An Introduction to Stephen Joseph - Chat
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Alan Ayckbourn Is One of the World's Most Popular and Prolific
alan ayCkBOuRn (PlayWRIght) Alan Ayckbourn is one of the world’s most popular and prolific professional playwrights. He has written 77 full length plays and more than 20 other revues and plays for children. He is also an acclaimed director, who Arthur Miller said directed the definitive version of his play A View From The Bridge. Alan was born in Hampstead, London, on 12 April, 1939. His mother was Irene Maud Worley – better known as the novelist Mary James - and his father Horace Ayckbourn, lead violinist with the London Symphony Orchestra. Educated at Haileybury, Alan left school at the age of 17 to pursue a career in the theatre immediately gaining a job with the theatre impresario Sir Donald Wolfit in 1956. He was with the company for three weeks as an acting stage manager for the production The Strong Are Lonely at the Edinburgh Festival. Alan went on to work at theatres in Worthing, Leatherhead and Oxford, before being employed in 1957 as a stage manager and actor at the Library Theatre, Scarborough. The Library Theatre had been founded in 1955 by Stephen Joseph and was home to the UK’s first professional theatre-in-the-round company, Studio Theatre Ltd. Alan was inspired by Stephen Joseph, who became a mentor and encouraged Alan to both write and direct. Alan’s first professional writing commission was inadvertently inspired by his acting career when he complained about a role he was playing; Stephen threw down the gauntlet saying that if Alan wanted better roles, he should write one himself. Alan wrote The Square Cat. -
Stephen Joseph and the Potteries Theatre in the Round
Stephen Joseph and the Potteries’ Victoria Theatre. I never had the good fortune to meet Stephen and yet, because through the magic of serendipity, I discovered his amazing contribution to British theatre when I researched my book The Origins of the Potteries’ Victoria Theatre. Born in Newcastle under Lyme, I left the town in 1959 and, my only contact with Stephen’s legacy was when I attended a couple of performances at the Vic Theatre and had my first encounter with theatre-in-the-round. I was familiar with the original Victoria building because I had attended the kiddie’s matinees when it was a cinema. But I had no knowledge of how the theatre came into being. All this changed when I visited the Rylands Library and lost myself in the Stephen Joseph Collection. The major contributions made by Stephen to British theatre in the mid-twentieth century were a revelation and I became familiar with Stephen’s legacy. There are the substantial contributions he made to theatre, cinema and television not only directly but through those who came under his influence whether as fellow members of his Studio Theatre Company or as students when he was a Fellow in the Drama Department at the University of Manchester. The Scarborough theatre that bears his name is a physical monument to his life and work as is the Stephen Joseph Room at the New Vic Theatre in Newcastle-under-Lyme. Stephen launched the Studio Theatre Company Ltd with its commitment to bringing theatre-in-the-round to theatre less towns in the North and Midlands of England. -
Theatre Archive Project: Interview with Neville Hunnings
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Neville Hunnings – interview transcript Interviewer: Marie-Claire Wyatt 4 September 2006 Theatre-goer. Alan Badel; amateur theatre; Arts Theatre Club; Bristol Old Vic; club theatres; Harry H. Corbett; Margot Fonteyn; French theatre; John Gielgud's Hamlet; Robert Helpmann; history cycles; Stephen Joseph; Look Back in Anger; Tom Milne; Mother Courage; Old Vic at the New Theatre; Old Vic Theatre School; post-war growth in theatre, ballet and music; provincial theatre; Royal Court Theatre; Society for Theatre Research; Theatre in the Round; Theatre Workshop; David Thompson; verse drama; World Theatre Seasons. MW: Right, I think our first question was what was your first major theatre-going experience and how do you feel that influenced you for your future theatre-going? NH: Well, the first post-war theatre experience – I went to the theatre once or twice as a small child – was Gielgud’s Hamlet in the Haymarket in… I think it was 1944, and I think it was because Hamlet was the set book for the School Certificate that year, and I remember sitting in the balcony with some of my colleagues and seeing the stage as through the wrong end of a telescope… MW: Oh dear! NH: ...so very little of it came through, and anyway I was very, very innocent in theatre and so the hugeness of the occasion, the importance of the man and what he was doing was completely lost. So it didn’t have any influence at all on me. It didn’t put me off but it didn’t say ‘Ah! I must go to the theatre.’ That came a bit later, not very much later. -
Scarborough Cultural Audit
Cultural Audit A diary of community animation and a cultural audit carried out in Scarborough between February and April 2002 A Diary of Contact 1 2 3 4 5 9 6 7 8 Scarborough’s Urban Renaissance Publications The Scarborough Urban Renaissance programme was launched in February 2002 with an explanatory Broadsheet (1), followed by an intensive period of information gathering and community ‘animation’, working towards a large scale Community Planning Weekend for which invitations (2) were distributed in March. Immediately following the Weekend, summary broadsheets of both the proceedings (3) and draft Public Space Strategy (4) were issued, followed in mid-June by a 12 page full colour summary of the Vision (5), which was distributed to the whole town, through the local free newspaper. In August 2002, four companion reports were published: Scarborough 2002, an audit of the town today (6), A Diary of Contact, a diary of community animation and cultural audit (7), A Vision for Scarborough, the full report of the Community Planning Weekend (8), and The Scarborough Renaissance Charter (9). Community animation and cultural audit Community Animation & Cultural Audit Diary of Contact This report has been produced by John Thompson and Partners, working as part of Yorkshire Forward’s Urban Renaissance Panel. It presents a review of Scarborough’s cultural resources in the form of a diary that describes meetings and discussions carried out between February and April 2002. Yorkshire Forward Victoria House Victoria Place Leeds LS11 5AE T: 0113 394 9600