George Maguire

Total Page：16

File Type：pdf, Size：1020Kb

www.cam.co.uk Email [email protected] Address George 55-59 Shaftesbury Avenue London Maguire W1D 6LD Telephone +44 (0) 20 7292 0600 Theatre Title Role Director Production New Wolsley Theatre / ONE MAN, TWO GUVNORS Alan Dangle Peter Rowe Nufeld Theatre TWELFTH NIGHT Orsino / Malvolio Guy Retallack Bridge House Theatre 20th CENTURY BOY Marc Bolan John Maher UK Tour 35MM Voice 5 Adam Lenson The Other Palace ANOTHER NIGHT BEFORE CHRISTMAS The Guy Guy Retallack Bridge House Theatre THE BUSKER'S OPERA Macheath Lotte Wakeham Park Theatre Dave (Winner of Olivier Hampstead Theatre/ Harold SUNNY AFTERNOON award for Best Supporting Ed Hall Pinter Theatre Actor) LIFT Busker Steven Paling Soho Theatre Coventry Belgrade 20TH CENTURY BOY Marc Bolan Gary Lloyd Theatre/Mark Goucher HAIR Berger Gary Lloyd Piccadilly Theatre BANK David Georgina Guy Kings Head Theatre Charing Cross Theatre/Climar THRILL ME: LEOPOLD AND LOEB STORY Richard Loeb Guy Retallack Productions 20TH CENTURY BOY Marc Bolan Gary Lloyd Ipswich New Woseley BRIGHT LIGHTS BIG CITY Tad Christopher Lane This Stage Ltd. QUADROPHENIA Jimmy Tough Guy Tom Critchley Q Theatrical Productions Ltd FAME Joe Vegas Karen Bruce Shaftesbury Theatre RENT (European Tour) Angel George Malvius - TONIGHTS THE NIGHT Stu Clutterbuck CJ Ranger Phil Mckintyre Nufeld Theatre QUADROPHENIA Jimmy Daniel Buckroyd Southampton THE GATE ESCAPE Chalkie Brendan Burn National Tour OLIVER Captain Sam Mendes London Palladium SIXTEEN Adam Lisa Turner National Tour Television Title Role Director Production DOCTORS Greg Taylor-Smith Debbie Howard BBC EASTENDERS Felix (Recurring) Various BBC PRIME SUSPECT 1973 Duke David Caffrey ITV BORGIA Ferrante D'este - Film United THE FREAKY FARLEYS Ronnie Nic Phillips Nickleodeon KILLER NET Ben - La Plante Productions Film Title Role Director Production SPIDERHOLE Toby Daniel Simpson Spiderhole Productions BOOGEYMAN 3 Jeremy Gary Simpson UFO/Mandate/Ghosthouse TERROR AND UTOPIA St. Just Carl Hindmarch BBC Workshop Title Role Director Production SUNNY AFTERNOON Dave Davies Joe Penhall Sonia Friedman FROM HERE TO ETERNITY Maggio Tamara Harvey Lee Menzies LTD BLOCKBUSTER Mickey Paul Nicholas - PIECES OF STRING Tom Ryan McBride Perfect Pitch Radio Title Role Director Production THE STORY OF IS - - BBC - - BBC A TOWN CALLED ALICE Skills Accents & Dialects "American-California, American-New York, American-Southern States , American-Standard, Birmingham, Cockney, Dublin, French, Italian, Liverpool, London, Northern, RP, Scottish-Standard, Yorkshire" Music & Dance "Ballad*, Baritone*, Blues*, Cabaret Singing*, Drums, Guitar, High Baritone, Jazz Dancing, Jazz Singing, Keyboards, Percussion, Rock Singing, Tap, Tenor, Tenor Baritone" Sports Judo*, Rollerblading, Rollerskating, Rugby , Skateboarding, Stage Combat Vehicle Licence Car Characteristics Height Hair Eyes 5'10" Dark brown Brown CAM Limited Registered Oce:CAM, 55-59 ShaftesburyAvenue, London, E. [email protected] W1D6LD T. +44 (0) 20 7292 Registered in England N0. 7268144 Members of the PMA. VATNo. 993 055 733 0600.

Copy Link

Recommended publications

Etditaxmurnats. ~THE JOURNAL of the BRITISH MEDICAL ASSOCIATION
THE ritishJ eTdiTaXMurnaTS. ~THE JOURNAL OF THE BRITISH MEDICAL ASSOCIATION. EDITED BY NORMAN GERALD HORNER, M.A., M.D. VOLUME 1, 1932 JANUARY TO JUNE I PRINTED AND PUBLISHED AT THE OFFICE OF THE BRITISH MEDICAL ASSOCIATION, TAVISTOCK SQUARE, LONDON, W.C.1. [Thu Bama-- J"A.-JUNE, I932j 1MXUDAL JOURNAL KEY TO DATES AND PAGES THE following table, giving a key to the dates of issue and the page numbers of the BRITISH MEDICAL JOURNAL and SUPPLEMENT in the first volume for 1932, may prove convenient to readers in search of a reference. Serial Date of Journal Supplement No. Issue. Pages. Pages. 3704 Jan. 2nd 1- 44 1- 8 3705 9th 45- 84 9- 12 3706 16th 85- 128 13- 20 3707 23rd 129- 176 21- 28 3708 30th 177- 222 29- 36 3709 Feb. 6th 223- 268 37- 48 3710 ,, 13th 269- 316 49- 60 3711 ,, 20th 317- 362 61- 68 3712 ,, 27th 363- 410 .69- 76 3713 March 5th 411- 456 ......77- 84 3714 12th 457- 506 ......85- 92 3715 19th 507- 550 93 - 104 3716 26th 551- 598 .105- 112 3717 April 2nd 599i.- 642 .113- 120 3718 9th 643- 692 .121 - 132 3719 ,, 16th 693- 738 .133- 144 3720 23rd 739- 784 .145- 160 3721 30th 785- 826 .161 - 208 3722 May 7th 827- 872 .209- 232 *3723 ,, 14th 873- 918 3724 21st 919- 968 .233 - 252 3725 , 28th 969- 1016 .253 - 264 3726 June 4th 1017 - 1062 .265 - 280 3727 11th 1063 - 1110 .281 - 288 3728 , 18th 1111 - 1156 .289- 312 3729 Pt 25th 1157 - 1200 .313- 348 * This No.
[Show full text]
Thin Blue Lines: Product Placement and the Drama of Pregnancy Testing in British Cinema and Television
BJHS 50(3): 495–520, September 2017. © British Society for the History of Science 2017. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:10.1017/S0007087417000619 Thin blue lines: product placement and the drama of pregnancy testing in British cinema and television JESSE OLSZYNKO-GRYN* Abstract. This article uses the case of pregnancy testing in Britain to investigate the process whereby new and often controversial reproductive technologies are made visible and normal- ized in mainstream entertainment media. It shows how in the 1980s and 1990s the then nascent product placement industry was instrumental in embedding pregnancy testing in British cinema and television’s dramatic productions. In this period, the pregnancy-test close- up became a conventional trope and the thin blue lines associated with Unilever’s Clearblue rose to prominence in mainstream consumer culture. This article investigates the aestheticiza- tion of pregnancy testing and shows how increasingly visible public concerns about ‘schoolgirl mums’, abortion and the biological clock, dramatized on the big and small screen, propelled the commercial rise of Clearblue. It argues that the Clearblue close-up ambiguously concealed as much as it revealed; abstraction, ambiguity and ﬂexibility were its keys to success. Unilever ﬁrst marketed the leading Clearblue brand of home pregnancy test in the mid- 1980s. Since then home pregnancy tests have become a ubiquitous and highly familiar reproductive technology and diagnostic tool.
[Show full text]
Hw Biography 2021
HUGH WOOLDRIDGE Director and Lighting Designer; Visiting Professor Hugh Wooldridge has produced, directed and devised theatre and television productions all over the world. He has taught and given master-classes in the UK, Europe, the US, South Africa and Australia. He trained at the London Academy of Music and Dramatic Art (LAMDA) and made his West End debut as an actor in The Dame of Sark with Dame Celia Johnson. Subsequently he performed with the London Festival Ballet / English National Ballet in the world premiere production of Romeo and Juliet choreographed by Rudolph Nureyev. At the age of 22, he directed The World of Giselle for Dame Ninette de Valois and the Royal Ballet. Since this time, he has designed lighting for new choreography with dance companies around the world including The Royal Ballet, Dance Theatre London, Rambert Dance Company, the National Youth Ballet and the English National Ballet Company. He directed the world premieres of the Graham Collier / Malcolm Lowry Jazz Suite Under A Volcano and The Undisput’d Monarch of the English Stage with Gary Bond portraying David Garrick; the Charles Strouse opera, Nightingale with Sarah Brightman at the Buxton Opera Festival; Francis Wyndham’s Abel and Cain (Haymarket, Leicester) with Peter Eyre and Sean Baker. He directed and lit the original award-winning Jeeves Takes Charge at the Lyric Hammersmith; the first productions of the Andrew Lloyd Webber and T. S. Eliot Cats (Sydmonton Festival), and the Andrew Lloyd Webber / Don Black song-cycle Tell Me 0n a Sunday with Marti Webb at the Royalty (now Peacock) Theatre; also Lloyd Webber’s Variations at the Royal Festival Hall (later combined together to become Song and Dance) and Liz Robertson’s one-woman show Just Liz compiled by Alan Jay Lerner at the Duke of York’s Theatre, London.
[Show full text]
Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar
Journal of Religion & Film Volume 3 Issue 2 October 1999 Article 2 October 1999 Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Mark Goodacre University of Birmingham, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Goodacre, Mark (1999) "Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar," Journal of Religion & Film: Vol. 3 : Iss. 2 , Article 2. Available at: https://digitalcommons.unomaha.edu/jrf/vol3/iss2/2 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Abstract Jesus Christ Superstar (dir. Norman Jewison, 1973) is a hybrid which, though influenced yb Jesus films, also transcends them. Its rock opera format and its focus on Holy Week make it congenial to the adaptation of the Gospels and its characterization of a plausible, non-stereotypical Jesus capable of change sets it apart from the traditional films and aligns it with The Last Temptation of Christ and Jesus of Montreal. It uses its depiction of Jesus as a means not of reverence but of interrogation, asking him questions by placing him in a context full of overtones of the culture of the early 1970s, English-speaking West, attempting to understand him by converting him into a pop-idol, with adoring groupies among whom Jesus struggles, out of context, in an alien culture that ultimately crushes him, crucifies him and leaves him behind.
[Show full text]
Sky 1 Announces New Comedy Drama Living the Dream 23Rd May | Big Talk, Productions, TV
7/18/2017 Big Talk | Sky 1 announces new comedy drama Livingn The Dreamews Sky 1 announces new comedy drama Living The Dream 23rd May | Big Talk, Productions, TV Philip Glenister and Lesley Sharp star alongside Kim Fields, Kevin Nash, Leslie Jordan, Paula Wilcox and Jimmy Akingbola. Living the Dream, a brand new comedy drama from the makers of Cold Feet, is coming to Sky 1 later this year. Starring Philip Glenister (Outcast, Mad Dogs) and Lesley Sharp (Scott & Bailey, Paranoid), the series has been created and written by Mick Ford (Single Father, The Five), produced by Big Talk Productions (Cold Feet, Mum, Rev.) and will be directed by Saul Metzstein (Doctor Who, You, Me and the Apocalypse) and Philippa Langdale (Dickensian, Skins). The six-part series follows a British family, the Pembertons – husband Mal (Glenister), wife Jen (Sharp) and their two teenage kids, Tina (Rosie Day) and https://www.bigtalkproductions.com/sky-1-announces-new-comedy-drama-living-the-dream/ 1/3 7/18/2017 Big Talk | Sky 1 announces new comedy drama Living The Dream Freddie (Brenock O’Connor) – who decide it’s time to leave rainy England and move to the sunshine state of Florida. Mal’s bought an RV park with plans for a booming family-run business, but it soon turns out that they are not going to be living the dream they hoped. Before they’ve even settled in, Mal discovers that the park is home to a group of eccentric residents who are not exactly thrilled to meet their new owners. Jen has to learn how to survive American suburbia and the kids have to navigate a US high school.
[Show full text]
Sarah Esdaile Director
Sarah Esdaile Director Sarah graduated in English and Drama from Goldsmiths College in 1991. Whilst at London University and subsequently, she worked with many producers and theatres including Bill Kenwright, Robert Fox and Theatre Royal Brighton. In 1996 she was one of twelve invited on the first Directors’ Course run by the National Theatre Studio. She was previously Associate Director at the West Yorkshire Playhouse. Agents Nicki Stoddart [email protected] +44 (0) 20 3214 0869 Dan Usztan Assistant [email protected] Charlotte Edwards 0203 214 0873 [email protected] 0203 214 0924 Credits In Development Production Company Notes CALL THE MIDWIFE 11 BBC 1 / Neal Street Productions 1 episode 2021 Television Production Company Notes EASTENDERS BBC Continuing Drama 20 episodes and strands in a 16-episode silo 2019 - 2021 block United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Theatre Production Company Notes ABIGAIL’S PARTY ATG UK tour by Mike Leigh; starring Jodie Prenger 2019 DESIGN FOR LIVING LAMDA by Noel Coward 2018 SCRATCH NIGHT & FERTILITY Bush Theatre As part of Fertility Fest 2018 FIGHT CLUB TALK 2018 DANCING AT LUGHNASA BADA 2018 LAMDA SHOWCASE Trafalgar Studios 2018 THE SPOTLIGHT PRIZE The Under Globe Director 2017 ABIGAIL'S PARTY by Mike Leigh Theatre Royal Bath Tour 2017 Productions WALKING ON EGG SHELLS by as part of Fertility Fest Curated by Jessica Hepburn at Amy Rosenthal Birmingham Repertory Theatre and 2016 Park Theatre - May/June 2016 FIVE WOMEN WEARING THE LAMDA Linbury Studio SAME DRESS by Alan Ball 2016 TESTING THE ECHO by David Show curated by Director of David Edgar piece with Edgar Emma Manton Juliet Stevenson & Zubin Varla for 2016 MOVING STORIES Charity event at the National Theatre 14th Feb 2016 fundraiser for the United Nations Refugee Agency THE BFG adapted by David Octagon Theatre.
[Show full text]
10 November 2016 ITV Plc Q3 Trading Update – 9 Months to 30
10 November 2016 ITV plc Q3 Trading update – 9 months to 30 September 2016 Rebalanced ITV continues to deliver good revenue growth Good revenue growth driven by double-digit increase in non-NAR Total external revenue up 5% to £2,157m (2015: £2,045m), including currency benefit Non-NAR revenue up 15% to £1,252m (2015: £1,085m) Total ITV Studios revenue up 18% at £923m (2015: £782m), driven by acquisitions Broadcast & Online revenue up 1% at £1,537m (2015: £1,528m), with ITV Family NAR down 1% as expected Continued strong growth in Online, Pay & Interactive up 22% Strong on screen and online performance ITV share of viewing up 3% and ITV Family flat Online viewing up 49% and long form video requests up 22% Healthy pipeline of new and returning programmes Strong Studios performance across key genres, with scripted programmes such as Victoria, Poldark and The Good Witch all sold to over 100 countries around 60 formats sold internationally including The Voice, Hell’s Kitchen, Love Island and This Time Next Year 162 new commissions and 139 recommissions across the business which will drive a return to good organic revenue growth in 2017 Outlook for 2016 In line with previous guidance we expect to deliver double-digit revenue growth in Online, Pay & Interactive, and double-digit revenue and profit growth in ITV Studios driven by acquisitions ITV Family NAR forecast to be down around 7% in Q4 and down 3% over the full year, with ITV outperforming the TV ad market Expect 2016 full year earnings to be broadly in line with prior year
[Show full text]
Andrew Lloyd Webber's Musicals
MASARYK UNIVERSITY Faculty of Education Department of English Language and Literature ANDREW LLOYD WEBBER’S MUSICALS Diploma Thesis Brno 2009 Radka Adamová Supervisor: Mgr. Lucie Podroužková, PhD. 1 BIBLIOGRAPHICAL ENTRY Adamová, Radka. Andrew Lloyd Webber’s Musicals Brno: Masaryk University, Faculty of Education, Department of English Language and Literature, 2007. Diploma thesis supervisor Mgr. Lucie Podroužková, Ph. D. ANNOTATION This diploma thesis deals with British musical composer Andrew Lloyd Webber and his works. The first part of the thesis introduces Lloyd Webber’s biography, his close collaborators as well as his production company the Really Useful Group and description of all his works. The main part of the thesis is aimed at his musicals Joseph and the Amazing Technicolor Dreamcoat and Jesus Christ Superstar , rather their origin and development, the main plot and their main characters that have many things in common. Both these musicals are based on topics from the Bible. The thesis also deals with the librettos and their translation into Czech. ANOTACE Diplomová práce se zabývá britským hudebním skladatelem Andrew Lloyd Webberem a jeho díly. První část práce seznamuje s Lloyd Webberovým životopisem, jeho blízkými spolupracovníky, stejně jako s jeho produkční společností Really Useful Group a popisem všech jeho děl. Hlavní část práce je zaměřena na muzikály Josef a jeho úžasný pestrobarevný plášť a Jesus Christ Superstar , přesněji řečeno jejich vznik a vývoj, hlavní dějovou linii a jejich hlavní postavy, které mají mnoho společného. Oba tyto muzikály jsou založeny na příbězích z Bible. Práce se také zabýva librety obou muzikálů a jejich překladem do češtiny. 2 I declare that I have worked on this thesis on my own and used only the sources listed in the Bibliography.
[Show full text]
Ri Mcdaid-‐‑Wren
[email protected] RI MCDAID-WREN 07814803808 Casting CREDITS AS CASTING ASSISTANT (TV) FOR ANDY PRYOR CASTING (MAR-OCT 2013, JAN-OCT 2014 + JAN 2015 - PRESENT) CLOSE TO THE ENEMY Little Island Pictures / BBC2 D: Stephen Poliakoff By Stephen Poliakoff (6 x 60 mins) P: Helen Flint DOCTOR FOSTER Drama Republic / BBC1 D: Tom Vaughan, Bruce Goodison By Mike Bartlett (5 x 60 mins) P: Grainne Marmion COALITION Cuba Pictures / C4 D: Alex Holmes By James Graham (1 x 90 mins) P: Sarah Curtis, Dixie Linder CUCUMBER Red Production Company / C4 D: David Evans, Alice Troughton, Euros Lyn By Russell T Davies (8 x 60 mins) P: Nicola Schindler, Matt Strevens BANANA Red Production Company / E4 D: LeWis Arnold, Luke Snelling, Al Mackay By Russell T Davies + others (8 x 30 mins) P: Nicola Schindler, Emily Feller THE INTERCEPTOR BBC Drama Prods. / BBC1 D: Farren Blackburn + others By Tony Saint (8 x 60 mins) P: Patrick SchWeitzer DOCTOR WHO BBC Wales / BBC1 D: various (series 8 + 9, + 50th Anniversary Special) P: Steven Moffat, Brian Minchin + others JAMAICA INN Origin Pictures / BBC1 D: Philippa LoWthorpe Adapted by Emma Frost (3 x 60 mins) P: Dan Winch CALL THE MIDWIFE Neal St Productions / BBC1 D: various (series 3, 8 x 60 mins) P: Hugh Warren ATLANTIS Urban Myth Film / BBC1 D: various By HoWard Overman (13 x 60 mins) P: Johnny Capps, Julian Murphy FOR RACHEL FRECK CASTING (NOV-DEC 2013) W1A BBC Comedy / BBC2 D: John Morton By John Morton (4 x 30 mins) P: Paul Schlesinger THE DRIVER Red Production Company / BBC 1 D: Jamie Payne By Danny Brocklehurst (3 x 60
[Show full text]
Eisenhower Theater
COVER All’s Well That Ends Well 2010 | 2011 season SHAKESPEARE THEATRE COMPANY COMinG SOOn TO Sidney HarMan Hall november 26, 2010–January 9, 2011 This rousing musical springs to life on stage during the holiday season, poking fun at optimism and following Candide on his quest for true love with songs like “Make Our Garden Grow” and “Glitter and Be Gay.” Candide The 20th-century classic, based on Voltaire’s music by Leonard Bernstein satire, will be reinvigorated in a new book adapted from Voltaire by Hugh Wheeler adaptation by director Mary Zimmerman, lyrics by Richard Wilbur matching her inventive, visually stunning additional lyrics by Stephen Sondheim, John Latouche, style with Bernstein’s ravishing score. Lillian Hellman, Dorothy Parker and Leonard Bernstein directed and newly adapted from Voltaire Zimmerman’s previous STC production by Mary Zimmerman of Pericles brought forth “an evening of bewitching ingenuity and bountiful surprise” (The Washington Post). Following the successful collaboration of King Lear in 2009, this farcical tale is a co-production with Chicago’s Goodman Theatre. “The best of all possible worlds...” Get your tickets today! Call 202.547.1122 or visit ShakespeareTheatre.org Groups of 10+, 202.547.1122, option 6 Photo of Geoff Packard by Brian Warling. design/direction: Kelly rickert. Table of Contents Feature Pilgrim's Progress by Akiva Fox 4 Program Synopsis 7 About the Playwright 9 Title Page 11 Cast 13 Cast Biographies 14 Direction and Design 18 Shakespeare Theatre Company Upcoming Events 21 Shakespeare Theatre Company 22 For the Shakespeare 24 Theatre Company Board of Trustees 26 Affiliated Artists 26 Staff 28 Special Thanks/Volunteers 30 Individual Donors 32 Three Ways to Give 40 Happenings at the Harman 41 Corporate Donors 43 Foundation/Government Support 44 Season Guide/Acting for Business 45 Professionals In Rehearsal 47 Audience Services 48 Cover photo of Miriam Silverman and Tony roach by Scott Suchman.
[Show full text]
ITV on Track to Deliver
Interim Results 2017 ITV plc ITV on track to deliver Interim results for the six months to 30 June 2017 Peter Bazalgette, ITV Executive Chairman, said: “ITV’s performance in the first six months of the year is very much as we anticipated and our guidance for the full year remains unchanged. “Total external revenue was down 3% with the decline in NAR partly offset by continued good growth in non-advertising revenues, which is a clear indication that our strategy of rebalancing the business is working. We are confident in the underlying strength of the business as we continue to invest both organically and through acquisitions. “ITV Studios total revenues grew 7% to £697m including currency benefit. ITV Studios adjusted EBITA was down 9% at £110m. This was impacted by our ongoing investment in our US scripted business and the fact that the prior year includes the full benefit of the four year license deal for The Voice of China. We have a very strong pipeline of new and returning drama and formats and we are building momentum in our US scripted business. We continue to grow our global family of production companies and in H1 we further strengthened our international drama and format business with the acquisition of Line of Duty producer World Productions in the UK, Tetra Media Studio in France and Elk Production in Sweden. “The Broadcast business remains robust despite the 8% decline in NAR caused by ongoing economic and political uncertainty with Broadcast & Online adjusted EBITA down 8% at £293m. On-screen we are performing well.
[Show full text]
Robert Wicks
Room 236, Linen Hall 162-168 Regent Street London, W1B 5TB 020 7734 7505 [email protected] Robert Wicks Currently Musical Director American Idiot 2019 (UK and Ireland Tour) and Musical Supervisor Thoroughly Modern Millie 2019-20 (US Tour) Additional work includes: show install music director for P&O Cruises, musical supervision and arrangement for the Talent Artistic Group (including the show Broken Strings which won a Gold Travel Weekly Magellan Award in Entertainment), musical supervision and arrangement for Celebrity Cruises, musical supervision for Peter Frosdick Productions, musical direction for Paul Holman Associates over 4 years (pantomime - various venues). Robert is also a visiting lecturer and music director for the University of Cumbria and a visiting music director for Stagedoor Manor Performing Arts Training Center in NY, USA. He has worked nationally as a band and session musician, released three albums as part of the group Left With Pictures, and has composed music for ﬁlm, theatre and commercials. He also orchestrates and arranges for commercial and private artists. Notable credits: 2019, Stage, Musical Director, AMERICAN IDIOT, Selladoor, UK Tour 2018, Stage, Musical Director, SUMMER HOLIDAY, Spirit Productions, UK Tour 2017, Stage, Musical Director, THE PRODUCERS, Selladoor Productions, International Tour 2017, Cruise, Music Supervisor / Arranger Cruise Soundtrack, Celebrity Cruises 2016-present, Stage, Music Supervisor, THOROUGHLY MODERN MILLIE, Spirit Productions, UK Tour and Canada 2016, Stage, Musical Director,
[Show full text]