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Weekly Current Affairs PDF 22Nd March 2021 to 28Th March 2021
ExamsCart.com ExamsCart.com Weekly Current Affairs (22nd March 2021 to 28th March 2021) IMPORTANT DAYS International Day of Forests is celebrated on March 22 International Day of Forests is celebrated on 22 March. The day was founded by the Food and Agriculture Organization and United Nations in 2012. It is aimed at raising public awareness among diverse communities about the values, significance and contributions of the forests to balance the life cycle. Government networks and private organisations work together on this day every year to enlighten people about the importance of forests and the role they play in our ecology as well as the economy. World Water Day is observed on March 22 World Water Day is observed on 22 March. The day focuses attention on the importance of freshwater and advocates for the sustainable management of freshwater resources. The objective of the day is to raise awareness of the global water crisis, and a core focus of the observance is to support the achievement of Sustainable Development Goal (SDG) which is to ensure water and sanitation for all by 2030. World Meteorological Day is celebrated on March 23 The World Meteorological Day is celebrated every year on 23 March to commemorate the date of the establishment of the World Meteorological Organization on 23 March 1950 The day also highlights the contribution that the National Meteorological and Hydro-logical Services make to the safety and well-being of society. The theme for 2021 World Meteorological Day is ‘The ocean, our climate and weather’. World Tuberculosis Day is observed on March 24 World Tuberculosis Day is observed on 24th March every year to raise public awareness about the devastating health, social and economic consequences of Tuberculosis, TB, and to step up efforts to end the global epidemic. -
Farooq Sheikh: 'A Natural Actor' Farooq Sheikh Was an Actor, Philanthropist and a Popular Television Presenter
SWAPNIL SANSAR, ENGLISH WEEKLY,LUCKNOW, 21,MARCH, 2019 (06) Farooq Sheikh: 'A natural actor' Farooq Sheikh was an actor, philanthropist and a popular television presenter. the late 90s, Farooq Sheikh acted in a number of television serials. Chamatkar He was best known for his work in Hindi films from 1977 to 1989 and for his on Sony and Ji Mantriji on Star plus are among the few. He also worked in a TV work in television between 1988 and 2002. He returned to acting in films in 2008 serial Shrikant which aired from 1985 to 1986. and He compered in the Binny Double or Quits Quiz contest which was telecast over Remembering on his contin - Vividh Bharathi. He also performed on stage in famous plays such as Tumhari ued to Amrita directed by Feroz Abbas Khan, featuring Shabana Azmi.The play was Birth Anniversary (25th Mar.) do so appreciated by audiences the world over for 12 years till 2004. A sequel to this until his play was staged in India in 2004 titled "Aapki Soniya" with Farooq Sheikh and death on 28 December 2013. His major contribution was in Parallel Cinema or Sonali Bendre as main leads. "Tumhari Amrita" completed its 20-year run on 26 February 2012.He direct - ed Azhar Ka Khwab, an adaptation of Bernard Shaw’s Pygmalion in 2004.He had been the host of the popular TV show Jeena Issi Ka Naam Hai in which he inter - viewed many Bollywood celebrities. His sense of humor and direct humble approach was the USP of the show.Farooq Sheikh died of a heart attack in Dubai on 28 December 2013. -
Yash Chopra the Legend
YASH CHOPRA THE LEGEND Visionary. Director. Producer. Legendary Dream Merchant of Indian Cinema. And a trailblazer who paved the way for the Indian entertainment industry. 1932 - 2012 Genre defining director, star-maker and a studio mogul, Yash Chopra has been instrumental in shaping the symbolism of mainstream Hindi cinema across the globe. Popularly known as the ‘King of Romance’ for his string of hit romantic films spanning over a five-decade career, he redefined drama and romance onscreen. Born on 27 September 1932, Yash Chopra's journey began from the lush green fields of Punjab, which kept reappearing in his films in all their splendour. © Yash Raj Films Pvt. Ltd. 1 www.yashrajfilms.com Yash Chopra started out as an assistant to his brother, B. R. Chopra, and went on to direct 5 very successful films for his brother’s banner - B. R. Films, each of which proved to be a significant milestone in his development as a world class director of blockbusters. These were DHOOL KA PHOOL (1959), DHARMPUTRA (1961), WAQT (1965) - India’s first true multi-starrer generational family drama, ITTEFAQ (1969) & AADMI AUR INSAAN (1969). He has wielded the baton additionally for 4 films made by other film companies - JOSHILA (1973), DEEWAAR (1975), TRISHUL (1978) & PARAMPARA (1993). But his greatest repertoire of work were the 50 plus films made under the banner that he launched - the banner that stands for the best of Hindi cinema - YRF. Out of these films, he directed 13 himself and these films have defined much of the language of Hindi films as we know them today. -
Volume-13-Skipper-1568-Songs.Pdf
HINDI 1568 Song No. Song Name Singer Album Song In 14131 Aa Aa Bhi Ja Lata Mangeshkar Tesri Kasam Volume-6 14039 Aa Dance Karen Thora Romance AshaKare Bhonsle Mohammed Rafi Khandan Volume-5 14208 Aa Ha Haa Naino Ke Kishore Kumar Hamaare Tumhare Volume-3 14040 Aa Hosh Mein Sun Suresh Wadkar Vidhaata Volume-9 14041 Aa Ja Meri Jaan Kishore Kumar Asha Bhonsle Jawab Volume-3 14042 Aa Ja Re Aa Ja Kishore Kumar Asha Bhonsle Ankh Micholi Volume-3 13615 Aa Mere Humjoli Aa Lata Mangeshkar Mohammed RafJeene Ki Raah Volume-6 13616 Aa Meri Jaan Lata Mangeshkar Chandni Volume-6 12605 Aa Mohabbat Ki Basti BasayengeKishore Kumar Lata MangeshkarFareb Volume-3 13617 Aadmi Zindagi Mohd Aziz Vishwatma Volume-9 14209 Aage Se Dekho Peechhe Se Kishore Kumar Amit Kumar Ghazab Volume-3 14344 Aah Ko Chahiye Ghulam Ali Rooh E Ghazal Ghulam AliVolume-12 14132 Aah Ko Chajiye Jagjit Singh Mirza Ghalib Volume-9 13618 Aai Baharon Ki Sham Mohammed Rafi Wapas Volume-4 14133 Aai Karke Singaar Lata Mangeshkar Do Anjaane Volume-6 13619 Aaina Hai Mera Chehra Lata Mangeshkar Asha Bhonsle SuAaina Volume-6 13620 Aaina Mujhse Meri Talat Aziz Suraj Sanim Daddy Volume-9 14506 Aaiye Barishon Ka Mausam Pankaj Udhas Chandi Jaisa Rang Hai TeraVolume-12 14043 Aaiye Huzoor Aaiye Na Asha Bhonsle Karmayogi Volume-5 14345 Aaj Ek Ajnabi Se Ashok Khosla Mulaqat Ashok Khosla Volume-12 14346 Aaj Hum Bichade Hai Jagjit Singh Love Is Blind Volume-12 12404 Aaj Is Darja Pila Do Ki Mohammed Rafi Vaasana Volume-4 14436 Aaj Kal Shauqe Deedar Hai Asha Bhosle Mohammed Rafi Leader Volume-5 14044 Aaj -
XLI Mostra Internazionale Del Cinema Libero Fondazione Cineteca Di Bologna
XLI Mostra Internazionale del Cinema Libero Fondazione Cineteca di Bologna “Il cinema è l’istituzione più democratica e più internazionale... Apre spazio alla fantasia creativa degli spettatori [...] costretti e autorizzati a dare loro stessi un’anima a quei corpi in movimento; detto altrimenti: a scriversi il proprio testo per il film” “Cinema is the most democratic and most international of institutions... Provides space for the viewer’s creative imagination [...] compelled and enabled to give a soul to those moving bodies – or, to put it more simply, to write their own text for the pictures” Viktor Klemperer, 1912 “Procediamo con disordine. Il disordine dà qualche speranza, l’ordine nessuna” “Let’s start with disorder. Disorder gives you some hope, order none” Marcello Marchesi, 1963 Promosso da / Promoted by: FONDAZIONE CINETECA DI BOLOGNA Coordinator: Sara Mastrodomenico Fondazione Cineteca di Bologna Presidente / President: Carlo Mazzacurati Coordinamento Cinema Lumière 1 / Cinema Ente Mostra Internazionale del Cinema Libero Direttore / Director: Gian Luca Farinelli Lumière 1 coordinator: Andrea Peraro Consiglio di amministrazione / Board of Coordinamento Cinema Lumière 2 / Cinema Con il sostegno di / With the support of: Directors: Carlo Mazzacurati (Presidente), Lumière 2 coordinator: Nicola Di Battista Comune di Bologna Alina Marazzi, Valerio De Paolis Coordinamento Piazza Maggiore / Piazza Ministero per i Beni e le Attività Culturali - Maggiore coordinator: Silvia Fessia con Direzione Generale per il Cinema Ente Mostra Internazionale -
CURRICULUM VITAE Dr. NIHARIKA SINGH BISHT D/O Mr. B. S. Bisht Lohariya Saal Malla (Nawad) P.O.- Kathgharia, Haldwani Nainita
CURRICULUM VITAE Dr. NIHARIKA SINGH BISHT D/O Mr. B. S. Bisht Lohariya saal Malla (Nawad) P.O.- Kathgharia, Haldwani Nainital, Uttarakhand (263139) [email protected] Mobile : +91-9639853783 Biographical Data: Father’s Name: Mr. B. S. Bisht Mother’s name: Mrs. P. B. Bisht Date of birth : 20th February, 1988 Languages Known : Hindi, English and Kumaoni Academic qualifications: Graduation H.N.B. 2007 Chemistry, I Garhwal University Botany and Zoology Post Kumaun University 2009 Zoology with I Graduation specialization in Entomology Ph.D. Kumaun University 2014 Zoology - Awards: Gold Medal for securing 1st position at University level in Post Graduation. Fellowship: INSPIRE Fellowship by Department of Science & Technology, Government of India, New Delhi. Topic of Research Work: “CONTROL OF FERTILITY OF LEPIDOPTERAN PESTS USING PLANT EXTRACTS AS INSECTICIDAL AGENTS” Research period: March 24, 2011 to May 8, 2014 Reference Name and address: Ex-Prof. B.R. Kaushal Department of Zoology D.S.B. Campus, Kumaun University Nainital-263002 (Uttarakhand) Professional Skills: Laboratory rearing and study of insect species like Pieris brassicae, Helicoverpa armigera, Plutella xylostella, Spodoptera litura and Thysanoplusia orichalcea. Formulation of different botanicals as bio-pesticides. Study of impact of botanicals on different life stages of lepidopteran pests. Dissections of adult lepidopterans for study of impact of bio- pesticides on gonads and related anti-fertility effects. Maintaining insectariums for study of regional entomo- fauna diversity. Teaching the subject Zoology at graduate and post graduate levels. Publications: 1. Raveesh Tripathi, Kanchan Bhandari, Niharika Bisht and B. R. Kaushal (2014). Review: Need and Impact of Synthetic Chemicals Used in Agriculture on Human Health and Environment. -
MZU Journal of Literature and Cultural Studies
MZU Journal of Literature and Cultural Studies MZU JOURNAL OF LITERATURE AND CULTURAL STUDIES An Annual Refereed Journal Volume IV Issue 1 ISSN:2348-1188 Editor : Dr. Cherrie Lalnunziri Chhangte Editorial Board: Prof. Margaret Ch.Zama Prof. Sarangadhar Baral Prof. Margaret L.Pachuau Dr. Lalrindiki T. Fanai Dr. K.C. Lalthlamuani Dr. Kristina Z. Zama Dr. Th. Dhanajit Singh Advisory Board: Prof. Jharna Sanyal, University of Calcutta Prof. Ranjit Devgoswami,Gauhati University Prof. Desmond Kharmawphlang, NEHU Shillong Prof. B.K. Danta, Tezpur University Prof. R. Thangvunga, Mizoram University Prof. R.L. Thanmawia, Mizoram University Published by the Department of English, Mizoram University. 1 MZU Journal of Literature and Cultural Studies 2 MZU Journal of Literature and Cultural Studies FOREWORD The present issue of MZU Journal of Literature and Cultural Studies has encapsulated the eclectic concept of culture and its dynamics, especially while pertaining to the enigma that it so often strives to be. The complexities within varying paradigms, that seek to determine the significance of ideologies and the hegemony that is often associated with the same, convey truly that the old must seek to coexist, in more ways than one with the new. The contentions, keenly raised within the pages of the journal seek to establish too, that a dual notion of cultural hybridity that is so often particular to almost every community has sought too, to establish a voice. Voices that may be deemed ‘minority’ undoubtedly, yet expressed in tones that are decidedly -
Women Journalists in Hindi Films: Stereotyping the Stereotypes | Saswat.Com | All That's
Women Journalists in Hindi Films: Stereotyping the stereotypes | Saswat.com | All That's ... Page 1 of 5 Saswat.com All That's Left Blog :: Saswat Pattanayak Home Articles Links Poetry FAQ About Index Women Journalists in Hindi Films: Stereotyping the stereotypes Subscribe to Saswat Blog By Saswat Pattanayak Literature Review: Not just the films themselves, the writings on the portrayal of women in popular Hindi films have too, long been dictated by assigning extremes—the woman’s prerogatives to belong to a side, of the evil or the virtuous, the vamp or the Madonna. Most authorship have evolved with historical representation of women in Bollywood to lead a discourse on the idealized women figures. Virdi (2003) justifies most studies as the “necessary first step” for providing a rich and abundant characterization of the idealized women figures: passive, victimized, sacrificial, submissive, glorified, static, one-dimensional, and resilient. And then, in her own work, she goes no further than the “first step”, by limiting to content-analysis of three films to study the women representation. Hindi cinema has been a major point of reference for Indian culture in this century. It has shaped and expressed the changing scenarios of modern India to an extent that no preceding art form could ever achieve. And yet, the diversity in roles that women play is not aptly brought to examination either by the post colonial discoursers or the film studies intelligentsia. Gopalan (2000) leads discussion on the avenging women in Indian cinema. She argues that discussions of violence have to consider how films replete with avenging women, gangsters, brutal police force and vigilante closures stage some of the most volatile struggles over representations that shape the public and private fantasies of national, communal, regional and sexual identities. -
World Cinema Amsterd Am 2
WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival. -
FFO Brochure
UNLOCK INDIA unleash imagination “In India, everything, everybody is palpably more. People and objects are never easily definable, each a hubbub of identities, puzzling gestures, motley rhythms, and unbounded, numinous colours. Here is a perceptual face-to-face with what we all really are: a joyous mystery. What more could a filmmaker ask for? Coming to India, a filmmaker comes home to his imagination.” ANUP SINGH,FILMMAKER 1 “We had an incredible experience shooting portions of Mission: Impossible—Ghost India IN A NUTSHELL Protocol in India. With dynamic locations Filmmaking and film watching is a and a welcoming community, India provided reverential process in India. the perfect backdrop for an exciting and India is a country that helps a filmmaker action-packed blockbuster film.” convert his vision into reality. LEE ROSENTHAL, PRESIDENT, PHYSICAL PRODUCTION, Come, experience this phenomenon. PARAMOUNT PICTURES 3 FILM IN INDIA Connect and collaborate with India, an Eco-sphere of stories, locales, resources, and talent. India in a nutshell is a land Mahal, the mythological narratives In addition, India also has a of stories and a melting pot of at the Ghats of River Ganges, and talent pool of actors, producers, emotions. It narrates itself through the cultural clans of the Seven directors, writers and experienced breathtaking landscapes — Sisters in the North-East of India. crew including competent line imposing Himalayas, stark Ladakh, Little wonder then that films shot producers across the many arid Thar Desert in Rajasthan, in India pulsate with life. Coming regional film industries. The to India, a filmmaker comes low production cost, favourable India also has a talent pool of home to his imagination! dollar-rupee exchange rate and an upcoming National Centre of actors, producers, directors, With a diverse range Excellence in Animation, Visual of production and post writers and experienced crew Effects, Gaming and Comics, production facilities pan including competent line enhances India’s attractiveness as India, the country offers a filming destination. -
Digital Studio 3
HOT VFX RC KAMALAKANNAN VFX SUPERVISOR, PULI The release of Puli was much-awaited, not just because it was a big budget film (its production budget was said to be around INR 120 crore) to hit Tamil cinema screens after a long time, or because Sridevi was appearing in her first Tamil language film after 29 years. It was because this Chimbu Devan-movie packed a wallop of visual eects by veteran RC Kamalakannan. KEITH DEVLIN The entire castle, even Sridevi’s hourglass VFX SUPERVISOR, PRIME FOCUS silhouette was crafted by VFX. Kamalakannan and the director had initially planned to merge Snow played an important role in Bajrangi Bhaijaan , but also caused some 2,600 scenes with graphics, but later brought it unusual issues. Since transporting the several hundred extras for the climax down to 2,200 scenes. Given Puli’s mammoth scene became difficult, about 75% of them had to be graphically generated scale and tight schedule, Kamalakannan collabo - using a crowd simulator called ‘Miarmy’. “Sometimes the CGI characters were rated with around 160 freelance animators in walking right next to the real extras we had on location, and even I could not Russia, Bulgaria, Ukraine, Netherlands, Iran as tell them apart. I would critique one guy for having a funny walk only to be well as studios in Chennai and Bangalore, split - told that it was actually a real person, not CGI!” Keith Devlin revealed. ting the work into smaller portions to ensure it got Many scenes had to be digitally manipulated to ensure Kashmir’s visual done faster. -
Current Affairs PDF for Law Entrance Exams 1St June 2019 – 10Th January 2020
www.gradeup.co 1 www.gradeup.co Current Affairs PDF for Law Entrance Exams 1st June 2019 – 10th January 2020 Dear Aspirants, This Current Affairs PDF is a compendium of important Current Affairs news and events that occurred in last 7 months (1st June 2019 – 10th January 2020). This file is important and relevant for all Law Entrance Exams like – CLAT 2020, AILET 2020 and other Law Etrance Exams. Ranking/Indexes • The study says that intake of added sugar in metro 1. UIDAI’s 10-year success-The State of Aadhaar cities was 19.5 grams per day. This is lower than the Report: level recommended by ICMR which is 30 gram per • According to the State of Aadhaar report, 2019, day. Aadhaar has been the first identity document for • Though the levels of all the cities were within the around 65-70 million individuals. This benefitted threshold, they were so close to the upper limit in them in opening bank accounts, accessing food certain cities. rations, mobile phone services, etc. • According to the study, sugar intake was the highest • The report also stated that 80% of participants felt in Mumbai. Mumbai reported 26.3 g/day followed that Aadhaar improved the reach of government by Ahmedabad at 25.9 g/day. schemes and services faster. Only 34% of Indians 4. Violence against Children surpassed to 1,70,000: are yet to link their Aadhaar in the fear of losing UNICEF Report the services. • The annual report published by the United Nations 2. State of Aadhaar report surveyed 1,70,000 individuals.