broadcasting, leaving no gap in the con- do something applied at NBC recently continue to he I'd Pay and his Bedford tinuity of the Great Emancipator's life. for a place on the programs. Glens Orchestra: Stubby Gordon and his Documents, books, pamphlets and old "What can you do?" she was asked. Orchestra from Victors and Treg Brown newspapers contemporary with the Lin- "Bake and sew," she answered. from the Chili Madrid. 60

MORGAN L. EASTMAN, manager of WENR, has started something. This time it is a theme song for each day of the month, an innovation in broadcasting technique. Inaugurated in October, the theme song for each day of the month is the same. In other words, if Ben Bolt is the song for the fifteenth, it will be repeated on the same day of the ensuing month, and the fifteenth of succeeding months. The audience will be asked to select its favorites and ultimately the themes will be made up entirely from requests of the listeners. During the period of the broadcast, the theme selection will be played from ten to fifteen times and each time with a different musical ar- rangement. Thus far twenty-four ar- rangements of the same number have been worked out by a committee com- posed of Mr. Eastman, Howard Neu- miller, musicaldirector; Everett Mitch- ell, chief announcer, and Gale Swift, assistant manager. These range all the way from full orchestra to vocal solo. Among the selections that have been chosen thus far as theme songs are: Last Rose of Summer, My Old Kentucky Home, Annie Laurie, Auld Lang Syne, When Irish Eyes Are Smiling; Alice, Where Art Thou', Silver Threads Among the Gold and Annie Roonie. The station's listeners have been asked to give their opinion of the innovation. The idea came from Harry Lawrence, as of KNOWN one the outstanding singing trios of the air, the announcers staff continuity writer and author of trio of WMBI is listened to in thousands of homes throughout the nation. "The Smith Family" sketches. Loveless, program director, is a versatile man, singing tenor, playing the organ, * * * as well ^as arranging the programs. Hermanson, also a minister, sings baritone, Over a hundred—that is the record is also a handy man at almost anything in the studio. King, in addition to his boasted by the Smith Family sketch, ability as announcer, renders vocal selections and sings bass in the trio. program feature at WENR. This total includes 90 original plays and ten repeat performances. All of the plays were King Taste Trio written by Harry Lawrence, staff con- TALK about lucky breaks! The three tinuity writer, and were given by WENR boys who sing as the King Taste players. The last forty or more of these Trio at WLW certainly had theirs. Bill were under the direction of Lester Lu- MUSICAL MELANGE, a program Hibbs, Johnny Free and Vic Armstrong ther. fashioned of the most delicate were three high school chums in Ulrichs- works of the masters, now appears ville, Ohio, harmonizing around any old weekly under the baton of Gaston du piano that happened to be handy. In- Moulin, conductor of the WGN Sym- spired by local acclaim, they set out and phony orchestra. It is a Sunday after- made a tour of small Radio stations noon concert, maintaining the dignity of around Ohio. the Sabbath. Assured by their Radio appearances, Announceinents will be of the instruc- they picked out a day to attempt the big tive nature, give biographical notes on Crosley station in Cincinnati. What a the composers as well as the circum- day! The one day when the sponsors of stances under which the work was done. the King Taste Night club happened to The WGN Symphony orchestra is one be at WLW. The sponsors heard the of the largest and most complete concert boys sing. They liked them. They organizations performing for the Radio hired them as exclusive entertainers for exclusively. Most of the musicians are their program. Commercial contracts, men of national and international reputa- by the way, are the most coveted, be- tion. cause they pay the most. Pat Earnes, chief studio announcer of Now Bill and Johnny and Vic have WGN. Chicago, first tried his hand at moved to Cincinnati. They sing once the drama in productions of the silver every week on the King Taste Night screen. That, of course, was in what he club and they do nothing else. Pretty refers to as the "old days," before the soft, yes? days of the celluloid. They should be called the Lucky Pat says that on their small sized lot, Three after that experience. they were engaged in making sports pic- * * * tures. They covered baseball, football, A feature that became popular during swimming and tennis. All of them had its first presentation has been scheduled plenty of action. Finally, however, they for regular broadcast over WENR. It came to fishing. They were stumped. is known as the "Musical Memory Al- Their pond was empty. The fisherman bum" and is to be heard each Sunday sat still. The cameraman ground. The afternoon at 4:40 p. m. central standard flies buzzed, but no action. No sex ap- time. The idea was worked out by peal. Just a man in a boat, inspecting his Everett Mitchell, chief announcer, and contented worm at regular intervals. Howard Neumiller, musical director. CLARENCE KOCH, chief an- Ah! Pat the original to the rescue! During the broadcast, the musical com- nouncer of KFEQ, has been with He dived into a trunk and produced a positions of a well known composer, the St. Joseph, Mo., station for nine couple of hundred feet of some dancing who may or may not be alive at the years. One of the original organizers nymphs. They had the fisherman doze present time, willbe given. Each broad- of the station, Koch's enthusiasm off, and hitched up the nymphs for a cast, however, will be restricted to the and ability have been instrumental in dream, and their fishing shot was done. one composer. developing its resources and service. 61 Milwaukee Diners

DINNER hour in Milwaukee has taken on an added attraction—some- thing more than the rather prosaic process of stowing away food. For WTMJ, the Milwaukee Journal station, is broadcasting a program called Around the Dinner Table. This feature is on the air every evening from 6 to 7, except Wednesday and Thursday, when the time is shortened. On Wednesday it is from 6:30 to 7, and on Thursday from 6 to 6:30. Glenn Welty, who has recently joined the WTMJ staff as head musical ar- ranger and conductor, personally directs the 18-piece symphonic orchestra which plays during the Around the Dinner Table hour. Mr. Welty, one of the most successful of the old school of legitimate musicians who have been able to adapt classical standards to the new trends in musical mediums, is well known in Wisconsin musical circles. For six months he was engaged in arranging material for Gene Goldkette's Studebaker hour, a National Broadcasting company program. He is known as a theatre musical director, vaudeville headliner and coach of the Milwaukee Athletic club orchestra. The repertoire of the Dinner Table feature is varied. With specially arranged orchestrations of jazz as a nucleus, it also includes semi-rhythmic and purely classical numbers. The wide range in types of music to be played calls for a great diversification in musicians and instruments. Among those who compose the or- chestra are Frank De Bona, Chicago harpist, and Frank Uyvari, accordion player who was formerly a member of Arnold Johnson's and Frankie Cortell's orchestra and of Paul Whiteman's col- legians. * * # Eighty different kinds of Radio fea- tures crowded into a ten-minute program was the stunt put over by WENR in its Radio Manager's Nightmare. The pro- lulling music of the Hawaiian Trio is one of the most popular features duction was so intricate that it required SOFT swish skirts their very three rehearsals and the presence in the of WMBD. Everything except the of Hula goes into this team. studio of every person on the staff. realistic and tuneful melodies. Van Dyke, Hoyt and Weber compose

s re SYMPHONY music as rendered by the PEORIA, that Illinois city of vaude- symphony orchestra at WEBC has ville gags and jokes of various na- achieved a widespread popularity. Un- tures, did at least one thing for the der the direction of Foca di Leo, this world when it was the scene of the birth group of musicians is one of the most of Marian and Jim. Jordan is the last popular organizations at the head of the name, in case you didn't recognize this Great Lakes. Maestro di Leo, as mu- famous team from WENR. Chicago. sical director of the Voice of the North, Jim has been an entertainer all his life, conducts many other programs, among except for a short spell when lie tried which his Floorwalkers is most prom- the selling game. Always something ol inent. He is recognized the country a song bird, he studied and became pro- over as a musician of rare ability. He ficient under the tutelage of E. Warren was engaged by the station last year, K Howe at the American Conservatory having come directly from Naples, Italy. of Music. Me has sung over WIBO, * * * WBBM, WGN and WENR. Doing new things with old instruments Marian is something oi an old stager feature the informal WLS programs. too. With her husband she was at least Among the queer combinations listeners one-half of the team known as the Jor- hear are jewsharps twanging away with dans in a vaudeville skit. She studied pipe organ and piano: the old fashioned music at Runnell's School oi Music. dulcimer accompanied by mandolin; Peoria, and later at the American Con-

Pudd'n Rice of the Maple City i with servatory of Music. his fantastic invention, the "Showerbath The Jordans got their start in broad- \\ heeze," made out of a tin flute with six ing one day when they were visiting

feet of rubbing tubing. .it \\ I BO. Dared to sing in front oi the THIS diminutive young lady, Mar- * * * microphone they scored an immediate

garet Starr of WTMJ, is an au- i )ne announcement on the W I S success and have been at it ever since. thority on fan mail. Her daily organ National Barn dance about how the gang * * * program over the Milwaukee station would like to hear from all the "Nells Ted Weems and his hand have the brings in more applause than any who listen to Bradley Kincaid sing "Give rhythm and cadence that make you roll other feature. Black hair, dark eyes, My Love to Nell" resulted in 38 separate hack the rug, yank grandpa off his couch and 95 pounds of It—That's Mar- and distinct members of the "Nell" fra- and trip the light fantastic. WBBM has garet Starr for you. ternity writing in. signed th-"i up for the winter. RAMBLING, rambling, over the dancing floor, to paraphrase rather crudely an old favorite, is the business of this exceed- ingly attractive band at KMOX. And they call themselves the Ramblers, at that.

many listeners throughout the corn belt. Morning hears the voice of Announcer Bill Abbott and assistants in a series of household programs, recipes, sugges- on Columbia Chain GREAT things are transpiring down tions as to family budgets and market NEW and modernized throughout, and at station WMBD in that city famed reports. Early afternoon is given over boasting a hookup with the Colum- in vaudeville wisecrackery, Peoria, Illi- to commercial announcements inter- bia Broadcasting system, KSCJ, the nois. spersed by numbers by a dance and Sioux City, Iowa Journal station, is The announcer's voice wafting to symphony orchestra and studio staff again on the air after having undergone thousands of listeners throughout the artists. In the evening artists from Pe- a thorough renovation. Neither time nor Central West, and signing off with the oria and surrounding cities combine in effort was spared in equipping the familiar appellation, "WMBD on the an attractive series of numbers. Journal station with the latest transmit- World's Most Beautiful Drive," comes ting apparatus, a new location for the from a new, luxurious and spacious \gain on plant and many other new features. studio installed on a lavish scale in the Although KSCJ is still operating on Mayer hotel in the heart of the down- DR. FREDERICK STOCK and the 1,000 watts, new features have made it town business district. Substantial im- world famous Chicago Symphony possible to concentrate the waves in such provements have been made in the trans- orchestra is again on the air this year a fashion as to make for better recep- mitting equipment at Peoria Heights, in- under the sponsorship of the Standard tion. It is estimated that the distance at cluding a lofty pinnacle of a broadcast- Oil company of Indiana, through the which the station's programs may be ing tower, and the winter will see more NBC chain. heard is at least trebled. pretentious commercial recognition on Because of the enthusiastic reception Special events, music, sermons and the part of industries in which this sec- accorded the famous musicians last year, other programs from 21 different points tion of the country abounds, than ever when they consented to broadcast for the in Sioux City can be broadcast by re- before. first time over a wide network of sta- mote control over the Journal station All in all, the station appears to be on tions, Dr. Stock decided to accept the now. the threshold of a deserved expansion. invitation to give another series of. con- The studios, remodeled and re- The new studios have already attracted certs this season. equipped, remain at their old location in such stellar Radio lights as "Uncle Bob" The hour of truly great music, under the city. New equipment has been in- Walter WnVn, of KYW; Charles Cor- the personal direction of Dr. Stock, is stalled throughout, assuring a more even rell, the "Andy" of the famous "Amos broadcast 2:00 to 3:00 p. m., Central quality of transmission. In announcing n' Andy" team of WMAQ; Quin Ryan, time, each Sunday afternoon from the the tieup with the Columbia system, the of WGN; Howard Nuemiller, musical Chicago NBC studios. directors of KSCJ plan to use only the director of WENR, and other artists of Acclaimed by music critics both in best of the chain programs at first, but equal prominence. The guest register America and abroad as one of the finest later on will use more and more of the of the attractive new quarters of the musical organizations in the world, the Columbia programs until all of the offer- Illinois station reads like a Radio "who's Chicago Symphony orchestra has estab- ings are re-broadcast. who?" These have declared the three lished a firm place in the hearts of In addition to the feature services, new broadcasting rooms, their equipment American music lovers, and last year KSCJ continues to broadcast exceptional and expensive furnishings on a par with won nation-wide praise for their series programs of entertainment provided by metropolitan studios of Chicago, New of Sunday concerts under the same regular KSCJ entertainers. A host of York and other large cities. They are sponsorship. entertainers unite to give varied pro- installed in the Mayer hotel, which also Every modern broadcasting facility grams that will please everyone, includ- houses the offices and audition quarters that engineers have devised will be used ing the Journal Joy boys, KSCJ Little of Charles C. Adams, operator of the to make the reproduction of every note Symphony orchestra, the Singing Cre- station. heard by the Radio audience faithful to oles, Stanley's Aristocrats, the Missis- It is the versatility and caliber of the finest degree. Dr. Stock has placed sippi Meadow Lark and members of the WMBD programs that have won so his approval on the broadcast. staff of the Sioux City School of Music. 63

>ing

By Don Malin Musical Director of WLS

"Since Singing is so goode a Thinge I wish all Men would learne to Singe."

WILLIAM BYRD, organist of the Chape! Royal and official musician to Elizabeth, Queen of England, penned the above couplet in 1585 as a preface to "Psalms, Sonets and Songs of Sadness and Pietie." Men learned "to singe" in the Eliza- bethan age. Thomas Morley, friend of Shakespeare and a composer of talent, tells us that in the time of "Good Queen Bess" the madrigal books were passed around after the evening meal and that any guest who failed to sing his part readily was regarded with that mixture of scorn and pity which falls to the lot of those who fail to cultivate the social graces. In these hurried modern times it is easy to take our music second-handed, particularly since Radio and the phono- graph have made the art of the world's finest musicians available to every home. We believe at WLS, however, that Wil- liam Byrd was right, and that "all men," insofar as they are capable, should "learne to singe." It is this ideal of the Elizabethan age, which by the way was held also in Con- tinental Europe during the Sixteenth and Seventeenth centuries, that we are IGHTY nice people, these Jordans. Yep, the same, Marian and Jim of seeking to revive at through WLS our M WENR, Chicago. They hail from Peoria, but it was a long hail ago and season of choral music which annually they have lived it down offers to our listeners the music of some forty or fifty of the best choral societies broadcasters none are more enthusias- Out of their expressions came folk songs. in Chicago and the vicinity. During each tically interested in their programs than The appeal of folk songs is greatest when Fall and Winter approximately three the group singers. Many of the organiza- people can join their voices in singing. thousand men and women appear before tions rehearse weekly for several months Listen to Prof. J. Wesley Tones and his our microphones as members of these in preparation for one or two broadcasts. Metropolitan Church choir in one of choirs and choral bodies. Among all our This enthusiasm is projected through their four or five hundred Negro spiritu- the microphones. Anyone who hears als and you have the true essence of folk Dr. Daniel Protheroe direct his seventy music. Equally is this true of the splen- Welshmen of the Chicago Welsh Male did German, Russian, French. Polish. choir cannot fail to feel the genuine joy Lithuanian, and Swedish organizations and satisfaction with which they sing which sing from WLS. "Mifawny" or "Land of My Fathers." Lastly, attention to choral music as a The true mission of music—bringing part of our program plan at WLS has happiness to human hearts— is achieved opened to our listeners a vast treasure when D. A. Clippinger leads his fifty house of music, the pages of which open members of the Chicago Madrigal club only to "those who sing together." Or- through the mazes of a six part madrigal. chestras and soloists do not have the key Music brings rest and enjoyment when to this trove of song and melody: it is the seventy-five men of the Swift and in the hands of those who direct our Company Male chorus or the Inter- choral organiaztions. Our choral music national Harvester group of 125 people season presents an infinite variety oi the gather for a rehearsal or a concert after works of the world's most talented and a day's work in a great industrial inspired composers. organization. On one night it may be a Palestrina When the young men and women of motet, sung by the Paulist Choristers of the University of Chicago choir assemble Chicago. Another time it may be a Bach to sing the ethereally beautiful anthems chorale offered by the youns men of the of the Russian and Catholic churches Elmhurst College Glee Club. It may be there is a feeling of having clone some- "I Love My Love" or some equally at- thing towards making the world a hap- tractive old English folk song, sung by pier place to live in, And the best part the WLS Singers. Then again we hear of it is that the happiness felt by these the majestic choruses of "The Messiah" singers is transmitted to the listeners. coming from the New First Congrega- The joy of singing together is a force tional Church choirs, or the eight part which welds people together, making of anthems oi Russia, sung a capella and them better friends, better citizens. It is from memory by the 300 hoys and girls that force which we seek to develop in of the Senn High School chorus. our program plan at WLS, the Prairie * * * Parmer station. ONE of Chicago's pioneer announcers. This has prompted us to equip a studio Jack Nelson, is now achieving fame OCTAVIO BERMUDEZ announces especially for choirs, and it is to help this <>n Broadway as a playwright, in col- in Spanish the Los Amigos pro- cause that our engineers have given laboration with Clyde North and \lhert •' gram broadcast by WLW each week many hours of experimenting to solve i'. Fuller, Jack has written Rem • Con- for its Latin-American listeners. Ber- the problems of broadcasting large trol, produced and marked for success On mudez was an Argentine gaucho groups of singers in a clearly articulated, the Great White Waj (cowboy) before he came to the well balanced manner. Nelson broke into the air lines in the United States. He also sings songs Centuries ago people expressed in old days of WDAP, a 100-watter that of the Pampas. poetry and sone what was in their hearts. once hovered atop the Drake hotel. 64 OiX Years Ago Omaha "XQEST HAS WOW OF A Jk3 Started Sending Its Voice A cross the Continent Until Nearly Everyone Had Heard WOW STATION in WOW By Donald Burchard ONE of the usual things Radio sta- tions undergo is a change of person- nel. It's been about two years since Radio Digest had the opportunity of giv- ing a glimpse of the personalities who help to maintain WOW's reputation for uniqueness and originality, as well as popularity. Six years ago, when Radio programs were a family event the City of Omaha, through its powerful new Station WOW (then WOAW) became familiar to the nation as the city whose Radio station could be depended upon day in and day out for good programs and good recep- tion. That was proved when WOW set a world's record for letters, telegrams, post-cards and long distance 'phone calls, totalling 187,000 in response to a single evening's broadcast. WOW is now an affiliated station of the National Broadcasting Company's Red network. It continues to serve mid- western listeners with musical, educa- tional, dramatic and civil features, aug- menting its national programs with in- teresting and high class local entertain- ment. Among its prominent services are the daily broadcast, morning and afternoon, of police bulletins directly from the po- lice headquarters. In this way, WOW aids the Omaha police forces in the ap- prehension of criminals, the location of lost persons and property, and in the recovery of stolen goods. Police educa- tional broadcasts in the promotion of safety, have also won wide attention. Omaha has a juvenile police traffic squad of several hundred boys who have re- duced automobile fatalities more than fifty per cent. These boys periodically broadcast over WOW. THEY'RE hot stuff! Just take a look at those fur coats and the high-powered Another important service is the daily them cool. Why the coats ? To keep the heat from burning things fan to keep broadcast of Chicago, Omaha, Sioux the fans help. Who are they? The Battery Boys of WNAX, the up and City, Kansas City live stock quotations. Gurnee Seed and Nursery station at Yankton, South Dakota. These reports are broadcast from WOW six times each day right from the Live- branch factory of a large Eastern com- stock Exchange building in South Omaha Hays Is Leader of pany. A beautiful girl of the Pacific by Charles Bruce, representative of the Coast helps change the course of the U. S. Department of Agriculture, bureau s West's development and brings added of market news. Thousands of farmers complications and interest to the playlet. depend upon WOW for such market EMPIRE BUILDERS, who drama- Musical selections harmonized with the news as affect agricultural economics. tized the discovery, settlement and scenes. WOW's educational features have early history of the West in a series of * * * been growing with remarkable rapidity Radio programs last year, have returned ALL carrier pigeon activities of the and scope. It regularly broadcasts pro- to the air in a new series dramatizing United States Navy have been abol- grams of Creighton university and the the modern development of the country ished and the navy will send all its mes- University of Omaha. These programs west of the Mississippi in a series of sages by Radio, it has been announced consist of educational talks, dramatic broadcasts through the NBC Coast-to- by the navy department. Four hundred presentations and music. They appeal Coast System. birds will be kept at the Lakehurst, N. J., particularly to students. It is planned to Harvey Hays, who was heard as the naval air station, and the naval station augment these programs with regular Old Pioneer last year, plays a leading at Cuam, but will not be used in regular features sponsored by the Midland Col- part in the modern drama programs message service. The Anacostia, D. C, lege of Fremont and Bellevue college. which center around American business naval air station lofts now have the Regular educational talks are also broad- men whose enterprises are building greatest number of prize-winning birds. cast by representatives of the County * * cities, railroads and factories where the * Medical association, Nebraska Parents- Indian and buffalo once roamed at will. Milton J. Cross, prize announcer of Teachers council, and the Nebraska Fed- The series represents an innovation in NBC, leads a bevy of the youngest eration of Women's clubs. Periods are the writing of continuities for Radio Radio stars heard each Sunday morning also conducted by the Omaha public dramas in that the scripts are the orig- in the "Children's Hour," to a personal library and the Omaha World-Herald inal works of writers, who were sent to concert appearance at State Teachers which twice daily broadcasts news items. the West and Northwest to familiarize College, East Stroudsburg, Pa. Book reviews are broadcast twice themselves with the locale of the stories * * * weekly. and gather background and local color. For the first time since his advent as Extensive educational and civil service Several well known writers of Western conductor of the Capitol Grand Orches- features are by no means an incidental stories also contributed specially written tra, Yasha Bunchuk, famous cellist, was arrangement. The station management playlets. heard in a cello solo in commemoration realizes that such service is the funda- The first dramalogue told the story of of the Jewish holiday, Yom Kippur, mental function of a Radio station and a young Easterner whose faith in the playing the famous Hebrew chant, "Kol has consciously built up this elaborate West determined the location of a Nidre." program. In fact, plans are in the em- 65

JUST real folks, those Old Time entertainers heard regularly over KFKB. From left to right you see: Roy Hall, guitar; Forrest Larkan, piano; Sam McRee, Jr., harp; Elmer Allen, guitar; Rudy McRee, singer; Uncle Bob Larkan, fiddle; Sam McRee, Sr., fiddle; Mildred McRee, banjo and singer. bryo for enlargement of this type of service. At present, valuable information KFKB Started as is given to the large and varied Radio audience through the bulletins of the agricultural department of "Nebraska uni- versity and the U. S. Department of THE primary object in establishing Commerce. In addition, the operation of KFKB in 1923 was to afford enter- national government is presented in de- tainment and instruction to the patients tail by a twice-daily broadcast of the in the hospital at Milford, Kansas, be- I". S. Daily News service. cause at that time no one dreamed of In this way, WOW justifies the favor- the far-reaching possibilities of Radio. able assignment of the Federal Radio The station had been established but commission, and utilizes its 6/7ths time a few months when Sam Pickard. who en the preferred 590 kilocycle frequency was then a student in the State Agri- with the most valuable features obtain- cultural college at Manhattan, Kansas, able. While serving as an outlet for the conceived the idea of a "school of the National Broadcasting company and fur- air." Manhattan being about twenty- nishing its listeners with important and five miles distant, and the programs high-class national programs, through originating in the college, it was neces- its local features WOW retains that in- sary to broadcast them by remote con- dividuality which made it a WOW from trol, this possibly being one of the first the first day of its brilliant career. long distance remote controls. W. A. Fraser, President of the Wood- When Mr. Pickard. who later became men of the World Life Insurance asso- a Radio commissioner. approached ciation, which owns and operates WOW, Doctor Brinkley, the owner of KFKB. •has laid down the broad policy of win- consultation was had with William Tar- ning public good will with real, practical dine, then president of the college and types of service. Mr. Fraser, for twenty later Secretary of Agriculture, and years a leader in the insurance field, has through this arrangement Mr. Pick- of the credit for the splen- made the station the progressive medium MUCH ard succeeded in interesting Mr. Jardine, did service and extreme "hear- tor bringing the fraternal message of the and the first "school of the air" ability" of WOW must be given to Association directly into millions of broadcast during the years of 1923 this comely young lady. She is none homes. The director of the station, Or- and 1934, and was so successful that the other than Marie Kieny, program di- son Stiles, has ably carried out Mr. State Legislature appropriated money rector of the Omaha station. Fraser's liberal policy. for the college to own its own station. Other members of the efficient staff resulting in the present KS \C heard include: Eugene Konecky, poet, book Finding persons who have written his from Manhattan, Kansas reviewer and commercial director; Marie "obituary," is no unusual experience for Little happenings in the lives of peo- Kieny, program director and pianist; Floyd Gibbons. But working in the same ple ofttimes mean a great deal, anil no Frank Mcintosh, chief operator; Ezra organization with one of these persons, doubt Mr. Pickard's early association Mcintosh and Joseph Eaton, an- is, he thinks, worthj of comment. Miss with KFKB and Mr. Jardine were the nouncers; William Kotera and Roy Noil Galbreath, NBC librarian, wrote stepping-stones to the position he oc- Glanton, operators; Dorothy Cogswell, Gibbons' death notice when he was re- cupies today. hostess-pianist; Margaret Cook, secre- ported lost at sea about twelve years In those earlier days not as much at- tary, and Nora Harrington, mails. ago. He met her recently. tention was paid to pro-ram material as —

66

scrutinized, and a large number that are submitted are rejected. It is the aim of KFKB to be a "little different," having a maximum amount of entertainment with a minimum amount of advertising. From the time we begin broadcasting at 5 o'clock in the morning until 7 o'clock in the evening you will hear concert orchestras and popular or- chestras that are a credit to any station, every member being a former star in some well-known group. If you are a rural or small town listener and like old-time southern melo- dies and songs of long ago, you will hear these from Uncle Sam and Uncle Bob; and if you like a quartet, the Sunshine Four will entertain you; and if you like Blue singers, Dutch and his uke will please; if you like pipe organ, Cook with his accordion will be welcome, and Voss- burg and his vibrephone will please. If you like string orchestras, Elmer Allen and his group of entertainers will THIS is Dee D. Denver, chief an- provide them; if you are interested in the nouncer at KFKB, the Mil ford, world market, local market or weather Kansas, station that is so popular reports, World Series baseball, play by with listeners throughout a large part play, you will have these. of the Mississippi valley. If you like religious services and Bible This is Station lectures and fraternal talks, you will hear GOOD MORNING— Falls, now, and many of the broadcasts that these on Sundays. If you like talks deal- KGKO, Wichita Texas, were thought good then would not even ing with good health, you may hear says Dr. Paul H. Packard as he sits be tolerated over the station today. these morning and evening. in front of the microphone. He puts And there were not many broadcast- You will always be assured of a well- the Radio Revival program of the ing stations then, and 500 watts power rounded program throughout the period Church of the Air on each day at ten was about the equal of any, and long- of broadcast from this station, and any- o'clock. distance reception was easy to be had. thing broadcast over this station is ab- Many applause letters came from the solutely reliable and dependable. addresses by national figures on world Argentine republic in South America, events; and in fact a notable collection as well as from the city of Rio De of interesting features are at the disposal Janerio in Brazil, from our little 500- of the dialer who turns to WKY. This watt transmitter. national scope of events of the day is Broadcasting stations in those days made possible by this station's associa- afforded wonderful experimental oppor- s tion with the National Broadcasting tunities for the operators in charge. The BACK in 1921 when Radio sets were company. operator would hook up one circuit and a curiosity and before Oklahoma Guiding the destinies of WKY in the after one night's broadcast he would City had become an oil center, a license capacity of managing director is Edgar spend the next day in assembling an- was granted to a modest little broadcast- T. Bell, who also holds the position of other circuit, and we never knew when ing transmitter in a Westwood addition secretary-treasurer of the Oklahoma the evening came forth what kind of garage. It was known as 5XT, but early Publishing company. a broadcast we would have. in 1922 was given the call letters of Gayle V. Grubb's title is station man- It was found that the entertainment WKY by the Federal Radio commission. ager, but he is more, much more, than and health lectures given over the sta- Thus was WKY born,—the result of the that. He writes continuities for all the tion for the entertainment of the patients experimental efforts of Earl Hull, still studio programs and under the name of in the hospital were well received by the chief announcer and one of the oldest "Gloomy Gus" has won a national repu- listening public, and the station has been Radio pioneers in America. tation as an entertainer, playing and gradually increasing in power and equip- The history of WKY reads like a story crooning many of his own compositions ment and quality of programs until through the early days when receiving that have been recorded by three record- today it has thirty full-time entertainers, sets reproduced programs with a sort of ing companies. Grubb came to WKY consisting of orchestras and individual bee hive and siren whistle effect, and from Lincoln, Nebraska, where he had artists, three full-time operators, two an- when the performer talked or sang as for many years been associated with nouncers, and a complete 5,000-watt loudly as he could into a large horn, up KFAB, making it the most popular sta- Western Electric crystal transmitter. to the present time when it is one of the tion in that section of the country. In the old days one operator was usu- most modern and up-to-date stations on * * * ally sufficient for operator, engineer and the air with the finest equipment avail- All programs broadcast from KOA announcer, as well as janitor. Now the able. are now in charge of the National Broad- station is an institution all by itself and On November 12, 1928, WKY went casting company. This service, inaugu- employs more people and is just as care- on the air formally as the good will sta- rated in the fall, means that the NBC, fully supervised and handled as the hos- tion of the Daily Oklahoman, the Times besides providing network programs pital. and the Oklahoma Farmer-Stockman, from other points of origin will maintain The slogan of KFKB, "The Sunshine with an elaborate fifteen-hour program a program department in Denver for Station in the Heart of the Nation," was that brought messages and letters from local programs over KOA. The Gen- contributed by a little shut-in, a poor every state in the union. This program eral Electric company retains ownership crippled girl who said that the friendly was followed by a banquet for the Radio of the station. attitude of the station and the good dealers and leading business men of the * * * cheer brought to the homes of those city, at which time E. K. Gaylord, editor Life's most unique ambition is in the who were forever crippled made her and publisher of these three leading state possession of Bob Boulton, WLS an- think that the station was a beacon of papers, dedicated the station to the state nouncer and continuity writer, who sunshine, and since the station is located of Oklahoma. hopes to go through his span of years within 12 miles of the geographical cen- Light musical presentations, spot without ever having to push a revolving ter of the United States, the "heart of news and market reports, problems of door! Always when confronted by one the nation" was appropriate. the home and farm, and programs of of the "round-we-go" doors Bob waits Within the past few weeks the KFKB human interest and inspiration take up until some kind person goes ahead and Broadcasting corporation has been the daylight hours. Two of the outstand- starts the door around. So far he has formed and associated with it are promi- ing daytime broadcasts are the early been successful. nent bankers, attorneys and business morning exercises at 6:30 that are par- * * * men, and its capitalization of $150,000 ticipated in by Radio listeners from New Rush Hughes, who recently joined represents but a small fraction of the York to Los Angeles, and "Aunt Su- the Columbia Broadcasting Systen staff potential wealth behind it, assuring its san's" morning talks to housewives at has an interesting record in the fisld of future existence as a station. 9:45. athletics. While at Mercersburg Acad- KFKB has never permitted price quo- With evening comes a different type emy he was on the track team, vinning tations and never will. Direct selling and of program, but equally diversified the captaincy in his third year. He ex- phonograph records are "taboo" and the grand opera, the latest hits from musical celled in the shot put—and keep' himself sponsored advertisements are carefully comedies sung by the stars of the shows. in condition now by extended vorkouts. ffl (^oast Singer Is U. S. Trained

QREENWOOD MITCHELL of KOMO in Far West Boasts of Musical Training in Adopted Land

IT IS THE ambition of most American vocalists to boast of musical training with European masters. But, a reverse situation occurred in the case of Green- wood Mitchell, staff baritone and direc- tor of vocal ensembles at KOMO. Brought to America as a boy, his first vocal training was received in Pittsburgh. He returned to England at the call of his country in 1914 and following the world war remained in England where his American training proved to be a very valuable asset. In England, he again took up vocal training and at a musical festival for the North of England in 1923 Greenwood Mitchell won the challenger's cup at the Open Championship for voice. A direct result of this was the invitation to sing on the Newcastle station of the British Broadcasting Corporation, 5NO. Two years ago Mr. Mitchell returned to America and shortly after his arrival in Tacoma came to KOMO for a try-out which resulted in his engagement for a series of special programs and his subse- quent addition to KOMO's staff in the at the KNX studios are capacity of featured baritone. PLAYERS attractive miss is Jean Wake- under the direction of Georgia Fi- THIS Mr. Mitchell has continued his interest field, vocalist, pianist, composer field. The one act presentations over in British broadcasting and offers many and continuity writer. She writes this Hollywood station are followed by interesting comparisons between the whimsically humorous song stories a large and enthusiastic audience. British system and the American system. which she sings and plays herself. There are no staff artists in England; One of her latest numbers, Lila, is to the programs, rather, being made up be played by Paul Whiteman. from outstanding vocalists from the §aux bigns neighborhood who are invited to appear before the microphone. Continuities, the vogue in American broadcasting, are HARRY DE LASAUX, recently unknown in England. Due to the fact added to the production staff at the that programs are supported entirely by NBC's San Francisco studios, made his in the theatre he was two HAS a splendid spokesman for license fees paid by the listeners, there debut when KGO father's the cause of the Radio drama in the is a complete absence of commercial years old. Standing between his performance Kelley person of Wilda Wilson Church, pioneer advertising on English programs. Al- knees during a by all and Leon's Minstrels in Chicago, the director of the KGO players. though important political events are child talked in public for the For the past few months Mrs. Church covered by English Radio, campaigning sang and has been making quite a campaign in over the air, so common in American first time. school age, talking before clubs, or any other pub- politics, is entirely unknown to the Brit- When he reached the ains, according to Mitchell. De Lasaux returned to England, his licity channel that has been afforded her Greenwood native country. He came back to in an effort to make the public realize America in later years for a stage career. that Radio drama has a great deal of art De Lasaux appeared in support of such that has been more or less dormant. noted theatrical stars Blanche Walsh, KGO has been the Radio drama pro- as E. H. Crane and Nat Goodwin, and ducing center in the Far West for the toured Canada with Robert Ganthony past five years, but the support of the and an English company. For many public is needed if the General Electric years he played in stock in the East station is to continue developing this art never appearing professionally west of to the highest degree according to How- Kansas City, ard Milholland, studio manager. Mo. Neither Mrs. Church or Mr. Milhol- De Lasaux is also known for the large number of vaudeville sketches land believe that dramatized educational he has written for leading artists. joined talks, vaudeville skits, little vignettes, He the staff about 18 historical episodes or travelogues are NBC months an actor. Now, however, he is devoting drama in its highest sense. They believe most of his time to writing Radio that Radio drama when it is created will dramas. be a work of art in itself. * * * Airs. Lucille Joy Rude oi Los Angeles Evidently Annabelle Jones Rose en- who owns a pedigreed Irish setter has joys great favor in the political world of named her blue ribbon cup winning Berkeley as well as the Radio world of thoroughbred canine after Kevin Ahearn, the California city. Thousands of her KPO's Irish tenor. Mrs. Rude ponder- fellow citizens voted for Miss Rose when ing over what to call the doc. tuned into her name was recently entered in the "Dobbsie's" S&V\ Health Exercises pro- race for councilwoman. Unfortunately, gram recently and heard Dobbs an- Miss Rose was unable to do any plat- STARTING with KHJ at about the nounce "Kevin Ahearn, the Irish lad. will form work. I nstead she was kept busy same time Don Lee took over the tlOW sing," and as Mrs. Rude writes in a singing, playing the 'cello, piano or station, Will Garroway was pianist letter to Ahearn "right then and there organ at KGO, where she is a staff artist. and orchestra accompanist. After a my dog was named." "Well, as Ion 1 Miss Rose polled a large vote at the tour with Lawrence Tibbett he re- they In- after namin thoroughbreds from election, office but lost the by a small turned to the studio as coach and ac- me, phwat should 1 care ainyhoo tl margin. companist for the singing ensemble. a foine dog." THE famous KNX Rounders heard over the Paramount Express station, KNX, are in talking pictures. Here they just stepped out into the Hollywood sunshine to greet the camera man with a California smile. The squinting gentleman in the center is Dudley Chambers, director of the organization.

ing series of lectures on "Art of the Home." Song Result of Dream These broadcasts of the American Pen HIS newest song resulted from a Women are the only programs in the dream, Ted Maxwell, NBC Produc- West devoted to the interests of artists tion manager on the West Coast doesn't Fran- AMERICAN Penwomen of San of the pen, pencil and brush. mind revealing. cisco on the air again. Those are Personal glimpses and gossip of the "Fagan Love Song" is the new num- who listen to KPO will already have California writers is a feature that will ber which already has been introduced offered in heard several of the programs be continued during the new series of to the Radio audience by Ben McLaugh- this, their third year of broadcasting. programs. lin. Maxwell visioned the title one night in * * * Grace Boles Hedge, noted soprano, is at the Russian River, where he was va- this season. charge of the numbers Paul Pitman, KPO's Big Brother, has cationing. He tells the story thus: consist en- Some of their broadcasts been receiving congratulations from "While I slept, I dreamed that I re- tirely of the creative work of the associ- Radio fans everywhere since the stork ceived an artist's copy of the 'Pagan ation's members in both literature and left a bouncing baby girl, "Elizabeth Love Song,' but a horrible typographical music. Anne," at the Pitman home. His son, error had been made. The title page Olive May Richards, prima donna of Paul Marsh, Jr., is included among the read, 'Fagan Love Song.' That gave me the Pacific Coast Opera company, was youngest Radio announcers in the coun- a hunch and before morning I'd finished one of the guest artists on the early pro- try. Since the lad was six months old the lyric for a song to be published under grams, as was Stella Howell Sampson, he has been assisting "Big Brother" dur- that title. Billy DeBeck's comic strip noted pianist of Oakland and Los Ange- ing his "Children's Hour" at various provided an idea for the words." les. Mrs. Charley Curry, well known times. His broadcasts class him as a Larry Yoell and Virginia Spencer col- authority on art, inaugurated an interest- "Radio prodigy." laborated with Maxwell in the musical arrangements.

Don Warner a Jnrist DON WARNER, who has success- fully officiated as Studio Pianist at KFWB, Hollywood, California, and has also conducted his own orchestra at that station, is now a jurist. A year ago he received the degree of L.L.B. from the University of Southern California and last fall passed the Bar examination of that state which resulted in his being admitted to practice law by the Supreme Court of California September 18th. Mr. Warner's popularity may be estimated from the fact that he received approxi- mately three hundred congratulatory telegrams and letters from all over the Pacific Coast, most of them being from Radio entertainers and fans. * * * Helen Norris has made such a success with her plays over KGO that she has been invited to write the pageant for the opening of the airport at Medford, Ore- gon. Miss Norris is to be paid hand- somely for her contribution, the entire state of Oregon being interested in the projects * * * So popular has KPO become with fans at various points of the nation that all they have to do is to address a letter to "Any Broadcasting Station in San Fran- cisco" and the mailman whose ears are naturally inclined toward KPO finds that PRETTY Carlma Dorn and Betty Hampton, members of the KPO staff, find his feet are likewise inclined and the the broadcasting air a good place to go skylarking in. They are shown here letter reaches the correspondence depart- being kidded by Ernst Voss, formerly one of Germany's war aces, attached ment of KPO. Such is the case of a let- to Richtoffen's circus. The trio are about to hop off from Frisco's municipal ter recently received by KPO from airport on a joy ride. Knoxville, Tennessee. GO

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AVERAGING more than 250 letters a week from fans, the Rhythm Makers of the Pacific Coast club are one of the most popular features on the air over KGER. Much of the popularity of this hot time dance orchestra is ascribed to their versatility. Each member of the band is an artist along some special line.

Station in Richmond Shoemaker Sitlgs Studies Fifth Tongue RESIDENTS of Richmond, Califor- EUGENIA BEM, conductor of Stanis- nia, are bragging that they have an las Bern's Little Symphony, speaks official broadcasting station. This is how English, French, Russian and German NATION can lay a greater claim it is. KFWM, operated by the Oakland NO fluently. Educational society and broadcasting for appreciation of good music, par- Even though the KGO microphone from a plant in East Oakland, selected ticularly operatic music, than Italy. This and other engagements keep Mrs. Bern of Richmond as its location when the Fed- love music transcends all strata of busy, she is now studying Spanish. eral Radio commission served notice that society among the Italians. Perhaps this Every Sunday, for a month, she rode broadcasters must move out of residen- accounts for an unusual situation that from one end of San Francisco to the tial neighborhoods. produced one of the greatest Radio other so as to attend a Spanish church. The owners of the station have taken tenors of the Pacific Northwest. where the entire services are conducted about two acres at East Shore park, In Renton, a small community south in the native language. Seattle, is shoe repair operated where they will develop a modern trans- of a shop Mrs. Bern believes it is easier to learn mitter, with plans for 5,000 watts, put- by an Italian. Giving expression to his a foreign language through sense of ting KFWM on a par with other sta- love of good music, he entertains his cus- hearing rather than books. After she tions in the Bay region. tomers by playing a phonograph and his speaks the language fluently she studies selections include Arrangements have been made, it is of records almost en- the rules of grammar. announced, for studios in the Hotel Car- tirely operatic works. To him one day * * * came a young shortly quinez at Richmond, at the same time chap who had ITS less than three years of exist- before arrived from Italy. Employment IN maintaining quarters in Oakland. ence, KGER has enjoyed a rise was given to the young lad who, too, public favor that has been almost mete- showed the same love for the work of oric. It is now recognized by the broad- the masters, and gave forth expression casting industry, the Radio industry and by occasionally the humming songs that the great listener audience at large as he heard. one of the leading stations of Southern One day a Seattle business man, who California. During the past few months had a few to moments wait before taking the Long Beach good-will station has interurban an back to Seattle, dropped instituted entertainment, educational and in the shoe shop little for a repair work. news features that have brought forth He was amazed at the humming of the hundreds of letters. young Italian lad and immediately ar- ranged with a well known Seattle music teacher to have him put under vocal training. Aurelio Sciacqua, referred to locally as the "Singing Shoemaker" and by his enthusiastic Radio friends as the "Caruso of the West," after completing a most successful engagement at KOMO will be heard on Pacific Coast stations of the National Broadcasting company. Aurelio Sciacqua is a dramatic tenor and has specialized in operatic selections. He, however, has had very little experi- ence in Grand Opera, his training being entirely for Radio. The result is that he is one of the few dramatic tenors who broadcast well. * * * Byron Mills, announcer at KGO, Oak- land, California, has a substitute for the usual announcement "You will hear ". Instead he says "You may now hear ". Mills made this change in the belief that the other announce ment is too dictorial and takes too much COW pony and lariat were for- for granted. saken by Clarence Tolman in * * * favor of the broadcasting studio. A harmony duo billed as "John and Clarence learned to sing to the cattle Ned" recently were introduced to the out on the great open prairies. The audience of NBC System stations. The STATION KOIN is more than a lads and lassies of the old home town boys are well-known recording artists little proud of this comely miss. of Pocatello, Idaho, liked him so well and have been playing Radio-time Like to know her? She's Marjorie that he tried Broadway, and got by throughout the United States. John and Simpson, a regular member of the like million. a He now features on Ned play their own guitar and ukelele studio staff who obliges with a rich, KPO programs. accompaniment. warm contralto voice. — -

70 sjoronto Symphony Heard o^CROSS Canada 'A MO US Orchestra Broadcasts Each Sunday Afternoon, F by Canadian National Railways Hookup Is a Real Treat to Music Lovers of the Dominion.

MUSIC lovers throughout Canada are tuning in their receiving sets on the programs of the Toronto Symphony orchestra which are broadcast each Sun- day afternoon through a network of stations controlled by the Canadian National railways. The first of this series of symphony concerts went on the air on October 20, when Jeanne Gordon, Canada's eminent contralto, assisted the orchestra. Other prominent soloists are scheduled for later broadcasts. The purpose behind these programs is two-fold. The first thought is to contact the Dominion by bringing together all sections of this far-flung country into one audience, an important step toward good looking young chap is no THIS a broader mutual understanding. The other than J. Arthur Dupont, station second is to give Canada the world's best director and chief announcer of station music and to permit the Canadian lis- CKAC, Montreal. During the three tener to hear some of the highly talented years that Mr. Dupont has been in artists who have attained world-wide charge of the destinies of CKAC great fame. things have transpired and he has built The Canadian National railways are the station up to a point where little is presenting the Toronto or- left to be desired in the way of service symphony and entertainment. chestra in twenty-five concerts. These are featured the "All- One of ihe youngest Radio executives programs as CNR ADAMS, the crooning tenor Canada hour." BILLY in Canada, Mr. Dupont has been with Symphony whose interpretation of popular his station for five years. He is just 27 numbers has made him one of the years old and so far has not succumbed Dennis Hayes is three years old. He features at CKLC. Billy is well to Dan Cupid's wiles. lives in London, England. His Daddy known in Toronto and Chicago for Located as the station is in a land wrote to Winnipeg telling how he had his Radio work. where two languages are spoken heard Uncle Peter on CJRX. With some French and English, Dupont's linguist assistance, Dennis wrote a note which abilities have been of inestimable value. was enclosed with his Daddy's letter. Special He broadcasts first in one tongue and Uncle Peter read the letter over CJRX Programs then in the other. Many listeners all and asked if any listeners would like to over the continent are familiar with his write to Dennis. Some weeks later, Mr. at accomplishments. Hayes wrote again saying that Dennis special programs were put on had been swamped with mail. TWO over a chain hookup by the Canadian As a sequel, Uncle Peter has received National railways as one of the feature the following from a mining camp at a British Star on CNR attractions of the Montreal Radio show. place called Chuquicamata, down in The first program arranged was the Chili, South America: "Just a note of THEA PHILIPS, star of British regular French-Canadian Hour of Music, appreciation of your programs, which I Opera, who has sung with great suc- featuring a concert orchestra^ a string hear excellent volume cess in the principal cities of the United with on a two- ensemble, accordion solos and vocal short-wave set. Short-wave broad- Kingdom and of Europe, was the soloist tube numbers by the Montreal troubadours, casting is the only satisfactory reception in the Canadian National Railway's Ra- who appeared in costume. here in this mining camp. 'dio chain broadcast from Toronto one we get up A The second event of the broadcast was few days ago, I asked one 'radio bug' if day this last fall. Miss Philips, who is a a light concert program including some cousin of Mrs. A. V. Alexander, wife of he had ever heard of Dennis Hayes. He novelty numbers on the accordion and lives in I intend the First Lord of the Admiralty, has won said 'Sure, he London.' marimba, supplemented by a Balalaika write to Dennis tonight. P. Carl- a high reputation for herself in the role to —C orchestra in Russian costume, and a male of "Matilde" in "William Tell," at the son." quartet. Both of these programs, in * * * San Carlo Opera, Naples, and she will addition to being witnessed by the be the prima dona in "Der Freischutz" Occupying the entire top floor of a throngs at the Radio show, were sent out at the forthcoming London Festival at large office building at Moose Jaw, Sask., over a chain hookup of the Canadian the New Scala, London, in February. the studio and transmitter rooms of National railways, covering the eastern She has been heard often by English CJRW are modern in every way. Ample half of the Dominion. Radio listeners. space is reserved for visitors from far * * *

H; % sj: and near who come to inspect the sta- One of the most successful educational First established on the roof of the tion and to see how broadcasting is done. features broadcast by CJRW and CJRX Grain Exchange building in the heart of The steel antenna towers are sur- has been the French lessons. Mr. Mau- Winnipeg, CJRX is now located in its mounted with electric lights, visible for rice Goulet has several hundred students home at Middlechurch, a few miles north many miles across the country, and enrolled and following his course by the of the city. In the same building are a meteorological instruments for indicat- book. In addition there are numerous number of short wave transmitters by ing in the studio the direction and listeners who benefit by the lessons with- means of which, on other wave lengths, velocity of the wind. out registering. It is interesting to note the local offices of James Richardson * * * the number of professional men who and Sons, Limited, carry on Radio-tele- A young lady, of whom more will be have enrolled for the purpose of brush- graph communication with the eastern heard, is Olga Pavlova, the soprano who ing up on the language. and western branches. takes part in the weekly French concerts * * * broadcast by CJRX. The adjucators at Through the courtesy of the Garrick Farthest North Radio, in points of the 1929 Atanitoba Music festival pre- theatre, Winnipeg, CJRX broadcasts regular transmission, will be provided by dicted for her a great future. Miss Pav- Talkies. Radio listeners have commented the Soviets. They will erect a station lova has been studying with the famous very favorably on several pictures, not- on Franz Josef Land. Yvonne Thibault. ably that in which Mary Pickford stars. — M, ARCELLA 71 Little Bird Knows All— Tells All—Ask Her About the Stars You Admire

IS THERE anyone who doesn't know It seems the girls have a weakness for Twenty-five candles burned in the who Vincent Lopez is? I doubt it sports announcers this month. I just got studios of KSTP as Henry C. Woemp- it doesn't seem possible. But how many through answering a question about Sid ner, musical director of the National know that he recently celebrated a dou- Goodwin of KGW and Battery station, observed his 25th anni- ble anniversary, one the anniversary of here's Kitty Kay of ol' versary in Northwest musical circles. his first piano recital and the other the Missouri wants a picture Mr. Woempner is known nationally as eighth birthday of his first appearance of Bill Mack, announcer first flutist of the Minneapolis Symphony before a microphone. at KM OX, the "Voice of orchestra. He received his first training Vincent says he doesn't remember the St. Louis." Since Kay in the flute from his father, a member of exact date when he first played the piano hasn't asked for any per- the Symphony orchestra in Milwaukee. for his little friends and admiring rela- sonal information about When his father retired, Woempner tives, but he does distinctly remember Bill I'll be stingy and Junior stepped into his footsteps. that they had pink ice cream as a reward, won't give any. Just to The KSTP musical director is a lie also recalls the loud applause that oblige, and because he is really an pioneer in Radio, playing his flute com- greeted his rendition of Chopsticks. Bet awfully nice chap, here is his picture. positions, when an artist was required to he was a sweet little boy. Long ago, way last spring, KM OX sur- send notes into a large horn, resembling When birthday time came around Vin- prised Bill and the listening public by those first used on talking machines. He cent repeated his childish efforts with sending him to cover the training trips has appeared at leading stations of the the familiar piece, and then, as another of the Browns and the Cards. You can country, including WGN of Chicago and number of his special program, obliged just see the sparkle in Bill's eyes, can't KDKA of Pittsburgh. with Anitra's Dance, from Peer Gynt you? Like to know him better? He has played under Walter Dam- Suite. The latter number was his offer- rosch and other masters and has spent ing on the occasion of his first studio Charles Jennings, formerly with considerable time coaching with master appearance. CKGW of Toronto, is still in the same musicians. He directs the National Bat- Lopez made his air debut with his or- Canadian city, but is now associated with tery symphony orchestra of KSTP and chestra from the first studio of WJZ in the Whetham Radio Program company. plans all the musical programs. * * * 1921, when it was little more than a CPR building, M. J. Davis. He is to be booth. There was hardly room for an heard on the Radio at irregular inter- Jack Barnet of KGW has an odd hob- orchestra and sound-proofing hadn't vals. I agree with you that the micro- by. His idea of a good time is to travel been thought of. Since then, through his phones lost a real personality in Jen- as far away as possible on his day off broadcasting with the NBC he has, as nings. Doesn't your news dealer carry and listen to KGW on his portable you know, become one of the best known the Mercury? You should be able to get receiver, usually from somewhere near dance leaders on the air. it at almost any fair sized news stand. the summit of a snow-capped peak. * * * * * * It comes out once a month and is edited Mary dear, you really mustn't fall in by H. L. Mencken. As to John E. Fren- Here's bad news, Lola Brown. Roy love with Jack Shawn, that new announ- kel, I am trying to persuade the editor Bartholomew, your tenor friend of cer at WBBM because, although he isn't to give him a nice writeup one of these WTMJ, is an old married man. He and married, he is terribly days. He, the ed I mean, is as usual, his come-hither eyes hail good looking and all the swamped behind a stack of papers, but I from Ol' Missouri, where girls like him. He is tall, think he will write something about John he met his bride of a well built and has brown before long. year. After attending the eyes and black hair. When * * * University of Missouri he looks at you with those At last, Louise of Lincoln, Nebraska. Roy went Radio, his come hither eyes, it is no Pf! "J I can tell you a few little things about crooning meeting w i t h wonder all the girls fall. \ Dee D. Denver. Guess you thought I instantaneous approval. You were right when you V* had forgotten all about you, but I hadn't. Before going to Milwau- asked me if he comes Dee has been an announcer at KFKB kee he was heard from from Detroit, or rather I since 1924 and is a mighty popular fel- WFEQ and WDAF. When he isn't should say he has been in Detroit be- low. His pleasing ways brought him a busy with the mike he takes care of the cause he comes from Chicago. While in wife several years ago, and now he is thousands of pieces of music in the Mil- the Michigan city he broadcast over bragging about his two children. He has waukee Journal's musical files. Roy is a WGHP and put on productions at WJR. a way about him, both before the mike handsome lad, with dark, curly hair and He has had stage experience and loves and when with people outside of the great big brown eyes. The frau is a the footlights. studio. His only broadcasting experi- talented pianist who frequently accom- * * * ence has been at Milford, Kansas. panies hubby on his broadcasts. That certainly was tough luck about * * * * not being able to see Louis Kaufman, I was awfully glad to hear from you. Grace Thompson Bigelow has asked Lucille of Weyers Cave. I sympathize Wilma Lambertus, and I am only sorry me about Chauncey Parsons. Well. with you and envy you at the same time that things here in the office keep me so Grace, Chauncey is now located in Chi- for the nice letters he wrote to you. And busy I rarely have time to personally cago and is the soloist on the Yeast I just received a nice new picture of answer letters, much as I like to. I ex- Foamers program broadcast over the Louis but I'm terribly afraid I won't be pect by this time you have read through National Broadcasting chain on Wednes- able to use it before the January maga- the November issue of our great maga- day evenings at 1 o'clock, lie is. as you zine. Can you wait that long? Here's zine and have been properly thrilled by probably know, one of the pioneer Radio a little one of Fred Rodgers, though, the interesting story of Rudy Vallee. artists, having made his debut when that may help a little. Fred is general You see we are always working at least KDKA first began operafions in 1980. program director of Wcstinghouse sta- a month in advance of the date that the He is without doubt one of the leading tions and one of the best known of all magazine appears, so your question was tenors of the countrv. the KDKA artists. Besides his mike ap- answered before I got your letter. If * * * pearance he sings in church, and is now you still want to know more about Rudy Dave R. of Minneapolis sends in an at the Watson Memorial Presbyterian I will be glad to hear from you. interesting bit of gossip concerning Paul church, Pittsburgh. He has sung in * * * Johnson of KSTP. Paul was married. many famous musical organizations and Word comes from Mrs. J. H. W. of I guess most know that, but it was in has been seen in light opera under the Harrison, Nebraska, about Jack Little. leap year, about a year ago. Selma Vera auspices of the K. of C. Sorry to have Elsewhere in this issue there is a little Gibson of St. Joseph. Michigan, was the tell to you that he is married. story about this popular artist. 1 hadn't lucky girl, lie met her three years It just breaks my heart that I won't heard about Gayle Grubb, however, and in a broadcasting studio while he was be able to visit you in Weyers Cave, and am glad to know he is happily situated announcing a program, and then, slowly certainly would like to meet your at WKY. I agree that his farewell from but surely, he fell, and now it seems to brother. He sounds like a thriller. KFAB was certainly worth listening to. be lasting. Mighty interesting, Dave.

SUM Just for your benefit, Anne of Berk- Jess Doolittle is the head "Buster" of Once in a while one of the boys gets eley, here's a picture of that big hand- the Illinois Sodbusters out at WLS. up nerve enough to write to me. (Wish some lad who plays the organ at KPO, This sunburned, slim, brown eyed young it was oftener.) Now Jack Blaine, from Theodore Strong. Theo- man is medium height and "one man," Pasadena, wants me to dore, they tell me, for I M. J. Davis. He's still on the sunny side publish a picture of Mil- haven't had the pleasure of the twenties but is muchly married. dred Southall. Yes, Jack, of meeting him, is quite a He runs a farm on the outskirts of Chi- Mildred is as pretty and man. As you know, he is cago as either a vocation or avocation, charming as her voice featured every Sunday you can take your choice. and mike personality are morning. If you want to sweet and lovable. She is know about almost any And as to Harold Safford, the former one of those delightful of the leading musicians genial chief announcer at WLS is now individuals with a lot of of America or Europe, with Sears, Roebuck and company, hold- "It," and the kind Anita Loos says Mr. Strong is the man to tell you. At ing down an executive position in the Gentlemen prefer. She is a regular con- one time he was assistant music editor of retail advertising department. He left tributor to the big KPO revue, broad- Evening Mail, where the airway last March. Not exactly as cast every Monday the New York _ night from ten to he started his extensive acquaintance a postscript but just a bit of news, there twelve o'clock with the God of Whoopee among musical folks. Theodore writes is now another little daughter in the ruling supreme. You're not the only that he has played in over 2,000 church Safford household at Wheaton, Illinois. one to fall for pretty Mildred, Jack, to services of all denominations, in all parts Genevieve, all of ten pounds, arrived judge from the fan mail they say she of the United States, has featured in October 11 safe and sound. Parents receives. more than 200 recitals, has played at the doing nicely and daughter better. * * * console of twenty-five different makes Page Al Carney! of pipe organs and has a repertoire of A new addition to the WLS family is What's the matter with you, Al? Have over 3,000 different compositions. announced by Don Malin, musical direc- you forgotten all of your old friends here * * * tor of the Prairie Farmer station. A son, in Chicago and all over this great land? Well, Mary Gibbs, at last I can tell John William, made his debut at Don's Let's hear from you and tell us what you about Ralph Wentworth. He is homestead on August 24. According to your plans are and when and where you manager of the Columbia Artists bureau, the father the home programs are mov- are going to settle down. Last time we which is a division of the Columbia ing quite smoothly with two young sons heard definitely of you you were in Mus- Broadcasting system in New 'York. He announcing. Donald Rhodes Malin, the kegon, Michigan. What's the latest? * * * is heard announcing the Fada hour each elder by two years, is assisting his young week. John Reed Tyson is now with brother. Where, oh where is Paul McClure? WIBO, Chicago, and I am trying to per- Some of you interesting men folks are suade him to send me his picture so that Hunting squirrels is the hobby of Cor- getting to be awfully hard to keep track 1 can print it for you. If it comes in in inne Jordan, program director and of. Seems to me that I know where time I will write more about him later. entertainer of KSTP, St. Paul. When Paul is now, but it has slipped my mind. * * * she is away from the sta- Can anyone help me out? * * * Guy Lombardo, I am happy to be able tion she tramps through to tell Ariel Trentman of St. Paul, is the woods hunting these Even studio luminaries sometimes lose now on the air regularly, and can be little animals. And there's track of their old friends. An old pal of heard every Thursday night from 10:30 a reason—she wants a Wendell Hall, John and Ned, the Mona- to 11 o'clock over WBBM, Chicago. As squirrel coat, and wants motor Oils Twins, and the Ray-O-Vac nearly as I can find out now he is hap- to earn it. By this time Twins, is now doing his stuff at KGHL, pily situated at the Roosevelt theatre, the winter garment ought Billings, Montana, as announcer and New York, although he may come to to be nearly complete, if director. Name please? It's no other Chicago late this winter. Corinne has been as diligent as she than Eric Thornton, who started his promised to be. Would you envy a girl Radio career over WOW, and from No, little Betty, Dorothy Denee Snow- who could earn a smart new coat this there went to KOIL. Then came a year den, who is Queen Denee of KOMO's way? and a half at WKY, Oklahoma City," Storyland court for children, and George * * * when he returned to Council Bluffs., a Hubert Godfrey, King Hubert of the A potential announcer arrived recently proud papa. That ended active Radio same Court, are not married. Their ru- to augment the staff of KSTP in the per- work for about a year, but in May 1928 mored wedding was merely a fiction son of Thomas Pittison Coates III, the he again felt the call and went to KGHL, designed to please the listeners in the 8-pound son of Thomas Pattison Coates, which started him off with a bang and, Northwest. II, feature entertainer and announcer of he says, has been gaining momentum Queen Denee has ruled Storyland the National Battery station. The Junior ever since. * * * court for three years, but her first King, member of the Coates family was born King George, according to fiction, was in Chicago and came to St. Paul with Thanks to Mrs. John Cain of McAlis- killed in battle and King Hubert of the Mrs. Coates, when Papa Coates found a ter, Oklahoma, I have some information neighboring country of By-lo-land new home for his family. about Gloomy Gus. Mrs. Cain says Gus kindly offered his help to her in ruling Mr. Coates recently joined the KSTP has been heard regularly from WKY at the court of Storyland. staff, from WGN of Chicago and Oklahoma City. He was kept pretty Who says children haven't a sense of WEAF, where he won national pop- busy out there for a while when Fair romance? The kiddies immediately ularity through novel features and his Week was on, and the folks in the West began demanding that the two poten- weekly concerts. He is a lyric baritone like his offerings. Thanks, Mrs. Cain, I tates marry, and so it had to be, in the and a concert, stage and radio artist. wish more Digest readers were as help- story. Congratulations, Thomas II. ful as you are. % % * * * *

Just read your letter for the second Frank Hobbs of WNAX is a real old David Westlund is one of those for- time, Lucille, and I find I forgot to tell timer and an accomplished citizen at tunate young men who has sufficient you about Curt Peterson. Curt is one of that. He hasn't missed a day in over two musical ability to make it pay his way those fair haired Vikings years of constant playing before the through college. When he that make your heart flut- mike. Belonging to eight organizations, started for the campus of ter. He is about five feet he plays, when they are on the air, B the University of Minne- ten inches tall and is clarinet with the concert orchestra, tenor sota with his saxophone blessed with brilliant blue sax with the Radio orchestra, B clarinet under his arm the Kappa eyes. He is known for his with the Bohemian orchestra, E clarinet Sigmas saw a good man sweet disposition and they with the Dutch band, tenor sax with the and took him in. He has do say his home life with sax quartet, violin with the symphony won a trophy at KSTP wife and two children, one orchestra, cello with the Happy Jacks as the best college Radio six and the other three, old time trio, and, last but not least, entertainer in that sec- is ideally happy. Curt has clarinet solos. Frank sounds like a busy tion. The Kappa Sigs liked him but not' seen quite a bit of this country, being man, doesn't he? But he says he likes his sax, so he had to join the college born in Albert Lea, Minnesota, in 1898. his job and wouldn't trade it for any- band to practice. His laurels came as He graduated from the University of thing. the result of the voting of 15,000 students Oregon in 1920, after serving as an infan- * * * at the University and Radio listeners, try lieutenant in the World War. And Yes, Billy Smithers of NBC fame on picking him from among over 200 con- here's an interesting bit. He taught sing- the Pacific coast, is a real, for sure testants. * * * ing at Miss Mason's School for Girls. enough person, but the creator of the Lucky Girls! Now he has more or less character didn't know it for a long time. Marcella hears all, tells all. Write her graduated from the announcer's staff The real Billy lives in Portland, is ten a letter, ask her any of the burning and is supervisor of announcers, pass- years old and a devotee of Memory questions that are bothering your mind. ing on all mike jobs at the NBC. Lane. Get it off your chest. 73 ^NAPPY FUN from the Air

Pines of Humor from Here and There Among the Studios and Stories that Lighten the Day

LITTLE Ann Pickard doubtless is the world's best known NBC uses for the business of broadcasting—form the first line five-3'ear-old broadcaster. She appears regularly with of defense against the overly-enthusiastic would-be broad- her father, mother and brother, Peter Phaney Pickard, casters. According to the hostesses, these would-be broad- over the National Broadcasting company network from casters make up a large percentage of the population of Man- the Chicago studios. Ann already manifests the temperament hattan. of a great artist. The other day it came her turn to sing Came one day an odd looking chap whose ears were his most over the microphone. "No, Daddy, I'm not going to sing noticeable feature. t o d a y," she de- "I want to present a novel feature on the air," he told the clared firmly. hostess who intercepted his dash toward a studio. "Where's a "Why, what's the microphone? Where's a microphone?" matte r?" ques- "Oh, yes," said the hostess sweetly, "but what do you do?" tioned Dad Pick- "Look at my ears," commanded the visitor. She looked and ard in surprise. saw them twitch and wiggle in a manner most startling. "Well, I have my "But we haven't any provision for television," she said, own reasons. I being tactful. don't feel like "Wait a minute, wait a minute," said the visitor. "Now singing, so!" Then listen!" He bent his head so that one of the awe-inspiring ears she began to cry. was near her face. He moved it. She heard a distinct click. "Just think of "I'm the only ear clicker in the world," announced the visitor. Grandma sitting "Now where's that microphone?" "^f| there waiting and listening for you ^^ in to look a telephone ui'S way down VISITING artist at WGN wanted up Tennessee —wha,t A number. He searched through desks and under telephone r mgtM w iH she think? stands. He approached Miss Roache, the genial hostess. % W And al! those "Do you know where they keep the telephone books?" he V MwBnSB&SBmti&ir' folks who have asked. been writing let- "We can't keep them," answered the little lady sadly. "Mark ters to you, what will they think?" Dad's arguments finally Love gets nervous when he sings and tears them in two, with- prevailed and Ann stepped up to the microphone and sang out thinking." "Take Me Back to GT Virginny" with such feeling that tear Yes, that's one of the chief problems of the WGN adminis- drops were still rolling down her cheeks. It was a tremendous tration. They simply can't keep Mark Love in telephone success and she was rewarded by the biggest basket of mail books. * * * ever from all kinds of folks who said they had never heard anything so touching in all their lives. r i i I "'O SEE ourselves as others hear us" is one of the experi- Not until the next day was the cause of her revolt at the JL ences that happens occasionally to Radio entertainers. microphone discovered. She finally confided to her mother Recently Marion Jordan, a member of the staff of WENR, that she was hurt because "everybody had laughed at her." Chicago, who takes the part of Ma Smith in the comedy sketch, In the morning she had heard Frank E. Mullen in charge The Smith Family, overheard two women on a bus discussing of the program say: "We are going on from coast-to-coast the feature. Said one to the other, "I'll bet that woman who today." She clapped her hands and ran to tell her brother, takes the part of Ma Smith is an old battle axe. I just know "Oh, Phaney, Phaney, get ready, we're going on the roller she could bawl my husband out the way I'd like to." coaster today." Of course everybody did laugh—and thereby The fact is that Marion is both young and mighty attractive. ruined a prima donna's disposition. * * * * * * BILLY BEARD, who teams with Al Bernard to form the tt'T'HEY all laughed when he sat down at the piano" is a NBC comedy team known as the Raybestos Twins, re- *- phrase familiar to everyone, due to the efficiency of cently returned from a short visit to his native South and is modern advertising, but it was a new one to the famous Lee still laughing over an experience he had with a real old Negro Simms when he sat down at the piano of the NBC studios in mammy. Chicago recently. Beard dropped in one day to visit a friend who is a physician. When Lee sat down to play his scheduled number in the The friend was not in but the colored woman who walked in program he was dumfounded and disconcerted to hear a huge while Beard was there mistook him for the doctor. She asked burst of laughter from the members of the orchestra which him what she could do for the "misery" in her stomach. was appearing with him. The jovial Beard asked her if she "assimilated her food." It was not until the program was over that Simms, who had Whereupon she indignantly replied, "Deed and I doesn't. I ga- missed the rehearsal, understood the reason for the hilarious it honestly." outburst. In building the program a humorous take-off on the * * * familiar advertisement had been incorporated in the announcer's in Washington. D. script and the laugh which threatened to ruffle Lee's usually GEORGE F. HICKS, NBC announcer C, the service bands. the end smooth disposition was as much on the program as his own was announcing one of Toward number. of the program it became evident that it would be necessary * * * for the leader to eliminate one of the two remaining numbers, a waltz and a fox-trot. The leader decided to cut out the waltz. SOME of the KGO listeners have objected strenuously to an "Jump the waltz," the leader whispered to Hicks. "We'll unscheduled part of the programs from the General Electric take the march." station in California. It seems that there is a big frog pond And then Hicks announced: back of the KGO studios in East Oakland and the bull frogs "Ladies and gentlemen, our program has been altered some- frequently start their singing at the most inopportune time. what. We will next hear Jump the Waltz, a march." Sensitive microphones pick up the croaking and send it out * * * with the programs being broadcast from the studio. Strange as over the telephone got Olive Palmer her start, but it may seem listeners object to this form of accompaniment. SONG A the method wasn't so successful for another soprano who * * * tried it on Hart Giddings, assistant musical supervisor for the MORE than a hundred people in a studio, especially if all NBC in New York. of them are moving around, presents a problem. How to A woman telephoned for an audition and when she get some of them seated was solved by one bright young lady. informed that all available time was booked for two weeks Drawing individual guests aside she'd whisper in their respec- ahead, she insisted on singing to Giddings then ami there. tive ears that just across the studio was the chair Graham Picking one of the longest arias from the operatic repertoire, McNamee always sat in. Tt worked as she never indicated the the singer stepped back from the telephone and began to sing. same chair twice and in a few minutes every seat in the studio Unable to make her hear him, Giddings had to hang on until was occupied by contented looking visitors. she had finished. The hostesses—and there's a hostess on every floor the Sin- didn't get the job and Giddings did get a headache. 71 C£^aikiki °^aves Swish on KGU COVE and Nature Themes Sway Masses JVho Follow Programs Sent Out From Honolulu

speaking from Honolulu has adopted for its slo- Station KGU, The Advertiser, Honolulu, Hawaii, has gath- KGUgan, the Land of Sunshine, the Future Playground ered under its banner a number of the best known. of America. One is Charles K. Dimond, a versatile artist, whose forte is Hawaii has been the motif for countless dreamy music and song. Surrounded by his instruments, and with a songs, and everybody is familiar with at least one or more voice that has a tremendous appeal, he provides rapid fire musical comedies which were founded upon a theme brought entertainment for the followers of KGU. from the islands away out in the middle of the Pacific. At one time Dimond was the ace of the Radio entertainers Hula music, written for dancing, is invariably gay, light at KNX, Los Angeles, and for three years he made regular and bright. Hawaiian music is said to be rather melancholy appearances before the mike at this station. Vaudeville has to the layman, but its appeal lies in the vogue it has with the claimed the services of Dimond, and he has traveled exten- natives of the islands. sively over the circuits of the west. Flowers are popular with the Hawaiians, and they have Isobel Fancher is another reason for the popularity of the used them for the background of countless songs. The sweet Radio programs of KGU. She is often referred to as Hawaii's green maile vine, the royal yellow ilima of the Island of Oahu, Radio girl. For two years she has been numbered among the the bright red lehua of the Island of Hawaii, the beautiful artists employed at KGU, her soprano voice delighting thou- mokihana of the Island of Kauai, the rose-lani of Maui and sands who tune in this island station.

Directing KGU, and serv- Charles K. Dimond, below, ing as chief announcer, who brightens programs is the chore assigned to of KGU, Honolulu, with H. N. Tyson, below. his music.

the pikaki have all been used as the Isobel is not only a salesman of inspiration of song writers who her own Radio personality, but she have set about to express in song 1 is an insurance salesman, and when the thoughts of the people. not engaged in her work at KGU, Rulers over the islands in years or providing entertainment at a girl is Isobel gone by have written songs and have en- Hawaii's Radio Fan- drawing room or in some concert hall, sings in a half dozen couraged others who have expressed the cher, who she is active in the field of business. She thoughts of the people in music. The languages. She has Radio person- has applied herself assiduously to music, Hawaiians have brought their own ac- ality, a lovely voice, and you will and not only plays the piano, but has an complishments as well as those of the agree she is good to look upon. exhaustive repertoire of German, French, islands to all nations through the songs Italian, Spanish, English and Hawaiian that have been written about them. songs which she sings for the pleasure of No song has had the following that has come to Aloha Oe. her large Radio audience. It represents sentiments, emotions and feelings of the people The responsibility of directing the affairs of KGU, and func- of the islands. It sort of symbolizes the people, and it really tioning as chief announcer, have fallen to the lot of H. N. is the anthem of the Hawaiians. People rise to their feet Tyson. Tyson is very much a part of KGU, having been when it is played and it has approximately the same status in identified with the station for two and a half years. KGU Hawaii as the Star Spangled Banner has in the United States. came on the air May 11, 1922, since then has been consistently The soft and haunting strains of Aloha Oe have been carried broadcasting Hawaii as the Land of Sunshine, the Future Play- to all countries.. They have permeated the life of the people ground of America, and calling attention to the Paradise of the in the Hawaiians; they are heard at all hours of the day and Pacific, the title which has been given to the Hawaiian islands. night, on_ outgoing and returning ships, at the theater, the Countless improvements are being made in the broadcasting club and in the dance hall. facilities of KGU, and before long the Honolulu Advertiser Songs have been written and dedicated to the people of the Publishing company, which is the sponsor of the station, will islands, others have had the imprint of royal approval, but be occupying quarters in its new building. Elaborate studios none seem to convey the spirit, the emotions and the very life and almost unlimited facilities for broadcasting will be pro- of the people as Aloha Oe. vided, and it is expected that the programs may eventually be A veritable army of entertainers are on the islands, and rebroadcast in the States for all to hear. — — 76 ^oice of the Listener

We've Changed the Log ing John Doe that the Amalgamated sufficiently interested to write. Address I have just been reading your most Thumb Tack Corp. makes the kind of all communications to L. S. J. CRANSE, interesting magazine which namely is doughnuts that come from contented President, Newark News DX Club, 215 the October issue. I find that some are oil refineries. You have to listen to Market St., Newark, N. J. * * * complaining of the Radio stations not them whether you want to or not. One announcing often enough. Well, I think eastern station, one midwestern station An Old Friend Writes once every quarter hour is plenty. Also, and one western station are enough to Have just finished reading the Octo- where two letters are very much alike broadcast one program. Then the ber number of the Radio Digest. in sound, they should be pronounced Radio audience can suit itself about Haven't missed an issue for nearly four very distinctly. For example, when I listening to it. years. A better Radio magazine isn't first heard the announcer at WKBW I I might also add that if the one-hun- published. Every article is crammed thought it was WKDW. dred-watt stations that aren't any good full of interest. There are plenty of M. Aulenbach, Auburn, Pa., would in anyway, were taken off the air it would pictures which are always welcome, and my estimation receive more complaints clear the air twenty-five per cent. stories of artists and announcers which than enough. I like Hawaiian music, ARTHUR MOULTON, Kittanning, Pa. give us intimate glimpses of their lives good bands and orchestras, violin solos, * * * and make us feel personally acquainted. quartette singing, but I am not much A Club for the DX'ers I especially enjoyed the story of Mc- in favor of one singing alone, except I was very much interested in the Namee's school days told by his dad, and when singing comic songs or pieces in letters which appeared in your October the backstage chatter of the "Two which the words are to be distinctly issue under the heading, "The Voice Troupers." The fiction, too, was very heard. We could also include a few more of the Listener." Several of your cor- interesting and unusual. sacred songs on the air. Leave fox trots respondents expressed the wish that a "Who's Who in Broadcasting" is a to the foxes, but a good waltz is desir- Radio club or DX club might be formed valuable department, and I, for one, ap- able. Interesting lectures on education, and inquired if there was such an or- preciate it greatly. Then Marcella comes stock markets are indispensable. Well, ganization. Without doubt the informa- in for her share of praise. I enjoy her so much for that. tion which I am offering in this connec- "Short Waves" ever so much, for I am Now to criticize your October edition. tion will prove interesting. one of those very inquisitive souls who As for cover, I think as Melle Pittenger, The Newark News DX club was must know all about their favorites. an inside view of some of our broad- formed on December 8, 1927, with a The department listing chain features casting stations would be welcomed. charter membership of fifty-six. So far is something I've been waiting for. On your list of programs for the week as we know, this was the first organiza- And now for a suggestion: The foot- I think if you could arrange it in such tion of Radio Listeners ever banded to- ball season is on so why not give us a a way as to put the NBC in one space gether solely in the interest of DX re- writeup (with pictures) of some of our and the Columbia Chain in another you ception. Shortly after the formation of most popular sports announcers? Carl would be as near perfection in that as our club, the writer was successful in Menzer of WSUI, Iowa City, is a prime possible. Your log for favorite stations interesting the Chicago Daily News and favorite in this section of the country. can't be beaten. Now for your list of the Buffalo Evening News, both of I'd like very much to see a story about programs again, you did not mention whom organized DX clubs. WHO with pictures of the studio, direc- the Just Folks at 9:30 Eastern standard The only qualifications necessary for tors, announcers, artists, and what have over the NBC. Well, I think I have membership is an interest in Radio, al- you. said enough for this time.—W. DODS, though the club issues DX qualification Will sign the name by which I am 37 Beech St., Sault Ste. Marie, Ontario, certificates in four different classes to known to Marcella.— ELIZABETH Canada. such members as are able to qualify for ANN, Belle Plaine, Iowa. * * * them. The classes are as follows: Couldn't Do Without Us! Junior DX-er—For logs of 100 sta- We'll Try to Please Whoopee! and other expressions of tions. I think the Radio Digest is just what hilarity—oh! it is just too wonderful for Master DX-er—For logs of 200 sta- a lot of people have been looking for. words. Whew! just a minute and I'll tions and verification from at least one and the October number is great. explain all of this outburst. I'm very station more than 2,000 miles from point Please have an article (similar to the happy, because THE Radio Digest is of reception. one about Norman Brokenshire in the to be published every month. Now, yoi» Past Master DX-er—For logs of 300 current issue) about Frank Knight, an- are able to understand why I am shout stations and five such verifications. nouncer at WABC in New York, and ing. DX Ace—For logs of 400 stations and pictures of him. Also John Wardle I have read the October number from ten such verifications. at WNAC in Boston. cover to cover, and everything is won- Local stations count as well as dis- I think these articles are very inter- derful—interesting—or what have you. tant stations in these lists, and when ap- esting to many people who listen in But the most wonderful of all is that plication is made for a certificate a com- every day and wonder what the an- the Radio Digest will be published plete list of stations must be submitted nouncer looks like, etc. monthly. I am so glad. I couldn't do as well as such verifications as are re- If you can arrange to do this, I know without the Radio Digest. It is the quired. many folks will be interested. Thank- most wonderful magazine ever. Once a month the club holds a DX ing you for your attention, I am, MRS. I am looking forward to your printing contest for the Newark Evening News B. W. MAC FARLANE, Newburyport, an article about Carleton Coon and Joe trophy, a handsome silver loving cup Mass. Sanders and their Original Nighthawk donated by that newspaper. On such * * * Orchestra. Their music is perfect—and occasions members may select any six In This Issue so are the members of the band. They consecutive hours for DX-ing and must First of all I was very glad after really deserve a most wonderful write- mail their lists not later than the fol- turning a few leaves of the Radio Digest up—and I know that they will have lowing Monday. Stations logged must to discover that the magazine is to be it in the Radio Digest soon. PLEASE. be located at least 100 miles from point published every month. Wishing the best of everything to of reception and no stations may be I'd surely like to see a picture of Jack the staff of the Radio Digest. I'm for logged while broadcasting chain pro- and Gene and any information concern- you—always. I can hardly wait until grams. The name and address of the ing them would be welcome. Would the November number is released. contestant as well as name of receiver like to see some pictures of Norman VIRGINIA ("JINNY") PETERS, 2760 and number of tubes is placed at the top White, WSR announcer, and of Harold Madison Road, Cincinnati, Ohio. of the list. Then stations must be listed Keen, the Sunshine Boy. * * * in the order in which they are heard, I think a Home Makers' department Here's a New Friend each one being numbered. The neces- would be fine. Some tine information I have just bought my first copy of sary data includes call letters and loca- in this last issue about Graham Mac- the Radio Digest, but it won't be my tion of stations, time heard and actual Namee. last. After reading about Radio artists selections or other information such as I'm making a scrap book of Radio I enjoy listening to them much more, is required for verifications. The mem- stars and certainly appreciate every pic- especially Amos 'n' Andy. ber who first wins the cup on three oc- ture of good entertainers. I see that you ask for suggestions on casions will obtain permanent posses- As a request, please trv to tret a pic- Radio; so here's mine. If I had my sion of it after it has been suitably en- ture of Tack and Gene— MRS. FRANK way there wouldn't be any broadcasting graved. ALLORE, 157 Elsrin Ave., Toledo. companies with every good station in The undersigned will be very glad to Ohio. the country hooked up to monopolize supply additional information to any Writ* a letter and become a member Radio broadcasting for the sake of tell- reader of Radio Digest who may be of the V. O. L. Correspondence Club.

; 76 Short Go Swamps the Judges Program Contest a Close Race your audience to name the composition at the time that the answers to these from which the up-to-date popular questions will be given at the end of Radio Digest readers TTUNDREDS of melody was taken. Have some little the fifteen-minute period, after a short Ll to editor, offering have written the prize for the winner. musical program. (This will consume suggestions for a fifteen-minute program to This will create quite a sensation and about three minutes.) Then the or- contest be entered in the first Short Go be an education to the public. My hus- chestra in the studio will play about 1. The ideas offered which closes December band and I get great fun out of this three popular numbers, maybe an in- and the quality and originality of programs game which we play many nights. Such strumental solo included in the group. quality and so outlined are of so high a an idea is adaptable to Radio parties This group of tunes will last about numerous that it will indeed be a difficult where they can set their own prizes for eight or nine minutes, leaving the last task for the judges to select the winner. the winner. three minutes to give the answers to A few of the letters received have been This is something novel and will the questions asked at the beginning of entries and are picked at random from the greatly amuse your public. The evening the period. Total time -used—fifteen printed in these columns. after each program you might announce minutes. the titles of "stolen melodies," as well The listener will try to make up the Why Not a Spelling Bee? as the winner of the guessing contest. answers in his or her mind while the Having read in the October Radio Some time ago Lou White, the famous musical is going on, at the same time that ideas for "Short Digest you wanted organist, presented such a program, being entertained by the musical pro- Go" programs, I submit the following: only that he played first the modern gram.—A. M. SCHAUB, P. O. Box 410. Why not have a spelling match over song, and then the composition from Eufaula, Alabama. Radio? Have Radio give out the words which the melody was stolen. spelled, pronouncing the words to be Incidentally this may lead to better listeners stand a fair Quartets and Yodelers—Forward! twice, so the may song writers and better "songs.—MRS. chance of getting every word. The I would like to enter the "Short-Go" JOSEPHINE BADER, P. O. Box 89. program prize letter contest with this competitors should have pencil and Hachita, Mexico. New idea paper on which to spell the words, no * * * of a fifteen-minute program in the one telling any one else how to spell studio: For the Older Boys the words. After all the words are Snappy dance programs are popular have the bedtime story of given out, those competing should ex- We to all listeners, but there are too many the tiny tot, the music, addresses and change their lists of spelled words. on the air every evening to choose announcements for the grownups, but Radio then spells the words correctly from to hold a listener's attention for what have we for the red-blooded boy and the papers may be graded. fifteen minutes when it is so easy to of today that is really interesting to him. Aside from promoting good spelling, turn the dial for a chance of something Having chosen boys' work as a pro- such a program would have a tendency different or better. fession, I am naturally interested in any- to promote speed and accuracy, two I think a good novelty male quartet thing that is of interest to the boy. much desired attributes. Hoping I may is fine entertainment because of the One of the many interests which a boy be one of the winners, I am, MISS variety they can offer. For instance, possesses is the collection of postage GERTRUDE OTTO, Edinburg, Ind. short, snappy selections bring out close * * * stamps. harmony and hold the listeners attention In my opinion, this is one of the finest Behind the Scenes wondering what is coming next. Words hobbies that a boy could have; it is a play a small part in a good quartet My contest idea follows: Let the per- when fascinating, educating and thrifty pas- they can imitate steamboats, sonnel of any station put on a fifteen- train time, and one in which a boy should be whistles and do other harmony tricks. minute playette depicting the intimate encouraged and instructed. back-stage scenes that occur during the Give the bass singer a chance to go There are no tales more thrilling, grip- down cellar and get few notes arranging of programs, etc. Surely a to ping or life-like than those depicted on overcome monotony. there are amusing incidents that, with some of our foreign postage stamps. An unusual yodler also puts life and a little "dressing up" would prove enter- There you may find tales of conquest, interest in a selection. guitar or har- taining and instructive to thousands. A war, mystery, revenge, discovery, his- monica for a second goes well with I suggest the playette be apparently tory, racial and religious customs. Every male voices; too much music ruins the authentic, the left with mike open by one of those little adhesive labels is "mistake." effect of a good quartet. Fifteen min- an art in itself and holds a wealth of utes goes quickly when the entertain- Many loyal fans will never be able information for those who care to ex- ment is good, and I am sure a real to visit a station, due to ill health, and plore them. quartet can produce an excellent pro- being a "house plant" myself, I know If you could arrange a program of gram. Quality novelty and harmony what it would mean to get an air glimpse stamp stories, information and instruc- singers are not worn out by daily pro- of a studio.—GLENN O'CONNOR, tion, you would be inaugurating a novel gram repetition and phonograph rec- 9449 Brush St., Detroit, Mich. and interesting program, as well as ords, like jazz bands, orchestras and H1 ^¥ ^¥ doing a great service to the host of soloists are, and very seldom the chain Bedtime for Grownups individual collectors and the numerous programs, which ninety per cent of the I in submit the following suggestions boy stamp clubs that are now opera- Radio fans listen to, offer this type of for a "Short-Go" program: tion. a program.—NED PILLEY, Sheridan. A bedtime story hour for grownups. Not only would the boys welcome a Wyoming. ^c Elliott of Harvard once said, "Just program of this nature but the older 4f. $ before you go to sleep, picture to your- collectors would appreciate it as well. Likes Impersonations self the man you desire to be and no There are more followers of this hobby I was just reading about your contest power on earth can keep you from being than any other I know of, but most for program I that man." men are afraid to admit their interest a "Short Go" and won- if perhaps I might be able to This gave the idea. for fear their neighbor would deride dered Listeners should be instructed to them through lack of understanding. assist you with some of my ideas. First of all I think that a program make themselves comfortable. How to To assure you of the interest taken of humorous impersonations would be drop all the cares of the day. How to in this hobby, I would refer you to any enjoyable. For instance, the imperson- relax. Then a period of soothing music, of our leading stamp dealers, who will of old describing her followed by a short talk by a student furnish data regarding the numbers and ation an woman first picture show, party line "gos- of psychology. The speaker's tone will personages indulging in this king of hob- or a have as much weight as his words. bies.—JAMES A. FAROUHARSON. siping spree." too, there is the fellow who Our ambitious boy, our tired business Y. M. C. A., Capreol, Ont. Then, the ivories on a squeeze man, our entire audience, will drop off * * * can "pound box." Have you ever heard many to sleep with his highest ideal indelibly Ask Me Another Radio fans complain about accordion stamped upon his subconscious mind A short-go Radio program lasting music? I'll bet you haven't, because and "no power on earth" can keep him fifteen minutes should be snappy and nearly everyone loves it. from attaining that ideal.—STELLA interesting so that the listener would MAE TRAVER, 219 N. Pearl, Joplin, be interested and entertained enough Although there are some who won't been especially en- Mo. to stand by and not switch his dial to agree, I have always * * * a yodeler. To me a another station. I suggest a program thusiastic about That, of Checking Up Authors like this: yodeler is almost a mystery. it all the more interesting. My idea for a fifteen-minute pro- The announcer would ask three or course, makes Another thing which we hear very gram: Call it the "Musical Puzzle Game." four questions about topics of current little of and which, I believe, would During those fifteen minutes present interest, such as those questions found choruses of latest popular song- hits. Ask in an "Ask Me Another" book, stating (Continued on page 126) 77 Mam Tells Ladies About Meat Cuts

you hear one of your friends at the NBC studios WHEN is announce that the title of the talk about to be given "Feed Your Flock on Shepherd's Pie," or something which sounds equally like a slogan, you will know that you have tuned in to one of WEAF's regular features —a talk on meat broadcast by the author under the auspices of the New York City and Hudson County (New Jersey) Meat councils. The purpose of these talks is to help the housewife to pur- chase meat intelligently and economically and prepare it to satisfy the taste of her family. She is told what to buy, how to buy and what to do with her purchase when she gets home. Even the seasons are taken into consideration, for in winter the housewife is told what meats will keep out the icy blasts, while in summer she is shown how simple it is to keep away from hot stoves by using the meats that are ready to serve without any cooking. The problem of varying the family fare is a difficult one and this, too, is discussed. Suggestions are offered for the use of left-overs and the proper method of balancing meals with all that it implies in the serving of foods with meat. Judging by the number of letters to be answered every week there is a vast army of women who find the purchasing and preparing of meat a real problem on a limited budget. Even cooks with fifty years of experience to draw upon report that there is always something new to learn.

THE question is often asked, "How did the meat talks hap- pen to start?" That's a long story, but let an "old timer" tell you a little about it. The meat councils, which, by the way, are local organizations of wholesalers and retailers, long recognized that housewives are using chops, steaks and roasts to the virtual exclusion of many lesser known and cheaper cuts of meat, simply because they did not know enough to do otherwise. They decided that a little education would be a real help to the woman who has to prepare three meals a day, and that the Radio offered the means. John Cutting launched the talks at WJZ and brought them quickly into the limelight. In those days there wasn't any NBC, and WJZ and WEAF weren't under the same manage- ment or roof. WJZ had recently inaugurated the Woman's hour as a new departure and under the watchful eye of Miss THIS exceedingly good looking young man is none Bertha Brainard we exercised the privilege of being the only other than our famous food expert, Mr. Philip Smith, men to broadcast in that period. and you may believe that he knows his meats. Any That was six years ago. People are still learning new housewife who hears over WEAF and the NBC can things about meat and the audience has grown from many hun- testify as to his knowledge. And now his audience dreds to many thousands and resides in more states than one should grow. has fingers. Some of the charter members of the first audi- ence who were newlyweds now write in for aid in feeding 1 cup slightly stale bread families. And as for results? Cuts of meat that were prac- Bacon fat tically unknown five years ago have become regular articles 1 tablespoon finely chopped parsley, green pepper or of fare in countless homes. pimiento. Now as to one more question which is asked frequently. It Chop fine left over meat such as beef, corned beef or a combi- is rather personal. Can I cook? Probably suspicion was nation of meats. Chop cold boiled potatoes and combine with aroused some three years ago when I inadvertently called a meat, using four cups of potato to two of meat. Cut slightly dumpling a vegetable. The answer is that too many people stale bread into small cubes to make one cup and brown these will travel far to get a genuine home cooked meal for me to slightly in bacon fat, add to the hash mixture, season with salt, reply with any degree of personal safety. pepper and a tablespoon finely chopped parsley and green pop- Corned Beef Hash per or pimiento. If the hash does not hold together, moisten 2 cups chopped corned beef with a little milk or stock. 2 cups cubed cold potatoes Vegetable Stew with Dumplings }-2 cup chopped onion (A One Dish Meal) 1 milk cup stock or 2 lbs. brisket, rump or chuck beef 2 tablespoons of bacon fat Fat for searing beef 1 l cups boiling water Melt the fat in a frying pan, then add the onion z chopped 1 > onion (chopped) and brown it slightly. Add the remaining ingredients, well 1 cup cubed carrots mixed. Spread the mixture evenly in the pan and cook over 2 tablespoons vinegar a slow fire for about thirty minutes. It is best to cover the pan 2 cloves for the first fifteen or twenty minutes to allow the mixture to 1 cup cubed potatoes become thoroughly heated. If the hash is to be baked, allow about forty-five minutes in a moderate oven. Sear meat on all sides in hot fat, cover with boiling .vater. Add onion, carrots, vinegar and cloves. Simmer three and a Planked Hash with Onions half hours. Add cubed potatoes and cook 80 minutes. Add Left-over meat dumplings and cover. Boil ten minutes without removing the Cold boiled potatoes cover. 78 Chain Calendar Features

Eastern Central Mountain Pacific Eastern Central Mountain Pacific 5 p.m. 4 3 2 8:30 p.m. 7:30 6:30 5:30 Meters Kc. Call Meters Kc. Call Sonatron Program (Cont.) 234.2 1280 WDOD 535.4 560 KLZ Meters Kc. Call Meters Kc. Call 322.4 930 WBRC 232.6 1290 KDYL 256.3 1170 WCAU 545.1 550 WKRC dffl&x*. 499.7 600 WREC 333.1 900 KHJ 258.5 1160 WEAN ...:|^:^f 215.7 1390 KLRA 491.5 610 KFRC 9 p.m. 8 7 6 ' *^?%SmSjt 230.6 1300 KFH 319 940 KOIN Our Government. 232.4 1290 KTSA 394.5 760 KVI Key Station—WEAF (454.3m-660kc) 370.2 810 WCCO 223.7 1340 KFPY 208.6 1450 WFJC 374.8 800 WSAI 267.7 1120 WISN 228.9 1310 KFBK 245.6 1220 WCAE 379.5 790 WGY 239.9 1250 WDSU 249.9 1200 KMJ 252 1190 WOAI 384.4 780 WMC 5:30 p.m. 4:30 3:30 2:30 263 1140 KVOO 405.8 740 WSB National Religious Service. 265.6 820 WHAS 454.3 660 WEAF Key Station—WJZ (394.5m-760kc 299.8 1000 WHO 461.3 650 WSM 394.5 760 WJZ 302.8 990 WBZA 315.6 950 WRC 499.7 600 WTIC 282.8 1060 WBAL 260.7 1150 WHAM 319 940 WCSH 508.2 590 WOW 302.8 990 WBZ 389.4 770 KFAB 333.1 900 WKY 516.9 580 WTAG 5:30 p.m. 4:30 3:30 2:30 336.9. 890 WJAR 545.1 550 KM) Tea Time Tunes. 374.8 800 WFAA 545.1 550 WCR Key Station—WEAF (454.3m-660kc) 454.3 660 WEAF 333.1 900 WKY Majestic Theatre of the Air. ' "***" J|i 245.8 1220 WCAE 361.2 830 KOA Key Station—WABC (348.6m-860kc) 315.6 950 WRC 379.5 790 WGY 201.2 1490 WLAC 275.1 1090 KMOX 205.4 1460 KSTP 299.8 1000 woe 204 1470 KFJF 288.3 1040 KRLD 263 1140 KVOO 204 1470 KGA 309.1 970 KJR 6 p.m. 5 4 3 215.7 1390 WHK 312.3 960 CFRB Echoes of the Orient. 215.7 1390 KLRA 315.6 950 KMBC 245.8 1220 WCAE 379.5 790 WGY 223.7 1340 WSPD 322.4 930 WBRC 299.8 1000 WHO 454.3 660 WEAF 227.1 1320 WADC 322.4 930 WDBJ 315.6 950 WRC 499.7 600 WTIC 230.6 1300 KFH 333.1 900 WFBL 325.9 920 WWJ 545.1 550 WGR 232.4 1290 KDYL 333.1 900 WMAK 361.2 830 KOA 545.1 550 KSD 232.4 1290 KTSA 348.6 860 WABC 6:30 p.m. 5:30 4:30 3:30 232.4 1290 WJAS 370.2 810 WCCO Whittall Anglo-Persians. 234.2 1280 WDOD 384.4 780 WTAU - Key Station—WJZ (394.5m-760kc 236.1 1270 WDSU 389.4 770 WBBM 205.4 1460 KSTP 325.9 920 KOMO 238 1260 KOIL 410.7 730 CKAC 222.1 1350 KWK 361.2 830 KOA 238 1260 WLBW 475.9 630 WMAL 234.2 1280 WEBC 379.5 790 KGO 241.8 1240 WGHP 491.5 610 WEAN 245.8 1220 WREN 394. S 760 WJZ 243.8 1230 KYA 499.7 600 WCAO 260.7 1150 WHAM 399.8 750 WJR 243.8 1230 WNAC 499.7 600 WHEC 265.3 1130 KSL 428.3 700 WLW 243.8 1230 WFBM 526 570 WWNC 282.8 1060 WBAL 440.9 680 KPO 254.1 1180 KEX 526 570 KMTR 293.9 1020 KYW 468.5 640 KFI 256.3 1170 WCAU 535.4 560 KLZ 258.8 1160 WOWO 545.1 550 WKRC THIS brunette gentleman is Eddie 302.8 990 WBZ 483.5 620 KGW 302.8 990 WBZA 483.6 620 WTMJ 267.7 1120 WISN Leonard, heard over the Columbia 305.9 980 KDKA 508.2 590 KHQ 9:15 8:15 7:15 6:15 7 p.m. 6 5 4 system on the Maj estic Hour £ unday Atwater Kent ladio Hour. Heroes of the World. Key Station—WEAF (4S4.3m-660kc) evenings at 9:00 P. M (EST). Key Station—WEAF (454.3tn-660kc) 205.4 1460 KSTP 440.9 680 KPO 454.3 660 WEAF 225.4 1330 WSAI 245.6 1220 WCAE 468.5 640 KFI 336.9 890 WJAR 344.6 870 WLS 252 1190 WOAI 483.6 620 KGW 516.9 580 WTAG 299.8 1000 woe 265.3 1130 KSL 508.2 590 KHO Jl,r~w, 319 940 WCSH 491.5 610 WDAF 280.2 1070 WTAM 384.4 780 WMC Sunidlay 535.4 560 WLIT 483.6 620 WTMJ 288.3 1040 WFAA 405.2 740 WSB 315.6 950 WRC 234.2 1280 WEBC 299.8 1000 WHO 416.4 720 WGN Eastern Central Mountain Pacific . 379.5 790 WGY 270.1 1110 WRVA 315.6 950 WRC 461.3 650 WSM 12:30 p.m. 11:30 a.m. 10:30 a.m. 9 :30 a.m. 545.1 550 WGR 440.9 680 WPTF 325.9 920 KPRC 491.5 610 WEAF Metropolitan Echoes. 245.8 1220 WCAE 277.6 1080 WBT 325.9 920 WWJ 491.5 610 WDAF Key Station—WJZ (394.5m 760kc) 280.2 1070 WTAM 238 1269 WJAX 325.9 920 KOMO 508.2 590 WEEI Meters Kc. Call Meters Kc. Call 206.8 1450 WFJC 535.4 560 WIOD 333.1 900 WKY 508.2 590 WOW 394.5 760 WJZ 315.6 950 WRC 325.9 920 WWJ 365.6 820 WHAS 361.2 830 KOA 534.4 560 WFI 221.1 1350 KWK 282.8 1060 WBAL 263 1140 KVOO 461.3 650 WSM 374.8 800 WSAI 545.1 550 KSD 1:30 p.m. 12:30 p.m. 11:30 a.m. 333.1 900 WKY 384.4 780 WMC 379.5 790 KGO 545.1 550 WGR The Pilgrims. 325.9 920 KPRC 405.2 740 WSB 379.5 790 WGY 394.5 760 WJZ 399.8 750 WJR 252 1190 WOAI 227.1 1320 WSMB 315.6 950 WRC 508.2 590 WEEI 299.8 1000 WHO 9:45 p.m. 8:45 7:45 6:45 1:45 p.m. 12:45 p.m. 11:45 a.m. :45 a.m. 545.1 550 KSD 263 1140 WAF'I The Fuller I Dr. S. Parkes Madman Cathedral Hour. 361.2 830 KOA Key Station—WJZ (394.5m-760kc) 379.5 790 KGO 325.9 920 KOMO 7:30 6:30 5:30 4:30 222.1 1350 KWK 305.9 980 KDKA 508.2 590 KHQ 483.6 620 KGW Major Bowes* Family. 245.8 1220 WREN 394.5 760 WJZ 2 p.m. 1 p.m. 12 n. 11 a.m. 206.8 1450 WFJC 379.5 790 WGY 260.7 1150 WHAM 399.8 750 WJR Roxy Stroll. 245.6 1220 WCAE 384.4 780 WMC 302.8 990 WBZ 526 570 WIBO 205.4 1460 KSTP 315.6 950 WRC 252 1190 WOAI 405.8 740 WSB 302.8 990 WBZA 234.2 1280 WEBC 394.5 760 WJZ 263 1140 KVOO 461.3 650 WSM 10 9 8 7 282.8 1060 WBAL 399.8 750 WJR 299.8 1000 WHO 491.5 610 WEAF Arabesque. 293.9 1020 KYW 428.3 700 WLW 31 S. 6 950 WRC 499.7 600 WTIC Key Station--2XE (58.5- 970). WABC 302.8 990 WBZ 483.6 620 WTMJ 319 940 WCSH 508.2 590 WOW 204 1470 WKBW 545.1 250 WEAN 302.8 990 WBZA 508.2 590 WFAA 333.1 900 WKY 516.9 580 WSAZ 215.7 1390 WHK 258.5 1160 WOWO 305.9 980 KDKA 336.9 890 WJAR 516.9 580 WTAG 223.7 1340 WSPD 275.1 1090 KMOX 3 p.m. 2 1 12 n. 365.6 820 WHAS 545.1 550 KSD 227.1 1320 WADC 315.6 950 KMBC National Youth Conference* 374.8 800 WFAA 545.1 550 WTAR 232.4 1290 WJAS 333.1 900 WFBL 394.5 760 WJZ 384.4 780 WMC 8 p.m. 7 6 5 238 1260 KOIL 370.2 810 WCCO 282.8 1060 WBAL 405.2 740 WS3 Enna Jettick Melodies. 238 1260 WLBW 389.4 770 WBBM 270.1 1110 WRVA 252 1190 WOAI 205.4 1460 KSTP 302.8 990 WBZA 241.8 1240 WGHP 475.9 630 WMAL 440.9 680 WPTF 389.4 770 KFAB 221.2 1350 KWK 305.9 980 KDKA 243.8 1230 WNAC 499.7 600 WCAO 238 1260 WJAX 234.2 1280 WEBC 325.9 920 KPRC 256.3 1170 WCAU 545.1 550 WKRC Symphonic Hour. 245.8 1220 WREN 333.1 900 WKY Key Station—WABC (348.6-860) 252 1190 WOAI 361.2 830 KOA 204 1470 WKBW 348.6 860 WABC 260.7 1150 WHAM 365.6 820 WHAS 215.7 1390 WHK 370.2 810 WCCO 263 1140 KVOO 384.4 780 WMC 223.7 1340 WSPD 447.5 670 WMAQ 263 1140 WAPI 394.5 760 WJZ 227.1 1320 WADC 475.9 630 WMAL 270.1 1110 WRVA 399.8 750 WJR 232.4 1290 WJAS 499.7 600 WCAO 277.6 1080 WBT 405.2 740 WSB 238 1260 K01L 545.1 550 WKRC 282.8 1060 WBAL 428.3 700 WLW 238 1260 WLBW 209.7 1430 WHP 288.3 1040 KTHS 461.3 650 WSM 241.8 1240 WGHP 234.2 1280 WDOD 288.3 1020 WFAA 483.6 620 WTMJ 243.9 1230 WNAC 322.4 930 WDBJ 293.9 1020 KYW 535.4 560 WIOD 256.3 1170 WCAU 230.6 1300 KFH 302.8 990 WBZ 545.1 250 WEAN 535.4 560 KLZ 8 p.m. 7 6 5 258.5 1160 WOWO 215.7 1390 KFPY La Palina Hour. 267.7 1120 W1SN 232.4 1290 KDYL Key Station-2XE (58.5-970), WABC (348.6-860) 275.1 1090 KMOX 486.5 640 WAIU 223.7 1340 WSPD 267.7 1120 WISN 315.6 950 KMBC 394.5 760 KVI 227.1 1320 WADC 275.1 1090 KMOX 333.1 900 WFBL 526 570 WWNC 232.4 1290 WJAS 315.6 950 KMBC 4 p. n. 3 2 1 238 1260 KOIL 333.1 900 WFBL National Light Opera. 238 1260 WLBW 333.1 900 WMAK Key Station—WJZ (394.5m-760kc) 241.8 1240 WGHP 348.6 860 WABC 394.5 760 WJZ 315.6 950 WRC 243.8 1230 WNAC 370.2 810 WCCO 282.8 1060 WBAL 389.4 770 KFAB 243.8 1230 WFBM 447.5 670 WMAQ 205.4 1460 KSTP 483.6 620 WTMJ 256.3 1170 WCAU 475.9 630 WMAL Cathedral Houi 545.1 250 WEAN 499.7 600 WCAO Key Station -2XE (58.5-970 258.5 1160 WOWO 545.1 550 WKRC 215.7 1390 WHK 370.2 810 WCCO 8:15 7:15 6:15 5:15 223.7 1340 WSPD 258.5 1160 WOWO Collier's Radio Hour. 227.1 1320 WADC 243.8 1230 WFBM Key Station—WJZ (394.5m-760kc 232.4 1290 WJAS 275.1 1090 KMOX 394.5 760 WJZ 24S.8 1220 WREN 238 1260 KOIL 315.6 950 KMBC 302.8 990 WBZA 361.2 830 KOA 238 1260 WLBW 333.1 900 WFBL 260.7 1150 WHAM 265.3 1130 KSL 241.8 1240 WGHP 333.1 900 WMAK 305.9 980 KDKA 483.6 620 KGW 243.9 1230 WNAC 447.5 670 WMAQ 399.8 750 WJR 325.9 920 KOMO 267.7 1120 WISN 475.9 630 WMAL 428.3 700 WLW 508.2 590 KHQ 256.3 1170 WCAU 499.7 600 WCAO 293.9 1020 KYW 440.9 680 KPO 545.1 250 WEAN 545.1 550 WKRC 222.1 1350 KWK 468.5 640 KFI 348.6 860 WABC 204 1470 WKBW 8:30 7:30 6:30 5:30 Sp. m. 4 3 2 Sonatron Program. McKesson and Robbin's Program. Key Station—WABC (348.6m-860kc) Key St ation—2XE-WAI1C (348.6-860) 204 1470 KGA 258.5 1160 WOWO 256.3 1170 WCAU 275.1 1090 KMOX 215.7 1390 WHK 275.1 1090 KMOX 243.9 1230 WNAC 215.6 950 KMBC 223.7 1340 WSPD 309.1 970 KJR 545.1 250 WEAN 238 1260 KOIL 227.1 1320 WADC 315.6 950 KMBC S-flfiSUAHO-MSSttK 333.1 900 WFBL 223.7 1340 WSPD 232.4 1290 WJAS 333.1 900 WMAK 204 1470 WKBW 215.7 1390 WHK 232.6 1290 KDYL 333.1 900 WFBL 499.7 600 WCAO 238 1260 WLBW 238 1260 KOIL 348.6 860 WABC 2.32.4 1290 WJAS 475.9 630 WMAL 238 1260 WLBW 370.2 810 WCCO WHEN the Enna Jettick Melodies go 227.1 1320 WADC 208.2 440 WHEC 241.8 1240 WGHP 389.4 770 WBBM on the air over the at 8 o'clock 545.1 550 WKRC 322.4 930 WDBJ 243.8 1230 WFBM 475.9 630 WMAL NBC 241.8 1240 WGHP 384.4 780 WTAR 243.8 1230 KYA 499.7 600 WCAO (EST) Sunday evening Betsy Ayres 447.5 670 WMAQ 526 570 WWNC 243.8 1230 WNAC 526 570 KMTR 258.5 1160 WOWO 201.2 1490 WLAC 254.1 1180 KEX 535.4 560 KLZ is one of the prominent personalities.

*\ W

79.

Eastern Central Mountain Pacific 9 p.m. 8 7 6 Physical Culture Magazine Hour. Meters Kc. Call Meters Kc. Call 215.7 1390 WHK 258.5 1160 WEAN 223.7 1340 WSPD 275.1 1090 KMOX 226.1 1320 WADC 315.6 950 KMBC 232.4 1290 WJAS 333.1 900 WMAK 238 1260 KOIL 333.1 900 WFBL 238 1260 WLBW 422.3 710 WOR 241.8 1240 WGHP 447.5 670 WMAQ 243.8 1230 WNAC 475.9 630 WMAL 243.8 1230 WGL 4V9.7 600 WCAO 256.3 1170 WCAU 554.1 550 WKRC 9:30 p.m. 8:30 7:30 6:30 General Motors Family. Key Station—WEAF (454.3m-660kc) 205.4 1460 KSTP 384.4 WMC 225.4 1330 WSAI 405.8 740 WSM 238 1260 WJAX 416.4 720 WGN 245.6 1220 WCAE 440.9 680 KPO 252 1190 WOAI 454.3 660 WEAF 265.3 1130 KSL 461.3 WSM 277.6 1080 WBT 468.5 640 KFI 280.2 1070 WTAM 4^3.6 620 KGW 288.3 1040 WFAA 483.6 620 WTMJ 315.6 950 WRC 491.5 610 WDAF 319 940 WCSH 499.7 600 WTIC 325.9 920 KOMO 508.2 590 KHQ 325.9 920 KPRC 508.2 590 WEEI 325.9 920 WWJ 508.2 590 WOC 331.1 900 WKY 508.2 590 WOW 336.9 890 WJAR 516.9 580 WTAG TWO End Men and the Interlocutor of the Dutch Masters Minstrels, heard on 361.2 830 KOA 535.4 560 WLIT Tuesday nights at (EST) from and the 365.6 %20 WHAS 545.1 550 KSD 9:30 WJZ NBC system. At left we see 379.5 790 WGY 545.1 550 WGR Al Bernard, with Percy Holmes the other End Man, and Steve Porter, Interlocutor. 379.5 790 KGO Chesebrough Real Folks Key Station—WJZ (394.5m-760kc) 394.5 760 WJZ 222.1 1350 KWK Eastern Central Mountain Pacific Eastern Central Mountain Pacific 302.8 990 WBZ 293.9 1020 KYW 10: 15 p.m. 9:15 8:15 7:15 2 p.m. 1 p.m. 12 11 a.m. 302.8 990 WBZA 245.8 1220 WREN Studobaker Champions. Patterns in Prints. 260.7 1150 WHAM 428.3 700 WLW Station— (454.3m-660kc Key WEAF ) Meters Kc. Call Meters Kc. Call 305.9 980 KDKA 399.8 750 WJR -Meters Kc. Call Meters Kc. Call 215.7 1390 WHK 232.4 1290 WJAS Grand Opera Concert. 205.4 1460 KSTP 416.4 720 WGN 475.9 630 WMAL 256.3 1170 WCAU Key Station—WABC (348.6m-860kc) 234.2 1280 WEBC 440.9 680 KPO 204 1470 WKBW 267.7 1120 WISN 208.2 1440 267.7 1120 WISN 245.6 1220 660 WHEC WCAE 454.3 WEAF 384.4 780 WEAN 333.1 900 WFBL 215.7 1390 275.1 1090 KMOX 265.3 468.5 640 KFI WHK 1130 KSL 545.1 550 WKRC 243.8 1230 WFBM 227.1 1320 315.6 950 KMBC 280.2 1070 620 WADC WTAM 483.6 WTMJ 238 1260 KOIL 389.4 770 WBBM 232.4 1290 WJAS 333.1 900 WFBL 299.8 1000 620 woe 483.6 KGW 227.1 1320 WADC 394.5 760 KVI 238 1260 KOIL 333.1 900 WMAK 315.6 950 WRC 499.7 600 WTIC 223.7 1340 WSPD 53S.4 560 KLZ 238 1260 WLBW 384.4 780 WEAN 319 940 508.2 590 WCSH KHQ 7:30 p.m. 6.30 5:30 4:30 241.8 1240 WGHP 447.5 670 WMAQ 325.9 920 KOMO 508.2 590 WOW Roxy and His Gang. 243.8 1230 WGL 475.9 630 WMAL 325.9 920 516.9 580 WWJ WTAG 222.1 1350 309.1 970 243.8 1230 WNAC 499.7 600 WCAO 361.2 830 535.4 560 WFI KWK WCFL KOA 227.1 1320 VVSMB 315.6 960 256.3 1170 WCAU 545.1 550 WKRC 379.5 790 545.1 550 WRC KGO WGR 260.7 1150 394.5 760 10 p.m. 9 8 7 379.5 790 WHAM WJZ WGY 263 1140 WAPI 399.8 750 WJR Burns Panatela Country Club. 10:15 9:15 8:15 7:15 r 282.8 1060 405.2 740 Key Station— 'ABC (348.6m-860kc) W 2XE (49.2-692< Maestro s Hour WBAL WSB 302.8 990 440.9 680 256.3 1170 WCAU 447.5 610 WMAQ Key Station— (394.5m -760kc) WBZ WPTF WJZ 302.9 990 WBZA 461.3 650 243.8 1230 WNAC 258.5 1160 WOWO 394.5 760 WJZ 315.6 950 WRC WSM 305.9 980 KDKA 535.4 560 WIOD 384.4 780 WEAN 275.1 1090 KMOX 260.7 1150 WHAM 221.1 1350 KWK 333.1 900 WFBL 315.6 950 KMBC 361.2 830 KOA 8:00 p.m. 7 6 5 333.1 900 WMAK 238 1260 KOIL Longines Time The Voice of Firestone. 499.7 600 WCAO 223.7 1340 WSPD ' 222.1 1350 KWK 302.8 990 WBZ 205.4 1460 KSTP 333.1 900 WKY 232.4 1290 WJAS 215.7 1390 WHK 245.8 1220 WREN .302.8 990 WBZA 206.8 1450 WFJC 336.9 890 WJAR 227.1 1320 WADC 238 1260 WLBW 260.7 1150 WHAM 305.9 980 KDKA 225.4 1330 WSAI 365.6 820 WHAS 545.1 550 WKRC 475.9 630 WMAL 282.8 1060 WBAL 394.5 760 WJZ 227.1 1320 WSMB 379.5 790 WGY 241.8 1240 WGHP 243.8 1230 WFBM 10: to p.m. 9:30 8:30 7:30 234.2 1280 WEBC 384.4 780 WMC 10 p.m. 9 8 7 Around The Samovar. 238 1260 WJAX 405.2 740 WSB Cabin Nights. Key Station—WABC (348.6m-860kc) 245.6 1220 WCAE 454.3 660 WEAF 394.5 760 WJZ 222.1 1350 KWK 204 1470 WKBW 267.7 1120 WISN 252 1190 WOAI 461.3 650 WSM 302.8 990 WBZ 245.8 1220 WREN 315.6 950 215.7 1390 WHK KMBC 263 1140 KVOO 483.6 620 WTMJ 302.8 990 WBZA J 260.7 1150 WHAM 223.7 1340 WSPD 333.1 900 WFBL 263 1140 WAPI 491.5 610 WDAF 399.8 750 WJR 305.9 980 KDKA 232.4 1290 WJAS 348.6 860 WABC 270.1 1110 WRVA 499.7 600 WTIC 293.9 1020 KYW WCKY 238 1260 KOIL 370.2 810 WCCO 277.6 1080 WBT 508.2 590 WEEI 10:30 9:30 8:30 7:30 238 1260 WLBW 447.5 670 WMAQ 280.2 1070 WTAM 508.2 590 WOW Empire Builders 241.8 1240 WGHP 475.9 630 WMAL 283.9 1020 KYW 508.2 590 WFAA Key Station—WJZ (394.5m -760kc) 243.8 1230 WNAC 399.7 600 WCAO 288.3 1040 KTHS 516.9 580 WTAG 394.5 760 WJZ 333.1 900 WKY 256.3 1170 WCAU 545.1 550 WEAN 299.8 1000 woe 535.4 560 WLIT 302.8 990 WBZ 374.8 800 WFAA 275.1 1090 KMOX 545.1 500 WKRC 315.6 950 WRC 535.4 560 WIOD 302.8 990 WBZA 249.9 1200 KPRC 258.5 1160 WOWO 319 940 WCSH 545.1 550 KSD 260.7 1150 WHAM 252 1190 WOAI 11:00 10 9 8 325.5 920 KPRC 545.1 550 WGR 305.9 980 KDKA 361.2 830 KOA The Pepsodent Program. Amos 'n' Andy. 325.5 920 WWJ 399.8 750 WJR 265.3 1130 KSL Key Station—WJZ (394.5m-760kc) 508.2 590 WOW 440.9 680 KPO 394.5 760 WJZ 483.6 620 WTMJ 8:12 p.m. 7:12 6:12 5:12 293.9 1020 KYW 379.5 790 KGO 302.8 990 WBZ 205.4 1460 KSTP U. S. Army Band. 222.1 1350 KWK 468.5 640 KFI 302.8 990 WBZA 234.2 1280 WEBC Key Station—WABC (348.6m-860kc) 245.8 1220 WREN 325.9 920 KOMO 260.7 1150 WHAM 361.2 830 KOA 215.7 1390 WHK 384.4 780 WEAN 483.6 620 WTMJ 508.2 590 KHQ 305.9 980 KDKA 265.3 1130 KSL 223.7 1340 WSPD 275.1 1090 KMOX 205.4 1460 KSTP 483.6 620 KGW 399.8 750 WJR 491.5 610 WDAF 227.1 1320 WADC 315.6 950 KMBC 234.2 1280 WEBC 428.3 700 WLW 293.9 1020 KYW 315.6 950 WRC 232.4 1290 WJAS 333.1 900 WFBL 222.1 1350 KWK 447.5 670 WMAQ 238 1260 KOIL 333.1 900 WMAK 245.8 1220 WREN 428.3 700 WLW 238 1260 WLBW 447.5 670 WMAQ 11:15 p.m. 10:15 9:15 8:15 241.8 1240 WGHP 475.9 630 WMAL Russian Cathedral Choir. 243.8 1230 WGL 499.7 600 WCAO Key Station—WEAF (4S4.3m-660ko ) 243.8 1230 WNAC 545.1 550 WKRC 238 1260 WJAX 361.2 830 KOA 256.3 1170 WCAU 299.8 1000 woe 374.8 800 WBAP 315.6 950 WRC 454.3 660 WEAF 8:30 p.m. 7:30 6:30 5:30 325.9 920 WWJ 508.2 590 WOW White House Concert. 333.1 900 WKY 535.4 560 WIOD Key Station—WJZ (394.5m-760kc) 222.1 1350 KWK 302.8 990 WBZ 1260 TV M j-*. -*^ 238 WJAX 302.8 990 WBZA Momday 245.8 1220 WREN 305.9 980 KDKA 260.7 1150 WHAM 394.5 760 WTZ 10 a. in. 9 8 7 270.1 1110 WRVA 399.8 750 WJR i Ida Bailey Allen. 277.6 1080 WBT 428.3 700 Wl.W 215.7 1390 wnK 267.7 1120 WISN 282.8 1060 WBAL 535.4 560 WIOD 223.7 1340 WSPD 275.1 1090 KMOX 293.9 1020 KYW 227.1 1320 WADC 315.6 950 KMBC 232.4 1290 WJAS 333.1 900 WFBL Ceco Couriers. 238 1260 WLBW 333.1 900 WMAK Key Station—WABC (348.6m-860kc) 238 1260 KOIL 348.6 860 WABC 208.2 1440 wnEC 275.1 1090 KMOX 241.8 1240 WGHP 370.2 810 WCCO 215.7 1390 WHK 315.6 " 950 KMBC 243.8 1230 WNAC 389.4 770 WBBM 223.7 1340 WSPD 333.1 900 WFBL 256.3 1170 WCAU 475.9 630 WMAL 227.1 1320 WADC 333.1 900 WW \k 258.5 1160 WEAN 499.7 600 WCAO 232.4 1290 WJAS 370.2 SKI W(Vt> 258.5 1160 WOWO 545.1 550 WKRC 238 1260 K6IL 422.3 710 WOK 11:15 a.m. 10:15 9:15 8:15 238 1260 WLBW 447.5 670 W.MAO Radio Household Institute. 241.8 1240 WGHP 475.9 630 WW \l 205.4 1460 KSTP 454.3 660 WEAF 243.8 1230 WNAC 499.7 600 WCAO 245.6 1220 WCAE 483.6 (,_>(] WTMJ 256.3 1170 WCAU S45.1 550 WKRC 280.2 1070 WTAM 491.5 610 WDAF 258.5 1160 WEAN 293.9 1020 KFKX 499.7 600 WTIC 315.6 950 WRC 508.2 590 WEEI A and P Gypsies. 319 940 WCSH 516.9 580 WTAG 225.4 1330 WSAI 454.3 660 WEAF 325.9 920 WWJ 535.4 560 WLIT 245.6 1220 WCAE 491.5 610 W 1 1 \ 1 336.9 890 WJAR 545.1 550 KSD 280.2 1070 WTAM 499.7 600 W IN 374.8 800 WSAI 545.1 550 WGR 315.6 950 WRC 508.2 590 Will 379.5 790 WGY 319 940 WCSH 508.2 590 woe i 1 p.m. 12 n. 11 a.m. 10 a.m. 325.9 920 ww 516.9 580 w i \<; National Farm and Homo Hour. 336.9 890 WJAR 535.4 560 WLIT 205.4 1460 KSTP 315.6 9S0 WRC 379.5 790 WGY 545.1 550 KSD 222.1 1350 KWK 325.9 920 KPRC 416.4 720 WGN 545.1 550 WGR 234.2 1280 WEBC 333.1 900 WKY 238 1260 WJAX 361.2 830 KOA 9:00 p.m. 8 7 6 245.8 1220 WREN 365.6 820 W1IAS Edison Program. 252 1190 WOAI 374.8 800 WFAA 205.4 1460 KSTP 325.9 920 KOMO 260.7 1150 WHAM 384.4 780 WMC 222.1 1350 KWK 361.2 830 KOA 263 1140 KVOO 394.5 760 WJZ 234.2 l.'Sll WEBC 379.5 790 KGO 270.1 1110 WRVA 399.8 750 W)R 245.S 1220 WREN 894.5 760 WJZ 277.6 1080 WBT 428.3 700 Wl.W 260.7 1150 WHAM 399 1 750 W IK 282.8 1060 WBAL 440.9 680 WI'TF 265.3 1130 KSL 440.9 680 KPO HERE are the Glenn Sisters, Beatrice, 293.9 1020 KYW 461.3 650 WSM 282.8 1060 WBAL 468.5 640 KFI 299.8 1000 WHO 483.6 620 WTMJ 293 '' 1020 KYW 483.6 620 WTMJ left, and Ruth. They are harmonizing 302.8 990 WBZ 491.5 610 WDAF 302.8 990 WBZ 483.6 620 K<;\\ crooners with Roxy and His Gang 302.8 990 WBZA 508.2 590 WOW 302 8 990 WBZA 508.2 590 KHO 1 305.9 980 KDKA 535.4 560 WIOD 305.9 980 KDKA Mondays at 7 P. M. (EST ) over NBC. 80

Eastern Central Mountain Pacific 10:30 p.m. 9:30 8:30 7:30 Night Club Romances. Key Station—WOR (422.3m-7 Meters Kc. Call Meters Kc. Call 201.2 1490 WLAC 258.5 1160 WEAN 204 1470 KFJF 267.7 1120 WISN 215.7 1390 KLRA 275.1 1090 KMOX 215.7 1390 WHK 288.3 1040 KRLD 223.7 1340 WSPD 315.6 950 KMBC 227.1 1320 WADC 322.4 930 WBRC 230.6 1300 KFH 333.1 900 WFBL 232.4 1290 KTSA 333.1 900 WMAK 232.4 1290 WJAS 370.2 810 wcco 234.2 1280 WDOD 384.4 780 WTAR 236.1 1270 WDSU 422.3 710 WOR 238 1260 WLBW 447.5 670 WMAQ 238 1260 KOIL 475.9 630 WMAL 241.8 1240 WGHP 499.7 600 WCAO 243.8 1230 WNAC 499.7 600 WREC 243.8 1230 WFBM 526 570 WWNC 256.3 1170 WCAU 545.1 550 WKRC 11 p. m. 10 9 8 The Pepsodent Program. 394.5 760 WJZ 483.6 620 WTMJ 302.8 990 WBZ 205.4 1460 KSTP 302.8 990 WBZA 234.2 1280 WEBC 260.7 1150 WHAM 361.2 830 KOA 305.9 980 KDKA 265.3 1130 KSL 399.8 750 WJR 491.5 610 WDAF 293.9 1020 KYW 315.6 950 WRC 222.1 1350 KWK 447.5 670 WMAQ 245.8 1220 WREN 428.3 700 WLW 11:30 P.m. 10:30 9:30 8:30 WHEN Hank Simmons' Showboat company celebrated its birthday they did it Abe Lyman's Orchestra. presented to the members of the mythical floating Key Station—WABC (348.6m-860kc) W2XE (49.2-612! right. A huge cake was 475.9 630 WMAL 267.7 1120 WISN playhouse by enthusiastic fans who enjoy the program each Wednesday over 204 1470 WKBW 241.8 1240 •WGHP 384.4 780 WEAN 243.8 1230 WFBM the Columbia system. 545.1 550 WKRC 232.6 1290 KDYL 238 1260 KOIL 394.5 760 KVI 223.7 1340 WSPD 535.4 560 KLZ Eastern Central Mountain Pacific Eastern Central Mountain Pacific 499.7 600 WCAO 1 p.m. 12 noon 11 a.m. 10 a.m. 9 p.m. 8 7 6 National Farm and Home Hour. Eveready Hour Meters Kc. Call Meters Kc. Call Meters Ke. Call Meters Kc. Call 205.4 1460 KSTP 315.6 950 WRC 205.4 1460 KSTP 379.5 790 WGY 10 a.m. 9 222.1 1350 KWK 325.9 920 KPRC 234.2 1280 WEBC 384.4 780 WMC Ida Bailey Allen. 234.2 1280 WEBC 333.1 900 WKY 245,6 1220 WCAE 405.2 740 WSB Key Station—2XE (49.2m-6120kc) WABC (348.6-860) 238 1260 WJAX 361.2 830 KOA 252 1190 WOAI 416.4 720 WGN 204 1470 WKBW 384.4 WEAN 245.8 1220 WREN 365.6 820 WHAS 263 1140 KVOO 454.3 660 WEAF 215.7 1390 WHK 258.5 1160 WOWO 252 1190 WOAI 374.8 800 WFAA 280.2 1070 WTAM 461.3 650 WSM 223.7 1340 WSPD 275.1 1090 KMOX 260.7 1150 WHAM 384.4 780 WMC 299.8 1000 WHO 491.5 610 WDAF 227.1 1320 WADC 315.6 950 KMBC 263 1140 KVOO 394.5 760 WJZ 315.6 950 WRC 508.2 590 WEEI 232.4 1290 WJAS 333.1 900 WFBL 270.1 1110 WRVA 399.8 750 WJR 325.9 920 KOMO 535.4 560 WFI 238 1260 KOIL 348.6 860 WABC 277.6 1080 WBT 428.3 700 WLW 325.9 920 WWJ 545.1 550 KSD 238 1260 WLBW 389.4 770 WBBM 282.8 1060 WBAL 440.9 680 WPTF 336.9 890 WJAR 545.1 550 WGR 241.8 1240 WGHP 468.5 640 WAIU 293.9 1020 KYW 461.3 650 WSM 365.6 820 WHAS 243.8 1230 WNAC 475.9 630 WMAL 299.8 1000 WHO 483.6 620 WTMJ Old Cold-Paul Whiteman Hour. 256.3 1170 WCAU 499.7 600 WCAO 302.8 990 WBZ 491.5 610 WDAF Key Station—WABC (348.6m-860kc) 11 a.m. 10 9 8 302.8 990 WBZA 508.2 590 WOW 201.2 1490 WLAC 256.3 1170 WCAU Duco Decorators. 305.9 980 KDKA 535.4 560 WIOD 204 1470 KFJF 258.5 1160 WOWO Key Station—WEAF (454.3m -660kc) 204 1470 WKBW 267.7 1120 WISN 454.3 660 WEAF 277.6 1080 WBT 2 p.m. 1 p.m. 12 11 a.m. 204 1470 KGA 275.1 1090 KMOX 282.8 1060 238 215.7 1390 288.3 WTIC 1260 WJAX Patterns in Prints. „.„_ ,„,„ WHK 1040 KRLD 336.9 890 WJAR 535.4 560 WIOD Key Station—WABC (348 6m-860kc) 215.7 1390 KLRA 309.1 970 KJR 516.9 580 WTAG 365.6 820 WHAS 215.7 1390 WHK 232.4 1290 WJAS 223.7 1340 WSPD 315.6 950 KMBC 319 940 WCSH 461.3 650 WSM 475.9 630 WMAL 256.3 1170 WCAU 227.1 1320 WADC 322.4 930 WDBJ 535.4 560 WLIT 384.4 780 WMC 204 1470 WKBW 267.7 1120 WISN 230.6 1300 KFH 322.4 930 WBRC 315.6 950 WRC 405.2 740 WSB 384.4 780 WEAN 333.1 900 WFBL 232.4 1290 KTSA 333.1 900 WFBL 379.5 790 WGY 263 1140 WAPI 545.1 550 WKRC 243.8 1230 WFBM 232.4 1290 KDYL 348.6 860 WABC 545.1 550 WGR 227.1 1320 WSMB 238 1260 KOIL 389.4 770 WBBM 232.4 1290 WJAS 370.2 810 WCCO 245.8 1220 WCAE 263 1140 KVOO 227.1 1320 WADC 394.5 760 KVI 234.2 1280 WDOD 384.4 780 WTAR 280.2 1070 WTAM 333.1 900 WKY 223.7 1340 WSPD 535.4 560 KLZ 236.1 1270 WDSU 389.4 770 WBBM 545.1 550 KSD 325.9 920 KPRC 238 1260 WLBW 475.9 630 WMAL 299.8 1000 WOC 252 1190 WOAI 5:30 p.m. 4:30 3:30 2:30 238 1260 KOIL 499.7 600 WREC 491.5 610 WDAF 288.3 1040 KTHS "Around the World With Libby." 241.8 1240 WGHP 499.7 600 WCAO 205.4 1460 243.8 1230 KSTP 225.4 1330 WSAI 222.1 1350 KWK 365.6 820 WHAS WFBM S26 570 KMTR 243.8 1230 234.2 1280 WEBC 293.9 1020 KFKX 227.1 1320 WSMB 379.5 790 KGO WNAC 526 570 WWNC 243.8 1230 270.1 1110 WRVA 325.9 920 WWJ 245.8 1220 WREN 384.4 780 WMC KYA 535.4 560 KLZ 254.1 1180 384.4 440.9 680 WPTF 263 1140 WAPI 394.5 760 WJZ KEX 780 WEAN 11:15 a.m. 10:15 9:15 8:15 260.7 1150 WHAM 399.8 750 WJR 9:30 p.m. 8:30 7:30 6:30 Radio Household Institute. 265.3 1130 KSL 405.2 740 WSB Dutch Masters Minstrel. 205.4 1460 KSTP 365.6 820 WHAS 293.9 1020 KYW 440.9 680 KPO Key Station—WJZ (394.5m-760kc 234.2 1280 WEBC 374.8 800 WBAP 302.8 990 WBZ 461.3 650 WSM 222.1 1350 KWK 302.8 990 WBZA 238 1260 374.8 800 WJAX WSAI 302.8 990 WBZA 468.5 640 KFI . 245.8 1220 WREN 305.9 980 KDKA 245.6 1220 WCAE 379.5 790 WGY 305.9 980 KDKA 483.6 620 KGW 260.7 1150 WHAM 394.5 760 WJZ 252 1190 384.4 WOAI 780 WMC 325.9 920 KOMO 508.2 590 KHQ 282.8 1060 WBAL 399.8 750 WJR 1140 263 KVOO 405.2 740 WSB 361.2 830 KOA 293.9 1020 KYW 428.3 700 WLW 270.1 1110 WRVA 454.3 660 WEAF 302.8 990 WBZ 483.6 620 WTMI 277.6 1080 WBT 461.3 650 WSM r p.m. 6 10 m. 280.2 1070 W TAM 483.6 620 WTMJ 7:00 p 9 8 7 293.9 1020 "Roads of the Sky." Clicquot Club Eskimos. KFKX 491.5 610 WDAF (454.3m 660kc) 299.8 1000 499.7 600 Key Station—WEAF Key Station—WEAF (454.3m-660kc) WOC WTIC 365.6 820 315.6 950 508.2 590 205.4 1460 KSTP WHAS 205.4 1460 KSTP 379.5 790 KGO WRC WEEI 790 319 940 WCSH 508.2 590 245.8 1220 WCAE 379.5 WGY 234.2 1280 WEBC 379.5 790 WGY WOW 440.9 680 WPTF 325.9 920 516.9 580 252 1190 WOAI 238 1260 WJAX 384.4 780 WMC WWJ WTAG 454.3 660 325.9 920 KPRC 535.4 560 263 1140 KVOO WEAF 245.6 1220 WCAE 405.2 740 WSB WLIT 461.3 650 333.1 900 WKY 545.1 550 KSD 263 1140 WAPI WSM 252 1190 WOAI 440.9 680 KPO 483.6 620 WTMJ 336.9 890 W.TAR 545.1 550 WGR 265.3 1130 KSL 265.3 1130 KSL 454.3 660 WEAF 280.2 1070 WTAM 516.9 580 WTAG 270.1 1110 WRVA 461.3 650 WSM 282.8 1060 WTIC 535.4 560 WIOD 277.6 1080 WBT 468.5 640 KFI 299.8 1000 WHO 535.4 560 WFI 299.8 1000 WHO 483.6 620 KGW 315.6 950 WRC 545.1 550 WGR 315.6 950 WRC 483.6 620 WTMJ 319 940 WCSH 545.1 550 KSD 319 940 WCSH 491.5 610 WDAT 361.2 830 KOA 325.9 920 WWJ 499.7 600 WTIC 325.9 920 KOMO 508.2 590 KHQ 7:30 p.m. 6:30 325.9 920 KPRC 508.2 590 WEEI Soconyland Sketches. 333.1 900 WKY 508.2 590 WOW 336.9 890 282.8 1060 WTIC 454.3 660 WEAF WJAR 516.9 580 WTAG 319 940 WCSH 508.2 590 WEEI 361.2 830 KOA 535.4 560 WFI 365.6 820 336.9 890 WJAR 516.9 580 WTAG WHAS 545.1 550 KSD 374.8 800 379.5 790 WGY 545.1 550 WGR WBAP 545.1 550 WGR 374.8 800 WSAI p.m. 6 5 Williams Oilomatics. 8:00 Station— ure Oil Band Key WJZ (394.5m-760kc) Key Station—WJZ (394.5m -760kc) 222.1 1350 KWK 305.9 980 KDKA 245.8 1220 205.4 1460 KSTP 305.9 980 KDKA WREN 394.5 760 WJZ 260.7 1150 416.4 720 222.1 1350 KWK 365.6 820 WHAS WHAM WGN 302.8 990 428.3 234.2 1280 WEBC 384.4 780 WMC WBZ 700 WLW 302.8 990 238 1260 WJAX 394.5 760 WJZ WBZA 245.8 1220 WREN 399.8 750 WJR Fada Salon Hour. 260.7 1150 WHAM 405.2 740 WSB Key Station—WABC (348.6m-860kc) 270.1 1110 WRVA 428.3 700 WLW 204 1470 WKBW 256.3 1170 WCAU 277.6 1080 WBT 461.3 650 WSM 204 1470 KFJF 384.4 780 WEAN 282.8 1060 WBAL 483.6 620 WTMJ 215.7 1390 WHK 258.5 1160 WOWO 293.9 1020 KYW 215.7 1390 KLRA 267.7 1120 WISN 223.7 1340 WSPD 275.1 1090 KMOX 227.1 1320 8:30 p.m. 7:30 6:30 WADC 288.3 1040 KRLD 232.4 1290 Pro-phy-Iac-tic Program. KTSA 315.6 950 KMBC Key Station—WEAF (454.3m-660kc) 232.4 1290 WJAS 333.1 900 WFBL 238 1260 WLBW 370.2 810 WCCO 225.4 1330 WSAI 454.3 660 WEAF 238 1260 KOIL 389.4 770 WBBM 245.6 1220 WCAE 491.5 610 WDAF 241.8 1240 WGHP 475.9 630 WMAL 299.8 1000 WHO 499.7 600 WTIC 243.8 1230 WNAC 499.7 600 WCAO 315.6 950 WRC 508.2 590 WOW 243.8 1230 WFBM 545.1 550 WKRC 319 940 WCSH 508.2 590 WEEI 10:30 p.m. 9:30 8:30 7:30 325.9 920 WWJ 516.9 580 WTAG Freed Orchestradians. 336.9 890 WJAR 535.4 560 WFI Key Station—WJZ (394.5m-760kc) 344.6 870 WLS 545.1 550 WGR 205.4 1460 KSTP 325.9 920 KOMO 375.9 790 WGY 545.1 550 KSD 222.1 1350 KWK 361.2 830 KOA 245.1 1220 WREN 374.8 800 WBAP YOU don't even get a second guess 8 7 6 5 260.7 1150 WHAM 379.5 790 KGO Mirhelin Men. 265.3 1130 KSL 394.5 760 WJZ on who this is. One tip is that he is 222.1 1350 KWK 302.8 990 WBZA 277.6 1080 WBT 399.8 750 WJR at 245.8 1220 WREN 305.9 980 KDKA 282.8 1060 WBAL 440.9 680 KPO heard on Thursday nights 8 o'clock 260.7 1150 WHAM 394.5 760 WJZ 283.9 1020 KYW 468.5 640 KFI (EST) on the Fleischmann Sunshine 282.8 1060 WBAL 399.8 750 WJR 302.8 990 WBZ 483.6 620 • KGW 283.9 1020 KYW 428.3 700 WLW 302.8 990 WBZA 508.2 590 KHQ Hour and his initials are R. V. 302.8 990 WBZ 305.9 980 KDKA S111

81

Eastern Central Mountain Pacific 2 p.m. 1 12 n. 11 a.m. Patterns in Prints. Key Station—WABC <348.6m-860kc) Meters Kc. Call Meters Kc. Call 215.7 1390 WHK 256.3 1170 WCAU 475.9 630 WMAL 267.7 1120 WISN 204 1470 WKBW 232.4 1290 WJAS 384.4 780 WEAN 333.1 900 WI-BL 545.1 550 WKRC 243.8 1230 W IBM 238 1260 KOIL 389.4 770 WBBM 227.1 1320 WADC 394.5 760 KVI 223.7 1340 WSPD 535.4 KLZ 7 p.m. 6 5 4 Twilight Melodies. Key Station—WJZ (394.5m-760kc) 394.5 760 WJZ 205.4 KS1 I' 302.8 990 WBZ 234.2 1280 WEBC 302.8 990 WBZA 344.0 870 WLs 305.9 980 KDKA 399.8 WJR 222.1 1350 KWK 483.6 620 WTMJ 8 p.m. 7 6 5 The Yeast Foamers. Key Station—WJZ (394.5m-760kc) 205.4 1460 KSTP 302.8 990 WBZ 222.1 1350 KWK 302.8 990 WBZA 234.2 1280 WEBC 305.9 980 KDKA 245.8 1220 WREN 394.5 760 WJZ 260.7 1150 WHAM 399.8 750 WJR 282.8 1060 WBAL 428.3 700 WLW 293.9 1020 KYW 483.6 620 WTMJ

Mobiloil Concert. Key Station—WEAF (454.3m-660kc) 206.8 1450 WFJC 336.9 890 WJAR 225.4 1330 WSAI 454.3 660 WEAF 245.8 1220 WCAE 491.5 61 WDAF 280.2 1070 WTAM 508.2 590 WEEI 282.8 1060 WTIC 508.2 590 WOW 299.8 1000 WOC 516.9 580 WTAG 309.1 970 WCFL 535.4 560 WLIT 315.6 950 WRC 545.1 5=0 WGR 319 940 WCSH 545.1 550 KSD 325.9 920 WWJ Voice of Columbia. Key Station-WABC (348.6m -860kc) 204 1470 WKBW 275.1 1090 KMOX 215.7 1390 WHK 315.6 950 KMBC 223.7 1340 WSPD 333.1 900 WFBL

227.1 1320 WADC 348.6 . .860 WABC 232.4 1290 WJAS 370.2 810 WCCO 238 1260 WLBW 384.4 780 WEAN 238 1260 KOIL 389.4 770 WBBM 241.8 1240 WGHP 475.9 630 WMAL 243.8 1230 WNAC 491.5 610 WFAN 258.5 1160 WOWO 499.7 600 WCAO 267.7 1120 WISN 545.1 550 WKRC 8:30 p.m. 7:30 6:30 5:30 Happy Wonder Bakers 205.4 1460 KSTP 344.6 870 WLS HERE'S a brand new photo of that much traveled pair, Mary and Bob, familiar 206.8 1450 WFJC 374.8 800 WFAA to millions the Story Hour. It comes to you over the CBS at 9 o'clock 225.4 1330 WSAI 379.5 790 WGY on True 245.8 1220 WCAE 384.4 780 WMC (EST) Friday evenings. 252 1190 WOAI 454.3 660 WEAF 263 1140 KVOO 483.6 620 WTMJ 282.8 1060 WTIC 491.5 610 WDAF 299.8 1000 WOC 508.2 590 Eastern Central Mountain Pacific WOW Eastern Central Mountain Pacific 315.6 950 WRC 508.2 590 WEEI 10:15 a. m. 8:15 7:15 10:30 p.m. 9:30 8:30 7:30 9:15 319 940 WCSH 516.9 580 Ida Bailey Allen. WTAG Story in a Song. 325.9 920 KPRC 535.4 560 WLIT Key Station—2XE (49.2m- 6120kc) (348.6-860) Key Station—WABC (34S.6-860) WABC 325.9 920 WWJ 545.1 550 WGR Meters Kc. Call Meters Kc. Call Meters Kc. Call Meters Kc. Call 333.1 900 WKY 545.1 550 KSD 204 1470 WKBW 384.4 780 WEAN 215.7 1390 WHK 384.4 780 WEAN 336.9 890 WJAR 215.7 1390 WHK 267.7 1120 WISN 223.7 1340 WSPD 258.5 1160 WOWO Sylvania Foresters. 22.1.7 1090 227.1 1320 315.6 950 KMBC 1340 WSPD 275.1 KMOX WADC 222.1 1350 KWK 302.8 990 900 232.4 1290 333.1 900 WBZ 227.1 1320 WADC 333.1 WFBL WJAS WFBL 245.8 1220 WREX 302.8 990 WBZA 238 1260 KOIL 333.1 900 232.4 1290 WJAS 370.2 810 WCCO WMAK 260.7 1150 305.9 980 KDKA 475.9 238 1260 348.6 860 WABC WHAM 238 1260 KOIL 630 WMAL WLBW 270.1 1110 WRVA 394.5 760 WJZ 238 1260 491.5 610 239.9 1250 WRHM 389.4 770 WBBM WLBW WFAN 277.6 1080 WBT 399.8 750 WJR 241.8 1240 499.7 600 241.8 1240 WGHP 475.9 630 WGHP WCAO WMAL 282.8 1060 WBAL 428.3 700 1230 545.1 550 245.6 1220 545.1 550 WLW 243.8 WFBM WKRC WCAD WKRC 293.9 1020 KYW 243.8 1230 WNAC 256.3 1170 WCAU 9 p.m. 8 Radio Keith-Orpheum Hour. 10:45 a.m. 9:45 8:45 7:45 Ipana Troubadours. Mary Hale Martin's Household Period. Key Station—WEAF (454.3m-660kc ) 245.6 1220 WCAE 416.4 720 WGN Key Station—WJZ (394.5m- 760kc) 299.8 1000 454.3 660 206.8 1450 315.6 950 WOC WEAF WFJC WRC 394.5 760 399.8 750 315.6 950 499.7 600 245.8 1220 225.4 1330 WSAI WJZ WJR WRC WTIC WCAE 302.8 990 260.7 1150 319 940 508.2 590 270.1 1110 491.5 610 WDAF WBZ WHAM WCSH WEEI WRVA 302.8 990 305.9 980 325.9 920 508.2 590 299.8 1000 who 483.6 620 wtm: WBZA KDKA WWJ WOW 384.4 7 SO 42S.3 700 336.9 890 516.9 580 325.9 920 WWJ 205.4 1460 KSTP WMC WHY WTAR WTAG 282.8 1060 222.1 1350 374.8 800 545. 325.9 920 KOM.0 234.2 1280 WEBC WBAL KWK WSAI KSD 461.3 650 245.8 1220 545.1 333.1 900 277.6 1080 WBT WSM WREN 379.5 790 WGY 550 WGR WKY 227.1 379.5 790 WGY 238 1260 WJAX 1320 WSMB 365.6 820 WHAS 405.2 740 293 1020 MacFadden Red Seal Hour. 379.5 790 KGO 535.4 560 WIOD WSB KFKX 1170 263 1140 WAPI 256.3 WCAU 258.5 1160 WOWO 384.4 780 WMC 365.6 820 WHAS 233.8 1230 WNAC 275.1 1090 KMOX 454.3 660 WEAF 405.2 740 WSB 11: 15 a.m. 10:15 9:15 8:15 384.4 780 W EAN 315.6 950 KMBC 461.3 650 WSM 263 1140 WAPI Household Institute. 232.4 1290 238 1260 508.2 590 KIIQ 227.1 1320 WSMB Key Station—WEAF (454.3m- 660kc) 227.1 1320 WADC 223.7 1340 WSPD 5ns. 2 590 WOW 263 1140 KVOO 545.1 5S0 205.4 1460 374.8 800 W KRC 215.7 WHK 535.4 560 WFI 325.9 920 KPRC KSTP WSAI 241.8 1240 245.6 1220 379.5 790 WGHP 1260 WLBW 545.1 550 252 1190 wo a: WCAE WGY 610 WGR 1190 384.4 780 447.5 W.MAQ 475.9 630 WMAL 545.1 550 KSD 288.3 1040 KTHS 252 WOAI WMC 1140 740 9:30 p.m. 8:30 508.2 590 WEEI 361.2 830 KOA 263 KVOO 405.2 WSB 6:30 265.3 1130 277.6 1080 WBT 454.3 660 WEAF Palmolive Hour. 336.9 890 WJAR KSL Station— 516.9 580 WTAG 483.6 620 KGW 280.2 1070 WTAM 461.3 650 WSM Key WEAF (454.3m-660kc) 319 940 WCSH 468.5 640 KFI 293.9 1020 KFKX 483.6 620 WTMJ 205.4 1460 KSTP 790 WGY 315.6 950 WRC 491.5 610 WDAF 225.4 1330 WSAI 379.5 790 11 p.m. 10 9 8 319 940 WCSH 499.7 600 WTIC 227.1 1320 WSMB 384.4 780 W MC Jesse Crawford 325.9 920 WWJ 508.2 590 WEEI 238 1260 WJAX 405.2 740 WSB Key ' Station-WABC 325.9 920 KPRC 508.2 590 WOW 245.6 1220 WCAE 416.4 WGN 133 900 WKY 516.9 580 w i V 252 1190 WOAI 440.9 680 KI'O 204 1470 WKBW 267.7 1120 WISN 336.9 890 WJAR 535.4 560 WL1T 263 1140 KVOO 454.3 660 WEAF 223.7 1340 WSPD 275.1 1090 KMOX 365.6 820 WHAS 545.1 550 KSD 265.3 1130 KSL 461.3 650 WSM 950 227.1 1320 WADC 315.6 KMBl 374.8 800 WBAP 545.1 550 WGR 277.8 1080 WBT 468.5 (.40 KFI 'i(K) 232.4 1290 WJAS 333.1 WFB1 280.2 1070 WTAM 483.6 620 W 1'MJ woe ' 238 1260 WLBW 370.2 810 11:30 a.m. 10:30 9:30 8:30 1040 WFAA 483.6 620 770 KGW 241.8 1240 WGHP 389.4 WBBM Columbia Noon Day Club. 299.8 1000 W 491. 610 WDAF 243.8 1230 475.9 630 WMAI, WFBM Key Station-WABC (348.6-860) 315.6 950 WRC 499.7 600 WTIC 243.8 1230 499.7 600 WCAO WNAC 319 940 WCSH 2 590 KHQ 258.5 1160 WOWO 545.1 550 WKRC 223.7 1340 WSPD 389.4 770 WBBM ' 920 KOMO 2 590 238 - KOIL 475.9 630 \\ MAI 258.5 1160 WEAN 920 KPRC 508.2 590 wow 238 1260 \\ LBW 499.7 600 325.9 920 WW I S16.9 5S0 241.8 315 6 950 11 P. m. 10 9 8 WGHP 535.4 243.8 1230 227.1 1320 w \l" W1AK 560 WLIT Longines Time 361.2 830 KOA 545.1 550 256.3 1170 WCAU 223.7 Ki i"\ Key Station—WJZ (394.5m-760kc) 365.6 820 545.1 333.1 '100 WFBL 370.2 810 wcco WHAS S50 WGR 245.8 1220 WREN 302.8 990 WBZA 333.1 900 \\ MAK 535.4 560 KLZ 9:30 8:30 7:30 6 30 260.7 1150 WHAM 305.9 980 KDKA Forty Fathom Trawlers. 282.8 1060 WBAL 394.5 760 WJZ Kej Si m. mi—WJZ (394.5m-7 302.8 990 WBZ 399.8 750 WJR 1 p.m 12 n. 11 a.m. 3»4.5 National Farm and Home Hour. 760 WJZ WREN I 302.8 I V 750 W R Kej Station—WJZ (394.5m- 60kc) a witzA KWK SIT- 205.4 1460 K 315.6 950 WRC 260.7 1150 WHAM 526 W I BO 222.1 IN \\ 1< 325.9 920 KPRI 305.9 980 KDKA 202.1 1480 WCKY 234.2 l.'SO 333.3 900 WKY 238 WJAX s.io KO \ La I'.ilni.i Smoker. 245.8 1220 U E \ 365.6 820 Kej Station— \: 10:15 a.m. 9:15 8:15 7:15 W WHAS W 252 800 \Y I \ \ 215.7 1390 WHK 267.7 1 1 20 w ISN National Home Hour. 1190 WOAI 374.8 1 .140 260.7 I 1 50 WHAM 384.4 780 W SPD 275. 1090 KMOX Key Station—WEAF (454. 3m -660kc) WMC 263 1140 KVOO 760 WJZ 227.1 1320 WADC 315.6 950 \ 1 1 245.6 1220 WCAE 374.8 800 WSAI 270.1 1110 V\ K\ 399.8 750 w o; 232.4 290 w \s 331 . "00 WFBL 280.2 1070 WTAM 379.5 790 WGY 277.6 1080 WBT 428.3 700 \\ I AV 238 KOI1 000 293.9 1020 KYW 454.3 660 WEAF 282.8 1060 \\ BAL 440." 680 WPTF 238 W I.11W 810 299.8 1000 wno 499.7 600 WTIC 293.9 K<( W 46X3 650 WSM 1 24(1 WGHP 670 W M AQ 315.6 950 WRC 508.2 590 WEEI 299 8 loon WHO 483.6 \\ I'M I 243.8 W \ AC 6J0 W M \1. 319 940 WCSH 516.9 580 WTAG 302.8 WBZ 610 W I'M 256 3 1170 4»»7 600 325.9 920 WWJ 535.4 560 WFI •no WBZA WOW 1160 W EAN 545. 550 W K KC 336.9 890 WJAR 545.1 550 WGR ISO KDKA 535.4 560 w ion 258.5 WOWO 1

82

Eastern Central Mountain Pacific 10 p.m. 9 8 7 Kolster Radio Hour. Key Station—WOE (422.3m-7I' Meters Kc. Call Meters Kc. Call 204.7 1470 KGA 258.5 1160 WOWO 215.7 1390 WHK 275.1 1090 KMOX 223.7 1340 WSPD 309.1 970 KJR 227.1 1320 WADC 315.6 950 KMBC 232.4 1290 KDYL 333.1 900 WFBL 232.4 1290 WJAS 333.1 900 WMAK 238 1260 WLBW 370.2 810 WCCO 238 1260 KOIL 422.3 710 WOR 241.8 1240 WGHP 447.5 670 WMAQ 243.8 1230 KYA 475 630 WMAL 243.8 1230 WNAC 499.7 600 WCAO 254.1 1180 KEX 526 570 KMTR 256.3 1170 WCAU 535.4 560 KLZ 258.5 1160 WEAN 54S.1 550 WKRC 10:30 p.m. 9:30 8:30 7:30 National Grand Opera. Key Station—WEAF (454.3ra-660kc) 225.4 1330 WSAI 405.2 740 WSB 245.8 1220 WCAE 454.3 660 WEAF 252 1190 WOAI 508.2 590 WOW 315.6 950 WRC 535.4 560 WIOD 325.9 920 WWJ 545.1 550 KSD 333.1 900 WKY Stromberg-Carlson. Key Station—WJZ (394.5m-760kc) 205.4 1460 KSTP 325.9 920 KOMO 222.1 1350 KWK 333.1 900 WKY 227.1 1320 WSMB 361.2 830 KOA 234.2 1280 WEBC 365.6 820 WHAS 238 1260 WJAX 374.8 800 WBAP 245.8 1220 WREN 379.5 790 KGO 252 1190 WOAI 384.4 780 WMC 260.7 1150 WHAM 394.5 760 WJZ are the National Cavaliers, with the Cities Service orchestra which goes 263 1140 KVOO 399.8 750 WJR HERE 265.3 1130 KSL 405.2 740 WSB on the air Friday nights at 8 o'clock (EST) from WEAF and the NBC. 270.1 1110 WRVA 440.9 680 KPO 277.6 1080 WBT 461.3 650 WSM 282.8 1060 WBAL 468.5 640 KFI Eastern 283.9 1020 483.6 620 Eastern Central Mountain Pacific Central Mountain Pacific KYW KGW 9 p.m. 302.8 990 WBZ 483.6 620 WTMJ 11:30 a.m. 10:30 9:30 8:30 8 7 6 Du Barry Beauty Talk. True Detective Mysteries. 302.8 990 WBZA 508.2 590 KHQ Key Station— 305.9 980 535.4 560 Key Station—WABC (348.6m 860kc) W2XE (49.2-6120) WABC (348.6-860) KDKA WIOD Meters Kc. Call Meters Kc. 325.5 920 KPRC Meters Kc. Call Meters Kc. Call Call 348.6 860 WABC 258.5 1160 WOWO 204 1470 WKBW • 256.3 1170 WCAU 10:30 9:30 8:30 7:30 49.2 6120 W2XE 238 1260 KOIL 215.7 1390 WHK 258.5 1160 WOWO In a Russian Village. 256.3 1170 WCAU 215.7 1390 WHK 223.7 1340 WSPD 258.5 1160 WEAN 227.1 1320 WADC 275.1 1090 Key Station—WABC (348.6m-860kc ) 243.8 1230 WNAC 238 1260 WLBW KMOX 348.6 860 WABC 201.2 1490 WLAC 384.4 780 WEAN 475.9 630 WMAL 232.4 1290 WJAS 333.1 900 WFBL 49.2 6120 W2XE 267.7 1120 WISN 333.1 900 WFBL 267.7 1120 WISN 238 1260 KOIL 389.4 770 WBBM 215.7 1390 WHK 545.1 550 WKRC 499.7 900 WCAO 223.7 1340 WSPD 238 1260 WLBW 475.9 630 WMAL 447.5 670 WMAQ 475.9 630 WMAL 232.4 1290 WJAS 468.5 640 WAIU 241.8 1240 WGHP 499.7 600 WCAO 243.8 1230 227.1 1320 WADC 333.1 900 WMAK 227.1 1320 WADC 204 1470 WKBW WFBM 545.1 550 WKRC 232.4 1290 256.3 1170 241.8 1240 WGHP 545.1 550 WKRC 243.8 1230 WNAC WJAS WCAU Seiberling Singers. 499.7 600 WCAO 526 570 WWNC 389.4 770 WBBM Key 243.8 1230 322.4 930 WDBJ Station—WEAF (454.3m-660kc) WNAC 206.8 1450 384.4 780 WEAN 499.7 600 WREC WFJC 454.3 660 WEAF 225.4 1330 WSAI 468.5 640 223.7 1340 238 1260 KOIL 2:00 p.m. 1 12 n. 11 a.m. KFI WSPD 245.6 1220 238 1260 215.7 1340 KFPY Patterns in Prints. WCAE 483.6 620 KGW WLBW 280.2 243.8 1230 394.5 760 KVI 215.7 1390 WHK 256.3 1170 WCAU 1070 WTAM 491.5 610 WDAF WFBM 293.9 1020 333.1 900 275.1 1090 475.9 630 WMAL 267.7 1120 WISN KYW 499.7 600 WTIC WFBL KMOX 299.8 370.2 810 1290 204 1470 WKBW 232.4 1290 WJAS 1000 WHO 508.2 590 WEEI WCCO 232.6 KDYL 315.6 950 234.2 1280 WDOD 384.4 780 WEAN 333.1 900 WFBL WRC 508.2 590 WOW 545.1 550 WKRC 243.8 1230 WFBM 319 940 WCSH 516.9 580 WTAG 11 p.m. 10 9 S 238 1260 KOIL 389.4 770 WBBM 325.9 920 KOMO 535.4 560 WFI Hank Simmons Show Boat. 227.1 1320 WADC 394.5 760 KVI 325.9 920 WWJ 545.1 550 KSD Key Station—WABC (348.6m-860kc) 223.7 1340 WSPD 535.4 560 KLZ 336.9 890 WJAR 545.1 550 WGR 204 1470 WKBW 256.3 1170 WCAU 379.5 790 WGY 508.2 590 KHQ 215.7 1390 384.4 780 379.5 790 KGO WHK WEAN Veedol Program. 223.7 13*0 WSPD 267.7 1120 WISN 1 p.m 12 n. 11 a.m. 227.1 1320 WADC 275.1 1090 KMOX National Farm and Home Hour. Key Station-WJZ (394.5m-760kc) 232.4 1290 WJAS 315.6 950 KMBC Key Station—WJZ (394.5m- 760kc) 205.4 1460 KSTP 305.9 980 KDKA 238 1260 KOIL 333.1 900 WFBL 205.4 1460 KSTP 315.6 950 WRC 222.1 1350 KWK 309.1 970 WCFL 227.1 238 1260 333.1 900 222.1 1350 KWK 325.9 920 KPRC 1320 WSMB 325.9 920 KPRC WLBW WMAK 234.2 243.8 1230 370.2 810 234.2 1280 WEBC 333.1 900 WKY 1280 WEBC 333.1 900 WKY WFBM WCCO 238 1260 243.8 1230 WNAC 447.5 670 WMAQ 238 1260 WJAX 361.2 830 KOA WJAX 365.6 820 WHAS 245.8 1220 WREN 365.6 820 WHAS 245.8 1220 WREN 384.4 780 WSB 11 p.m. 10 9 8 252 1190 WOAI 374.8 800 WFAA 252 1190 WOAI 394.5 760 WJZ The Pepsodent Program. Amos 'n' Andy. 260.7 1150 WHAM 384.4 780 WMC 260.7 1150 WHAM 399.8 750 WJR 263 1140 Key Station—WMAQ (447.5m-670k. :) 263 1140 KVOO 394.5 760 WJZ WAPI 405.2 740 WBT 394.5 760 WJZ 483.6 620 WTMJ 270.1 1110 WRVA 399.8 750 WJR 270.1 1110 WRVA 428.3 700 WLW 302.8 990 WBZ 205.4 1460 KSTP 277.6 1080 WBT 428.3 700 WLW 282.8 1060 WBAL 440.9 680 WPTF 302.8 990 WBZA 234.2 1280 WEBC 282.8 1060 WBAL 440.9 680 WPTF 288.3 1040 KTHS 461.3 650 WSM 260.7 1150 WHAM 361.2 830 KOA 293.9 1020 KYW 461.3 650 WSM 302.8 990 WBZ 483.6 620 WTMJ 305.9 980 KDKA 265.3 1130 KSL 299.8 1000 483.6 620 WTMJ 302.8 990 WBZA WHO 9:30 399.8 750 WJR 491.5 610 WDAF 302.8 990 WBZ 491.5 610 WDAF p.m. 8:30 7:30 6:30 293.9 1020 KYW 315.6 950 WRC 302.8 990 WBZA 508.2 590 WOW Maxwell House Coffee. 222.1 1350 KWK 447.5 670 WMAQ 305.9 980 KDKA 535.4 560 WIOD 205.4 1460 KSTP 361.2 830 KOA 245.8 1220 WREN 428.3 700 WLW 234.2 1280 WEBC 365.6 820 WHAS 238 1260 WJAX 374.8 800 WBAP 260.7 1150 384.4 780 7:30 p.m. 6:30 5:30 4:30 WHAM WMC 270.1 1110 WRVA 394.5 760 WJZ Coward Comfort Hour. 277.6 1080 Thursday Kev Station— (454.3m-660kc) WBT 399.8 750 WJR WEAF 282.8 1060 WBAL 405.2 740 241.8 1240 499.7 600 WTIC WSB 10 a.m. 9 8 7 WCSH 293.9 1020 KYW 428.3 700 890 508.2 590 WEEI WLW Ida Bailey Allen. 336.9 WJAR 299.8 1000 WHO 461.3 650 516.9 580 WTAG WSM Key Station—2XE (49.2m-6120kc) WABC (348.6-860) 454.3 660 WEAF 302.8 990 WBZ 483.6 620 WTMJ 204 1470 WKBW 256.3 1170 WCAU 302.8 990 WBZA 491.5 610 WDAF 215.7 1390 258.5 1160 305.9 980 KDKA 308.2 590 WHK WEAN 7 WOW 223.7 1340 258.5 1160 8 p.m. 325.9 920 KPRC 545.1 550 WSPD WOWO Fleischmann Sunshine Hour. KSD 227.1 1320 WADC 315.6 950 KMBC Cold Seal Hour. 454.3 660 WEAF 365.6 820 WHAS 232.4 1290 333.1 900 Key Station—WABC J> 6 B60 WJAS WFBL 508.2 590 WEEI 384.4 780 WMC 238 1260 KOIL 333.1 900 204 1470 WKBW 258.5 1160 WMAK 516.9 580 405.2 740 WSB WOWO 238 1260 389.4 770 WTAG 215.7 1390 258.5 1160 WLBW WBBM 890 227.1 1320 WSMB WHK WEAN 239.9 1250 630 336.9 WJAR 223.7 1340 WSPD 275.1 1090 WRHM 475.9 WMAL 319 940 333.1 900 WKY KMOX 241.8 WCSH 227.1 1320 WADC 315.6 950 1240 WGHP 545.1 550 WKRC 535.4 560 225.4 1330 WSAI KMBC WFI 232.4 1290 333.1 900 245.6 1220 WCAD 950 325.9 920 KPRC WJAS WFBL 315.6 WRC 238 1260 KOIL 389.4 770 790 361.2 830 WBBM 10:30 a.m. 9:30 8:30 7:30 379.5 WGY KOA 238 1260 475.9 630 550 234.2 1280 WLBW WMAL Morning Merrymakers. 545.1 WGR WEBC 241.8 1240 WGHP 499.7 600 1220 270.1 1110 WCAO 201.2 1490 WLAC 275.1 1090 KMOX 245.8 WCAE WRVA 243.8 1230 WNAC 545.1 550 545.1 265.3 1130 KSL WKRC 215.7 1390 KLRA 288.3 1040 KRLD 550 KSD 256.3 1170 WCAU 206.8 1450 252 1190 WOAI 223.7 1340 322.4 930 WBRC WFJC 10 p. m. 9 8 7 WSPD 1000 461.3 650 227.1 1320 322.4 930 WDBJ 299.8 WHO WSM Halsey-Stuart. WADC 590 379.5 790 232.4 1290 333.1 900 508.2 WOW KGO Key Station— (454.3m-660kc) WJAS WFBL 610 483.6 620 WEAF 232.4 1290 KTSA 333.1 900 491.5 WDAF KGW 205.4 1460 KSTP 365.6 820 WMAK 325.9 920 325.9 920 KOMO WHAS 234.2 1280 WDOD 348.6 860 WWJ 225.4 1330 WSAI 374.8 800 WABC 483.6 620 S08.2 590 KHQ WBAP 236.1 1270 WDSU 384.4 780 WTMJ 227.1 1320 379.5 790 WTAR 440.9 680 309.1 970 WSMB KGO 238 1260 422.3 710 WPTF WCFL 238 1260 379.5 790 KOIL WOR 1080 374.8 800 WJAX WGY 238 1260 447.5 670 277.6 WBT WBAP 245.6 1220 384.4 780 WLBW WMAQ 238 1260 440.9 680 KPO WCAE WMC 243.8 1230 WNAC 475.9 630 WJAX 252 1190 WOAI 405.2 740 WMAL 535.4 560 WIOD 288.3 1040 KTHS WSB 245.6 1220 WCAO 499.7 600 WREC 263 1140 WAPI- 440.9 680 KPO 256.3 1170 WCAU 526 570 WWNC 265.3 1130 KSL 454.3 660 WEAF 258.5 1160 WOWO 545.1 550 WKRC 8 p.m. 7 6 270.1 1110 WRVA 461.3 650 WSM 267.7 1120 WISN 384.4 780 WEAN Lehn & Fink Serenade. 277.6 1080 WBT 468.5 640 KFI Key Station—WJZ (394.5m-760kc) 288.3 1040 WFAA 483.6 620 KGW 11:15 a.m. 10:15 9:15 8:15 222.1 1350 KWK 302.8 990 WBZA 293.9 102Q KYW. 483.6 620 WTMJ Radio Household Institute. 245.8 1220 WREN 305.9 980 KDKA 299.8 1000 WHO 499.7 600 WTIC 205.4 1460 KSTP 374.8 800 WBAP 249.9 1200 KPRC 333.1 900 WKY 315.2 950 WRC 508.2 590 WEEI 234.2 1280 WEBC 374.8 800 WSAI 252 1190 WOAI 374.8 800 WBAP 319 940 WCSH 508.2 590 WOW 245.6 1220 WCAE 379.5 790 WGY 260.7 1150 WHAM 394.5 760 WJZ 325.5 920 KPRC 508.2 590 KHQ 252 1190 WOAI 384.4 780 WMC 282.8 1060 WBAL 399.8 750 WJR 325.9 920 WWJ 516.9 580 WTAG 263 1140 KVOO 405.2 740 WSB 293.9 1020 KYW 428.3 700 WLW 325.9 920 KOMO 535.4 560 WFI 277.6 1080 WBT 454.3 660 WEAF 302.8 990 WBZ 333.1 900 WKY 545.1 550 KSD 280.2 1070 WTAM 461.3 650 WSM 336.9 890 WJAR 545.1 550 WGR 293.9 1020 KFKX 483.6 620 WTMJ 361.2 830 KOA 299.8 1000 woe 491.5 610 WDAF 8:30 p.m. 7:30 6:30 5 10 p.m. 9 p.m. 8 p.m. p.m. 309.1 970 WCFL 499.7 600 WTIC Champion Sparkers. Atwater Kent Mid-Week Program. 315.6 950 WRC 508.2 590 wow Key Station-WJZ (394.5m-760kc) Key Station-WJZ (394.5m-760kc) 319 940 WCSH 508.2 590 WEEI 394.5 760 WJZ 428.3 700 WLW 394.5 760 WJZ 222.1 1350 KWK 325.9 920 WWJ 516.9 580 WTAG 302.8 990 WBZ 344.6 870 WLS 302.8 990 WBZ 245.8 1220 WREN 325.9 920 KPRC 535.4 560 WLIT 302.8 990 WBZA 222.1 1350 KWK 302.8 990 WBZA 305.9 980 KDKA 333. 900 WKY 545.1 550 KSD 260.7 1150 WHAM 245.8 1220 WREN 282.8 1060 WBAL 416.4 720 WGN 336.9 890 WJAR 545.1 550 WGR 282.8 1060 WBAL 399.8 750 WJR 260.7 1150 WHAM 202.1 1480 WCKY 365.6 820 WHAS 305.9 980 KDKA 389.4 770 KFAB 399.8 750 WJR 91 83

Eastern Central Mountain Pacific 10:30 p.m. 9:30 8:30 7:30 Victor 'rogram. Meters Kc. Call Meters Kc. Call 205.4 1460 KSTP 336.9 890 WJAR 206.8 1450 WFJC 361.2 830 KOA 225.4 1330 WSAI 365.6 820 WHAS 227.1 1320 WSMB 374.8 800 WBAP 234.2 1280 WEBC 379.5 790 WGY 238 1260 WJAX 379.5 790 KGO 245.8 1220 WCAE 384.4 780 WMC 252 1190 WOAI 405.2 740 WSB 263 1140 WAPI 440.9 680 WPTF 263 1140 KVOO 454.3 660 WEAF 265.3 1130 KSL 461.3 650 WSM 270.1 1110 WRVA 483.6 620 KGW 277.6 1080 WBT 483.6 620 WTMJ 280.2 1070 WTAM 491.5 610 WDAF 282.8 1060 WTIC 508.2 590 WEEI 292.9 1020 KYW 508.2 590 WOW 299.8 1000 WHO 508.2 590 KHQ 315.6 950 WRC 516.9 580 WTAG 325.9 920 KPRC 535.4 560 WFI 325.9 920 KOMO 535.4 560 WIOD 325.9 920 WWJ 545.1 550 KSD 333.1 900 VVKY 545.1 550 WGR 11 P m. 10 9 8 Nat'l Broadcasting and Concert Bureau Program.' Key Station—WEAF (454.3m-660kc) 206.8 1450 WFJC 535.4 560 WFI 245.1 1220 WCAE 535.4 560 WIOD 270.1 1110 WRVA 545.1 550 KSD REVELERS Revel over the National Broadcasting company chain Wednesday 315.6 950 WRC 545.1 550 WGR 379.5 790 WC.Y 384.4 780 WMC evenings when the Palmolive Hour comes through WEAF. 454.3 650 WEAF The Pepsodent Program, Amos 'n' Andy. Kev Station—VVMA'Q (447.5m-670kc) Eastern Central Mountain Pacific Eastern Central Mountain Pacific 394.5 760 WJZ 483.6 620 WTMJ 11 a.m. 10 9 8 9p m. 8 7 6 302.8 990 WBZ 205.4 1460 KSTP Meters Kc. Call Meters Kc. Call Interwoven Pair. 302.8 990 WBZA 234.2 1280 WEBC 535.4 560 WIOD 245.6 1220 WCAE Key Station—WJZ (394.5m-760kc) 260.7 1150 WHAM 361.2 830 KOA 227.1 1320 WSMB 280.2 1070 WTAM Meters Kc. Call Meters Kc. Call 305.9 980 KDKA 265.3 1130 KSL 263 1140 WAPI 325.9 920 WWJ 222.1 1350 KWK 325.9 920 KOMO 399.8 750 WJR 491.5 610 WDAF 440.9 680 WPTF 416.4 720 WGN 227.1 1320 WSMB 333.1 900 WKY 293.9 1020 KYW 315.6 950 WRC 288.3 1040 KTHS 205.4 1460 KSTP 238 1260 WJAX 361.2 830 KOA 222.1 1350 KWK 447.5 670 WMAQ 508.2 590 WEEI 483.6 620 WTMJ 245.8 1220 WREN 365.6 820 WHAS 245.8 1220 WREN 428.3 700 WLW 336.9 890 WJAR 361.2 830 KOA 252 1190 WOAI 374.8 800 WFAA 11:15 p.m. 10:15 9:15 8:15 516.9 580 WTAG 365.6 820 WHAS 260.7 1150 WHAM 379.5 790 KGO Longines Time. 319 940 WCSH 405.2 740 WSB 263 1140 WAPI 384.4 780 WMC 245.8 1220 WREN 302.8 990 WBZA 535.4 560 WLIT 263 1140 KVOO 265.3 1130 KSL 394.S 760 WJZ 260.7 1150 WHAM 305.9 980 KDKA 315.6 950 WRC 325.9 920 KPRC 270.1 1110 WRVA 405.2 740 WSB 282.8 1060 WBAL 394.5 760 WJZ 379.5 790 WGY 238 1260 WJAX 277.6 1080 WBT 428.3 700 WLW 302.8 990 WBZ 399.8 750 WJR 545.1 550 WGR 234.2 1280 WEBC 282.8 1060 WBAL 440.9 630 KPO 288.3 1040 KTHS 461.3 650 WSM 12 n. 11 a.m 10 a.m. 9 a.m. 293.9 1020 KYW 468.5 640 KFI i2Ly Evening Stars. 302.8 990 WBZ 483.6 620 KGW Key Station-WEAF (454.3m-660kc) 302.8 990 WBZA 508.2 590 KHQ 10 a.m. 9 8 7 305.9 980 205.4 1460 KSTP 333.1 900 WKY KDKA 535.4 560 WIOD Ida Bailey Allen. 325.9 920 KPRC Key Station--2XE (49.2-6120): WABC (348.6-860) 238 1260 WJAX 361.2 830 KOA 215.7 1390 258.5 1160 24S.8 1220 WCAE 374.8 800 WBAP True Story Hour. WHK WOWO 790 223.7 1340 WSPD 275.1 1090 KMOX 263 1140 WAPI 379.5 WGY Key Station—WABC (348.6m-860kc) 265.3 1130 454.3 660 227.1 1320 WADC 315.6 950 KMBC KSL WEAF 208.2 1440 WHEC 258.5 1160 WOWO 461.3 650 232.4 1290 WJAS 333.1 900 WFBL 270.1 1110 WRVA WSM 215.7 1390 WHK 275.1 1090 KMOX 483.6 620 238 1260 KOIL 333.1 900 WMAK 277.6 1080 WBT WTMJ 223.7 1340 WSPD 315.6 950 KMBC 238 1260 389.4 770 280.2 1070 WTAM 491.5 610 WDAF 227.1 1320 WADC 333.1 900 WFBL WLBW WBBM 590 241.8 1240 WGHP 475.9 630 WMAL 299.8 1000 WHO 508.2 WOW 232.4 1290 WJAS 333.1 900 WMAK 245.6 1220 WCAO 491.5 610 315.6 950 WRC SI 6. 580 WTAG 236 1260 KOIL 370.2 810 WCCO WFAN 560 256.3 1170 WCAU 545.1 550 WKRC 319 940 WCSH 535.4 WLIT 238 1260 WLBW 447.5 670 WMAQ 325.9 920 KPRC 545.1 550 KSD 241.8 1240 WGHP 475.9 630 WMAL 10:45 a.m. 9:45 8:45 7:45 325.9 920 WWJ National Home Hour. 243.8 1230 WNAC 499.7 600 WCAO Key Station—WEAF (454.3m-660kc) 256.3 1170 WCAU 545.1 550 WKRC 1 p.m. 12 n. 11 a.m. 10 a.m. 258.5 1160 WEAN 245.6 1220 WCAE 374.8 800 WSAI National Farm and Home Hour. 280.2 1070 WTAM 279.5 790 WGY Key Station—WJZ (394.5m •760kc) 9:30 p.m. 8:30 7:3C 6:30 454.3 293.9 1020 KYW 660 WEAF 205.4 1460 KSTP 315.6 950 WRC Philco's Theater Memories. 299.8 1000 299.6 600 WHO WTIC 222.1 1350 325.9 920 KPRC Key Station—WJZ (394.5m- 760kc) 508.2 590 KWK 315.6 950 WRC WEEI 234.2 1280 WEBC 333.1 900 WKY 205.4 1460 KSTP 302.8 990 WBZA 319 940 WCSH 516.9 580 WTAG 238 1260 WJAX 361.2 830 KOA 222.1 1350 KWK 305.9 930 KDKA 325.9 920 535.4 560 WWJ WFI 245.8 1220 WREN 365.6 820 WHAS 245.8 1220 WREN 394.5 760 WJZ 336.9 890 WJAR 545.1 550 WGR 252 1190 WOAI 374.8 800 WFAA 260.7 1150 WHAM 399.8 750 WJR 11 a.m. 10 9 S 260.7 1150 WHAM 384.4 780 WMC 282.8 1060 WBAL 428.3 700 WLW NBC Music Appreciation Hour. 263 1140 KVOO 394.5 760 WJZ 293.9 1020 KYW 483.6 620 WTMJ Key Station— WJZ (394.5m -760kc) WEAF (454.3-650) 270.1 1110 WRVA 399.8 750 WJR 302.8 990 WBZ 394.5 760 WJZ 206.8 1450 WFJC 277.6 1080 WBT 428.3 700 WLW Schradertown Band. 454.3 650 WEAF 265.3 1130 KSL 282.8 1060 WBAL 440.9 680 WPTF Key Station—WEAF (454.3m-660kc) 302.8 990 WBZA 333.1 900 WKY 293.9 1020 KYW 461.3 650 WSM 225.4 1330 WSAI 454.3 660 WEAF 302.8 990 WBZ 545.1 550 KSD 299.8 1000 WHO 483.6 620 WTMJ 245.1 1220 WCAE 491.5 610 WDAF 282.8 1060 WBAL 299.8 1000 WHO 302.8 990 WBZ 491.5 610 WDAF 299.8 1000 woe 499.7 600 WTIC 260.7 1150 WHAM 508.2 590 WOW 302.8 990 WBZA 508.2 590 WOW 315.6 950 WRC 508.2 590 WEEI 305.9 980 KDKA 491.5 610 WDAF 305.9 980 KDKA 535.4 560 WIOD 319 940 WCSH 508.2 590 WOW 399.8 750 WJR 461.3 650 WSM 325.9 920 WWJ 516.9 580 WTAG m. a. m. 428.3 700 WLW 384.4 780 WMC 2 p. m. 1 p. 12 11 336.9 890 WJAR 565.4 560 WLIT 293.9 1020 KYW 277.6 1080 WBT Patterns in Prints. 344.6 870 WLS 545.1 550 KSD Station— (348.6m-860kc) 222.1 1350 KWK 374.8 800 WFAA Key WABC 279.5 790 WGY 545.1 550 WGR 245.8 1220 WREN 252 1190 WOAI 215.7 1390 WHK 256.3 1170 WCAU 389.4 770 KFAB 270.1 1110 WRVA 475.9 630 WMAL 267.7 1120 WISN Philco Theatre Memories. 204 1470 WKBW 232.4 1290 WJAS 205.4 1460 KSTP 302.8 990 WBZA 384.4 780 WEAN 333.1 900 WFBL 222.1 1350 KWK 305.9 980 KDKA 545.1 550 WKRC 243.8 1230 WFBM 245.8 1220 WREN 394.5 760 WJZ 238 1260 KOIL 389.4 770 WBBM 260.7 1150 WHAM 399.8 750 WIR 227.1 1320 WADC 394.5 760 KVI 293.9 1020 KYW 483.6 620 WTMJ 223.7 1340 WSPD 535.4 560 KLZ 302.8 990 WBZ 10 p m. 9 8 7 5 p.m. 4 3 2 Armstrong Quakers. Cities Se rvice Concert Orchestra. 222.1 1350 KWK 302.8 990 WBZ Key Station—WEAF (454.3m-660kc) 245.8 1220 WREN 302.8 990 WBZA 454.3 660 WEAF 545.1 550 KSD 260.7 1150 WHAM 305.9 980 KDKA 508.2 590 WEEI 508.2 590 WOW 282.8 1060 WBAL 394.5 760 WJZ 282.8 1060 WTIC 491.5 610 WDAF 293.9 1020 KYW 428.3 700 WLW 535.4 560 WLIT 205.4 1460 KSTP 315.6 950 WRC 483.6 620 WTMJ Bremer-Tully Time. 545.1 550 WGR 333.1 900 WKY Key Station—WABC (34S.6m-S60kc) 245.8 1220 WCAE 325.9 920 WWJ 215.7 1390 WHK 25S.5 1160 WOWO 280.2 1070 WTAM 299.8 101)1) woe 223.7 1340 WSPD 267.7 11 JO W ISN 293.9 1020 KYW 361.2 S3!) KOA 227.1 1320 WADC 275.1 1090 KMOX 379.5 790 KGO 374.8 800 WFAA 232.4 1290 WJAS 315.6 950 KMBC 483.6 620 KGW 225.4 1330 WSAI 238 1260 KOIL 333.1 900 WFBL 508.2 590 KHQ 336.9 890 WJAR 238 1260 W 1 BW 333.1 900 WMAK 325.9 920 KOMO 241.8 12-40 WGHP 447.5 670 WMAQ 243.8 1 230 w MAC 475.9 630 WMAL 1170 6:30 p.m. 5:30 4:30 3:30 256.3 WCAU 499.7 600 Raybestos Twins. 258.5 1160 WEAN 545.1 550 WKRC Key Station-WEAF (454.3m-660kc) Longines Correct Time. 24S.1 1220 WCAE 336.9 son WJAR 260.7 1 1 50 WHAM 305.9 980 KDKA 280.3 1070 WTAM 379.5 790 WC.Y 1060 WBAL 394.5 760 WJZ 315.6 950 WRC 454.3 660 990 WBZ 438,3 700 WLW

i 990 319 940 WCSH 499.7 600 \f 375.9 920 WWJ 516.9 580 WTAG 10:30 p. ni 9:30 8:30 7:30 Armour Program. 7:30 p.m. 6:30 5:30 4:30 205 -l KSTP 325 9 KPRC Dixies Circus. 222J KWK KOMO Key Station—WJZ 1 227.1 WSMB 9tVI W KV 277.6 1080 WBT 384.4 7S0 WMC 1280 KOA 282.8 1060 WBAL \\ 1/ 1260 \\ 1 \ \ 293.8 1020 KYW 399.8 750 W IK BOO 302.8 990 \\ BZ 405.2 WSB 252 379.5 K.'.O 302 8 990 WBZA 428.3 700 w i ,W 260.7 1 1 50 \\ HAM W MC 305.9 980 KDKA 461.3 650 W.^M 1 1 40 WAPI 394.5 365.6 820 WHAS 263 1140 K\lH) 399.8 750 WiK KS1 740 8 p.m. 7 6 5 1110 WRVA 428.3 700 WLW Trladors 277.6 440. > (-S0 KPO A HANDSOME gentleman as well as Key Station—WJZ 1 282 B 461.3 650 WSM .i<>4 5 760 WTZ 260.7 1 1 5(1 1040 KKl an accomplished singer is Franklyn WHAM 468 5 640 302.8 990 WBZ o')'). 8 750 \\ IK KYW 4S.'.t. 620 k.;w O»0 Baur, heard at 8 P. M. (EST) Mon- 302.8 WBZA 428.3 700 Wl.W 483 6 620 W 1 MJ 305.9 980 KDKA 309.1 970 WCFL 990 508.2 590 KliO days in the Firestone Hour over NBC. 245.8 1JJ0 WREN 222. 1350 KWK 305 9 980 84-

Eastern Central Pacific Eastern Central Mountain Pacific 8:30 a.m. 7:30 6:30 5:30 9:30 p.m. 8:30 7:30 6:30 Cheerio (Cont.) The Gulbransen Hour. Meters Kc. Call Meters Kc. Call Key Station—WABC (348.6m-860m) 483.6 620 WTMJ 263 1140 WAPI Meters Kc Call Meters Kc Call 205.4 1460 KSTP 263 1140 KVOO 204 1470 WKBW 258.5 1160 WOWO 234.2 1280 WEBC 325.9 920 KPRC 215.7 1390 WHK 384.4 780 WEAN 440.9 680 WPTF 526 570 WIBO 223.7 1340 WSPD 275.1 1090 KMOX 238 1260 WJAX 227.1 1320 WADC 315.6 950 KMBC 232.4 1290 WJAS 333.1 900 WFBL 238 1260 370.2 810 9:15 8:15 7:15 6:15 WLBW WCCO 238 1260 447.5 670 Parnassus String Trio. KOIL WMAQ 241.8 1240 WGHP 468.5 640 WAIU 454.3 660 WJZ 399.8 750 WJR 243.8 1230 WNAC 475.9 630 WMAL 256.3 1170 WCAU - 499.7 600 WCAO 545.1 550 10 a.m. 9 8 7 WKRC 333.1 900 WMAK The Blue Birds. 394.5 760 WJZ 245.8 1220 WREN 10 p.m. 9 8 7 222.1 1350 KWK Lucky Strike. Key Station—WEAF (454.3m-660kc ) 205.4 1460 374.8 800 11:15 a.m. 10:15 KSTP WBAP 206.8 1450 379.5 790 Radio Household Institute. WFJC KGO 225.4 1330 WSAI 379.5 Key Station—WEA:F (454.3m-660kc) 790 WGY 227.1 1320 WSMB 384.4 780 WMC 205.4 1460 KSTP 374.8 800 WSAI 238 1260 WJAX 405.2 740 WSB 245.6 1220 WCAE 379.5 790 WGY 245.6 1220 WCAE- 416.4 720 WGN 252 1190 WOAI 384.4 780 WMC 252 1190 WOAI 440.9 680 KPO 263 1140 KVOO 404.2 740 WSB 263 1140 WAPI 440.9 680 WPTF 277.6 1080 WBT 454.3 660 WEAF 265.3 1130 KSL 454.3 660 WEAF 280.2 1070 WTAM 461.3 650 WSM 277.6 1080 WBT 468.5 640 KFI 293.9 1020 KFKX 483.6 620 WTMJ 282.8 1060 WTIC 483.6 620 KGW 299.8 1000 woe 491.5 610 WDAF 288.3 1040 KTHS 483.6 620 WTMJ 315.6 950 WRC 499.7 600 WTIC 299.8 1000 WHO 491.5 610 WDAF 319 940 WCSH 508.2 590 WEEI 315.6 950 WRC 508.2 590 KHQ 325.9 920 WWJ 508.2 590 WOW 319 940 WCSH 508.2 590 WEEI 333.1 900 WKY 516.9 580 WTAG 325.9 920 KOMO 508.2 590 WOW 336.9 890 WJAR 535.4 560 WLIT 325.9 920 KPRC 516.9 580 WTAG 365.6 820 WHAS 545.1 SSO KSD 325.9 920 WWJ 535.4 560 WFI 374.8 800 WBAP 545.1 550 WGR 333.1 900 WKY 535.4 560 WIOD 336.9 890 WJAR 545.1 550 KSD

1 361.2 1 p.m. 12 n. 11 a.m. 10 a.m. 830 KOA 545.1 550 WGR National Farm and Home Hour. 365.6 820 WHAS

Key Station—WJZ (394.5m-760kc)i Paramount-Publix 205.4 1460 KSTP 315.6 950 WRC Radio Hour. 222.1 1350 KWK 325.9 920 KPRC Key Station—-2XE (49.2-6120) : WABC (348.6-860) 234.2 1280 WEBC 333.1 900 WKY 256.3 1170 WCAU 526 570 WWNC 238 1260 WJAX 361.2 830 KOA 243.8 1230 WNAC 201.2 1490 WLAC 245.8 1220 WREN 365.6 820 WHAS 384.4 780 WEAN 234.2 1280 WDOD 252 1190 WOAI 374.8 800 333.1 900 WFBL 322.4 930 WBRC WFAA 1470 260.7 1150 WHAM 384.4 780 WMC 204 WKBW 499.7 600 WREC 263 1140 KVOO 394.5 760 499.7 600 WCAO 215.7 1390 KLRA WJZ 232.4 1290 270.1 1110 WRVA 399.8 750 WJAS 204 1470 KFJF WJR 227.1 1320 277.6 1080 WBT 428.3 700 WLW WADC 288.3 1040 KRLD 282.8 1060 WBAL 440.9 680 WPTF 545.1 550 WKRC 230.6 1300 KFH 293.9 1020 461.3 650 241.8 1240 WGHP 232.4 1290 KTSA KYW WSM 447.5 670 370.2 299.8 1000 WHO 483.6 620 WTMJ WMAQ 810 WCCO 258.5 1160 267.7 1120 302.8 990 WBZ 491.5 610 WDAF WOWO WISN 315.6 950 236.1 1270 302.8 990 WBZA 508.2 590 KMBC WDSU WOW 238 1260 535.4 305.9 980 KDKA 535.4 560 WIOD KOIL 560 KLZ 223.7 1340 WSPD 232.6 1290 KDYL 215.7 1390 WHK 333.1 900 KHJ 7:30 p.m. 6:30 5:30 4:30 238 1260 WLBW 491.5 610 KFRC A LEAD in the Columbia System Nit-Wit Hour 475.9 630 WMAL 319 940 KOIN Key Station—WABC (348.6m-860kc) 243.8 1230 WFBM 394.5 760 KVI Show Folks program is played by 208.2 1440 223.7 204 1470 234.2 1280 WHEC 1340 KFPY WKBW WDOD 312.3 960 CFRB 228.9 1310 Billie Dauscha. A sweet and wistful 215.7 1390 201.2 1490 KFBK WHK WLAC 322.4 930 249.9 1200 232.4 1290 WJAS 535.4 560 KLZ WDBJ KMJ little lady is Billie, and a sweet 384.4 780 WTAR 275.1 1090 238 1260 KOIL 258.5 1160 WOWO KMOX actress. 238 1260 WLBW 526 570 WWNC 243.8 1230 WFBM 322.4 930 WDBJ The Pepsodent Program, Amos *n* Andy. 267.7 1120 WISN 499.7 600 WE EC Key Station—WMAQ (447.5m-670kc) 315.6 950 KMBC 215.7 1340 KFPY 394.5 760 WJZ 483.6 620 WTMJ Eastern Central Mountain Pacific 499.7 600 WCAO 394.5 760 KVI 302.8 990 WBZ 205.4 1460 KSTP 10:30 p.m. 9:30 8:30 7:30 Opera 545.1 550 WKRC 302.8 990 WBZA 234.2 1280 WEBC Grand Concert. 260.7 1150 WHAM 361.2 830 KOA Key Station—WABC (348.6m-860kc) W2XE (49.2-6120) 305.9 980 KDKA 265.3 1130 KSL p.m. 7 6 Meters Kc. Call Meters Kc. Call 8 5 399.8 750 WJR 491.5 610 WDAF 348.6 860 201.2 1490 Guy Lombardo and His Royal Canadians. 293.9 1020 315.6 950 WABC WLAC (348.6m-860kc) KYW WRC 49.2 6120 W2X.E 267.7 1120 W1SN Key Station—WABC W2XE (49.2-6120) 222.1 1350 KWK 447.5 670 WMAQ 215.7 1390 WHK 545.1 550 WKRC 215.7 1390 WHK 475.9 630 WMAL 245.8 1220 WREN 428.3 700 WLW 447.5 670 WMAQ 475.9 630 WMAL 227.1 1320 WADC 204 1470 WKBW 227.1 1320 WADC 333.1 900 WMAK 232.4 1290 WJAS 526 570 WWNC Slumber Music. 499.7 600 322.4 930 232.4 1290 WJAS 256.3 1170 WCAU WCAO WDBJ 245.8 1220 394.5 760 499.7 600 WREN WJZ 499.7 600 WCAO 526 570 WWNC 223.7 1340 WSPD WREC 315.6 950 WRC 243.8 1230 WNAC 322.4 930 WDBJ 238 1260 WLBW 238 1260 KOIL 258.5 1160 WEAN 499.7 600 WREC 243.8 1230 WFBM 215.7 1340 KFPY 223.7 1340 WSPD 238 1260 KOIL 241.8 1240 WGHP 394.5 760 KVI 11:30 p.m. 10:30 9:30 8:30 238 1260 WLBW 215.7 1340 KFPY 333.1 900 WFBL 535.4 560 KLZ Charles Strickland Park Central Hotel Orchestra. 241.8 1240 WGHP 394.5 760 KVI 234.2 1280 WDOD 275.1 1090 KMOX 245.6 1220 WCAE 440.9 680 WPTF 333.1 900 WFBL 535.4 560 KLZ 201.2 1490 WLAC 491.5 610 KFRC 299.8 1000 WHO 454.3 600 WEAF 223.7 1340 WSPD 275.1 1090 KMOX 267.7 1120 WISN 491.5 610 WFAN 333.1 900 WKY 535.4 560 WIOD 370.2 810 WCCO 232.6 1290 KDYL 258.5 1160 WOWO 468.5 640 WAIU 234.2 1280 WDOD 545.1 550 WKRC

11 p. m. 8:30 p.m. 7:30 6:30 5:30 St. Regis Hotel Orchestra. Launderland Lyrics. Meters Kc. Call Meters Kc Call Key Station—WEAF (454.3m-660kc) 315.6 950 WRC 545.1 550 KSD 508.2 590 WEEI 270.1 1110 WRVA 454.3 660 WEAF 336.9 890 WJAR 238 1260 WJAX 535.4 560 WFI 384.4 780 WMC The Pepsodent Program, Amos *n* Andy. 379.5 790 WGY 227.1 1320 WSMB Key Station—WMAQ (447.5m-670kc) 245.8 1220 WCAE 374.8 800 WBAP 394.5 760 WJZ 483.6 620 WTMJ 205.4 1460 KSTP 361.2 830 KOA 302.8 990 WBZ 205.4 1460 KSTP 234.2 1280 WEBC 225.4 1330 WSAI 102.8 990 WBZA 234.2 ' 1280 WEBC 365.6 820 WHAS 344.6 870 WLS 260.7 1150 WHAM 361.2 830 KOA 461.3 650 WSM 545.1 550 KSD 305.9 980 KDKA 265.3 1130 KSL 263 1140 WAPI 299.8 1000 WHO 399.8 750 WJR 491.5 610 WDAF 288.3 1040 KTHS 508.2 590 WOW 293.9 1020 KYW 315.6 950 WRC 252 1190 WOAI 491.5 610 WDAF 222.1 1350 KWK 447.5 670 WMAQ 516.9 580 WTAG 277.6 1080 WBT 245.8 1220 WREN 428.3 700 WLW 319 940 WCSH 234.2 1280 WEBC 315.6 950 WRC 405.2 740 WSB 11:15 p.m. 10:15 9:15 8:15 545.1 550 WGR 333.1 900 WKY Slumber Music. 325.9 920 WWJ 325.9 920 KPRC 483.6 620 1130 Key Station—WJZ (394.5m -760kc! 1 WTMJ 265.3 KSL 260.7 1150 WHAM 305.9 980 KDKA 282.8 1060 WBAL 394.5 760 WJZ 302.8 990 WBZ 428.3 700 WLW 9 p. m. 8 7 6 302.8 990 WBZA General Electric Hour. 205.4 1460 KSTP 361.2 830 KOA 225.4 1330 WSAI 365.6 820 WHAS 227.1 1320 WSMB 374.8 800 WBAP 234.2 1280 WEBC 379.5 790 WGY 238 1260 WJAX 384.4 780 WMC 6:45 a.m. 5:45 4:45 3:45 254.1 1220 WCAE 405.2 740 WSB Tower Health Exercises. 252 1190 WOAI 440.9 680 KPO 245.6 1220 WCAE 508.2 590 WEEI 263 1140 WAPI 454.3 660 WEAF 315.6 950 WRC 535.4 560 WFI 265.3 1130 KSL 461.3 650 WSM 379.5 790 WGY 545.1 550 WGR 270.1 1110 WRVA 468.5 640 KFI 454.3 660 WEAF 277.6 1080 WBT 483.6 620 WTMJ 280.2 1070 WTAM 483.6 620 KGW 8:15 a.m. 7:15 6:15 5:15 299.8 1000 WHO 491.5 610 WDAF Federation Morning Devotions. 315.6 950 WRC 499.7 600 WTIC 245.8 1220 WCAE 454.3 660 WEAF 319 940 WCSH 508.2 590 KHQ 315.6 950 WRC 545.1 550 WGR 325.9 920 WWJ 508.2 590 WEEI 325.9 920 KPRC 508.2 590 WOW 325.9 920 KOMO 516.9 580 WTAG 8:30 a.m. 7:30 6:30 5:30 333.1 900 WKY 535.4 560 WFI Cheerio. 336.9 890 WJAR 545.1 550 KSD Key Stat . 344.6 870 WLS 545.1 550 WGR 245.8 1220 WCAE 499.7 600 WTIC 315.6 950 516.9 580 WTAG treat for WRC 9 p.m. A RARE the loudspeakers 379.5 790 WGY 319 940 WCSH 8 7 6 454.3 660 WEAF 325.9 920 WWJ Longines i Correct Time. when Vaughn de Leath steps up to 508.2 590 WEEI 299.8 1000 woe 379.5 790 KGO 483.6 620 KGW the microphone in the NBC studios 545.1 550 WGR 508.2 590 WOW 508.2 590 KHQ 440.9 680 KPO 202.1 1480 WCKY 491.5 610 WDAF 325.9 920 KOMO as the Concert Bureau hour goes on. 85 ^^ho's Who In Broadcasting

soloist Charles H., Jr., Program Direct- (. arret t, Zola, Contralto. KVOO. Gillette, Micky, KFRC. Saxophone and GABRIEL, of Dance band. Leader of or, NBC Pacific Division. Gabriel, who has Garvey, Helen Irene, Reader, KSTP. member KFRC novelty Victor Recording band. been at the San Francisco studios two Garvin, Clinton, Saxophonist, WLAC. "Romanciers," Three years with KFRC. Teaches saxo- years, can be characterized as a Radio Gates, Mrs. Ralph, Soprano, WLAC. the first director of Station phone. A "red-headed" native Californlan. pioneer. He was Catling, Grace, Pianist, WTAR. WGN, Chicago, and afterward headed the Gillispie, William, "Feature Director," The Gatwood, E. Baritone, Pianist, 'Cellist and staff of a station in Oakland, Calif. Gabriel J., Highest Unpaid Director in America, KFJF. composed some 800 songs, many of Director of Music, George Peabody College Oilman, Bon E., Vice President of NBC in has a mem- which have been published. Not content, he for Teachers. Mr. Gatwood is also charge of the Pacific Division. Formerly Quartet of Nash- deyotes much time to plays and has had one, ber of the Exchange Club a president of the Pacific Coast Advertis- "My Love," produced in London. "Tune- ville, WLAC. ing Clubs, and a nationally known adver- ful programs are the most popular," Gabriel, Gauss, Wallace, Tenor, WFLA. tising executive. With his keen percepti- has decided. His motto is "Something bet- Gay, Edna May, Mezzo-Soprano, WLAC. bility and wide knowledge of Radio and ter in every program." The Program Di- Gaylord, Chester, Announcer of WTAG, la advertising, Gilman directs the destinies of rector is married to Ethel Wakefield, NBC a n accomplished musician the largest network on the Pacific Coast. soprano, heard at the Musical Festival in and so can "pinch hit" when In a crisp, convincing fashion he issues Chicago this summer. artists fail him. His saxo- ideas, ideals, facts, figures, hopes and con- Gage Brewer*? Hawaiians, KFH. phone selections are well clusions. Aware that Radio still is in eastern its infancy, Don Gilman experiments and Gage, frank, Announcer, Assistant Program known along the leading profits by the results. He believes firmly Director, Pacific Coast Network, National coast. When he was that Radio programs should reflect the Broadcasting Company. in the Gold Cup contest in newspapers, one lives or dreams of the great army of listen- National 1926, three Gainsborg, Lolita Cabrera, Pianist, mayor, a postmaster and sev- ers and seeks constantly for new departures Broadcasting Company. eral other civic leaders were to keep the infant industry growing. Gil- Gale, P. I. Director, KFOA. campaigning for his victory. man was born in Indianapolis. His father Gallagher, Harold, Midnight Announcer, The only reason he lost was because there was a newspaper man and Don followed in WTAM. were more people in Iowa. If you like to his footprints. His first real job was with Gallagher, Madeline, Soprano, WENR-WBCN. hear Mr. Gaylord over the Radio, you can the Indianapolis Sentinel. When he -was 21, Gilman came West, living first at Seat- Gallicchio, Joseph—Director of The Chicago get records which he has made. Daily News concert and dance Gaylord, Stephen, Baritone, Chief Announcer, tle and afterward in Sacramento, Calif. He orchestras over WMAQ and KGW. left newspaper work for advertising and came to Francisco. September, 1927, a talented violin soloist of Gebelein, Conrad, Conductor of Mandolin Or- San found in his present position as head wide repute. Mr. Gallicchio's chestra, WBAL. him of the NBC Pacific Division. musical genius is largely Gebhart, D. R., Basso and Director Peabody responsible for the popular- Ensemble Singers, WLAC. Gilmore, Iris Ruth, Dramatic Director, KOA. ity of WMAQ's programs Gebhart, Mrs. D. R., Pianist, WLAC. Gilmore, Mary, Pianist, WFLA. which contain musical inter- H| Geer, Eleanore, Pianist, WNAC. Ginsburg, Henry Trustman, Director of KOA ' J>? Gegna, Misha, 'Cellist, KNX. Orchestra and Denver Concert Orchestra. ludes for orchestra and musi- %i-.. «J i Happy Harry, Chief Announcer, Man- Ginsburg, Ralph, Concert Violinist. Musical cal backgrounds for word TajP^^ Geise, pictures painted before the ,im ager Continuity Department, Director, and Leader of the WJJD Studio microphone. His versatile Entertainer, Pianist, Com- Orchestra. musicians offer much beside orchestrations. poser. He has composed Gisburne, Edward, Announcer, WEEI. Many are soloists and in addition the twenty-three song hits. Here Giskin, Ossip, 'Cellist, Columbia Broadcasting orchestra includes instrumental duos, trios is his brief history: 1921-22 System Symphony Orchestra. and quartets. with KYW; 1922, toured, Givens, Tom, Banjoist, WLAC. F, R, Gamble, Mrs. L. L., Dramatic Soprano, WLAC. W E A W J Z. W D A Glantz, Harry, Trumpeter, Columbia Broad- 1923, WQJ; 1924, casting System Symphony Orchestra, Gambrill, Eleanor Gibson, Secretary. WBAL. KDKA; WIBO; 1924 - 25, toured, Glanville, Roberta, Soprano, Former Member Gammons, E. H., Business Manager, WCCO. KNX, KFWB, KHJ, KFI; of the Metropolitan, WBAL. Ganley, Gertrude O'Neill, Impersonator, 1925, KFQZ; 1925, WWAE, Glascock, Mrs. A. B., Organist, WSUN. WCCO. WQ.T; 19 2 7. Now at KSTP. Glass, Margaret, Organist, KTHS. Cant, Mr. and Mrs. A. M., Basso and Con- Gene Fogarty and His Orchestra. Formerly Gleason, Philip, Reeds, Columbia Broadcast- tralto, WLAC. with Ace Brigode and Johnny Hamp, ing System Dance Band. Garbett, Arthur S., Educational Director of WADC. Gleemen, Harry Evans, Conductor, KVOO. the NBC Pacific Division at San Francisco. Gentry Male Quartet, WLAC. Glenn, Ivo B., Tenor, WSM. Garbett has been with NBC since inaugura- Gerhard, Romona and Geraldlne, Violin and Glenn, Wilfred, Bass, NBC. tion of the Pacific Network and is respon- Piano, WCCO. Glorch, George, Announcer, WMBB-WOK. sible for the Standard School Broadcast Gettelson, Mae-Belle, Soprano. Guest artist Glover, Al, Banjo, WMAK. and the R. C. A. University of the Air, two on the Musical Comedy Memories feature Glover, Alice, Chicago, Corresponding Secre- outstanding Pacific Coast programs, the of the WBBM Air theatre. tary. WJJD. former already adopted by the schools for Ghio, Mary Louise, Assistant Program Di- Gardner, Ouita Johnston, Soprano, KVOO. use in music appreciation courses. Garbett rector, KWK. Godfrey, George Hubert, KOMO. Announcer formerly was associate editor of The Etude Gibson Gondoliers, Horace Brosius, Mandolin- and production manager; director of Totem and author of the Victor Book of the Op- ist; J. Leslie Fox, guitarist; Guy Richmond, Thespians; left the footlights to join KOMO; era. In California he was music and Radio Mandolinist, KFH. born in Ionia, Michigan. critic for a San Francisco newspaper before Giddings, Natalie, Director of Publicity for Godsey, Lillian B., Soprano. WSUN. taking over the Radio educational program. WLW and WSAI. Golden Echo Quartet, WSM. Gardiner, Jean, Blues Singer, KOIN. Gilion, John, Continuity genius of The Chicago Golden, Marie, Pianist, KNX. Gardner, Carroll, Staff Announcer, marimba Daily News station. From Mr. Gihon's pro- Goldenberg, H. E., Announcer, WHB. soloist, vocal soloist, pianist and percus- lific typewriter come many of the com- Goldkette, Jean, Jazz Orchestra Conductor. sionist, WAPI. mercial broadcasts of WMAQ. Owns eleven pianos, but keeps them in Gardner, Ouita Johnston, Soprano, KVOO. Gilchrest, Charles J., Secretary of The Chicago various parts of the country where he may Garetson, Ben, Commercial Manager of KYW- Daily News DX club composed of Radio need them at different times. Goldki KFKX, came to Radio from fans who search the ether for far away unusual name is explained by the fact that the theatrical field, by way adn little known Radio stations. His acti- he was born in France, son of a Russian of the first national Radio vities in this line have inspired many DX father and a French mother. As a boy he show. As assistant general hounds to enthusiatsic work the result of was proclaimed a prodigy. When he came manager of that exposition which is a long record of foreign stations in to Detroit he knew nothing of jazz until he he came in contact with the all parts of the world hooked and verified joined a small orchestra. Soon his interpre- owners of WJAZ then broad- by DXers. Mr. Gilchrest also broadcasts tations spread all over the country. He casting at the Edgewater WMAQ listeners the news bulletins from plays over the NBC from Chicago. Beach Hotel. As director- The Chicago Daily News and has the honor Goldman, Edwin Franko, Band. N3 announcer, he remained in of being the first to broadcast from inside Goldsehein, Airs. H. II., Soprano. WSM. charge of the station for The Daily News building at 400 W. Madi- Goldsmith. Amy, Soprano, NBC. some time after It changed son street. He staged the news flashes from Goldsmith. I.ee, General Manager. WCKY. its call letters to WGN. A brief return to nn improvised studio in the office of Chief Gollub, Marie, Violinist. KWK. the theatre was followed by a connection Engineer Walter Lindsay for many weeks Good heart, .Myrtle. Blues Singer. WBAP. with WLS. Director of WCFL for a year, before the studios themselves were ready Goodman, Lawrence, Pianist, WSM. after which he became general representa- for occupancy. Goodnow, Arthur. Control Operator. WJJD. tive for the Martin Johnson African Expe- Gilbert, Marian, NBC contralto at the San Goodrich, Bill, Pianist. KOtL, dition, chasing lions and rhino into some Francisco studios. Miss Gilbert also is Goodrich, Dorothy. Violinist. WLAC. of the best theatres in America. Recently known to the Radio world as Bernice Al- Goodwin, Hugo Philler, Organist, KSTP. engaged to convince advertisers that some stock, formerly director of programs at Goodwin, Jerry. Pianist, WMAK. other period is better than the one selected KGW, the NBC affiliated station in Port- Gordon, Lou, the l.yric Tenor of KTAB, is one by the agency. Freckled as Bob Fitzim- land, Ore. The artist has been singing Of the Pickwick organization's standby's.

mons—and only one store tooth. Since childhood. Her musical education ; came to KTAB from the Los Angeles Garland, Charlie, Originator of the popular was completed in New York City, where Pickwick station KTM, and since his arrival Nutty Club given every Sun- she studied with Ramono Tomani and Jean at KTAB has equalled his southern suc- day night over the WBBM Testoff. She sang in Shubert shows and cesses. He specializes in the better type Air Theatre. Charlie has been concerts while in the Bast, returning to ballads and Operatic arias. with WBBM so long, no one I KGW to carry on program work until she Gordon Miiry. \ir News. Household Hints, can remember when he first f*\ came to San Francisco in May. Marian Is fashions. KFOA. appeared on a program. heard as the feminine "Voice of Firestone," Gosden, Ireomnn. The second half of Correll Every now and then he leaves a Monday night program released by all and Gosden and Amos In the for a short time, but the lure NBC Pacific Coast stations, and on other famous blackface team. Amos of the microphone pulls him programs. Miss Gilbert was graduated from "n' Andy, entertaining WMAQ back again. He gives a spe- the University of Oregon and made her fan as well as the listeners to cial program once a week ^~ W first appearance before tile microphone in many Other stations on the with Charlie Schultz and the 1024 singing with Luclle Kirtley, now a NBC. The adventures of Amor program is called the two Charlies. As Mr. starred N H( ' soprano in the San Fran and Andy appear in comic Garland is almost six feet tall and weighs studio. strip form in The Dally .News no mean pound, and Mr. Schultz is called (.iles. Errs, Soprano, NBC, o section. Gosden the SO pound tenor, the combination should Gtlklnson, Bryan A., Manager. KEX. Versatile artist With many be seen as well as heard. Both are waiting Gill. Ernest, Violinist, KOMO. t fortes in addition to blackface for television to be perfected and then, they Gillespie, Courtney Waggoner, Pianist. WSM comedy. With Correll he was imported expect to give their listeners a treat. GUIett, Hoy, Piano, arranger and copyist. from WON some time ago. Garland, Mrs. E. V., Pianist. KVOO. KSTP, <.o*-. Helen, Violinist, WFLA. an 86

Gough, I,. B„ Announcer, KFDM. Gussen, Elizabeth, Pianist, WAPI. Hance, Mrs., Announcer, Aunt Sammy Chats, Gould, Rita Burgess, Special, NBC. Gussen, Mr*. Edna Gockel, Pianist and Direc- KSTP. Gonraud, Powers, Announcer of WCAU, hap- tor of Birmingham Conservatory of Music, Hancox, Mildred B., Pianiste, WSUN. pened to join the staff in an unusual man- WAPI. Hanes, Tom, Sports Announcer, WTAR. ner. Returning from Europe last summer Gus Heimueller's Musical Four, KWK. Handlon, Earl, Clarinet and Saxophone Player, he made the acquaintance of Dr. Levy Gussman, Mrs. Frank, Soprano, WSM. National Battery Symphony Orchestra. aboard the S.S. Isle de France. Later he Gutting, Raymond, Announces Market Report, KSTP. made his home in Philadelphia and became KMOX. Hanlein, Fritz, Cellist, WDAF. a regular visitor in the studios of WCAU. Guy, Hazel Gentry, Violinist, WLAC. Hannemann, Jacob, Pianist, WJAZ. One evening a regular announcer was taken Gypsy and Marta, Harmony Team, KPO. Hansen, Bill, Melody Musketeers, NBC. ill and had to be sent home, there was no Gypsy Barons, Concert Orchestra, WWJ. Hansen, Emil, Drums, Tympani, KOMO. one else in the studios to take his place and Hansen, Jack, Bass Tuba, Columbia Broad- Mr. Geuraud took his place, making his HABURTON, Ralph, WLW Announcer casting System Dance Band. debut on the radio. His English voice and Program Manager. Mr. Haburton Hanson, O. B., Manager of Plant Operation pleased the radio audience and now he is a joined the staff of WLW five years ago and Engineering, National Broadcasting regular announcer. He was born in Little as a Co-operative Engineer Company. Menl'o outside of London, England, and is a from the University of Cincin- Hapakint, J., Stringed Instruments, NBC. first cousin to General Gouraud, Military nati. After "chaperoning" the Happiness Girls, Popular Trio, WWNC. Governor of Paris. WLW transmitter through the Harding, Mathilde, Pianist, National Broad- Graham, Alice, Pianist, WAPI. >1924 Democratic National casting Company. Graham, Marion, Baritone, WFLA. Convention and almost forty Hardison, Roy, Banjoist, Barn Dance Enter- Graham, Virginia, the "Little Irish Crooner" hours of "twenty-four votes tainer, WSM. of WLS. From New York and points east for Underwood," Haburton de- Hare, Ernest, Baritone, NBC. where she has done vodvil and Radio work. cided that announcing would Harger, Lucille Atherton, Contralto, Singer of Under five feet in height and must have be more entertaining than en- Heart Songs and How! Has IT in her voice. the mike lowered. gineering and abandoned the KFRC. Graham, Ross, Bass, 1927 Winner of Arkan- latter profession. Since then he" has de- Harker, Robert, "Ace of Banjoists," KMTR. sas Atwater Kent State Audition, KTHS. voted all his time to announcing and pro- Harkreader, Sid, Fiddler, Barn Dance Bnter- Gramlich, George, Tenor, KNX. gram arranging. tainer, WSM. Granger, Florence, Contralto, KFDM. Haack, Arno, Announcer, KMOX. Harlow, LeRoy, Director of Sallcon Vanities, Grannatt, Harry, Concert Pianist, KOIN. Hadfield, Ben, was formerly associated with Miniature Musical Comedies, WEEI. Grant, Herman, Violinist, WOC. the theatrical game throughout the United Harlow, Roy, genial and efficient manager at Grant, W. E. B., Operator, WBAL. States and is now the oldest announcer on WNAC, recently celebrated his first birth- Graves, Preston, Manager, Pianist, WMBB- the station. Ben uses his stage talents each day at the station. Looking back on his WOK. week on the station by participating in the efforts one rather marvels that he could Graves, Ted, Pianist, WBAP. WNAC skits in which he plays the leading whip things into such fine shape in such a Gray, G. Donald, KOMO. Announcer; baritone roles. Ben also directs the cast, selects the short space o ftime. Long hours at the soloist; born in Leeds, England; has had plays and is a regular stage manager, direc- wheel is the answer, to which of course extensive experience in English and Cana- tor and actor combined. The WNAC Players must be coupled executive ability. In dian light opera; managed several dramatic have enjoyed a long run on the air, and is addition to overseeing and guiding the des- stock companies of his own; a true old- one of the station's most popular features tinies of WNAC, Roy puts in two days a stager and a favorite baritone soloist of the originating in the studio. week at the sister station in Providence, Northwest. Hadley, Henry, Composer, Chorus and Orches- WEAN. His long experience in directing Gray, Stanley, Croon Baritone, KOIN. tra Conductor. He is an associate conduc- professional and amateur theatricals has Gray, Walter, Director of Dramatic Club, WFI. tor of the New York Philharmonic orches- been a great asset to WNAC. Roy is one Great Lakes Mixed Quartet, Charlotte Cowan, tra, directed the Philadelphia orchestra at of those "constantly on the job" fellows Soprano; Lucile Long, Contralto; Oscar the Sesquicentennial celebration, has ap- who enjoys the good will of everyone with Heather, Tenor; Marthin Provensen, Bass; peared at Amsterdam, Stockholm, London whom he is associated, and his friends are WENR-WBCN. and Buenos Aires. legion throughout New England. Green, Joe and His Marimba Band, National Hageman, Gertrude, Hostess, KFOA. Harmony Boys, Cecil Lettow, Russell Jensen, Broadcasting Company. Hagen, Alfrieda, College Entertainer, KSTP. WHB. Green, Punch, Popular Songs and Piano Num- Hager, Robert, "Prince Hassan," Arab palm- Harmony Four Quartet, KTHS. bers, KGW. ist, KSTP. Harmony Girls, Grace Ingram, Edith Carpen- Green, Mrs. R. E„ Soprano, WAPI. Haight, Fay, Studio Hostess, KEX. ter, WLS. Green, Norris B., Director of old time orches- Hain, William, Tenor, National Broadcasting Harmony Hounds, Stanley Gray, Stanley

tra, WAPI. Company. Bacon, KOIN. . Greenlee, Fred, KMA Poultry Man, KMA. Hale and Derry, "Ike and Mike," WDAF. Harned, Mrs. Gladys, Violinist, KFDM. Grella, Rocco, Director of Scarlet Guards Hale, Elizabeth, Pianist, WLAC. Harness Makers, Gus Swanson, Fritz Carlson, Band, WFLA. Hale, Mamie Ruth, Pianist and Violinist, Frank Peterson, KMA. Grenell, Lloyd, Popular Songs, KHQ. WLAC. Harper, Clarence, Tenor, WMBB-WOK. Gresh, Earl, Violinist and Director, Earl Hale, Theron, Fiddle, WLAC. Harris, Elmer, Piano, Accordion, WMAK. Gresh Orchestra, WSUN. Haleys Hawaiian Trio, WHB. Harris, Frances, Soprano, WWJ. Gress, Guila, Soprano, WREN. Haliole Hawaiians, KMA. Harris, Gordon, College Announcer, KSTP. Griffin, Beatrice, Violinist, WWJ. Halk, John, Violinist, KMOX. Harris, Paul, Director of Symphony Orchestra, Griffith, Kenneth, Tenor, WAPI. Hall, A. J., Spiritual Singer, KSTP. WFAA. Grimes, Bera Meade, Pianist of "Breakfast Hal], George, "The Fantom Fiddler." Sings Harrison, Charles, Tenor, NBC. Hour," WFAA. duos with Grace Donaldson, plays double Harrison, Henriette, Assistant Program Direc- Grimes, Therressa Fro, Soprano, KVOO. piano with Hortense Rose, and with the tor of WCAU and staff contralto. Miss Grisez, Georges, Clarinetist, WCCO. Maids of Melody forms the Harmony Trio Harrison was a. member of the staff of Grizzard, Herman, Tenor, WLAC. of WSAI. WPG, Atlantic City, before joining WCAU. Groom, Mary, Contralto, NBC, San Francisco. Hall, Harry, Chief Announcer, KFD. Harrison, J. B., Director of Gillette Bears, Gross, Derrel L., Announcer, KYW, Chicago. Hall, John, Violinist, KMOX. KOIL. He's "DL" to the Chicago broadcast fra- Hall, Milton G., Studio Director of KFUL, Harrod, Birneace, Studio Accompanist, WSUN. ternity and "Judge" perhaps when he gets Galveston, Texas, the Voice Harry Lange's Forest Park Highlands Or- back home in New York City, where he of Treasure Island, is a vet- chestra, KWK. formerly conducted his own concert bureau. eran in Radio broadcasting. Hart, Charles, Orchestral Conductor, NBC San While putting in regular hours at KYW Several years ago he was Francisco studios. Charles favors classical he puts in 80 per cent of his outside hours manager of WHEC at Roch- music and delights in direction of the taking a special course of post-graduate ester, N. Y. Later he was broadcast of the Pacific Little Symphony, law at the University of Chicago. That connected with WMAK at which is heard by the nation-wide NBC accounts for his smooth appealing voice to Buffalo as publicity director audience. He also conducts the Sunday the jury of Radio listeners. and announcer. For a short Concert broadcast throughout the West. Gross, Mrs. E. W., Soprano, KFDM. time Mr. Hall was continuity Charles was born in New Brunswick, N. J., Grossman, Eugene F., operating engineer. Na- writer, announcer and direc- and found himself on the stage when he tional Broadcasting Company. tor of publicity for WTAM, was a small child, with his family, "The Grosso, Peter, Tenor, WENR-WBCN. Cleveland. As a former newspaperman, Musical Harts." He was a pupil of Hana Grubb, Gayle, Director-Announcer, KFAB. Mr. Hall devotes a great deal of his time T. Siefert and Richard Epstein in New Guard, Sam, Directs Agricultural Programs to writing program continuity, but is fre- York and spent many years on the concert of KFKX. quently heard in the role of announcer. stage before coming to California in 19 23 Guest, Helen, Popular Pianist and Songster, Hall, Mrs. Gilbert, Soprano, KVOO. to live. KFI. Hall, Mrs. William, Jr., Contralto, WLAC. Hart, J. J., Guitarist, WLAC. Guidotti, Tito, 17-year-old Accordionist, WLS. Haller, Richard V., Director, KGW. Hart, W. E., Harmonica Soloist, KVOO. Italian and versatile. Ballroom Boys, Leroy Kullberg, Tom Brene- Hartley, Rene and Kathryn, are perhaps two Guill, Mary White, Soprano, WLAC. man, KNX. of the most talented entertainers of WIBW. Gullans, Florence, Mezzo- Soprano, WJAZ. Halpine, Jack, Tenor, KOIL. Rene is a concert violinist, having begun his Gully Jumpers, Paul Womack, Director, WSM. Halstead Trio. Hawaiian instrumentalists at study of music and the violin at the age of Gunsky, Maurice, Ballad Singer, KPO. the NBC San Francisco studios. 10, studying under several noted teachers, Guntley, Arthur, Xylophonist, KWK. Ham, Ray, Fred Sommer, Instrumental Duets, the foremost of which is Petrowitsch Bis- Gurnee and Anderson, Harmony Team, KPO. Banjo, Guitar, WHB. sing, instructor of violin in Chicago. He has Gurney, Charles H. Between the duties of ad- Hamilton, George, Baritone Soloist, Uncle also made an intensive study of harmony, vertising manager, purchasing agent, mak- Tom in "Dusk in Dixie," Negro Spirituals, composition and arrangement. He began ing of Radio advertising contracts as well as KSTP. his professional career at the age of 12, sponsorship of programs for various depart- Hamilton, Howard, Organist, KVOO. two years after his first lesson. Mr. Hartley ments, Charles is a busy man at WNAX. Hamilton, Wade, Organist, KVOO. is a capable orchestra leader, having had a Gurney, D. B. "Hello, folks, D. B. talking," is Hanun, Fred, Director of Collegians. He may great deal of experience in motion picture, the friendly greeting which prefaces Mr. be heard from MBBM-WJBT. He was for- vaudeville, and concert work. He spent Gurney's daily Radio talks from WNAX merly the Boss' own at the old Villa Olivia several years in Kansas City, Mo., where he which deal with important matters of gen- Station, WTAS. directed orchestras at the Plantation Grill eral interest or concerning the relations of Ilninn, Charles W. Hamp, Saturday Night "30 in the Hotel Muehlebach, as well as the WNAX to its audience and territory. Minutes of Sunshine," comes by Airplane Main Dining Room of the Baltimore Hotel. Gurney, E. R. Tall, middle-aged, experienced, from San Francisco, KNX. He has directed orchestras in Topeka's kindly and philosophical in his attitude to- Hampton, E. R., Announcer, WABC. leading theatres for a number of years and ward life, "Ed" Gurney's talks to boys and Hance, Kenneth M., Assistant Manager, has written several compositions, two of grown-ups as well over WNAX have a KSTP, in charge of production, began his which are marked song hits. Kathryn large and appreciative audience. radio career in 1910 as an amateur in a studied piano at the University of Ottawa, Gurney, "Chan," J. C. A pleasing voice, a back-yard shed at Fargo, N. D., later on under the capable guidance of Nell Harris good poker face and a keen sense of humor staff of the Marconi Wireless Telegraph Saunders, widely known teacher of piano, are characteristics of Chandler Gurney Company of America. In 1922 he estab- and has a great deal of theatre and concert which have won thousands of friends for lished WDAY at Fargo, serving as chief experience. She is an accomplished pianist him. Radio announcing is his forte at WNAX. engineer, program director, announcer and and accompanist, having accompanied sev- Gurney's Concert Orchestra. Under the capa- general manager. He was employed as a eral famous singers. ble direction of musically able and equally feature announcer at KSTP when the sta- Hartrick, George, Announcer; WWNC. serious Art Haring, this orchestra continues tion was inaugurated in March, 1928. One Hartshorn, Kathryne, Hostess. KVOO. to be an important and popular feature at of the outstanding announcers of the coun- Harvey, H. Clay, Shakespeare Lectures, WNAX. try. WDAF, — 87

Harvey, James, Tenor-Announcer, KOMO. Hedges, William S., a leading light in the Hite, Mrs. Harvill, Violinist and Member of Hasenhalg, A. Leroy, Commercial Representa- world of Radio broadcasting, not in the Nashville Symphony Orchestra, WLAC. tive of The Chicago Daily News station and artistic sense but in the capacity of a power Hittenmark, Gordon A., Announcer and As- announcer who served on many of the behind the scenes. His services to broad- sistant Sales Manager of KVOO. Previously World's fair contest band concerts over casting before the Federal Radio commis- with Northern Stations including WOC, WMAQ last summer. sion and in other meetings which have gone WHO,' WOW. Also appears in musical roles Hastings, Annette, NBC soprano at San Fran- to the further betterment of the industry frequently, having pleasing Radio tenor cisco. Annette sings blues with the Musi- were universally acknowledged this year voice. Twenty-six years old, five feet, nine cal Musketeers dance band. with his unanimous election to the presi- inches tall, weighs 150 pounds, single. Hastings, Don, Announcer, WBBM. dency of the National Association of Broad- Hobart, Henry, Tenor Extra-Ordinary, WFLA. Hatfield, Ruth, Blues Singer, Pianist, WHB. casters. Combining wide journalistic ex- Hobbs, Catherine, Women Director, WCSH. Hatrick, George, Baritone, WWNC. perience with business and broadcasting Hobbs, Frank, Clarinetist, Cellist, Saxophone, Hatton, Jimmie, Tenor, NBC, Chicago. acumen, Mr. Hedges has done much to Vi'XAX. Haufmann, Harry J., Violinist, WDAF. bring the two fields together. He is secre- Hoelzle, Elmer (,., "The Radio Voice From Haupt, James, Tenor, WAPI, was in 1923 tary of the newly formed Press Wireless, Virginia," Studio Director, Program Man- member of announcing staff of WEAF and Inc., which serves journalism as a nation- ager, Senior Announcer, WRVA. associated with National Grand opera until wide newsgathering agency using Radio Hoffman, Jack, Tenor, KVOO. August, 1929, now soloist and director of instead of the much slower cable and tele- Hoffman, Mrs. Daisy, Pianist, WLAC. choir of Independent Presbyterian church, graph lines. He entered the field when he Hoffman, Walter R., Chief Engineer, WWJ. Birmingham. was made Radio editor of The Chicago Hogan, Ella D., Soprano, WLAC. Hauptmann, Liborius, famous Viennese Direc- Daily News seven years ago, a position Hogan, Homer, General Manager, KVW- tor, now directing the Pacific Salon orches- which he still holds. KFKX. Born in Marquette, tra heard over stations of the ABC Western Heimueller, Louise, Soprano, KWK. Michigan. Educated at St. Network from the San Francisco studios at Heinrichs, Hilda, Cellist, WMBB-WOK. Thomas College and cast KVA, came to America as an electrical Heiny, Capt. J. D., Announcer, WOS. about for a career that would engineer. He found the director's baton Heitfelt, Fred, Conducts Nightly Musical Re- test his pent up Irish mettle. easier to wield and with his thorough train- view at KFSD. One of sponsors of Twilight He found it in newspaper Symphony. &>** ing in music from boyhood, became indis- fields. For the past fifteen U -«--il American musical productions. Hello Girls, Flo and Eda, Popular Numbers, he has functioned T pensable to years ~ Haury, William, Pianist and Organist, WLAC. WJR. successfully in all of the w Haverlin, Carl, Commercial Manager, KFI. Helpler, Morris, Director of Publicity, An- reportorial and promotional nouncer, KOA. ^BflL^L^r Formerly with Morgan Ballet; author and activities of metropolitan x^ ^r playwright. Heminghaus, Leo, Baritone Soloist, KSTP. newspaper enterprises. On Contralto, Havrilla, Alois, Announcer. He was born in Heminghaus, Paula, NBC. leaving college he associated with the Violin, Viola, KFAB. the foothills of a Czecho-Slovakian Moun- Hemingway, Lee, Chicago Herald and Examiner as reporter, tain range and came to Bridgeport, Conn., Hemming, Robert, WHAM. in which capacity he covered everything age. Graham McNamee was Hemus, Percy, Specials, NBC. from society to crime stories. Leaving the at an early Ohio announcing a program from Carnegie Hall Henderson, A. Lee, Sports Announcer of Herald and Examiner for a short time he when he heard Havrilla's voice and was so State Games, WEAO. became an editor for the Associated Press, Harriet, Soprano, KMTR. impressed by it that he invited him to Henderson, and then tried his hand as partner of one Songs. WLS. come to WDAF', New York, for an audition. Hendry, Bob, Scotch of Chicago's publicity agencies. Eventually Director, Announcer, National Broadcasting Company. Henley, Dave, Program he returned to the Herald and Examiner, director of amateur Hawaiian Trio, Minyan, Coral, Samuel Haliole, WDAY. Started as where he ruled as City Editor for six years. advertising agency in KMA. plays, later was with He was appointed head of the Herald and baritone voice. Hawk, Robert. Early morning risers who tune Duluth. Has a Examiner Radio activities in 192G. The Organist, in on WJJD, Chicago, are sure to hear the Henniger, George, Popular WSUN. newspaper then had but an hour a day on pleasant voice of Mr. Hawk, whose quaint Henningsen, Walter, Director of Orchestra, WEBH. In three years he has developed "Hear Ye! Hear Ye!" brings to modern Flutist, KOMO. the department to employ two score of busy Singer, KFLA. Radio the salutation of the "Town Crier" Henry, Evelyn, Blues workers on one of the country's largest full His North Carolinians, NBC. of old. Although he has been in Radio for Henry, Tal, and time highpower stations, KYW and KFKX. two years, he holds the distinction of being Herbert, Mrs. T. L., Pianist, WSM. Married? Serenely! Hobby cutting the Jules, Orchestra Leader. — the youngest announcer in Chicago. Pre- Herbuveaux, KYW huge his home, 65 7 7 Winthrop not lawn at vious to his connection with WJJD, Mr. Born Utica, New York, avenue. Hawk's voice was heard as Announcer for long enough ago to remem- Hollingsworth, Tenor, KFAB. Station Chicago. ber when Dewey took Ma- HollUishead, WMBB, Cherry Tenor, Columbia Broadcasting Hawkins, Frederick E., Announcer, WEEI. nila or when the System. vegetables. Hawkins, Mrs. S. B., Contralto, WLAC. Sisters took Hollinstead, Waldemar, Baritone, KOIN. Mother was a noted concert Haworth, Carl, The Singing Banjoist, KHQ. | Holliway, Harrison, Manager, Chief An- Hay, Bill The one and only Bill Hay, for- pianist and little Julie had nouncer, KFRC. or merly announced Correll and to take music of one sort Hollowell, Miss Frank, Pianist, WLAC. Gosden as Sam 'n' Henry for another until he was old Hollywood Sunnybrook Orchestra, WWJ. WGN and now performs the enough to hide his instru- Hololulu Trio, WADC. same service for them over ment under the front porch Holstein, Edgar, Director of Music Masters WMAQ as Amos 'n' Andy. In and spend his lesson money Dance Orchestra, WAPI. appreciated by boy- fact, the only announcer Cor- for other items better Honeyehurcb, Dick, Pianist, WSM. schools as fast as new ones rell and Gosden can work with hood. Attended Hood, Elmo C, Pianist. WSM. the last successfully. Without Bill, were found that did not hear about Hood, Ina Harrison, Popular Contralto, United KEX. Amos 'n' Andy would lose a bit one. This includes both Canada and Hook 'Em Cow Quartet, KSTP. Howard Peter- well his to be a civil of its delightful and entertain- States. Was on way son, First Tenor; Charles Regan, Second After ing perfection. A Scotchman, engineer when the war broke out. Tenor; Howard Scannell, Baritone; Virgil cafe life in and proud of it, Bill does not stop with some light experience with Peters, Bass. Sing at varied periods over only announcing. His deep mellow bas3 La Belle France, he decided that the musi- KSTP. voice comes forth regularly over WMAQ cians had most of the fun and none of Hoover, Mrs. Henry, Soprano, WLAC. expense, so betook himself to his saxo- with Auld Sandy, a delightful burring voice he Hoover, Mrs. J. Webster, Program Director. in Scottish tunes and poetry. He is re- phone and has been holding one ever since. KJR. membered for his ICFKX, Hastings, Neb. Recordings for Brunswick, the largest dance Palmer Hopkins, Barry, NBC reader at San Francisco. Hay, George, Director-Announcer WSM. "Sol- hall in the country, the famous Hopper, DeWolf, Specials, NBC. Broadcasting emn Old Judge." Gold House, Chicago, the National Hopper, John, Pianist, KJR. Cup Announcer of 1924. Companv, road tours and since September, Hopple, Mary, Contralto, NBC. He began his Radio ca- 192 8, KYW. Horlick, Harry, Director of A. & P. Gypsies. r e e r as a newspaper Herget, Johnnie, Piano-Accordionist, KWK. National Broadcasting Company. man. When the Mem- Herrick, Robert, Character Sketches, KMOX. Horn, Charles W., Superintendent of Radio Sports phis Commercial Appeal Hewitt, Foster, Broadcasts Canadian Relations of the Westinghouse Elec. an.l Toronto Daily Star station. started WMC, it fell to over CFCA, the Mfg. Co. He has served with the United broadcasting rugby, George Hay to put on Hewitt, as well as States Navy and the United Fruit Company, hockey, bouts, baseball, regattas and the programs incidental boxing and made extensive investigations and in- to his Radio page. His national events in the past six years, has countries of Central championship stallations in all the announcing was so indi- handled the last two Wrigley America. He has also traveled in South Exhibition. vidual and had such an swims for Canadian National America and the West Indies. While in appeal for the public Hewitt, Ray, Announcer, KFWB. service of the Navy he installed the first that it soon became his Heyn, Hugo, Marimbaphonist, WOW. Radio compasses ever installed on any real job. George Hay was the announcer Uibbs, Maude, KEX Girl, most popular blues coast. who introduced the Mississippi river boat singer on Pacific Coast. Horn, Eleanor, Pianist, WSM. whistle. When he left WMC for WLS, Chi- Hickman, John, Baritone Singer, KSTP. Horst. Corenne, known to WNAX fans as cago, they substituted a steam whistle for Higgs. James H., Advertising and Sates. "Corenne." the concert orchestra pianist, the river whistle. From WLS he went to KMOX. accompanies this and other musical organ- R. WSM where he is still presiding at the Hiirsy, C, Director of WEAO. izations at WNAX most artistically. And microphone. only has Mr. Hay won High Twelve Male Trio, W. Vance McCune. Not she is married. fame as an announcer, he has written a W. J. Schoenfeld, A. E. Wright, WHB. Horton, Bert. National Players. NBC at San book called "Howdy, Judge." Hllbish, Stuart, Director Hilly's Orchestra, Francisco. Bert has appeared in more Hay Mow Five, Old Time Musical Organiza- WADC. than 300 plays since he became an exclu- tion, KSO. Hillman, Jack, Bass, KPO. sive NBC artist. He formerly played in Haydn Male Quartet, WADC. Hillpot, William, Baritone, NBC. the affiliated station KGO at Oakland. Hayes, Clarence, "The Voice of the South," Hilsinger, Jack, Accordian Player, KSTP. Calif. heard from the San Francisco studios of Hine. Marie M., Organist, KVOO. Horwitz. Edward, Horn. Columbia Broadcast- NBC in Southern programs. Hiner, Al, Pianist. KFH. ing System Symphony Orchestra. Haynes, Zola, Staff Organist, Pianist, Di- Hincs, Ken, Tenor, WMAK. Hosklns, Cecil, Operator, WWNC, Coloratura Soprano, rector of Home Folks Hour, Sunday Eve- llinton, Elizabeth Ranson, Hotel i.owrv Orchestral Morris Jeffry, Leader, ning Classics, KYW. Wil B. wrco. Hays, Billy, Director of his own orchestra, Hirnm and Henry arc two of the most popular Hotel President String Ensemble, WDAF. broadcasts exclusively for wimv. Hiram is the which WCAU and entertainers over Hoodek, Mrs. furl. Whistler. V. records for Victor. younger of the two, being still in his twen- Hays, Harvey, Specials, NBC. ties, and was reared on a farm in Shawn,.' Heasty, Mrs. Walter, Soprano, WAPI. county. His nal name is Trulan Wilder. Who's Who in Radio will be con- Heath, Mrs. Julian, Home Economics Expert, He plays Hi" harmonica, sings and in gen- tinued in the January Radio Digest. National Broadcasting Company. eral makes "merry" for everybody, Henry's has Heather, Osear, Assistant Announcer, Pub- real name is Merle Housh. He is the The number of Radio entertainers licity, WENR-WBCN. announcer of the Alarm Clock Club. Henry grown so appreciably it would take too Hector, Charles, Musical Director, WNAC. plays thi' guitar, anil is proficient with the much space out of one magazine to print Hederstrom, Oscar, Baritone, WDAF. "steel." He also announces their programs. Hedges, Helen, popular Coloratura Soprano Both boys sinK. having a repertoire of over the complete list. But you can keep each who has added The Chicago Daily News 500 BOngS, They always appear in eostume issue with the succeeding installments station's music loving audience to her in public and occasionally behind the mike. until you have the whole list of Who's already large following in concert and They till many outside engagements, includ- church work. ing theatre and community affairs. Who in Radio complete. Meeting the hijackers attack.

The Gigolo Mystery

(Continued from page 43) one killed Lola Langhorne. She didn't kill herself!" The bark of a police dog which Barr ordered back below so "No." Deitz was positive in his negative. Apparently that that here that he might help us aboard unhampered, showed was all that interested him in it. "How are things since you was class, no ordinary rum-runner like the one we had just moved down this way from up the coast?" Changing the sub- seen. ject. As Deitz, Kennedy and I came over the rail, we saw that "Things have been a little quiet, Deitz," answered Barr. there were several others on the boat poking their heads out "The revenuers are snooping around and since this—er—mix-up of a cabin hatch. there's been nothing doing. I got a notification from the Bank that your certified check was deposited, as agreed. But by see YOUNG EVERSLEY BARR seemed overjoyed to golly how glad I'll be to get back on solid ground again!" somebody from land. In a general clatter of tongues we Barr shook his head in the depths of his sheepskin collar, as managed to pass not unnoticed but without being inquired he clutched at a shroud of the mainmast to steady himself in about too closely inasmuch as we came sponsored by Deitz and the pitching. must therefore be O. K. Kennedy was introduced merely as "Mr. Kendrick." "TJ UMPH ! It's a good thing that it's a custom of the trade "Why—what's the terrible thing that's happened?" inquired AJ —and you have your check!" growled Deitz. "The ware- Deitz. "You mean about that girl, Lola Langhorne, that was house was raided by McNaught and his men not twelve hours found dead? Too bad. Too bad about your boat, too. I sup- it . after the stuff was in —and I'm the goat. . . But you have pose it will be libelled and seized and put up for sale. They to expect those little things, now and then." Deitz tossed it off found stuff on it. But you needn't worry about that. My 'legal as lightly as even a big operator in this great American game department' will take care of buying that back. It really may over a loss of some sixty thousand dollars or more. amounts to a fine, or a license. Too bad—but they could make Down in the cabin I thought that the two girls, Trixie Dare it worse—and cost more." and Jean Bartow, were more bored than Barr. It looked as if "Oh, hang the boat!" muttered Barr. "I'm not worried about time now were hanging heavy on a crowd who were eager to the 'Gigolo.' But Lola—what happened to her?" get away—could it be?—from one another. Deitz shrugged. One life more or less in this game, even his Trixie seemed to keep pretty close to Don the Dude Donato, own, I verily believe, made little difference. The Atlantic was and there didn't seem to be anything else for Jean to do but a busy ocean, never so busy since Drake, when bold English make up to Warner Davis. Barr spoke to her only when she sea-pirates lay in wait for Spanish galleons. The new piracy spoke to him, and I thought that was rather often. I could see was less romantic than the old, but more active—and a lot more none of the enthusiasm that Mazie Mellish had been telling us money in it than even in galleons. Deitz's bravado was justi- that existed the night they all made up to go to Nassau for the fied; it was also safer than in the old days. Of course there hootch. was nothing going on—yet fortunes were being made in Canada "I've brought out a couple of customers—these acquaintances and the Bahamas. About once a month the Coast Guard an- of yours, Barr," said Deitz jerking his thumb at Kennedy and nounced the sea was again clear of rum runners. No one ever me finally, when we got settled in the cabin. They're a couple stopped to think that if it had been clear the month before of wise ones. Before they buy any stuff from, me they want to there was nothing to announce, then, the month after. Still the do a little tasting. Their clientele, they say, will take nothing smuggling went on accompanied by piracy. It was a game, but the best and they must get it. If we can get together, some just a game. Deitz might well smile. Chances had to be taken way, I'll be responsible for getting the stuff ashore." either one way or the other. Barr went over to a cabinet, opened it, and brought out a "You shrug, Deitz; but that doesn't answer anything. Some- couple of bottles, both five-starred. Kennedy and I sampled " M

them. They were the real stuff; there was no doubt about that. shiver of the shoulders. "Let's cut the gloom stuff!" 1 would have been more vehement in praising the mildness and "Yes—why bring that up?" Don the Dude seemed impatient, smoothness of it, except for the fact that I knew a sale as though he was taciturn on the subject. Again 1 found myself Deitz looked upon sales would tax the combined resources of wondering and trying to look through the glass darkly. Kennedy and myself if it ever went through. Deitz was a high "Well, then," noticed Trixie quickly, "I wish some of you pressure salesman. I felt our salvation was in Kennedy's sales' men would start something. It's a great life—if you don't resistance. Accordingly I lay low, Barr, now, on the other hand, weaken." seemed a bit more pleased with life, a little brighter under adversity, a quality that, I reflected, had almost fled from mil- IT WAS just one of those smart trite remarks, that didn't lions ashore. mean a thing yet sounded like something. Warner Davis "Pity the poor landlubbers on a night like this!" exclaimed looked up at it. "Yes— I think the less we think of that mur- Deitz, always extracting a grain of humor to lighten life. He der, or whatever it really was, maybe the better off we'll be did not drink, however. Instead, he poured a few drops into out here. Of course we here are all accounted for. But there's the hollow of one palm, then rubbed his palms together, and others ... It seems darn funny Jake Merck, for instance, held both, cupped, up to his nose to smell the bouquet. It was hasn't shown up out here. And then that raid Deitz was an action I had not seen for many a day with liquor salesmen. telling about. I wonder what Jake's up to—eh?" Then he took a sip in his mouth, rolled it about, tasted it and "Maybe he's hunting up Judy," put in Jean. "Maybe they're spit it out. in together." "You may look, Deitzie old boy," he smiled to himself at Trix elevated her eyes in a superior manner. "Not in the the bottles, "but you must not drink." same class—them two—exactly." "Yes," I reminisced. "Touch not—taste not—handle not!" "I don't know. I hear about lots of heiresses that fall for chauffeurs," defended Jean. "It's not ridic, Trix." HE SHOOK his head. "Touch it—taste it—handle it—but I could see that Kennedy was listening in on this inter- don't drink it!" change and at the same time doing his best to satisfy Deitz I turned to Warner and Jean. They seemed to be the most and Barr as they discussed quality, quantity, price and delivery. silent and glum. "What do you think of living on a rum-run- He was trying to shade the price on the basis of twenty-five ner?" I asked, trying to get acquainted. hundred cases costing $37,500 in Nassau and selling for $100,- "Well it's rather slow up here, just now," returned Warner. 000 here, with a price of $250,000 for them in the city. Jean just frowned a present dislike. "That Langhorne case is going to cause plenty of excite- But it started things, reminiscences from Trixie Dare. It ment in the papers," I volunteered. seemed that a week ago, with many thousands of dollars' worth On the subject of the murder of Lola none of them seemed of whiskies, wines, gins, and rare cordials in the hold, and a to want to talk much. Each was watching and weighing the blue sky overhead with soft, mellow breezes, it had been dif- words of the other. Was there a feeling of mutual suspicion? ferent. I gathered from the reminiscences that before the week "I'm afraid, if I was out here and one of you," joined in had passed the cargo had been lessened by many cases. Craig, "I'd be so interested to. know who it was got her and It was a picture of canned music on a portable talking ma- for what that I'd forget about the hootch business. Was she chine and of jazz over the Radio from New York and other very pretty?" — cities, dancing by moonlight, kisses pledged with quarts of Pol "Wonderful!" nodded Don, quietly. "Some Roger and chased by clinkers of Cliquot, in the land where He cut short whatever Broadway slang he was about to thousands of the pleasure-seekers were vacationing already. utter. He had caught the eye of Trixie. It would never do This was booze buccaneering par excellence. I felt that the to praise another in this army of beauties where all are gen- author of "Treasure Island," if he were alive today, would not erals. Or was there a deeper explanation? Had someone lack for new and bizarre material. something to conceal? But up north, on the wrong side of the turbid Gulf Stream, "I thought when we were coming aboard that you seemed it was different. worried over it; that's all." Kennedy said it tentatively, almost "Then you don't like it much," I pursued with Warner Davis. apologetically. I knew he was "fishing." "Have you done "Well, you see," unburdened Warner further, "my job since anything about it? You must have some suspicions." we've been up here has been, a good deal, to cart the stuff The little party looked from one to the other. There was ashore. Most of the time Ev Barr's been sort of supercargo, a return to the former constraint. It was as though no one out here. But I can't do any of even that, now. It seems seemed to want even to think what was in their minds. they're watching and it's too risky. On Long Island we had Kennedy turned to Barr. "Did Lola Langhorne have any things rigged and could afford to take chances. Now we've personal enemies?" he persisted. got to start all over again. And then someone has to stay here with the girls. We can't leave them alone out here." He HT DON'T know. I don't think so." Yet the very tone waved his hand generally toward the fleet. "Something might J- was such as to lead me to conclude that Barr did know happen." something at least which he did not care to say to a stranger. Trixie and Don joined in the conversation. "Has there been "Of course I don't know anything about this racket," Craig time yet for the authorities to get anywhere on that Lola Lang- pursued. "But in the trade I've heard Captain Ryder Smith horne case?" inquired Don. and the 'Alert' mentioned. Who is he and where is he?" He "They're not telling what they know," I covered in my looked about at Deitz. "He might be the one to huckster this answer, watching him narrowly. stuff ashore provided we get together." I saw that Trixie had been watching him, too, and her lips Deitz shook his head. "I'll take care of that. I'd rather. moved as if framing a question. Besides, they don't seem to know where he is or his boat either." Chapter IX. "What do you mean? He hasn't just dropped out of sight, has he?" SUSPICIONS "Almost like that," cut in Barr quickly. "We were operating his boat and he was really in charge of my 'Gigolo,' with Lola." TRIXIE narrowed her eyes shrewdly as she waited for an "Any friction between them?" opportunity to shoot the question. "No; quite the contrary. I think Lola found the old salt "Mr. Johnson," she addressed me, "I don't suppose you interesting." know, but have they seen or heard anything of Judy Hancock Kennedy nodded. "Of course, I don't know anything except since she disappeared?" the gossip I heard ashore. But it seems to me that they said It was like the shock of a dash of cold water in the face to that Warner Davis was operating the trawler 'Alert" and that me, Trixie's tone as well as the question. Had her intuition Miss Bartow was staying with Judy Hancock." penetrated my alias and did the girl know a good deal more "Yes, I was." Jean Bartow was quick with her explanation. about Craig and me than she was showing? Or was it just "But the trawler developed some trouble with her engine on chance? Warner's last trip in, couldn't make any speed at all, so after "It seems mighty funny to me that she should run away or she was unloaded, he let the crew take her to the yard in whatever has happened to her, just at this time!" she pursued. Greenport where they said Captain Smith always had his work "We'd know more if she would send on that wave-length we done. He was coming back to the 'All Alone' in the big motor agreed on with that wireless of hers. Seems to me I'd-a stayed dory and I was tired of doing nothing, so I said I'd go with and seen it through." Trixie looked at Don for corroboration him." but she didn't get much in that direction. Don was preoccu- "So that's how_ you got out here," nodded Kennedy. "Well, pied with his own thoughts and ill at ease over something. the gossip wasn't so very far wrong then, after all. except "This thing about Lola Langhorne has cast a gloom over they don't know about taking the dory." the whole business!" exclaimed Trixie. "Before that, every- "1 think you were pretty brave to go out in a small boat like thing was going good. It's too darn bad!" that," 1 smiled. Yet did I detect a sort of relief in the tone of this girl over "What, an Atlantic dory like that?" she returned. "Remem- the demise of Lola, rather than depression, as though one who ber, the 'All Alone' wasn't off Sandy Hook then. It was off might have caused personal trouble in some affair of her heart Block Island, about. Why, that dory would be sate in a prettj was thus fortunately taken out of the way? There was some- rough sea in«the ocean. That's what they're built for." thing there, but I could not make it out clearly yet. "I still admire your nerve," 1 insisted in complimenting. • "Let's not talk about it!" This was from Jean, with a little ( Continued on pace 99) 90

Ford and Glenn in Greenwich Village (Continued from page 10) of diverting the dangers of a more personal controversy: "The truth is that Greenwich Village is mere tautology." Glenn grinned: "I knew there was something wrong with it!" Ford, interested, exclaimed: "Is that so?" "Here's how: the word wich comes from the Saxon word wick, which means town or village. A long time ago when this " part of Manhattan Island was one of many scattered towns "Were there Indians around here then?" broke in Glenn. "Wait a minute! Wait a minute!" and big Ford placed a weighty hand on Glenn's shoulder. "It was simply called Green Village," I said. "How do you know that?" "Shame on you "Well, can he prove it?" insisted Glenn. "I'd like to get a-hold of some of those authors who have been writing all those stories about Greenwich Village being made up of pretty girls and wicked people." "Then what would you do?" "I'd make 'em prove it!" "Let me substitute!" cried I. "Come on!" In quiet Commerce Street we took up the line of march from Cherry Lane toward Seventh Avenue, and beyond that toward Washington Square. Somewhere between the Lane and the Square we stopped, went down some steps, sat for a few moments at rough benches. It was a dingy cellar with sawdust on the floor. Glenn saw two pretty girls, marked it down in his note book. The place looked wicked, too. But the Italian proprietor and his wife who served the vin rouge in cheap and heavy glasses, were both fat, taciturn, and peace loving. Most of the men looked like students—possibly writers, or painters. It was just one of those inoffensive Village places made not for the tourist, but for the real Villager who likes to sit sipping serenely. Emerging, I said: "These places are hard to find." "I guess you're right," agreed Glenn. "Just think of it—even the police haven't been able to find this one!" He looked at all of us for applause in the form of a smile, a nod, a laugh. Nobody spoke, so he kept on looking. On the Fred Smith curb, balancing himself up and down on his toes, whistling good-naturedly and marking a lazy rhythm as he tapped his "Oh yes I do—that's one of those writers who write about night-stick against a fire-plug, stood a big and burly Irish the wickedness of pretty girls in Grinij Village!" policeman. We soon were approaching Washington Square, that wide "I'm glad we all drank gingerale!" said Glenn. expanse of park where lovers promenade, matrons take their "Let's hurry on to 105 McDougal—Piemonte's Restaurant is babies for air, Weary Willies recline upon benches, business- another place little known by tourists—and the food is won- like Villagers hurry homeward from Fifth Avenue buses. derful!" "How's the gingerale?" questioned Glenn. WE STOPPED on the corner to take in the Square, where clearly we saw every detail in the moonlight, even the dis- THIS part of the Village, almost entirely Italian, is just as tant, flashing fountain. frowsy and unkempt as streets in Naples or Florence. "So peaceful!" sighed Ford. Children ran among us, undisturbed by our presence in the "It hasn't always been," I volunteered. "They used to hang fulfillment of their games. Hucksters with push carts cried men right over there." their wares. Cats growled at each other. Men congregated in Glenn, in frightened voice: "Right over where?" groups, talking, laughing loudly. Women held, watched, yelled I continued: "The City of New York, which, as you know at, spanked babies. Boys in the middle of the street played ball, was located primarily at the point of Manhattan Island, was a screaming defiances and instructions at each other. long distance from here in the early days. There was a Potter's At Piemonte's we found the little upper room, as usual, empty field way up in the country—somewhere near the present Madi- —its four white-covered tables and vacant chairs uninviting. son Square—and New Yorkers decided to find a closer burying But from below came the hum of excitement. We circled back ground for their poor and friendless. So they purchased a strip of the hidden stairway, descended, found ourselves in an under- of land, most of which is Washington Square today." world of soft smoke and frivolous chatter. Mike, the proprietor, Shivering Glenn queried: "So they would hang the poor found for us a big table, and we six sat down to a dinner of people first, and then bury them right here?" antipastos, minestrone soup, roast duck and pheasant, Neapoli- "Of course not!" expostulated Ford. "They simply used this tan ice-cream and tasty demi-tasse. bit of ground for the gallows and the grave." "Now," I said, "this place is different every night. Appar- "The gallows and the grave!" repeated Glenn mechanically. ently there's more business tonight than eccentric conduct, so "Well," I consoled, "they didn't always use the gallows."

I suggest that we go on to Marie's where we may see some of "But they hung 'em?" the real nuts of the Village." "Yes, from the limb of a huge elm tree?" "Where's Marie's?" "Who dug all those graves?" "On Washington Square." "A chap by the name of Daniel Megie—that is, Dan was the "At last," cried Little Glenn. "And will George be there?" last of the grave-diggers in Washington Square." "What George?" "Did the gold-diggers cheat him out of his job?" "George who?" "Not exactly. The Potter's Field was moved in 1823. That's Glenn laughed. "Well, Ford," he said, "you thought you knew why Dan lost his job." so much about geography and grammar—but what about your "I see—some other politician beat him out of it!" history?" "I don't know about that. But one of the great politicians of "Now, now, young man, you must have some foolish thought those early days lived right around here someplace." in the back of your head." "Who was that?" "No foolish head back of my thoughts! Well, that's a good "Aaron Burr." one! We're going to Washington Square, and when I ask if "Oh, he was the fellow who gave up the fort!" George will be there, you don't even catch on! That's too "You must be thinking of Benedict Arnold," put in Ford. funny!" "No. I wasn't thinking of anybody. But it is true that I We were now passing out of the deserted upper room of the always get Aaron Burr and Benedict Arnold mixed." restaurant. At the same time a young couple—he with wide "Why is that?" eyes, slouch hat, cadaverous face; she with pretty painted lips, "I could never figure it out, except maybe because they were flashing eyes, dainty dress, captivating perfume—were entering. the only two early American leaders who got caught grafting." "I know who that is," whispered Glenn. While talking, we had moved gradually along thebroad side- "Of course you don't," reprimanded Ford. "You can't pos- walk on the south side of the Square, and, nearly to the South- sibly know who that is." m ( Continued on page 120) 91

JACK: If you think I'm mixed up in this, Sleepy, you're crazy. (Left to right: Ted, Madge, Jack, Sleepy and Polis).

TED: Oh—come on— don't be that way, Madge. This is no time to be glum. Why the long face? MADGE: I'll tell you, Ted. Coming here has made me think of Jack Wilson. Night Club Romance TED: Yeah? Well—that's no compliment to me! MADGE: I don't mean it that way, Ted. But—Jack and I (Continued from page 31) used to come here a lot, before—before TED: Before he got fired off the "Clarion," eh? Might a? ANNOUNCER: Well, it seems to us that it should be easy well be frank about it. to find our story here tonight. There's a large crowd, and MADGE: Ted—why was Jack discharged from the paper? everyone seems to be living a life to the full. We've just had a TED: Several reasons. Plagiarism, among others. And let- conference with our little friend the cigarette girl—she who ting good stories slip through his hands. has guided us to not a few of our Night Club Romances, and MADGE: I don't believe those things about Jack, Ted. she has made some interesting suggestions that we might do TED: Well, of course I'm only a reporter for the "Clarion." well to follow up. She's pointed out several celebrities here, all the same as he was, but I happen to know the facts. of whom seem to be having as good a time as the unknowns MADGE: I never could get dad to say anything about it. with whom they are rubbing elbows. For the present, though, TED: You won't find the managing editor of a newspaper we're going to go over and eavesdrop a bit on the couple beside talking much out of hours, anyway. They're usually good com- that fountain over there. Perhaps they will furnish us with petition for the sphinx. our Night Club Romance for tonight. Come on! MADGE: Have you heard anything about what Jack's doing, Ted? MUSIC: ORCHESTRA UP FULL UNTIL CUE ( ). TED: No. He started out to go to the dogs, and I guess he'll make out all right. Last time 1 saw him was in a speak- MADGE: Ted, I wish we hadn't come here tonight. easy down the line a bit—he was protty well canned, and hardly TED: Why do you say that, Madge? knew me. Of course that made me feel pretty low—his not MADGE: I don't know. But I have a funny feeling about it, knowing me, I mean! that's all. (Continued on page 10S) .

92 Evening Schedules of Favorite Stations Subtract one hour for Central time, subtract two hours for Mountain time and three hours for Pacific time.

LOCATION CALL Meters Kc. Watts Sunday Monday Tuesday Wednesday Thursday Friday Saturday LOCATION Akron WADC 227.1 1320 1000 6:00-12:00 6:00-12:00 6:00-12:30 6:00- 1:00 6:00-12:00 6:00-12:00 6:00-12:00 Akr Akron WFJC 206.8 1450 500 7:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 Akron Albuquerque. . . . KGGM 243.8 1230 500 7:00-10:00 7:00-10:00 7:00- 2:00 7:00-10:00 7:00-10:00 7:00-10:00 7:00-10:00 Albuquerque K.GRS 212.6 1410 1000 6:00- 7:00 7:00- 1:00 7:00- 1:00 7:00- 1:00 7:00- 1:00 7:00- 1:00 7:00- 1:00 Amarillo WOI 535.4 560 3500 Silent Silent Silent Silent Silent Silent Silent WCAP 234.2 1280 500 8:00-12:00 6:00- 7:00 5:00-12:00 6:00- 7:30 5:00-12:00 6:00- 9:00 5:00- 8:00 Asbury Park WWNC 526 570 1000 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 Asheville Atlanta WGST 336 9 890 500 Silent 10:30-11:30 Silent Silent 8:00- 9:00 Silent Silent Atlanta WSB 405.2 740 1000 6:00-10:15 7:00-11:45 6:30-11:45 7:00-11:45 7:00-11:45 7:00-11:45 7:00-11:45

Atlantic City. . . . WPG 272.6 1100 5000 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 Atlantic City Austin KUT 267.7 1120 500 8:00-11:00 7:30-11:00 7:30-11:00 7:30-11:00 7:30-11:00 7:30-11:00 Silent WBAL 282.8 1060 10000 5:00- 8:00 5:00- 7:00 7:00-12:00 5:00- 7:00 7:00-12:00 5:00- 7:00 7:00-12:00 Baltimore WLBZ 483.6 620 250 Silent 5:30-12:00 5:30-12:00- 5:30-12:00 5:30-12:00 5:30-12:00 5:30-12:00 Bangor WBCM 212.6 1410 500 Siler.t 7:00-10:00 7:00-10:00 7:00-10:00 7:00-10:00 7:00-10:00 7:00- 2:00 Bay City KFDM 535.4 560 500 8:00-10:00 7:30-11:30 7:30-11:30 7:30-11:30 7:30-11:30 7:30-11:30 7:30- 1:00 Beaumont Berrien Springs.. WEMC 508.2 590 1000 Silent Silent Silert Silent Silent Silent Silent Berrien Springs Beverly Hills KEJK 422.3 710 500 12:00- 4:00 12:00- 4:00 12:00- 4:00 12:00- 4:00 12:00- 4:00 12:00- 4:00 12:00- 4:00 Beverly Hills KGHL 315.6 950 500 9:30-12:00 8:00-10:30 8:00-10:30 8:00-10:30 8:00-10:30 8:00-10:30 8:00-10:00 1:30- 4:00 Billings WAPI 263 1140 5000 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 9:00-12:00 10:00- 1:00 10:00- 1:00 10:00- 1:00 5:00-10:00 5:00-10:00 5:00-10:00 Birmingham WBRC 322.4 930 1000 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 3:00 Birmingham KFYR 545.1 550 500 Silent 7:00-10:00 7:00- 8:30 7:00-10:00 7:00- 8:30 7:00-10:00 7:00-12:00 Bismarck 10:00-12:00 10:00-11:00 KIDO 239.9 1250 1000 9:30-10:4S 9:30-10:45 9:30-10:45 9:30-10:45 9:30-10:45 9:30-10:45 9:30-10:45 Boston WBIS 243.8 1230 1000 Silent 5:00-12:10 5:00-12:00 5:00-12:00 5:00-12:10 5:00-12:00 5:00-12:00 WBZA 302.8 990 500 5:00-11:45 5:00-12:00 5:00-12:00 5:00-12:00 5:00-11:30 5:00-11:23 5:00-11:22 WEEI 508.2 590 1000 5:30-11:00 5:45-11:35 5:45-11:35 5:45-11:05 5:45-11:05 5:45-10:35 5:50-11:15 Boston WNAC 243.8 1230 1000 5:00-12:00 5;00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 KFDY 545.1 550 1000 Silent Silent 8:30-10:00 Silent 8:30-10:00 Silent Silent Brookings WBBC 214.2 1400 500 7:00-10:30 5:00- 7:30 5:00- 7:30 7:30-10:00 7:30-10:00 5:00- 6:00 5:00- 6:00 10:30-12:00 9:00-10:30 10:00-12:00 7:30- 9:00 Brooklyn WLTH... 214,2 1400 500 10:30-12:00 Brooklyn WSGH-WSDA 214.2 1400 500 Silent 5:00-12:00 5:00-12:00 5:00-12:66 5:00-12:00 5:66-12:66 5:00-12:00 Brooklyn KWWG 238 1260 500 WGR 545.1 550 1000 5:00-11:00 6:00- 1:00 6:00-12:00 5:30-12:00 6:00-11:00 6:66-11:66 6:00-11:00 WKBW 204 1470 5000 7:00- 9:00 6:30-10:00 6:30-10:00 6:30-10:00 6:30-10:00 6:30-10:00 6:30-10:00 10:15-12:00 WKEN 288.3 1040 1000 WMAK 333.1 900 750 KELW 384.4 780 500 Silent 8:00-11:00 8:00-11:00 8:00-11:00 8:00-11:00 8:00-11:00 8:00-11:00 Burbank CFYC "410.7 730 500 Burnaby CFAC 434.5 690 500 9:00 11:00-12:30 12:00- 1:30 10:30-11:00 8:00- 2:00 Silent Calgary CFCN 434.5 690 1800 9:30-11:00 7:00- 8:00 7:00- 8:00 7:00- 8:00 7:00- 8:00 7:00- 8:00 7:00- 8:00 Calgary 11:15-12:30 9:00-10:00 9:00-11:00 9:00- 1:00 10:30- 3:00 CHCA 434.5 690 500 7:00- 8:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 Calgary

CJCJ 434.5 690 500 8:00- 9:00 10:00-11:00 Silent 12:00- 1:00 Silent 9:00-10:30 10:00- 2:00 Calgary 12:30- 1:30 12:30- 1:30 CNRC 434.8 690 SOO Silent 11:30-12:30 10:00-11:00 Silent 10:00-11:00 Silent Silent WHDF WCAM 234.2 1280 500 Silent 7:00-12:00 Silent Silent Silent 9:00-12:00 Silent Camden WCAD 245.6 1220 500 Silent Silent Silent Silent Silent Silent Silent Canton Charlotte WBT 277.6 1080 5000 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 Charlotte Chattanooga WDOD 234.2 1280 2500 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 Chattanooga KYW-KFKX 293.9 1020 10000 6:00- 2:00 6:00- 3:30 6:00- 3:30 6:00- 3:30 6:00- 3:30 6:00- 3:30 6:00- 4:00 Chicago Chicago KYWA 293.9 1020 10000 6:00 -2:00 6:00- 3:30 6:00- 3:30 6:00- 3:30 6:00- 3:30 6:00- 3:30 6:00- 4:00 Chicago WAAF 325.9 920 500 Silent Silent Silent Silent Silent Silent Silent WBBM 389.4 770 25000 6:00- 1:00 9:00-11:00 11:00- 1:00 9:00-11:00 9:00-11:00 9:00-11:00 9:00-11:00 1:00- 2:00 1:00- 2:00 1:00- 2:00 1:00- 2:00 1:00- 2:00 Chicago WCFL 309.1 970 1500 6:00- 8:15 6:00- 8:15 6:00- 8:15 6:00- 8:15 6:00- 8:15 6:00- 8:15 6:00- 8:15 Chicago WENR 344.6 870 50000 6:00- 7:00 6:00- 8:15 6:00- 8:15 6:00- 8:15 6:00- 8:15 6:00- 8:15 6:00- 8:15 9:00- 2:00 12:00- 3:00 10:00- 3:00 10:00- 3:00 12:00- 3:00 12:30- 3:00 1:00- 3:00 Chicago WGES 220.4 1360 500 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 10:00-11:30 10:00-11:30 10:00-11:30 10:00-11:30 10:00-11:30 10:00-11:30 10:00-11:30 1:00- 3:00 1:00- 3:00 1:00- 3:00 Chicago WGN 416.4 720 25000 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 WIBO 526 570 1000 Silent 9:00- 1:00 9:00- 1:30 9:00-12:00 9:00- 1:30 9:00- 1:00 9:00- 1:30 WJBT 389.4 770 25000 10:30- 1:00 Silent Silent Silent Silent Silent Silent WJJD 265.3 1130 20000 6:00- 9:30 6:00- 9:30 6:00- 9:30 6:00- 9:30 6:00- 9:30 6:00- 9:30 6:00- 9:30 WLS 344.6 870 5000 7:00- 9:00 6:30-12:00 6:30-10:00 6:30-10:00 6:30-12:00 6:30-12:30 6:30- 1:00 WMAQ 447.5 670 5000 6:00-12:00 6:00- 3:00 6:00- 3:00 6:00- 3:00 6:00- 3:00 6:00- 3:00 6:00- 3:00 Chicago

WMBI 277.6 1080 5000 Silent Silent Silent Silent 11:15-12:15 12:00- 1:00 Silent (Tran.Deerf'd). WORD 202.6 1480 5000 6:00- 8:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 Chicago WPCC 526 570 500 6:00- 1:00 Silent Silent 12:00- 1:00 Silent Silent Silent KOCW 214.2 1400 500 7:00- 9:30 7:00-11:00- 7:00-11:00 7:00-11:00 7:00-11:00 7:00-11:00 7:00-11:00 Chickasha Cincinnati WK.RC 545.1 550 500 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 Cincinnati WLW 428.3 700 50000 5:00-12:20 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 4:00 10:00- 1:00 Cincinnati Cincinnati WSAI 225.4 1330 500 6:30-10:45 6:30-11:00 6:30-11:30 6:30-12:00 6:30-11:00 6:30-10:30 6:30-11:00 Cincinnati Clarinda KSO 217.3 1380 500 Silent 7:30-11:00 7:30-11:00 7:30-11:00 7:30-11:00 , 7:30-11:00 7:30-11:00 Clarinda Clay Center KMMJ 405.2 740 1000 Silent 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 Clay Center Clearwater WFLA 333.1 900 1000 Silent 7:00-12:00 7:00-12:00 7:00-12:00 7:00-12:00 7:00-12:00 7:00-12:00 Clearwater Cleveland WEAR 280.2 1070 1000 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:30 Cleveland Cleveland WHK 215.7 1390 1000 5:00- 2:00 5:00- 2:00 5:00- 2:00 5:00- 2:00 5:00- 2:00 5:00- 2:00 5:00- 2:00 Cleveland Cleveland WJAY 483.6 620 SOO Silent Silent Silent Silent Silent Silent Silent Cleveland Cleveland WTAM 399.8 750 3500 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:30 Cleveland ' College Station. . WTAW 267.7 1120 SOO Silent Silent Silent 9:00-10:00 Silent Silent Silent College Station Colorado Springs KFUM 236.1 1270 1000 Silent 7:00-12:30 7:00- 1:00 7:00-11:00 7:00- 4:00 7:00-12:00 7:00-11:00 Colorado Springs 6:00- 9:00 Mo. Columbia, Mo... . KFRU 475.9 630 500 6:00- 7:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 Columbia, Columbus, Ohio. WAIU 468.5 640 5000 5:00- 9:00 5:00- 9:00 5:00- 9:00 5:00- 9:00 5:00- 9:00 5:00- 9:00 5:00- 9:00 Columbus, Ohio Columbus, Ohio . WCAH 209.7 1430 500 5:00- 7:00 5:00- 7:00 5:00- 9:00 5:00- 7:00 5:00- 9:00 5:00- 7:00 5:00- 9:00 Columbus, Ohio 9:00-11:30 10:00-12:00 9:00-11:30 9:00-12:00 Columbus, Ohio . WEAO 526 570 750 Silent 7:00-10:00 Silent 7:00-10:00 Silent 7:00- 9:30 Silent Columbus, Ohio 5:00- 6:00 Coney Island. . . . WCGU 214.2 1400 500 7:00-10:30 5:00- 7:30 5:00- 7:30 7:30-10:00 7:30-10:30 5:00- 6:00 10:30-12:00 9:00-10:30 10:00-12:00 7:30- 9:00 10:30-12:00 Coney Island KOAC 599.6 550 1000 Silent S:30- 7:30 5:30- 7:30 5:30- 7:30 5:30- 7:30 5:30- 7:30 5:30- 7:30 10:00-11:00 10:00-11:00 10:00-11:00 10:00-11:00 10:00-11:00 10:00-11:00 Corvallis 5:00-11:00 Bluff j Council Bluffs. . . KOIL 238 1260 1000 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 Council WCMA 214.2 1400 500 Silent Silent Silent Silent Silent Silent Silent Culver KRLD 288.3 1040 10000 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 8:00- 9:00 9:00-12:00 9:00-12:00 9:00-12:00 9:00-12:00 9:00-12:00 9:00-12:00 11:00-12:00 1:00- 4:00 Dallas

Dallas WFAA 374.8 800 500 7:00- 8:00 7:00- 8:00 7:00- 8:00 7:00- 8:00 7:00- 8:00 7:00- 8:00 7:00- 8:00 9:00-10:00 9:00-10:00 9:00-10:00 9:00-10:00 9:00-10:00 9:00-10:00 9:00-10:00 11:00-12:00 11:00-12:00 11:00-12:00 11:00-12:00 11:00-12:00 11:00-12:00 11:00-12:00 Dallas Dallas WRR 234.2 1280 500 8:00-11:30 7:00-12:00 7:00:11:30 7:00-11:30 7:00-12:00 7:00-11:30 Silent Dallas woe 299.8 1000 5000 6:00-11:45 6:00- 1:00 Silent 6:00- 1:00 Silent 6:00- 1:00 Silent Davenport 7:00- 2:00 Denver K.LZ . 535.4 560 1000 7:00- 2:00 7:00- 2:00 7:00- 2:00 7:00- 2:00 7:00- 2:00 7:00- 2:00 Denver KOA. . 361.2 830 12500 7:00-12:00 7:00- 2:00 7:00-12:30 7:00- 2:00 7:00-12:30 7:00- 2:00 7:00-12:45 Denver

K.POF 340.7 880 500 9:30-11:00 Silent Silent 10:00-11:00 Silent Silent 10:00-11:00 Denver WHO 299.8 1000 5000 6:00- 1:00 Silent 6:00- 1:00 Silent 6:00- 1:00 Silent 6:00- 1:00 Des Moines WJR 399.8 750 5000 6:80- 2:00 6:00- 2:00 6:00- 2:00 6:00- 2:00 6:00- 2:00 6:00- 2:00 6:00- 2:00 Detroit WWJ 325.9 920 1000 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:30 5:00-12:00 Detroit WKAR 28S.3 1040 1000 Silent Silent Silent Silent Silent Silent Silent East Lansing

W1CC 252 1190 500 5 to \'A Hrs. 5 to 1<4 Hrs. 5 to 1H Hrs. 5 to 1M Hrs. SlolM Hrs. S to IK Hrs. 5 to IX Hrs. after Sunset after Sunset after Sunset after Sunset after Sunset after Sunset after Sunset Easton

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LOCATION CALL Meters Kc. Watts Sunday Monday Tuesday Wednesday Thursday Friday Saturday LOCATION WTAQ 225 4 1330 1000 Silent 6:00- 8:55 6:00-10:30 6:00-12:30 6:00-11:00 6:00-12:00 6:00-11:30 Eau Claire CJCA 516 9 580 500 9:25-11:30 9:00-10:00 9:00-11:00 8:00-10:30 7:30-12:00 9:00-10:1)0 9:00- 2:00 Edmonton CKUA 516.9 580 500 6:00- 7:30 7:30- 9:00 11:00-12:00 Silent Silent 7:30- 9:00 Silent Edmonton 10:00-12:30 10:00-12:30 CNRE 517.2 580 500 5:00- 6:00 Silent 10:00-11:00 Silent 10:00-11:00 Silent Silent Edmonton WGBF 475.9 630 500 6:00- 1:00 6:00- 8:00 6:00- 1:00 6:00- 8:00 6:00- 1:00 6:00- 8:00 6:00- 2:00 Evansville WMMN 336.9 890 250 7:30- 9:30 7:00-10:00 7:00- 9:00 8:00-10:00 8:30-10:30 7:00- 9:00 7:00- 1:00 Fairmont 12:00- 2:00 WDAY 234.2 1280 1000 Silent 9:00-11:00 9:00-11:15 9:30-11:00 10:00- 1:00 8:00- 9:00 8:00-11:00 Fargo Fayetteville KUOA 215.7 1390 1000 Silent 6:00- 9:00 6:00- 6:55 6:00-10:00 6:00- 9:00 6:00- 6:55 Silenl Fayetteville CJRW 499.7 600 1000 10:00-11:00 5:30- 8:30 5:30-10:30 5:30- 8:30 5:30-1 1 :00 5:30- 8:30 5:30-12:00 Fleming

Ft. Wayne WOWO 258.5 1160 10000 5:00-12:00 10:00-12:00 7:00-12:00 7:30-12:00 7:00-12:00 8:30-12:00 8:00-11:30 Ft. Wayne Ft. Worth KTAT 241.8 1240 1000 8:30- 1:00 6 to 8 A. M. 6:00- 1:00 6 to 8 A. M. 6:00- 1:00 6 to 8 A. M. 6:00- 1:00 Ft. Worth Ft. Worth WBAP 374.8 800 50000 6:00- 7:00 6:00- 6:30 6:00- 6:30 6:00- 6:30 6:00- 6:30 6:00- 6:30 6:00- 6:30 10:30- 1:00 10:00- 1:00 7:00-10:00 10:00- 1:00 7:00-10:00 10:00- 1:00 7:00-10:00 Ft. Worth WRUF 204 1470 5000 Silent 6:00-11:00 6:00-11:00 6:00-11:00 6:00-11:00 6:00-11:00 6:00-11:00 and at 1 2:00 Gainesville KFUL 232.4 1290 1000 IstSun.ofMo. 7:00- 9:00 7:00- 9:00 7:00- 9:00 7:00- 9:00 7:00- 9:00 8:30-10:00 7:00- 9:00 11:00- 1:00 11:00- 1:00 11:00- 1:00 Galveston

WJKS 220.4 1360 500 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 11:30- 1:00 11:30- 2:00 11:30- 2:00 11:30- 2:00 11:30- 1:00 11:30- 1:00 11:30- 2:00 Gary Gloucester WHDH 361.2 830 1000 Silent Silent Silent Silent Silent Silent Silent Gloucester 6:00- 6:00- 6:00- 6:00- 9:00 6:00- 9:00 6:00- Grand Rapids.. . . WASH 236.1 1270 500 7:45-12:00 9:00 9:00 9:00 9:00 12:00- 1:00 12:00- 1:00 12:00- 1:00 12:00- 1:00 12:00- 1:00 12:00- 1:00 Grand Rapids. KFBB 220.6 1360 500 Silent 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 8:00- 2:00 8:00- 9:00 8:00- 2:00 8:00- 9:00 8:00- 2:00 8:00- 9:00 Great Falls KFKA 340 7 880 500 Silent 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 Greeley

Greensboro WNRC 208.2 1440 500 On Air at 8:00 6:30- 9:30 6:30- 9:30 6:30- 9:30 6:30- 9:30 6:30- 9:30 Silent Greensboro KRGV 238 1260 500 6:00- 8:00 10:00-12:00 8:00-10:00 10:00-12:00 8:00-10:00 10:00-12:00 8:00-10:00 Harlingen Harris burg WBAK 209.7 1430 500 Silent 7:30- 9:00 Silent 7:30- 9:00 Silent Silent Silent Harrisburg Harrisburg WHP 209.7 1430 500 5:00- 8:59 5:00- 9:30 5:00-12:00 5:00- 7:30 5:00-12:00 5:00- 9:00 5:00- 2:00 Harrisburg Hartford WTIC 282.8 1060 50000 7:00-12:00 Silent 5:00- 7:00 7:00-12:00 5:00- 7:00 7:00-12:00 5:00- 7:00 Hartford WPCH 370.2 810 500 5:00-10:00 5:00-10:00 5:00-10:00 5:00-10:00 5:00-10:00 5:00-10:00 5:00-10:00 Hoboken Hollywood KFWB 315.6 950 1000 9:30- 2:00 7:15- 3:15 7:15- 2:30 7:15- 3:00 7:15- 2:30 7:15- 3.00 6:00- 3:15 Hollywood KMTR 526 570 500 9:00- 1:00 9:00- 1:00 9:00- 1:00 9:00- 1:00 9:00- 1:00 9:00- 1:00 9:00- 1:00 2:00- 4:00 2:00- 4:00 2:00- 4:00 2:00- 4:00 2:00- 4:00 2:00- 4:00 2:00- 4:00 Hollywood Hollywood KNX 285.5 1050 50000 9:30- 1:30 10:00- 4:00 10:00- 4:00 10:00- 4:00 10:00- 4:00 10:00- 4:00 10:00- 5:00 Hollywood Hopkinsville WFIW 319 940 1000 10:00-11:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 Hopkinsville

KTHS 288.3 1040 10000^. 8:00- 9:00 7:00- 7:30 7:00- 9:00 8:00-11:00 8:00-11:00 8:00-1 1 :00 7:00- 7:30 10:00-12:00 8:00-10:00 10:30-12:00 12:00- 1:00 12:00- 1:00 12:00- 1:00 8:00-10:00 Hot Springs Houston KPRC 325.9 920 1000 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 Houston Indianapolis WKBF 214.2 1400 500 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 Indianapolis Indianapolis WFBM 243.8 1230 1000 6:00-12:45 6:00-12:15 6:00- 7:00 6:00- 1:00 6:00- 9:30 6:00- 8:30 6:00-11:00 9:00- 1:00 11:00-12:00 12:00- 1:00 12:00- 1:00 Indianapolis KMIC 267.7 1120 500 Silent 8:00- 3:00 8:00- 3:00 8:00- 3:00 8:00-11:00 8:00- 3:00 8:00-11:00 1:30- 3:00 1:30- 3:00 Inglewood

WSUI 516.9 580 500 7:00- 8:00 6:30-10:30 6:30- 7:30 6:30- 7:30 6:30- 7:30 6:30- 7:30 7:00- 7:30 10:15-12:00 1:00- 4:00 9:30-11:00 9:30-10:30 9:30-11:00 9:30-10:30 9:30-10:30 Iowa City WEAI 236.1 1270 500 Silent Silent Silent Silent Silent Silent Silent Ithaca.. WJAX 238 1260 1000 6:30-11:45 6:00-11:00 6:00-11:00 6:00-11:00 6:00-11:00 6:00-11:00 6:00-11:00 Jacksonville

J*efferson City.. . . 475.9 630 500 Silent 7:45-11:00 7:45- 8:00 7:45-12:00 7:45- 8:00 7:45-12:00 Silent Jefferson City KMBC 315.6 950 1000 6:00-12:00 6:00-10:30 6:55- 1:00 6:55-10:30 6:55-10:30 6:55-10:30 6:55-11:00 12:00- 1:00 12:00- 1:00 Kansas City

WDAF 491.5 610 1000 7:00-11:15 6:30- 2:00 6:30- 2:00 6:30- 2:00 6:30- 2:00 6:30- 2:00 7:00- 2:00 Kansas City WHB 315.6 950 500 12:00- 1:30 6:30- 6:55 6:00- 6:55 6:00- 6:55 6:00- 8:30 6:00- 6:55 6:00- 8:30 10:30- 2:00 10:30- 2:00 10:30-12:00 10:30- 2:00 11:00-12:00 Kansas City WOQ 491.5 610 1000 9:00-10:15 11:15-12:15 11:15-12:15 11:00-12:45 7:00- 8:00 Silent Silent Kansas City 11:00- 2:00 10:00-11:00 Kingston CFRC 267.7 1120 500 Silent 5:00- 6:00 Silent 7:00-10:00 Silent 7:00-10:00 7:00-10:00 Kingston Knoxville WNOX 535.4 560 1000 7:00-11:30 7:00-11:30 7:00-11:30 7:00-11:30 7:00-11:30 7:00-11:30 7:00-11:30 Knoxville La Crosse WKBH 217.8 1380 1000 Silent 6:30-10:00 6:30-10:00 6:30-10:00 6:30-10:00 6:30-10:00 6:30-10:00 Silent 7:00- 8:00 11:00-12:00 11:00-12:00 La Crosse Lawrence KFKU 245.6 1220 1000 Silent Silent 9:30-10:00 Silent Silent Lawrence WREN 245.8 1220 1000 6:00-12:00 8:00-12:00 7:00-12:00 7:00-12:00 6:00-12:00 6:30-12:00 7:00-12:00 Lawrence

Lawrenceburg . . . WOAN 499.7 600 500 Silent 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 Lawrenceburg 12:00- 1:00 12:00- 1:00 WLEX 220.4 1360 500 Silent 6:00-11:00 6:00-11:00 6:00-11:00 6:00-11:00 6:00-11:00 6:00-11:00 Lexington KFAB 389.4 770 5000 6:00- 6:30 6:00- 9:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 11:00- 1:00 11:00- 1:00 11:00- 1:00 11:00- 1:00 Lincoln Lincoln WCAJ 508.2 590 500 6:30- 8:00 Silent 9:00-10:00 10:30-11:30 Silent Silent Silent Lincoln Little Rock KLRA 215.7 1390 1000 7:00-11:00 6:55-11:00 6:55-11:00 6:55- 7:55 6:55-11:00 6:55-11:00 6:55-11:00 Little Rock CJGC CNRL

Long Beach KFOX 239.9 1250 1000 5 to 8 A. M. 5 to 8 A. M. 5 to 8 A. M. 5 to 8 A. M. 5 to 8 A. M. 5 to 8 A. M. 5 to 8 A. M. Long Beach

. Los Angeles KFI. . 468.5 640 5000 8:00- 2:00 8:00- 2:15 8:00- 2:15 8:00- 2:15 8:00- 2:15 8:00- 2:15 8:00- 5:00 Los Angeles KFSG 276.7 1120 500 5:30- 2:00 Silent Silent 5:00- 8:00 5:00- 8:00 5:00- 8:00 11:00- 1:30 Los Angeles 11:00- 1:30 Los Angeles KGEF 230.6 1300 1000 6:00-11:00 Silent 9:00- 2:00 9:00- 2:00 9:00- 2:00 Silent Silent Los Angeles KHJ 333.1 900 1000 6:15- 4:00 6:00- 4:00 6:00- 4:00 6:00- 4:00 6:00- 4:00 6:00- 4:00 6:00- 4:00

Los Angeles KPLA 299.8 1000 1000 8:00- 4:00 8:00- 4:00 8:00- 4:00 8:00- 4:00 8:00- 4:00 8:00- 4:00 8:00- 4:00 Los Angeles Los Angeles KTBI 230.6 1300 750 9:00-10:00 10:00- 1:00 Silent Silent Silent 10:00- 1:00 Silent Los Angeles 11:00- 1:00 Louisville WHAS 365.6 820 10000 630-12:00 7:00- 1:00 7:00- 1:00 7:00- 1:00 7:00- 1:00 7:00- 1:00 7:00- 1:00 Louisville WMAZ 336.9 890 500 8:00- 9:30 Silent 7:00- 9:00 7:00- 9:00 Silent 7:00- 9:00 Silent WHA

Manhattan, Kan. KSAC 516 9 580 500 Silent 6:00- 6:30 6:00- 6:30 6:00- 6:30 6:00- 6:30 6:00- 6:30 6:00- 6:30 Manhattan, Kan. Memphis WGBC 209.7 1430 500 8:30-11:00 Silent 6:00-12:00 Silent 6:00-12:00 Silent 6:00-12:00 Memphis Memphis WMC 384 4 780 500 7:00-12:45 7:30- 1:00 7:30- 1:30 7:30- 1:00 7:00- 1:00 7:15- 1:00 7:30- 1:00 Memphis Memphis WNBR 209.7 1430 500 Silent 6:00-12:00 Silent 6:00-12:00 Silent 6:00-12:00 Silent Memphis Memphis WREC 499 7 600 500 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 Memphis WCOC 340 7 880 1000 WQAM 241.8 1240 1000 7:00- 9:00 5:00- 9:00 5:00- 9:00 5:00- 9:00 5:00- 9:00 5:00- 9:00 5:00- 9:00

Miami Beach. . . . WIOD 535.4 S60 1000 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 Miami Beach

Miami Beach. . . . WMBF 535.4 560 500 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 9:00-11:00 9:00-11:00 9:00-11:00 9:00-11:00 9:00-11:00 9:00-11:00 9:00- 1 1 :00 Miami Beach Mil ford KFKB 285.5 1050 5000 5:00- 8:30 5:00- 8:30 5:00- 8:30 5:00- 8:30 5:00- 8:30 5:00- 8:30 5:00- 8:30 Milford

Milwaukee WTMJ 483.6 620 1000 6:30- 1:30 6:00- 1:30 6:00- 1:30 6:00- 1:30 6:00- 1:30 6:00- 1:30 6:00- 2:30 Milwaukee Minneapolis ... WCCO 370.2 810 10000 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 2:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 Minneapolis Minneapolis WDOY 254 1 1180 1000 5:30- 8:00 6:00- 8:00 6:00- 8:30 6:00- 8:00 6:00- 8:00 6:00- 8:00 6:00- 8:00 Minneapolis Minneapolis WHDI 254 1 1180 500 Silent 8:00- 9:00 Silent 8:00- 9:00 Silent Silent Silent Minneapolis Minneapolis WLB 239 9 1250 500 Silent Silent 8:30- 9:30 8:00-10:00 Silent 7:30- 8:30 Silent Min neapolis WRHM KUOM 526 570 500 11:30-12:45 10:00-12:00 Silent Silent 10:00-12:00 Silent Silent Missoula In Ail antic Standai d Time Moncton CNRA 475 9 630 500 6:00- 7:00 Silent 10:00-12:00 Silenl 10-00-12:00 Silent Silent Moncton Montreal CFCF 291 1 1030 1650 Silent 5:00- 1:00 5:00- 8:00 5:00-12:30 5:00 5:00-12:00 5:1X1- 7:30 Montreal 10:00- 1:00 11:1X1-12:00 Montreal CKAC 410 7 730 1200 Silent Silent 7:15-11:30 Silent 7:15-11:30 Silent 7:15-11:30 Montreal

CNRM 410.7 730 1200 5:00- 6:00 Silent 9:00-11:00 Silent 10:00-12:00 Silent Silent Montreal I n Eastern Ti me Moose Jaw CJRM 499.7 600 500 Silent 9:30- 1:30 Silent 9:30- 1:30 Silent 9:30- 1:30 1 to 3 A. M Moose Jaw

Mount Beacon. . . WOKO 208.2 1440 500 Silent 5:30- 6:00 5:30- 6:00 5:30- 6:00 5:30- 6:00 5:30- 6:00 5:30- 0:1X1 8:00-12:00 8:00-12:00 8:00-12:00 8:00-12:00 12:1X1 8:00-12:00 - Mount Beacon

241 .8 1240 750 5:00-12:00 5:00-11:1X1 5:1X1 12:1X1 . WGHP 5:00-12:00 5:00-12:00 5:00-12:00 5:00 1 Mt Clemen* Mt. Prospect WJAZ 202 6 1480 5000 8:30-10:30 9:00- 1 1 :00 9:00-11:00 9:00-11:00 9:00-11:00 11:1X1 •):(Xl 11:1X1 Mt. Prospect

Mt. Vernon Hills. WJSV 205.4 1460 1(10(10 7:30-10:10 6:30-10:30 6:30-10:30 6:30-10:30 6:30-10:00 6:30 11:00 6:30 1 Mt. Vernon Hills.

KTNT 256.3 1170 5000 Silent 5-00- 7:00 5:00 5:00 7:00 5:0O- 7:00 1 7:1X1 5:00- 7:1X1 11:00- 1:00 ll:Od 1:0(1 11:00 1:00 11:1X1- 1:00 IKK) 11:iki t.-oo Muscatine WLAC 201.2 1490 5000 5:30- 8:00 10:00- 1:00 10:00- 1:00 10:00 1:00 7:00-10:00 7:00-10:00 7:1X1-10:00 Nashville 10:00-11:00 WSM 461.3 6S0 5000 7:00-11:15 6:00-12:00 6:30-12:00 6:30-12:00 6:30-12:1X1 6^30-12:30 7:00- 1:1X1 Nashville Nashville WTNT 201.2 1490 5000 Silent 5:00 5:00- 7:00 5:00- 7:00 5:1X1- 7:1X1 5:1X1- 7:1X1 5:00 11:00- 1:0(1 11:00- 1:00 11:00- 1:00 11:00- 1:00 11:00- 1 (HI 11:00- 1:00 Nashville

Newark WAAM 239.9 1250 2000 Silent 10:00-1:30 SiUo 9:00- 1:30 6:00- 9:00 9:00- 1:30 GeOO 0:00 Newark WOR 422.3 710 5000 5:00-12:00 5:00-12:00 500-0:00 5:0O 12:00 5:00-1 2:00 5:(X> 12 oo 5 KM Newark 225 4 ill WDRC 1330 1000 Silent 6:30-10:30 6:30 loio (>:30 10:30 o:.i0 10 1 10:30 Silent New Haven New Orleans WDSU 239.9 1250 1000 8:30-10:30 6:30 1 2:30 6:30 12:30 6:30 I-' 10 6:30 (. 10 12:1X1 New Orleans New Orleans WJBO 218 8 1370 100 6:00-11-30 7:30-11:30 7:30-11:30 7:30-11-30 7:30 11:30 7:30-11:30 7:30-11-30 Nc« Orleans . u

LOCATION CALL Meters Kc. Watts Sunday Monday Tuesday Wednesday Thursday Friday Saturday LOCATION

WSMB 227.1 1320 500 7:00-10:15 7:00-11:30 7:00- 9:00 7:00-11:00 7:00-11:00 7:00- 8:00 7:00-11:00 New Orleans 10:30-11:30 9:00-11:30 WWL 352.7 850 5000 7:30- 8:30 8:00-10:00 10:00- 1:00 8:00-10:00 10:00- 1:00 8:00-10:00 8:00-10:00 New Orleans New York City... WABC 348.6 860 5000 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 New York City 5:00-11:15 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 New York City. . WEAF 454.3 660 50000 5:00-12:00 5:00-12:00 New York City

New York City. . WGBS 254.1 1180 500 New York City

New York City... WHAP 230.6 1300 1000 9:00-10:45 6:00- 8:00 Silent 6:30- 9:00 Silent 8:00-11:30 8:30-11:00 New York City New York City... WJZ 394.5 760 30000 5:30-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 New York City... WLWL 272.6 1100 5000 8:00- 9:15 6:00- 8:00 6:00- 8:00 6:00- 8:00 6:00- 8:00 6:00- 8:00 6:00- 8:00 New York City 500 6:00- 8:00 5:00- 6:00 5:00- 5:00- 5:00- New York City. . 526 570 6:00 6:00 5:00- 6:00 6:00 5:00- 6:00 9:15-11:30 8:00-12:00 8-00-12:00 8:00-12:00 8:00-12:00 8:00-12:00 8:00-12:00 New York City 526 500 Silent 5:45- 8:30 5:45- 5:45-10:00 New York City. . WNYC 570 9:30 5:45- 9:30 5:45- 7:30 5:45- 8:30 New York City 265.3 1130 1000 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 5:00- 5:00- 5:00- New York City. . . wov 6:00 6:00 6:00 6:00 New York City New York City... WRNY 296.9 1010 250 5:00-10:30 5:00- 9:00 5:00-11:00 9:30- 1:00 Silent 5:00- 9:00 8:00- 1:00 New York City Norfolk, Nebr WJAG 282.8 1060 1000 Silent 5:00- 7:00 5:00- 7:00 5:00- 7;00 5:00- 7:00 5:00- 7:00 5:00- 7:00 Norfolk, Neb. Norfolk, Va WTAR-WPOR 384.4 780 500 5:00-10:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 Norfolk, Va. WNAD 296.9 1010 500 Silent Silent 8:15-10:15 8:15-10:15 9:00-10:00 Silent Silent Norman KFMX 239.9 1250 1000 Northfield WCAL 239.9 1250 1000 Silent 8:00- 9:30 Silent 10:00-10:30 Silent Silent Silent Northfield KFWM 322.4 930 1000 9:00-10:45 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 12:15- 1:15 10:00-11:30 10:00- 2:00 10:00-11:30 10:00- 2:00 10:00-11:30 10:00- 2:00 Oakland KGO 379.5 790 7500 6:30- 1:00 6:00- 3:00 7:30- 3:00 6:00- 3:00 6:00- 3:00 6:30- 3:00 8:00- 4:00 Oakland KLX 340.7 880 500 8:00- 9:00 5:00- 2:00 5:00- 2:00 5:00: 2:00 5:00- 2:00 5:00- 2:00 5:00- 2:00 Oakland KTAB 535.4 560 1000 8:00- 4:00 8:00- 4:00 8:00- 4:00 8:00- 4:00 8:00- 4:00 8:00- 4:00 8:00- 4:00 Oakland Oil City WLBW 238 1260 500 5:00-11:00 5:00-11:00 5:00- 1:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-11:00 Oil City 204 1470 5000 7:30-10:30 7:30-11:30 7:30-12:30 7:30-11:30 7:30-12:00 7:30-12:30 7:30- 2:00 Oklahoma City Oklahoma City. . K.FJF 333.1 990 1000 5:00-12:00 5:00-12:45 5:00-12:45 5:00-12:45 5:00-12-45 5:00-12:45 5:00-12:45 Oklahoma City Oklahoma City. . WKY Omaha WAAW 454.3 660 500 Silent 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 Silent Omaha WOW 508.2 590 1000 6:00- 6:30 6:00-12:15 6:00- 9:00 6:00-10:30 6:00-12:15 6:00-12:15 6:00-12:30 8:00-12:00 10:00-12:15 11:30-12:30 or 1:00 A. M. Omaha WDBO 483.6 620 1000 7:30-10:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 9:00-10:00 7:45- 9:00 9:00-10:00 7:45- 9:00 9:00-10:00 7:45- 9:00 11:00-12:00 10:00-11:00 11:00-12:00 10:00-11:00 11:00-12:00 10:00-11:00 Orlando CNRO 500 600 500 5:00- 6:00 10:00-11:00 8:45-11:00 Silent 6:30- 6:45 Silent Silent Ottawa 10:00-11:00 10:00-12:00 315.6 950 1000 2nd & 4th 9:00- 9:30 9:00- 9:30 9:00- 9:30 9:00- 9:30 9:00-9 3:0 9:00- 9:30 Pasadena Sunday 11:00-12:00 WODA 239.9 1250 1000

WCOA 267.7 1120 500 Silent 9:00-11:00 11:00- 1:00 9:00-11:00 11:00- 1:00 9:00-11:00 11:00- 1:00 Pensacola 208.2 1440 500 5:00- Peoria Heights.. . WMBD 5:00- 7:00 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 10:00-12:30 10:00-12:30 10:00-12:30 10:00-12:30 10:00-12:30 10:00-12:30 Peoria Heights Philadelphia WCAU 256.3 1170 10000 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 Philadelphia WFAN 491.5 610 500 5:00- 9:00 5:00- 6:30 5:00- 6:30 5:00- 6:30 5:00- 6:30 5:00- 6:30 5:00- 6:30 7:30-12:00 7:30-12:00 7:30-12:00 Philadelphia WFI 535.4 560 500 5:00-11:15 5:00- 7:30 5:00-12:00 5:00- 7:30 5:00-11:30 5:00- 7:30 5:00-11:30 Philadelphia

Philadelphia... WIP 491.5 610 500 9:00-12:00 6:30-12:00 6:30- 7:30 6:30-12:00 6:30- 7:30 6:30-12:00 6:30- 7:30 Philadelphia WLIT 535.4 560 500 Philadelphia KFAD 483.6 620 1000 8:00- 1:00 7:00- 1:00 7:00- 2:00 Silent 7:00- 2:00 7:00- 2:00 7:00- 2:00 Phoenix KOY 215.7 1390 500 Phoenix Picher KGGF 296.9 1010 500 9:00-11:00 7:00-11:30 7:00-11:30 7:00-11:30 Silent 7:00-12:00 7:00-11:30 Picher Pittsburgh KDKA 305.9 980 50000 5:00-12:00 5:00-12:02 5:00-11:30 5:00-12:02 5:00-12:02 5:00-11:45 5:00-11:20 Pittsburgh KQV 217.3 1380 500 5:00-10:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00- 2:00 Pittsburgh Pittsburgh WCAE 245.8 1220 500 5:00-11:15 5:00-12:30 5:00-12:30 5:00-12:00 5:00-12:30 5:00-11:00 5:00-12:30 Pittsburgh Pittsburgh WJAS 232.4 1290 1000 5:00-11:00 6:00-11:30 6:00-11:30 6:00-11:30 6:00-11:30 6:00-11:30 6:00-11:30 Pittsburgh Portland, Me WCSH 319 940 500 6:30-10:15 6:00-11:00 6:00-11:30 6:00-11:00 6:00-11:00 5:30-11:00 6:00-11:00 Portland, Me. KEX 254.1 1180 5000 5:00- 2:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 Portland, Ore. 230.6 1300 500 10:00- 8:00-10:00 Portland, Ore. Portland, Ore.. . . KFJR Silent 8:00-10:00 10:00- 3:00 8:00-10:00 8:00-10:00 3:00 483.6 620 1000 8:00- 5:00- 5:00- Portland, Ore. Portland, Ore.. . . KGW 6:00- 3:00 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 3:00 3:00 319 940 1000 8:00- 8:00- 8:00- Portland, Ore. Portland, Ore.. . . K.OIN 8:00- 2:00 3:00 8:00- 3:00 8:00- 3:00 8:00- 3:00 3:00 5:00 500 5:00- 5:00- 5:00- 8:00 Portland, Ore.. . . KTBR 230.6 1300 5:00- 2:00 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 8:00 9:00-10:00 9:00-10:00 9:00-10:00 9:00-10:00 9:00-10:00 9:00-10:00 11:00- 3:00 11:00- 3:00 11:00- 4:00 Portland, Ore. 500 12:00- 3:00 Portland, Ore. Portland, Ore.. . . KWJJ 282.8 1060 12:00- 2:00 Silent 12:00- 3:00 Silent 12:00- 3:00 Silent 1250 500 8:00- 8:00- 4:00 Portland, Ore. Portland, Ore.. . . KXL 239.9 8:00- 4:00 8:00- 4:00 8:00- 4:00 8:00- 4:00 8:00- 4:00 4:00 500 5:00-11:00 5:00-11:00 5:00-11:00 Poughkeepsie Poughkeepsie. . . . WOKO 215.7 1390 Silent 5:00-11:00 5:00-11:00 5:00-11:00 KWSC 214.2 1400 1000 Silent 10:00-12:30 Silent 10:00-12:30 10:00-12:30 Silent Silent Pullman WTAD 208.2 1440 500 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 Quincy

WPTF 440.9 680 1000 5:00 to sunset 5:00 to sunset 5:00 to sunset 5:00 to sunset 5:00 to sunset 5:00 to sunset 5:00 to sunset 7:15- 9:00 Pac. Time Pac. Time Pac. Time Pac. Time Pac. Time Pac. Time Raleigh CHCT 356.8 840 1000 Red Deer Red Deer . 1000 Red Deer. . CJCR 356.8 840 CHWC 312.3 960 500 6:00-11:00 8:00- 2:00 7:00- 7:30 8:00- 2:00 7:00- 7:30 7:00- 7:30 8:00- 2:00 Regina CJBR 312.3 960 500 Silent Silent Silent Silent Silent 10:00-11:00 Silent Regina

CKCK 312.3 960 500 11:01- 2:00 Silent 7:30- 2:00 Silent 7:30- 2:00 7:30- 2:00 Silent Regina CNRR 312.5 960 500 Silent Silent 10:00-11:00 Silent 10:00-11:00 Silent Silent Regina 270.1 5000 5:00-12:00 6:00-12:00 Richmond, Va. Richmond, Va... . WRVA 1110 7:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 WBOQ 348.6 860 5000 Richmond Hill WDBJ 322.4 930 500 7:30-11:30 5:30-11:45 5:30-11:45 5:30-11:45 5:30-11:45 5:30-11:45 5:30-11:45 Roanoke WHAM 260.7 1150 5000 5:00-11:15 5:00-11:20 5:00-11:45 5:00-11:20 5:00-12:00 5:00-12:00 5:00-12:00 Rochester WHEC 208.2 1440 500 5:00- 6:00 5:00- 7:30 5:00- 9:00 5:00-10:00 5:00- 9:30 5:00-10:30 5:00-11:00 Rochester KFLV 212.6 1410 500 8:30-11:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 9:00-11:30 9:00-11:30 9:00-11:30 9:00-11:30 9:00-11:30 9:00-11:30 Rockford WBBR 230.6 1300 1000 5:00- 9:00 Silent 6:00- 8:00 9:00-12:00 8:00-10:00 6:00- 8:00 Silent Rossvill* 2500 5:00- 5:00- 7:20 St. Joseph, Mo. St. Joseph, Mo.. . KFEQ 535.4 560 Silent 5:00- 7:20 5:00- 7:20 5:00- 7:20 5:00- 7:20 7:20

KFUO 545.1 550 1000 On Air at 10:30-11:30 7:00- 8:00 7:00- 7:30 7:00- 8:00 10:30-11:30 7:00- 703: St. Louis 10:15 12:00- 1:00 KMOX 275.1 1090 5000 6:00-12:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 St. Louis St. Louis KSD 545.1 550 500 5:30-10:15 8:00-10:30 8:00-12:00 7:30-12:00 8:00-12:00 8:00-10:30 7:30-12:00 St. Louis KWK 222.1 1350 1000 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 St. Louis WEW 394.5 760 1000 6:00- 6:45 6:00- 6:45 6:00- 6:45 6:00- 6:45 6:00- 7:00 6:00- 7:00 Silent St. Louis St. Paul KSTP 205.4 1460 10000 6:00- 1:00 6:00- 2:00 6:00- 2:00 6:00- 2:00 6:00- 2:00 6:00- 2:00 6:00- 2:00 St. Paul 1000 8:00-12:00 8:00-12:00 8:00-12:00 St. Petersburg St. Petersburg. . . WSUN-WFLA 333.1 900 Silent Silent 8:00-12:00 8:00-12:00 1000 7:00- 7:00- 3:00 7:00- 3:00 Salt Lake City Salt Lake City. . . KDYL 232.6 1290 7:00- 2:00 7:00- 3:00 7:00- 3:00 7:00- 3:00 3:00 5000 5:00- 5:00- 5:00- 2:00 5:00- 2:00 Salt Lake City Salt Lake City. . KSL 265.3 1130 11:30- 1:30 5:00- 2:00 5:00- 2:00 2:00 2:00 K.TSA 232.4 1290 1000 6:00-10:00 6:00- 7:30 6:00- 7:30 6:00- 7:30 6:00- 7:30 6:00- 7:30 6:00- 7:30 9:00-11:00 9:00-11:00 9:00-11:00 9:00-11:00 9:00-11:00 9:00-11:00 San Antonio

WOAI 252 1190 5000 7:00-10:15 6:45- 1:00 6:45-11:30 6:45- 1:00 6:45-12:00 6:45-11:30 6:45-11:00 San Antonio KFSD 499.7 600 500 5:00-11:30 9:15- 2:00 6:15- 2:00 6:15- 2:00 6:15- 2:00 6:15- 2:00 6:15- 2:00 San Diego 1000 5:00- 5:00- 5:00- 4:00 5:00- 4:00 San Francisco San Francisco. . . KFRC 491.5 610 5:00- 3:00 5:00- 4:00 5:00- 4:00 4:00 4:00 500 9:00-10:00 9:00-10:00 Silent San Francisco San Francisco. . . K.FWI 322.4 930 10:50-12:15 9:00-10:00 Silent 9:00-10:00 11:30-12:00 5000 On Air Silent San Francisco San Francisco. . . KPO 440.9 680 6:00- 1:00 Silent On Air On Air On Air at 5:00 at 5:00 at 5:00 at 5:00

8:00- 4:00 8:00- 4:00 8:00- 5:00 San Francisco San Francisco. . . KYA 243.8 1230 1000 8:00- 4:00 8:00- 4:00 8:00- 4:00 8:00- 4:00 KQW 296.9 1010 500 9:30-11:00 6:00-12:30 6:00-12:30 6:00-12:30 6:00- 1:00 6:00-12:30 6:00- 1:00 San Jose 5:00- 5:00- 8:00 5:00- 8:00 Santa Monica.. . . 384.4 780 500 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 8:00 11:00- 4:00 11:00- 4:00 11:00- 4:00 11:00- 4:00 Santa Monica 11:00- 3:00 11:00- 4:00 11:00- 4:00 Saskatoon Saskatoon

Scarboro Station. CKOW 291.1 1030 500 Scarboro Station WGY 379.5 790 50000 5:00-10:45 6:00-10:30 6:00-12:00 6:00-12:00 6:00-12:36 6:00-12:00 6:00-12:00 Schenectady KJR 309.1 970 5000 5:00- 2:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 Seattle KOL 236.1 1270 1000 12:30- 2-30 8:00- 3:00 8:00- 3:00 8:00- 3:00 8:00- 3:00 8:00- 3:00 8:00- 4:00 Seattle KOMO 325.9 920 1000 5:00- 2:00 5:00- 3:30 5:00- 3:30 5:00- 3:30 5:00- 3:30 5:00- 3:30 5:00- 3:30 Seattle KTW 236.1 1270 1000 6:00and 10:30 Time varies Time varies Time varies Time varies Time varies Time varies Seattle 212.6 1410 500 Silent 6:00- 9:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 Sheboygan 1:00- 2:00 336.9 890 500 7:00-10:00 7:00- 8:30 7:00- 8:30 7:00- 8:30 7:00- 8:30 7:00- 8:30 7:00- 8:30 10:00-11:30 10:00-11:30 10:00-11:30 9:00-11:30 10:00-11:30 9:00- 1:00 Shenandoah 322.4 930 1000 6:00- 8:00 7:30- 1:00 7:30- 9:30 7:30- 9:30 7:30- 8:00 7:30- 9:30 7:30- 9:30 Shenandoah 9:00-12:00 11:00-12:30 11:00-12:30 KTBS 206.8 1450 1000 6:00- 8:30 8:00-12:00 8:00-12:00 8:00-12:00 8:00-12:00 8:00-12:00 8:00-12:00 Shreveport 352.7 850 10000 8:45- 1:00 10:00- 1:00 7:00-10:00 10:00- 1:00 7:00-10:00 10:00- 1:00 10:00- 1:00 Shreveport Shreveport KWKH 6:00- Sioux City KSCJ 225.4 1330 1000 On air at 6:00- 8:00 6:00- 8:00 6:00- 8:00 6:00- 8:00 6:00- 8:00 8:00 9:00-10:00 9:00-12:00 9:00-10:00 9:00-11:30 9:00-10:00 9:00-10:00 9:00-11:30 Sioux City 280.1 1110 2000 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 Sioux Falls 96

LOCATION CALL Meters Kc. Watts Sunday Monday Tuesday Wednesday Thursday Friday Saturday LOCATION WSBT 243.8 1230 500 11:00- 1:00 Silent 7:00- 9:00 11:00-12:00 9:30-11:00 8:30-12:00 8:30- 9:00 12:00- 1:30 11:00- 2:00 South Bend WMAF 220.4 1360 500 So. Dartmouth KFPY 223.7 1340 500 5:00-12:00 5:00- 8:00 5:00-12:00 5:00- 9:30 5:00-12:00 5:00- 8:00 5:00-12:00 Spokane 12:00- 3:00 12:00- 3:00 KGA 204 1470 5000 8:00- 2:00 8:00- 3:00 8:00- 3:00 8:00- 3:00 8:00- 3:00 8:00- 3:00 3:00- 8:00 Spokane KHQ 508.2 590 1000 5:00- 1:30 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 Spokane Springfield, Mass. WBZ 302.8 990 15000 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 Springfield, Ma 86. Springfield, Ohio. WCSO 217.3 1380 500 Silent 8:30-10:30 7:00- 9:00 9:30-11:30 6:30- 8:30 7:00- :900 8:30-10:00 Springfield, Oh io

State College. . . . WPSC 243.8 1230 500 % Silent Silent Silent Silent Silent Silent Silent State College State College, •KOB 254.1 1180 10000 7:00-11:00 7:00- 9:30 7:00- 9:30 7:00-10:00 7:00- 9:30 7:00-10:00 7:00-11:00 State College, N. M 10:30-12:00 10:00-11:00 10:30-12:00 11:00-12:00 11:00-12:00 N. M. Silent Silent Silent Stevens Point. . . . WLBL 333.1 900 2000 Silent Silent Silent Silent Stevens Point WEBC 234.2 1280 1000 6:00-11:15 6:00-12:00 6:00-12:00 6:00-11:30 6:00-12:00 6:00-11:30 6:00-11:10 Superior WFBL 333.1 900 1000 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 Syracuse KMO 223.7 1340 500 12:00- 2:00 8:00-12:30 12:00- 2:00 8:00-12:00 12:00- 2:00 8:00-12:00 12:00- 2:00 Tacoma KVI 394.5 760 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 Tacoma WDAE 483.6 620 1000 5:30- 7:30 7:0'J- 9 00 7:00- 7:45 7:00- 9:00 7:00- 7:45 7:00- 9:00 7:00- 7:45 10:00-11:00 9:00-10:00 10:00-11:00 9:00-10:00 10:00-11:00 9:00-12:00 Tampa 11:00-12:00 11:00-12:00 Tilton WBRL 209.7 1430 500 7:00- 9:00 Silent Silent Silent Silent Silent Silent Tilton WSPD 223.7 1340 500 5:00-12:30 5:00-12:00 5:00-12:00 5:00- 1:00 5:00-12:00 5:00-12:00 5:00-12:00 Toledo CFCA 356.9 840 500 5:00-11:00 5:00-11:30 5:00-10:00 5:00-12:30 5:00- 9:30 5:00-12:30 5:00-10:00 Toronto 11:00-12:00 CFRB 312.3 960 4000 5:00-12:30 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 7:00-11:30 7:00-12:30 7:00-11:30 7:00-12:30 7:00-11:30 7:00-12:00 Toronto CHNC 356.9 840 500 Operating o n Phantom L irense only. Toronto CKCL 517.2 580 500 7:00- 8:30 Silent 6:00-12:00 6:00-12:00 Silent 6:00-12:00 Silent Toronto CKGW 434.8 690 5000 5:00- 6:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00- 7:00 Toronto 9:00-12:00

CKNC 516.9 580 500 5:00- 6:00 6:00-12:00 5:00- 6:00 5:00- 6:00 6:00-12:00 5:00- 6:00 6:00-12:00 Toronto Toronto CNRT 357.1 840 500 5:00- 6:00 Silent 7:00- 9:00 Silent 8:00- 9:30 Silent Silent Toronto WOAX 234.2 1280 500 7:45- 9:15 Silent Silent 7:45-11:30 Silent Silent 7:45-11:30 Trenton WHAZ 230.6 1300 500 Silent 8:00-12:00 12:00- 1:00 Silent Silent Silent Silent Troy KVOO 263 1140 5000 5:00- 9:00 < 7:00-10:00 7:00-10:00 7:00-10:00 10:00- 1:00 10:00- 1:00 10:00- 1:00 Tulsa WILL 336.9 890 500 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 8:30- 9:00 8:30- 9:00 8:30- 9:00 8:30- 9:00 8:30- 9:00 8:30- 9:00 8:30- 9:00 Urbana CNRV 291.1 1030 500 12:00- 1:30 1:00- 2:00 12:00- 3:00 1:00- 2:00 1:00- 2:00 10:30- 3:00 Silent Vancouver KUSD 336.9 890 500 Silent 9:00-10:00 9:00- 9:30 9:00-10:00 Silent 9:00-10:00 Silent Vermilion Victoria, B. C CFCT 329.5 630 500 10:28-12:00 9:00-12:30 9:00-10:30 9:00-10:30 9:00-10:30 8:30-10:30 9:00-10:30 1st Monday 2:00- 3-00 11:00-12:15 2:00- 3:00 11:00-12:30 2:00- 3:00 Victoria, B. C. Waco WJAD 241.8 1240 1000 Each Month 2:00- 3:00 2:00- 3:00 11:00- 1:00 Silent 9:30-10:30 9:30-10:30 9:30-10:30 9:30-10:30 9:30-10:30 9:30-10:30 Waco

NAA 434.5 690 1000 On air at On air at On air at On air at On air at 7:45- 8:00 On air at 10:00 10:00 10:00 10:00 10:00 and 10:00 10:00 Washington, D. c. Washington, D.C. WMAL 475.9 630 500 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 Washington, D. c. Washington, D.C. WRC 315.6 950 500 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:0O:-120O 5:00-12:00 5:00-12:00 Washington, D. c. Westminster KPWF 201.6 1490 5000 to 10000 Westminster Wichita KFH 230.6 1300 1000 6:00- 7:00 6:00- 6:30 6:00- 6:30 6:00- 6:30 6:00- 6:30 6:00- 6:30 6:00- 6:30 8:00-10:00 8:00- 9:30 8:00- 9:30 8:00- 9:30 8:00- 9:30 8:00- 9:30 8:00- 9:30 11:00-12:00 11:00-12:00 11:00-12:00 11:00-12:00 11:00-12:00 11:00-12:00 Wichita

CJRX 25.6 2000 Silent 8:30-12:30 On air at 8:30-12:30 Silent 8:30-12:30 8:00 and 11:00 10:15 to 12:00 Winnipeg 384.4 780 5000 Winnipeg CNRW 384.4 780 5000 Silent 12:00- 1:00 10:00-11:00 Silent 10:00-11:30 7:30- 8:30 11:00-12:00 Winnipeg WEVD 230.6 1300 500 Woodhaven WNAX 526 570 1000 6:00- 9:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 Yankton

York, Neb KGBZ 322.4 930 500 6:00- 7:00 On air at 6:00 On air at 6:00 On air at 6:00 On air at 6:00 On air at 6:00 On air at 6:00 and 9:30 and 9:30 and 9:30 and 9:30 and 9:30 and 9:30 York, Neb. CJGX 475.9 630 500 8:00- 9:30 8:15- 9-00 8:15- 9:00 8:15- 9:00 8:15-11:00 8:15- 9:00 8:15- 9:00 Yorkton 10:00-11:00 12:00- 1:00 9:30-11:00 5:00- 5:00- 5:00- Youngstown, O. . 526 570 500 5:00-12:00 7:00 5:00-10:00 7:00 5:00-10:00 7:00 5:00-10:00 Youngstown, O. 10:00-12:00 10:00-12:00 10:00-12:00 WCBD 277.6 1080 5000 Silent Silent Silent Silent Silent Silent Silent Zion Evening Schedules of Favorite Stations Add one hour for Eastern time, subtract one hour CENTRAL TIME for Mountain time and two hours for Pacific time. LOCATION CALL Meters Kc. Watts Sunday Monday Tuesday Wednesday Thursday Friday Saturday LOCATION Akron WADC 227.1 1320 1000 5:00-11:00 5:00-11:00 5:00-11:30 5:00-12:00 5:00-11:00 5:00-11:00 5:00-11:00 Akron Akron WFJC 206.8 1450 500 6:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 Akron 6:00- 6:00- 6:00- 6:00- Albuquerque. . . . KGGM 243.8 1230 500 6:00- 9:00 6:00- 9:00 1:00 9:00 9:00 9:00 6:00- 9:00 Albuquerque KGRS 212.6 1410 1000 5:00- 6:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 WOI 535.4 560 3500 Silent Silent Silent Silent Silent Silent Silent WCAP 234.2 1280 500 7:00-11:00 5:00- 6:00 5:00-11:00 5:00- 6:30 5:00-11:00 5:00- 8:00 5:00- 8:00 Asbury Park WWNC 526 570 1000 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 Asheville WGST 336.9 890 500 Silent 9:30-10:30 Silent Silent 7:00- 8:00 Silent Silent WSB 405.2 740 1000 5:00- 9:15 6:00-10:45 5:30-10:45 6:00-10:45 6:00-10:45 6:00-10:45 6:00-10:45 7:00-11:00 7:00-11:00 7:00-11:00 Atlantic City. . . . WPG 272.6 1100 5000 5:00-12:00 7:00-11:00 7:00-11:00 7:00-11:00 Atlantic City

K.UT 267 7 1120 500 7:00-10:00 6:30-10:00 6:30-10:00 6:30-10:00 6:30-10:00 6:30-10:00 Silent Austin WBAL 282.8 1060 10000 5:00- 7:00 5:00- 6:00 6:00-11:00 5:00- 6:00 6:00-11:00 5:00- 6:00 6:00-11:00 Baltimore WLBZ 483 6 620 250 Silent 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 Bay City WBCM 212.6 1410 500 Silent 6:00- 7:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 KFDM 535.4 560 500 7:00- 9:00 6:30-10:30 6:30-10:30 6:30-10:30 6:30-10:30 6:30-10:30 6:30-12:00 Beaumont

Berrien Springs.. WEMC 508.2 590 1000 Silent Silent Silent Silent Silent Silent Silent Berrien Springs Beverly Hills KEJK 422.3 710 500 11:00- 3:00 11:00- 3:00 11:00- 3:00 11:00- 3:00 11:00- 3:00 11:00- 3:00 11:00- 3:00 Beverly Hills KGHL 315.6 950 500 8:30-11:00 7:00- 9:30 7:00- 9:30 7:00- 9:30 7:00- 9:30 7:00- 9:30 7:00- 9:00 12:30- 3:00 Billings WAPI 263 1140 5000 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 9:00 5:00- 9:00 5:00- 9:00 8:00-11:00 9:00-12:00 9:00-12:00 9:00-12:00 Birmingham WBRC 322.4 930 1000 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00- 2:00 Birmingham KFYR 545.1 550 500 Silent 6:00- 9:00 6:00- 7:30 6:00- 9:00 6:00- 7:30 6:00- 9:00 6:00-11.00 9:00-11:00 9:00-10:00 Bismarck KIDO 239.9 1250 1000 8:30- 9:45 8:30- 9:45 8:30- 9:45 8:30- 9:45 8:30- 9:45 8:30- 9:4S 8:30- 9:45 WBIS 243.8 1230 1000 Silent 5:00-11:10 5:00-11:00 5:00-11:00 5:00-11:10 5:00-11:00 5:00-11:00 WBZA 302.8 990 500 5:00-10:45 5:00-11:00 5:00-11:00 5:00-1 1:00 5:00-10:30 5:55-10:23 5:00-10:22 WEEI 508.2 590 1000 5:00-10:00 5:00-10:35 5:00-10:35 5:00-10:05 5:00-10:05 5:00- 9:35 5:00-10:15

WNAC 243.8 1230 1000 5:00-11:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 S:00-12:00 KFDY 545.1 550 1000 Silent Silent 7:30- 9:00 Silent 7:30- 9:00 Silent Silent Brookings 5:00- 6:30 5:00- 6:30 6:30- 9:00 6:30- 9:30 9:00-11:00 6:30- 8:00 WBBC 214.2 1400 500 6:00- 9:30 9:30-11:00 8:00- 9:30 9:30-11:00 Brooklyn WLTH 214 2 1400 500 Brooklyn WSGH-WSDA 214.2 1400 500 Silent 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-1 1:00 Brooklyn KWWG 238 1260 500 WGR 545.1 550 1000 5:00-10:00 5:00-12:00 5:00-11:00 5:00-11:00 5:00-10:00 5:00-10:00 5 (HI- 10:00 WKBW 204 1470 5000 6:00- 8:00 5:30- 9:00 5:30- 9:00 5:30- 9:00 5:30- 9:00 5:30- 9:00 5:30- 9:00 Buffalo WKEN 288.3 1040 1000 9:15-11:00 WMAK 333.1 900 750

Burbank KELW 384.4 780 500 Silent 7:00-10:00 7:00-10:00 7:00-10:00 7:00-10:00 7:00-10:00 7:00-10:00 CFYC 410.7 730 500 Burnaby CFAC 434.5 690 500 8:00 10:00-11:30 11:00-12:30 9:30-10:00 7:00- hdd Silent Silent 8:30-10:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 (.(HI- 7:00 6:00- 7:00 Calgary CFCN 434.5 690 1800 10:15-11:30 8:00- 9:00 8:00-10:00 8:00-12:00 9:30- 2:00 CHCA 434.5 690 500 6:00- 7:00 7:00- 8:00 7:00- 8:00 7:00- 8:00 7:00- 8:00 7:00- S:00 7:00- 8:00 Calgary

CJCJ 434.5 690 500 7:00- 8:00 9:00-10:00 Silent 12:00- 1:00 Silent 8:00- 9:30 9:00- 1:00 11:30-12:30 11:30-12:30 Calgary Calgary CNRC 434.8 690 500 Silent 10:30-11:30 9:00-10:00 Silent 9:00-11:30 Silent Silrnl C a 1 g a r v 96

LOCATION CALL Meters Kc. Watts Sunday Monday Tuesday Wednesday Thursday Friday Saturday LOCATION

CNRC 434.8 690 500 Silent 9:30-11:30 9:00-10:00 Silent 9:00-10:00 Silent Silent WHDF WCAM 234.2 1280 500 Silent 6:00-11:00 Silent Silent Silent 8:00-11:00 Silent WCAD 245.6 1220 500 Silent Silent Silent Silent Silent Silent Silent WBT 277.6 1080 5000 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 Charlotte WDOD 234.2 1280 2500 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 Chattanooga KYW-KFKX 293.9 1020 10000 5:00- 1:00 5:00- 2:30 5:00- 2:30 5:00- 2:30 5:00- 2:30 5:00- 2:30 5:00- 2:30 KYWA 293.9 1020 10000 Same as KY W-KFKX. WAAF 325.9 920 500 Silent Silent Silent Silent Silent Silent Silent WBBM 389.4 770 25000 5:00-12:00 8:00-10:00 10:00-12:00 8:00-10:00 '8:00-10:00 8:00-10:00 8:00-10:00 12:00- 1:00 12 :00- 1:00 12:00- 1:00 12:00- 1:00 12:00- 1:00 Chicago WCFL 309.1 970 1500 5:00- 7:15 5:00- 7:15 5:00- 7:15 5:00- 7:15 7:00- 7:15 5:00- 7:15 5:00- 7:15 5:00- 6:00 5:00- 7:15 j 5:00- 7:15 5:00- 7:15 5:00- 7:15 5:00- 7:15 5:00- 7:15 Chicago WENR 344.6 870 50000 8:00- 1:00 11:00- 2:00 9:00- 2:00 9:00- 2:00 11:00- 2:00 11:30- 2:00 12:00- 2:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 9:00-10:30 9:00-10:30 9:00-10:30 Chicago WGES 220.4 1360 500 12:00- 2:00 9:00-10:30 9:00-10:30 9:00-10:30 12:00- 2:00 12:00- 2:00 9:00-10:30 WGN 416.4 720 25000 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 WIBO 526 570 1000 Silent 8:00-12:00 8:00-12:30 8:00-11:00 8:00-12:30 8:00-12:00 8:00-12:30 WJBT 389.4 770 25000 9:30-12:00 Silent Silent Silent Silent Silent Silent WJJD 265.3 1130 20000 5:00- 8:30 5:00- 8:30 5:00- 8:30 5:00- 8:30 5:00- 8:30 5:00- 8:30 5:00- 8:30 WLS 344.6 870 5000 6:00- 8:00 5:30-11:00 5:30- 9:00 5:30- 9:00 5:30-11:00 5:30-11:30 5:30-12:00 WMAQ 447.5 670 5000 5:00-11:00 5:00- 2:00 5:00- 2:00 5:00- 2:00 5:00- 2:00 5:00- 2:00 5:00- 2:00 WMB1 277.6 1080 5000 Silent Silent Silent Silent 10:15-11:15 12:00- 1:00 Silent (Tran.Deerf'd). WORD 202.6 1480 5000 5:00- 7:00 7:00- 8:00 7:00- 8:00 7:00- 8:00 7:00- 8:00 7:00- 8:00 7:00- 8:00 Chicago WPCC 526 570 500 5:00-12:00 Silent Silent 11:00-12:00 Silent Silent Silent KOCW 214.2 1400 500 6:00- 8:30 6:00-10:00 6:00-10:00 6:00-10:00 6:00-10:00 6:00-10:00 6:00-10:00 Chickasha WKRC 545.1 550 500 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 Cincinnati WLW 428.3 700 50000 5:00-11:20 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00- 3:00 9:00-12:00 Cincinnati WSAI 225.4 1330 500 5:30- 9:45 5:30-10:00 5:30-10:30 5:30-11:00 5:30-10:00 5:30- 9:30 5:30-10:00 Cincinnati KSO 217.3 1380 500 Silent 6:30-10:00 6:30-10:00 6:30-10:00 6:30-10:00 6:30-10:00 6:30-10:00 KMMJ 405.2 740 1000 Silent 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 Clay Center WFLA 333.1 900 1000 Silent 6:00-11:00 6:00-11:00 6:00-11:00 6:00-11:00 6:00-11:00 6:00-11:00 Clearwater WEAR 280.2 1070 1000 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:30 Cleveland WHK 215.7 1390 1000 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 Cleveland WJAY 483.6 620 500 Silent Silent Silent Silent Silent Silent Silent Cleveland WTAM 399.8 750 3500 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:30 Cleveland

College Station . . WTAW 267.7 1120 500 Silent Silent Silent 8:00- 9:00 Silent Silent Silent College Station Colorado Springs KFUM 236.1 1270 1000 Silent 6:00-11:30 6:00-12:00 6:00-10:00 6:00- 3:00 6:00-11:00 6:00-10:00 Colorado Springs Columbia, Mo... . KFRU 475.9 630 500 5:00- 6:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 Columbia, Mo. Columbus, Ohio . WAIU 468.5 640 5000 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 Columbus, Ohio 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 8:00 5:00- 6:00 5:00- 8:00

Columbus, Ohio . WCAH 209.7 1430 500 8:00-10:30 9:00-11:00 5:00- 8:00 8:00-10:30 8:00-11:00 Columbus, Ohio Columbus, Ohio . WEAO 526 570 750 Silent 6:00- 9:00 Silent 6:00- 9:00 Silent 6:00- 8:30 Silent Columbus, Ohio 5:00- Coney Island. . . . WCGU 214.2 1400 500 6:30 5:00- 6:30 6:30- 8:00 6:00- 9:30 9:30-11:00 8:00- 9:30 6:30- 9:00 6:30- 9:30 9:00-11:00 9:30-11:00 Coney Island KOAC 599.6 550 1000 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 Silent 9:00-10:00 9:00-10:00 9:00-10:00 9:00-10:00 9:00-10:00 9:00-10:00 Corvallis

Council Bluffs. . . KOIL 238 1260 1000 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 Council Bluffs WCMA 214.2 1400 500 Silent Silent Silent Silent Silent Silent Silent Dallas KRLD 288.3 1040 10000 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 7:00- 8:00 8:00-11:00 8:00-11:00 8:00-11:00 8:00-11:00 8:00-11:00 8:00-11:00 10:00-11:00 12:00- 3:00 Dallas Dallas WFAA 374.8 800 500 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 6:00- 7:00 8-00: 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 8:00- 9:00 10:00-11:00 10:00-11:00 10:00-11:00 10:00-11:00 10:00-11:00 10:00-11:00 10:00-11:00 Dallas WRR 234.2 1280 500 7:00-10:30 6:00-11:00 6:00-10:30 6:00-10:30 6:00-11:00 6:00-10:30 Silent woe 299.8 1000 5000 5:00-10:45 5:00-12:00 Silent 5:00-12:00 Silent 5:00-12:00 Silent Davenport KLZ 535.4 560 1000 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 6:00- 1:00 KOA 361.2 830 12500 6:00-11:00 6:00- 1:00 6:00-11:30 6:00- 1:00 6:00-11:30 6:00- 1:00 6:00-11:45 KPOF 340.7 880 500 8:30-10:00 Silent Silent 9:00-10:00 Silent Silent 9:00-10:00 WHO 299.8 1000 5000 5:00-12:00 Silent 5:00-12:00 Silent 5:00-12:00 Silent 5:00-12:00 Des Moines WJR 399.8 750 5000 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 WWJ 325.9 920 1000 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:30 5:00-11:00 WKAR..„ 288.3 1040 1000 Silent Silent Silent Silent Silent Silent Silent East Lansing

WICC 252 1190 500 5 to lii hrs. 5 to 1 Mi hrs. 5 to 1 H hrs. 5 to Wi hrs. 5 to 1 % hrs. 5 to 1M hrs. 5 to IK hrs. after sunset after sunset after sunset after sunset after sunset after sunset after sunset Easton WTAQ 225.4 1330 1000 Silent 5:00- 7:55 5:00- 9:30 5:00-11:30 5:00-10:00 5:00-11:00 5:00-10:30 Eau Claire CJCA 516.9 580 500 8:25-10:30 8:00- 9:00 8:00-10:00 7:00- 9:30 6:30-11:00 8:00- 9:00 8:00- 1:00 6:30- 8:00 6:30- 8:00 Edmonton CKUA 516.9 580 500 5:00- 6:30 9:00-11:30 10:00-11:00 Silent Silent 9:00-11:30 Silent Edmonton CNRE 517.2 580 500 6:00- 7:00 Silent 11:00-12:00 Silent 1 1:00-12:00' Silent Silent Edmonton WGBF 475.9 630 500 5:00-12:00 5:00- 7:00 5:00-12:00 5:00- 7:00 5:00-12:00 5:00- 7:00 5:00- 1:00 6:30- 8:30 6:00- 9:00 6:00- 8:00 7:00- 9:00 7:30- 9:30 6:00- 8:00 6:00-12:00 Evansville WMMN 336.9 890 250 11:00- 1:00 Fairmont WDAY 234.2 1280 1000 Silent 8:00-10:00 8:00-10:15 8:30-10:00 9:00-12:00 7:00- 8:00 7:00-10:00 KUOA 215.7 1390 1000 Silent 5:00- 8:00 5:00- 5:55 5:00- 9:00 5:00- 8:00 5:00- 5:55 Silent Fayetteville CJRW 499.7 600 1000 9:00-10:00 5:00- 7:30 5:00- 9:30 5:00- 7:30 5:00- 10:00 5:00- 7:30 5:00-11:00 Fleming WOWO 258.5 1160 10000 5.00- 6.00 Ft. Wayne 7:30-11:00 9:00-11:00 6:00-11:00 8:30-11:00 6:00-11:00 7:30-11:00 7:00-10:30 KTAT 241.8 1240 1000 7:30-12:00 5:00- 7:00 5:00-12:00 5:00- 7:00 5:00-12:00 5:00- 7:00 5:00-12:00 Ft. Worth 5:00- 6:00 5:00- 5:30 5:00- 5:30 5:00- 5:30 5:00- 5:30 5:00- 5:30 5:00- 5:30 Ft. Worth 374.8 800 50000 9:30-12:00 9:00-12:00 6:00- 9:00 9:00-12:00 6:00- 9:00 9:00-12:00 6:00- 9:00 Ft. Worth 5:00-10:00 WRUF 204 1470 5000 Silent 5:00-10:00 5:00-10:00 5:00-10:00 5:00-10:00 5:00-10:00 11:00-12:00 Gainesville 1st in Mo. 6:00- 8:00 6:00- 8:00 6:00- 8:00 KFUL 232.4 1290 1000 7:30- 9:00 6:00- 8:00 10:00-12:00 6:00- 8:00 10:00-12:00 6:00- 8:00 10:00-12:00 Galveston WJKS 220.4 1360 500 7:00- 9:00 7:00- 9:00 7:00- 9:00 7:00- 9:00 7:00- 9:00 7:00- 9:00 7:00- 9:00 10:30-12:00 10:30- 1:00 10:30- 1:00 10:30- 1:00 10:30-12:00 10:30-12:00 10:30- 1:00 Gary WHDH 361.2 830 1000 Silent Silent Silent Silent Silent Silent Silent Gloucester Grand Rapids.... WASH 236.1 1270 500 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 6:45-11:00 11:00-12:00 11:00-12:00 11:00-12:00 11:00-12:00 11:00-12:00 11:00-12:00 Grand Rapids. KFBB 220.6 1360 500 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 Silent 7:00- 1:00 7:00- 8:00 7:00- 1:00 7:00- 8:00 7:00- 1:00 7:00- 8:00 Great Falls KFKA 340.7 880 500 Silent 7:00- 8:00 7:00- 8:00 7:00- 8:00 7:00- 8:00 7:00- 8:00 7:00- 8:00 WNRC 208.2 1440 500 7:00 5:30- 8:30 5:30- 8:30 5:00- 8:30 5:30- 8:30 5:30- 8:30 Silent Greensboro KRGV 238 1260 500 5:00- 7:00 9:00-11:00 7:00- 9:00 9:00-11:00 7:00- 9:00 9:00-11:00 7:00- 9:00 Harlingen WBAK 209.7 1430 500 Silent 6:30- 8:00 Silent 6:30- 8-00 Silent Silent Silent Harrisburg WHP 209.7 1430 500 5:00- 7:59 5:00- 8:30 5:00-11:00 5:00- 6:30 5:00-11:00 5:00- 8:00 5:00- 1:00 Harrisburg Hartford WTIC 282.8 1060 50000 6:00-11:00 Silent 5:00- 6:00 6:00-11:00 5:00- 6:00 6:00-11:00 5:00- 6:00 Hartford WPCH 370.2 810 500 5:00- 9:00 5:00- 9:00 5:00- 9:00 5:00- 9:00 5:00- 9:00 5:00- 9:00 5:00 -9:00 Hoboken KFWB 315.6 950 1000 8-30: 1:00 6:15- 2:15 6:15- 1:30 6:15- 2:00 6:15- 1:30 6:15- 2:00 5:00- 2:15 Hollywood 526 570 500 8:00-12:00 8:00-12:00 8:00-12:00 8:00-12:00 8:00-12:00 8:00-12:00 8:00-12:00 1:00- 3:00 1:00- 3:00 1:00- 3:00 1:00- 3:00 1:00- 3:00 1:00- 3:00 1:00- 3:00 Hollywood KNX 285.5 1050 50000 8:30-12:30 9:00- 3:00 9:00- 3:00 9:00- 3:00 9:00- 3:00 9:00- 3:00 9:00- 4:00 Hollywood Hopkinsville WFIW 319 940 1000 9:00-10:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 Hopkinsville KTHS 288.3 1040 10000 7:00- 8:00 6:00- 6:30 6:00- 8:00 7:00-10:00 7:00-10:00 7:00-10:00 6:00- 6:30 9:00-11:00 7:00- 9:00 9:30-11:00 11:00-12:00 11:00-12:00 11:00-12:00 7:00- 9:00 Hot Springs KPRC 325.9 920 1000 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 Houston Indianapolis WKBF 214.2 1400 500 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 Indianapolis WFBM 243.8 1230 1000 5:00- 6:00 5:00- 8:30 5:00- 7:30 5:00-10:00 5:00-11:45 5:00-11:15 8:00-12:00 5:00-12:00 10:00-11:00 11:00-12:00 11:00-12:00 Indianapolis KMIC 267.7 1120 500 7:00-10:00 7:00-10:00 Silent 7:00- 2:00 7-00: 2:00 7:00- 2:00 12:30- 2:00 7:00- 2:00 12:30- 2:00 Inglewood WSUI 516.9 580 500 6:00- 7:00 5:30- 9:30 5:30- 6:30 5:30- 6:30 5:30- 6:30 5:30- 6:30 6:00- 6:30 9:15-11:00 12:00- 3:00 8:30-10:00 8:30- 9:30 8:30-10:00 8:30- 9:30 8:30- 9:30 Iowa City 236.1 1270 500 Silent Silent Silent Silent Silent Silent Silent Ithaca WJAX 238 1260 1000 5:30-10:45 5:00-10:00 5:00-10:00 5:00-10:00 5:00-10:00 5:00-10:00 5:00-11:00 Jacksonville 6:45-11:00 6:45- 7:00 6:45-11:00 Silent Jefferson Jefferson City.. . . WOS 475.9 630 500 Silent 6:45-10:00 6:45- 7:00 City 315.6 950 1000 5:55- 9:30 5:55-10:00 5:00-11:00 5:00- 9:30 5:55-12:00 5:55- 9:30 11:00-12:00 5:55- 9:30 11:00-12:00 Kansas City WDAF 491.5 610 1000 6:00-10:15 5:30- 1:00 5:30- 1:00 5:30- 1:00 5:30- 1:00 5:30- 1:00 6:00- 1:00 Kansas City WHB 315.6 950 500 5:30- 5:55 5:00- 5:55 5:00- 7:30 5:00- 5:55 5:00- 7:30 11:00-12:30 9:30- 1:00 5:00- 5:55 9:30- 1:00 9:30-11:00 9:30- 1:00 10:00-11:00 Kansas City Kansas City WOQ 491.5 610 1000 8:00- 9:15 6:00- 7:00 10:00- 1:00 10:15-11:15 10:15-11:15 10:15-11-45 9:00-10:00 Silent Silent Kansas City CFRC 267.7 1120 500 Silent Silent Silent 6:00- 9:00 Silent 6:00- 9:00 6:00- 9:00 Kingston Knoxville 535 4 560 1000 6:00-10:30 6:00-10:30 6:00-10:30 6:00-10:30 6:00-10:30 6:00-10:30 6:00-10:30 Knoxville 8

y7

LOCATION CALL Meters Kc. Watts Sunday Monday Tuesday Wednesday Thursday Friday Saturday LOCATION WKBH 21V. 8 1380 1000 Silent 5:30- 9:00 5:30- 9:00 5:30- 9:00 5-30- 900 5-30- 900 5-30- 9:00 10:00-11:00 10:00-11:00 La Crosse KFKU 245.6 1220 1000 Silent 6:00- 7:00 Silent Silent 8:30- 9:00 Silent Silent Lawrence WREN 245. 1220 1000 5:00-11:00 7:00-11:00 6:00-11:00 6:00-11:00 5:00-11:00 5:30-11:00 6:00-1 1 :O0 Lawrence 7:00- 7:00- 7:00- 7:00- 8:00 7:00- 7:00- Lawrenceburg, . . WOAN 499.7 600 500 Silent 8:00 8:00 8:00 8:00 8:00 11:00-12:00 11:00-12:00 Lawrenceburg WLEX 220.4 1360 500 Silent 5:00-10:00 5:00-10:00 5:00-10:00 5:00-10:00 5:00-10:00 5:00-10:00 Lexington KFAB 389.4 770 5000 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 5:30 0:00-12:00 5:00- 8:00 10:00-12:00 5:00- 8:00 10:00-12:00 10:00-12:00 Lincoln WCAJ 508.2 590 500 5:30- 7:00 Silent 8:00- 9:00 9:30-10:30 Silent Silent Silent Lincoln KLRA 215.7 1390 1000 6:00-10:00 5:55-10:00 5:55-10:00 5:55- 6:55 5:55-10:00 5:55-10:00 5:55-11:00 Little Rock 329.7 910 500 6:00- 7:30 9:00-10:00 5:45-10:00 5:45-10:00 5:45-10:30 5:30-11:00 5:45-10:00 Silent London CNRL 329.7 910 500 Silent Silent 9:00-10:00 Silent 9:00-11:00 Silent Silent London KFOX 239.9 1250 1000 5pm-7am 5pm-7am 5pm-7am 5pm-7am 5pm-7am 5pm-7am 5pm-7am Long Beach KFI 468.5 640 5000 7:00- 1:00 7:00- 1:15 7:00- 1:15 7:00- 1:15 7:00- 1:15 7:00- 1:15 7:00- 4:00 Los Angeles KFSG 276.7 1120 500 5:00- 6:30 5:00- 6:00 5:00- 7:00 8:30- 1:00 Silent Silent 6:00- 7:00 10:00-12:30 5:00- 7:00 10:00-12:30 Los Angeles KGEF 230.6 1300 1000 5:00-10:00 Silent 8:00- 1:00 8:00- 1:00 8:00- 1:00 Silent Silent Los Angeles KHJ 333.1 900 1000 5:15- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 KPLA 299.8 1000 1000 7:00- 3:00 7:00- 3:00 7:00- 3:00 7:00-3:00 7:00- 3:00 7:00- 3:00 7:00- 3:00 Los Angeles KTBI 230.6 1300 750 8:00- 9:00 10:00-12:00 9:00-11:00 Silent Silent Silent 9:00-12:00 Silent Los Angeles WHAS 365.6 820 10000 5:30-11:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 6:00-12:00 Louisville WMAZ 336.9 890 500 7:00- 8:30 Silent 6:00- 8:00 6:00- 8:00 Silent 6:00- 8:00 Silent WHA KSAC 516.9 580 500 Silent 5:00- 5:30 5:00- 5:30 5:00- 5:30 5:00- 5:30 5:00- 5:30 5:00- 5:30 Manhattan, Kan. WGBC 209.7 1430 500 7:30-10:00 Silent 5:00-11:00 Silent 5:00-11:00 Silent 5:00-11:00 Memphis WMC 384.4 780 500 6:00-11:45 6:30-12:00 6:30-12:30 6:30-12:00 6:30-12:00 6:15-12:00 6:30-12:00 Memphis WNBR 209.7 1430 500 Silent 5:00-11:00 Silent 5:00-11:00 Silent 5:00-11:00 Silent Memphis WREC 499.7 600 500 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 Memphis WCOC 340.7 880 1000 Meridian WQAM 241.8 1240 1000 6:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- S,:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 Miami WIOD 53 5.4 560 1000 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 Miami Beach WMBF 535.4 560 500 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 Miami Beach Milford KFKB 285.5 1050 5000 5:00- 7:30 5:00- 7:30 5:00- 7:30 5:00- 7:30 5:00- 7:30 5:00- 7:30 5:00- 7:30 Milford WTMJ 483.6 620 1000 5:30-12:30 5:00-12:30 5:00-12:30 5:00-12:30 5:00-12:30 5:00-12:30 5:00- 1:30 Milwaukee WCCO 370.2 810 10000 5:00-12:00 5:00-12:00 5:00-12:00 5:00- 1:00 5:00-12:00 5:00-12:00 5:00-12:00 Minneapolis WDOY 254.1 1180 1000 5:00- 7:00 5:00- 7:00 5:00- 7:30 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 Minneapolis WHD1 254.1 1180 500 Silent 7:00- 8:00 Silent 7:00- 8:00 . Silent Silent Silent Minneapolis Minneapolis WLB 239.9 1250 500 Silent Silent 7:30- 8:30 7:00- 9:00 Silent 6:30- 7:30 Silent Minneapolis WRHM 239.9 1250 1000 KUOM 526 570 500 10:30-11:45 9:00-11:00 Silent Silent 9:00-11:66 Silent Silent Missoula CNRA 475.9 630 500 Silent Silent 8:00-10:00 Silent 8:00-10:00 Silent Silent Moncton 291.1 1030 1650 5:00- 7:00 5:00- 7:00 Silent 5:00-12:00 9:00-12:00 5:00-11:30 10:00-11:00 5:00-11:00 5:00- 6:30 Montreal CKAC 410.7 730 1200 Silent Silent 6:15-10:30 Silent 6:15-10:30 Silent 6:15-10-30 Montreal

CNRM 410.7 730 1200 Silent Silent 8:00-10:00 Silent 9:00-11:00 Silent Silent Montreal CJRM 499.7 600 500 Silent 8:30-12:30 Silent 8:30-12:30 Silent 8:30-12:30 12:00- 2:00 Moose Jaw Mount Beacon... WOKO 208.2 1440 500 Silent 7:00-11:00 7:00-11:00 7:00-11:00 7:00-11:00 7:00-11:00 7:00-11:00 Mount Beacon Mt. Clemens WGHP 241.8 1240 750 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-10:00 5:00-11:00 Mt. Clemens WJAZ 202.6 1480 5000 7:30- 9-30 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 Mt. Prospect

Mt Vernon Hills. WJSV 205.4 1460 10000 6:30- 9:10 5:30- 9:30 5:30- 9:30 5:30- 9:30 5:30- 9:00 5:30-10:00 5:30-10:00 Mt. Vernon Hills. 256.3 1170 5000 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5 00- 6 00 Silent 10:00-12:00 10:00-12:00 10:00-12:00 10:00-12:00 .10:00-12:00 10:00-12:00 Muscatine WLAC 201.2 1490 5000 5:00- 7:00 9:00-10:00 9:00-12:00 9:00-12:00 9:00-12:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 Nashville WSM 461.3 650 5000 6:00-10:15 5:00-11:00 5:30-11:00 5:30-11:00 5:30-11:00 5:30-10:30 6:00-12:00 Nashville WTNT 201.2 1490 5000 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 Silent 10:00-12:00 10:00-12:00 10:00-12:00 10:00-12:00 10:00-12:00 10:00-12:00 Nashville

WAAM 239.9 1250 2000 Silent 9:00-12:30 Silent 8:00-12:30 5:00- 8:00 8:00-12:30 5:00- 8:00 Newark WOR 422.3 710 5000 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 Newark WDRC 225.4 1330 1000 Silent 5:30- 9:30 5:30- 9-30 5:30- 9:30 5:30- 9:30 5:30- 9:30 Silent New Haven WDSU 239.9 1250 1000 7:30- 9:30 5:30-11:30 5:30-11-30 5:30-11:30 5:30-11:30 5:30-11:00 5:30-11:30 New Orleans WJBO 218.8 1370 100 5:00-10:30 6:30-10:30 6:30-10:30 6:30-10:30 6:30-10:30 6:30-10:30 6:30-10:30 New Orleans

WSMB 227.1 1320 500 6:00- 8:00 6:00- 7:00 6:00- 9:15 6:00-10:30 9:30-10-30 6:00-10:00 6:00-10:00 8:00-10:30 6:00-10:00 New Orleans WWL 352.7 850 5000 6:30- 7:30 7:00- 9:00 9:00-12:00 7:00- 9:00 9:00-12:00 7:00- 9:00 7:00- 9:00 New Orleans

New York City.. . WABC 348.6 860 5000 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 New York City New York City... WEAF 454.3 660 50000 5:00-10:15 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 New York City New York City... WiGBS 254.1 1180 500 New York City New York City... WHAP 230.6 1300 1000 8:00-10:45 5:00- 7:00 Silent 5:30- 8:00 Silent 7:00-10:30 7:30-10:66 New York City

. New York City. . WJZ 394. 5 760 30000 500 11 00 500-11 00 New York City New York City.. . WLWL 272.6 1100 5000 7:00- 8:15 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 New Yo.k City New York City... WMCA 526 570 500 5:00- 7:00 8:15-10:30 7:00-11:00 7:00-11:00 7:00-11:00 7:00-11:00 7:00-11:00 7:00-11:00 New YorK City New York City... WNYC 526 570 500 Silent 5:00- 7:30 5:00- 8:30 5:00- 9:00 5:00- 8:30 5:00- 6:30 5:00- 7:30 New York City

New York City... wov 265.3 1130 1000 Silent Silent Silent Silent Silent Silent Silent New York City New York City... WRNY 296.9 1010 250 5:00- 9:30 5:00- 8:00 5:00-10:00 8:30-12:00 Silent 5:00- 8:00 7:00-12:00 New York City Norfolk, Nebr WJAG 282.8 1060 1000 Silent 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 Norfolk. Neb. Norfolk, Va WTAR-WPOR 384.4 780 500 5:00- 9:00 5:00-10:00 5:00-10:00 5:00-10:00 5:00-10:00 5:00-10:00 5:00-10:00 Norfolk, Va. WNAD 296.9 1010 500 .Silent Silent 7:15- 9:15 7:15- 9:15 8:00- 9:00 Silent Silent KFMX 239.9 1250 1000 Northfield Northfield WCAL 239.9 1250 1000 Silent 7:00- 8:30 Silent 9:00- 9:30 Silent Silent Silent Northfield. KFWM 322.4 930 1000 7 00- 8-00 7:00- 8:00 7:00- 8:00 11:15-12:15 9:00-10:30 9:00- 1:00 9:00-10:30 9:00-12:00 9:00-10:30 9:00- 1:00 Oakland KGO 379 5 790 7500 5:00- 2:00 5:00- 2:00 5:30- 2:00 7:00- 3:00 Oakland KLX 340.7 880 500 6:00- 8:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00

KTAB. . . 535 4 560 1000 7:00- 3:00 7:00- 3:00 7:00- 3:00 7:00- 3:00 7:00- 3:00 7:00- 3:00 Oil City WLBW 238 1260 500 5:00-12:00 5:00-11:00 5:00-11:00 5:00-11:00 Oil City

Oklahoma City. . K.FJF 204 1470 5000 6:30- 9:30 6:30-10:30 6:30-11:30 6:30-10:30 6:30-11:00 6:30-11-30 6:30- 1:00 Oklahoma City Oklahoma City. . WKY 333.1 900 1000 5:00-11:00 5:00-11:45 5:00-11:45 5:00-11:45 5:00-11:45 5:00-11:45 5:00-11:45 Oklahoma City WAAW 454.3 660 500 Silent 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 Silent

WOW 508.2 590 1000 5:00- 5:30 5:00- 8:00 5:00- 9:30 5:00-11:30 7:00-11:00 5:00-11:15 9:00-1 115 10:30-11-30 5:00-11:15 5:00-11:15 or 12:00 Omaha WDBO 483.6 620 1000 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 8:00- 9:00 6:45- 8:00 8:00- 9:00 6:45- 8:00 S:00- 9:00 6:45- 8:00 6:30- 9:00 10:00-11:00 9:00-10:00 10:00-11:00 9:00-10:00 10:00-11:00 9:00-10:00 Orlando 500 600 500 5-30- 5-45 9:00-10:00 9:00-10:00 7:45-10:00 Silent 9:00-11:00 Silent Silent Ottawa 315.6 950 1000 2nd&4thSun. 10:00-11:00 8:00- 8:30 8:00- 8:30 8:00- 8:30 8:00- 8:30 8:00- 8:30 8:00-8:30 Pasadena WODA 239.9 1250 1000

WCOA 267.7 1120 500 Silent 8:00-10:00 10:00-12:00 8:00-10:00 10:00-12:00 8:00-10:00 10:00-12:00 Pensacola Peoria Heights. . . WMBD 208.2 1440 500 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00 5:00- 7:00 5:00- 6:00 9:00-11:30 9:00-11:30 0:00-11:30 »:00-11:30 9:00 11 10 9:00 11:30 Peoria He hta WCAU 256.3 1170 10000 5:00-11:00 5:00-11:00 5:00.11:00 5:00-11:00 5:1X1-11:00 5:00-11:00 5:00-11:00 Philadelphia WFAN 491.5 610 500 5:00- 5:30 5:00- 5:30 5:00- 5:30 5:00- 8:00 5:00- 5:30 d:30 11:00 5:00- 5:30 5:00- 5:30 (.30-11:00 Philadelphia WFI 535.4 560 500 5:00-10:15 5:00- 6:30 5:00-11:00 5:00- 6:30 5:00-10:30 5:00- 6:30 5:00-10:30 Philadelphia W1P 491 5 610 5:30- 6:30 8:00-11:00 6:30-11:00 5:30- 6:30 5:30-11:00 5:30- 6:30 5:30-11:00 5:30- 6:30 Philadelphia WLIT 535.4 560 500 KFAD. . . . 7:00-12:00 6:00-12:00 6:00- 1:00 Silent 6:00- 1:00 6:00- 1:00 6:00- 1:00 KOY 215.7 1390 500 Picher KGGF 296.9 1010 500 8:00-10:00 f:X-10:30 6:00 10:30 6:00-10:30 Silent &oo-ii:66 6:00-10:30

KDKA 305.9 980 50000 5:00-11:00 5:00-11:00 5:00-10:30 5:00-tl:02 5:00-11:02 5:00-10:45 5:00-10:20 Pittsburgh Pittsburgh KQV 217 3 5:00-11:00 5:00-11 00 5:00-11 00 5:i>o [1:00 5:(X1- 1:00 Pittsburgh WCAE 245.8 1220 500 5:00-10:15 5:00 11:30 5:00-1 1-. ;o - 00 11:00 5:00 11 10 5:00 10:00 5:00-11:30 Pittsburgh Pittsburgh WJAS 232.4 1290 1000 5:00-10:00 5:00-10:30 5:00-10:30 SKM 10:30 10:30 10:30 5:0O Pittsburgh WCSH 319 940 500 S:30 ShlS 5:00-1000 5:00 10:30 5:00-10:00 5:00-10:00 1.1:0(1 5:00-10:00 Portland. Ma.

Portland, Ore.. . . KEX 254 1 1180 Sjoo i-oo 5:00- 2:00 5:00- 2:00 5:00- 2:00 5:00- 2:00 5:00- 2:00 Portland, Ore.. . . KFJR 230.6 1300 500 Si 1. -nl 7:00- 9:00 9:00- 2:00 9:00- 1:00 7:00- 0:00 9:00- 2:00 ! 0:00 Portland. < Portland, Ore.. . . 483.6 620 1000 5:00- 5:00- 23X1 Or.-. KGW r 2:00 7:00- 2:00 5:00- 2:00 5:00- 2:00 5:00- 2:00 Portland, Portland, Ore.. . . KOIN 319 940 1000 7:00- 1:00 7:00- 2:00 7:00- 2:00 7:00- 2:00 7:00- 2:00 7:00- 2:00 7:00- 4:00 Portland. Ore. Portland, Ore.. . . 230.6 1300 500 5:00- 7:00 5:0(1- ,':00 5:00- 7:00 8:00. 0:00 5:00- 7:00 5:00- 7 00 S:00- 0:00 5:00- 7:00 S:00- 9:00 5:00- 1:00 10:00- 2:00 •8:00- 9:00 8:00- 9:00 10.00 2:00 S:00 9:00 10:00 Portland. Ore. Portland, Ore.. . . KWJJ 282.8 1060 500 11:00- 1:00 Silent 11:00- 2:00 Silent 11:00- 2:00 1 Silcm 11:00- J: 00 Portland. Or«. ' ' '

98

LOCATION CALL Meters Kc. Watts Sunday Monday Tuesday Wednesday Thursday Friday Saturday LOCATION

Portland, Ore.. . . K.XL 239.9 1250 500 7:00- 3:00 7:00- 3:00 7:00- 3:00 7:00- 3:00 7:00- 3:00 7:00- 3:00 7:00- 3:00 Portland, Ore.

Poughkeepsie . . . WOKO 215.7 1390 500 Silent 5:00-10:00 5:00-10:00 7:00-10:00 7:00-10:00 7:00-10:00 7:30-10:00 Poughkeepsie KWSC 214.2 1400 1000 Silent 9:00-11:30 Silent 9:00-11:30 9:00-11:30 Silent Silent WTAD 208.2 1440 500 7:00- 9:00 7:00- 9:00 7:00- 9:00 7:00- 9:00 7:00- 9:00 7:00- 9:00 7:00- 9:00

440.9 680 1000 5:00 to Sunset 5:00 to Sunset 5:00 to Sunset 5:00 to Sunset 5:00 to Sunset 5:00 to Sunset 6:15- 8:00 Pac. Time Pac. Time Pac. Time Pac. Time Pac. Time Pac. Time Raleigh CHCT 356.8 840 1000 CJCR 356.8 840 1000 CHWC 312.3 960 500 5:00-10:00 7:00- 1:00 6:00- 6:30 7:00- 1:00 6:00- 6:30 6:00- 6:30 7:00- 1:00 CJBR 312.3 960 500 Silent Silent Silent Silent Silent 9:00-10:00 Silent

Regina CKCK 312.3 960 500 10:01- 1:00 Silent 6:30- 1:00 Silent 6:30- 1:00 6:30- 1:00 Silent CNRR 312.5 960 500 Silent Silent 9:00-10:00 Silent 9:00-10:00 Silent Silent Regina 5:00-11:00 Richmond, Va... . WRVA 270.1 1110 5000 6:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 Richmond, Va.

Richmond Hill.. . WBOQ 348.6 860 5000 Richmond Hill WDBJ 322.4 930 500 6:30-10:30 5:00-10:45 5:00-10:45 5:00-10:45 5:00-10:45 5:00-10:45 5:00-10:45 WHAM 260.7 1150 5000 5:00-10:15 5:00-10:20 5:00-10:45 5:00-10:20 5:00-11:00 5:00-11:00 5:00-11:00 Rochester WHEC 208.2 1440 500 Silent 5:00- 6:30 5:00- 8:00 5:00- 9:00 5:00- 8:30 5:00- 9:30 5:00-10:30 Rochester 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 KFLV 212.6 1410 500 7:30-10:00 8:00-10:30 8:00-10:30 8:00-10:30 8:00-10:30 8:00-10:30 8:00-10:30 Rockford WBBR 230.6 1300 1000 5:00- 8:00 Silent 5:00- 7:00 8:00-11:00 7:00- 9:00 5:00- 7:00 Silent St. Joseph KFEQ 535.4 560 2500 Silent 5:00- 6:20 5:00- 6:20 5:00- 6:20 5:00- 6:20 5:00- 6:20 5:00- 6:20 St. Joseph, Mo. KFUO 545.1 550 1000 On Air 6:00- 6:30 500 at 9:15 9:30-10:30 6:00- 7:00 11:00-12:00 6:00- 7:00 9:30-10:30 6:00- 6:30 St. Louis KMOX 275.1 1090 5000 5:00-11:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 St. Louis KSD 545.1 550 500 5:00- 9:15 7:00- 9:30 7:00-11:00 6:30-11:00 7:00-11:00 7:00- 9:30 6:30-11:00 St. Louis KWK 222.1 1350 1000 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 5:00-12:00 St. Louis WEW 394.5 760 1000 5:00- 5:45 5:00- 5:45 5:00- 5:45 5:00- 5:45 5:00- 6:00 5:00- 6:00 Silent St. Louis

St. Paul KSTP 205.4 1460 10000 5:00-12:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 St. Paul

St. Petersburg. . - WSUN-WFLA 333.1 900 1000 Silent Silent 7:00-11:00 7:00-11:00 7:00-11:00 7:00-11:00 7:00-11:00 St. Petersburg

. City Salt Lake City. . KDYL 232.6 1290 1000 6:00- 1:00 6:00- 2:00 6:00- 2:00 6:00- 2:00 6:00- 2:00 6:00- 2:00 6:00- 2:00 Salt Lake KSL 265.3 1130 5000 10:30-12:30 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 5:00- 1:00 Salt Lake City 5:00- 6:30 5:00- 6:30 5:00- 6:30 5:00- 6:30 5:00- 6:30 5:00- 6:30 KTSA 232.4 1290 1000 5:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 8:00-10:00 San Antonio

WOAI 252 1190 5000 6:00- 9:15 5:45-12:00 5:45-10:30 5:45-12:00 5:45-11:00 5:45-10:30 5:45-10:00 San Antonio KFSD 499.7 600 500 5:00-10:30 5:00- 1:00 5:15- 1:00 5:15- 1:00 5:15- 1:00 5:15- 1:00 5:15- 1:00 San Diego Francisco San Francisco. . . KFRC 491.5 610 1000 5:00- 2:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 5:00- 3:00 San 8:00- 9:00 Francisco San Francisco. . . KFWI 322.4 930 500 9:50-11:15 8:00- 9:00 Silent 8:00- 9:00 10:30-11:00 8:00- 9:00 Silent San Francisco San Francisco. . . KPO 440.9 680 5000 5:00-12:00 Silent Silent Silent Silent Silent Silent San Francisco San Francisco. . . KYA 243.8 1230 1000 7:00- 3:00 7:00- 3:00 7:00- 3:00 7:00- 3:00 7:00- 3:00 7:00- 3:00 7:00- 4:00 San KQW 296.9 1010 500 9:30-11:00 5:00-11:30 5:00-11:30 5:00-11:30 5:00-12:00 5:00-11:30 5:00-12:00 San Jose

Santa Monica. . . KTM 384.4 780 500 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 10:00- 2:00 10:00- 3:00 10:00- 3:00 10:00- 3:00 10:00- 3:00 10:00- 3:00 10:00- 3:00 Santa Monica CFQC 329.7 910 500 Saskatoon CNRS 329.5 910 500 Saskatoon CKOW 291.1 1030 500 Scarboro Station WGY 379.5 790 50000 5:00- 9:45 5:00- 9:30 5:00-11:66 5:00-11:00 5:00-11:30 5:00-11:00 5:00-11:00 Schenectady KJR 309.1 970 5000 5:00- 1:00 5:00- 2:00 5:00- 2:00 5:30- 2:00 5:00- 2:00 5:00- 2:00 5:00- 200 Seattle KOL 236.1 1270 1000 11:30- 1:30 7:00- 2:00 7:00- 2:00 7:00- 2:00 7:00- 2:00 7:00- 2:00 7:00- 3:00 Seattle KOMO 325.9 920 1000 5:00- 1:00 5:00- 2:30 5:00- 2:30 5:00- 2:30 5:00- 2:30 5:00- 2:30 5:00- 2:30 Seattle

KTW 236.1 1270 1000 On Air at Time Time Time Time Time Time 5:00- 9:30 Varies Varies Varies Varies Varies Varies Seattle WHBL 212.6 1410 500 6:00- 8:00 Silent 6:00- 8:00 6:00- 8:00 6:00- 8:00 6:00- 8:00 12:00- 1:00 6:00- 8:00 Sheboygan KFNF 336.9 890 1000 6:00- 7:30 6:00- 7:30 6:00- 7:30 6:00- 7:30 6:00- 7:30 6:00- 7:30 6:00- 9:00 9:00-10:30 9:00-10:30 9:00-10:30 8:00-10:30 9:00-10:30 8:00-12:00 Shenandoah KMA 322.4 930 1000 5:00- 7:00 6:30- 8:30 6:30- 8:30 8:00-11:00 6:30-12:00 6:30- 8:30 10:00-11:30 6:30- 7:00 10:00-11:30 6:30- 8:30 Shenandoah KTBS 206.8 1450 1000 5:00- 7:30 7:00-11:00 7:00-11:00 7:00-11:00 7:00-11:00 7:00-11:00 7:00-11:00 Shreveport

KWKH 352.7 850 10000 7:45-12:00 9:00-12:00 6:00- 9:00 9:00-12:00 6:00- 9:00 9:00-12:00 9:00-12:00 Shreveport KSCJ 225.4 1330 1000 On Air at 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- 7:00 5:00- :700 8:00- 9:00 8:00-11:00 8:00- 9:00 8:00-10:30 8:00- 9:00 8:00- 9:00 8:00- 9:00 Sioux City Sioux Falls KSOO 270.1 1110 2000 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 Sioux Falls WSBT 243.8 1230 500 8:30-10:00 7:30- 8:00 10:00-12:00 Silent 6:00- 8:00 10:00-11:00 11:00-12:30 730-11:00 10:00-1:00 South Bepd So. Dartmouth So. Dartmouth.. . WMAF 220.4 1360 500 KFPY 223.7 1340 500 5:00- 7:00 5:00- 7:00 5:00-11:00 11:00- 2:00 5:00-11:00 5:00- 8:30 5:00-11:00 11:00- 2:00 5:00-11:00 Spokane KGA 204 1470 5000 7:00- 1:00 7:00- 2:00 7:00- 2:00 7:00- 2:00 7:00- 2:00 7:00- 2:00 7:00- 2:00 Spokane KHQ 508.2 590 1000 5:00-12:30 5:00- 2:00 5:00- 2:00 5:00- 2:00 5:00- 2:00 5:00- 5:00 5:00- 2:00 Spokane Springfield, Mass. WBZ 302.8 990 15000 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 Springfield, Mass. Springfield, Ohio. WCSO 206.8 1450 500 Silent 7:30- 9:30 6:00- 8:00 8:30-10:30 5:30- 7:30 6:00- 8:00 7:30- 9:00 Springfield, Ohio State College State College. . . . WPSC 243.8 1230 500 Silent Silent Silent Silent Silent Silent Silent State College, 6:00- 8:30 6:00- 8:30 6:00- 9:00 6:00- 8:30 6:00- 9:00 State College, N. M KOB 254.1 1180 10000 6:00-10:00 9:30-11:00 9:00-10:00 9:30-11:00 10:00-11:00 10:00-11:00 6:00-10:00 N. M. Stevens Point Stevens Point. . . . WLBL 333.1 900 2000 Silent Silent Silent Silent Silent Silent Silent WEBC 234.2 1280 1000 5:00-10:15 5:00-11:00 5:00-11:00 5:00-10:30 5:00-11:00 5:00-10:30 5:00-10:30 Superior WFBL 333.1 900 1000 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 Syracuse

223.7 1340 500 11:00- 1:00 7:00-11:30 11:00- 1:00 7:00-11:00 11:00- 1:00 7:00-11:00 11:00- 1:00 Tacoma KVI 394.5 760 5:00- 2:00 5:00- 2:00 5:00- 2:00 5:00- 2:00 5:00- 2:00 5:00- 2:00 5:00- 2:00 Tacoma WDAE 483.6 620 1000 6:00- 6:45 6:00- 6:45 6:00- 8:00 8:00- 9:00 6:00- 8:00 8:00- 9:00 6:00- 8:00 6:00- 6:45 5:00- 6:30 9:00-10:00 10:00-11:00 9:00-10:00 10:00-11:00 9:00-10:00 8:00-11:00 Tampa WBRL 209.7 1430 500 6:00- 8:00 Silent Silent Silent Silent Silent Silent Til ton WSPD 223.7 1340 500 5:00-11:30 5:00-11:00 5:00-11:00 5:00-12:00 5:00-11:00 5:00-11:00 5:00-11:00 Toledo CFCA 356.9 840 500 5:00- 9:00 5:00-10:00 5:00-10:30 12:00- 1:00 5:00-11:30 5:00- 8:30 5:00-11:30 5:00- 9:00 Toronto CFRB 312.3 960 4000 5:00-11:30 6:00-10:30 6:00-11:30 6:00-10:30 6:00-11:30 6:00-10:30 6:00-11:00 Toronto CHNC 356.9 840 500 Operating on Phantom License only. Toronto CKCL 517.2 580 500 6:00- 7:30 Silent 5:00-11:00 5:00-11:00 Silent 5:00-11:00 Silent Toronto CKGW 434.8 690 5000 8:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00- 6:00 Toronto CKNC 517.2 580 500 Silent 5:00-11:00 Silent Silent 5:00-11:00 Silent 5:00-11:00 Toronto CNRT 357.1 840 500 Silent Silent 8:00-10:00 Silent 9:00-10:30 Silent Silent Toronto WOAX 234.2 1280 500 6:45- 8:15 Silent Silent 6:45-10:30 Silent Silent 6:45-10:30 Trenton Trov WHAZ 230.6 1300 500 Silent 7:00-11:00 11:00-12:00 Silent Silent Silent Silent Troy Tulsa KVOO 263 1140 5000 5:00- 8:00 6:00- 9:00 6:00- 9:00 6:00- 9:00 9:00-12:00 9:00-12:00 9:00-12:00 Tulsa Urbana WILL 336.9 890 500 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 5:00- 6:00 7:30- 8:00 7:30- 8:00 7:30- 8:00 7:30- 8:00 7:30- 8:00 7:30- 8:00 7:30- 8:00 Urbana Vancouver CNRV 291.1 1030 500 11:00-12:30 12:00- 1:00 11:00- 2:00 12:00- 1:00 12:00- 1:00 9:30- 2:00 Silent Vancouver Vermilion KUSD 336.9 890 500 Silent 8:00- 9:00 8:00- 8:30 8:00- 9:00 Silent 8:00- 9:00 Silent Vermilion Victoria, B. C CFCT 329.5 630 500 8:00- 9:30 1st Mon. 8:00- 9:30 7:30- 9:30 each Month 8:00- 9:30 10:00-11:15 8:00- 9:30 10:00-11:30 8:00- 9:30 9:28-11:00 10:00-12:00 1:00- 2:00 1:00- 2:00 1:00- 2:00 1:00- 2:00 1:00- 2:00 Victoria, B. C. Waco WJAD 241.8 1240 1000 Silent 8:30- 9:30 8:30- 9:30 8:30- 9:30 8:30- 9:30 8:30- 9:30 8:30- 9:30 Waco Washington, D. C. NAA 434.5 690 1000 On Air On Air On Air On Air On Air 6:45- 7:00 On Air D. C. at 9:00 at 9:00 at 9:00 at 9:00 at 9:00 at 9:00 at 9:00 Washington, Washington, D. C. WMAL 475.9 630 500 5:00-11:00 5:00-11:00 5:00-11:00 5:00-12:00 5:00-11:00 5:00-11:00 5:00-11:00 Washington, D.C. Washington, D. C. WRC 315.6 950 500 5:00-11:00 5:00-1.1:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 5:00-11:00 Washington, D. C. KPWF 201.6 1490 5000 to 10000 Westminster ' '5:30' Wichita KFH 230.6 1300 1000 ' "5:66- 5:30 "5:00-' 5:30 "S:00-"5:36' '5:00-' 5:30' "5:00- "5:00-' 5:30 5:00- 6:00 7:00- 8:30 7:00- 8:30 7:00- 8:30 7:00- 8:30 7:00- 8:30 7:00- 8:30 7:00- 9:00 10:00-11:00 10:00-11:00 10:00-11-00 10:00-11:00 10:00-11:00 10:00-11:00 Wichita

CJRX 25.6 2000 Silent 7:30-11:30 OnAirat9:15 7:30-11:30 Silent 7:30-11:30 7:00 and 10:00-11:00 Winnipeg CKY 384.4 780 5000 Winnipeg Winnipeg CNRW 384.4 780 5000 Silent 11:00-12:00 9:00-10:00 Silent 9:00-10:30 6:30- 7:30 Winnipeg WEVD 230.6 1300 500 Woodhaven Yankton WNAX 526 570 1000 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 5:00- 8:00 Yankton

York, Neb 322.4 On Air at 5:00 On Air at 5:00 On Air at 5:00 On Air at 5:00 KGBZ 930 500 On Air at 5:00 On Air at 5:00 Neb. 5:00- 6:00 and 8:30 and 8:30 and 8:30 and 8:30 and 8:30 and 8:30 York, CJGX 475.9 630 500 7:15- 8:00 7:15- 8:00 7:15- 8:00 7:00- 8:30 9:00-10:00 11:00-12:00 7:15- 8:00 7:15-10:00 8:30-10:00 7:15- 8:00 Yorkton 5:00- 6:00 O. . 5:00- 6:00 Youngstown, 526 570 500 5:00- 6:00 O. 5:00-11:00 9:00-11:00 5:00- 9:00 9:00-11:00 5:00- 9:00 9:00-11:00 5:00- 9:00 Youngstown, WCBD 277.6 1080 5000 Silent Silent Silent Silent Silent Silent Silent Zion

IB. ,. — — —

99

The Gigolo Mystery "Is this a private fight—or can any- She knew how to put any one of them in body come in?" shouted one, trying to his place if he got fresh—and they (Continued from page 89) be funny. liked it. "But what about Captain Ryder Pumph — pumph — pumph —pumph — With a devilish look in her eyes and Smith?" reverted Kennedy. "What be- pumph a sneer on her lips, Mazie came up to came of him? When was he last seen? Their little light mast crashed, carry- Trixie who was leaning, half-stunned, It seems to me that must be important ing lights and all. against the after cabin. Posing defiantly, if you care about it." There were screams, male and female she placed her hands on her hips and —a general ducking for the cabin, such with arms akimbo surveyed Trixie up " E care>" hastened Barr And a mix-up of legs and bloomers and arms and down with a leer. Then she looked DO - "W felt-hats at unheroically ' » it is a mystery. That last load on and as only a panic could pro- Don the Dude, bound, the 'Gigolo' left the tanker here with duce. with another contemptuous chuckle. Lola and Cap'n Ryder—and that's the The helmsman who was guiding them "So! You thought you could steal my last we've seen or heard of him—until out where the hootch was cheap swung man and get away with it, heh? Well, we get word as all the rum fleet does her helm hard about, got into the trough I found out you haven't taken my heart about things and we hear about the of the sea, and almost capsized. They when you took this excess baggage! You 'Gigolo' drifting, picked up by the rev- shipped more water than would have tcld me that night to beat it! That's enue boat and Lola dead. That's when been a chaser for all they had had to what I'm telling you now—beat it! You we got the tip to move along down the drink—and fled. can't beat it. If I wanted to have 'em coast and came here. But I'm worried This time the demand was repeated. do it, those men'd throw you overboard Sullenly Barr, well put in small —and I don't mind who knows it." Don and the crew as — you a boat and set yod "Did she have a quarrel with anyone as the rest of us allowed the mangy, adrift—make you walk the plank—if we —or did anyone have a quarrel over ratty pack of the schooner to swarm had a plank—anything! I ought to do her?" I asked, recalling some things over the rail, some of them almost fall- it!" Judy had told. ing into the fairly heavy seas. There Trixie flashed back, dry of eye. She "Say!" broke in Don angrily. "It's was nothing else to do with the arma- was a curious spectacle of bluffing bra- of the staring bad enough to have had it happen—but ment schooner at us. vado. She was scared. And Mazie knew that's a bit fresh—from an outsider. Let "Tie 'em up!" shouted one. it. But Trixie wasn't going to admit it drop! Let the police do the work Then as the ill-smelling crew came she knew Mazie knew it. with gossip!" toward us, the captain of. the schooner "What have you got to say, you cat?" Just then there was a series of explo- suddenly recognized Deitz. "No," he screeched Mazie in her ear. "Don't you sions outside. We forgot to argue and muttered, "just take their guns!" hear me? Are you deaf? Where's your poked our heads out. Any happening Both Craig and I were armed and we tongue?" hated to see those pretty little auto- out there is like a special extra in the was quick-tempered, too. matics get out of our possession. But TRIXIE city. It was the other rum-runner we Suddenly she turned and brought her there was nothing else to it for the mo- bad been aboard, getting under way with open hand with a resounding whack ment in this fight between roughneck her gas kicker. across Mazie's cheek. There was a gen- rum-pirates and these silk-stockinged "I wonder if they've repealed the Vol- eral roar from and the other men. rum-runners. Jake stead Act—or maybe the dry navy's go- I expected momentary violence from It was thrilling to me, I admit. It was ing to run amuck again on the high them at Trixie's imprudence. something to bring back recollections of seas!" Deitz was bound to make his "Take that," Trixie had hissed out, swashbuckling eighteenth century days jocose cracks. "and that—for the slap with the fingers It fell flat. The kicker was soon get- when suspicious luggers lurked in every _ of your glove that you gave me that in- port. ting the schooner under way. But night. I haven't forgotten!" or Only then did I realize that these ex- stead of going out to sea moving up I didn't understand Mazie. She turned ploits of rum-runners today are reveal- the line for a better position, she was from Trixie, with the livid marks of us. ing a chapter in modern ocean romance ranging over toward Trixie's hand still on her face. which has no parallel this side of the Suddenly there was a volley of pistol "Do you want some more of the days of Blackbeard, Kidd, Morgan and and rifle shots and the glass of our cabin same?" hissed Trixie again. the other worthies of the Spanish Main. windows was shattered. The men crowded forward ominously. With a muttered oath Barr drew an With a shimmy step up to Jake, Mazie this, again, was something else automatic and returned the compliment, BUT told him to stay where he was and keep but the range was just a little too great I suddenly realized that the fellow quiet. She waved her hand. "This is my for accuracy, the slippery, heav- we had seen dimly waiting in the slip on nor was party! You can give the little girl a hand ing footing the old tanker conducive the other side when we had started from on when it's over!" the Battery was indeed Jack Merck! to good marksmanship. Don was firing Mazie never glanced at Trixie. But wildly, too. He was a tea-room gun- And the passenger, or at least one of she took off her coat and tossed it lightly, them, for whom he had been waiting, man, a drug-store cowboy. At least so like a prize-fighter with his bath-robe, he impressed me. was Mazie Mellish! to a man who I had just realized was In spite of the scattered fusillade from It might have been piracy on the high with them as I heard his name muttered, seas. But it was different. For here our light arms, on came the schooner, Cap'n Ryder Smith. ranging alongside. were Mazie and Trixie, the manicure up She undid her sport skirt, with a shout "Hand over that stuff of yours!" girls,—and such young ladies, as I have from the men. There she was in neat, said, are rarely dull. boomed a thick voice in a megaphone, trim knickers. borne by the wind. When Trixie saw Mazie climb over By this time her face was pale. In- "Like hell will!" Barr's the rail and board the "All Alone," fol- we That was tense anger shone through her eyes. defi, as he re-loaded. lowed by Jake Merck, her face and But it was all done quietly and cooly. Pumph pumph pumph pumph — Don's were studies. Beauty and the tea- — — — And it was getting on Trixie's nerves. room manner did not count for much pumph Pulling her sleeves up and feeling her against a Lewis gun. Maize and Jake One of the water casks on the deck hair, Mazie suddenly made one wild had been about the last to come over. rolled—cut in half! jump. With a yell of some deadly female Confidence, a man upon whom she "Gad! They've got a Lewis gun!'' of the species, she landed on Trixie and knew she could depend, and revenge, muttered Barr, helplessly. bore her down to the deck. "Surrender!" boomed the thick voice these three made Mazie actually hand- "You said it —was empty fingers—the over the waves. "And be damn quick some. Her gown was in the latest Broad- other night! Take that—and that—and about it!" way fashion for sport wear and the coat that you you thief!'' she had on must have cost, for her, a — — small fortune. The two girls on the "All MADE a move to separate them, but Chapter IX. I HI-JACKERS! Alone" looked on in fear tinged with Kennedy and I were covered by half envy. By this time Barr. Warner, Don a dozen guns like a Sash. The men were THERE was no immediate reply. and the crew had been bound, trussed shouting and yelling. Jake was dancing For, a small boat, one on a sort of up so that there was not a fight in all of up and down with glee. All the trog- hootch-shopping expedition, some them. lodyte instincts wore loosened. It was private cruiser, ranged along. It was Then I saw that it was twentieth cen- his woman at the face of her enemy. full of well-bundled-up fellows and girls, tury primeval. All the men on the "Go to it. Mazie! That's right! Spoil singing—and they were carrying a good schooner were much for Mazie and her her mug! deal aboard themselves, as well as in the ability. I could luar them saying, "Maze Mazie was indeed a wild woman, ob- hold. They were, as one might say, will see 'em ashore!" "Leave Maze man- livious to everything but her struggling half-seas over. Evidently they had heard age that guy!" It was a plain case of a rival. Blood was streaming down Trixie's of bargains and had come out for the shrewd girl-crook wlui had made herself face from the scratches. lark, doing their shopping early. The> solid with as wicked-looking a group of Sitting Oil Trixie's breast as the boat ranged up nearer to see the fun. Not a cutthroats as had ever sent tied a ship rocked in the lone: swells. Mazie held befuddled head anions them seemed to on the ocean in the old days of romance. her head and ground it into the gritny realize what it was all a Knut. Ala7i'f> was thrivincr on siirh adulation. deck. " —

100

"Now—you smart vamp—don't you Grand Forks, North Dakota, and the wish you had let things alone? Sharp Tells Twin Cities to take lessons on the oboe nails—the way I cut 'em, for this, in the has won its reward for Frank Mayer, hotel! —are —better than empty glove 19-year-old musician who has been en- fi nger s—you gaged to play with the National Battery With a whack on each cheek and WHAT a Radio announcer thinks symphony broadcasting orchestra of moans from Trixie, Mazie picked her up about—that is the title of these lines KSTP. His work attracted the attention and flung her, not as she had threatened, emanating from Gene Arnold, staff an- of Henry C. Woempner, musical director overboard, but, as the tanker careened, nouncer and entertainer at WENR, of KSTP, who was very much impressed toward Don the Dude, so that she Chicago. after a successful tryout. "I at little dropped in his lap, uncaught by his am a desk which has on it a When he was 13 years old, he started trussed-up hands. microphone and a box which has keys to study this difficult instrument by mak- Trixie was all in, but not seriously that open or shut all the microphones in ing weekly trips from his home at Grand the studio. I sit there listening hurt. She was whipped publicly, and it As to Forks to the Twin Cities, a distance of was galling. the performance, many thoughts chase 600 miles, to meet his teacher Alexander Mazie made a grand curtsy. "Count themselves through my head. I wonder: Duvoir, nationally known oboeist. Now ten—men!" She turned. "Is there a "What the average Radio listener this youthful artist has succeeded his doctor in the house?" looks like; teacher as a member of the KSTP sym- Jake came over and kissed her—which "Whether the fans like the selection phony orchestra. seemed an incongruity until I considered that is being presented at the moment; Transportation for these weekly jour- Jake and his curb-cruising breed. "You're "Whether my last joke sounded as flat neys has been estimated to total $3,497.00 in Baltimore as it may have in Chicago; great, Mazie! No fuss—just a good for the two years and the lessons for this mill!" "Whether any one other than my wife time are estimated at $416.00. thinks I'm Of such is the kingdom of Amazon, good; He has played under the direction of listeners I thought. On the high seas it once "Whether many are saying, Henri Verbrugghen, conductor of the made leaders. The setting changes. But 'that bird has a great voice for hog call- Minneapolis symphony orchestra and ing'; the game is the same. has appeared in other Northwest mu- Always with the main chance in mind. "How many of our critics could ever sical organizations. Jake was for taking off the thousands of learn to be announcers themselves; A law student, a stage actor, a news- cases, now. "Whether Radio fans realize the paper publisher and finally a Radio an- of time studying "Just a minute!" was the deep-sea amount we spend ar- nouncer is the trail of avocations which counsel of the tough captain of the ticulation, enunciation, pronunciation Pierre Andre, announcer of KSTP, has schooner. "Send these others ashore and voice inflection; followed during the past five years. real- first. What they don't see, won't worry "Whether the average Radio fan A seemingly successful attempt at the them. They can't tell so much!" izes how important fan mail is, not only legitimate stage ended in financial disas- "Then give us back the gats," de- to announcers, but to all Radio artists; ter, after which he entered the law scho.ol manded Kennedy. "Whether the average fan realizes that at the University of Minnesota. He then The West Indian pirate looked at they themselves can make or unmake served on the editorial staffs of news- Dietz. He knew Deitz and expected to Radio artists and announcers by real papers in Minneapolis, St. Paul, and deal with him more and often. He de- constructive criticism; Cleveland but finally purchased a weekly the average listeners under- cided it was better so. He even went "Whether publication in Virginia, Minnesota. Radio further. stand that through their letters, they finally won out, while Andre was on a influence Radio stations to give just "Will you take back ten or a dozen can visit to Duluth and he joined WEBC at kind of programs that they like. cases, sir, as a present from me?" the Duluth, until KSTP called him. He is "I Deitz was still the humorist, and un- wish: now master of ceremonies for the late der obligation to no one. "And get "That I had the combined talents of hour program. pinched, maybe, with it?" He looked Demosthenes, Shakespeare, John Gil- over at our Viking and the "Skoal" rid- bert, Henry Irving, John McCormick, ing off stern. "Ships that touch liquor Henry James, Will Rogers, Anita Loos, shall never touch mine!" Then he turned Walter Winchell, Franklin P. Adams Taught Self Violin and O. O. Mclntyre; and whispered to us, "We'd better beat years ago a High school student "That I could pronounce correctly TEN it while the going is good. Nothing'll being pointed for the medical profes- and knew every word in the English happen to the others—if they give up sion picked up a violin and found that I dictionary and all foreign languages; and don't resist. told you—it's an ex- he could produce a tone on it. It fas- !" "That television, when it comes, could tra-hazardous business cinated him-. He laid the instrument be reversed so that I could see the faces As we buffeted our way back toward down and tried to forget it but could not. of my listeners ; the Battery, I drew a long breath of Out of savings he finally bought one and "That television will never be per- biting salt sea air. with it an instruction book. For six fected so that the audience can throw "We may not know who killed Lola months he endured the raillery of the things at the Radio performer." Langhorne," I said under my breath, "gang" and then stood its members "on "but we know a lot more about hard !" their ears" with a solo in a school con- women and soft men cert. After the concert an orchestra was "Not so soft," corrected Kennedy. formed with the violinist as director. "Besides, we know a lot. The dead lips That is how George Earle, director of of Lola are eloquent!" JOHN PLANK, college entertainer of WOR.'s Salon ^orchestra, started in KSTP is one student who is whist- music. He has been wielding the baton THE next installment of this grip- ling his way through the University of ever since those school days in Ithaca, ping Craig Kennedy story unfolds Minnesota.. In the recent college talent N. Y., which gave him birth. Musicians further starling mystery! Don't miss contest conducted from KSTP, Plank regard his flight up the ladder of fame represented his fraternity—Phi Sigma as nothing short of meteoric and declare the thrills in the January issue of Kappa—and at various other times he that to become conductor of note in ten Radio Digest! meets his tuition fees, pays_ his board years is unprecedented. and lodging and uses his business talent Mr. Earle combines two characters. Seidel Started Young for profitable ends by entertaining with Without his baton, he is a shy, modest his "whistle" at various banquets and and self-effacing individual. He changes One of the many things sons of In- _ gatherings. instantly, however, when he picks up the diana Hoosiers are fond of boasting He is taking a course in business ad- wand. A martinet stands in front of the about is getting up early these days. The ministration at Minnesota and came to big orchestra; a stickler for precise in- "George Gershwin of Indianapolis," as the Twin Cities from Rouleau, Sask. terpretation and tone fidelity. He does Emil Seidel is known, is now the director (Canada). He claims Independence, not spare himself nor any other member of early morning orchestra programs Iowa, as his home town. of the orchestra and seems to enthuse from the New York studios of the Na- When he was ten years old he began "his boys" (many of them old enough to tional Broadcasting company. the study of the violin, but gave this up be his father) with his dynamic energy. Seidel, who made his debut as a con- after he was inspired by a skillful His passion is cigars—any kind—from a cert pianist at the age of eight, has com- whistler whom he heard on the stage. Pittsburgh stogie to three for a dollar. posed several popular song hits. He can imitate the meadowlark, quail, Recently members of the Orchestra canary, red wing, blackbird, cardinal, got a Cuban to make one eighteen inches The National Broadcasting company oriole, robin, and variety of sparrow, long and out of the strongest tobacco is now providing full time programs for thrush phoebe, wren and the bluejay. His available. Tying a string around it they KGO, San Francisco. Regular network hobby is tramping through the woods suspended it from the ceiling to a point features from Chicago and New York, and conversing with birds by means of about a foot above his desk. They found as well as offerings of the NBC staff in his whistle. him smoking it, still tied to the ceiling, 'Frisco are broadcast by the General Travelling 62,400 miles over a period occasionally letting it swing while he Electric station. of two years on weekly trips between arranged his music. 101

Complete Call Book and Log of All Stations

KCRC, Enid, Okla. 218.8m-1370kc. 250 watts day- KFKA, Greeley, Colo. 340.7m -880kc. 500 watts KFXJ, Edgewater, Colo. 228.9m-1310kc. 50 watts. light, 100 watts after sunset. Champlin Refin- after 6 pm, 1000 watts day. Colorado State R. G. Howell. Slogan, "America's Scenic Cen- ing Co. Central. Teachers' College. Announcers, Geo. A. Irvin, ter." Mountain. KDB, Santa Barbara, Calif. 199.9m- 1500kc. 100 Lynn Craig. KFXM, Pomona, Calif. 249.9m- 1200kc. 100 watts. watts. Santa Barbara Broadcasting Co. C. W. KFKB, Milford, Kan. 285.5m-1050kc. 5000 watts. J. C. and E. W. Lee. Meighan. Pacific. Founded Dec. 22, 1926. J. R. Brinkley, M. D. Announcer, Dee D. Den- KFXR, Oklahoma City, Okla. 228.9m-1310kc. 100 KDKA, E. Pittsburgh, Pa. 305.9m -980kc. 50,000 ver, Jr. watts. Exchange Ave. Baptist Church. watts. Westinghouse Elec. & Mfg. Co. East- KFKU, Lawrence, Kan. 245.6m-1220kc. 1000 watts. KFXY, Flagstaff, Ariz. 211.1m-1420kc. 100 watts. ern. University of Kansas. Announcer, Ellsworth Mary M. Costigan. Announcer, Frank Wil- KDLR, Devils Lake, N. Dak. 247.8m-1210kc. 100 C. Dent. Founded Dec. 15, 1924. Central. burn. Mountain. watts. Radio Electric Co. Announcer, Bert KFKX, Chicago, HI. 293.9m- 1020kc. 10,000 watts. KFYO, Abilene, Texas. 211.1m-1420kc. 250 watts Wick. Founded Jan. 25, 1925. Central. Westinghouse Elec. & Mfg. Co. Central. day, 100 watts night. T. E. Kirksey. Central. KDYL, Salt Lake City, Utah. 232.6m -1290kc. 1000 iKFKZ, Kirksville, Mo. 249.9m-1200kc. 15 watts. Founded Febr. 19, 1927. watts. Intermountain Broadcasting Corp. An- State Teachers College. Announcers, Garret KFYR, Bismarck, N. D. 54S.lm-5S0kc. 500 watts. nouncer, Philip G. Lasky. Slogan, "Dawn to Underhill, John Harty. Founded 1923. Central. Hoskins-Meyer, Inc. Announcer, Stanley Lu- Midnight." Mountain. Founded June, 1922. KFLV, Rockford, 111. 212.6m-1410kc. 500 watts. cas. Founded December, 1925. KEJK, Beverly Hills, Calif, 422.3m-710kc. 500 Rockford Broadcasters, Inc. Announcers, KGA, Spokane, Wash. 204m-1470kc. 5000 watts. watts. R. S. MacMillan. Pacific. Founded Peter MacArthur, Wesley W. Wilcox. Northwest Radio Service Co. Ralph A. Horr, Febr. 7, 1927. Founded October, 1923. Central. Receiver. Announcer, Harry Long. Pacific. KELW, Burbank, Calif. 384.4m-780kc. 500 watts. KFLX, Galveston, Texas. 247.8m- 1210kc. 100 KGAR, Tucson, Ariz. 218.8m-1370kc. 100 watts. Earl L. White. Pacific. Founded Feb. 12, 1927. watts. George R. Clough. Tucson Citizen. Announcer, Harold S. Sykes. KEX, Portland, Ore. 254.1m-1180kc. 5000 watts. KFMX, Northfield, Minn. 239.9m-1250kc. 1000 Installed June, 1926. Mountain. Western Broadcasting Co. Announcers, Archie watts. Carleton College. Central. KGB, San Diego, Calif. 220.4m -1360kc. 250 watts. Presby, Louis C. Teegarden. Pacific. Opened KFNF, Shenandoah, Iowa. 336.9m-890kc. 1000 Pickwick Broadcasting Corp. Dec. 1926. 25, watts daytime, 500 watts evening. Henry Field KGBU, Ketchikan, Alaska. 333.1m-900kc. 500 KFAB, Lincoln, Nebr. 389.4m-770kc. 5000 watts. Seed Co. Announcer, Henry Field. Slogan, watts. Alaska Radio & Service Co. Announcer. Nebraska Buick Auto Co. Founded Dec. 4, "The Friendly Farmer Station." Founded James A. Britton. Slogan, "The Voice of 1924. Central. February, 1924. Central. Alaska." Pacific. 483.6m-620kc. 1000 watts. KFAD, Phoenix, Ariz. KFOR, Lincoln, Nebr. 247.8m-1210kc. 250 watts. KGBX, St. Joseph, Mo. 218.8m-1370kc. 100 watts. Electrical Equip. Co. Announcers, Arthur Howard A. Shuman. Jack Strahl, announcer. Foster-Hall, Inc. Announcers, R. D. Foster, Anderson, Heath, Grace Anderson, Har- J. R. Central. Founded March, 1924. Geo. E. Wilson. Founded Aug. 11, 1926. Cen- old Haughowout. Slogan, "The Voice of Phoe- KFOX, Long Beach, Calif. 239.9m-1250kc. 1000 tral. nix." Founded Oct. 30, 1921. Mountain. watts. Nichols & Warriner, Inc. Announcer, KGBZ, York, Nebr. 322.4m-930kc. 500 watts KFBB, Great Falls, Mont. 220.4m-1360kc. 500 Hal G. Nichols. Slogan, "The Hancock Oil Co. night, 1000 watts day. Announcer, Dr. George watts. Buttrey Broadcast, Inc. Founded 1921. Station." Founded March, 1924. Pacific. R. Miller. Slogan, "Keep Your Hogs and Mountain. KFPL, Dublin, Texas. 228.9m-1310kc. 100 watts. Poultry Healthy." Opened August, 1926. Cen- KFBK, Sacramento, Calif. 228.9m-1310kc. 100 Announcer, C. C. Baxter. Central. tral. watts. Sacramento Bee. Bimball-.Upson Co. KFPM, Greenville, Texas. 228.9m-1310kc. 15 watts. KGCA, Decorah, Iowa, 236.1m- 1270kc. 50 watts. Announcer, R. K. Clark. Founded 1921. Pa- The New Furniture Co. Chas. W. Greenley. cific. KFPW, Siloam Springs, Ark. 223.7m-1340kc. 50 KGCI, San Antonio, Texas. 218.8m-1370kc. 100 KFBL, Everett, Wash. 218.8m-1370kc. 50 watts. watts. John E. Brown College. Slogan, "Keep- watts. Liberty Radio Sales. Lesse Bros. Announcer, Al Folkins. Pacific. ing Pace With Christ Means Progress." Cen- KGCN, Concordia, Kan. 211.1m-1420kc. 50 watts. Aug. 1922. Founded 25, tral. Founded April 17, 1924. Concordia Broadcasting Co. Founded August, 535.4m-560kc. KFDM, Beaumont, Tex. 500 watts. KFPY, Spokane, Wash. 223.7m-1340kc. 500 watts. 1926. Central. Magnolia Petroleum Co. Announcer, Lee O. Symons Investment Co. Announcers, T. W. (jKGCR, Brookings, S. D. 247.8m-1210kc. 100 watts. Smith. Slogan, "Kail for Dependable Magno- Baird, Jr., M. D. Hawkins, Ben H. Wold. Pa- Cutler's Radio Broadcasting Service, Inc. lene." Central. Fonuded Oct. 1, 1924. cific. Founded 1922. KGCU, Mandan, N. D. 249.9m-1200kc. 100 watts. KFDY, Brookings, S. D. 545.1m-550kc. 1000 watts. KFQU, Holy City, Calif. 211.1m-1420kc. 100 watts. Mandan Radio Assn. Announcers, H. L. Dah- State College of Agriculture and Mechanic W. E. Riker. Announcer, C. E. Boone. ners, C. E. Bagley. Mountain. Founded 1925. Arts. Announcer, Sam Reck. Central. Founded November, 1924. Pacific. KGCX, Wolf Point, Mont. 228.9m -1310kc. 100 KFEC, Portland, Ore. 218.8m-1370kc. 100 watts. KFQW, Seattle, Wash. 211.1m-1420kc. 100 watts. watts night, 250 watts day. First State Bank Meier & Frank Co., Inc. Announcer, Sid Good- KFQW, Inc. Announcer, Edwin A. Kraft. of Vida. One-half time announcer, E. E. win. Pacific. Founded 1922. Pacific. Founded June, 1924. Krebsbach. Mountain. Founded Oct. 1, 1926. KFEL, Denver, Colo. 319m-940kc. 250 watts. KFQZ, Hollywood, Calif. 348.6m-860kc. 250 watts. Dell Rapids, D. 218.8m- 1370kc. 50 watts. Eugene P. O'Fallon, Inc. Announcer, Ralph KGDA, S. Taft Radio Broadcasting Co., Inc. Announcer, Home Auto Co. Central. Crowder. Mountain. Jack Carrington. Pacific. KGDE, Fergus Falls, Minn. 249.9m-1200kc. 50 KFEQ, St. Joseph, Mo. 535.4m-560kc. 2500 watts. San Francisco, Calif. 491.5m-610kc. KFRC, 1000 L. Licensed Sept. 15, 1926. L. Scroggin. Announcer, Clarence Koch. watts. C. Jaren. J. watts. Don Lee, Inc. Announcer, Harrison Central. Central. Founded 1922. Holliway. Pacific. Stockton, Calif. 272.6m-1100kc. 50 watts KFEY, Kellogg, Idaho. 247.8m-1210kc. 10 watts. KGDM, KFRU, Columbia, Mo. 475.9m -630kc. 500 watts. day. Peffer Music Co. Pacific. Founded Jan. Union High School Station. Announcer, Wal- Stephens College. Announcer, Earl W. Lewis. 1, 1927. ter C. Clark. Slogan, "Voice of the Coeur Slogan, "Knowledge Flourishes 'Round Us." KGDR, San Antonio, Texas. 199.9m-1500kc. 100 DAlenes." Pacific. Founded Oct. 25, 1925. Central. watts. Milan Radio Co., Inc. KFGQ, Boone, Iowa. 228.9m -1310kc. 100 watts. KFSD, San Diego, Calif. 499.7m-600kc. 1000 watts. Oldham, S. D. 249.9m-1200kc. 15 watts. Boone Biblical School. Founded April, 1923. Airfan Radio Corporation. Announcer, Billy KGDY, Albert Loesch and Geo. W. Wright. Central. KFH, Wichita, Kan. 230.6m-1300kc. 1000 watts. Murray. Pacific. Founded March 28, 1926. J. Los Angeles, Calif. 230.6m -1300kc. 1000 J. L. Fox. Founded Dec. 1, 1925. Central. KFSG, Los Angeles, Calif. 267.7m-1120kc. 500 KGEF, Trinitv Methodist Church. Announcer, KFHA, Gunnison, Colo. 249.9m-1200kc. 100 watts. watts. Echo Park Evang. Assn. Slogan, "The watts. Huckabee. Pacific. 26, 1926. Western State College of Colorado. E. Russell Glory Station of the Pacific Coast." E. C. Founded Dec. Colo. 249.9m -1200kc. 50 Wightman. Slogan, "Where the Sun Shines KFUL, Galveston, Texas. 232.4m-1290kc. 1000 KGEK, Yuma, watts. Beehler Electrical Every Day." Founded May, 1922. Mountain. watts daytime, 500 watts night. Will H. Ford. Equipment Co. Angeles, Calif. Long Beach, Calif. 100 KFL Los 468.5m-6<»0kc. 5000 watts. KFUM, Colorado Springs, Colo. 236.1m- 1270kc. KGER, 21S.Sm-1370kc. Earle C. Anthony, Inc. Announcer, Harry 1000 watts. Corley Mountain Highway. An- watts. C. Merwin Dobyns. Pacific. Founded Hall. Slogan, National Dec. 19, 1926. "A Institution." In- nouncer, Edw. Norton. Slogan, "The Voice of stalled Spring, 1922. Pacific. KGEW, Fort Morgan, Colo. 249.9m-1200kc. 100 the Rockies." Mountain. ) KFIF, Portland, Ore. 211.1m-1420kc. watts. City of Fort Morgan. 100 watts. KFUO, St. Louis, Mo. (tr. at Clayton) 545.1m- Announcer, White. Benson Polytechnic School. Announcers, Alfred 550kc. 1000 watts day, 500 watts night. Con- Glenn S. Mountain. Founded Jan. 15, Skei, Omar Bittner, W. Hollensted. Pacific. cordia Theological Seminary (Lutheran). An- 1927. KFIO, Spokane, Wash. 243.8m-1230kc. 100 watts. nouncer, Herm H. Hohenstein. Founded Dec. KGEZ, KalispeU, Mont. 228.9m- 1310kc. 100 watts. Spokane Broadcasting Corporation. 14, 1924. Central. Flathead Broadcasting Assn. Announcer, John Parker. Mountain. KFIU, Juneau, Alaska. 228.9m-1310kc. 10 watts. KFUP, Denver, Colo. 228.9m-1310kc. 100 watts. E. Founded Feb Alaska Elec. Light & Power Co. Announcer, Fitzsimons General Hospital. Educational and KGFF, Alva, Okla. 211.1m-1420kc. 100 watts. O. E. Schoenbell. Alaskan time. Recreational Dept. Announcer, Major Transue. Earl E. Hampshire. KFIZ, Fond du Lac, Wis. 211.1m-1420kc. 100 Mountain. KGFG, Oklahoma City, Okla. 218.8m- 1370kc 100 watts. Fond du Lac Commonwealth Reporter. KFUR, Ogden, Utah. 218.8m -1370kc. 50 watts. watts. Faith Tabernacle Assn., Inc. KFJB, Marshalltown, Iowa. 249.9m -1200kc. 100 Peery Building Co. Mountain. CGFH, Glendale, Calif. 299.8m- lOOOkc 250 watts. watts. Marshall Electric Co. Announcers, Phil KFVD, Culver City, Calif. 422.3m-710kc. 250 Frederick Robinson, Slogan, "Keeping Glen- Hoffman, Allen Warder and Darrel E. Laird. watts. Auburn- Fuller Co. Announcers, Al dale Folks Happy." Pacific. Founded Feb " Central. Weinert, Paul Meyers. Founded April, 1925. 1927. KFJF, Oklahoma City, Okla. 204m-1470kc. 5000 KFVS, Cape Girardeau, Mo. 247.8m- 1210kc. 100 KGFI, Corpus Christi, Texas. 199.9m-1500kc 100 watts. National Radio Mfg. Co. Announcer, watts. Hirsch Batu-ry5 & Radio Co. Announcer, watts. Eagle Broadcasting Co., Inc. Central. Tired Hand. Slogan, "Oklahoma City. The W. W. Watkins. Slogan, "The City of Oppor- KGFJ, Los Angeles. Calif. 2H.lm-1420kc 100 City of Opportunity." Central. Founded Tulv, tunity." Founded May 27, 1925. watts. Ben S. McGlashan. Slogan, "Keei 1923. KFWB, Hollywood, Calif. 31S.6m-9S0fcc. 1000 Good Folks Joyful Twenty-Four Hours a Da KFJI, Astoria, Ore. 218.8m-1370kc. 100 watts. waits. artier 24-hour service. Pacific. lan. is. \\ Brothers. Announcer. William Founded | KFJI Broadcasters, Inc. Oregonian Fast Ex- ••Bill" Ray. KGFK, Hallock, Minn. 249.9m- 12 atts. press. Announcers, Jack Keating, L. J. Allen. KFWF, St. Louis, Mo. 349.9m-1200kc. 100 watts. unty Enterprise. Pacific. St. Louis Truth Center. Slogan, "The \ KGFL, Raton, N. M. JlS.8m-l. ; KFJM, Grand Forks, N. D. 218.8m-1370kc. 100 of Truth." Announcer, Rev. Charles H. Hart- Hubbard- Murphy. watts. University of North Dakota. Announc- maim. Founded 192S. Central. KGFW, Ravenna, Nebr. 288.9m-1310kc 50 ers, Jack Stewart, Howard J. Monlev. Central. San Francisco, Calif. KFWI, 322.4m-930kc. 500 Otto F. Sothman. Announcer, R. II. Mc< KFJR, Portland, Ore. 230.6m-1300kc. 500 watts. watts. Radio Entertainments, Inc. Announcer, nell. Slogan. •Catering to the Home Folk Ashley C. Dixon & Son. Announcer. Ashley Henry C. Blank. Pacific. Central. C. Dixon, Sr. Founded Sept. 23. 1923. Pacific. Oakland, Calif. KFWM. 322.4m-930kc. 500 watts KGFX. Pierre, S. D. S16.9m-580kc 200 v. KFJY, Fort Dodge, Iowa. 228.9m -1310kc. 100 night, 1000 watts day. Oakland Educat 6 am -6 pm. Dan) McNeil. Central. watts. Tunwall Radio Co. Announcer, Carl Society. Announcer, O. B. Eddins. KGGF, Picher, Okla. 296.9m- lOlOkc. 500 watts. Tunwall. Founded Oct., 1923. Central. KFXD, Jerome, Idaho. 2U.lm-142ukc 50 watts. Dr. D. L. Council. Central. On air Sept 1. KFJZ, Fort Worth, Tex. 218.8m- 1370kc. 100 KEXl), Inc. Mountain. 1927. watts. W. E. Branch. Announcer, Texas Joy KFXF, Denver, Colo. 319m-940kc. 250 watts. Colo- KGGM. Albuquerque. N. M. - 500 Boy. Slogan, "The Voice of Texas. The '>' Home rado Radio Corp. Announcers, \\ . l>. Pyle, watts. New Mexico Inc of Texas Hour." Central. Founded Sept. 24. T. C. Ekrem, Lou Keplinger. Slogan, "The KGHA. Pueblo. Colo. 249.9) 1923. Voice ot Denver." Mountain. gc II. Sweene) and N. S. Wall 102

KGHB, Honolulu, H. 1. 227.1m-1320kc. 250 watts. KMO, Tacoma, Wash. 223.7m-1340kc. 500 watts. KSL, Salt Lake City, Utah. 265.3m -1130kc. 5000 Radio Sales Co. Announcer, Gaylord Byron. KMO, Inc. Announcer, Carl E. Haymond. watts. Radio Service Corp. of Utah. An- 157J4 meridian. 2J4 hours earlier than Pacific. Pacific. Founded Aug. 25, 1926. nouncers, Roscoe Grover, Douglas Nowell, Founded Sept. 28, 1927. KMOX-KFQA, St. Louis, Mo. 275.1m-1090kc. 5000 Douglas Done. Mountain. KGHD, Missoula, Mont. 211.1m-1420kc. 50 watts. watts. The Voice of St. Louis. Announcer- KSMR, Santa Maria, Calif. 249.9m-1200kc. 100 Elmore-Nash Broadcasting Corp. Director, George Junkin. watts. Santa Maria Valley Railroad Company. Announcer, Sydney C. Peck. Pacific. Founded KGHF, Pueblo. Colo. 227.1m- 1320kc. 250 watts. KMTR, Hollywood, Calif. 526m-570kc. 500 watts. Dec. 3, 1925. Curtis P. Ritchie, Joe E. Finch. Slogan, "The KMTR Radio. Corp. Pacific. Installed June, 1925. KSO, Clarinda, Iowa. 217.3m-1380kc. 500 watts. Voice of Pueblo." Announcer, J. Fitzpatrick. Mountain. KNX, Hollywood, Calif. 285.5m-1050kc. 50,000 Berry Seed Co. Announcer, Joe Faassen. Slo- watts. Western Broadcast Co. Announcer, gan, "Keep Serving Others." Founded Nov. KGHG, McGhee, Ark. 228.9m-1310kc. 50 watts. 2, 1925. Central. Chas. W. McCollum. "Town Crier." Installed Oct. 11, 1924. Pacific. KOA, Denver, Colo. 361.2m-830kc. 12,500 watts. KSOO, Sioux Falls, S. D. 270.1m- lllOkc. 2000 KGHI, Little Rock, Ark. 249.9m -1200kc. 100 Gen. Elec. Co. Announcers, Freeman Talbot. watts. Sioux Falls Broadcast Assn. An- watts. Berean Bible Class. Clarence C. Moore, Harold flarlowe, Julian H. nouncer, Randall Ryan. Slogan, "A Friendly Station in Friendly KGHL, Billings, Mont. 315.6m-950kc. 500 watts. Riley. Founded Dec. 15, 1924. Mountain. a City." Central. Founded 1922. Northwestern Auto Supply Co., Inc. KOAC, Corvallis, Ore. 545.1m-550kc. 1000 watts. KGHX, Richmond, Texas. 199.9m-1500kc. 50 watts. Oregon State Agricultural College. Announcer, KSTP, St. Paul-Minneapolis, Minn. (tr. Wescott, Ft. Bend County School Board. Dr. D. V. Poling. Pacific. Founded Dec, 1922. Minn.). 205.4m-1460kc. 10000 watts. The Na- tional Battery Station. Slogan, KOB, State College, N. M. 254.1m-1180kc. 10000 "The Call of KGIQ, Twin Falls, Idaho. 227.1m-1320kc. 250 the North." Lytton Shields, Pres.; Stanley watts. N. M. College of Agr. and Mech. Arts, J. watts. Stanley M. Soule. E. Hubbard, V. P. and Gen. Mgr.; "Dona Ana. Announcer, Marshall Beck. Slo- Frank M. KGIR, Butte, Mont. 220.4m -1360kc. 250 watts. Brown, Sec; E. H. Church, Treas. Central. gan, "The Sunshine State of America." Symons Broadcasting Co. Announcers, Leo Founded May, 1924. Founded 1920. Mountain. McMullen, Clark Kellett, Emmett Burke. KTAB, Oakland, Calif. 535.4m -560kc. 1000 watts. KOCW, Chickasha, Okla. 214.2m-1400kc. 500 watts Trinidad, Colo. 211.1m-1420kc. 100 Pickwick Stages Station. Announcers, M. E. KGIW, watts. day, 250 watts night. Okla. College for Women. Trinidad Roberts, Don Jefferies, Kimball. Slogan, Creamery Co. Announcer, Ollie Dean Cook. Slogan, "Voice W. "Knowledge, Truth and Beauty." Pacific. KGJF, Little Rock, Ark. 336.9m -890kc. 250 watts. of the Great Southwest." Central. Founded Opened Aug. 1, 1925. First Church of the Nazarene. November, 1922. KTAP, San Antonio, Texas. 211.1m-1420kc. 100 Reno, Nev. 218.8m-1370kc. 100 watts. Jay KGKB, Brownwood, Texas. 199.9m -1500kc. 100 KOH, watts. Robert B. Bridge, Alamo Broadcasting watts. Co. Peters, Inc. Eagle Pub. Co. Slogan, "Kum to America's Playground." Council Bluffs, Iowa. 238m-1260kc. 1000 KGKL, San Angelo, Texas. 218.8m-1370kc. 100 KOIL, Central. Founded Sept. 15, 1927. watts. Mona Motor Oil Co. Announcers, Har- watts. KGKL, Inc. KTAT, Fort Worth, Texas. 241.8m-1240kc 1000 old Fair, Wilson Doty and George Roesler. KGKO, Wichita Falls, Texas. 526m-570kc. 250 watts. T. A. T. Broadcast Company. An- Central. Founded July 10, 1925. watts night, 500 watts daytime. The Wichita nouncers, Arthur W. Stowe, C. L. Riddell. 319m-940kc. 1000 watts. Falls Broadcast Co. Announcer, Zack Hurt. KOIN, Portland, Ore. Central. KOIN, Inc. Announcers, Art Kirkham, Gene KTBI, Los Angeles, Calif. 230.6m- 1300kc. 750 KGO, Oakland, Calif. 379.5m-790kc. 7500 watts. Baker. Pacific. Founded April, 1926. Gen. Elec. Co. Announcer, Howard I. Milhol- watts. Bible Inst, of Los Angeles. Announcer, KOL, Seattle, Wash. 236.1m-1270kc. 1000 watts. land. Pacific. H. P. Herdman. Pacific. Founded September, Seattle Broadcasting Co. Pacific. Founded 1922. KGRC, San Antonio, Texas. 218.8m- 1370kc. 100 May, 1922. Portland, Ore. 230.6m- 1300kc 500 watts. watts. Eugene Roth. Announcers, L. G. KTBR, J. KOMO, Seattle, Wash. 325.9m-920kc 1000 watts. M. E. Brown. Announcer, Hal McCracken. Weber and J. Savage. Central. Opened Jan. Station, Inc. Announcers, Fisher's Blend Pacific. Opened Sept. 23, 1925. 31, 1927. George Godfrey, Horace Lintz, G. Donald KTBS, Shreveport, La. 206.8m-1450kc. 1000 watts. Amarillo, Texas. Pacific. Founded Dec. KGRS, 212.6m- 1410kc. 1000 watts. Gray, Stanley Spiegle. Tri State Broadcasting System. Announcer, Gish Radio Service. Central. 31, 1926. Jack Temple. Central. Founded March 14, KGTT, San Francisco, Calif. 211.1m-1420kc. 50 KORE, Eugene, Ore. 211.1m-1420kc. 100 watts. 1922. watts. Glad Tidings Temple and Bible Insti- Eugene Broadcast Station. KTHS, Hot Springs National Park, Ark. 288.3- tute. Pacific. Founded November, 1925. KOY, Phoenix, Ariz. 215.7m-1390kc. 500 watts. 1040kc 10000 watts. The Hot Springs Chamber Announcers, E. KGU, Honolulu, Hawaii. 319m-940kc. 500 watts. Nielsen Radio Supply Co. A. of Commerce. Announcer, G. C. Arnoux. Slo- T. Hogg. Slogan, Marion A. Mulroney and Advertiser Pub. Co., Nielsen, J. A. Murphy, W. gan, "Kum to Hot Springs." Installed Dec. Voice of Arizona." Mountain. Ltd. Announcer, Homer Tyson. 157yi merid- "The Radio 20, 1924. Central. 100 Calif. -780kc. ian, 2J4 hours earlier than Pacific. Founded KPCB, Seattle, Wash. 247.8m- 1210kc. watts. KTM, Santa Monica, 384.4m 500 Pacific. May 11, 1922. Pacific Coast Biscuit Co. Announcer, L. D. watts. Pickwick Broadcasting Corp. Greenway. Pacific. Founded April 1, 1927. KTNT, Muscatine, Iowa. 256.3m-1170kc. 5000 KGW, Portland, Ore. 483.6m-620kc. 1000 watts. ISOOkc. 100 watts. watts. Norman Baker. Slogan, "The Voice of Oregonian Publishing Co. Announcer Sid KPJM, Prescott, Ariz. 199.9m- Miller & Klahn. Labor and Farmer." Announcers, Norman Goodwin. Slogan, "KGW, Keep Growing Baker, Charles Salisbury, KPLA, Los Angeles, Calif. 299.8m-1000kc 1000 Wm. McFadden, Wiser." Pacific. Central. Founded watts. Pacific Development Radio Co. V. G. Rene Bellows, Fonda Jarvis. 249.9m -1200kc. 50 watts day, 1924. KGY, Lacey, Wash. Freitag. Pacific. Founded March, 1927. 10 watts night. St. Martins College. An- KTSA, San Antonio, Texas (tr. Woodlawn Hills). Francisco, Calif. 440.9m-680kc. 5000 nouncer, Sebastian Ruth. Slogan, "Out Where KPO, San 232.4m-1290kc. 1000 watts night, 2000 watts watts. Hale Bros, and the Chronicle. An- the Cedars Meet the Sea." Pacific. Opened day. Announcer, Jerry Hurt. Lone Star nouncer, Curtis Peck. Slogan, "The Voice of April 1922. Broadcast Co. 5, City the Golden Gate." San Francisco, the by Shreveport, 228.9m-1310kc 100 watts. KHJ, Los Angeles, Calif. 333.1m-900kc. 1000 watts. KTSL, La. Pacific. Houseman Sheet Metal Works. Announcer, Don Lee. Pacific. watts. KPOF, Denver, Colo. 340.7m-808kc. 500 G. A. Houseman. Central. Founded Sept. 15, KHQ, Spokane, Wash. 508.2m-590kc. 1000 watts. Pillar of Fire, Inc. Slogan, "And the Lord 1927. Louis Wasmer, Inc. Announcer, C. P. Under- Went Before Them in a Pillar of Fire." Moun- KTUE, Houston, Texas. 211.1m- 1420kc. 5 watts. Slogan, "Tells the World." Pacific. wood. tain. Uhalt Electric. Announcer, Walter Ivanhoe KICK, Red Oak, Iowa. 211.1m- 1420kc. 100 watts. KPPC, Pasadena, Calif. 249.9m-1200kc. 50 watts. Zaborski. Central. Red Oak Radio Corp. Announcer, Oliver Pasadena Presbyterian Church. Announcer, KTW, Seattle, Wash. 236.1m-1270kc 1000 watts. Reiley. Founded 1923. Central. Frederick T. Swift, Jr. Founded Dec. 25, 1924. First Presbyterian Church. Announcer, J. D. KID, Idaho Falls, Idaho. 227.1m-1320kc. 250 watts. Pacific. Ross. Slogan, "Hear Ye, Hear Ye, the Gos- Jack W. Duckworth, Jr. KPQ, Seattle, Wash. 247.8m-1210kc. 100 watts. pel." Pacific. KIDO, Boise, Idaho. 239.9m-1250kc. 1000 watts. Taft and Wasmer, Inc. KUJ, Longview, Wash. 199.9m-1500kc 10 watts. Boise Broadcast Station. Announcer, C. G. KPRC, Houston, Texas. 325.9m-920kc. 1000 watts. Puget Sound Radio Broadcasting Co. Pacific. Phillips. Slogan, "The Voice of Idaho." Houston Post-Dispatch. Slogan, "Kotton Port KUOA, Fayetteville, Ark. 215.7m-1390kc. 1000 Founded October, 1921. Mountain. Rail Center." Announcers, Alfred P. Daniel, watts. University of Arkansas. W. S. Greg- Central. Founded 1923. KJBS, San Francisco, Calif. 280.2m-1070kc. 100 Ted Hills and I. S. Roberts. Founded May 8, son. S26m-570kc. 500 watts. watts. Julius Brunton & Sons Co. Announcers, 1925. Central. KUOM, Missoula, Mont. of Montana. Mountain. Founded Gordon Brown, R. J. Smith. Pacific. Founded KPSN, Pasadena, Calif. 315.6m-950kc. 1000 watts. University January, 1925. Pasadena Star-News. Announcer, P. C. Pryor. 1924. 336.9m-890kc. 500 watts 309.1m-970kc. 5000 watts. Installed Nov. 23, 1925. Pacific. KUSD, Vermilion, S. D. KJR, Seattle, Wash. South Dakota. Northwest Radio Service Co. Ralph A. Horr, KPWF, Westminster, Calif. 201.6m-1490kc. 5000 night, 750 day. University of Harold Nelson. Slogan, "South Receiver. Pacific. Opened July 2, 1920. to 10000 watts. Pacific Western Broadcasting Announcer, Dakota University for South Dakotans.' Cen- KKP, Seattle, Wash. 218.8m-1370kc. 15 watts. Federation. 217.3m-1380kc 500 tral. City of Seattle. Pacific. Opened Dec, 1926. KQV, Pittsburgh, Pa. watts. Elec. Co. Announcers, Ford KUT, Austin, Texas. 267.7m -1120kc. 500 watts. Blytheville, Ark. 232.4m-1290kc. 50 watts. Doubleday-Hill KLCN, Kaufman, Floyd Donbar. Eastern. Mgr. and Director, Gene Furgason. Founded Edgar G. Harris. Miller, Ted KQW, San Jose, Calif. 296.9m-1010kc. 500 watts. 1925. Central. Little Rock, Ark. 215.7m-1390kc. 1000 watts. KLRA, Pacific Agricultural Foundation. Pacific. KVI, Tacoma, Wash. 223.7m- 1340kc 1000 Arkansas Broadcasting Co. Co. Pacific. watts. KRE, Berkeley, Calif. 218.8m-1370kc. 100 watts. Puget Sound Radio Broadcasting Oakland, Calif. 208.2m 1440kc. 250 watts. Wash. 218.8m-1370kc. 100 watts. KLS, : First Congregational Church of Berkeley. Pa- KVL, Seattle, Supplies. Calhoun Hotel. Pacific. Warner Bros. Radio cific School of Religion. Pacific. Arthur C. Dailey, KLX, Oakland, Calif. 340.7m-880kc. 500 watts. KREG, Santa Ana, Calif. 199.9m-1500kc. 100 Founded July 13, 1926. 263m-1140kc 5000 watts. Oakland Tribune. Announcer, Charles Lloyd. watts. Pacific- Western Broadcasting Feder- KVOO, Tulsa, Okla. Slogan, "Where Rail and Water Meet." Pa- Southwestern Sales Corp. Announcers, Gor- ation. Wiseman, Harry cific. Founded Nov. 20, 1922. Harlingen, Texas. 238m-1260kc. 500 watts. don Hittenmark, Roland R. KRGV, 1925. KLZ, Denver, Colo. 53S.4m-560kc. 1000 watts. Valley Radio Electric Corp. K Richardson. Central. Opened Jan., 249.9m-1200kc. 100 Reynolds Radio Co. Announcer, Vern Hiner. KRLD, Dallas, Texas. 288.3m-1040kc 10000 watts. KVOS, Bellingham, Wash. Baker Station. Slogan, "Pioneer Broadcasting Station of the KRLD, Inc. Announcer, T. J. Driggers, Jr. watts. Mt. 199.9m- 1500kc. 15 watts. West. Mountain. Founded 1919. Central. Founded Oct. 30, 1926. KWBS, Portland, Ore. KMA, Shenandoah, Iowa. 322.4m-930kc. 1000 KRMD, Shreveport, La. 228.9m-1310kc. 50 watts. Schaeffer Radio Co. Rapids, Iowa. 228.9m-131pkc. 100 watts. May Seed & Nursery Co. Announcer, Airphan Radio Shop. KWCR, Cedar F. Paar. Slogan, "The Voice of Earl E. May. Central. Founded January, 1925. KRSC, Seattle, Wash. 267.7m-1120kc. 50 watts. watts. H. Rapids." Central. Founded July 29, KMBC, Kansas City, Mo. 315.6m-950kc. 1000 Radio Sales Corp. Announcer, Robert E. Cedar 2500 watts day. Midland Broad- Priebe. Pacific. 1922 watts night. Shreveport, La. 247.8m- 1210kc. 100 watts. Arthur B. Church, KSAC, Manhattan, Kan. 516.9m-580kc. 500 watts KWEA,' cast Central. Announcers, Erwin Antony. nights, 1000 watts days. Kansas State Agri- William | Dick Smith, Kenneth Krahl, George Biggar, 249.9m-1200kc. 100 watts. cultural College. Announcer, Lisle L. Longs- KWG, Stockton, Calif. Ted Molone, Dr. Frank Criley. Founded April, Telephone Co. Announcer,; dorf. Central. Founded Dec. 1, 1924. Portable Wireless 1922. Central. "Voice of the San. Iowa. 225.4m- 1330kc. 1000 George J. Turner. Slogan, KMED, Medford, Ore. 228.9m-1310kc. 50 watts. KSCJ, Sioux City, watts. The Sioux City Journal. Announcer, Joaquin Valley." Pacific. W. J. Virgin. Pacific. Founded Dec. 22, 1926. Ore. 282.8m-1060kc. 500 watts. C. W. Corkhill. Central. Opened April 4, 1927. KWJJ Portland, Inglewood, Calif. 267.7m-1120kc. 500 watts. Slogan, "The Voice From KMIC, KSD, St. Louis, Mo. 545.1m-550kc. 500 watts. Wilbur Jerman. July 25, 1925. Dalton's, Inc. Pacific. Founded Jan. 10, 1927. Pulitzer Pub. Co. Announcers, W. F. Ludgate, Broadway." Pacific. Founded 222.1m-1350kc. 1000 watts. KMJ, Fresno, Calif. 247.8m-1210kc. 100 watts. R. L. Coe, C. R. Yarger. Central. Founded KWK, St. Louis, Mo. Louis Broadcasting Co. An- Fresno Bee. Pacific. Founded Oct. 1, 1922. June 24, 1922. Greater St. Harrington, Thomas Patrick Nebr. 405.2m-740kc. 1000 KSEI, Pocatello, Idaho. 333.1m-900kc. 250 watts. nouncers, John KMMJ, Clay Center, Thomas, Allan Taylor, Orson Co. Founded 1925. Cen- KSEI Broadcasting Assn. Announcer, W. J. Convey, Bob watts. M. M. Johnson Schmid<\ Central. tral. ^'Connor. Mountain. Ooened January, 1925. Curtis and Ray 103

KWKC, Kansas City, Mo. 218.8m- 1370kc. 100 WBBM, Chicago, 111. (tr. at Glenview). 389.4m- WCCO, Minneapolis-St. Paul, Minn. (tr. at Anoka). watts. Wilson Duncan Studios. Announcer, 770kc. 25000 watts. Atlass Co., Inc. Central. 370.2m-810kc. 15,000 watts. Northwestern Elmer C. Hodges. Slogan, "Keep Watching Founded 1922. Broadcasting Co. Announcers, A. J. Snyder, Kansas City." Central. Founded 1925. WBBR, Rossville, N. Y. 230.6m-1300kc. 1000 K. C. Titus, A. B. Sheehan, K. \V. Husted, KWKH, Shreveport, La. 352.7m-850kc. 10000 watts. Peoples Pulpit Assn. Announcer, Vic- F. F. Laws. Slogan, "Service to the North- watts. The W. K. Henderson Iron Works & tor F. Schmidt. Eastern. Founded Febr., 1924. west." Founded Oct. 1, 1924. Central. Supply Co. Central. Founded Jan. 8, 1925. WBBW, Norfolk, Va. 249.9m-1220kc. 100 watts. WCDA, New York, N. Y. (tr. at Cliffside Park. KWLC, Decorah, Iowa. 236.1m-1270kc. 100 watts. Ruffner Junior High School. Announcer, Lee N. J.). 222.1m-1350kc. 250 watts. Italian Edu- Luther College. M. Klinefelter. Slogan, "The School You'd cational Broadcasting Co. KWSC, Pullman, Wash. 214.2m -1400kc. 1000 Like to Go to." Eastern. Founded Febr. 26, WCFL, Chicago, IU. 309.1m-970kc. 1500 watts. watts. State College of Washington. An- 1924. Chicago Federation of Labor. Announcer, nouncer, Cyril Brewer. Program Dir., Arvilla WBBY, Charleston, S. C. 249.9m-1200kc. 75 watts. Henry Parks. Slogan, "The Voice of Farmer _ Weisel. Pacific. Founded 1922. Washington Light Infantry. Slogan, "Seaport and Labor." Central. KWWG, Brownsville, Texas. 238m-1260kc. 500 of the Southeast." Eastern. WCGU, Coney Island, N. Y. 214.2m-1400kc. 500 watts. Chamber of Commerce. WBBZ, Ponca City, Okla. 249.9m-1200kc. 100 watts. U. S. Broadcast Corp. Eastern. KXA, Seattle, Wash. 526m-570kc. 500 watts. watts. C. L. Carrell. Announcer, Morton WCKY, Covington, Ky. 202.1m-1480kc. 5000 American Radio Tel. Co. Harvey. watts. L. B. Wilson, Inc. KXL, Portland, Ore. 239.9m-1250kc. 500 watts. WBCM, Bay City, Mich. 212.6m-1410kc. 500 WCLB, Long Beach, N. Y. 199.9m-1500kc. 100 The Portland Telegram. Announcers, A. R. watts. Bay City Broadcasting Assn. An- watts. Arthur Faske. Truitt, H. B. Read, Chet Blomsness. Slogan, nouncer, S. F. Northcott. Eastern. Founded WCLO, Kenosha, Wis. 249.9m -1200kc. 100 watts. "The Voice of Portland." Founded Dec. 13, June 15, 1925. C. E. Whitmore. Announcer, James Boutelle. 1926. WBIS, Boston, Mass. 243.8m -1230kc. 1000 watts. Founded Aug. 4, 1925. Central. KXO, El Centra, Calif. 249.9m-1200kc. 100 watts. Boston Information Service. Announcer, Grace WCLS, Joliet, 111. 228.9m -1310kc. 100 watts. E. R. Irey and F. M. Bowles. Pacific. Lawrence. Eastern. Founded Jan. 29, 1927. WCLS, Inc. Slogan, "Will County's Largest KXRO, Aberdeen, Wash. 211.1m-1420kc. 75 watts. WBMH, Detroit, Mich. 228.9m-1310kc. 100 watts. Store." Central. Founded June, 1925. KXRO, Inc. Braun's Music House. Announcers, Ray A. WCMA, Culver, Ind. 214.2m-1400kc. 500 watts. Gabbert, Eastern. Founded KYA, San Francisco, Calif. 243.8m- 1230kc. 1000 Miller, O. F. Jr. Culver Military Academy. Announcer, C. F watts. F. C. Dahlquist. Announcer, Edward Jan. 11, 1927. McKinney. Central. Founded 1925. 206.8m-1450kc. 250 watts. Ludes. Pacific. Founded Dec. 18, 1926. WBMS, Fort Lee, N. J. WCOA, Pensacola, Fla. 267.7m-1120kc. 500 watts. Broadcasting Corp. Slogan, "The KYW-KFKX, Chicago, 111. 293.9m-1020kc. 10000 WBMS Municipal Broadcasting Station. Announcer, County." Eastern. watts. Westinghouse Elec. & Mfg. Co., Herald Voice of Bergen John E. Frenkel. Slogan, "Wonderful City of 250 and Examiner. Announcers, Gene Rouse, Par- WBNY, New York, N. Y. 222.1m-1350kc. Advantages." Central. Founded Febr. 2, 1927. Eastern. Founded ker Wheatley, Barney McArville, D. L. Gross. watts. Baruchrome Corp. WCOC, Meridian, Miss. 340.7m-880kc. 1000 watts. Central. 1925. Mississippi Broadcasting Co., Inc. Announcer. 348.6m-860kc. 5000 KYWA, Chicago, 111. 293.9m -1020kc. 500 watts. WBOQ, Richmond Hill, N. Y. T. C. Billups. Slogan, "Down in the Old Mag- Co. nolia Westinghouse Elec. & Mfg. Co. watts. Atlantic Broadcasting State." Central. Founded Febr. 26, 1927. KZM, Hayward, Calif. 218.8m-1370kc. 100 watts. WBOW, Terre Haute, Ind. 228.9m-1310kc. 100 WCOD, Harrisburg, Pa. 249.9m-1200kc. 100 watts. Western Radio Institute (Hotel Oakland). An- watts. Banks of Wabash Broadcasting Assn. Norman R. Hoffman. Eastern. Opened Sept. nouncer, Elbert Cowan. Pacific. Founded WBRC, Birmingham, Ala. 322.4m-930kc. 500 watts. 30, 1925. June 29, 1921. Birmingham Broadcasting Co. Announcer, Dud WCOH, Yonkers, N. Y. 247.8m-1210kc. 100 watts. NAA, Washington, D. C. 434.5m-690kc. 1000 Connolly. Central. Founded May 18, 1925. Westchester Broadcasting Corp. watts. United States Navy Dept. Eastern. WBRE, Wilkes-Barre, Pa. 228.9m- 13 lOkc. 100 WCRW, Chicago, 111. 247.8m-1210kc. 100 watts. Co. WAAF, Chicago, 111. 325.9m-920kc. 500 watts. watts. Liberty State Bank and Trust Clinton R. White. Announcers, Fred K. Wes- Chicago Daily Drovers Journal. Announcer, Announcer, Louis G. Baltimore. Eastern. ton, Al John, Miss Josephine. Slogan. "For Carl Ulrich. Central. Founded May 22, 1922. WBRL, Tilton, N. H. 209.7m-1430kc. 500 watts. Your Entertainment." Central. Founded May, 1926. WAAM, Newark, N. J. 239.9m- 12S0kc. 2000 watts Booth Radio Laboratories. Eastern. day, 1000 watts night. I. R. Nelson Company. WBSO, Babson Park, Mass. 384.4m-780kc. 250 WCSH, Portland^ Me. (tr. Portland). 319m-940kc Announcers, Jack Van Riper, James Cosier. watts. Babson's Statistical Organization. An- 500 watts. Congress Square Hotel. Slogan, Eastern. Experimental call 2XBA 65.18m nouncer, Ross Wood. Eastern. Founded Jan- Sunrise Gateway of America." Announcer. Founded February, 1922. uary, 1927. L. T. Pitman. Eastern. Founded June, 1925. WAAT, Jersey City, N. J. 280.2m- 1070kc. 300 WBT, Charlotte, N. C. 277.6m-1080kc. 5000 watts. WCSO, Springfield, Ohio. 206.8m-14S0kc. 500 watts. Bremer Broadcasting Corp. Announcer, Announcers, Ralph Rogers, Walter Haislip, watts. Wittenberg College. Announcers, Char- lotte Johns, Lester J. B. Bayley. Slogan, "The Voice at the Gate Fritz Hirsch. Eastern. Crawl, James Thrasher. of the Garden State." Eastern. Founded 1921. WBZ, Springfield, Mass. 302.8m-990kc. 15000 Eastern. Founded December, 1921. WAAW, Omaha, Nebr. 4S4.3m-660kc. 500 watts. watts. Westinghouse Elec. & Mfg. Co. Radio WDAE, Tampa, Fla. 483.6m -620kc. 1000 watts. Omaha Grain Exchange. Announcer, James Station of New England. Announcers, Aidan Tampa Daily Times. Announcer, Bruce Lum Thompson. Slogan, "Pioneer Market Station Redmond, Howard Petrie, Wayne Latham, Slogan, "Florida's Most Reliable Station." of the West." Founded 1921. Central. Wallace Streeter, Gordon Swan, Malcolm Mc- Eastern. Founded 1921. WABC, New York, N. Y. 348.6m-860kc. 5C00 Cormick, John Clark, Robert Saudek. In- WDAF, Kansas City, Mo. 491.5m-610kc. 1000 watts. Atlantic Broadcasting Corp. Eastern. stalled Sept. 19, 1921. Eastern. watts. Kansas City Star. Announcer, H. Dean WABI, Bangor, Me. 249.9m -1200kc. 100 watts. WBZA, Boston, Mass. 302.8m-990kc. 500 watts. Fitzer. Club, "Nighthawks." Founded June First Universalist Church. Slogan, "The Pine- Westinghouse Elec. & Mfg. Co. Same ^pro- 5, 1922. Central. Tree Wave." Announcer, Prof. W. J. Creamer, grams as WBZ. WDAG, Amarillo, Texas. 212.6m-1410kc. 250 Jr. Eastern. Founded 1923. WCAC, Mansfield, Conn. 499.7m-600kc. 250 watts. watts. J. Laurence Martin. Central. Founded WABY, Philadelphia, Pa. 228.9m -1310kc. 50 watts. Connecticut Agricultural College. Announcer, May 16, 1922. WDAH, El Paso, John Magaldi, Jr. Daniel E. Noble. Slogan, "From the Nutmeg Texas. 22S.9m-1310kc. 100 watts Orleans, Eagle Broadcasting WABZ, New La. 249.9m-1200kc. 100 State." Eastern. Founded June, 1923. Co., Inc. Mountain. watts. The Coliseum Place Baptist Church. WDAY, Fargo, N. D. 234.2m WCAD, Canton, N. Y. 245.6m-1220kc. 500 watts. -1280kc. 1000 watts Announcer, Charles B. Page. Slogan, "The WDAY, Inc. Announcer, Earl Reineke. (1000 watts 6 am-6 pm.) St. Lawrence Univer- Cen- Station With a Message." Central. Founded tral. Founded May, 1922. sity. Announcer, Ward C. Priest. Slogan, "The January, 1924. WDBJ, Roanoke, Va. 322.4m-930kc. 500 watts. Voice of the North Country." Eastern. Founded WADC, Akron, Ohio. 227.1m- 1320kc. 1000 watts. Richardson Wayland Elec. Corp. Announcers, Dec. 7, 1922. Allen Theater Broadcasting Station. An- J. V. Huffman, C. E. Stone, Hermon P. Black, Pittsburgh, Pa. 245.8m-1220kc. 500 watts. nouncers, Geo. Houston and Jerry McKiernan. WCAE, R. P. Jordan. Slogan, "Roanoke Down in Old Gimbel Brothers. Eastern. Eastern. Founded March, 1925. Virginia." Eastern. Founded May, 1924 209.7m-1430kc. 500 watts. WAFD, Detroit, Mich. 199.9m-1500kc. 100 watts. WCAH, Columbus, Ohio. WDBO, Orlando, Fla. 483.6m-620kc. 1000 watts. Eastern. Founded Albert B. Parfet Co. Announcer, Owen F. Commercial Radio Service. Orlando Broadcasting Co. Announcer, K. W. Uridge. Eastern. Founded January, 1925. April, 1921. Skelton. Slogan, "Down Where the Oranges WAGM, Royal Oak, Mich. 228.9m-1310kc. 50 WCAJ, Lincoln, Nebr. 508.2m-590kc. 500 watts. Grow." Founded 1921. Eastern. watts. Robert L. Miller. Announcer, Fred Nebraska Wesleyan University. Announcer, WDEL, Wilmington, Del. 267.7m-1120kc. 250 1921. Central. Stanton. Slogan, "The Little Station With the J. C. Jensen. Founded October, watts night, 350 day. WDEL, Inc. Eastern, Big Reputation." Central. Founded Oct. 3, WCAL, Northfield, Minn. 239.9m -1250kc. 1000 hounded 1922. 1925. watts. Dept. of Physics, St. Olaf College. WDGY, Minneapolis, Minn. 254.1m-1180ka 1000 WAIU, Columbus, Ohio. 468.5m-640kc. 5000 watts. Announcer, Hector Skifter. Slogan, "The Col- watts. Dr. George Young. Central. Founded American Insurance Union. Eastern. Founded lege on the Hill." Central. Founded 1922. 1923. 1922. Chattanooga, April, WCAM, Camden, N. J. 234.2m-1280kc. 500 watts. WDOD, Tenn. 234.2m-1280kc 2500 Grove, Pa. watts daytime, WALK, WiUow 199.9m-1500kc. 50 City of Camden. Eastern. Founded Oct. 26, 1926. 1000.watts night. Chattanooga watts. Albert A. Walker. Radio Co., Inc. Announcer, WCAO, Baltimore, Md. 499.7m-600kc. 250 watts. Frank S. Lane WAPI, Birmingham, Ala. 263m-1140kc. 5000 watts. Central. Founded 1925. Mounmental Radio, Inc. Founded May 17, 1922. Alabama Polytechnic Institute. University of WDRC, New Haven, Conn. 2:5.4m-1330kc. 1000 Ashbury Park, N. J. 234.2m-1280kc. 500 Alabama, Alabama College. Manager, Walter WCAP, watts. Doolittle Radio Corp. Announcer. W. watts. Chamber of Commerce. Announcer, N. Campbell. Announcers, Carroll Gardner, H. Haase. Eastern. Founded December, 1922 Thomas F. Burley, Jr. Eastern. Founded July Sam Benton, Howard C. Smith, Kirtley Brown. WDSU, New Orleans, La. 2o9.9m-1250kc. 1000 1927. Installed 1922. Central. 1, watts. Slogan, "Second Port U. S. A " An- 249.9m-1200kc. 100 WASH, Grand Rapids, Mich. 236.1m-1270kc. 500 WCAT, Rapid City, S. D. nouncers, Jack Holliday, t\ Chick Owens, watts. Wash Broadcasting Corp. Announcers, watts. South Dakota State School of Mines. Uncle Mack, P. K. Ewing, Joseph H. Uhalt Hugh Hart, Chas. C. Carpenter, "Uncle Announcer, J. O. Kammerraan. Mountain. Est. Jury, 1923. 1920. Jerry." Central. Founded March 13, 1925. Founded WDWF, Cranston, R. I. .M7.Sml210kc. 100 watts. WBAK, Harrisburg, Pa. 209.7m-1430kc. 500 watts. WCAU, Philadelphia, Pa. (tr. Byberry). 256.3m- Ihitcc W. Flint, Inc. Slogan, "Community Pennsylvania State Police. Announcer, A. E. 1170kc. 10000 watts. Universal Broadcasting Service." Eastern. Poorman. Eastern. Founded 1919. Co. Announcer, Stan Lee Broza. Eastern. WDZ, Tuscola, III. 2S0.2m-1070kc. 100 watts. WBAL, Baltimore, Md. 282.8m -1060kc. 10000 Founded May, 1922. I.mes L. Bush. Central. Founded March. WJ1. watts. Consolidated Gas, Elec. Light & Power WCAX, Burlington, Vt. 249.9m -1200kc. 100 watts. WEAF, New York, N. Y. (tr. at BeJlmore). Co. Director, Frederick R. Huber. Slogan, University of Vermont. Slogan, "The Voice of 454.3ra-660kc 50000 watts. National Bi "The Station of Good Music." Eastern. the Green Mountains." Eastern. casting Co., Inc. Slogan, "Tin- Voice to the Founded Nov. 1, 1925. WCAZ, Carthage, IU. 280.2m- 1070kc 50 watts. .Millions." Eastern, rounded lulv 25, Carthage College. Central. WBAP, Fort Worth, Texas. 374.8m-8O0kc. 50000 WEAI, Ithaca, N. Y. 236.1m- 1270kc. 500 . watts. Carter Publications, Inc. Central. WCBA, AUentown, Pa. 20S.2m-1440kc. 250 watts. Cornell University. Founded April, 1922. B. Bryan Musselman. Announcers, Clarence WEAM, Plainficld, ' N. J. m.8m-1370kc 500 WBAR, Sisiht, Wis. 270.1m-1110kc. 500 watts. Dreisbach, Don Rayburn, Chas. Melson, East- watts. \V. I. Butttield. Koop Radio Co. Slogan, "The Station of ern. WEAN, Providence. R. I. 545.lm-.vOkc. 500 watts Northern Wisconsin." WCBD, Zion, 111. 277.6m-1080kc. 5000 watts. Wil- daytime. The Shepard Stores, Annoui Voliva. .1. II. WBAX, Wilkes-Barre, Pa. 247.8m-1210kc. 100 bur Glenn Announcer, DePew. Edmund Cashman, Fred Long. Tames I watts. Announcer, Earl H. Fine. Slogan, "We Slogan, "Where Cod Rules, Man Prospers." June Abb Brummel. l) Burn Anthracite Xclusively." Eastern. Founded Mar, l 2.<. Central. gati, "We Entertain a Nation." Founded May, 1922. WCBM, Baltimore, Md. 218.8m- l.vOkc. 100 watts. Founded

WBBC, Brooklyn, N. Y. 214.2m-1400kc. 500 watts. Baltimore Broadcasting Co. Francis Pin-, an- WEAO, Columbus, Ohio. S 750 watts. Brooklyn Broadcasting Corp. Announcers, nouncer. Eastern. Founded March 25, 1923, Ohio State University. Announcer, Robert Audio Baruch, Leon Sherman, WCBS, Springfield, III. 247.8m-1210kc. 100 watts. Coleman. Eastern, Founded 1922. WBBL, Richmond, Va. 218.8m -1370kc. 100 watts. Harold I.. Dewing. Charles 11. MesSter. Slo- WEAR, Cleveland, Ohio. 280.2m HrOkc. 1000 Grace Covenant Presbyterian Church. Founded gan, "Home of Abraham Lincoln." Central. watts. WTAM-WEAR, Inc. Eastern. Opened February, 1924. Founded April 8, 1923. Ian. 15, 1926. 101,.

WEBC, Superior, Wis., Duluth, Minn. 234.2m WGBS, New York, N. Y. (tr. at Astoria.) 254.1m- WHN, New York, N. Y. 296.9m -lOlOkc. 250 watts. 1280kc. 1000 watts. Head-of-the- Lakes Broad- 1180kc. 500 watts. General Broadcasting Sys- Marcus Loew Booking Agency. Announcers, casting Co. Announcer, Sam Kiley. Slogan, tem. Dailey Paskman. Eastern. Founded Ferry Charles, George Nobbs. Slogan, "The "At the Head of the Lakes." Central. Oct. 26, 1924. Voice of the Great White Way." Eastern. Founded 1924. WGCM, Gulfport, Miss. 247.8m-1210kc. 100 watts. Founded March, 1922. Frank L. Kroulik, WEBE, Cambridge, Ohio. 247.8m- 1210kc. 100 announcer. Gulf Coast WHO, Des Moines, Iowa. 299.8m-1000kc. 5000 Music Co. watts. Roy W. Waller. Slogan, "The Voice of watts. Bankers Life Co. Announcers, Bobbie Newark, N. J. 239.9m -1250kc. Southeastern Ohio." Eastern. Founded July, WGCP, 250 watts. Griffin, Connie Ahearn, Edward Breen, Jr. 1924. Paramount Broadcasting & Artists Service, Central. Founded 1924. Inc. Announcer, Irving Porter. Eastern. WHP, Harrisburg, Pa. 209.7m -1430kc. 500 watts. WEBQ, Harrisburg, III. 247.8m-1210kc. 100 watts. Founded March, 1922. First Dr. Penna. Broadcasting Co. Announcer, W. S. Trust & Savings Bank. Announcers, WGES, Chicago, 111. 220.4m- 1360kc. 500 watts. McCachren. Slogan, "Radio Voice of Central H. J. Raley and Inglis M. Taylor. Slogan, Guyon's Paradise Ballroom. Announcers, Har- Penna." Eastern. Founded March 1, 1924. "The Voice From Egypt." Central. Founded low Wilcox, Geo. Keicher. Founded August, WHPP, New York, N. Y. 211.1m-1420kc. Sept. 1, 1923. 1920. Central. 10 watts. Bronx Broadcasting Buffalo, Newport News, Va. 228.9m -1310kc. 100 Co. Tues, Sat, 7 WEBR, N. Y. 228.9m-1310kc. 200 watts. WGH, pm, mid. H. H. Howell. Announcers, Hinckley, watts. Virginia Broadcasting Co. and Hamp- E. J. Ottumwa, Lowell Kitchen. Slogan, "We Extend Buffalo's ton Roads Broadcasting Corp., Inc. An- WIAS, Iowa. 211.1m-1420kc. 100 watts. Poling Electric Co. Announcer, Regards." Eastern. Founded Oct. 8, 1924. nouncers, E. Ellsworth Bishop, G. Douglas Thomas J. Doonan. Central. Founded June 12, 1922. WEBW, Beloit, Wis. 499.7m-600kc. 350 watts. Evans, Malvern Lee Powell. Slogan, "World's Greatest Harbor." WIBA, Madison, Wis. 247.8m-1210kc. 100 watts. Beloit College. Central. Founded Oct. 26, 1924. WGHP, Mt. Clemens, Mich. 241.8m-1240kc. 750 The Capital Times Station. Announcer, Ken- WEDC, Chicago, 111. 247.Sm-1210kc. 100 watts. Inc. neth F. Schmitt. Slogan, "Four Emil Denemark Broadcasting Station. Central. watts. George Harrison Phelps, An- Lakes City." nouncers, E. G. Smith, Jack Bundy, Stanley Central. Founded June, 1294. Erie, Pa. 211.1m-1420kc. 30 watts. Erie WEDH, Swales, Betty-Jane Lamborn. Eastern. WIBG, Elkins Park, Pa. 322.4m-930kc. 50 watts. Dispatch-Herald. Founded Oct. 19, 1925. St. Paul's Protestant Episcopal church. An- WEEI, Boston, Mass. 508.2m-590kc. 1000 watts. WGL, Fort Wayne, Ind. 218.8m -1370kc. 100 watts. nouncer, W. Le Roy Anspach. Eastern. Edison Electric Illuminating Company. An- Allen- Wayne Co. Fred C. Zieg. Slogan, "The Founded 1925. nouncers, Robert Burlen, Carlton H. Dicker- Home Sweet Home Station." Founded 1924. WIBM Jackson, Mich. 218.8m-1370kc. 100 watts. man, Edward Gisburne, Frederick Hawkins. Central. C. L. Carroll. (Portable.) Slogan, "The Friendly ' Chicago, 111. (tr. at Elgin). 416.4m-720kc. Voice." Eastern. WGN, WIBO, Chicago, III. (tr. at Des Plaines). Announcers, 526m- Founded Sept. 29, 1924, succeeding WTAT. 25000 watts. Chicago Tribune. 570kc. 5000 watts. Chicago Evening American, Quin Ryan, Pat Barnes, Russ Russell, John WEHS, Evanston, III. 228.9m-1310kc. 100 watts. Nelson Brothers Bond and Mtg. Co. An- Stamford, Robt. Elson. Central. Victor C. Carlson. Announcer, Jessie Robin- nouncers, Walter Preston, "Stu" Dawson. WGR, Buffalo, N. Y. 545.1m-550kc. 1000 watts. son. Central. Founded February, 1924. Central. Founded May 20, 1925. W. G. R., Inc. Announcers, Bradley T. Yaw, WIBR, Steubenville, Ohio. WELK, Philadelphia, Pa. 218.9m-1370kc. 100 Lowell MacMillan, Roger Baker, E. F. Horn- 211.1m-1420kc. 50 watts. Miller. watts. Robert Merryman. Founded January, Howard R. Slogan, "The Voice ing. Eastern. Founded May 21, 1922. 1924. Eastern. of the Elks." Eastern. Founded June, 1922. WGST, Atlanta, Ga. 336.9m-890kc. 500 watts day, Elizabeth, WEMC, Berrien Springs, Mich. 508.2m-S90kc. 1000 250 watts night. Georgia School of Technology. WIBS, N. J. 206.8m-1450kc. 250 watts. New Jersey Broadcasting Corp. Announcers, watts. Emanuel Missionary College. An- Announcer, J. O. Turner. Slogan, "The nouncer, John E. Fetzer, Willard Shadel. Slo- Southern Technical School With a National Capt. H. J. Lepper, J. H. Lepper. Founded gan, "The Radio Lighthouse." Central. Reputation." Central. Founded January, 1924. June, 1925. Founded April 1, 1923. WGY, Schnectady, N. Y. 379.5m-790kc. 50000 WIBU, Poynette, Wis. 228.9m-1310kc. 100 watts. The Electric WENR, Chicago, 111. 344.6m-870kc. 50000 watts. watts. General Electric Company. Announcer, Farm. Central. Founded July 10, Great Lakes Broadcasting Co. Slogan, "The A. O. Coggeshall. Slogan, "Good Evening to 1925. Voice of Service." Central. You All." Founded 1922. WIBW, Topeka, Kan. 230.6m-1300kc. 1000 watts Madison, Wis. 319-940. 750 watts. Univ. night, 2500 day. WEPS, Gloucester, Mass. 249.9m-1200kc. 100 WHA, Capper Publications. An- watts. Matheson Radio Co., Inc. of Wis. Central. Founded 1920. nouncer, Joe Nickell. Central. Founded 1926. Milwaukee, Wis. 267.7m-1120kc. 250 watts. Utica, WEVD, Woodhaven, N. Y. 230.6m -1300kc. 500 WHAD, WIBX, N. Y. 249.9m-1200kc. 100 watts watts. Debs Memorial Radio Fund. Eastern. Marquette University. Cy Foster, Dick Ma- night, 300 day. WIBX, Inc. Eastern. Founded caulay. Central. Founded Oct., 1921. 1923. Founded Oct. 1, 1927. WHAM, Rochester, N. Y. 260.7m-1150kc. 5000 WEW, St. Louis, Mo. _394.5m-760kc. 1000 WIBZ, Montgomery, Ala. 199.9m-1500kc. 15 watts. watts. watts. Stromberg- Carlson Tel. Mfg. Co. An- 6 am-6 pm. St. Louis University. Announcer, A. D. Trum. nouncers, F. H. Warren, Ben Weaver, W. Geo. Rueppel. Founded April 26, 1921. Central. WICC, Easton, Conn. 252m-1190kc. 500 watts. Fay, L. C. Stark, Frank Kelly, Clyde Morse. Dallas, Texas. The Bridgeport Broadcasting Station, Inc. WFAA, 374.8m-800kc. 500 watts. Slogan, "This Is Rochester—Where Quality Dallas and Announcers, Edw. W. Hall, Art Withslandly, News Dallas Journal. Adams Col- Dominates." Eastern. 11, 1922. Founded July Walter Ryan, Leonard Andrews, Joseph An- houn. Slogan, "Working for All Alike." Cen- York, Y. 230.6m-1300kc. 1000 WHAP, New N. drews, Judson La Hay. Slogan, "The Voice tral. Founded June 26, 1922. watts. Defenders of Truth Society, Inc. An- That Serves." Eastern. Founded Aug. 1925. WFAN, Philadelphia, Pa. 491.5m-610kc. 500 watts. nouncer, Franklin Ford. Eastern. Founded 3, St. Louis, Mo. 249.9m-1200kc. Keystone Broadcasting Co. Hotel Lorraine. May, 1925. WIL, 250 watts day, 100 night. Max C. Freedman, Chief Announcer. Eastern. WHAS, Louisville, Ky. 365.6m-820kc. 10000 watts. watts Missouri Broadcasting Co. Announcers, "Bill" Ellsworth, L. A. Ben- WFBC, Knoxville, Tenn. 249.9m -1200kc. 50 watts. Courier- Journal and Louisville Times Co. son, C. W. Benson. Central. Founded Sep- First Baptist Church. Central. Founded 1924. Fdunded July, 1922. Central. tember, 1922. WFBE, Cincinnati, Ohio. 249.9m-1200kc. 500 WHAZ, Troy, N. Y. 230.6m- 1300kc. 500 watts. WILL, Urbana, 111. 336.9m-890kc. 500 watts watts. Hotel Park View. Announcer, Earl Rensselaer Polytechnic Inst. Announcer, day- time, Fuller. Central. Rutherford Hayner. Slogan, "Transcontin- 250 watts night. University of Illinois. ental and International Broadcasting Station Announcer, J. C. Bayles. Central. Founded WFBG, Altoona, Pa. 228.9m- 1310kc. 100 watts. Located at the Oldest College of Science and 1922. The Wm. F. Gable Co. Announcer, Roy F. Engineering in America." Club, R. P. I. WILM, Wilmington, Del. 211.1m-1420kc. 100 Thompson. Slogan, "The Original Gateway to students. Founded June 22. Eastern. watts. Delaware Broadcasting Co. the West." Eastern. Founded Aug. 28, 1924. WHB, Kansas City, Mo. 315.6m-950kc. 500 watts. WINR, Bay Shore, N. Y. 247.8m-1210kc. Radio- WFBJ, Collegeville, Minn. 218.8m- 1370kc. 100 Sweeney Auto & Electrical School. Announcer, tel Mfg. Co. watts. St. John's University. Announcer, John T. Schilling. Slogan, "Heart of America." Hilary Doerfier. Slogan, "In the of WIOD, Miami Beach, Fla. 535.4m-560kc. 1000 Heart the Central. Founded April, 1922. Landscape Paradise." Central. watts. Isle of Dreams Broadcasting Co. An- Founded Oc- WHBC, Canton, Ohio. 249.9m -1200kc. 10 watts. tober, 1924. nouncer, Jesse H. Jay. Slogan, "Wonderful St. John's Catholic Church. Slogan, "Ignor- Isle of Dreams." WFBL, Syracuse, N. Y. 333.1m-900kc. 1000 watts. ance Is Our Greatest Foe." Central. Founded WIP, Philadelphia, Pa. 491.5m-610kc. 500 watts. Onondaga Company. Announcer, Charles F. Feb., 1925. Gimbel Bros. Announcer, E. A. Davies. Slo- Phillips. Eastern. Opened Nov. 19, 1924. WHBD, Bellefontaine, Ohio. 218.8m-1370kc. 100 gan, "Watch Its Progress." Eastern. Founded WFBM, Indianapolis, Ind. (tr. at Perry Town- watts. First Presbyterian church. Eastern. November, 1921. ship). 243.8m-1230kc. 1000 watts. Indianapolis Founded February, 1925. WISN, Milwaukee, Wis. 267.7m-1120kc. 250 watts. Power and Light Company. Announcer, John WHBF, Rock Island, 111. 247.8m- 1210k c. 100 watts. Wisconsin Co. Tribby. Slogan, "The Crossroads of America." Beardsley Specialty Co. Announcer, C. L. Evening Managed by Wiscon- Central. Beardsley. Slogan, "Where Historic Black- sin News. Central. Founded Sept. 21, 1922. WFBR, Baltimore, Md. 236.2m-1270kc. 250 watts. hawk Fought." Central. Founded February, WJAC, Johnstown, Pa. 228.9m-1310kc. 100 watts. Baltimore Radio Show, Inc. Announcer, S. R. 1925. Johnstown Automobile Co. Announcer, J. C. Kennard. Founded Oct.il, 1924. WHBL, Sheboygan, Wis. 212.6m-1410kc. 500 Tully. Slogan, "The Voice of the Friendly City." Eastern. WFDF, Flint, Mich. 228.9m-1310kc. 100 watts. watts, 6 am-6 pm. C. E. Broughton. Founded WJAD, Waco, Texas. 241.8m-1240kc. 1000 watts. Frank D. Fallain. Announcer, Fred L. Mc- 1925. Kitrick, Mark Garner. WHBQ, Memphis, Tenn. 218.8m- 1370kc. 100 Frank P. Jackson. Central. Founded July 22, watts. Broadcasting Station WHBQ, Inc. 1922. WFI, Philadelphia, Pa. 535.4m-560kc. 500 watts. March, 1925. WJAG, Norfolk, Nebr. 282.8ml060kc. 1000 watts. Strawbndge & Clothier. Announcer, John Van- Founded WHBU, Anderson, Ind. 247.8m-1210kc. 100 watts. Norfolk Daily News. Announcer, Karl Stefan. dersloot. Eastern. Founded March 18, 1922. Citizen's Bank. Announcer, A. L. McKee. Slogan, "The World's Greatest Country Daily WFIW, Hopkinsville, Ky. 319m-940kc. 1000 watts. Slogan, "Radio Voice of Anderson." and Home of Printer's Devil." Central. Acme Mills, Inc. Announcer, D. E. "Plug" Philadelphia, Pa. 199.9m -1500kc. 100 Founded 1922. Kendrick. Central. WHBW, Founded Febr. 12, 1927. watts. D. R. Kienzle. Eastern. WJAK, Marion, Ind. 228.9m-1310kc. 50 watts. WFJC, Akron, Ohio. 206.8m-1450kc. 500 watts. WHBY, West De Pere, Wis. 249.9m-1200kc. 100 Marion Broadcast Co. Arthur Curran. Cen- F. W. Jones Broadcasting, Inc. Eastern. watts. St. Norbert's College. Green Bay-De tral. Founded September, 1921. WFKD, Frankford, Pa. 228.9m -1310kc. 50 watts. Pere Broadcasting Station. Central. Founded WJAR, Providence, R. I. 336.9m-890kc. 400 watts Foulkrod Radio Eng. Co. Eastern. Jan., 1925. day, 250 watts night. The Outlet Co. An- WFLA-WSUN, Clearwater, Fla. 333.1m-900kc WHDF, Calumet, Mich. 218.8m-1370kc—100 watts. nouncers, John J. Boyle, David L. Stackhouse, 1000 watts night, 2500 watts day. Chamber of Upper Broadcasting Company. Howard G. Sawyer. Slogan, "The Southern Commerce. Announcer, Walter Tison. Founded WHDH, Gloucester, Mass. 361.2m-830kc. 1000 Gateway of New England." Eastern. Founded Dec. 25, 1925. Eastern. watts. Sept. 6, 1922. WJAS, Pittsburgh, Pa. 232.4m-1290kc. 1000 watts. WGAL, Lancaster, Pa. 228.9m -1310kc. 15 watts. WHDI, Minneapolis, Minn. 245.1m-U80kc. 500 Pittsburgh Radio Supply House. Announcers, Lancaster Elec. Supply & Construction Co. watts. Wm. Hood Dunwoody Industrial In- stitute. Announcers, R. Bass, A. P. Howard Clark, Francis Owen, Jim Hughes. Announcers, J. E. Mathiot, Luther J. Mathiot. M. Up- Slogan, "World's Gardens at Lancaster." ton, G. W. Haverty. Slogan, "Northwest Founded Aug. 4, 1922. Eastern. Leading Trade School." Central. Founded WJAX, Jacksonville, Fla. 238m-1260kc. 1000 watts. City of Jacksonville. Eastern. Founded WGBB, Freeport, N. Y. 247.8m-1210kc. 100 watts. May 22, 1922. Harry H. Carman. Eastern. Founded WHDL, Tupper Lake, N. Y. 211.1m-1420kc. 10 Nov. 26, 1925. Dec. Cleveland, Ohio. 483.6m-620kc. 500 watts. 13, 1924. watts. George F. Bissell. WJAY, WHEC, Rochester, N. Y. 208.2m-1440kc. 500 Cleveland Radio Broadcasting Corp. An- WGBC, Memphis, Tenn. 209.7m -1430kc. 500 watts. watts. 6 am-6 pm. Hickson Electric Co., Inc. nouncer, Joe O'TooIe. Eastern. Founded Jan. First Baptist Church. Announcer, A. L. Slogan, "The All Day Broadcasting Station." 7, 1927. Cowles. Central. Opened 1925. Eastern. Founded January, 1924. WJAZ, Mt. Prospect, 111. 202.6m-1480kc. 5000 WGBF, EvansvillC, Ind. 475.9m-630kc. 500 watts. WHFC, Chicago, 111. 228.9m-1310kc. 100 watts. watts. Zenith Radio Corp. Announcer, George Evansville on the Air, Inc. Announcer, Martin Goodson & Wilson, Inc. Central. G. Smith. Founded 1922. Central. Hansen. Curtis-Mushlitz, V. P. & Gen. Mgr. WHK, Cleveland, Ohio. 215.7m-1390kc. 1000 watts. WJBC, La Salle, 111. 249.9m- 1200kc. 100 watts. Central. Founded October, 1923. Radio Air Service Corp. Slogan, "Cleveland's Hummer Furniture Co. Announcer, Loyal WGBI, Scranton, Pa. 340.7m-880kc. 250 watts. Pioneer Broadcasting Station." Eastern. Popaski. Slogan, "Better Home Station." Scranton Broadcasters, Inc. Eastern. Founded 1921. Founded May 4, 1925. Central. 105

228.9m-1310kc. 50 watts. WMES, Boston, Mass. 199.9m -ISOOkc. 50 watts. WJBI, Red Bank, N. J. 247.8m -1210kc. 100 watts. WLBC, Muncie, Ind. Mass. Educational Society. Announcer, A. Robert S. Johnson. Founded Sept. 15, 1925. Donald A. Burton. Berggren. Eastern. Founded Aug. 1, 1927. WJBK, YpsUanti, Mich. 218.8m-1370kc. 50 watts. WLB, Minneapolis, Minn. 239.9m -1250kc. 500 Director, Fairmont, W. Va. 336.9m-890kc. 250 F. Hopkins. Announcer, Don Cole. East- watts. U. of Minnesota. Program WMMN, J watts night, 500 watts day. Holt Rowe Nov- ern. Founded Oct. 27, 1925. Robt. W. Orth. Central. Opened 1921. City, Kan. 211.1m-1420kc. 100 elty Co. WJBL, Decatur, 111. 249.9m-1200kc. 100 watts. WLBF, Kansas Lapeer, Mich. 199.9m -1500kc. 100 watts. William Gushard Dry Goods Co. Announcer. watts. Everett L. Dillard. Slogan, "Where WMPC, First Methodist Protestant Church. Central. W. H. Wiley. Central. Founded Sept. 24, 1925. Listeners Become Friends." Central. Founded Founded Dec. 6, 1926. WJBO, New Orleans, La. 218.8m- 1370kc. 100 Nov. 13, 1926. WMRJ, Jamaica, N. Y. 211.1m-1420kc. 10 watts. watts. Valdemar Jensen. Central. Founded WLBG, Petersburg, Va. 249.9m-1200kc. 250 watts Peter Prinz. Eastern. Opened July 9, 1926. 1922. day, 100 watts night. R. A. Gamble. J. -900kc. 2000 WMSG, New York, N. Y. 222.1m-1350kc. 250 WJBT, Chicago, 111. 389.4m-770kc. 25000 watts. WLBL, Stevens Point, Wis. 333.1m watts. Madison Square Garden. Announcer, Paul Rader and Chicago Gospel Tabernacle. watts. 6 am-6 pm. Wisconsin Dept. of Agri- Eastern. Announcer, Don Hastings. Central. Founded culture and Markets. Slogan, "Wisconsin, Horace E. Beaver. 1926. Land of Beautiful Lakes." Central. WMT, Waterloo, Iowa. 249.9m-1200kc. 100 watts night, 250 watts day. Waterloo Broadcasting WJBU, Lewisburg, Pa. 247.8m-1210kc. 100 watts. WLBO, Galesburg, HI. 228.9m-1310kc. 100 watts. Co. Announcers, L. Hill, Harold Bucknell University. Announcer, Geo. A. Frederick A. Trebbe, Jr. Central. Founded Raymond E. Clark. Central. Founded July 29, 1922. Irland. Slogan, "In the Heart of the Keystone Jan. 16, 1927. State." Eastern. Founded 1925. WLBW, Oil City, Pa. 238m-1260kc. 500 watts. WNAC, Boston, Mass. 243.8m- 1230kc. 1000 watts. The Shepard WJBW, New Orleans, La. 249.9m-1200kc. 30 Radio Wire Program Corp. of America. Slo- Stores. Announcers, Ben Had- field, John Wardell, Lopez, watts. C. Carlson, Jr. gan, "The Home of Quaker State Motor Oil." Joseph Edmund Cashman, Jean Sargent. Eastern. Founded WJBY, Gadsden, Ala. 247.8m-1210kc. 50 watts. Announcers, Wm. S. Perry, Leigh Ore, Haven , July 31, 1922. Gadsden Broadcasting Co., Inc. Announcer, Haas. Eastern. Founded 1926. Leo Wheatley. Central. WLBX, Long Island, N. Y. 199.9m-1500kc. 100 WNAD, Norman, Okla. 296.9m- 101 Okc. 500 watts. University of Oklahoma. Announcer, Bill WJJD, Chicago, IU. 265.3m-1130kc. 20000 watts. watts. John N. Brahy. Cram. Slogan, "Voice of Soonerland." Cen- Loyal Order of Moose and Palmer House Sta- WLBZ, Bangor, Me. 483.6m-620kc. 250 watts tral. Founded September, 1922. tion. Slogan, "The Voice of State Street." night, 500 watts day. Maine Broadcasting Co. Announcers, Ellen Rose Dickey, Hugh Aspin- Announcers, Jack Atwood, Henry C. Wing. WNAT, Philadelphia, Pa. 228.9m-1310kc. 100 wall. Central. Slogan, "This Is the Maine Station." watts. Albert A. Walker. Eastern. Founded 1921. WJKS, Gary, Ind. 220.4m- 1360kc. 500 watts. WLCI, Ithaca, N. Y. 247.8m-1210kc. 50 watts. WNAX, Yankton S. D. 526m-570kc. 1000 watts. Thomas J. Johnson and Frances Kennedy Lutheran Assn. of Ithaca. Announcer, A. B. "Dynamo" Radio Corp. Announcer, Dr. Dave Berresford. Slogan, "The Church at the Gate Gurney Seed & Nursery Co. Central. Founded Edelson. Central. Founded Aug. 16, 1927. of the Campus." Eastern. Founded 1926. 1921. WJR, Detroit, Mich. (tr. at Pontiac). 399.8m- WLEX, Lexington, Mass. 220.4m- 1 360k c. 500 WNBF, Binghamton, N. Y. 199.9m-1300kc. 5'J 750kc. 5000 watts. WJR, Inc. Announcers, watts. Lexington Air Station. Announcers, watts. Howitt-Wood Radio Co., Inc. Eastern. Leo Fitzpatrick, John F. Patt, Neal Tomy, Gerald Harrison, Carl S. Wheeler. Eastern. WNBH, New Bedford, Mass. 228.9m-1310kc. 100 John B. Eccles, John K. Harper, Owen F. Founded October, 1926. watts. New Bedford Hotel. Announcer, Don- Uridge, Norman White, Carl Schroeder. WLIT, Philadelphia, Pa. 535.4m-560kc. 500 watts. ald Morton. Eastern. Founded 1923. Eastern. Founded August, 1925. Lit Bros. Eastern. Founded March 18, 1923. WNBJ, Knoxville, Tenn. 228.9m-1310kc. 50 watts. WJW, Mansfield, Ohio. 247.8m-1210kc. 100 watts. WLOE, Boston, Mass. (tr. Chelsea). 199.9m- Lonsdale Baptist Church. Central Mansfield Broadcasting Association. John F. 1500kc. 100 watts night, 250 watts day. Boston WNBO, Washington, Pa. 249.9m-1200kc. 100 Weimer. Eastern. Founded Jan. 1, 1927. Broadcasting Co. Announcers, H. von Holtz- watts. John Brownlee Spriggs. Slogan, "The WJSV, Mt. Vernon Hills, Va. 205.4m-1460kc. hausen, Paul Welsh. Eastern. Voice of Southwestern Penna." Eastern. 10000 watts. Independent Pub. Co. An- WLS, Chicago, 111. (tr. at Crete). 344.6m-870kc. WNBQ, Rochester, N. Y. 199.9m-1500kc. 15 watts. nouncer, T. A. Robertson. 5000 watts. Prairie Farmer. Announcers, Don Gordon P. Brown. " * WJZ, New York, N. Y. (tr. at Bound Brook). Malin, Steve Cisler, Charles Stookey. Central. WNBR, Memphis, Tenn. 209.7m-1430kc. 500 watts. 394.5m-760kc. 30000 watts. R. C. A. Managed Founded April 6, 1924. Popular Radio Shop. Announcer, Mrs. John by National Broadcasting Co. Announcers, WLSI, Providence, R. I. 247.8m-1210kc. 100 watts. Ulrich. Central. Opened Feb. 28, 1927. Milton J. Cross, Marley Sherris, Norman Dutee W. Flint, Inc. Slogan, "Community WNBW, Carbondale, Pa. 249.9m -1200kc. 5 watts. Sweetser, Curt Peterson. Service." Announcer, H. Ho'mquist. Eastern. Home Cut Glass and China Co. WKAQ, San Juan, Porto Rico. 336.7m-890kc. 500 Founded January, 1925. WNBX, Springfield, Vt. 249.9m-1200kc. 10 watts. watts. Radio Corporation of Porto Rico. An- WLTH, Brooklyn N. Y. 214.2m- 1400kc. 500 watts. First Congregational Church Corp. nouncer, Joaquin Agusty. Slogan, "The Island Brooklyn, Inc. Eastern. Voice of WNBZ, Saranac Lake, N. Y. 232.4m- 1290kc. 50 of • Enchantment, Where the World's Best WLW, Cincinnati, Ohio. 428.3m-700kc. 50000 watts. Smith and Mace. Daily, all day. Coffee Grows." Eastern. Founded Dec. 3, watts. The Crosley Radio Corp. Eastern. Eastern. 1922. Founded 1921. WNJ, Newark, N. J. 206.8m-1450kc. 250 watts. WKAR, East Lansing, Mich. 288.3m-1040kc. 1000 WLWL, New York, N. Y. (tr. at Kearney). Radio Investment Co., Inc. Eastern. watts. Michigan State College. Announcer, 272.6m-1100kc. 5000 watts. The Paulist League. Knoxville, Keith Himebaugh. Eastern. Founded 1922. WNOX, Tenn. 535.4m-560kc. 2000 • Announcer, Bartholomew Sheehan. Eastern. watts to local sunset. 1000 watts after. Sterchi WKAV, Laconia, N. H. 228.9m-1310kc. 100 watts. WMAC, Cazenovia, N. Y. (tr. at Cazenovia). Bros. Central. Founded 1921. Laconia Radio club. Eastern. Founded Oct. 1, 526m-570kc. 250 watts. Clive B. Meredith. 1922. WNRC, Greensboro, N. C. 208.2m-1440kc. 500 Founded 1022. Eastern. watts. Wayne M. Nelson. Eastern. Founded WKBB, Joliet, 111. 228.9m-1310kc. 100 watts. WMAF, South Dartmouth, Mass. 220.4m-1360kc. March 24, 1926. Sanders Brothers. Al Sanders, announcer. 500 watts. Round Hills Radio Corp. Central. WNYC, New York, N. Y. 526m-570kc. 500 watts. WMAK, Buffalo, N. Y. (tr. at Martinsville) New York Municipal Radio Station. Slogan, WKBC, Birmingham, Ala. 228.9m-1310kc. 100 333. lm-900kc. 750 watts (tr. Tonawanda). "Municipal Broadcasting Station of the City watts. R. B. Broyles. Central. Founded June, WMAK Broadcasting Systems, Inc. An- of New York." John F. Fitzpatrick, Acting 1926. nouncers, Baker, Jeff Robert Steigl, Mark Director. Eastern. Founded July 8, 1924. WKBF, Indianapolis, Ind. 214.2m-1400kc. 500 Hawley. Founded Sept. 22, 1922. San Antonio, Texas. 252m-1190kc. 5000 watts. Indianapolis Broadcasting, Inc. Chief WOAI, WMAL, Washington, D. C. 475.9m -630kc. 500 Southern Equip. (Evening Announcer, Paul E. Gregg. Central. Founded watts. Co. News- watts day, 250 watts night. M. A. Leese Express). Announcer, G. Cummings. Slo- October, 1925. J. Radio Co. Eastern. gan, "The Winter Playground of America. Crosse, Wis. WKBH, La 217.8m-1380kc. 1000 WMAN, Columbus, Ohio. 247.8m-1201kc. 50 watts. Where the Sunshine Spends the Winter." watts. Callaway Music Co. Announcer, First Baptist church. Announcers, J. E. Central. Founded summer 1922. Arthur Hecht. Central. Founded 1924. J. Anderson, C. S. Bidlack. Eastern. Founded WOAN, Lawrenceburg, Tenn. 499.7m-600kc. 500 Chicago, III. 238.9m-1310kc. WKBI, 50 watts. September, 1922. watts. Vaughn School of Music. Announcer. Fred L. Schoenwolf. Central. Founded WMAQ, Chicago, 111. 447.5m-670kc. 5000 watts. Y. M. Cornelius. Central. August, 1926. The Chicago Daily News. Announcers, Bill WOAX, Trenton, N. J. 234.2m-1280kc. 500 watts. WKBN, Youngstown Ohio. 526m-570kc. 500 Hay, John W. Harrison, Harold Van Home. F. J. Wolff. Slogan, "Trenton Makes; the watts. Warren P. Williamson, Jr., and Arthur Central. Founded April 13, 1922. World Takes." Eastern. Founded March 2, Brock. Announcers, Arthur Brock, WMAZ, Macon, Ga. 336.9m-890kc. 500 watts. Warren 1923. P. Williamson, Jr., Frank Proudfoot, Don Jr. Chamber of Commerce. Announcer, E. K. Union City, Tenn. 22S.9m-1310kc. 150 Hoffman, Bill Hammerman. Eastern. Founded Cargill. Eastern. Founded 1925. WOBT, watts day, 100 watts night. Titsworth Radio September, 1926. WMBA, Newport, R. I. 199.9m-1500kc. 100 watts. Music Shop. Sun, 4-5 pm. Eastern. WKBO, Jersey City, N. J. 206.8m -1450kc. 250 LeRoy J. Beebe. watts. Camith Corp. Announcer, H. F. Bid- WMBC, Detroit, Mich. 211.1m-1420kc. 250 watts. WOBU, Charleston, W. Va. 516.9m-580kc. 250 well. Eastern. Founded Sept. 11, 1926. Michigan Broadcasting Co. Eastern. Founded watts. Charleston Radio Broadcasting Corp. WKBP, Battle Creek, Mich. 211.1m-1420kc. 50 1925. Announcer, Wally Fredericks. Eastern. watts. Battle Creek Enquirer and News. WMBD, Peoria Heights, 111. 208.2m-1440kc. 500 WOC, Davenport, Iowa. 299.8m-1000kc. 5000 watts. WKBQ, New York, N. Y. 222.1m-1350kc. 250 watts night, 1000 watts day. Peoria Heights The Palmer School of Chiropractic. An- watts. Standard Cahill Co., Inc. Announcer, Radio Laboratory. nouncers, Peter MacArthur, Edgar Twamlev, Allan Cahill. Eastern. Founded September, WMBF, Miami Beach, Fla. 535.4m-560kc. 500 Richard Wells. Slogan. ••Where the West 1926. watts. Fleetwood Hotel. Announcer, Paul Begins and in the State Where the Tall Corn WKBS, Galesburg, HI. 228.9m-1310kc. 100 watts. Whitehurst. Eastern. Founded 1924. Grows." Founded May, 1922, Fermil N. Nelson. Announcer, Paul W. Palm- WMBG, Richmond, Va. 247.8m-1210kc. 100 watts. WOCL, Jamestown, N. Y. 247.8m-121Cfkc 25 quist. Slogan, "The Voice of Galesburg." Havens and Martin. Announcers, H. W. Jones, watts. A. E. Newton. Slogan, "We're on Central. Founded October, 1926. W. H. Wood, L. Stone. Eastern. Chautauqua Lake." Announcer, Bob Page. WKBW, Amherst, N. Y. 204m-1470kc. 5000 WMBH, Joplin, Mo. 211.1m- 1420kc. 100 watts. Eastern. watts. Churchill Evangelistic Assn., Inc. Edwin Aber. Announcer, E. D. Aber. Central. WODA, Paterson, N. J. 2393m-1250kc 1000 Eastern. Founded 1926. WMBI, Chicago, III. 277.6m- lOSOkc. 5000 watts. watts. O'Dca Temple of Music. Slogan, A WKBZ, Ludington, Mich. 199.9m-1500kc. 50 Moody Bible Institute. Slogan, "The 'West Voice From the Silk City." Founded April watts. "The Voice of Point of Christian Service." Western Michigan." Announcer. Wen- 13, 1925. Eastern. K. L. Ashbacker. Central. Founded dell P. Loveless. Central. Founded Nov. 23, July 28, WOI, Ames, Iowa. 535.4m -560kc 3500 watts. 1926. 1926. Iowa State College. Announcer, A. G. Wool- WKEN, Buffalo, N. Y. 288.3m -1040kc. 1000 watts. WMBJ, Wilkinsburg, Pa. 199.9m -1500kc. 100 fries. Pounded April, 1922. Central. WKEN, Inc. Announcers, Walter L. Amidon, watts. Rev. John W. Sproul. Poughkeepsie. N. Y. 2OS.2m.l440kc. 500 Leon Fisher. Eastern. Founded Fall, 1925. WMBL, Lakeland, Fla. 228.9m -1310kc. 100 watts. WOKO. Hudson Valley Broadcasting Co. Slo- WKJC, Lancaster Pa. 249.9m -1200kc. 100 watts. Benford's Radio Studios. Eastern. watts. "Tin- From the Clouds." Kastern. Kirk Johnson & Co. Announcers, M. W. Geh- WMBM, Memphis, Tenn. 199.9m-1500kc. 10 watts. gan, Voice man, L. H. Bailey. Eastern. Founded Novem- Seventh Day Adventist church. led March, 19.M. ber, 1921, WMBO, Auburn, N. Y. 218.8m-1370kc. 100 watts. WOL, Washington, D. C. 228m-1310kc lOO watts. WKRC, Cincinnati, Ohio. 545.1m-550kc. 500 watts. Radio Service Laboratories. American Broadcasting Co. Founded 1924. J. S. Bovd. Eastern. Founded May, 1924. WMBQ, Brooklyn, N. Y. 199.9m 1 500k c. 100 Eastern. WKY, Oklahoma City, Okla. 333. lm-900kc. 1000 watts. Paul J. Gollhofer. • WOMT, Manitowoc, Wis. 247.8m- UlOkc 100 watts. WKY Radiophone Co. Central. WMBR, Tampa, Fla. 247.8m-1210kc. 100 watts. watts. The Mikadow theater. Announcer, F. WLAC, Nashville, Tenn. 201.2m-1490kc. 5000 F. J. Reynolds. Eastern, M. Kadon. Central. Founded July, i°2t>. watts. Life and Casualty. Central. Opened WMC, Memphis, Tenn. 384.4m-780kc. 500 watts WOOD, Grand Rapids, Mich. 236.1m-1270kc 500 Nov. 24, 1926. night, 1000 watts day. The Commercial Ap- watts. Walter B. Stiles, Inc. Central. WLAP, Louisville, Ky. 249.9m -1200kc. 30 watts. peal. Announcer, Lloyd G. Mains. Slogan, WOQ. Kansas City, Mo. 49I.Sm-610kc. 1000 watts. i Virginia av. Baptist Church. Central. "Station WMC Memphis." "Down in Dixie." Unity School m Christianity. Announcer, Rex t". U.ltis (Ylitr.il Foiindwl JW f Founded 1922. Founded Jan. 20. 1923. Central. 106

WOR, Newark, N. J. (tr. at Kearney). 422.3m- WREN, Lawrence, Kan. 245.8m-1220kc. 1000 WSIX, Springfield, Tenn. 247.8m-1210kc. 100 710kc. 5000 watts. L. Bamberger & Co. An- watts. Jenny Wren. Announcers, Vernon H. watts. 638 Tire and Vulc. Co. Announcer, nouncers, John B. Gambling, Walter J. Neff, Smith, Ernest Pontius. Central. Founded George H. Lawrence. Central. Founded Jan. Arthur Q. Bryan, Basil Roysdael, Pastley February, 1927. 7, 1927. Sinclair, Floyd Neal, Roger Bower. Founded WRHM, Minneapolis, Minn. 239.9m-1250kc. 1000 WSM, Nashville, Term. 461.3m-650kc. 5000 watts. 1922. Eastern. watts. Rosedale Hospital, Inc. Announcer, National Life and Accident Insurance Co. An- WORC, Worcester, Mass. 249.9m-1200kc. 100 Troy S. Miller. Central. nouncers, George Hay, Jack Keefe, Harry watts. A. F. Kleindienst. Eastern. Founded WRJN, Racine, Wis. 218.8m-1370kc. 100 watts. Stone. Founded Oct. 5, 1925. Feb. 27, 1925. Racine Broadcasting Corp. Announcers, H. J. WSMB, New Orleans, La. 227.1m-1320kc. 500 WORD, Chicago, 111. (tr. at Deerfield). 206.6m- Newcomb, Dick Mann. Central. Founded watts. Saenger Theaters, Inc., and The 1480kc. 5000 watts. Peoples Pulpit Association. Dec. 1, 1926. Maison Blanche Co. Announcer, C. R. Ran- Announcer, J. P. Holmes. Slogan, "Watch- WRK, Hamilton, Ohio. 228.9m -1310kc. 100 watts. dall. Founded April 21, 1925. Central. tower Station WORD." Central. Founded S. W. Doran. Eastern. Founded 1919. WSMK, Dayton, Ohio. 526m-570kc. 200 watts. December, 1924. WRNY, New York, N. Y. (tr. at Coytesville, N. S. M. Krohn, Jr. Slogan, "The Home of Avi- WOS, Jefferson City, Mo. 475.9m-630kc. 500 J.). 296.9m-1010kc. 250 watts. Aviation Radio ation." Central. watts night, 1000 day. Missouri State Market- Station, Inc. Eastern. Founded June 12, 1925. WSPD, Toledo, Ohio. 223.7m-1340kc. 500 watts. ing Bureau. Announcer, Jack Heiny. Slogan, WRR, Dallas, Texas. 234.2m -1280kc. 500 watts. The Toledo Broadcasting Co. (Columbia "Watch Our State." Central. Founded 1922. City of Dallas. Announcer, John Thorwald. Broadcasting System Chain). Announcers, WOV, New York, N. Y. 265.3m-1130kc. 1000 Slogan, "City of Achievements." Central. Willard Rippon, Dick Pheatt, Harry Han- watts. International Broadcasting Corp. WRUF, Gainesville, Fla. 204m-1470kc. 5000 watts. sen, Dwight Northrup, Merrill Pheatt. Slo- WOW, Omaha, Neb. 508.2m-590kc. 1000 watts. University of Florida. Announcer, Chas. Lee. gan, ilTbe Gateway to the Sea." Eastern. Woodmen of the World. Announcers, Ezra WRVA, Richmond, Va. 270.1m-1110kc. 5000 watts. WSRO, Mfddletown, Ohio. 211.1m-1420kc. 100 Mcintosh, Joe Eaton, Eugene Konecky. Ma- Larus & Bro. Co., Inc. Slogan, "Down Where watts. Middletown Broadcasting Co. An- Program Director. Slogan, "The nouncer, Harry W. Fahrlander. Central. rie Kieny, the South Begins." Announcer, J. Robert April 2, Founded 1923. Omaha Station." Central. Founded Beadles. Eastern. Opened Nov. 2, 1925. WSSH, Boston, 1923. WSAI, Cincinnati, Ohio (tr. at Mason). 225.4m- Mass. 2U.lm-1420kc. 100 watts WOWO, Fort Wayne, Ind. 258.5m-1160kc. 10,000 1330kc. 500 watts. Operated by Crosley Radio night, 250 watts day. Tremont Temple Bap- watts. Main Auto Supply Co. Announcers, Al Corp. tist Church. Announcer, Raymond B. Meader. Becker, Joe Poehling, Howard Ackley, A. H. Eastern. Founded June 8, 1924. Kuckein. Central. Founded April, 1925. WSUI, Iowa City, Iowa. 516.9m-580kc. 500 watts. WPAP, Palisade, N. J. 296.9m-1010kc. 250 watts. Univ. of Iowa. Announcer, Carl Menzer. Palisade Amusement Park. Annou'ncer, Perry Founded Feb. 12, 1924. Central. Charles. Eastern. WSUN-WFLA, St. Petersburg, Fla. 333.1m- WPAW, Pawtucket, R. I. 247.8m-1210kc. 100 900kc. 1000 watts night, 2500 watts day. City watts. Shortenberg & Robinson Co. Director, of St. Petersburg. Announcer, Eddie Squires. R. K. Stone. Slogan, "The Cradle of American Slogan, "The Sunshine City." Eastern. Industry." Eastern. Opened January, 1924. Favorites Founded Nov. 1, 1927. Reopened August, 1926. WSVS, Buffalo, N. Y. 218.8m-1370kc. 50 watts. WPCC, Chicago, 111. 526m-570kc. 500 watts. North Seneca Vocational School. Announcer, David Shore Church. Announcer, Ralph E. Briggs. ^\ZO\J have a favorite Warnhoff. Slogan, "Watch Seneca Vocational Central. Founded July, 1924. School." Eastern. Founded Nov. 9, 1925. WPCH, Hoboken, N. J. 370.2m-810kc. 500 watts. ^ station, WSYR, Syracuse, N. Y. 526m-570kc. 250 watts. Assoc. Broadcasters, Inc. Eastern. one which Clive B. Meredith. Slogan, "Voice of Central WPEN, Philadelphia, Pa. 199.9m-1500kc. 100 New York." Eastern. Founded 1922. watts day, 250 watts night. Philadelphia you like to listen to WTAD, Quincy, 111. 208.2m- 1440kc. 500 watts. School of Wireless Telegraphy. Slogan, "First Illinois Stock Medicine Broadcasting Corp. Wireless School in America." Eastern. more than the others Slogan, "The Voice of Agriculture." Central. Founded 1908. Founded Dec. 29, 1926. WPG, Atlantic City, N. J. 272.6m-1100kc. 5000 that come in on your WTAG, Worcester, Mass. 516.9m -580kc. 250 watts. Municipality of Atlantic City. Slogan, watts. Worcester Telegram-Gazette. An- "World's Playgrounds." Eastern. Founded loud speaker. This sta- nouncer, Chester Gaylord. Slogan, "The Voice Jan. 3, 1924. From the Heart of the Commonwealth." East- WPOE, Patchogue, N. Y. 211.1m-1420kc. 30 watts. ern. Founded May 1, 1924. Patchogue Order of Elks. Eastern. tion is dependent upon WTAM—WEAR, Cleveland, Ohio. 280.2m-1070kc. WPSC, State College, Pa. 243.8m- 1230kc. 500 3500 watts, WEAR, 1000 watts. WTAM- watts. Pa. State College. Announcers, E. H. you for your support. WEAR, Inc. Announcer, Fred Ripley. Founded Rohrbeck, K. L. Holderman. Slogan, "The Sept. 26, 1923. Eastern. Voice of the Nittany Lion." Eastern. Founded Help make it even big- WTAQ, Eau Claire, Wis. 225.4m-1330kc. 1000 Nov., 1921. watts. Gillette Rubber Co. Announcer, C. S. WPTF, Raleigh, N. C. 440.9m-680kc. 1000 watts. Van Gorden. Slogan, "Where Tires Are Durham Life Ins. Co. Slogan, "We Protect ger and better. Quality." the Family." Eastern. Founded October 1, WTAR—WPOR, Norfolk, Va. 384.4m-780kc. 500 1927. Be a booster for your watts. WTAR Radio Corp. Chief Announcer WQAM, Miami, Fla. 241.8m-1240kc. 1000 watts. and Program Director, Blayne R. Butcher. Miami Broadcasting Co. Announcers, Frederick favorite. Clip the cou- Announcers, Fred Pfahler, George Beck, Joe W. Mizer, Dale James. Slogan, "The Voice of Klucz, D. C. Carr, Tom Hanes. Eastern. America." Eastern. Founded Febr. Tropical pons on page 3 and Founded Sept. 21, 1923. 1, 1922. WTAW, College Station, Texas. 267.7m-1120kc. Scranton, Pa. 340.7m-880kc. 250 watts. WQAN, 500 watts. Agricultural and Mechanical Col- Scranton Times. Announcer, T. V. Nealon. send today to them lege of Texas. Founded 1922. Central. Slogan, "The Voice of the Anthracite." East- WTAX, Streator, 111. 247.8m-1210kc. 50 watts. ern. Opened Jan. 8, 1923. Gold Cup Contest Williams Hardware Co., Radio Division. Cen- WQAO, Palisade, N. J. 296.9m-1010kc. 250 watts. Calvary Baptist Church. Announcer, D. Jones. tral. Slogan, "The First Church Owned and Oper- Editor, WTAZ, Richmond, Va. 247.8m-1210kc. 1500 watts. ated Broadcasting Station in the World." W. Reynolds, Jr., and T. J. McQuire. Founded 1922. Eastern. WTBO, Cumberland, Md. 211.1m-1420kc. 50 WQBC, Utica, Miss. 220.4m-1360kc. 300 watts. watts. Cumberland Elec. Co. RADIO DIGEST Toccoa, Ga. 206.8m-1450kc. '250 Utica Chamber of Commerce, Inc. Central. WTFI, watts. WQBJ, Clarksburg, W. Va. 249.9m-1200kc. 65 Toccoa Falls Institute. Announcer, Kelly Eastern. Founded 1927. watts. John Raikes. 510 North Dearborn St. Barnes. Oct. 4, WQBZ, Weirton, W. Va. 211.1m-1420kc. 60 watts. WTHS, Atlanta, Ga. 228.9m- 1310kc. 100 watts. H. Thompson. Atlanta Technological H. S. J. WTIC, Hartford, Conn. (499.7m-600kc. 250 watts. WRAF, La Porte, Ind. 249.9m- 1200 kc. 100 watts. Chicago, 111. Radio Club, Inc. Announcer, Charles Middle- Temporary assignment.) 282.8m-1060kc. 50,000 location. ton. Slogan, "The Voice of the Maple City." watts. Permanent The Travelers Founded April, 1923. Central. Insurance Co. Slogan, "The Insurance City." WRAK, Erie, Pa. 218.8m-1370kc. 50 watts. C. R. Eastern. Cummins. Slogan, "The Voice of Presque WTMJ, Milwaukee, Wis. (tr. at Brookfield). night, 2500 Isle." Eastern. Founded 1924. 483.6m-620kc. 1000 watts watts day. Announcers, WRAW, Reading, Pa. 228.9m-1310kc. 100 watts. Milwaukee Journal. Merrill WSAJ, Grove City, Pa. 228.9m-1310kc. 100 watts. Avenue Radio & Elec. Shop. Slogan, "The Trapp, Donald T. McNeill, Merl Blackburn. Grove City College. William L. Harmon, Schuylkill Valley Echo." Announcer, C. M. Richard B. Macaulay, Robt. D. Boniel. Slogan, activities. Founded April, 1920. "Voice of Wisconsin, Land of Lakes." Cen- Chafey. Eastern. Founded June 5, 1923. WRAX, Philadelphia, Pa. 239.9m -1020kc. 250 WSAN, Allentown, Pa. 208.2m-1440kc. 250 watts. tral. Founded July 25, 1927. watts daylight. Berachah Church, Inc. An- Allentown Call Pub. Co. Announcer, Charles WTNT, Nashville, Tenn. 201.2m-1490kc. 5000 Broadcasters. nouncers, Walter S. Smalley, Herbert Hogg. Walp. Eastern. watts. WTNT Announcer, Founded Feb. 24, 1924. Cen- Eastern. Founded 1923. WSAR, Fall River, Mass. 206.8m-1450kc. 250 Fred Waldrum. WRBI, Tifton, Ga. 228.9m-1310kc. 20 watts. watts. Doughty & Welch Elec. Co., Inc. An- tral. 212.6m-1410kc. 1000 Kent's Furniture and Music Store. nouncers, Barton G. Albert, Leonard A. Mc- WTOC, Savannah, Ga. watts WRBJ, Hattiesburg, Miss. 199.9m-1500kc. 10 Grath. Founded Jan., 1923. Eastern. day, 500 watts night. Chamber of Commerce of watts. Woodruff Furn. Co. Central. WSAZ, Huntington, W. Va. 516.9m-580kc. 250 Savannah. Ind. 249.9m- 1200kc. 100 watts. WRBL, Columbus, Ga. 249.9m- 1200kc. 50 watts. watts. W. C. McKellar. Announcer, F. B. WWAE, Hammond, Courier. David Parmer. Smith. Eastern. Founded January, 1927. Dr. Geo. F. Detroit, Mich. 325.9m-920kc. 1000 watts. WRBQ, Greenville, Miss. 249.9m -1200kc. 50 watts. WSB, Atlanta, Ga. 405.2m-740kc. 1000 watts. At- WWJ, The Detroit News. Announcers, E. L. Ty- J. Pat Scully. lanta Journal. Announcer, Lambdin Kay. Slo- son, F. P. Wallace, Lynn Gearhart. Eastern.' WRBT, Wilmington, N. C. 218.8m-1370kc. 100 gan, "The Voice of the South." Central. watts. Wilmington Radio Assn. Founded Aug., 1920. WSBC, Chicago, 111. 247.8m- 1210kc. 100 watts. WWL, New Orleans, La. 352.7m-850kc. 5000 WRBU, Gastonia, N. C. 247.8m-1210kc. 100 watts. World Battery Co. Central. A. Kirby Music Co. watts. Loyola Univ. Announcer, Jean Pas- J. WSBT, South Bend, Ind. 243.8m-1230kc. 500 WRBW, Columbia, S. C. 228.9m-1310kc. 100 quet. Central. Founded March 31, 1922. watts. South Bend Tribune. Announcers, 526m-570kc. 1000 watts. watts. Paul S. Fearce. WWNC, Asheville, N. C. Leslie C. Morehouse and Reginald B. Martin. "Radio WRBX, Roanoke, Va. 322.4m-930kc. 250 watts. Citizens Broadcasting Co., Inc. Slogan, Founded April, 1922. Central. Richmond Development Corp, Voice of Asheville Citizen." Gen. Mgr., G. O. Va. 384.4m-780kc. 500 watts. Cross. Com'l WRC, Washington, D. C. 315.6m-950kc. 500 watts. WSEA, Portsmouth, Shepherd. Program Dir., Stanley National Broadcasting Co. Announcer, George Radio Corp. of Virginia. Founded Jan. 7, 1927. Mgr., Clyde Smith. Promotion Mgr., Earnest F. Hicks. Slogan, "The Voice of the Capitol." WSGH—WSDA, Brooklyn, N. Y. 214.2m-1400kc. Tappe. Eastern. Founded Febr. 21, 1927. Eastern. 500 watts. Amateur Radio Specialty Co. An- WWRL, Woddside, N. Y. 199.9m-1500kc. 100 WREC, Memphis, Tenn. 499.7m-600kc. 500 watts nouncer, E. C. Rhodes. Eastern. Opened watts. W. H. Reuman. Founded Aug. 15, night, 1,000 watts day. WREC, Inc. An- Nov. 3, 1926. 1926. Va.. 258.5m-1160kc. 250 nouncers, Hoyt B. Wooten, S. D. Wooten, Jr., WSIS, Sarasota, Fla. 296.9m-1010kc. 250 watts. WWVA, Wheeling, W. Doc Sunshine, Bob Alberty, Bob Brooks. Cen- Financial Journal. Announcer, Jack Dadswell. watts. West Va. Broadcasting Corp. Eastern. tral. Founded Sept., 1923. Eastern., Founded 1920. Founded Dec. 6, 1926. — —

RADIO DICES T—Illustrated 107

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Dolores and Her Lucky Star Congratulations came from everywhere, almost. By phone. By letter. By telegraph. And in person. Even people whom I (Continued from page 35) did not know wrote me letters of praise. Many of my intimate friends asked, "But Dolores, how did you do it, so composedly, query awakened me from my rosy dream. I suddenly became so natural? Your voice sounded so beautiful. You said it with cold and nervous. A terrifying thought presented itself. What so much feeling." My Mother said my dramatic ability sur- if my recitation should be a failure? Joyous anticipation of prised her. I could not tell them how I did it. I only smiled my debut, dreams of triumph had kept away real thinking, had again. But that night I cried joyously over my greatest banished serious thoughts. I could only dream—dream of the triumph, and do you wonder why I smile graciously when I triumph which I was so certain would be mine. But now it look up to the heavens, for now I know my friend was right all came to me. I recalled having read of the great celebrities my success triumphs I owe them all to lucky star! of the day who had lost their voices when they faced the —my — — my mike—that cold and impersonal bit of steel had frightened stars who appeared nightly before vast palaces of. people. My Night Club Romance dreams of triumph vanished, and were replaced by thoughts (Continued from page 89) of fear, of failure—how they tormented me! MADGE: Don't talk that way, Ted. Just because you don't eventful I admitted FEW minutes before the moment, was like Jack is no reason why you have to insult him! As a matter A into the great spacious broadcasting room of the WSMB I of fact, don't think he ever did all the things you say he did. station. I felt more at ease when I stepped across the room on TED: Well, your father seemed to think he did. rarest of rugs which seemed like velvet beneathrny feet—even MADGE: Dad might be wrong, too. more at ease when Mr. Randall greeted me cordially and intro- TED: Let's see—he forbade you to see Wilson any more, duced me to the other artists who would "go on the air" that didn't he? evening. I sat back in the deep cushioned chair and sighed a MADGE: Yes. sigh of relief. Everyone chatted animatedly—there was no need TED: What'd he tell you about him then? of fear, I tried to assure myself encouragingly. MADGE: He said— Then, there was a hushed silence throughout the room. The TED: Well? program was about to begin. The announcer sat before the MADGE: He said that Jack had done some things that were microphone and announced the pianist who would open the considered bad practice by newspaper men and unethical by program. She stepped to the piano and played delightfully gentlemen. without a sign of fear. Then I realized why she had laughed TED: Well—since your father's managing editor of the and chatted, the piano was several feet from the mike and a "Clarion," his word's good enough for me, and it ought to be fond relative was standing by her turning the pages of her for you for two reasons. Now let's forget about Jack Wilson music, just as though she were in the drawing room of her for a while and see what's going on here. Look—there's the home. I was seized with another fit of anxiety; fear ... it quartet coming out to sing. would be different with me. I would have to face the mike, MADGE: Yes—I know all of those boys. Jack used to and alone. No one could help me recite. I watched her closely room with and anxiously, scanning her features for a sign of fear, but she TED: Aw—iorget Jack! You're here with me tonight. Let's was smiling—perfectly at ease. listen to this song, eh? All right, I wanted to run somewhere — you understand that inde- MADGE: Ted. scribable feeling of fright—and in a frenzy of intense fear I MUSIC: QUARTET SINGS No. 2 THROUGH WITH- heard Mr. Randall introduce me "over the air" to my unseen OUT BREAK ( ). audience. It was a charming and beautiful, if not flattering, presentation, but I could not feel proud or thrilled at the TED: They sing very well, don't they? moment ... I was frightened, just "scared stiff." MADGE: Yes. They're awfully nice boys. Jack introduced me to all of them. WHEN I walked to the microphone I could feel my legs TED: There you go again. Jack, Jack, Jack! trembling beneath me, then my whole body grew shaky. JACK: That's right! Speak of the devil and he always At that moment I thought of all the articles I had read on appears' great opera stars and actresses who had suffered from Radio MADGE: Jack! fright. If they failed—what chance had I? I, who would blush TED: Well—-Wilson—what're you doing here? when reciting a little poem before a classroom. These thoughts JACK: I don't know if that's any concern of yours, Droman. presented themselves rapidly, one after another; singers' voices TED: Oh—I beg your pardon, Mr. Wilson! I was just being had cracked, actresses had stopped short in the beginning of a little solicitous as to your their recitation — they had experienced that terrible ordeal, MADGE: Ted! Jack! Don't stand there arguing. Every- "Radio fright." I was ashamed, embarrassed, I knew I would body in the place is looking at you. Sit down here, Jack. squeak, stop suddenly, burst out crying, and the thousands of TED: Perhaps you'd like to have me leave, so that you can people listening in—my friends in the city who had formed talk to your ex-sweetheart. But don't let your father catch you little parties and were listening in—my friends in other parts talking to him. You know how he feels about it. of the country whom I had proudly wired to listen in on my JACK: Listen here, Droman, you dreamed-of triumph. I could picture their faces—a blurred MADGE: Ted! Stop talking like that. You donH want these picture of their dismay, disappointed at my failure, appeared people to think you're fighting, do you? Jack—sit down—we before my eyes. They would hear me fail. God, but I suffered don't want to make a scene. mentally. I wanted to cry—to run—to hide—to do anything TED: Yes—do sit down, Wilson. I'll buy you a sandwich. but sit there and recite stanza after stanza of a poem—a poem Perhaps you're hungry. which should be read with feeling—a poem dedicated to the JACK: And even if I were hungry, I wouldn't eat your food. dearest and most touching subject in the world—mothers! I came over to get Madge to dance with me. I know you are wondering why I had so much time to think TED: In your condition? You're boiled to the ears, Wilson. that, when I was already announced and sitting in the chair of You wouldn't ask her to dance with you when you're like horrors (should I say?) facing the mike. I did not. One can would you? think much and fast in a matter of moments and especially JACK: I can manage my own affairs, I guess, Droman. Will moments like this. Then the announcer insisted that I begin you dance with me, Madge? he, I presume, noticed my hesitancy. He knew I was frightened. MADGE: Why—yes, Jack, I'll dance with you. JACK: Good. Don't worry about us, Droman. I may be a I could hear the voices around me whispering . . . that made matters worse. Then again, I heard the announcer's request, little bit under the weather, but she's better off dancing with "Speak." And I began! me that way than with you under any conditions. Come on, Madge. TED: You dirty dog! I'll get you, yet. All the tears that I tried to suppress, the pathos of fear, stuck in throat. I could feel them almost but my choking me, MUSIC: ORCHESTRA UP FULL UNTIL CUE ( ). I spoke, fighting back the tears, my fingers trembling—the poem I knew so well was forgotten. Fortunately, I had writ- NICK: Hello, Droman. ten down the lines and read it from the paper. Oh, those lines, TED: Nick Polis! How come you're here? I could barely believe it was my voice that echoed in the great NICK: You know well enough why I'm here! room—quivering so, all through the poem ... I could hear TED: Well—yeah. You kind of surprised me, though, the wistfulness resounding, crying out the lines. I wanted to didn't expect that you'd be rolling in so early. stop, to burst into tears, but I would not give up. I kept on . . . NICK: Sometimes it's a good idea to go places ahead and when I finished, the announcer came up to me and ex- time. You can find out a lot of things. claimed, "You did wonderful—your voice just trembled with TED: Why—what do you mean, Nick? emotion!" The other artists crowded about me, showering me NICK: Listen, Wilson 1— I know your game. Don't try to with compliments and felicitations. I was bewildered with joy. pull any of that ignorant stuff. I could not speak or thank them for the compliments. I only TED: Why—what's the matter, Nick? I don't know what smiled. The poem was a wistful one and the quivering of my you're talking about. Has something gone wrong? voice added to the wistful beauty of it. My Radio debut was NICK: Yeh. Plenty. over . . . and a success. TED: Well—I've been able to help you out of a lot of tight .

RADIO DIGES T—Illustrated 109

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110 places—maybe I can do something for vented me up to now, so please give me MADGE: Well—all right. you this time, eh? a chance, Madge. MUSIC: QUARTET SINGS NEXT NICK: It's not what you can do for MADGE: Well — all right. I'll sit NUMBER THROUGH. RUNS ( ). me, Wilson—it's what you've done to down with you for a minute. But we me! mustn't sit here long, because Ted'll be TED: Well—you've been away a long TED: If you're trying to insinuate coming around and making a fuss. time. I thought you'd eloped with your that I squealed on you JACK: Here— this's all right. Sit pickled boy-friend, Madge. NICK: Yeh. That's what I mean. here. JACK: Yeah? And what if she had? What's that to you? Listen—you knew I was bringing a load MADGE (Pause): Now — what are of booze in here tonight, didn't you? you going to tell me? TED: It's plenty to me, Wilson. TED: Sure—I knew that. You told JACK: First of all I'm going to tell When I'm escorting a lady, it's my busi- me the other day, when we were talking you that I love you. ness to see that she isn't bothered by about the uptown gang. MADGE: Jack! Don't say that when bums! NICK: Yeh. You were the only one —when you're drunk! MADGE: Please—Ted—Jack! Don't talk that that knew it, except the boss here, and JACK: I may be a little bit lit, Madge way to each other. At least you the driver. —but I'm never in such a bad way that might both remember that I'm here. TED: All right—but what are you I don't think of that. Besides — that's JACK: I'm sorry, Madge. . . . Well I'll have to I'll driving at? one reason why I am like this. be going along. see you do you mean? soon, Madge. NICK: I suppose you don't know MADGE: What anything about the cops that are hang- JACK: Oh—it sounds like the old TED: Not if I can help it, you won't driven to drink. that's ing around here tonight? gag—being But see her soon. You'd better find a nice about what it amounts to. warm speakeasy and curl in it TED: Cops? No—what cops? up MADGE: Well— JACK: Yeah. I'll see you there. Good NICK: Sure you don't know what JACK: Oh — Madge — I tried every bye, Madge. they're doing there? way to see you after—after it happened. MADGE: Good bye, Jack. {Pause.) TED: Say listen, Nick we've always — But they wouldn't let me. Your father Ted — I wish you wouldn't say those played the game together, haven't we? told me he'd never let me speak to you things to Jack. Everybody has times Haven't I got your protection for you again. They wouldn't let me talk to you when things aren't going right. you couldn't get it yourself? when on the phone. I tried everything, but I TED: Yeah? He's been handing you Yeah. NICK: couldn't see you. that line, eh? And you've fallen for it! TED: Didn't I frame a story about MADGE: How did you know I would Listen — you know that since he was the uptown gang in the "Clarion" so that want to see you, Jack? fired off the "Clarion" he's tried to hook all get run in and have to make they'd JACK: I knew that if I could have a up with every other paper in New York, a new start—and didn't you get most chance to explain things you would don't you? And failed! they of their business while were about want to see me again. That's why I MADGE: Why? it? Didn't I tell you about the new gag tried so hard to reach you. TED: Because if you once get a repu- to work on 'em, so that they I'm going MADGE: Then — if you have some- tation like he's got in the newspaper land a load of liquor? So can't even thing that you can explain—don't you business, you might as well pack up and all this business about cops? what's think you'd better get it over with? beat it for the sticks. There isn't a city try to bluff me with that NICK: Don't JACK: Yes. Well—you know why I editor in the city'd look at him! sure, got business, Droman. Oh, you me was fired from the "Clarion," don't you, MADGE: I think he'll get back, some- protection—. You been running stories Madge? day. gang out of the way to get the uptown MADGE: I heard some of the rea- TED: Then you've got another think sure. But you're playing a double now sons, yes. coming. Listen, Madge—let's not sit and and it don't work, see? cross game, JACK: Well — it was a mistake. I talk about that bozo. I want to talk TED: What do you mean, double didn't do the things that I was fired for! about us. cross? It was—framed. MADGE: Well— NICK: Well—I happen to got some MADGE: Framed? TED: Madge—I want you to marry friends on the force myself. One of 'em JACK: Yes. And your little fair haired me! tipped me off that you'd put the cops boy friend was the one who framed me! MADGE: But—Ted— wise to the load I was bringing in here MADGE: Ted? TED: You know I'm crazy about you, here to get tonight, so you could be JACK: Yes. Oh—I can't prove any- Madge— I always have been. the biggest prohibition story of the sea- thing on him, I know that. That's what MADGE: Yes—I think you're fond I all the dope, see? You got son. got makes it so hard to take. But I know of me, Ted. But I don't love you—any gang, and so you scared of the uptown he did it. He bragged to me that he more than you love me. decided to make a big splurge all over did! TED: Of course I love you, Madge! the front page about me, eh? How much MADGE: I don't believe it, Jack. I Don't you know that? is Hannman paying you for this, Dro- can't see why Ted should do anything MADGE: No—I don't think you do, man? like that to you. Ted. You're not the kind who can really TED: Say—listen, Nick—you don't JACK: That isn't hard to figure out. love any girl. I'd want to be much more think I'd go back on an old friend like You're the reason. sure of anyone I was to marry than I you, do you? MADGE: What do you mean? could be of you. think. I know. NICK: I don't have to JACK: Well—Ted knew that while TED: Listen, Madge—you don't still Your stories have gone to your head, you were going around with both of us, care for Jack Wilson, do you? Droman. I know about how you framed there wasn't clear sailing. He knew that MADGE: Perhaps. Jack Wilson, and if I was put out of the way, and if your TED: I don't think you're that fool- TED: Shut up, you fool! Do you want father was led to believe I was crooked, ish. He's a total loss, that bird—just a everybody around here to hear you? he'd have the field all to himself. So bum. Your father would raise the very NICK: Looks like it doesn't make any he did the snake-in-the-grass act, framed devil if he thought you were playing difference now. They're going to read a me up for something I didn't do, and around with him. I think it would be big story in the paper tomorrow, Dro- that's all there is to it. my duty to tell him—too. man, but you're not going to write it, MADGE: But Jack — I can't believe MADGE: Then—since that's the way see. If one of these cops tries to inter- that Ted ever did that. you feel about it, suppose we stop talk- fere with me getting this stuff in, I'll JACK: Perhaps not, but he did. So ing about it. Will you dance with me? come in here and pump you so full of far, he's been getting away with it. But TED: Why—yes, I guess so. I sort holes they won't recognize you down at no more. I'm going to get him, now. of hated to go out on the floor—I mean the "Clarion." That's all I've got to say! I don't know how—but I am! —there's someone that I want to see, TED: Hey, listen. Come back here. MADGE: Jack! You're not going to and Come here! Ugh! do anything MADGE: What are you so nervous MUSIC: ORCHESTRA FULL UP JACK: I don't know what I'm going about, Ted? Why don't you want to get UNTIL CUE ( ). to do—but it'll be pretty ample pay for out on the floor? MADGE: Jack! Why did you get what he did to me. Well—that's all I TED: Well—you see—oh, it's noth- this—this way? have to explain, Madge\ I hoped—I sort ing. We'll dance—and I can see this JACK: Will you give me a chance to of hoped you'd believe in me, but fellow later on. Come on I tell you? MADGE: I think I do believe at least MADGE: Why, yes, of course. part of what you say, Jack. But we MUSIC: ORCHESTRA UP FULL JACK: Then come on over here and mustn't stay here. Ted'll be over look- UNTIL CUE ( ). sit down at this table in the corner a ing for me. Let's go back.

minute. I can't talk to you when we're JACK: All right, Madge . . . wait a MADGE: I don't know what's the dancing. minute. W« .can't go back yet. There's matter of you, Ted. All the time we MADGE: But Jack— that quarte/omming out to sing again. were dancing, you were looking around. JACK: You said you'd give me a We'll havffof myait until they're off the Why are you so nervous tonight?

chance to explain. Your father's pre- floor. /ut was TED : Oh—I just—well, I don't want

/ —— I|

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112

to miss this fellow I'm supposed to see. try and get away from* this place—you dead-line is a half hour later than the I think I'll take a turn around and see know that. Ca-n I go out to. the club a "Clarion's," and they'll get it! if I can find him. You don't mind, do minute? MADGE: You know who shot him, you, Madge? SLEEPY: Yeah — I guess so. But Jack? MADGE: Well—no. Not if you'll don't try any funny business. The place JACK: Yes—I got the whole yarn. hurry back. is surrounded, you know. But that's all the good it does me. TED: I won't be long. I just want to JACK: Yes—I know. I'll see you in MADGE: Here comes Jennings back go over there on a minute. again. I'll be back in a minute. JACK: Where're you going? — Say BIZ: TWO OR THREE SHOTS MUSIC: UP SOFTLY FOR A listen, Sleepy—I've got to get this thing IN RAPID SUCCESSION, AS FROM WHILE, UNTIL CUE ( ). to the "Clarion." Can't I just phone it AN AUTOMATIC AT NOT TOO in, if you stand beside me? CLOSE RANGE. SLEEPY: They got your boy friend, SLEEPY: Orders is orders, boy, I'm all right, Miss Eastman. sorry. TED: Ohhhhh! MADGE: Yes. JACK: What time is it—let's see your MADGE: Ted! What's the matter? SLEEPY: Got any idea who did it? watch. Mine's in hock. Yeah— I thought Where did those shots come from? Oh! MADGE: Why—no. so. One minute to go to cover the dead You're hurt! Some cne has shot you! SLEEPY: You don't sound very con- line. vincing. Do you think Jack Wilson did SLEEPY: Shut up a minute! Dro- BIZ: CROWD NOISE BUILDS UP. it? man's moving! He's trying to say some- MADGE: No—no! thing.

TED (In agony) : Take me — some- SLEEPY: What're you gettin' so ex- JACK: Come here . . . Ted, ol' kid where! cited about. I'm just trying to find out what do you want, boy? Don't fret MADGE: Yes, Ted, yes. I'll get who pulled this. you'll pull through. Keep quiet. somebody to take you outside. Wait a MADGE: Naturally I'm excited, TED: I'm — through — I — guess. minute— I'll be right back! when the man I'm with is shot down Sleepy. right beside me. JACK: Go to sleep, kid. You'll be MUSIC: ORCHESTRA FULL UP SLEEPY: You don't think Wilson O. K. UNTIL CUE ( ). did it, though? He and Droman was TED: No—want—Sleepy. Here. on the outs, wasn't they? JACK: He wants to tell you some- SLEEPY: Wait a minute, there. MADGE: Why— thing, Sleepy.

Don't go out that door yet. . . . Oh! SLEEPY: Wasn't they? TED: I — framed — Wilson. Tell It's Jack Wilson. MADGE: Yes—I suppose so. them—that. Tell "Clarion." I—framed JACK: Sleepy Jennings! SLEEPY: Yeah. And I found a gun him. SLEEPY: Yeah. What're you scared on Wilson. Looks kinda bad for him. SLEEPY: Yeah! Well — that bears of, Jack? You heard those shots, didn't MADGE: I know it. But he didn't do out my suspicions, Wilson. It looks like you? it. I know he didn't. I'm going out in revenge, that's all. JACK: Yeah, I heard 'em. But I fig- the other room a minute— I'll see you JACK: Ted — hold it, kid. Do you ured I wouldn't be much use here, since later. know who shot you? 1— SLEEPY: I'll go along with you as TED: Yes—Nick—Nick—Polis. SLEEPY: Yeah — I know. It was far as the door. JACK: There! Does that clear up tough that they fired you off the things, Sleepy? "Clarion." We always thought you was MUSIC: ORCHESTRA FULL UP SLEEPY: Nick Polis! So he was one of the best police reporters they UNTIL CUE ( ). mixed up in that business, was he? had. Well—what about this shootin'? JACK: Yeah. Well—now you've got JACK: I don't know anything about SLEEPY: All right, Wilson. I guess the story, Sleepy. I knew who did it it. I was just on my way out, and you've been running around out here fifteen minutes ago—but I wanted to get SLEEPY: Been drinkin' a bit, haven't long enough. the story to the "Clarion" first. That you, Wilson? You know—it seems darn JACK: I've got it, Sleepy, I've got would have done a lot for me, Sleepy. funny_ to me that you'd be leavin' this it! Now the dead-line's passed, and they've place just when they was a shootin' goin' SLEEPY: Yeah? What have you gone to press with the last edition! I'm on. got? sunk. JACK: Yeah. JACK: I've got the story! It's the MADGE: Jack! SLEEPY: Just as a matter of form, I biggest thing that's been broken on a JACK: Where have you been, Madge? think I'd better look you over before front page in months! Wait'll I get to MADGE: You're not sunk, Jack. I you leave. the phone—I'm going to get it to the called Dad, and told him you have a big JACK: If you think I'm mixed up in "Clarion" in time for the last edition! story. He's holding the last edition for this, Sleepy, you're crazy. SLEEPY: No — I'm sorry, Wilson, it! He's on the phone now—hurry out SLEEPY: Yeah? So's a lot of people but that gag doesn't work. You're not and give it to him—if Jennings will let in the asylums. Let's see your pockets. working for the "Clarion" any more, you.

. . . A-ha! Carryin' a gun, eh? You you know. I can't let you call out of SLEEPY— I'll let him go, Miss East- know I think you'd better come into the here, since your under arrest. man. Droman confessed that he framed back room with me. I just saw 'em JACK: But listen, Sleepy—I've got to Wilson on the "Clarion," and he told us carryin' Ted Droman in there, shot. I call. I've got to get this scoop to the who shot him—so I guess there's noth- happen to remember that you and Ted "Clarion." Droman can't cover it—he's ing left for me to do. I'll be stopping aren't speakin'. Come along with me, out! Somebody's got to get it to 'em! for Polis on the way out. boy. SLEEPY: Those are orders, boy. I MADGE: Then Jack—oh, he's gone! can't let you phone until we prove that SLEEPY: Yeah—he had the "Clarion" MUSIC: ORCHESTRA FULL UP you didn't shoot Droman. on the wire before you got the words UNTIL CUE ( ). JACK: But—I've got to make the last out of your mouth. There's a good newsr edition. I can just make it if I call now. paper man! But he needed your help MADGE: Jack! SLEEPY: I said no—and I mean no! this time. JACK: It's all right, Madge, don't Now pipe down, see. Go on in the back MADGE: Well—I'll be helping him— worry. room, and I'll be in in a minute. from now on! MADGE: Who is that man with you? SLEEPY: I'm Jennings, from head- MUSIC: UP BRIEFLY UNTIL (ANNOUNCER ON FOLLOWING quarters. Is Droman hurt badly? CUE ( ). PAGE.) MADGE: I'm afraid so. He's un- conscious. JACK: Madge! ANNOUNCER: And so comes our SLEEPY: Yeah. Bad business. MADGE: Yes, Jack. "dead-line" — and the end of another JACK: Sleepy—how did you happen JACK: Madge—you don't think I did Night Club Romance. to be so near here tonight? it, do you? SLEEPY: We was watchin' the place, MADGE: No—I don't think you did. Big Time anyway. We'd been tipped off that Nick But they don't know who did, and they'll (Continued from page 34) Polis was goin' to drive in a load of suspect you until they can find the one booze, so we was sent out to get it if who shot Ted. Jimmy Harper bent forward intensely; he tried to get it in. JACK: I know who shot him! I've his queer little face—the face which had JACK: Who tipped you off got the story. But I can't give it to Jen- sent countless thousands into paroxysms SLEEPY: I don't know. It came nings yet—hell kill it for the "Clarion." of laughter—twisted into grimace of in- from the chief's desk. We've got to get a scoop on this thing, tense thought. JACK: Look here—Sleepy. I don't Madge — and Jennings won't let me "Petey," he said slowly, "I can't see a care if you're watching me on suspicion touch a phone. There's about two min- flaw. It seems like you've hit on some- —but I'm going to find the bird that utes to make the last edition—and if we thing." killed Droman. I know more than to don't make it, we're sunk. The "Echo's" "You bet your ultimate jit I have. Say, RADIO DIGES T—Illustrated US Free proof you cast make rig monet in RADIO?

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Address. 4 RadioOt>erator$90-$200 per month withallexpensespaid-BroadcastOpcrator $1 ,800-$4.800 ayear. Radio |! Repair Mechanic $1,800—$4,000 ayear. Radio Inspector $2,000—$4,500 a year. —a — "" " " m listen—I'm the grand-daddy of fixers. ter of course . . . and recently the her—a desire which the ruddy cheeked I'm a hound on wimmin and matri- name of Oscar Swanson had been taboo Mr. Swanson quite evidently shared. monial difficulties—before or after. Now between them. Evelyn told Nora, too, and she came you just go right ahead and trust little "Dog-gone the fellow," Jimmy told into his dressing room that afternoon old Petey and before you know it every- himself—"can't he take a hint? Why just before the matinee. She was smil- thing will have come out all right. How don't he either marry Evelyn or beat ing as she extended her hand, but about it; you game?" it?" he fancied that there was something Slowly, Jimmy extended his hand. Oscar did neither. He seemed to have strained about that smile—and a hint "I'm on!" he proclaimed seriously. no idea of doing anything except stick of moisture in the fine brown eyes Petey grinned. around. He was, to Jimmy's way of which met his so bravely. "Keno!" he said. thinking, a grizzly bear for punishment. "Congratulations, Jimmy. Evelyn just And it was in a spirit of sheer despera- told me . . ."

tion . ." JIMMY HARPER gave careful and one night in Indianapolis that "Aw, say . lengthy thought to the advice of his Jimmy invited Evelyn to accompany "I know you'll be very happy." friend; he was sincerely in love and him after the show to a roadhouse fa- "You know a heap." ." deeply worried. He knew that he was mous for its fried chicken sandwiches. "Yes. . . Then, quite irrelevantly, suffering personally and professionally, "Oscar has gone." and while the importance of the latter THEY motored out to Broad Ripple; "Hmm! That's my fault, too." paled into insignificance before the mag- a long ride through moonlight and "You wanted to get rid of him, didn't over smooth roads. sandwiches you, nitude of the former—he was too well The Jimmy?" versed in the ways of his profession to were excellent and satisfying. Jimmy "Sure. But—" He bit his lip. It overlook the material angle. was desperate and Evelyn unusually didn't seem right decent explaining to beautiful. They talked and danced to- Nora why he wanted to get rid of Oscar. Worry had come to him for the first gether once or twice and then re-en- "I understand." She smiled again, time in a serene and laugh-provoking tered the touring car which they had that sad, wistful smile. "I had you sized life. Love was treating him shabbily and chartered for the evening. Jimmy bade up all wrong, Jimmy." he was knowing its agonies before he the driver take a circuitous route back "You ain't the only one." knew its joys. Yet, fearful and jealous to the hotel. "I thought you felt about Oscar— as he was, he could not dislike the blonde It was a quiet, smooth ride through She flushed. "Well, you and Evelyn and genial rubber salesman who followed romantic country. Worry, work and are engaged and I wish you luck you them from city to city and haunted the — bewilderment had done something to two." theaters at which the act headlined. Jimmy—his perceptions were no longer "Us two? Good Lord, Nora you Oscar was a good sort; jovial and — keened to razor edge. ain't figuring on quitting the act, are friendly and well meaning. But he was a He was never quite clear how it hap- you?" gentleman of set and positive ideas pened. The first thing he remembered "If you'll release me." and one of them was that no wife of was that Evelyn—all of her—was in his "I won't!" he exploded. "I positively his should remain a professional. arms, that her lips were on his and she refuse. I've got you under contract." That had been the shoal upon which the was telling him that she was the hap- "Very well. If you insist— marital barque of Oscar and Nora had piest woman in the world and wouldn't "I'll say I do." wrecked and Mr. Swanson was not at Nora and Oscar be surprised that they "It isn't for very long. Our bookings all desirous of repeating the disaster. were going to get married. are almost out— all, reflected good scout After Jimmy, Jimmy opened his amazed lips—then "So'm I." as Oscar was—there was no denying closed them. It would hardly be polite, Nor did the ensuing days smooth the that he was the basis of all the trouble. he figured, to inform Evelyn that she situation. Jimmy -was supremely mis- His presence loaded the situation with was mistaken. Certainly not this soon erable and he wondered whether Evelyn horrid potentialities . . . and it was two in the engagement. Besides, he won- was as happy as she ought to be. Cer- weeks later in sheer misery of despera- dered how this appalling situation had tainly she demonstrated none of the tion that Jimmy Harper put into effect come about. He didn't remember defi- raptures of the newly-engaged young the strategy outlined by his friend Petey. nitely proposing to Evelyn—and cer- lady. She was reserved and a trifle cool And even Jimmy's worst enemy could tainly being engaged to her was a little —which suited him excellently but at not by any stretch of a vivid imagina- bit worse than the last thing he desired. the same time caused him to wonder tion have accused him of being a slow "Isn't it just too amazing, Jimmy whether the fault was not his. worker. Perhaps, reflected the funny you and me being engaged?" After all, Evelyn was a good scout man, this was due to the fact that he "Yeh. Amazing is right." and if he had blundered into a trap, it cared not a snap of his skinny fingers "And—you're happy?" was up to him as a gentleman to make for the blonde creature upon whom he "Say " Jimmy tried hard to be a the best of it. ...Certainly it had been his now showered his favors. It didn't mat- gentleman, "ain't a guy usually happy fault and it was downright out of the ter particularly to him whether or not when he just gets to be engaged? It question to tell Evelyn bluntly that he she responded. She was a mere lay figure ain't like he was married or nothing." didn't love her. in his scheme of things—he was inter- "That's right, Jimmy; it sure isn't." ested in the effect upon Oscar and upon She slipped her hand in his. "When do HE COULDN'T understand why she Nora rather than how this whirlwind we tell Oscar and Nora?" had become engaged to him. The courtship might affect Evelyn. He experienced a sinking sensation idea that she might be in love with him As for Nora Carrigan, that young lady near the pit of his tummy. "We?" he had never before occurred. He had al- tried her level best to show Jimmy that echoed feebly. ways felt that she was in love with

she didn't care one way or the other "Yes—we." Oscar Swanson. . . . Well, they were what he did or when he did it. But if "Why do zve have to tell 'em? Why engaged now—Evelyn and himself—and there was a hurt look in her eyes— can't you do the dirty work?" he guessed he'd have to go through with look of surprise and disappointment and "Jimmy—I do believe you're afraid." it. If only Nora had not been there to of suffering—Jimmy either didn't see or "Shuh! What'd I be afraid of. . . . remind him twice daily that he was in didn't comprehend. He went his way But the we stuff is out, and that goes." love with the girl to whom he was not blithely content in the knowledge that Until dawn Jimmy sat in wide eyed engaged. "Golly! I can sure understand his campaign had clearly developed the solitude thinking it over and coming to now what Nora was feeling with her vital fact that Nora and Oscar were not no conclusion. He was dazed and mis- ex-husband hanging around. I feel guilty again in love with each other. erable. It wasn't that Evelyn wasn't a time she sees me with Evelyn." every _ Oscar Swanson wore his heart on his beautiful girl and all that a wife should In Cleveland somebody came into his sleeve. His eyes dumbly followed Jimmy be, but, dog-gone it, it was Nora he dressing room. At sight of the visitor Harper and the ravishing Evelyn. So wanted! He rose suddenly and slammed Jimmy Harper rose to his inconsider- far as he was concerned, Nora Carrigan a clenched fist into the palm of his other able height and started forward with

evidently did not exist. . . . Oscar hand. murder in his eye. was beginning to suspect that he had "If I ever lay my fingers on Petey!" "I hope you —got a lot of life insurance, been too confident, too uncompromising His face purpled. "He's a swell fixer, Petey, because in his dictation of terms. Already his he is!" "Aw, lay offa that stuff, Jimmy. Sid- grim determination never to marry down and spill the dope. What's this another practicing actress was rudely QUITE obviously Evelyn broke the I hear about you being engaged to shaken—and at a time when it seemed news to Oscar early in the morn- Evelyn?" to be too late. ing, for when afternoon arrived Mr. "You heard it? Well, lemme explain ." minutes But Oscar did not depart. His ruddy Swanson was not among those present. how it happened . . Five countenance appeared in the theater at Inquiry disclosed the fact that Oscar later he finished the tragic story. "And least once every day and twice on most. had emulated the well known Arabs and here I am, about to be married to a girl I don't love when the one I do love is Jimmy was sorry for him . . . but flitted away quietly and completely. it's terrible." it seemed that his pity was not shared Jimmy was sorry; it seemed such a pity —aw hell! Petey— by Evelyn. That young lady was now that he should have Evelyn when he so "I'll bet it is. Now lemme think a looked up, accepting Jimmy's attentions as a mat- much desired that Oscar should have minute." Suddenly Petey RADIO DIGES T— Illustrated 115 The Collier Hour (Continued from page 16) of the continent and the vast open or Nnre refuse to debate closed spaces between. Approximately ten thousand replies were received in response to a test call regarding the shaving cream for expressions of opinion the quality of the programs. Anybody con- nected with Radio stations can tell you what this means as an indication of ex- tensive appreciation, for as Radio grows question . in popularity and use, Radio audiences naturally become sophisticated and crit- ical. Try Mollg one uueeK free- What was even more gratifying than the number of letters received was the Ed that alone decide universal tone of unstinte'd praise. If quoted space permitted, many could be Never Before were shaving creams so much discussed. The subject has giving utterance in almost extravagant terms to the pleasure obtained by the assumed the proportions of a national debate. But we refuse to argue. from Collier's programs. In writers the For we know, as you do, that words are weak when compared to actual strated that the Collier's Weekly revue essence, the correspondence demon- performance. So we just say, "send us the coupon for one week's free had won an instant place in the esteem supply of Molle. At the same time get samples of other shaving creams of the American home; that it was looked to as a regular hour of entertainment, that interest you. Then use them all and judge by the result. Let per- singular in form and satisfying in sub- formance—not conversation—decide which cream wins." stance.

THE technique of presentation was MOLLE Is Surely Different—It looks different .. .y*eeZs different... its aroma simple, and, like most simple presen- is different . . . application is different . . . requires no brush ... the tations, effective. Expert librettists took the magazine and with a thread of after-ieel is amazingly different! Molle is a true emollient. Molle dialogue between Uncle Henry, George contains no soap in any form. Molle contains no alkali— makes no Creel's philosophical humorist, and the Editor, produced a series of dramatiza- lather, no bubbles. Molle contains no caustics. Molle is a skin spe- tions relieved by musical interpolations. cialist's discovery ... a physician's private formula, intended to accom- This vehicle received momentum from the highest class of histrionic talent em- plish these three things: ployed for roles that quickly achieved Radio audi- fame with the widespread 1 — To leave the tenderest skin more comfortable and in ence—Angus and Pudgy of the E. Phil- lips Oppenheim detective' series and better condition than before shaving Sweet William of Dana Burnet fame, and the rest. Distinguished speakers, 2—To end razor-pull and razor-scrape forever usually staff or other authors appearing 3— To shorten the period of operation two to three min- in the pages of Collier's, gave a flavor of intellectual and educational support utes (MOLLE requires just three simple steps). to the programs; so that each hour was representative of the character of the accomplishing those things? Let the Weekly— fiction, articles, special features Has MOLLE" Succeeded in actually like the Grantland Rice sports and the free coupon — not us — answer that. Or make this unique test. There H. I. Phillips McGoofey's First Reader. The music was in the hands of a is another convenient way besides sending the coupon for you to get capable orchestra made up of a personnel acquainted with Molle (Mo-Lay). Buy the large fifty-cent Molle pack- of New York Philharmonic artists, and the selections were always atmospher- age at your nearest drug store. Use it for one week. If then you are not ically appropriate to the text. entirely pleased, you may send us what is left and we will instantly re- In the thirty-nine revues given last season more than two hundred items ap- fundyourpurchase price.Take your choice. Use the free coupon or securea pearing in the Weekly, including serial full-size tube from your druggist on our "make-good-or-money-back"offer. stories, were thus "sampled" over the air by the public. Key stations in the The Molle Company, Dept. 512, Cleveland, Ohio Blue Chain of the National Broadcasting company were selected—WJZ in New York, WBZ in Springfield, Mass., KDKA in Pittsburgh and KYW in Chi- For Shaving Tough Beards and Tender cago. Collier's Weekly was mentioned by announcers only when logically nec- Skins Without Brush or Lather essary, a fact not overlooked by those responding with written applause or by the press in its unanimously favorable A Whale of a Tube reviews. Collier's Radio Hour is now carried over a coast-to-coast network of sixteen stations of the National Broadcasting company. This means practically com- plete national coverage for the pro- gram. And the contents of the thirty- nine programs to be run up to early summer will be even an improvement over the first two seasons. With the expansion of territory in ONE WEEK'S area covered by stations, the augmenta- SUPPLY tion of the musical content of the pro- I THE MOI 1 r COMPANY, Dept, 512 1 grams and the general speeding up of c i. reiand, Ohio libretto to keep pace with the Weekly, Plcnsc scml mr otic **rrk'j rapplj of

1 co- 1 inc. the Collier's Radio Hour will be wel- MOI 1 without to comed by millions of listeners who expect much from the future because of the enjoyment it has provided in the ?lmt \,l.lr.--- past. The betting is they'll get more than they expect. Cily ami Stale — "

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smiling radiantly. "I got it!" each other with something of fear shin- Immediately after the evening per- "Got what?" ing through their happiness. formance, Evelyn disappeared. Jimmy "Oh! what will Evelyn say?" Harper "An idea. I can fix things for you." Jimmy— dragged his wife out of her "I don't care. That is, I do care. dressing room and into taxicab. "You'll fix nothing for me, Petey. a I've done a dirty hound trick but we're "Down to the hotel for You've fixed me so swell already I'm — us. We'll watch married. That's the important point. from the mezzanine." 'most dead. If you even suggest some- Nothing is going to unmarry us. And And watch they did. They saw Oscar thing else I'll brain you. All you're besides— I don't believe Evelyn is in Swanson pacing the lobby, they good for from now on, Petey, is to listen saw love with me." Evelyn try to greet him casually to me and not to explain no plans which —and "Isn't she your fiancee?" they saw the happiness flamed you have got." which "Was. But that hasn't anything to do between them. At once Jimmy and Nora Petey sighed resignedly. "All right with it. I just got a hunch ... on descended and showered them with con- if ain't interested in scheme." you my the level, don't you agree?" gratulations. "I ain't interested in a thing but my "Yes ... or I wouldn't have mar- "But Jimmy—" Evelyn was horribly own troubles . . . and I sure got ried you. I'm awfully fond of Evelyn, embarrassed. "You and I are engaged." plenty of those." but—Oh! Jimmy, why did she become "Oh, don't mind me, Eve. I'm fine If the act had been flat before, it was engaged to you if she doesn't love you?" as silk—just want to see you happy." an absolute plane now. Backstage there "Ask me something easy, sweetness. was a tension which persisted despite There ain't any answer to that." THE ceremony was performed within the heroic efforts of all three members A long pause, and she spoke: "Who the hour—and it was not until then of the team. Jimmy was in a ferment is going to tell Evelyn?" that Evelyn and Oscar compared tele- of irresolution; he knew that he couldn't "You?" hopefully. rams. Nora stepped beautifully into go through with his marriage to Evelyn "No. You." the breach. and he knew he couldn't refuse. Plan "Gosh, Nora ..." "We knew that you two were in love after plan was formulated only to be "Well, Jimmy— I can't." with one another—and it seemed a cry- discarded. His worry increased—he ate "Neither can I." ing shame not to bring you together. little and slept less. He became hag- "Then both of us." Now won't you say thanky sir?" gard and drawn—and desperate. That's twice as bad. Listen, Sugar- They said it. And then, shamefac- foot; you got an awful fine head on edly, Jimmy Harper introduced his wife. DESPERATION was something new your shoulders. Let's think up a There was a momentary pause of sheer to Jimmy! It made him want to scheme." amazement—then a shriek of laughter do things he didn't want to do. It im- "All right—let's." from Evelyn. parted to him the wildest promptings it. "You do I ain't thinking about "Oh! If I had only known. . . . and most impossible desires. And it anything except being happy." I thought I was going to have to marry was one night while in the throes of And just before they reached the hotel him." — just such a fit of desperation that he left she smiled and squeezed his hand. "I—say " Jimmy pushed forward. Evelyn at the hotel, called Nora's room "I've got a plan, Jimmy." "Would you mind telling me, Mrs. and demanded that she come down to "I knew it." Swanson, why you ever became engaged " the lobby that very minute prepared to "It may not work to me? Now that we're both married take an automobile ride. "It's got to!" —elsewhere—I can say without fear of Nora came. She looked wonderfully "I have an idea that Evelyn loves my hurting anyone's feelings that I had' no " attractive—nothing of Evelyn's volup- ex-husband." intention of proposing to you tuousness, but a warm sweetness which "Right-o!" "Of course you didn't." was distinctly her own; and she did not "And all that was holding them apart "Then why ?" demur when he rather brutally bundled was the question of whether she'd quit "Just this, Jimmy: I was terribly in her into a sedan and bade the driver the stage." love with Oscar—so much so that I was step on it pending further orders. "Yeh." scared to death I'd give in to him and Nora sat in the corner and said noth- "And I think if Oscar could get her consent to quit the stage. I knew I'd ing, yet Jimmy derived a world of com- now he'd be willing to let her dictate never be happy off . \ . so I watched fort from the silent communion. What terms." my chance and grabbed you; putting " a relief from the incessant chitter-chat- "Sure. But temptation behind me. As your wife ter of Evelyn Carrigan. Nice girl, • I'd be committed to the stage forever

.,' Evelyn but oh! so different from the RIGHT. I happen to know . -. . don't you see?" — «•« ALL soft eyed, understanding Nora! where Oscar is. He could be Jimmy was dazed. He grinned rue- They drove for almost an hour with here at ten o'clock tomorrow night if fully. "And I thought I was a lady- scarcely a word of conversation. Then, he got a telegram before seven in the killer . . . Well, tempus fugits. quite suddenly, Jimmy leaned forward morning. Now suppose he did receive Lemme see . . . what are your plans, and spoke to the driver. That individ- a wire from Evelyn saying that if he Oscar?" ual grinned, nodded and turned. When was willing to let her stay on the stage Mr. Swanson grinned. "I got to talk Jimmy settled back in his seat there was and still wanted her, he should be in the that over with Evelyn. I was figuring a firm set to his lips and a new light of hotel lobby here tomorrow night after that I'd stick with you all—for awhile grim determination in his eyes. the show with a marriage license. And until your bookings run out—that is, if "Nora," he asked, "do you know suppose, after he had boarded the train Nora and you don't mind." where we are going?" and couldn't be reached, Evelyn was to " 'Sail right with me, Oscar." She shook her head slowly. get a telegram from him saying that he "And rne, too," chimed in Nora. "I "We are going," snapped Jimmy, "to was coming with a marriage license and only objected to having my ex-husband get married!" would meet her in the hotel lobby after around when I wasn't anybody's wife." She seemed startled. "Married?" the night show and if she was still will- "And after we close," interrupted Jim- "To each other." ing to take him and stay on the stage, my, "you and Evelyn can have the sum- "Jimmy—are you crazy?" she should meet him. Suppose that, mer for a honeymoon." "Yes. Thank goodness." Jimmy . . ." "That's it."

"Golly. . . if "But we can't. You're engaged to . But they compared "So— everybody's happy, eh? And Evelyn." notes?" now " he looked over at Oscar Swan- "It isn't my fault. I want to marry "They won't—then. If they're in love son—-"lemme speak with you for a min- you." with each other they'll meet—and be so ute, Oscar." "I—I can't let you do it, Jimmy." happy that they won't think of anything "Sure, Jimmy, sure." "Do you love me?" except that they were together once They moved across the lobby. "Say, " "I don't see more. As for the telegram from Oscar listen, old man," said Jimmy, somewhat "Do you love me?" —I got a friend in that town. I'll wire awkwardly. "Things are all right now, She was not the equivocating kind. him tonight quoting the telegram I want you know. And I just wanted to say "Yes, Jimmy." sent with Oscar's name signed—so that that since Evelyn and Nora—and I will "And I love you. So that's settled." part of it will look O. K. And you see, be together next year again: 'cause this The atmosphere of the car was queer- Jimmy, if it works we won't have to act will be a riot from now on—if you ly electric. There was no further argu- tell them anything; they'll be as guilty want to stick with us next season— we'll ment. All of Jimmy's bewilderment had as we are." be awful glad to have you, and departed—a load had been lifted from He took her in his arms. "Sweetness A broad grin decorated Oscar's face. his shoulders; he worked swiftly and —you sure are one noble liar!" He dropped a friendly hand on the little effectively. The day following was surfeited with comedian's shoulder. The license clerk was located, placated embarrassment for the bridal couple. "Listen, Jimmy—lemme explain some- and routed into his clothes. A minister They avoided one another's eyes—and thing. For pretty near_ thirty weeks was found and less than two hours_ later kept as far away as possible from Eve- this season I been trailing you folks Nora Carrigan had become Mrs.Jimmy lyn. As for that flaxen-haired young around. More than a hundred times Harper. It was not until the journey lady, it was quite obvious that she, too, I've sat out front and watched you back to the hotel that they looked at was laboring under a strain. work ... so, if it's all the same to —" —

117 you, Jimmy, I'll route myself some other— "But he can't be here when he's work- it because his wife was on the warpath. way next fall. You see, it's this way ing, and it was you who wanted him to Family pride! Oscar drew a long breath and lowered go to work." Well, it was in the hands of Fate, on his voice confidentially: "I know it was. I wanted him to marry the knees of the gods—in the laps of the "Now that I'm married to Evelyn, me, too. But I was wrong, Harry. He's lazuli. If Victor was innocent, no harm Jimmy—I wouldn't sit through that con- only my husband now—and he used to could possibly come to him. If he founded act another time if my life be so wonderful." wasn't, Heaven help him! depended on it!" In the meantime, since I couldn't <

Rules and Conditions for Most Popular Station Qold Cup Award Contest

(Continued from page 3) according to the Maine, New Hampshire, Vermont, 1. The contest started with the issue subscription agencies Mas- sachusetts, Rhode Island, Connecticut, of RADIO DIGEST for October, 1929, following voting schedule: New York, New Jersey, Pennsylvania, and ends at midnight, March 20, 1930. 1-year paid in ad- Delaware, Maryland, District All mail enclosing ballots must bear the vance mail sub- and of Columbia. District number two, known as postmark on or before midnight, March scription $4.00 150 votes the "SOUTH," will comprise the states 20, 1930. 2-year; two 1-year of Virginia, West Virginia, North and paid in advance 2. Balloting will be by means of cou- South Carolina, Georgia, Florida, Louis- mail subscriptions pons appearing in each monthly issue of iana, Mississippi, Alabama, Tennessee, direct 8.00 325 votes RADIO DIGEST and by special ballots Arkansas, and Kentucky. District num- - issued only when requested at the time 3 - year; three 1 ber three, known as the "MIDDLE- of receipt of paid in advance mail sub- year; one 1 and WEST," will include the states of Ohio, 2- in scriptions to RADIO DIGEST when one year paid Indiana, Illinois, Michigan, Wisconsin, received direct and not through subscrip- advance mail sub- Minnesota, Iowa, Missouri. District num- tion agencies according to the schedule scriptions direct.. 12.00 500 votes ber four, known as the WEST," will given in paragraph four. 4-year; four 1-year; comprise the states of North and South two 2- year; one 3- Dakota, Nebraska, Kansas, Oklahoma, 3. When sent singly, each coupon year and one 1- Texas, Montana, Wyoming, Colorado clipped from the regular monthly issue and year; paid in ad- New Mexico. District number five, of RADIO DIGEST counts for one vote. vance mail sub- known as the will con- BONUS votes given in accordance with "FAR WEST," scriptions direct.. 16.00 750 votes sist of the states the following schedule: of Idaho, Arizona, 5-year; five 1-year; Utah, Nevada, California, Washington, For each two consecutively numbered one 2 - year, and and Oregon. District number six, known coupons sent in at one time a bonus of one 3-year; two 2- as_ Canada, will comprise the entire Do- five votes will be allowed. year and one 1- minion of Canada. For each three consecutively numbered year; one 4-year 6. The broadcasting station holding coupons, a bonus of fifteen votes will be and one 1 - year; the highest number of votes of all six allowed. paid in advance districts will be declared, the WORLD'S For each four consecutively numbered mail subscriptions MOST POPULAR BROADCASTING direct 20.00 l.OOOvotes coupons, a bonus of twenty-five votes STATION and will be awarded a Gold will be allowed. 10- year; ten 1-year; Cup. After the grand prize winner is five 2-year; three eliminated, the broadcasting station hold- For each five consecutively numbered 3-year and one 1- ing the highest vote in the district in coupons, a bonus of thirty-five votes will year; two 4-year which they are located will be declared be allowed. and one 2 or two to be the most popular station of their For the complete series of the six con- 1 - year; two 5- district and each awarded a Silver Cup. secutively numbered coupons, sent in at year paid in ad- No broadcasting station is to receive one time, a bonus of fifty votes will be vance mail sub- more than one prize. allowed. scriptions direct.. 40.00 2,500 votes 7. In the event of a tie for any of the 4. Special ballots will be issued only 5. For the purposes of the contest the prizes offered, prizes of identical value when requested at the time of receipt United States has been divided into five will be given to each tying contestant. of paid in advance mail subscriptions, districts. Canada will comprise the sixth 8. Any question that may arise during old or new, to the RADIO DIGEST district. District number one, known as the contest will be decided by the Con- when received direct and not through the "EAST" will include the states of test Editor, and his decision will be final. — —

RADIO DIGEST— Illustrated 119

If all the Radio sets I've "fooled" with in my time were piled on top of each other, they'd reach about halfwan to Mars. The trouble with me wan that I thought I knew so much about Radio that I really didn't know the first thing. I thought Radio was a plaything—that was all I could see in it for me.

I Thought Radio Was a Plaything But Now My Eyes Are Opened, And Ym Making Over $100 a Week!

FIFTY DOLLARS A WEEK! Man growing industry Radio had come to be my own retail business—such as broad- alive, just one year ago a salary that big employing thousands and thousands of casting, manufacturing, experimenting, would have been the height of my ambi- trained men. I usually stayed home in the sea operating, or any one of the score of tion. evenings after work, because I didn't lines they prepare you for. And to think Twelve months ago I was scrimping make enough money to go out very much. that until that day I sent for their eye- along on starvation wages, just barely And generally during the evening I'd opening book, I'd been wailing "I never making both ends meet. It was the same tinker a little with Radio—a set of my had a chance!" old story — a little job, a salary just as own or some friend's. I even made a little small as the job—while I myself had been spare change this way, which helped a lot, NOW I'm making, as I told you before, dragging along in the rut so long I but I didn't know enough to go very far over $100 a week. And I know the couldn't see over the sides. with such work. future holds even more, for Radio is one If you'd told me a year ago that in And as for the idea that a splendid of the most progressive, fastest-growing, twelve months' time I would be making Radio job might be mine, if I made a little businesses in the world today. And it's $100 and more every week in the Radio effort to prepare for it — such an idea work that I like—work a man can get in- business—whew! I know I'd have thought never entered my mind. When a friend terested in. the suggested it to I you were crazy. But that's sort of me one year ago, laughed Here's a real' tip. You may not be as money I'm pulling down right now and at him. — bad off as I was. But think it over—are in the future I expect even more. Why "You're kidding me," I said. you satisfied? Are you making enough "I'm only today not," he replied. "Take a look at money, at work that you like? Would you But I'm getting ahead of my story. I this ad." sign a contract to stay where you are now was hard up a year ago because I was for the next ten years—making the same pointed kidding myself, that's all—not because I HE to a page ad in a magazine, money? If not, you'd better be doing to be. I could holding then an advertisement I'd seen times had have been many something about it instead of drifting. the same sort of job I'm holding now, if but just passed up without thinking, never This new Radio game is a live-wire field I'd only been wise to myself. If you've dreaming it applied to me. This time I of golden rewards. The work, in any of fooled around with Radio, but never read the ad carefully. It told of many big the 20 different lines of Radio, is fascinat- thought of it as a serious business, maybe opportunities for trained men to succeed ing, absorbing, well paid. The National you're in just the same boat I was. If so, in the great new Radio field. With the Radio Institute oldest and largest Radio you'll want to read how my eyes were advertisement was a coupon offering a big — home-study school in the world — will opened for me. free book full of information. I sent the train you inexpensively in your own home coupon in, and in a few days received a to know Radio from A to Z and to in- handsome 04-page book, printed in two crease your earnings in the Radio field. WHEN broadcasting first became the colors, telling all about the opportunities rage, several years ago, I first began in the Radio field, and how a pre- man can another tip—No matter what your plans my dabbling with the new art of Radio. I TAKE pare quickly and easily at home to take are, no matter how much or how little "nuts" the subject, like was about many advantage of these opportunities. Well, it know ahout Radio—clip the coupon below and look their free book over. It is tilled with thousands of other fellows all over the was a revelation to me. I read the inter- book esting facts, figures, and photos, and the country. And no wonder! There's a fas- informa- carefully, and when I finished it I made tion it will give you is worth a few minutes of any- cination—something that grabs hold of a my decision. body's time. You will place yourself under no obligation—the book is fellow—about twirling a little knob and What's happened in the free, and* is gladly sent to twelve months " _ anyone who wants to know ahout Radio. Just suddenly listening to a voice speaking a since that day, ad- as I've already told you, dress J. E. Smith, President National Radio Insti- thousand miles Twirling it away! a little seems almost like a dream to me now. tute. Dept 9ZR, Washington, D. C. more and listening to the mysterious dots For ten of those twelve months, I've had and dashes of steamers far at sea. Even a Radio business of my own. At first, of J. E. SMITH, President today I thrill get a from this strange force. course, I started it as a little proposition National Radio Institute In Dept. those days, many times I stayed up al- "ii the side, under the guidance of the Na- 9ZR. Washington, D. C. most the whole night trying for DX. tional Radio Institute, the outfit that gave Dear Mr. Smith: Many times I missed supper because I me my Radio training. It wasn't long be- Please send me your M-page free book, couldn't be printed in two colors, giving all information dragged away from the latest fore I was getting so much to do in the about the opportunities in Radio and how 1 can circuit I was trying out. Radio line that I quit my measly little learn quickly and easily at home to take ad- I never to vantage seemed get very far with it, clerical job, and devoted my full time to of them. I understand this request though. I used to read the Radio maga- my Radio business. me under no obligation, and that no sales- man will call zines and occasionally a Radio book, but ^n me. I never understood the subject very ClNCE that time I've gone right on up. Xamc clearly, and lots of things I didn't sec ^ always under the watchful guidance of .((/(/)( ss through all. at my friends at the National Radio Insti- So, up to a year ago, I was just a dab- tute. They would have given me just as Town . Slate. bler — I thought Radio was a 1 plaything. much help. too. if 1 had wanted to follow never Occupation realized what an enormous. Fast some other line of Radio besides building " " —

120

Mystery House ing down from a green scum covered "Thinking of all those poor folks who tree and peer at him with gimlet eyes got hung and buried, sorta makes my (Continued from page 21) through the branches. Then the gorilla mouth get dry," explained Little Glenn. ing of one already dead. hurled a cocoanut that crashed through "And you are the girl, Sally?" she the roof and rolled over, his twisting WE HAD just given our order for said softly, as though speaking of one fingers outstretched in a briny sea. Turkish coffee all around, the little already dead. "What's happened here?" The gorilla cups of thick liquid had just been placed "Yes, I am Sally, and you—you—Fra- was talking. He sounded like Hanrahan before us, when one of the guests arose, goni says you are Miss Hemingway." the detective sergeant. Begorra, it was walked to the center of the room, raised "I believe I have never known such Hanrahan! her voice, pronounced these words: pity as I feel for you right now. They The big policeman, awakening from "Ladies and gentlemen—we are hon- are planning to kill you—that fiend an assault at Bob's own door, had ored tonight." Montegle!" climbed a fire escape to see what was As the lady said this she looked in our "I suppose so. I only hope it will not wrong, for he had been unable to get in direction. Glenn leaned over toward me, be torture. Is—is—Mr. Brooke dead or obtain any response to his knocks. exclaimed excitedly: yet? I tried to save him. It was no He saw Johnny and Bob stretched out "Why did you tell Marie we were com- use." on the rug, smothered beneath the green ing here tonight?" "Dead! —Mr. Brooke! I—I don't fog. A flowerpot was handy, and he Then the speaker, who was neither fair understand sailed it through the window. The two nor young, went on: "You don't know—the green gas comrades were soon taking notice. They "We are honored because we have with after the raid when they took you and coughed and sputtered and regaining us one of the most distinguished poets the Denby diamonds—you—you don't their breath sounded the alarm for of all time." know?" reserves who were reinforced by the Glenn glanced at Ford. She went on: "The report Montegle expects—oh, police patrols brought on by Williams. "This gentleman, who is now nearly God, yes, I see— Sally! Sally, we must The search for Montegle followed. eighty years old" (Glenn choked), "is get out of here— at once. You are to Montegle with Margot and Sally be- known to more people than any single come with me hind and Fragoni following slipped out writer living—and chiefly for one par- The two girls pressed against the through an underground passage that ticular poem which he wrote, a poem door. It was immovable steel. There led into a building across the alley. which is as familiar to every scholar and was no other egress. From there they soon were out of the layman as the songs of Homer to the "Help! Murder!" Margot called at neighborhood and in Montegle's home. ancient Greeks." the top of her lungs. All sounds from "I have decided that we will go in spite "Boy," sighed Glenn, "that line about beyond the door ceased suddenly. A of your threats," said Margot when they the ancient Greeks lets us out!" double door had been closed. There again found themselves in a closed room "This gentleman will not recite his was not the slightest hope of them being with Montegle. famous poem tonight—you all know it heard. "You would better think again, young by heart—but he will address you, and woman," said Montegle. he will recite some of his other almost UTTE MAY try the green gas on us, "Sally, come, let's go." equally famous verses which have ap- il too," said Sally. But in a They moved toward the door. And peared in magazines and other volumes moment more the door opened and then, at Montegle's wink, Fragoni, pow- dear to the heart of the American public. Montegle and Fragoni both entered as erful brute of a man, seized Margot's Ladies and gentlemen, I have the honor casually as though they had been pres- wrists. By sheer brawn he would sub- to present Mr. H. A. D'Arcy, author of ent all the time. due her wilful spirit. She writhed in 'The Face on the Floor,' more generally "Let us out of here immediately," his grasp. He clenched her wrists and known under the title of 'The Face on Margot demanded imperiously. twisted until she screamed. the Bar Room Floor.' Mr. D'Arcy!" "No. You may as well get that notion "Let go that woman!" A strange out of your head at once. You stay new voice sounded in their presence. THE PERSON who had been speak- here until we are ready to release you. "Who are you? How did you get in ing joined in the hand-clapping as Fragoni, there's something going on here?" Montegle demanded. poet D'Arcy rose and tottered to her outside there. Go take a walk around "That nut taxidermist, they call him," side. He was indeed an old man, thin, and let me know." said Fragoni, reaching for his hip with long white hair bobbed square off "Let me pass!" Margot demanded and pocket. "Some swell name for a taxi and hanging a few inches above the moved toward the door. "Sally, come driver! shoulders. He was under medium " with me "Oh, yes, Campbell—Campbell, what height, just a bit stooped, and his "I've had enough of this, Miss Hem- do you mean crashing in here on this clothes, though good, bagged about his ingway. Any more trouble and I'll party?" body, seemed too large. His head was " shoot "Ah ha! I have come to settle an high and his nose was strong, but his "You are too cowardly you contemp- account with you, Professor Montegle, chin and his voice were weak. He lifted " — tible yellow cur that is long past due. Strange you don't the voice, but we could catch only about infuriate him," Sally pleaded. know me but in a minute the disguise every third word. "Don't — — " "He means it. He feels safe enough to will be off—and now you see I am The author of "The Face on the Floor" "Ransome Renwick!" screamed Sally. do it here." — held Marie's floor for fifteen minutes, "I most certainly do " Unsmilingly "God must have sent you now. Ran- talking chiefly about himself, a modern serene Montegle toyed a big revolver some Renwick, the only man Montegle Homer, and about the greatness of in his hand. fears!" America and the smallness of her poets "Cops are here, chief. We gotta lam —with one exception. it outta here," Fragoni dashed into the A ND at this point the drama of Finally, in a roomful of loud appreci- room with fear in his eyes. He was Jx. Mystery House as presented by ation the ancient rhymer, who looked afraid of lead between the shoulder and performed in the manner of a pass- the National Broadcasting company is blades. He knew the police had no ing long-haired race, shambled to his intention of taking him alive if they took scheduled for continuance on the seat, leaving with us an impression fluc- him at all. There was too big a score night of December 6. A resume of tuating between contempt and commis- to settle for past offenses. the succeeding episodes will also be eration. "It's just a liquor raid. Don't get Then the impromptu introductions by published in the January number of excited. We'll sit tight." Montegle the Master of Ceremonies once more felt surer of safety here than anywhere Radio Digest. brought embarrassment to Little Glenn. else. The Master had moved to the center of "No—not this time—they are after The Lullaby Boys the scene again, had begun to talk about you. And it looks as though they are the relation of poetry to music. (Continued from page 90) going to try and get you. Maybe they "What shall we sing, Ford?" asked have found out something about to- east corner found ourselves in front of— Glenn. night." and above—Romany Marie's. Down and "For. goodness' sake, be still! You "You may be right, Fragoni. You in we filed, found more long wooden wouldn't want to play that piano!" girls come along—and no trouble, you benches, much more Bohemia. The res- Ford's guess regarding the piano was know. There are just two ways to taurant was crowded, but Gypsy Marie correct. The speaker had, by this time, prevent your talking and one of them found seats for us along a further wall introduced a young singer, son of a is to take you with us. If you prefer opposite the grand piano which sat upon famous cantor. The son of the cantor the other—" Montegle hitched his a platform scarcely larger than itself. played his own accompaniment, trying revolver suggestively. "Since we have just dined," said I, to hypnotize the yellow-keyed instru- "We'll go with you, Professor," said "our best bet will be Turkish coffee." ment into partial harmonious responsive- Margot, taking Sally's hand. "What about gingerale?" asked Glenn. ness as both he and it spluttered through Just when all seemed over for Bob Put in Ford: "Is this getting to be Rudolph's Aria, from La Boheme. The and his friend Johnny Walker, Bob habit, or do you really have a thirst for smoke that hung over the tables at imagined he saw a giant gorilla swing- gingerale?" Romany Marie's vibrated tremulously —— — —

RADIO D I G E S T Illustrated 121

-n rwr -* R.T.I. QUALIFIES YOU TO MAKE MONEY AND ITS SERVICE KEEPS YOU UP-TO-THE-MINUTE » TO W J** *• I. ON THE NEWEST DEVELOPMENTS IN RADIO. TELEVISION. AND TALKING PICTURES •»• * • *•

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from the loud applause of the eating and drinking listeners. The singer responded with an encore—without accompaniment.

MEANWHILE, we had all come to the conclusion that, although the young performer was undoubtedly the son of a famous father, judging from the performance given there, Cantor Solomon would never be the father of a famous son. Suddenly Ford looked at his watch, said: "It's a big day for us tomorrow with the records, so I think we'd better sign off." Out in the fresh air of Washington Square we walked toward the Fifth Avenue bus terminal. Said I: "A taxi takes you, but the bus shows you." "What?" "Fifth Avenue. You pass right out of NO SOAP the Village under the great arch, where Fifth Avenue begins." "That's a great idea!" exclaimed Ford. "And may I sit on top?" asked Little For Shaving Glenn. "Going out of Grinij Village," said NOW all soap for shaving—cake; they choose. Lotions and hot towels Ford, "we'll all sit on top—of the world, stick, powder or cream—is re- become needless. Daily the skin look back on Washington Square with a placed by Kolax. Already it is en- grows softer and more pliant. smile to think that the hang-man and the dorsed by a million users. No brush You will be amazed to see how grave-digger lost their jobs a century is used. There is lather no to work much quicker and better Kolax is ago, and with the hope that the kind of up or "rub in". No treatment with than your favorite soap. innocent wickedness we've seen tonight lotions to heal a face made rough will last a least another hundred." and irritated by the alkali all soap Make this Test Free "What about the pretty girls?" ques- must contain. Kolax is now made in two forms. tioned Glenn. Time is cut in half. Only these Except in one particular they are STATEMENT OF THE OWNERSHIP, MAN- three simple steps are necessary: the same. One is Kolax as now used AGEMENT, CIRCULATION, ETC., REQUIRED Wet the face. Spread Kolax on the by thousands. The other is Kolax BY THE ACT OF CONGRESS OF beard thinly. Shave. with menthol added. Some prefer it AUGUST 24, 1912. for the added pleasing tingle to the This is the secret. At last a real skin. I ask your help in deciding Of Radio Digest, Illustrated, published monthly at beard softener has been found. It Chicago, Illinois, for October 1, 1929. which is most delightful and re- acts upon the beard as soap in any State of Illinois, freshing. I invite you to test the new ss. form can never act. Kolax really County of Cook, discovery in brushless shaving— softens. Each hair and stubble swells quicker—infinitely more pleasant. Before me, a notary public, in and for the State and one-fifth in size. Oil vanishes. The county aforesaid, personally appeared E. C. Rayner, Mail the coupon below. The test who, having been duly sworn according to law. de- ra^or cuts cleanly. Blades last twice outfit containing two 10-cent tubes poses and says that he is the Publisher of the Radio Digest. Illustrated, and that the following is, to the as long—and keep sharp. Yet the (one with—one without menthol) best of his knowledge and belief, a true statement of skin is bettered. Even those with the ownership, management (and if a daily paper, the will be sent you Free and Post circulation), etc., of the aforesaid publication for the tender skins may shave as closely as Paid. Make this test at once. date shown in the above caption, required by the Act of August 24, 1912, embodied in section 411. Postal Laws and Regulations, printed on the reverse of this r form, to wit: 1. That the names and addresses of the publisher, FREE 2-Tube Coupon! editor, managing editor, and business managers are: Publisher, E. C. Rayner, 4719 Magnolia Avenue, Chi- cago, Illinois: Editor, Harold P. Brown, 6361 Univer- Kolax Company RD-ll I sity Avenue, Chicago, Illinois : Managing Editor, 561 East Illinois St., Chicago, Illinois None: Business Managers, None. I Please mail Outfit me FREE the 2-tube Test 2. That the owner is: (If owned by a corporation, of Kolax. I its name and address must be stated and also immedi- ately thereunder the names and addresses of stock- holders owning or holding one per cent or more of total amount of stock. If not owned by a corpora- tion, the names and addresses of the individual own- |io„ ers must be given. If owned by a firm, company, or .J other unincorporated concern, its name and address, as well as those of each individual member, must be given.) E. C. Rayner, 4719 Magnolia Ave.. Chicago. BRUSHLESS Illinois : George Seaman, 2350 Parkway, West Chi- cago, Illinois; F. T. Ryan, 510 North Dearborn. Chi- cago, Illinois; D. R. Seaman, 49 Cedar Ave., Chicago. Illinois; Joseph Seaman, 250 Fifth Ave.. New York City; V. E. Hurler, Hotel Elms, 53rd and Cornell. Chicago, Illinois.

3. That the known bondholders, mortgagees, and other security holders owning or holding 1 per cent or more of total amount of bonds, mortgages, or other Kolax securities are: (If there are none, so state.) None.

4. That the two paragraphs next above, giving the names of the owners, stockholders, and security hold- B R O S. 8c C O. fgi-a ers, if any. contain not only the list of stockholders and security holders as they appear upon the books of the company but also, in cases where the stock- holder or security holder appears upon the books of the company as trustee or in any other fiduciary rela- tion, the name of the person or corporation for whom said CASHorCREDIT such trustee is acting, is given ; also that the 27 N}»? two paragraphs contain statements embracing affiant s full knowledge and belief as to the circumstances and Send for Catalog! conditions under which stockholders and security hold- FREE ers who do not appear upon the books of the com- pany as trustees, hold stock and securities in a HOW TO ORDER: Send first payment capacity other than that of a bona fide owner: and —state article desired—name of employer this affiant has no reason to believe that any other —kind of work you do—how long in posi- person, association, or corporation has any interest direct or indirect in the said stock, bonds, or other tion live long there. —age—where —how securities than as so stated by him. No. 924 — Woman's Elgin STRICTLY CONFIDENTIAL. No. 927—Elgin "Legionnaire" $1.90 down; $1.90 bracelet watch, $29.50; $2.95 for Men, $19; 5. That the average number of copies of each issui CREDIT TERMS: Pay one -tenth down; balance down; $2.95 a month a month of this publication sold or distributed, through the weekly, semi-monthly, or monthly at your conven- mails or otherwise, to paid subscribers during the six > lence. All goods delivered on first payment. months preceding the date shown above is Satisfaction guaranteed, or money (This information is required from daily publications Fiery Blue White Diamonds; DeptG-461, 108 N. State Street, Chicago, III. back. Goods sent for your free Solid 1S-K White Gold Rings examination on request. only.) E. C. RAYNER, mSlora in Leading Cilietm (Signature of Publisher) Sworn to and subscribed before me this 7th day of October, 1929.

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RADIO DIGES T—Illustrated 12$

(Continued from page 117) "What happened?" I asked. know about the sex-life of centipedes "It was quite a party," she replied, CLASSIFIED is that legs are no treat to them. sinking into a chair. "When I got to ADVERTISEMENTS Take Delphine, for instance. I met the door of his flat I heard music in- her in Paris. She wasn't a frog—just side. Victor was playing the piano a cornfed kid from Kansas, with eyes and someone was singing. I waited 'til Bates are twenty cents a word for each as blue as a Monday morning, and a she'd finished, and then I was going to insertion. Name and address are counted. initials 'word. fine, old-fashioned Kansas thirst. We knock, but I tried the door and it wasn't Two count one Cash must went about together; we stayed home locked." accompany order. Minimum of ten words. Objectionable and misleading advertise- together. I thought I knew Delphine "That's in his favor," I said. "The ments not accepted. like a book. And then, one day. . . . door not being locked." Take it from me, the bird who flatters "If you ask me, he'd forgot to lock himself he understands women—flatters it. Anyway, I marched right in. And Employment himself. there they were!" Even Gert didn't behave the way I "You say he'd finished playing?" Men thought she would. I figured she'd fall "Yes. But she'd just begun. She sobbing on my shoulder, or maybe break had her arms around his neck and was BE A DETECTIVE — Excellent oppor- a little furniture. Not at all. She was kissing him." tunity. Travel. Experience unnecessary. as calm as if she'd just returned from "Good Lord! What did Victor say?" Particulars FREE. George Wagner, 2190K Broadway, New York. the races. "He said, 'Gert!'—Just like that." "What did she say?" "She said: 'Who's you girl friend, Patents Use Victor?'" PATENTS. Booklet free. Sighest refer- a Reesonator fnr "What did you say?" ences. Best results. WATSON E. COLE- Trade Mark MAN, Patent Lawyer, 724 Ninth St., N. W., Washington, D. C. PLENTY! I told her who I was— Sharp Tuning told her what she was—and after I'd chased her out of the flat I told Motorcycles Distance Power Victor a few things." MOTORCYCLES. Outboard motors. New. Over 30,000 Satisfied Users "What did Victor say?" Used. Bargains. Easy Terms. Catalog "He kept telling me I was mistaken. free. Clymer, Denver, Colorado. I hate a liar." "Me, too," I said. "What was the Patents girl like?" Pat- pretty, Harry.' And she cer- INVENTIONS COMMERCIALIZED. "She was ented or unpatented. Write Adam Fisher tainly could sing. Here's a piece of Manufacturing Company, 555 Enright St., her dress." St. Louis, Missouri. She tossed me a bit of blue cloth. "Souvenir," I said. Radio "She got one, too," said Gert. "Only Remarkable! New! Phantom Aerial Elim- hers will turn black I mean her eye. — inates outside aerial. Phenomenal Results, Will you see a lawyer for me?" a wonder for distance, small, compact. "To defend you in case she has you Instantly attached. Only $2.75 Postpaid. arrested?" At your dealers or direct Monarch Radio Corp., 8328 Vernor, Detroit, Mich. "That girl's not going to have me arrested." "Then what do you want a lawyer Map s $4.75 Complete for?" New Radio Map and Log'. We are now

Bring your set up to date I For all sets using an "To get my divorce." able to supply our readers with a new untuned floating or antenna tube, such as Atwater "Don't be silly," I said. "This will radio map and log, showing location of Kent Models 30-32-35-37-38, Victor Silver Knight, stations, list of all stations by call let- Temple, Crosley Bandbox, Radiola Models 16-17- blow over." 18-51-33-333, Dayfan, Apex '28 Models, and many ters. Send 25 cents, stamps or coin, to others. Attaches across aerial and ground leads "No, Harry. I did think a good row Shopping Service, BLadio Digest, 510 N. without tools in less than a minute. would clear the air, but this wasn't a Dearborn St., Chicago, 111. It will enable you to tune sharper and plays with it massacre. I'm sorry, too, dance volume, stations which are barely audible row— was a or sometimes entirely inaudible without it. Re- because I do like to behave like a lady For Sale t quires tuning only when additional selectivity or when there's strangers present." power is required. Attractively constructed from POR SALE: Four year old Coon and hard rubber and bakelite in a highly polished rich "Good heavens! Was somebody else mahogany color. Guaranteed against defects in O'possum hound on trial. R. L. McCuan, material and workmanship for a period of six there?" Brownsville, Tenn. months. Get a R'eesonator from your dealer today, "No. Just that girl. But she was or order direct, giving dealer's name. Dealers! Over sixty leading jobbers carry this a perfect stranger to me. Are you going Songwriters item. We guarantee satisfaction. Try one for to see a lawyer for me, or aren't you?" three days at our risk. If not thoroughly satis- fied your money will be cheerfully refunded. "Of course I'll see one, if you really SONGWRITERS: Substantial Advance Royalties are paid on publisher's accept- Ref., Fargo Naf I Bank, or Bradstreefs. Dun's mean it." ance. New booklet, "Song Requirements —-——-SEND COUPON NOW«««" "Who?" of Talking Picture," sent free. New- "Jack Parkinson." comer Associates, 778 Earl Bldg., New F. H. RADIO Tork. & LABORATORIES "I thought he didn't take divorces." Dept. 107 Fargo. North Dakota "He doesn't. But he will for me." I enclose check or money order for $4.75 lor which send me a Reesonator postpaid. "No, Harry. I want the kind of law- Reesonator Leurn at home tofi/Ia Send C. O. D. yer I'd have if I was in the movies. Send Dealers' Proposition. B They know the ropes." Please send Literature. BIG PAYJOB Name . RIGHT," I said. "And as soon ALL <* as you get your first papers, you ELECTRICITY Address. . k. . State. and I and little Harry will take a trip ELECTRICITY needs you, wants you, and will pay you well. Hundreds of **Cooke Trained" Electrical Men are making $60 to $100 a week-some even more. V'hv ntnvi' along on small pay when you can learn Electricity the L. L. COOKE Way io your spare time at home? QUICK AND EA6Y TO LEARN No experience --no higher education necassa- make* $110 . wk. ry. The fwnou* I.. L. i:OOKK "Work Sheet*" and "Job Tickets"' make this Training nimplo as A. B. C. You K-arn under a Money Back fey Your Bills Agreement and you pet practical experience ) like shop training with the Kig Outfit of Ap- NOW paratus Riven you without extra coat. AND*HAVE MONEY TO SPARE GET READY FOR BIG PAY ^ with a steady Income for things people eat. I furnish everything Many fellow* no smarter than you ore makirur tne rest of your life if including: world's finest super sales outfit. 10 to $16 a day and up in Electric it you II take care of my Lowest prices, Hip; permanent repeat busi- SDn't m got rtlQJ for n Bin l*ay Job in thin l held At today Send for Big FREE il business in Quality guaranteed by $25, 000.00 bond. Rreal your locality. ness. lustrated Book of Facta, Write today mure. h. K 3. No experience needed. GET FOOD PRODUCTS High i\ I'll cam- highest quality products send bur ol . Full or spare time, vI uu., I. __- 32 f un H j.,.„ pucknres «>f homo necensitf— L. COOKE SCHOOL OF ELECTRICITY monUi. don't invest one Write At Once D«pt. 289. 21S0 L«wr«nc. *»... Chlc««o. III. cent, just be my GET Write quick for full local partner. Information. With , Hundreds CHRYSLER I i Make $15.00 a COACH lect oh my day easy. Ride partner, I fro No Ivestment in a Chrysler This Is part of 60-50. G«t my FREE offer needed— I furnish .Sedan I furnish my amnzincr to producers. It all capital and and distribute offer for your so Is yours to keep S0-S0 with my teas, coffee. —no contest locality. TRAINED MEN/50/}/) Earrners.partners.__ ' wntoorwiroWrite wire ~- ' B _ spires, extractsextracts, or ^a-^-ini C. W.VAN DE p Chest « Food Pn to my Representatives MAKING^ MARK, PRESIDENT i ARE S?&fSn»h-£ ^1929 > i'. W. V. 1). M ^^ 124 RADIO DIGES T—Illustrated

'round the world." "What do you want to go around it again for?" "Well, there's a girl in Shanghai, and a widow in Bombay—and a lot of other side trips I didn't make." "Not for me," said Gert. "I'm going to stay right here in Hollywood and be a mother." ROBTELEE "How soon?" "I mean to little Harry. He's all I got now—the precious! It's funny, though, the way things work out. I stole Victor off his first wife, and now this pop-eyed pansy comes along and steals him off me." "Serves you right for committing „ ST LOUIS and PINE. Opened M«I923 petty larceny. If you'd stolen a reg- 16^5 250l(Oom»> ular fellow, this wouldn't have hap- New pened." KANSAS CITY 4WYANDOTTE In lliiHeart oIAikkh 200 toon* "You don't understand Victor. He's .nil an Artist. And Artists just naturally ain't SAN ANTONIO got to kiss women who their wives. <& CITY ol CHAOM 0„ ihe OLD SPANISH T8A\L Radio Course If they didn't, they'd go batty." "Well for Pete's sake! If you knew LAREDO CNTHE BIO CRANOE In TEXAS this about Victor, why did you land on ViVtflHiPM THE MEXICAN QafiOifc, IT easy to PROVIDES an way that girl?" prepare for a good position in "Knowing is one thing, Harry, and feeling is another. When your feelings radio work. It furnishes a rise up inside of you the way mine did, /2°S you got no more control than a rabbit. EVERY flOOM WITH PRIVATE BATU broad knowledge of radio that I'm sorry I acted the way I did. If AND CEILING FANS you see Victor, please tell him so." applies to the job at hand, "I'll make it a point to see him," I said. whether that job be the simple If you want to know, wild horses couldn't have kept me from seeing Vic- act of removing a tube or tor. For what I was after was the truth. And while I was sure Gert be- figuring on the most modern lieved she'd told it to me, the thing about Truth is, she lives at the bottom QUIT installation. It explains the of a well, and you need a pump to get her out. So I put on my hat and went TOBACCO down town to pump Victor. technicalities of radio in clear, No man or woman can escape ^l the harmf u 1 effects of tobacco. dRj Well, what was the truth about Don't try to banish unaided K- understandable language, first the hold tobacco has upon you. Ar Victor? You certainly want to Join the thousands of inveter- ^fil ate tobacco users that have »a laying a fine mathematical hear his side of the story. And found it easy to quit with the aid of theKeeleyTreatment. then there are a lot of other Treatment For background. things to be settled up or ex- TobaccoHabit Successful For plained in some way. Don't miss KEELEY Over 50 Years There is no better way for the installment Gertrude Quickly banishes all craving; for tobacco. Write today next of for Free Book telling how to quickly Free yourself from you to succeed in radio than in the January Radio Digest. the tobacco habit and our Money Back Guarantee. THE KEELEY INSTITUTE Dept. B 406 Dwight, Illinois to study this new course of the When WABC and the Columbia Broadcasting System Staff held a family International Correspondence party not long ago, the engagement of Miss Ethlyn Baird of the Program De- Schools. Every day new stu- partment, to L. Sumner Bookwalter, Manager of the WABC control room, its dents are finding out many was officially announced. They will be married about the first of the year. advantages. The course is en- Tim Frawley, noted actor, who took dorsed leading radio experts by the part of "Soapy Smith" in the first radio manufacturers. "Fires of Men" presentation over and WABC and Columbia System stations, personally knew the man he portrayed Mark and mail the coupon in the radio skit. Frawley said: "'Soapy Smith' is real! He was such a colorful today and let us tell you what lad that Arthur Walden used him as one of the characters in his book 'A Dog " the new Radio Course can do Puncher on the Yukon.' =fc ^ ^ for you. Paul Whiteman and his orchestra now do all their broadcasts in the smock and Mail the coupon for FREE booklet beret of Old Gold, appearing in the studios of WABC in what might be called full regimentals. International Correspondence Schools Box 8276-S, Scranton, Penna. The blare of the circus band, the hoarse throated barker, the growls of the Without cost or obligation, please tell me all about the lions, and everything but the smell of NEW RADIO COURSE the sawdust will be heard over the WBBM Air Theatre, Chicago, every other Saturday night. A regular three- Name. ring circus will be heard on the air, with Ted Weems and his band from the Granada Cafe occuping one ring, Gus Street Address. C. Edwards and his Terrace Garden or- chestra another, and the third ring con- INDIANAPOLIS

City . State- taining the regular old time circus band. — —

RADIO DIGES T—Illustrated 125

Studio Is Scene

RADIO is not unlike the vaudeville stage in that it brings individual artists together and ofttimes combines them into an ensemble that "clicks" from its initial performance. This is true of Pianette, Violine, Angela and Jazzette, four young girls who include three in- strumentalists and a crooning contralto. Pianette met Violine in the reception room of WOR while both of them were waiting for their turn to broadcast and exchanged interesting notes about their careers. Then they listened to each other play. Afterward they discussed doing a "double" and were given the opportunity. A few weeks later they heard the harpist (Angela) and she was added, making it a trio. All three attended one ofthe station's studio teas and heard the crooner. She proved to be just the right contrast for them and the Quartette blossomed forth the next week. It is one of the station's most popular Wednesday night offer- ings. * * '* - An up-state girl who went to New York City to become a concert pianist, but who became instead one of the country's best beloved sopranos. Such Chock Lhis Book in a few words is the story of Olive Kline. Her voice of crystal purity and Full of wide range has been found to broadcast Has Shown with unusual clearness. Money-Making * * * Yes, Agnes R., Sid Goodwin is mar- Facts! ried and his little wife certainly knows 7143 MenHow to what a famous man her husband is. One day just before the baseball season ended she went to the game out in Portland. MAKE MORE MONEY Sid wasn't there. In the box back of her were two women who punctuated their AND it will do the same for you! accomplish exactly what you would remarks with "as Sid says." Finally one L\ All I ask is a chance to prove it. like to do. of them saw a man enter the next box. JL \~ If you are the sort of a fel- Your spare time a few evenings a "Oh, there's Sid," they cried. Mrs. Good- win listened during the rest of the game low who is content to grind all your week is worth money, real money. to their plans for walking right up to life for poor pay you'll not be inter- I am ready to pay you for it—from the man and kissing him. It began to ested in what it has to tell you. $25 to $50 a week. And you can rain, however, and Mrs. Goodwin left But if you are looking for an honest- keep your present job. without seeing what happened to the poor, innocent stranger. to- goodness opportunity to earn I don't ask you to take my word for * * * more money—if you look forward it. I'll give you the names of men One of the NBC studio engineers in to having a business of your own who are doing it every day. My New York blushed the other day and if you really have THE WILL TO plan is simple—thoroughly tested now two sopranos have a friend for life. WIN— and proven. The facts are there in It happened this way. The singers were Then you owe it to yourself to send the book for you to read and judge sitting against a studio wall waiting for a dress rehearsal. Inside the booth the for this amazing book. for yourself. engineer was testing microphones. Each You have never read anything like Investigate. Send for this book and was turned on separately to try the this straight-from-the-shoulder, in- get the whole wealth-bringing story. sound quality. Suddenly Mr. Man heard: tensely human story. Read it and Convince yourself that I can help "And, my dear, the next time you have a solo program be sure to get Mr. S. as find out how 7143 men average you make extra money. Start now your engineer. He's the sweetest thing, men, just like yourself—men with by mailing the coupon. Be sure to and he can get more out of your voice the same problems you are now up give your county. with his dials than any man in the against read how I helped them Matheson Bell, Pres. studios." — J. "Yes," the other girl answered, "I've noticed that. And don't you think his See for yourself the record of a man ivho has made $10,900 eyes are adorable?" out of Ozarka. And another who made $1750 last year; That was when the m"ere man shut off another $1645; another $1848; and so they go—$1212, $1708, his mikes and rushed out to cool his sud- $1028 for last year's ivork. Hundreds of them with their denly fevered cheeks in the cooler air. names. Make me prove that what they have done, you can do.

Olive Shea, "Miss Radio" of 1929, finds the responsibility of stardom most 126 Austin Ave. intriguing. Her working hours have in- OZARKA, INC. Chicago, Illinois creased fourfold, and she has had to employ a secretary to keep up with her MAIL THIS NOW mail. COUPON

So striking is the constantly mounting OZARKA, INC., 126 Austin Ave., Chicago, 111. volume of business in the tube division Gentlemen:—I want to know how 1 can make more money. Please send me .1 copv of your book* "The Will to Win." of the radio industry that it is being compared to such commercial fields as that of the safety razor where the blade Name business far exceeds that of the razor itself. Address County. 126 RADIO DIGES T—Illustrated Short Go Race Close (Continued from page 76) furnish a very entertaining fifteen-minute program, is a good whistler. Not neces- sarily an extraordinary one, but just a good one. Still another program of interest is one made up entirely of child talent. I don't think it would be hard at all to get together a group of talented boys and girls under the age of, shall we say, 16, who could play the piano, violin or perhaps even the saxophone or har- monica. My greatest hope is that you won't plan to broadcast the programs which you choose from the ones submitted in this contest at some late hour when most people are in. bed, as the majority of other good programs are. My street and number are 244 Merrill St., in Birmingham, Michigan.—FLOR- ENCE B. LONG, Birmingham, Mich. * * * Here's One From the South I wish to enter the Short-Go program contest. I listen in on the Radio every night and read Radio Digest almost every month. There are two programs that I would like to hear over the Radio. One is an old time barn dance program with old songs, with fiddles and guitars. The other one is Hawaiian music playing "The Pagan Love Song," "The Wed- ding of the Painted Doll," "Carry Me Back to Old Virgiriny," and "Moon- light and Roses."—HUGH THOMP- SON, Jr., Clifton Forge, Va. * * * More "Readings" Well, here goes, though I'm not good at writing letters and never won a prize. Have often wondered why one doesn't hear more "readings" over the Radio. About three years ago there was a "Lee Ward Gaston" who gave readings which were sure enjoyed and looked forward to by everyone. She gave read- ings of "A Telephone Operator," "A Mother in a Theatre With a Flock of Children," etc. All were good and everyone was disappointed when she quit broadcasting. I'm sure a fifteen- minute program of "readings" would sure be enjoyed and looked forward to When answering advertise- Free Lessons! by all—M. EVELYN FORSEN, 2601 ments please mention that NIGHTS Delaware, St. Joseph, Mo. * * * Digest. you saw it in Radio OF JOY For the Old, Old Songs IN I would like to submit an idea or / two for a fifteen-minute program. LIFE-TIME DX AERIAL STORK No. 1—For a Saturday evening, dis- cuss the Sunday School lesson and read the part it covers out of the Holy Bible. FOR No. 2—For some week-day evening, read or tell some old, old stories, or play some old songs which used to be played Guaranteed Double Volume and SharperTuninq and sung about one hundred years ago or later. And sing some others which No. 3D—LENGTH 30 FEET: Assembled ready to string up. Brings in volume of 150-ft. aerial but were familiar to our great, great grand- retains the selectivity of a 30-ft. aerial. Rings are START TO PLAYl parents.—RONALD PRESTON, R. F. heavy gauge solid zinc. Duplicates in design and D. No. 2, Marshall, Michigan. non-corrosive materials the aerials used by most of largest Broadcasting Stations. Design permits VERYHRSTDAl * * * using this powerful aerial in 30-ft. space, (prefer- Even if you can't read a note of music right now, R. D. Program ably outside). Sharpens tuning of any receiving you play a simple melody on the very day you get Heard set because of short length but has enormous your Deagan Xylorimba. Free, easy lessons show Your notice on page four, October pick-up because 150-ft. of No. 14 enamelled wire is you how. Soon you are amazing friends and relatives. Digest, "Prize Contest," my program used. Made for owners of fine radio sets who Then a new life begins—long, happy evenings of joy ; parties; want great volume on distance without destroying popularity; radio engagements—and the same chance to as follows: sharp tuning. (Also used by many owners of make $5 to $25 a night as Ralph Smith, Chicago—"Played 20 minutes at wedding: received $20." Or the Hallmann "Massa's In Cold, Cold Ground," short-wave outfits.) "Makes a good radio set family, Reading, Pa. .— Made $300 in 6 Weeks, spare time." Sweetheart), better." banjo; "Tesro Mio" (My PRICE $10.00 FIVE DAYS' FREE TRIAL—Our big FREE book Italian waltz, accordion; "O, Promise tells all about this fascinating instrument—the 6-day free trial offer—the free lessons—the easy payment plan. Send Me," cornet; "Dreams of Prosperity," No. 60—LENGTH 60 FEET: Assembled—ready in the coupon today—the booklet will be mailed promptly orchestra. to string up. "BIG BOY" Size, (same description without cost or obligation. as above except that 300-ft. of wire is used mak- I heard about your magazine on the ing this the most efficient and powerful aerial MAIL COUPON TODAY! air and bought my first copy a few days possible to manufacture.) J. C. Deagan, Inc., Dept. 1854, 1770 Berteau Ave., Chicago since, and am very well pleased with PRICE $11.40 full details of Free Trial offer Send me, without obligation, it. I think it best of its kind that I and easy-payment plan on the Deagan Xylorimba. Manufactured by have seen so far.—A. L. BROOKS, THOROLA RADIO PRODUCTS Name — Bellevue and Highland Aves., Lang- horne, Pa. 1014 So. Michigan Blv'd., Chicago, Illinois Address . — RADIO DIGES T—Illustrated m

From dance hall floors to railway coach ceilings

. this grainless wood board

Beauty, such as paneled ceilings need, is usually required to sell a product. Dura- bility, that a floor must have, is necessary to keep it sold. Manufacturers who adopt Masonite Presdwood find that it gives their products both durability and beauty. Samples for testing will be gladly supplied.

In a Denver dancing academy to work with. It can be sawed, the tap-tap-a-tap of metal tipped punched, planed, milled or

clogs resounds from a floor of sanded. It is liked by shop fore- Masonite Presdwood. At Pull- men, experienced with mate- fls si man, Illinois, ceilings of Presd- rials of all kinds, and is just as y^m Ball wood are applied to railway welcome in homes where handy FOR DANCE FOR RAILWAY HALL FLOORS coaches. And in scores of widely men put up shelving or build a COACH CEILING

varying industries, hundreds of products are be- radio cabinet. Wherever it is used it never harms

ing made better and at lower cost because of this fine tools, for it contains no artificial binder. grainless wood.

Many of these Presdwood products require the Has wide range of uses strength and durability that are indicated in the The uses of Presdwood are many and varied. service rendered at Denver. Used eight hours a They range from bedroom screens to toys, from day at the Fred Merritt School of Tap Dancing, motor truck bodies to hydroplane hulls, from the Presdwood floor showed no signs of wear, bread boxes to loud speaker tension boards, from even after weeks and weeks of usage. Other out-door signs to kitchen cabinets, from office par- Presdwood products may require smoothness and titions to billiard tables, from clothes hampers to ease finishing there, again, is of — Presdwood breakfast nooks.

ideal, as evidenced by its use for paneling . . . Fully eighty of Presdwood's many uses, in in- not only in ceilings of railway coaches but in dustry and the home, are listed in the Presdwood fine homes and buildings as well. booklet which is gladly sent to those who appre- ciate the beauties of fine materials or who wish Is easily cut to effect manufacturing economies with this work- Beauty and lasting qualities are but a part of the able grainless wood.

advantages of Masonite Presdwood. It is mois- MASONITE CORPORATION ture resisting and almost immune from warping, Dept. 730-A, 111 Wed Washington Street shrinking and buckling. It is extremely easy Chicago, Illinois

FOR PANELING FOR BREAKFAST NOOKS Masonite JLVXpresdwood Made by the makers of MASONITE STRUCTURAL INSULATION

© 1929 M. C. 128 RADIO DIGES T—Illustrated

t , HAT CONSTITUTES A TRULY MODERN. MOTOR- CAP PICTURE "'A.'$2.O.O'0O.' MA-D£*TO •-ORDER AUTOMOBILE COMPARE .THAT; -"."CAR WITH STUTZ "OR BLACKHAWK CHECK YOUR OWN.: AH O THESE ..FO'U-RTE.E* TIONS

Suppose you were willing to pay $20,000 for an cylinder, insuring greater power and economy? Worm drive is one of the fundamentals of Stutz- automobile made to your order, the last word in /would {3 Single ignition Blackhawk advanced engineering. In style, beauty and performance-with-safety. have [-] [) ua | ignition writing your specifications, you would want to 11. Would your made-to-order car be of the con- Dual ignition is one of the many features of ad- answer all the questions listed below: ventional type, with a relatively high center of vanced engineering found on Stutz and Black- weight? Or would you build safety into your car hawk. 1. Would you subject yourself and yourfamily to by lowering the center of weight? the dangers of flying glass? Or would you equip 7. Would you want your engine to have the less / would O Conventional car, relatively unsafe your $20,000 automobile with safety glass all r-j efficient single carburetion as originally de- have Safety Stutz with low center of around? signed for four-cylinder cars? Or would you pre- weight would Ordinary glass / C3 fer the greater engine efficiency made possible Stutz low center of weight, made possible by have [2 Safety glass by dual carburetion? worm drive, means better roadability, greater Safety glass all around was pioneered by Stutz / would 13 A single carburetor ease of control, improved riding, greater per- four years ago. have [~| Dual carburetion formance and greater safety. Dual carburetion and dual intake contribute to 2. Would you becontentwith the ordinary three- the outstanding performance of Stutz and Black- 12. Would you be contentwith the ordinary type speed transmission? Or would you prefer the hawk cars. of chassis frame, which yields to torsional strains? four-speed transmission? more modern Or would you insist upon having a massive / would EH Ordinary three-speed transmission 8. Would you be willing to have an automobile double-drop frame providing utmost safety? have q Transmission with four speeds equipped with ordinary oil and grease cups? Or / would C] Ordinary chassis frame forward would you like the latest, Stutz one-thrust chassis have r-] Massive double-drop frame lubrication system which feeds oil to all moving The Stutz transmission, with four speeds forward, The Stutz double-drop frame has seven cross parts of the chassis in one operation ? provides superior performance and longer car members, five of them tubular. life. The trend is toward four speeds. / would CH Ordinary oil and grease cups have [J One-thrust lubrication system 13. Would you have ordinary running boards 3. Would you be satisfied with the conventional One-thrust chassis lubrication is among the many suspended on brackets and hence easily collap- car which rolls backward on inclines when brakes convenience features of the Stutz and Blackhawk. sible jn case of side collision? Or would you feel released? prefer Stutz Noback, are Or would you safer with Stutz side-bumper steel running boards which automatically prevents undesired back- 9. Would you expect your $20,000 automobile built integral with frame? rolling on inclines? to be equipped with ordinary headlights? Or I would Q Running boards suspended on brackets / would O Ordinary car without Noback would you prefer Ryan-Lites, which give long have rj Side-bumper steel running boards have £2 The added protection of Noback range without dangerous glare and which give integral with frame side-illumination with added protection for night L-head Stutz side-bumper steel running boards integral 4. Would you select the conventional driving? type of engine? Or would you insist upon having with the frame protect the occupants of the car / would Ordinary headlights the increased efficiency of the valve-in-head CI in case of side-collision. have [2 and improved Ryan-Lites engine? New Ryan-Lites, standard equipment on Stutz and 14. Would you specifyconventional brakes with / would 1Z! Conventional type, L-head engine Blackhawk, are the only automobile lights that just ordinary braking power? Or would you feel have Q] Advanced type, valve -in -head engine meet all legal requirements everywhere. safer with Stutz Feathertouch Booster Brakes? / would CD Ordinary conventional brakes The Stutz valve-in-head line-eight engine is not 10. be content with the conventional Would you have £] Feathertouch Booster Brakes only more powerful, it is also quiet, smooth and bevel gear drive? Or would you have the im- Stutz is safest because it can stop in three fifths economical. proved worm drive rear axle which permits the the distance required by conventional cars. floorboards to be lowered 20 per cent and lowers 5. Would you accept valves actuated by rocker the center of weight of the entire car? arms, with their greater noise and greater area Of course you would want all the advantages of wearing surfaces? Or would you insist upon / would [U Conventional rear axle listed above if you purchased a $20,000 made- have having the overhead camshaft with its direct- Q Worm drive rear axle to-order car. But think how much easier it is to acting, simple and quiet valve operation? get them in a Stutz or Blackhawk. / would Conventional push-rods and rockerarms have [J Stutz silent overhead camshaft NEW SERIES Stutz has them all and instead of paying Stutz or As compared with rocker-arm valve mechanism, $20,000, you pay $2,995 *° $8,500 for a the Stutz overhead camshaft eliminates 19a wear- SAFETY STUTZ $1,995 *° $2»735 f° r a Blackhawk. ing surfaces. AND In no other American car will you find this combination of features, this advanced engineer- 6. Would you be content with the single igni- BLACKHAWK tion found in ordinary cars? Or would you prefer ing which has made Stutz the embodiment of dual ignition with two spark plugs for each CARS performance-with-safety. STUTZ MOTOR CAR COMPANY OF AMERICA, INC INDIANAPOLIS, INDIANA NO OTHER CAR MAKER. COULDTRUTH I SIGN T'H IS ADVERTISEMENT AC SPARK PLUGS AC SPEEDOMETERS AC AIR CLEANERS AC OIL FILTERS AC FUEL PUMPS AC GASOLINE STRAINERS AC AMMETERS AC OIL GAUGES AC THERMO GAUGES v!? 1923. AC Spark OPENING NIGHT... CHICAGO'S NEW OPERA

\^HE more discriminating the gathering, the greater the proportion of Studebaker's smart Eights at nearby motor parks. All of the finer American cars are eights. And when you enhance the undeniably greater suppleness of this modern power with the world-champion performance of a Studebaker, you have the explanation for Studebaker's continued world

leadership in the sale of eights . . . the finest tribute in Studebaker's 77 years ofquality manu- facture. It is this eight -cylinder leadership, in turn, that makes possible the very moderate prices of Studebaker cars — prices which are in no sense a criterion of Studebaker style, travel- ease and luxury of appointment. The President

Straight Eight Brougham, pictured below, with six wire wheels and fitted trunk, costs but

$2295, at the factory. Bumpers and spare tires are extra. Distinctive brougham models are also offered on Commander and Dictator chassis at still lower prices.

dewak er BUILDER OF CHAMPIONS

THE CUNEO PRESS. INC.. CHICAGO