Robert Wicks

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Room 236, Linen Hall 162-168 Regent Street London, W1B 5TB 020 7734 7505 [email protected] Robert Wicks Currently Musical Director American Idiot 2019 (UK and Ireland Tour) and Musical Supervisor Thoroughly Modern Millie 2019-20 (US Tour) Additional work includes: show install music director for P&O Cruises, musical supervision and arrangement for the Talent Artistic Group (including the show Broken Strings which won a Gold Travel Weekly Magellan Award in Entertainment), musical supervision and arrangement for Celebrity Cruises, musical supervision for Peter Frosdick Productions, musical direction for Paul Holman Associates over 4 years (pantomime - various venues). Robert is also a visiting lecturer and music director for the University of Cumbria and a visiting music director for Stagedoor Manor Performing Arts Training Center in NY, USA. He has worked nationally as a band and session musician, released three albums as part of the group Left With Pictures, and has composed music for ﬁlm, theatre and commercials. He also orchestrates and arranges for commercial and private artists. Notable credits: 2019, Stage, Musical Director, AMERICAN IDIOT, Selladoor, UK Tour 2018, Stage, Musical Director, SUMMER HOLIDAY, Spirit Productions, UK Tour 2017, Stage, Musical Director, THE PRODUCERS, Selladoor Productions, International Tour 2017, Cruise, Music Supervisor / Arranger Cruise Soundtrack, Celebrity Cruises 2016-present, Stage, Music Supervisor, THOROUGHLY MODERN MILLIE, Spirit Productions, UK Tour and Canada 2016, Stage, Musical Director, SHOUT-THE MOD MUSICAL, Peter Frosdick Productions, Blackpool Opera House 2016, Stage, Musical Director, AMERICAN IDIOT, Selladoor Productions, UK Tour and West End 2015-2016, Cruise, Musical Supervisor / Arranger, ELYSIUM, TAG Ltd, Celebrity Cruises 2015, Stage, Musical Director / Supervisor, TOMMY, Peter Frosdick Productions, Blackpool opera House 2015, Cruise, Musical Supervisor / Arranger, BROKEN STRINGS, TAG Ltd, Celebrity Cruises 2015, Stage, Arranger / Orchestrator, SEASIDE CIRQUE, TAG Ltd, UK Tour 2015, Stage, Arranger / Orchestrator, LOOKING FOR OZ, TAG Ltd, UK Tour 2014-2015, Stage, Musical Director, BEAUTY AND THE BEAST, Paul Holman Associates, Oakengates Theatre, Telford 2014, Stage, Musical Director / Arranger / Supervisor, BLOCKBUSTER THE MUSICAL, Paul Nicholas Productions, UK Tour 2014, Theatre in Education, Musical Director, THE ADDAMS FAMILY, EVITA, Stagedoor Manor Performing Arts Center NY 2013-2014, Stage, Musical Director, SLEEPING BEAUTY, Paul Holman Associates, Carriageworks Theatre, Leeds 2013, Workshop, Musical Director, NUTCRACKER!, THE MUSICAL PEACEFUL LION, Holson Productions Toynbee Studios, London Powered by Tagmin Every eﬀort has been made to make sure that the information contained in this page is correct and Tagmin can accept no responsibility for its accuracy. Robert Wicks 1/1.

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Etditaxmurnats. ~THE JOURNAL of the BRITISH MEDICAL ASSOCIATION
THE ritishJ eTdiTaXMurnaTS. ~THE JOURNAL OF THE BRITISH MEDICAL ASSOCIATION. EDITED BY NORMAN GERALD HORNER, M.A., M.D. VOLUME 1, 1932 JANUARY TO JUNE I PRINTED AND PUBLISHED AT THE OFFICE OF THE BRITISH MEDICAL ASSOCIATION, TAVISTOCK SQUARE, LONDON, W.C.1. [Thu Bama-- J"A.-JUNE, I932j 1MXUDAL JOURNAL KEY TO DATES AND PAGES THE following table, giving a key to the dates of issue and the page numbers of the BRITISH MEDICAL JOURNAL and SUPPLEMENT in the first volume for 1932, may prove convenient to readers in search of a reference. Serial Date of Journal Supplement No. Issue. Pages. Pages. 3704 Jan. 2nd 1- 44 1- 8 3705 9th 45- 84 9- 12 3706 16th 85- 128 13- 20 3707 23rd 129- 176 21- 28 3708 30th 177- 222 29- 36 3709 Feb. 6th 223- 268 37- 48 3710 ,, 13th 269- 316 49- 60 3711 ,, 20th 317- 362 61- 68 3712 ,, 27th 363- 410 .69- 76 3713 March 5th 411- 456 ......77- 84 3714 12th 457- 506 ......85- 92 3715 19th 507- 550 93 - 104 3716 26th 551- 598 .105- 112 3717 April 2nd 599i.- 642 .113- 120 3718 9th 643- 692 .121 - 132 3719 ,, 16th 693- 738 .133- 144 3720 23rd 739- 784 .145- 160 3721 30th 785- 826 .161 - 208 3722 May 7th 827- 872 .209- 232 *3723 ,, 14th 873- 918 3724 21st 919- 968 .233 - 252 3725 , 28th 969- 1016 .253 - 264 3726 June 4th 1017 - 1062 .265 - 280 3727 11th 1063 - 1110 .281 - 288 3728 , 18th 1111 - 1156 .289- 312 3729 Pt 25th 1157 - 1200 .313- 348 * This No.
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Thin Blue Lines: Product Placement and the Drama of Pregnancy Testing in British Cinema and Television
BJHS 50(3): 495–520, September 2017. © British Society for the History of Science 2017. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:10.1017/S0007087417000619 Thin blue lines: product placement and the drama of pregnancy testing in British cinema and television JESSE OLSZYNKO-GRYN* Abstract. This article uses the case of pregnancy testing in Britain to investigate the process whereby new and often controversial reproductive technologies are made visible and normal- ized in mainstream entertainment media. It shows how in the 1980s and 1990s the then nascent product placement industry was instrumental in embedding pregnancy testing in British cinema and television’s dramatic productions. In this period, the pregnancy-test close- up became a conventional trope and the thin blue lines associated with Unilever’s Clearblue rose to prominence in mainstream consumer culture. This article investigates the aestheticiza- tion of pregnancy testing and shows how increasingly visible public concerns about ‘schoolgirl mums’, abortion and the biological clock, dramatized on the big and small screen, propelled the commercial rise of Clearblue. It argues that the Clearblue close-up ambiguously concealed as much as it revealed; abstraction, ambiguity and ﬂexibility were its keys to success. Unilever ﬁrst marketed the leading Clearblue brand of home pregnancy test in the mid- 1980s. Since then home pregnancy tests have become a ubiquitous and highly familiar reproductive technology and diagnostic tool.
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Hw Biography 2021
HUGH WOOLDRIDGE Director and Lighting Designer; Visiting Professor Hugh Wooldridge has produced, directed and devised theatre and television productions all over the world. He has taught and given master-classes in the UK, Europe, the US, South Africa and Australia. He trained at the London Academy of Music and Dramatic Art (LAMDA) and made his West End debut as an actor in The Dame of Sark with Dame Celia Johnson. Subsequently he performed with the London Festival Ballet / English National Ballet in the world premiere production of Romeo and Juliet choreographed by Rudolph Nureyev. At the age of 22, he directed The World of Giselle for Dame Ninette de Valois and the Royal Ballet. Since this time, he has designed lighting for new choreography with dance companies around the world including The Royal Ballet, Dance Theatre London, Rambert Dance Company, the National Youth Ballet and the English National Ballet Company. He directed the world premieres of the Graham Collier / Malcolm Lowry Jazz Suite Under A Volcano and The Undisput’d Monarch of the English Stage with Gary Bond portraying David Garrick; the Charles Strouse opera, Nightingale with Sarah Brightman at the Buxton Opera Festival; Francis Wyndham’s Abel and Cain (Haymarket, Leicester) with Peter Eyre and Sean Baker. He directed and lit the original award-winning Jeeves Takes Charge at the Lyric Hammersmith; the first productions of the Andrew Lloyd Webber and T. S. Eliot Cats (Sydmonton Festival), and the Andrew Lloyd Webber / Don Black song-cycle Tell Me 0n a Sunday with Marti Webb at the Royalty (now Peacock) Theatre; also Lloyd Webber’s Variations at the Royal Festival Hall (later combined together to become Song and Dance) and Liz Robertson’s one-woman show Just Liz compiled by Alan Jay Lerner at the Duke of York’s Theatre, London.
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Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar
Journal of Religion & Film Volume 3 Issue 2 October 1999 Article 2 October 1999 Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Mark Goodacre University of Birmingham, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Goodacre, Mark (1999) "Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar," Journal of Religion & Film: Vol. 3 : Iss. 2 , Article 2. Available at: https://digitalcommons.unomaha.edu/jrf/vol3/iss2/2 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Abstract Jesus Christ Superstar (dir. Norman Jewison, 1973) is a hybrid which, though influenced yb Jesus films, also transcends them. Its rock opera format and its focus on Holy Week make it congenial to the adaptation of the Gospels and its characterization of a plausible, non-stereotypical Jesus capable of change sets it apart from the traditional films and aligns it with The Last Temptation of Christ and Jesus of Montreal. It uses its depiction of Jesus as a means not of reverence but of interrogation, asking him questions by placing him in a context full of overtones of the culture of the early 1970s, English-speaking West, attempting to understand him by converting him into a pop-idol, with adoring groupies among whom Jesus struggles, out of context, in an alien culture that ultimately crushes him, crucifies him and leaves him behind.
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Sarah Esdaile Director
Sarah Esdaile Director Sarah graduated in English and Drama from Goldsmiths College in 1991. Whilst at London University and subsequently, she worked with many producers and theatres including Bill Kenwright, Robert Fox and Theatre Royal Brighton. In 1996 she was one of twelve invited on the first Directors’ Course run by the National Theatre Studio. She was previously Associate Director at the West Yorkshire Playhouse. Agents Nicki Stoddart [email protected] +44 (0) 20 3214 0869 Dan Usztan Assistant [email protected] Charlotte Edwards 0203 214 0873 [email protected] 0203 214 0924 Credits In Development Production Company Notes CALL THE MIDWIFE 11 BBC 1 / Neal Street Productions 1 episode 2021 Television Production Company Notes EASTENDERS BBC Continuing Drama 20 episodes and strands in a 16-episode silo 2019 - 2021 block United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Theatre Production Company Notes ABIGAIL’S PARTY ATG UK tour by Mike Leigh; starring Jodie Prenger 2019 DESIGN FOR LIVING LAMDA by Noel Coward 2018 SCRATCH NIGHT & FERTILITY Bush Theatre As part of Fertility Fest 2018 FIGHT CLUB TALK 2018 DANCING AT LUGHNASA BADA 2018 LAMDA SHOWCASE Trafalgar Studios 2018 THE SPOTLIGHT PRIZE The Under Globe Director 2017 ABIGAIL'S PARTY by Mike Leigh Theatre Royal Bath Tour 2017 Productions WALKING ON EGG SHELLS by as part of Fertility Fest Curated by Jessica Hepburn at Amy Rosenthal Birmingham Repertory Theatre and 2016 Park Theatre - May/June 2016 FIVE WOMEN WEARING THE LAMDA Linbury Studio SAME DRESS by Alan Ball 2016 TESTING THE ECHO by David Show curated by Director of David Edgar piece with Edgar Emma Manton Juliet Stevenson & Zubin Varla for 2016 MOVING STORIES Charity event at the National Theatre 14th Feb 2016 fundraiser for the United Nations Refugee Agency THE BFG adapted by David Octagon Theatre.
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Andrew Lloyd Webber's Musicals
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Ri Mcdaid-‐‑Wren
[email protected] RI MCDAID-WREN 07814803808 Casting CREDITS AS CASTING ASSISTANT (TV) FOR ANDY PRYOR CASTING (MAR-OCT 2013, JAN-OCT 2014 + JAN 2015 - PRESENT) CLOSE TO THE ENEMY Little Island Pictures / BBC2 D: Stephen Poliakoff By Stephen Poliakoff (6 x 60 mins) P: Helen Flint DOCTOR FOSTER Drama Republic / BBC1 D: Tom Vaughan, Bruce Goodison By Mike Bartlett (5 x 60 mins) P: Grainne Marmion COALITION Cuba Pictures / C4 D: Alex Holmes By James Graham (1 x 90 mins) P: Sarah Curtis, Dixie Linder CUCUMBER Red Production Company / C4 D: David Evans, Alice Troughton, Euros Lyn By Russell T Davies (8 x 60 mins) P: Nicola Schindler, Matt Strevens BANANA Red Production Company / E4 D: LeWis Arnold, Luke Snelling, Al Mackay By Russell T Davies + others (8 x 30 mins) P: Nicola Schindler, Emily Feller THE INTERCEPTOR BBC Drama Prods. / BBC1 D: Farren Blackburn + others By Tony Saint (8 x 60 mins) P: Patrick SchWeitzer DOCTOR WHO BBC Wales / BBC1 D: various (series 8 + 9, + 50th Anniversary Special) P: Steven Moffat, Brian Minchin + others JAMAICA INN Origin Pictures / BBC1 D: Philippa LoWthorpe Adapted by Emma Frost (3 x 60 mins) P: Dan Winch CALL THE MIDWIFE Neal St Productions / BBC1 D: various (series 3, 8 x 60 mins) P: Hugh Warren ATLANTIS Urban Myth Film / BBC1 D: various By HoWard Overman (13 x 60 mins) P: Johnny Capps, Julian Murphy FOR RACHEL FRECK CASTING (NOV-DEC 2013) W1A BBC Comedy / BBC2 D: John Morton By John Morton (4 x 30 mins) P: Paul Schlesinger THE DRIVER Red Production Company / BBC 1 D: Jamie Payne By Danny Brocklehurst (3 x 60
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Eisenhower Theater
COVER All’s Well That Ends Well 2010 | 2011 season SHAKESPEARE THEATRE COMPANY COMinG SOOn TO Sidney HarMan Hall november 26, 2010–January 9, 2011 This rousing musical springs to life on stage during the holiday season, poking fun at optimism and following Candide on his quest for true love with songs like “Make Our Garden Grow” and “Glitter and Be Gay.” Candide The 20th-century classic, based on Voltaire’s music by Leonard Bernstein satire, will be reinvigorated in a new book adapted from Voltaire by Hugh Wheeler adaptation by director Mary Zimmerman, lyrics by Richard Wilbur matching her inventive, visually stunning additional lyrics by Stephen Sondheim, John Latouche, style with Bernstein’s ravishing score. Lillian Hellman, Dorothy Parker and Leonard Bernstein directed and newly adapted from Voltaire Zimmerman’s previous STC production by Mary Zimmerman of Pericles brought forth “an evening of bewitching ingenuity and bountiful surprise” (The Washington Post). Following the successful collaboration of King Lear in 2009, this farcical tale is a co-production with Chicago’s Goodman Theatre. “The best of all possible worlds...” Get your tickets today! Call 202.547.1122 or visit ShakespeareTheatre.org Groups of 10+, 202.547.1122, option 6 Photo of Geoff Packard by Brian Warling. design/direction: Kelly rickert. Table of Contents Feature Pilgrim's Progress by Akiva Fox 4 Program Synopsis 7 About the Playwright 9 Title Page 11 Cast 13 Cast Biographies 14 Direction and Design 18 Shakespeare Theatre Company Upcoming Events 21 Shakespeare Theatre Company 22 For the Shakespeare 24 Theatre Company Board of Trustees 26 Affiliated Artists 26 Staff 28 Special Thanks/Volunteers 30 Individual Donors 32 Three Ways to Give 40 Happenings at the Harman 41 Corporate Donors 43 Foundation/Government Support 44 Season Guide/Acting for Business 45 Professionals In Rehearsal 47 Audience Services 48 Cover photo of Miriam Silverman and Tony roach by Scott Suchman.
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Shakespeare Theatre Company Begins January 26
Candide SHAKESPEARE THEATRE COMPANY BEGINS JANUARY 26 presents The National Theatre of Scotland’s production of BLACK WATCH by Gregory Burke directed by John Tiffany “It’s essential that you January 26–February 6, 2011 see Black Watch.” Sidney Harman Hall New York Observer Hurtling from a pool room in Scotland to an armored wagon in Iraq, Black Watch is based on interviews conducted by Gregory Burke with former soldiers who served in Iraq. Viewed through the eyes of those on the ground, Black Watch reveals what it means to be part of the legendary Scottish regiment, what it means to be part of the war on terror and what it means to make the journey home again. John Tiffany’s production from the National Theatre of Scotland makes powerful and inventive use of movement and music to create a visceral, complex and urgent piece of theatre. This production of Black Watch launches its U.S. tour at the Shakespeare Theatre Company, having played to universal acclaim in Australia, New Zealand, London, Toronto, Los Angeles, New York, Edinburgh and more. Runtime is 1 hour 50 minutes long with no intermission. Black Watch contains very strong language, loud explosions and strobe lighting. Recommended for audiences 13 years and older. Special notice for stage seating: Due to the highly physical nature of the performance, there will be absolutely no late seating for these seat locations. If you need to leave during the show you must be escorted by an usher and will not be allowed to re-enter the show. Tickets on sale now! Call 202.547.1122 or visit ShakespeareTheatre.org today! Media Partners: Groups of 10+, call 202.547.1122, option 6 Photos: Cameron Barnes as Macca; Chris Starkie as Stewarty, Keith Fleming as Sergeant and Scott Fletcher as Kenzie34 in the National Theatre of Scotland’s production of Black Watch.
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Norman Bowman
www.cam.co.uk Email [email protected] Address Norman 55-59 Shaftesbury Avenue London Bowman W1D 6LD Telephone +44 (0) 20 7292 0600 Theatre Title Role Director Production KISS ME KATE Fred Walter Sutcliffe Lyric Belfast / NI Opera 42ND STREET Pat Denning Mark Bramble Drury Lane Theatre MURDER BALLAD Michael Sam Yates Arts Theatre Royal Exchange and Birmingham KING LEAR Cornwall Michael Buffong Rep OF MICE AND MEN Slim Roxanna Silbert Birmingham Rep HENRY V Nym/Williams Michael Grandage Michael Grandage Kenneth Branagh & Rob MACBETH Ross Manchester International Festival Ashford FINDING NEVERLAND P G Wodehouse Rob Ashford Harvey Weinstein Productions MACK AND MABEL Mack Sennet Thom Southerland Danielle Tarento VAMPIRETTE Stanley Pea Ed Curtis Jonathan Choat END OF THE RAINBOW Mickey Deans Terry Johnson UK Tour MAMMA MIA Sam Carmichael Phyllidia Lloyd West End TWELFTH NIGHT Curio u/study Feste Michael Grandage Donmar in the West End ALVARO'S BALCONY Alvaro Vigne Rob McWhir Landor Theatre HIGH SCHOOL MUSICAL Coach Bolton Jeff Calhoun Stage entertainment PARADE Tom Watson/Ofcer Starnes Rob Ashford Donmar Warehouse LADY, BE GOOD Jack Robinson Ian Talbot Regent's Park Open Air Theatre A MIDSUMMER NIGHT'S DREAM Demetrius Chris Luscombe Regent's Park Open Air Theatre GUYS AND DOLLS Sky Masterson Michael Grandage West End CAROUSEL Billy Bigelow Angus Jackson Chichester Festival Theatre Harry the Horse, U/S Sky GUYS AND DOLLS Michael Grandage Donmar Warehouse/Westemd Masterson Paul Nicholas and David Ian GREASE Danny Zuko David Gilmore Productions
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Andrew Lloyd Webber's Andrew Lloyd Webber's
49th SEASON AndrewAndrew LloydLloyd Webber’sWebber’s Lyrics by Tim Rice All performances at the SARATOGA CIVIC THEATER 13777 Fruitvale Avenue in Saratoga March 8 - April 5, 2014 ✩ PRESIDENT’S MESSAGE Welcome to Andrew Lloyd Webber’s “Jesus Christ, Superstar”, the second production of WVLO Musical Theatre Company’s 49th Season. We hope you enjoy this dramatic and realistic recreation of the last seven days in the life of Jesus Christ. It is a timely reminder of His sacrifice for us during this upcoming Lenten and Easter seasons. Our final production of this 49th season in June/July will be “Crazy For You”, a wonderful all-Gershwin musical with great music, scintillating dance and lots of fun! Presents You’re Invited!! Whether you are already one of our 1000+ subscribers or here Andrew Lloyd Webber’s in the Saratoga Civic Theatre for the very first time, we invite you to join us this November for our 50th season. We increased our prices last season due to higher costs, but we intend to maintain those same prices for our new season. And we will continue our policy of not charging any additional fees for tickets purchased through our Box Office and/or with a credit card. Look at Our Centerfold!!! Included in this program is a special blue insert which we invite you to use to subscribe to WVLO Musical Theatre Company’s 50th Lyrics by Tim Rice musical season. Subscribe NOW to ensure good seats and substantial savings over the cost of individual tickets. Current subscribers may also use this form to renew for next season.
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Unmasked Deluxe Andrew Lloyd Webber Album Download Unmasked Deluxe Andrew Lloyd Webber Album Download
unmasked deluxe andrew lloyd webber album download Unmasked deluxe andrew lloyd webber album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67df35cfe818bed3 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Andrew Lloyd Webber - Unmasked The Platinum Collection (Deluxe) (2018) Artist : Andrew Lloyd Webber Title : Unmasked The Platinum Collection (Deluxe) Year Of Release : 2018 Label : Universal Music Genre : Soundtrack Quality : FLAC (tracks) Total Time : 285:40 min Total Size : 1,7 GB WebSite : Album Preview. Disc: 1 01. Superstar – Murray Head & Trinidad Singers 02. The Phantom Of The Opera – Michael Crawford, Sarah Brightman 03. Oh What A Circus – Antonio Banderas, Madonna 04. Love Changes Everything – Michael Ball 05. Stick It To The Man – Alex Brightman, The Original Broadway Cast Of School Of Rock 06. Memory – Nicole Scherzinger 07. No Matter What – Boyzone 08. With One Look – Barbra Streisand 09. Buenos Aires – Glee Cast 10. Don’t Cry For Me Argentina – Julie Covington 11.
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