Alan Ayckbourn Is One of the World's Most Popular and Prolific
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An Introduction to Stephen Joseph - Chat
ABTT Seminar: An Introduction to Stephen Joseph - Chat 14:07:22 From Elysia Moore: Hello everyone 14:07:31 From Adam Mottershead: Hello 14:07:44 From Iain Young: Hello from Glasgow 14:07:46 From Elysia Moore: Hope you are well! Sorry for the delay in starting the event this afternoon! Do let us know where you joining us from today! 14:07:48 From Amy Clare Tasker: Hello from North London 14:07:48 From Andrew Swift: Hi from Andrew Swift 14:07:53 From Faynia Williams: Hello everyone 14:07:53 From Tyler Edwards-Tagg: Hello from Norwich! 14:08:03 From Adam Harrison: Hello from Adam Harrison in Richmond 14:08:10 From Alex Wardle: Hello all! - Alex in Winchester 14:08:13 From Ali: Hello from Ali Fowler in Malvern 14:08:15 From Elysia Moore : Thank you all for joining us today. As with other webinars, please change your view to gallery view so that you can see all panelists on the same screen. We can use the chat function in this webinar to talk between ourselves. Make any comments about you may have about Stephen if you knew him also. 14:08:17 From Elysia Moore : There is also a Q&A tab at the bottom of the screen, we have a Q&A at the end of this session so please put any questions you have in here and our panelists will try and answer them. 14:08:18 From Elysia Moore : During this seminar we will be hearing from members of the ABTT’s Stephen Joseph Committee who will be talking about their time working with theatre practitioner Stephen Joseph, best known for pioneering theatre-in-the-round. -
Stephen Joseph and the Potteries Theatre in the Round
Stephen Joseph and the Potteries’ Victoria Theatre. I never had the good fortune to meet Stephen and yet, because through the magic of serendipity, I discovered his amazing contribution to British theatre when I researched my book The Origins of the Potteries’ Victoria Theatre. Born in Newcastle under Lyme, I left the town in 1959 and, my only contact with Stephen’s legacy was when I attended a couple of performances at the Vic Theatre and had my first encounter with theatre-in-the-round. I was familiar with the original Victoria building because I had attended the kiddie’s matinees when it was a cinema. But I had no knowledge of how the theatre came into being. All this changed when I visited the Rylands Library and lost myself in the Stephen Joseph Collection. The major contributions made by Stephen to British theatre in the mid-twentieth century were a revelation and I became familiar with Stephen’s legacy. There are the substantial contributions he made to theatre, cinema and television not only directly but through those who came under his influence whether as fellow members of his Studio Theatre Company or as students when he was a Fellow in the Drama Department at the University of Manchester. The Scarborough theatre that bears his name is a physical monument to his life and work as is the Stephen Joseph Room at the New Vic Theatre in Newcastle-under-Lyme. Stephen launched the Studio Theatre Company Ltd with its commitment to bringing theatre-in-the-round to theatre less towns in the North and Midlands of England. -
Theatre Archive Project: Interview with Neville Hunnings
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Neville Hunnings – interview transcript Interviewer: Marie-Claire Wyatt 4 September 2006 Theatre-goer. Alan Badel; amateur theatre; Arts Theatre Club; Bristol Old Vic; club theatres; Harry H. Corbett; Margot Fonteyn; French theatre; John Gielgud's Hamlet; Robert Helpmann; history cycles; Stephen Joseph; Look Back in Anger; Tom Milne; Mother Courage; Old Vic at the New Theatre; Old Vic Theatre School; post-war growth in theatre, ballet and music; provincial theatre; Royal Court Theatre; Society for Theatre Research; Theatre in the Round; Theatre Workshop; David Thompson; verse drama; World Theatre Seasons. MW: Right, I think our first question was what was your first major theatre-going experience and how do you feel that influenced you for your future theatre-going? NH: Well, the first post-war theatre experience – I went to the theatre once or twice as a small child – was Gielgud’s Hamlet in the Haymarket in… I think it was 1944, and I think it was because Hamlet was the set book for the School Certificate that year, and I remember sitting in the balcony with some of my colleagues and seeing the stage as through the wrong end of a telescope… MW: Oh dear! NH: ...so very little of it came through, and anyway I was very, very innocent in theatre and so the hugeness of the occasion, the importance of the man and what he was doing was completely lost. So it didn’t have any influence at all on me. It didn’t put me off but it didn’t say ‘Ah! I must go to the theatre.’ That came a bit later, not very much later. -
Scarborough Cultural Audit
Cultural Audit A diary of community animation and a cultural audit carried out in Scarborough between February and April 2002 A Diary of Contact 1 2 3 4 5 9 6 7 8 Scarborough’s Urban Renaissance Publications The Scarborough Urban Renaissance programme was launched in February 2002 with an explanatory Broadsheet (1), followed by an intensive period of information gathering and community ‘animation’, working towards a large scale Community Planning Weekend for which invitations (2) were distributed in March. Immediately following the Weekend, summary broadsheets of both the proceedings (3) and draft Public Space Strategy (4) were issued, followed in mid-June by a 12 page full colour summary of the Vision (5), which was distributed to the whole town, through the local free newspaper. In August 2002, four companion reports were published: Scarborough 2002, an audit of the town today (6), A Diary of Contact, a diary of community animation and cultural audit (7), A Vision for Scarborough, the full report of the Community Planning Weekend (8), and The Scarborough Renaissance Charter (9). Community animation and cultural audit Community Animation & Cultural Audit Diary of Contact This report has been produced by John Thompson and Partners, working as part of Yorkshire Forward’s Urban Renaissance Panel. It presents a review of Scarborough’s cultural resources in the form of a diary that describes meetings and discussions carried out between February and April 2002. Yorkshire Forward Victoria House Victoria Place Leeds LS11 5AE T: 0113 394 9600