Starting List 8.11.19

Total Page:16

File Type:pdf, Size:1020Kb

Starting List 8.11.19 NEW RELEASE CDs 8/11/19 NICK CAVE And The Bad Seeds Ghosteen [2CD] £12.99 BRIGYN Lloer (Feat Gareth Bonellon / Gentle Good, Bryn Terfel, Meinir Gwilym + More £12.99 GENE CLARK (The Byrds) No Other [2CD Book Set on 4AD] £17.99 Disc 2 = Alternative Versions (and all are amazing!) GENE CLARK (The Byrds) No Other Std.Reissue[4AD] £7.99 ANDREA BOCELLI Si Forever (Feat. Ed Sheeran / Ellie Goulding / Dua Lipa + More] £10.99 BILL LAURANCE, BOB MINTZER & WDR BIG BANDLive At The Philharmonie Cologne £9.99 BRUCE SPRINGSTEEN The 1990s Broadcast Collection [5CD Set] £14.99 BUDDY GUYHouse Of Blues 1995 [2CD] £12.99 CHARLES RUMBACK & RYLEY WALKER Little Common Twist[Thrill Jockey] £11.99 CROSBY STILLS NASH & YOUNGFillmore East 1970[2CD] £8.99 FALSE ADVERTISINGBrainfreeze[Alcopop!] £9.99 GEORGE MICHAEL & WHAM Last Christmas OST £9.99 GIANT SAND Glum (25th Anniversary Edition)[Fire] £10.99 GRATEFUL DEAD The Last New Years Show, Oakland, Ca, 1991[3CD Set] £14.99 JEAN TOUSSAINT ALLSTAR 6TETLive At The Jazz Cafe £11.99 JOSIENNE CLARKE In All Weather £9.99 JOWE HEAD (Swell Maps / Television Personalities) Widdershins £9.99 KELE (Bloc Party) 2042 [!K7] £9.99 KING TUBBY VS CHANNEL ONE Dub Soundclash [Jamican Recordings] £9.99 KLAUS SCHULZE La Vie Electronique Vol. 1 [3CD] LEON RUSSELL Live At Gilley's (Out of print for 20 years and now expanded!) £9.99 LUKE JACKSONJournals £9.99 MAX COOPERYearning For The Infinite £9.99 MICHAEL BALL &ALFIE BOE Back Together £10.99 MIGHTY BABYAt A Point Between Fate And Destiny[6CD on Cherry Red] £27.99 MONO Before The Past - Live From Electrical Audio [Temporary Residence] £9.99 NEWLY RECORDED IN ONE DAY IN 2019 WITH LONGTIME COLLABORATOR, STEVE ALBINI MOOR MOTHERAnalog Fluids Of Sonic Black Holes[Don Giovanni] £9.99 PETE ASTOR & The Holy RoadParadise[Tapete] £11.99 PHILIP B. PRICEBone Almanac £11.99 RACHAEL DADD Flux[Memphis Industries] £9.99 ROBBIE BASHO Visions Of The Country (40th Anniversary Edition) [Clear LP + MP3 + Poster] £21.99 SERGE BLENNERLa Vogue[Bureau B] £11.99 SERGE BLENNERMagazin Frivole[Bureau B] £11.99 SNUFF There’s A Lot Of It About [Fat Wreck Chords] £13.99 SOUNDWALK COLLECTIVE & PATTI SMITH Mummer Love[Bella Union] £9.99 SPARKS Past Tense: The Best of Sparks[3CD] £12.99 STEVE REID Rythmatism [Soul Jazz Reissue LP of an album originally released in 1976 and 1000 copies made!] £11.99 STING My Songs [Special Edition 2CD inc. Live Disc 16 additional tracks] £10.99 SLAYER The Repentless Killogy (Live At the Forum in Inglewood, CA) [2CD on Nuclear Blast] £14.99 TAYLOR HAWKINS (Foo Fighters) & THE COATTAIL RIDERS Get The Money FEAT. DAVE GROHL, CHRISSIE HYNDE, PERRY FARRELL, JOE WALSH, ROGER TAYLOR + MORE! £9.99 TERRI LYNE CARRINGTON & SOCIAL SCIENCE Waiting Game[2CD on Motema] £ THE DEAD SOUTH Sugar & Joy £9.99 THE SCRIPT Sunsets & Full Moons £9.99 THE URBAN VOODOO MACHINE Friends & Family Album Vol. 1 £9.99 THE WONDER STUFF Better Being Lucky £9.99 THEATRE OF HATE Kinshi £12.99 TYSHAWN SOREY & MARILYN CRISPELL The Adornment Of Time £9.99 UK SUBS Subversions II [Cleopatra] £15.99 XYLOURIS WHITE The Sisypheans [Drag City] £10.99 VARIOUS ARTISTS / OST Peaky Blinders Series 1 - 5 Feat. PJ Harvey / Nick Cave / David Bowie / Arctic Monkeys £10.99 VARIOUS ARTISTS Dreamboats & Petticoats: Silver Linings: 100 Hits From A Time Of Magic (Nat King Cole / Billy Fury / Tom Jones) [4CD Set] £10.99 VARIOUS ARTISTS Live Lounge (Radio1) The Collection [2CD] FEAT. THE 1975, LEWIS CAPALDI, JORJA SMITH, SAM FENDER & MORE! £11.99 VARIOUS ARTISTS Pakistan: Instrumental Folk & Pop Sounds 1966 - 1976 £12.99 VARIOUS ARTISTS Brown Acid: The Ninth Trip[Easy Rider] £12.99 NEW RELEASE LPs 8/11/19 NICK CAVE And The Bad Seeds Ghosteen [2LP gatefold sleeve + MP3 ] £22.99 GENE CLARK (The Byrds) No Other [LP+MP3 on 4AD] £15.99 GENE CLARK (The Byrds) No Other [Ltd. Deluxe Boxset on 4AD ] Contains Ltd. Silver Lp, 7”, Three Sacds, Blu-Ray And An 80 Page Hardbound Book. £139.99 BJÖRK / FEVER RAY / THE KNIFE Country Creatures[12” on CarolineInternational] £14.99 CHARLES RUMBACK & RYLEY WALKER Little Common Twist[LP + MP3 on Thrill Jockey] £19.99 DAWN RAY'D Behold Sedition Plainsong [LP on Prosthetic] £19.99 FALSE ADVERTISINGBrainfreeze[Ltd. "Ice Cream" Splatter LP on Alcopop!] £16.99 FKA TWIGS Magdalene [Ltd. Indies Exclusive Red LP on Young Turks] £16.99 JAH WOBBLE A Very British Coup [Ltd. Yellow 12" Feat. Mark Stewart & Andy Weatherall & Youth] £15.99 KELE (Bloc Party) 2042 [Gatefold 2LP on !K7] £21.99 KING TUBBY VS CHANNEL ONEDub Soundclash[LP on Jamican Recordings] £14.99 LAND OF KUSHSand Enigma[2LP + MP3 on Constellation] £23.99 LUCY DACUS 2019EP[Ltd. INDIES EXC. 12” on Matador] £12.99 MAMMAN SANI La Musique Electronique Du Niger [LP + MP3 on Sahal Sounds] £18.99 MARK HOLLIS (Talk Talk) Mark Hollis [LP + MP3] £18.99 MONO Before The Past - Live From Electrical Audio [Ltd. Colour LP on Temporary Residence] £19.99 NEWLY RECORDED IN ONE DAY IN 2019 WITH LONGTIME COLLABORATOR, STEVE ALBINI MOOR MOTHERAnalog Fluids Of Sonic Black Holes[Ltd. INDIES EXC. Colour LP on Don Giovanni] £18.99 NIRVANA Live...Nevermind Tour '91[Ltd. Yellow 2LP] £15.99 PETE ASTOR & The Holy RoadParadise[LP on Tapete] RACHAEL DADD Flux [LP + MP3 on Memphis Industries]£16.99 SEBASTIAN Thirst [Ltd. Pink 2LP + CD] £24.99 SIMPLE CREATURES (Blink 182 / All Time Low)Everything Opposite [Ltd. INDIES EXC. Split Colour LP] SLAYER The Repentless Killogy (Live At the Forum in Inglewood, CA) [Gatefold 2LP on Nuclear Blast] £25.99 SNOW PATROL Reworked (13 Classics Reworked + 3 New Songs) [180g 2LP + MP3] £26.99 THE SCRIPT Sunsets & Full Moons [Ltd. Clear LP + MP3] £23.99 THE WORLD IS NOT A BEAUTIFUL PLACE & I AM NO LONGER AFRAID TO DIE Assorted Works (2LP Green] £19.99 XYLOURIS WHITE The Sisypheans [LP on Drag City] £19.99 VARIOUS ARTISTS Brown Acid: The Ninth Trip[Ltd. UK Exclusive Colour LP on Easy Rider] £23.99 1. THURSTON MOORE (Sonic Youth) Pollination / Leave Me Alone[7”] Each 7-inch is an excerpt moment from the THURSTON MOORE GROUP live in 2019, free-mixed by Wobbly (aka Jon Leidecker) + a New Order Cover! £8.99 2. THURSTON MOORE (Sonic Youth) Spring Swell / Leave Me Alone[7”] Each 7-inch is an excerpt moment from the THURSTON MOORE GROUP live in 2019, free-mixed by Wobbly (aka Jon Leidecker) + a New Order Cover! £8.99 3. THURSTON MOORE (Sonic Youth)Three Graces / Leave Me Alone[7”]Each 7-inch is an excerpt moment from the THURSTON MOORE GROUP live in 2019, free-mixed by Wobbly (aka Jon Leidecker) + a New Order Cover £8.99 REISSUES CAN Ege Bamyasi [Ltd. Green LP on Mute] £19.99 EVERYTHING BUT THE GIRL Walking Wounded[180g LP] £19.99 GIANT SANDGlum (25th Anniversary Edition)[LP on Fire] £19.99 MADONNA Like A Virgin [Ltd. Clear 180g LP on Rhino] £18.99 MADONNA Madonna[Ltd. Clear 180g LP on Rhino]£18.99 MADONNA True Blue[Ltd. Clear 180g LP on Rhino] £22.99 MADONNA Who's That Girl OST [Ltd. Clear 180g LP on Rhino] £18.99 THEE OH SEES Sucks Blood[LP Reissue on Castle Face + MP3] £21.99 THE POLICE Synchronicity [LP + Mp3] THE POLICE Reggatta De Blanc [LP + Mp3] £18.99 .
Recommended publications
  • Young Americans to Emotional Rescue: Selected Meetings
    YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
    [Show full text]
  • Is Jack Antonoff Overrated?
    :: View email as a web page :: What is it like to have a conversation with Isaac Brock? Actually, it’s a lot like listening to Modest Mouse — he’s somewhat erratic, often explosively funny, and, just when you least expect it, brutally honest and insightful. Believe it or not, but Brock now qualies as a true indie-rock elder statesman. Modest Mouse’s seventh album due out June 25, The Golden Casket, arrives 25 years after their 1996 debut, This Is A Long Drive For Someone With Nothing To Think About. Back then, Brock was a few months shy of his 20th birthday, and he sounded like it. His early songs were rough-hewn, combustible, and lled with pointed observations about small-town blue-collar life that still seem utterly unique in the largely bourgeois world of indie music. The next two Modest Mouse albums, 1997’s The Lonesome Crowded West and 2000’s The Moon & Antarctica, are landmarks of modern indie. Then came 2004’s Good News For People Who Love Bad News, which shockingly transformed them into a multi- platinum mainstream rock band. While their output since then has come slower — just three albums in the past 17 years — Brock remains committed as ever to not repeating himself. Check out this interview where Brock talks about Modest Mouse’s discography. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century In case you missed it... The latest episode of Indiecast reviewed the new Modest Mouse album and remembered The Shins.
    [Show full text]
  • Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006
    M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 03 of September 30 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part two Forty years ago, in 1966, Neil Young made his Living with War (2006) recording debut as a 20-year-old member of the seminal, West Coast folk-rock band, Buffalo Springfield, with the release of this band’s A damningly fine protest eponymous first album. After more than 35 solo album with good melodies studio albums, The Godfather of Grunge is still on fire, raging against the System, the neocons, Rating: ÆÆÆÆ war, corruption, propaganda, censorship and the demise of human decency. Produced by Neil Young and Niko Bolas (The Volume Dealers) with co-producer L A Johnson. In this second part of an in-depth tribute to the Featured musicians: Neil Young (vocals, guitar, Canadian-born singer-songwriter, Michael harmonica and piano), Rick Bosas (bass guitar), Waddacor reviews Neil Young’s new album, Chad Cromwell (drums) and Tommy Bray explores his guitar playing, re-evaluates the (trumpet) with a choir led by Darrell Brown. overlooked classic album from 1974, On the Beach, and briefly revisits the 1990 grunge Songs: After the Garden / Living with War / The classic, Ragged Glory. This edition also lists the Restless Consumer / Shock and Awe / Families / Neil Young discography, rates his top albums Flags of Freedom / Let’s Impeach the President / and highlights a few pieces of trivia about the Lookin’ for a Leader / Roger and Out / America artist, his associates and his interests.
    [Show full text]
  • The Rolling Stones and Performance of Authenticity
    University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • LISTEN: the Versions (CL) Drop Classic Jacobites' Cut “Fortune of Fame” Off Forthcoming Album, 'Calling Lucifer'
    The Versions Nov 20, 2020 01:27 GMT LISTEN: The Versions (CL) drop classic Jacobites' cut “Fortune of Fame” off forthcoming album, 'Calling Lucifer' By Iggy PotNovember 19, 2020 The Versionshave a new cover ofThe Jacobites‘ (Nikki Sudden and Dave Kusworth) track“Fortune of Fame.” The cut is off the Chilean garage rock band’s upcoming Calling Lucifer LP due out November 26th onAlgo Records. Formed in 2004 by The Ganjas Samuel Maqueira and Aldo Benincasa, the forthcoming record will be their third release. Drawing on influences like the Flamin’ Groovies, Iggy Pop and James Williamson‘s Kill City LP, as well as Dogs d’amour, Calling Lucifer contains the aforementioned Jacobites’ cover and a version of the Johnny Thunders & The Heartbreakers‘ track “It’s Not Enough.” View embedded content here Reprobate Media · The Versions - Fortune Of Fame “Fortune of Fame”is one of those minor, forgotten classics. Nikki Sudden had formed Swell Maps with his brother Epic Soundtracks back in the early ’70s, and their noisy DIY sound and spirit would go on to have a significant influence on post-punk and the following generations of alternative music. After disbanding in the early ’80s, Nikki Sudden joined forces with Dave Kusworth to form The Jacobites. “Fortune of Fame” is off the group’s first LP, Robespierre’s Velvet Basement (Glass Records). Brimming with urban despair but defiant in the face of it, the cut is perfect territory for The Versions to show off their own brand of rock and roll attitude. The Versions will be featured at this year’s Monkey Week Festival in Spain.
    [Show full text]
  • WXYC Brings You Gems from the Treasure of UNC's Southern
    IN/AUDIBLE LETTER FROM THE EDITOR a publication of N/AUDIBLE is the irregular newsletter of WXYC – your favorite Chapel Hill radio WXYC 89.3 FM station that broadcasts 24 hours a day, seven days a week out of the Student Union on the UNC campus. The last time this publication came out in 2002, WXYC was CB 5210 Carolina Union Icelebrating its 25th year of existence as the student-run radio station at the University of Chapel Hill, NC 27599 North Carolina at Chapel Hill. This year we celebrate another big event – our tenth anni- USA versary as the first radio station in the world to simulcast our signal over the Internet. As we celebrate this exciting event and reflect on the ingenuity of a few gifted people who took (919) 962-7768 local radio to the next level and beyond Chapel Hill, we can wonder request line: (919) 962-8989 if the future of radio is no longer in the stereo of our living rooms but on the World Wide Web. http://www.wxyc.org As always, new technology brings change that is both exciting [email protected] and scary. Local radio stations and the dedicated DJs and staffs who operate them are an integral part of vibrant local music communities, like the one we are lucky to have here in the Chapel Hill-Carrboro Staff NICOLE BOGAS area. With the proliferation of music services like XM satellite radio Editor-in-Chief and Live-365 Internet radio servers, it sometimes seems like the future EDITOR-IN-CHIEF: Nicole Bogas of local radio is doomed.
    [Show full text]
  • Is Rock Music in Decline? a Business Perspective
    Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse,
    [Show full text]
  • Jokerman — Bob Dylan 1999 Page 1 of 87
    Jokerman — Bob Dylan 1999 page 1 of 87 JOKERMAN BOB DYLAN 1999 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES , NEW RELEASES , TAPES & BOOKS . © 2000 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. © Olof Björner 26 February 2009 Jokerman — Bob Dylan 1999 page 2 of 87 CONTENTS: 1 INTRODUCTION ............................................................................................................................................. 6 2 THE YEAR AT A GLANCE ............................................................................................................................ 6 3 CALENDAR ...................................................................................................................................................... 7 4 NEW RELEASES AND RECORDINGS ........................................................................................................ 9 4.1 MILLION MILES ............................................................................................................................................... 9 4.2 WEB BOB ........................................................................................................................................................ 9 4.3 NEW TAPES & BOOTLEGS ............................................................................................................................... 10 4.3.1 Sydney Stadium, Sydney, Australia
    [Show full text]
  • Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
    Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world.
    [Show full text]
  • The History of Rock Music: 1976-1989
    The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Punk-rock (These are excerpts from my book "A History of Rock and Dance Music") London's burning TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The effervescence of New York's underground scene was contagious and spread to England with a 1976 tour of the Ramones that was artfully manipulated to start a fad (after the "100 Club Festival" of september 1976 that turned British punk-rock into a national phenomenon). In the USA the punk subculture was a combination of subterranean record industry and of teenage angst. In Britain it became a combination of fashion and of unemployment. Music in London had been a component of fashion since the times of the Swinging London (read: Rolling Stones). Punk-rock was first and foremost a fad that took over the Kingdom by storm. However, the social component was even stronger than in the USA: it was not only a generic malaise, it was a specific catastrophe. The iron rule of prime minister Margaret Thatcher had salvaged Britain from sliding into the Third World, but had caused devastation in the social fabric of the industrial cities, where unemployment and poverty reached unprecedented levels and racial tensions were brooding.
    [Show full text]
  • Innovators: Songwriters
    NBER WORKING PAPER SERIES INNOVATORS: SONGWRITERS David Galenson Working Paper 15511 http://www.nber.org/papers/w15511 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 November 2009 The views expressed herein are those of the author(s) and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2009 by David Galenson. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Innovators: Songwriters David Galenson NBER Working Paper No. 15511 November 2009 JEL No. N00 ABSTRACT Irving Berlin and Cole Porter were two of the great experimental songwriters of the Golden Era. They aimed to create songs that were clear and universal. Their ability to do this improved throughout much of their careers, as their skill in using language to create simple and poignant images improved with experience, and their greatest achievements came in their 40s and 50s. During the 1960s, Bob Dylan and the team of John Lennon and Paul McCartney created a conceptual revolution in popular music. Their goal was to express their own ideas and emotions in novel ways. Their creativity declined with age, as increasing experience produced habits of thought that destroyed their ability to formulate radical new departures from existing practices, so their most innovative contributions appeared early in their careers.
    [Show full text]
  • Record Dreams Catalog
    RECORD DREAMS 50 Hallucinations and Visions of Rare and Strange Vinyl Vinyl, to: vb. A neologism that describes the process of immersing yourself in an antique playback format, often to the point of obsession - i.e. I’m going to vinyl at Utrecht, I may be gone a long time. Or: I vinyled so hard that my bank balance has gone up the wazoo. The end result of vinyling is a record collection, which is defned as a bad idea (hoarding, duplicating, upgrading) often turned into a good idea (a saleable archive). If you’re reading this, you’ve gone down the rabbit hole like the rest of us. What is record collecting? Is it a doomed yet psychologically powerful wish to recapture that frst thrill of adolescent recognition or is it a quite understandable impulse to preserve and enjoy totemic artefacts from the frst - perhaps the only - great age of a truly mass art form, a mass youth culture? Fingering a particularly juicy 45 by the Stooges, Sweet or Sylvester, you could be forgiven for answering: fuck it, let’s boogie! But, you know, you’re here and so are we so, to quote Double Dee and Steinski, what does it all mean? Are you looking for - to take a few possibles - Kate Bush picture discs, early 80s Japanese synth on the Vanity label, European Led Zeppelin 45’s (because of course they did not deign to release singles in the UK), or vastly overpriced and not so good druggy LPs from the psychedelic fatso’s stall (Rainbow Ffolly, we salute you)? Or are you just drifting, browsing, going where the mood and the vinyl takes you? That’s where Utrecht scores.
    [Show full text]