DOCSLIB.ORG

Lava Thomas [email protected] B

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lava Thomas Lava@Lavathomas.Com B Lava Thomas www.lavathomas.com [email protected] b. Los Angeles, CA Solo Exhibitions 2018 Mugshot Portraits: Women of the Montgomery Bus Boycott, Rena Bransten Gallery, San Francisco, CA 2015 Looking Back and Seeing Now, Berkeley Art Center, Berkeley, CA 2014 Lava Thomas: Beyond, Museum of the African Diaspora, San Francisco, CA 2005 Organic, Nathan Larramendy Gallery, Ojai, CA 1996 Parallel Origins, Art Dome, CA State University, Northridge, CA Selected Group Exhibitions 2018 EXPO Chicago, Rena Bransten Gallery, Chicago, IL Pretty Big Things, Walter Maciel Gallery, Los Angeles, CA Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Krasl Art Center, St. Joseph, MI Art on the Vine, Martha’s Vineyard, MA SF Art Book Fair, Minnesota Street Project, San Francisco, CA Be Not Still: Living in Uncertain Times, Part II, di Rosa Center for Contemporary Art, Napa, CA The Portrait Show, Rena Bransten Gallery, San Francisco, CA Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Bedford Gallery, Walnut Creek, CA Face Forward: Self-Image & Self-Worth, Richmond Art Center, Richmond, CA States of Matter, Zeitgeist Gallery, Nashville, TN 2017 PULSE Miami Beach, Rena Bransten Gallery, Miami, FL SabBath: The 2017 Dorothy Saxe Invitational, Contemporary Jewish Museum, San Francisco, CA With LiBerty and Justice for Some, Berkeley Art Center, Berkeley, CA Modern and Contemporary Art Collection, Lincoln Gallery, Smithsonian American Art Museum, Washington DC Culture In A Changing America, Artist Salon Series, Park Avenue Armory, New York, NY With LiBerty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA Sanctuary City: With Liberty and Justice for Some, SFAC Gallery, San Francisco, CA Lift Off, Rio Hondo College Art Gallery, Rio Hondo, CA The True Stories Project: Exploitation and Empowerment, Patan Museum, Kathmandu, Nepal 2016 EXPO Chicago, Rena Bransten Projects, Chicago, IL After Pop Life, Minnesota Street Projects, San Francisco, CA artMRKT, San Francisco, Rena Bransten Gallery, Fort Mason Center, San Francisco, CA Contemporary Figuration as an Expression of Humanism, Richmond Art Center, Richmond, CA These American Lives, Rena Bransten Gallery, Minnesota Street Projects, San Francisco, CA Introspective, BravinLee Programs, New York, NY 2015 PULSE Miami Beach, Rena Bransten Projects, Miami, FL EXPO Chicago, Rena Bransten Projects, Chicago, IL artMRKT San Francisco, Rena Bransten Projects, Fort Mason Center for Arts & Culture, San Francisco, CA 2014 Collect!, Berkeley Art Center, Berkeley, CA West Coast Ink, University Art Gallery, Sonoma State University, Sonoma, CA 2013 Being Scene: A Performance Installation, in collaboration with Aleta Hayes, Iris & B Gerald Cantor Center at Stanford University, Stanford, CA 2012 Community Creates, Palo Alto Art Center, Palo Alto, CA Women In Print, Etchings from the Paulson Bott Press, Bolinas Museum, Bolinas, CA 2011 Chain Letter, Shoshona Wayne Gallery, Santa Monica, CA Women in Print, Paulson Bott Press, Berkeley, CA Lava Thomas , 1 2011 Tel-Art-Phone, Beacon Arts Building, Inglewood, CA 2010 Secret Drawings, Palo Alto Art Center, Palo Alto, CA San Jose Institute of Contemporary Art, San Jose, CA 2008 Riverside Art Museum, Riverside, CA Idyllwild Art Center, Idyllwild, CA 2007 International Print Center, New York, NY 2006 Fullerton College Art Gallery, Fullerton, CA Riverside Art Museum, Riverside, CA Idyllwild Art Center, Idyllwild, CA Paulson Bott Press, Berkeley, CA Strictly Graphite, Fine Arts Gallery, College of Marin, Marin, CA Hair Raising, San Jose Institute of Contemporary Art, San Jose, CA ArtLA, Nathan Larramendy Gallery, Santa Monica Civic Auditorium, Santa Monica, CA 2005 Paintings Edge, Riverside Art Museum, Riverside, CA Face Paint, Bucheon Gallery, San Francisco, CA San Francisco International Art ExhiBition, Nathan Larramendy Gallery, Fort Mason Center for Arts & Culture, San Francisco, CA 2004 Meat Show, San Francisco Arts Commission Gallery, San Francisco, CA Commission ’04, San Francisco Arts Commission Gallery, San Francisco, CA Art Interrupted 2, Djerassi Resident Artists Program, Woodside, CA Echoes of Africa, American Pavilion, Epcot Center, Disneyworld, Orlando, FL Hidden Treasures, Nathan Larramendy Gallery, Ojai, CA 1999 Two Artists: Stacy Pyles and Lava Thomas, San Francisco Arts Commission Gallery, San Francisco, CA New Work, California College of the Arts, Oakland, CA 1998 Sexing Myths, Betty Wymer Gallery, The School of the Art Institute of Chicago, Chicago, IL 1997 Caressed By the Earth, CA African-American Museum, Los Angeles, CA Aphrodisiac, Ascension Gallery, Washington, DC III, Diego Rivera Gallery, San Francisco Art Institute, San Francisco, CA Time of Departure, Pro Arts Gallery, Oakland, CA 1995 Parallel Origins, Landing Space, Wight Gallery, UCLA, Los Angeles, CA Commissions 2013 Set Design, “Singing the Rooms: Songs For Alan,” performance by Aleta Hayes, Performance Studies International Conference, Stanford University, Palo Alto, CA 2007 Set Design, “Remix Project,” Stanford University, Palo Alto, CA Set Design, “Rock, Pop and Hip Hop in Contemporary Theater,” Stanford University High School Program, Stanford, CA 2006 Set Design Collaboration, “Remix Project,” Eastside College Preparatory High School, East Palo Alto, CA 2004 Commission ’04 Mini-box set, San Francisco Arts Commission Gallery with Trillium Press, San Francisco, CA 1996 Set painting for “Five Dead Friends,” Museum of Contemporary Art, Boulder, CO 1994 City of Santa Clarita Mural Project with East Los Angeles Street Scapers Studio, Los Angeles, CA Bibliography 2018 Raiford, Leigh. “’Lava Thomas’ “Mugshot Portraits: Women of the Montgomery Bus Boycott’,” exhibition catalog, 2018. Black Renaissance Noire, Vol. 18, Issue 2, ed. Quincy Porter Troupe, New York University, New York, NY, 2018. (forthcoming) Desmarais, Charles. “An uncertain approach to political art at di Rosa,” San Francisco Chronicle, August 18, 2018. Lava Thomas, 2 2018 Desmarais, Charles. “What’s up in SF museums and galleries this fall,” San Francisco Chronicle DateBook, August 17, 2018. Norwood, Christopher. “Black Excellence at Art Basel,” International Review of African American Art, Vol. 28, No. 2 (2018): p. 13-32. Giles, Gretchen. “Part Two of di Rosa’s ‘Be Not Still’ a Lesson in the Importance of Being Earnest,” KQED Arts, June 28, 2018. Lederer, Carrie. Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, exhibition catalog, 2018. Fancher, Lou. “Walnut Creek: African-American art show opens at Bedford Gallery,” East Bay Times, April 13, 2018 Hutson, Laura. “Two Shows at Zeitgeist Gallery Explore the Power of the Feminine,” Nashville Scene, January 25, 2018. Boyle, Kathleen. “States of Matter,” Nashville Arts Magazine, January 4, 2018. 2017 Miller, Robert Nagler. “Remember the Sabbath: 57 artists respond in imaginative exhibit,” The Jewish News of Northern California, November 19, 2017. 2016 Roth, David M. “These American Lives at Rena Bransten Gallery,” Square Cylinder, April 25, 2016. 2015 Black Renaissance Noire, Vol. 15, Issue 2, ed. Quincy Porter Troupe, New York University, New York, NY, 2015. LeDuc, Aimee. Lava Thomas: Looking Back and Seeing Now, exhibition catalog, September 2015. Garchick, Leah. “What if you gave a piano concert and goofs didn’t matter,” SF Chronicle, July 15, 2015. Zack, Jessica. “Lava Thomas’ Mirrored Art Helps Viewers Reflect,” SF Chronicle, July 31, 2015. Burke, Sarah. “Lava Thomas’ Tambourine Dream,” East Bay Express, July 15, 2015. 2014 Garchick, Leah. “MoAD cuts the ribbon and welcomes art lovers to reimagined space,” SF Chronicle, December 4, 2014. LeFalle-Collins, Lizetta. Lava Thomas: Beyond, exhibition catalog, 2014. Winn, Steven. “Lava Thomas’ art rooted in biography,” SF Gate, November 29, 2014. Winn, Steven. “MoAD reopens with big changes and big plans,” SF Chronicle, November 26, 2014. “The Cantor collaborates with Stanford students in many creative ways: Being Scene,” Cantor Arts Center News, Spring 2014. 2013 Kienzle, Karen. The Veterans Portrait/Self-Portrait Project, exhibition catalog, 2014. 2011 Studio Visit, Vol.15, ed. Stephen T. Zevitas, 2011. 2010 Junker, Howard. “Violin d’Ingres”, ZYZZYVA 90, Winter 2010. “Art Collection of the United States Consulate General, Johannesburg, South Africa,” exhibition catalog, 2010. Graham, Jason-Louise. “Lava Thomas Shakes Berkeley,” Examiner, September 28, 2010. Messer, Ari. “Studies in Digital Imaging,” COLOR #6, March 2010. 2006 Junker, Howard. “Fictitious Self-Portrait,” ZYZZYVA 78, Winter 2006. Cohen, Stephen. ArtLA, exhibition catalog, January, 2006. Hendrix, Anastasia. “Art off the top of our heads,”San Francisco Chronicle, January 15, 2006. 2005 Wiebe, Stacey. “Body of Art,” Ventura County Reporter, September 22, 2005. San Francisco International Art ExhiBition, exhibition catalog, 2005. 2004 Buckner, Clark. “Critic’s Choice,” San Francisco Bay Guardian, December 22, 2004. Meat Show, exhibition catalog, 2004. 2003 Campbell, Rob. “Natural refinement,” Ventura County Reporter, December 11, 2003. Woodard, Joseph. “All certified ‘Organic,” LA Times Calendar Weekend, December 4, 2003. 1997 Wilson, Stanley. Caressed By the Earth, exhibition catalog, 1997. Dunn, Suzanne and Sorensen, Dina. New Drawing, exhibition catalog, 1997. 1996 Johnson, Reed. “Similar Visions from Worlds Apart,” Daily News, October 11, 1997. Woodard, Joseph. “Sights,” LA Times Calendar, November 14, 1996. 1995 Von Blum, Paul and Du Tan,
Load more

Recommended publications
  • 2013-14 Arts Report (Pdf)
    2013-14 Arts Explosion Rocks Stanford 1 A Private Art Collection Becomes a Stanford Collection 2-3 Curricular Innovation 4-5 Interdisciplinary Dexterity 6-7 Anatomy of an Exhibition 8 Visual Thinkers 9 Renaissance Man 10-11 Festival Jérôme Bel 12 The Next Bing Thing 13 Sound Pioneer 14 Politicians, Producers & Directors 15 Theater Innovators 16 Museums & Performance Organizations 17 Looking Ahead 17 Academic Arts Departments & Programs 18-19 “Arts Explosion Rocks Stanford.” Arts Centers, Institutes & Resources 20-21 Student Arts Groups 22-23 That was the headline of a May 2014 article in the San Francisco Chronicle – and it’s a great descrip- Fashion at Stanford 24 tion of the experience of the arts at Stanford in 2013-14. Honors in the Arts: The Inaugural Year 25 Support for Stanford Arts 26 It was a year of firsts: the first full season in Bing Concert Hall, the first year of two innovative curric- 2013-14 Arts Advisory Council 27 ular programs – ITALIC and Honors in the Arts - and the first year of the new “Creative Expression” Faculty & Staff 27 breadth requirement (see p. 4). Stanford Arts District 28 BING CONCERT HALL’S It was also – perhaps most prominently – a year of planning and breathless anticipation of the opening GUNN ATRIUM of the Anderson Collection at Stanford University, which took place to great fanfare in September 2014. In the midst of it all there were exciting multidisciplinary exhibitions at the Cantor Arts Center, amaz- ing student projects and performances throughout campus, and a host of visits by artists including Carrie Mae Weems, Tony Kushner, and Annie Leibovitz.
    [Show full text]
  • College and University Art Museums Reciprocal Program Participants
    College and University Art Museums Reciprocal Program Participants ALABAMA Hammer Museum FLORIDA Abroms-Engel Institute for the Visual Arts University of California, Los Angeles Cornell Fine Arts Museum (AEIVA) hammer.ucla.edu Rollins College University of Alabama at Birmingham rollins.edu/cfam uab.edu/cas/aeiva University Art Museum California State University, Long Beach Harn Museum of Art Jule Collins Smith Museum of Fine Art csulb.edu/org/uam University of Florida Auburn University harn.ufl.edu jcsm.auburn.edu COLORADO Center for Visual Art Leepa-Rattner Museum of Art ARIZONA Metropolitan State University of Denver St. Petersburg College Arizona State University Art Museum msudenver.edu/cva leeparattner.org Arizona State University asuartmuseum.asu.edu Colorado Springs Fine Arts Center Ruth Funk Center for Textile Arts at Colorado College Florida Institute of Technology Center for Creative Photography Colorado College textiles.fit.edu University of Arizona coloradocollege.edu/fac ccp.arizona.edu GEORGIA CONNECTICUT Bernard A. Zuckerman Museum of Art University of Arizona Museum of Art Fairfield University Museum of Art Kennesaw State University University of Arizona Fairfield University zuckerman.kennesaw.edu artmuseum.arizona.edu fairfield.edu/museum Georgia Museum of Art CALIFORNIA Housatonic Museum of Art University of Georgia Anderson Collection at Stanford University Housatonic Community College georgiamuseum.org Stanford University hcc.commnet.edu/artmuseum anderson.stanford.edu Michael C. Carlos Museum William Benton Museum
    [Show full text]
  • Curriculum Vitae
    December 2016 Martin Ruef Curriculum Vitae 344 Soc / Psych Building Office Phone: (919) 660-5792 Duke University Office Fax: (919) 660-5623 Durham, NC 27708-0088 EM: [email protected] EDUCATION: January 1999 Ph.D., Sociology Stanford University June 1994 M.A., Sociology Stanford University May 1990 B.S., Computer Science (Magna Cum Laude) Virginia Tech POSITIONS: 2012-present Jack and Pamela Egan Professor of Entrepreneurship (2013-), Chair (2016-) and Research Professor (2012), Department of Sociology, Duke University 2013-2016 Director (2014-16) and Associate Director (2013-14), Markets and Management Studies, Duke University 2004-2012 Professor (2009-12) and Associate Professor (2004-09), Department of Sociology, Princeton University 2002-2004 Assistant Professor of Organizational Behavior, Graduate School of Business, Stanford University 1999-2002 Assistant Professor, Department of Sociology, UNC-Chapel Hill 1998-1999 Postdoctoral Research Scholar, Center for Entrepreneurial Studies, Graduate School of Business, Stanford 1995-1997 Instructor, Department of Sociology, Stanford RESEARCH INTERESTS: Organization Studies, Economic Sociology, Historical / Comparative Sociology, Network Analysis, Sociology of Culture Martin Ruef 2 Curriculum Vitae BOOKS: 2014 Martin Ruef. Between Slavery and Capitalism: The Legacy of Emancipation in the American South. 304pp. Princeton, NJ: Princeton University Press. Winner of the 2015 Viviana Zelizer Award (American Sociological Association, Section on Economic Sociology). 2010 Martin Ruef. The Entrepreneurial Group: Social Identities, Relations, and Collective Action. 312pp. Princeton, NJ: Princeton University Press (paperback edition, 2014). Winner of the 2011 Max Weber Award (American Sociological Association, Section on Organizations, Occupations and Work); Finalist for the 2011 George Terry Award for outstanding contribution to management knowledge (Academy of Management).
    [Show full text]
  • Andrea Cuadra
    Andrea Cuadra Department of Information Science Phone: +1 (786) 239 2893 Cornell Tech Email: [email protected] 2 W Loop Rd New York, NY Education † Indicates expected 2018–2022 † Ph.D., Information Science, Cornell University Advisors: Deborah Estrin (chair), Nicola Dell (co-chair), Malte Jung (minor member), Amon Millner (external member) Dissertation title: Inclusive Interaction Design with a focus on Voice Assis- tants for Older Adults 2018–2020 M.Sc., Information Science, Cornell University 2015–2017 M.Sc., Engineering: Product Design, Stanford University Advisors: Bill Burnett and David Kelley Design Garage Project: Increasing Child-Parent Quality Time: identified specific user needs, and designed solutions as part of this year-long design project. Our final deliverable was a published children’s book. 2009–2013 B.Sc., Engineering: Interaction Design, Olin College of Engineering Advisor: Amon Millner Senior Capstone Project: Enhancing the Autodesk 123D Experience for Sec- ondary School Students: delivered bite-size pieces of curriculum to intro- duce 3D modeling software in various academic settings. Grand Challenge Scholar Project: Summer Camp: Motivating Students for Advanced Personalized Learning: founded a sustainability summer camp for 8–12 year-old kids based on hands-on engineering projects and experiments. Internships 2019 Google, Search User Experience Research Intern Mountain View, CA 2018 Google, Chrome User Experience Research Intern San Francisco, CA 2016 Yahoo, Flurry User Experience Research Intern Sunnyvale, CA 2012
    [Show full text]
  • Cupertino City Manager
    www.peckhamandmckenney.com Search Schedule Search City of Cupertino, California Cupertino, of City City Manager City development and maintain • CalPERS 2.7% @ 55 PERS Retirement. strong regional cooperation City pays 6% of the employee Resume filing date .................................June 8, 2012 and partnerships. contribution and the employee pays the Preliminary Interviews .................. .June 11-19, 2012 remaining 2%. Given anticipated future Recommendation of Candidates ...........June 20, 2012 • CalPERS 1959 Survivor Benefit. development in Cupertino, Final Interview Process .............June 29 and 30, 2012 • Choice of health insurance with the it is expected that the Anticipated Start Date ................ September 4, 2012 employee’s premium paid by the City in new City Manager will have the ability to manage addition to portion of family premium. large projects, take a visionary approach, and be These dates have been confirmed, and it is • Fully paid vision, life, and disability recommended that you plan your calendar accordingly. in tune with long-term issues. The City Manager insurance. will be a hands-on manager, sensitive to fiscal • Partially paid dental insurance. responsibility, and utilizing technology in the • Fully paid Employee Assistance Program. best manner for efficient and effective service. • Annual Leaves - 10 to 22 days of vacation annually based on years of service with credit The Recruitment Process The selected candidate will possess proven To apply for this outstanding career leadership and management abilities as well as given for previous employment in the public opportunity, please send your resume and cover letter electronically to: a solid knowledge and understanding of local sector; 12 holidays, 20 hours of floating holiday; government services.
    [Show full text]
  • Fletcher Benton
    Fletcher Benton Born 1931 Jackson, Ohio. Currently lives and maintains a studio in San Francisco, CA. Education 1956 BFA, Miami University, Oxford, Ohio Awards and Honors 1979 Award for Distinguished Service to the Arts, American Academy of Arts and Letters, New York 1980 President's Scholar Award, California State University, San Jose 1982 Award of Honor for Outstanding Achievement in Sculpture, San Francisco Arts Commission 1993 Honorary Doctor of Fine Arts, Miami University, Oxford, Ohio 1994 Ohioana Career Award, Ohioana Library Association, Columbus Honorary Doctor of Fine Arts, University of Rio Grande, Rio Grande, Ohio 2008 Lifetime Achievement in Contemporary Sculpture, International Sculpture Center 2012 Distinguished Arts Alumni Award, Miami University, Oxford, Ohio Teaching 1959 California College of Arts and Crafts, Oakland 1966-67 San Francisco Art Institute 1967-86 California State University, San Jose Selected Solo Exhibitions 1961 California Place of the Legion of Honor, San Francisco 1965 San Francisco Museum of Art 1967 Sonoma State College, Rohnert Park, California San Francisco Art Institute 1968 Humboldt State College, Arcata, California 1969 Milwaukee Art Center, Wisconsin 1970 San Francisco Museum of Art California State University, Ohico Berkeley Arts Center, Berkeley, California Reed College, Portland, Oregon Estudio Actual, Caracas, Venezuela 1971 Stanford University Museum of Art, California 1972 La Jolla Museum of Art, California 1973 Phoenix Art Museum, Arizona University of California, Davis AUSTIN ART PROJECTS
    [Show full text]
  • Lynn Hershman Leeson B
    ! 99 BOWERY 2ND FLOOR, NEW YORK, NY 10002 USA BRIDGETDONAHUE.NYC LYNN HERSHMAN LEESON B. 1941 Lives and works in San Francisco, California EDUCATION B.S. Case Western Reserve University M.A. San Francisco State University SELECT SOLO EXHIBITIONS 2017 Lynn Hershman Leeson: Civic Radar, Yerba Buena Center for the Arts, San Francisco, California, February 10 - May 21 (forthcoming) 2016 Lynn Hershman Leeson, Ruth C. Horton Gallery, Moss Arts Center, Virginia Tech, Blacksburg, Virginia, October 20 - December 11 Lynn Hershman Leeson: Body Collage, Armory Gallery, Virginia Tech, Blacksburg, Virginia, October 18 - December 10 Trans Genesis: Evaporations and Mutations, Vilma Gold, London, England, October 4 - 29 Cyborgs and Self-Promotion, Cleveland Museum of Art, Cleveland, Ohio, March 10 - August 8 Liquid Identities - Lynn Hershman Leeson, Identities of the 21st Century, Lehmbruck Museum, Duisburg, Germany, February 27 - June 5 2015 Lynn Hershman Leeson: Civic Radar, Sammlung Falckenberg, Hamburg, Germany, June 14 - November 15 Lynn Hershman Leeson: Origin of the Species (Part 2), Modern Art Oxford, Oxford, United Kingdom, May 29 - August 9 Lynn Hershman Leeson: Origin of the Species, Bridget Donahue, New York, New York, February 19 - April 5 2014 Lynn Hershman Leeson: Civic Radar, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, December 13 - April 6 2013 Present Tense, Gallery Paule Anglim, San Francisco, California Agent Ruby Files, San Francisco Museum of Modern Art, San Francisco, California 2012 Me as Roberta, Museum of Contemporary Art, Krakow, Poland, February 17–April 29 Lynn Hershman Leeson: Seducing Time, Kunsthalle Bremen, Bremen, Germany, June 2 - August 19 W.A.R. Documentary screening, Reina Sofia, Madrid, Spain, March 12 W.A.R.
    [Show full text]
  • H a I N E S G a L L E
    H A I N E S G A L L E R Y DAVID SIMPSON b. 1928 Lives and works in Berkeley, CA EDUCATION 1956, BFA, California School of Fine Arts 1958, MA, San Francisco State College SELECTED SOLO EXHIBITIONS 2018 Illumination, Charlotte Jackson Fine Art, Santa Fe, NM The War Room, Haines Gallery, San Francisco, CA Spotlight: David Simpson, solo presentation by Haines Gallery at Frieze New York, NY 2017 David Simpson: Heaven and Hell, Charlotte Jackson Fine Art, Santa Fe, NM David Simpson: Fifty Years of Painting, Modernism, San Francisco, CA 2016 Then and Now, Charlotte Jackson Fine Art, Santa Fe, CA Now & Then: The Work of David Simpson, Haines Gallery, San Francisco, CA David Simpson: True to Light, Geukens & De Vil, Knokke, Belgium David Simpson: Works from the 1980s, Studio La Citta, Verona, Italy 2015 David Simpson, Geukins & De Vil, Antwerp, Belgium 2013 David Simpson, Art Museum of University of Wyoming, Laramie, WY 2012 David Simpson, Gallery Sonja Roesch, Houston, TX David Simpson: Paintings, Modernism, San Francisco, CA 2011 Nonsense Poems, Haines Gallery, San Francisco, CA 2010 Interference Blues, Charlotte Jackson Fine Art, Santa Fe, NM 2009 Paintings & Works on Paper, Modernism, San Francisco, CA 2008 David Simpson, Studio La Citta, Verona, Italy 2007 David Simpson, Studio La Citta, Verona, Italy Light Wells, Charlotte Jackson Fine Art, Santa Fe, NM Light Wells, Haines Gallery, San Francisco, CA Interference Paintings, Gallery Sonja Roesch, Houston, TX 2006 Extreme Interference, Charlotte Jackson Fine Art, Santa Fe, NM 2005 Iridescent
    [Show full text]
  • Stanford University, Cantor Arts Center, Videorecordings
    http://oac.cdlib.org/findaid/ark:/13030/kt038nd9vz No online items Guide to the Stanford University, Cantor Arts Center, Videorecordings Daniel Hartwig Stanford University. Libraries.Department of Special Collections and University Archives Stanford, California November 2010 Copyright © 2015 The Board of Trustees of the Leland Stanford Junior University. All rights reserved. Note This encoded finding aid is compliant with Stanford EAD Best Practice Guidelines, Version 1.0. Guide to the Stanford University, V0194 1 Cantor Arts Center, Videorecordings Overview Call Number: V0194 Creator: Iris & B. Gerald Cantor Center for Visual Arts at Stanford University Title: Stanford University, Cantor Arts Center, videorecordings Dates: 1999 Physical Description: 0.01 Linear feet 1 video disc Summary: Videorecording (and DVD copy) on the repair and renovation of the museum, with an emphasis on the final six months; persons interviewed are Richard M. Olcott, principal architect, Mindy Cameron, exhibition designer, Thomas K. Seligman, director, and Hilarie Faberman, curator. Language(s): The materials are in English. Repository: Department of Special Collections and University Archives Green Library 557 Escondido Mall Stanford, CA 94305-6064 Email: [email protected] Phone: (650) 725-1022 URL: http://library.stanford.edu/spc Gift of Jack Hubbard, 1999. Information about Access This collection is open for research. Ownership & Copyright All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted in writing to the Head of Special Collections and University Archives, Stanford University Libraries, Stanford, California 94304-6064. Consent is given on behalf of Special Collections as the owner of the physical items and is not intended to include or imply permission from the copyright owner.
    [Show full text]
  • Essam A. Marouf September 2019 Professional Summary
    Essam A. Marouf September 2019 Professional Summary Education Ph.D. in Electrical Engineering (Major) and Computer Science (Minor), Stanford University, Stanford, California, 1975. Dissertation: The Rings of Saturn: Analysis of a Bistatic-Radar Experiment. B.S. and M.S. in Electrical Engineering (Communications), University of Alexandria, Egypt, 1965 and 1968, respectively. Areas of Expertise Digital and statistical signal processing; spectral estimation; signal reconstruction and restoration; electromagnetic wave propagation and scattering; waves in random media; Fourier and statistical optics; inverse scattering; application to planetary exploration using unmanned spacecraft. Professional Positions 2018- : Associate Dean for Graduate Studies & Research, College of Engineering, San Jose State University, San Jose, CA. 2014-2017: Associate Dean for Research, College of Engineering, San Jose State University, San Jose, CA. 1990- : Professor of Electrical Engineering, College of Engineering, San Jose State University, San Jose, CA. 2005-2006: Visiting Professor, Department of Electrical Engineering, Stanford University, CA (on sabbatical leave from San Jose State University). 1998-1999: Senior Visiting Scientist, NASA Jet Propulsion Laboratory, California Institute of Technology, CA (on sabbatical leave from San Jose State University) 1981-1990: Senior Research Scientist, Space Telecommunications and Radio Science (STAR) Lab, Department of Electrical Engineering, Stanford University, CA. 1978-1981: Research Associate, STAR Lab, Department
    [Show full text]
  • VAL BRITTON CURRICULUM VITAE Born 1977 in Livingston, NJ
    VAL BRITTON CURRICULUM VITAE Born 1977 in Livingston, NJ Lives and works in San Francisco, CA EDUCATION 2006 M.F.A. California College of the Arts, San Francisco, CA 1999 B.F.A. Rhode Island School of Design, Providence, RI French Coursework, Brown University, Providence, RI Study Abroad, Edinburgh College of Art / Edinburgh Printmakers Workshop, Scotland, UK SOLO AND TWO-PERSON EXHIBITIONS 2018 Hired: Wage Gap Report, Minnesota Street Project, San Francisco, CA 2016 Navigator, Patti and Rusty Rueff Galleries, Purdue University, West Lafayette, IN Transmissions, Gallery Wendi Norris, San Francisco, CA 2014 Val Britton: Passage, Gallery Wendi Norris, San Francisco, CA 2013 Cosmology, Foley Gallery, New York, NY Terra Incognita, CES Contemporary, Laguna Beach, CA Intimate Immensity, San Jose Institute of Contemporary Art, San Jose, CA 2012 The Continental Interior, San Francisco Arts Commission Gallery, San Francisco, CA Kala Art Institute: Val Britton, Addison Street Window Gallery, Berkeley, California, CA Infinite Loop: Art + Sound by Val Britton and John Colpitts, Secret Project Robot, Brooklyn, NY 2010 Index to Selected Stars: Recology Artist in Residence Program, Recology, San Francisco, CA 2009 The Echo Fields: Val Britton + Michael Meyers, Johansson Projects, Oakland, CA 2007 Near and Far: New Work by Val Britton, 301 Bocana Gallery, San Francisco, CA SELECT GROUP EXHIBITIONS 2018 Art Dubai, Dubai, United Arab Emirates 2017 Facebook AIR 5-Year Anniversary Show, The Lab, San Francisco, CA Seeking Civilization: Art and Cartography,
    [Show full text]
  • 2016-2017 Directory Map with Index 09292016
    S AN M AT EO DR M R BRYANT ST D A Y L RAMONA ST TASSO ST W E URBAN LN HERMOSA WY O R O U MELVILLE AV D A L L BUILDING GRID Poplar F-5 Oval, The F/G-8 N Y NeuroscienceQUARRY RD 30 Alta Road K-3 Post Office I-8 PAC 12 Plaza E-12 A B Health Center 08 Panama Mall: Housing Assignments Office H-7 Press Building I-7 Papua New Guinea Sculpture Garden I-6 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Advanced Medicine Center: ASC, Cancer Center C-5/6 Psychiatry B-8 Rehnquist Courtyard J-9 COWPER Anderson Collection D-8 Puichon G-2 Roble Field (on Roble Field Garage) H-5/6 WAVERLEY ST Hoover Sheraton PALO RD Arrillaga Alumni Center F-10 Recycling Center G-13 Rodin Sculpture Garden E-7/8 N Neuroscience Hoover William R. KELLOGG AV Art Gallery G-9 Red Barn I-2 Serra Grove G-7 SANTA RITA AV L Pavilion Hotel VIA PUEBLO Serra Shriram Center Artist's Studio K-3 Redwood Hall F-5 SEQ Courtyard G-6 BRYANT ST Pavilion Hewlett D Health Center L-1A Automotive Innovation Facility F-2 Rogers: The Bridge Peer Counseling Center J-7 Taylor Grove, Chuck E-11/12 EL CAMINO REAL EVERETT HIGH ST Downtown Grove SERRA MALL R Garage Bioengineering & U Teaching Bambi H-5/6 Science Teaching and Learning Center (Old Chemistry Building) F-7 Terman Site H-6 (see INSET 1 W A O Sequoia Barnum Center I-8/9 Sequoia Hall G-7 Toyon Grove D-10/11 LYTTON AVE Palo Alto Westin Chemical Engineering SpilkerHIGH ST E H Center B Barnes G-2 Serra (589 Capistrano Way) J-7 West Oval Grove F/G-8 RAMONA ST at upper left) L EMERSON ST S A C Hotel Hall Bechtel International Center J-7 SHC-LPCH Steam Plant
    [Show full text]