Solid Stain Colors

Total Page:16

File Type:pdf, Size:1020Kb

Solid Stain Colors white potters clay cougar brown smoked oyster bennington gray sea gull gray cliffside gray silver mist white potters clay cougar brown smoked oyster bennington gray sea gull gray cliffside gray silver mist maritime white santa rosa pinch of spice fresh brew beige gray briarwood ferndale green imperial gray maritime white santa rosa pinch of spice fresh brew beige gray briarwood ferndale green imperial gray richmond bisque fox run leather saddle brown bison brown mesa verde tan creekside green kennebunkport green platinum gray richmond bisque fox run leather saddle brown bison brown mesa verde tan creekside green kennebunkport green platinum gray bradstreet beige georgian brick abbey brown vintage wine alexandria beige dry sage rosepine celtic blue bradstreet beige georgian brick abbey brown vintage wine alexandria beige dry sage rosepine celtic blue dunmore cream terra mauve norwich brown mountain moss dakota shadow chelsea gray dunmore cream terra mauve norwich brown mountain moss dakota shadow chelsea gray chestertown buff rabbit brown hidden valley dragon’s breath salamander stonehedge chestertown buff rabbit brown hidden valley dragon’s breath salamander stonehedge solid stain colors wilmington tan california rustic redwood mahogany rustic taupe black cedar mountains georgetown gray wilmington tan california rustic redwood mahogany rustic taupe black cedar mountains georgetown gray semi solid stain colors avant garde boston brick barn red dark purple fairview taupe river rock olympus green amherst gray avant garde boston brick barn red dark purple fairview taupe river rock olympus green amherst gray mystic gold garrison red beaujolais cordovan brown spanish moss spellbound normandy ashland slate mystic gold garrison red beaujolais cordovan brown spanish moss spellbound normandy ashland slate PLEASE NOTE: These representations of stained substrates can only PLEASE NOTE: These representations of stained substrates can only approximate the actual color and opacity. Always sample the color approximate the actual color and opacity. Always sample the color on the actual wood you will be coating. on the actual wood you will be coating. NOTA: Estas representaciones de sustratos tintados son tan sólo una NOTA: Estas representaciones de sustratos tintados son tan sólo una aproximaciones del color y la opacidad real. Siempre aplique el color aproximaciones del color y la opacidad real. Siempre aplique el color a una muestra de la madera que vaya a tintar. a una muestra de la madera que vaya a tintar. natural cedartone sweet rosy brown new pilgrim red oxford brown blue note hamilton blue westcott navy natural cedartone sweet rosy brown new pilgrim red oxford brown blue note hamilton blue westcott navy.
Recommended publications
  • Pressure Ulcer Staging Cards and Skin Inspection Opportunities.Indd
    Pressure Ulcer Staging Pressure Ulcer Staging Suspected Deep Tissue Injury (sDTI): Purple or maroon localized area of discolored Suspected Deep Tissue Injury (sDTI): Purple or maroon localized area of discolored intact skin or blood-fi lled blister due to damage of underlying soft tissue from pressure intact skin or blood-fi lled blister due to damage of underlying soft tissue from pressure and/or shear. The area may be preceded by tissue that is painful, fi rm, mushy, boggy, and/or shear. The area may be preceded by tissue that is painful, fi rm, mushy, boggy, warmer or cooler as compared to adjacent tissue. warmer or cooler as compared to adjacent tissue. Stage 1: Intact skin with non- Stage 1: Intact skin with non- blanchable redness of a localized blanchable redness of a localized area usually over a bony prominence. area usually over a bony prominence. Darkly pigmented skin may not have Darkly pigmented skin may not have visible blanching; its color may differ visible blanching; its color may differ from surrounding area. from surrounding area. Stage 2: Partial thickness loss of Stage 2: Partial thickness loss of dermis presenting as a shallow open dermis presenting as a shallow open ulcer with a red pink wound bed, ulcer with a red pink wound bed, without slough. May also present as without slough. May also present as an intact or open/ruptured serum- an intact or open/ruptured serum- fi lled blister. fi lled blister. Stage 3: Full thickness tissue loss. Stage 3: Full thickness tissue loss. Subcutaneous fat may be visible but Subcutaneous fat may be visible but bone, tendon or muscle are not exposed.
    [Show full text]
  • A Visual Guide to Identifying Cats
    A Visual Guide to Identifying Cats When cats have similar colors and patterns, like two gray tabbies, it can seem impossible to tell them apart! That is, until you take note of even the smallest details in their appearance. Knowledge is power, whether you’re an animal control officer or animal Coat Length shelter employee who needs to identify cats regularly, or you want to identify your own cat. This guide covers cats’ traits from their overall looks, like coat pattern, to their tiniest features, like whisker color. Let’s use our office cats as examples: • Oliver (left): neutered male, shorthair, solid black, pale green eyes, black Hairless whiskers, a black nose, and black Hairless cats have no fur. paw pads. • Charles (right): neutered male, shorthair, brown mackerel tabby with spots toward his rear, yellow-green eyes, white whiskers with some black at the roots, a pink-brown nose, and black paw pads. Shorthair Shorthair cats have short fur across As you go through this guide, remember that certain patterns and markings the entire body. originated with specific breeds. However, these traits now appear in many cats because of random mating. This guide covers the following features: Coat Length ...............................................................................................3 Medium hair Coat Color ...................................................................................................4 Medium hair cats have longer fur around the mane, tail, and/or rear. Coat Patterns ..............................................................................................6
    [Show full text]
  • Alden Shoe Company
    Est. 1884 Alden Shoe Company 1 Taunton Street Middleborough, MA 02346 508-947-3926 Fax 508-947-7753 www.AldenShoe.com The Alden Shoe Company has manufactured quality shoes for men since 1884. With over 130 years of unwavering dedication to the highest standards of shoe-making, we proudly offer our collection of American handcrafted footwear. Not redone yearly at the drawing board, but reaffirmed continuously in the shop, heavy with the scent of rich leathers carefully worked to offer the best. The original tassel moccasin. Often copied... never equalled. Tassel Moccasins Shell Cordovan Calfskin Suede Q 563 Color 8 Cordovan 561 Dark Brown Calfskin 666 Mocha Kid Suede 664 Black Cordovan 660 Black Calfskin Q 3403 Snuff Suede Q 662 Burnished Tan Calfskin Aberdeen Last 663 Burgundy Calfskin Aberdeen Last Single oak leather outsoles Single oak leather outsoles Aberdeen Last C 8-13 Single oak B 8-13 D 6-13 leather outsoles Additional sizes C 7-13 E 6-13 for 660: D 6-13 B 8-13 AA 8 1/2-14 E 6-13 C 7-13 A 8 1/2-14 EEE 6-12 D 6-13 B 14, 15 E 6-13 C 14, 15 EEE 6-12 D 14, 15 E 14 EE 6-13 EEE 13 EEEE 7-12 3 Using the centuries-old method of pure vegetable tanning and hand finishing, the single tannery still producing genuine shell cordovan today is indeed practicing a rare art. The tanning process takes a full six months to complete and produces leather that is soft and supple, yet very durable..
    [Show full text]
  • Knowing a Home's Vintage Will Give You an Advantage
    Photos: Historic New England ments then available, the composition of the paint and, of course, the tastes and styles of the time. In the early 19th century, for example, the only major pigments stable, cheap and plentiful enough to be used on the outside of a house were all derived from naturally occurring substances such as red iron oxide, lamp black, or colored clays (yellow ochre, raw si- enna, raw umber). Verdigris (green), Prussian blue and other pigments produced by chemical manipulation were more scarce, subject to unstable color shifts, and costlier; thus, they were used less often. Once the first synthetic organic dyes became available after 1856, a broader range of paint pigments became available and the exterior color choices expanded. Formulation and fashion Paint composition has also shaped color choices. Traditional paints were By Sally Zimmerman far simpler than today’s formulations Knowing a home’s vintage will give you an advantage. ow do we choose colors to faithful, old works-on-any-house white and employed only three components: ColorMemayHistoric not be the best bet, either. paint a home’s exterior? a linseed-oil binder, a turpentine vehi- Some people probably grav- Paint color choices should suit the cle, and a pigment (most often white itate to their personal fa- architecture of a home, whether it’s an lead) that provided opacity as well as vorite—currently blue, 18th-century Colonial, 19th-century Vic- color. Colored pigments could be added followed closely by purple, torian, or even a 20th-century modern to further tint this historic “base.“ according to global market- ranch.
    [Show full text]
  • M/Izeeuican%Usdllm
    M/izEeuican%Usdllm PUBLISHED BY THE AMERICAN MUSEUM OF NATURAL HISTORY CENTRAL PARK WEST AT 79TH STREET, NEW YORK 24, N.Y. NUMBER 2 2 II MARCH I 7, I 965 Descriptions of Three New Species of the Bee Genus Calliopsis (Hymenoptera, Andrenidae) BY ALVIN F. SHINN1 The species below are described at the present time to make their names available for use in connection with biological studies recently completed on them. The species are closely related and belong in a group with Calliopsis coloradensis Cresson, C. chlorops Cockerell, and C. coloratipes Cockerell. Evidence for interspecific mating in the group is given. The presence of all three new species, as well as others in their group, at the Southwestern Research Station of the American Museum of Natural History offers an unparalleled opportunity for the study of ecological differentiation in these closely related Calliopsis bees. I wish to thank the following collectors and museum curators who have lent so generously of their own specimens or of specimens in their care which have been used in this study: Dr. G. E. Bohart, United States Department of Agriculture, Wild Bee Pollination Investigations, Utah State University, Logan; Drs. G. D. Butler, Jr., and F. G. Werner, University of Arizona, Tucson; Dr. P. D. Hurd, Jr., California Insect Survey, University of California, Berkeley; Dr. W. E. LaBerge, Uni- versity of Nebraska, Lincoln; Dr. C. D. Michener, the University of Kansas, Lawrence; Dr. E. S. Ross, the California Academy of Sciences, San Francisco; Dr. J. G. Rozen, Jr., the American Museum of Natural History, New York City; Mr.
    [Show full text]
  • Traditional GSA NSN 2014
    Collection Item # Description Color Walnut Mahogany G501H-4 High Back Executive Chair TYPE I, STYLE 1, CLASS 1 Cordovan Leather 7110-01-622-0455 7110-01-622-1768 Dark Blue Leather 7110-01-622-1765 7110-01-622-1769 Brown Leather 7110-01-622-1766 7110-01-622-1770 Black Leather 7110-01-622-1767 7110-01-622-1811 TYPE I, STYLE 1, CLASS 2 Cordovan Vinyl 7110-01-622-1761 7110-01-622-3769 Dark Blue Vinyl 7110-01-622-1760 7110-01-622-2876 Brown Vinyl 7110-01-622-1762 7110-01-622-3771 Black Vinyl 7110-01-622-2868 7110-01-622-3773 TYPE I, STYLE 1, CLASS 3 Cordovan Fabric 7110-01-622-2841 7110-01-622-3779 Dark Blue Fabric 7110-01-622-2842 7110-01-622-2852 Brown Fabric 7110-01-622-2845 7110-01-622-3781 Black Fabric 7110-01-622-2848 7110-01-622-3785 Item # Description Color Walnut Mahogany G501-4 Mid Back Executive Chair TYPE I, STYLE 2, CLASS 1 Cordovan Leather 7110-01-622-2844 7110-01-622-3786 Dark Blue Leather 7110-01-622-2847 7110-01-622-2856 Brown Leather 7110-01-622-2850 7110-01-622-3787 Black Leather 7110-01-622-2854 7110-01-622-3789 TYPE I, STYLE 2, CLASS 2 Cordovan Vinyl 7110-01-622-2857 7110-01-622-3790 Dark Blue Vinyl 7110-01-622-2858 7110-01-622-2872 Brown Vinyl 7110-01-622-2861 7110-01-622-3791 Black Vinyl 7110-01-622-2865 7110-01-622-3792 TYPE I, STYLE 2, CLASS 3 Cordovan Fabric 7110-01-622-2829 7110-01-622-3793 Dark Blue Fabric 7110-01-622-2831 7110-01-622-2837 Brown Fabric 7110-01-622-2832 7110-01-622-3775 Black Fabric 7110-01-622-2833 7110-01-622-3776 Item # Description Color Walnut Mahogany G531-2 Low Back Executive Chair TYPE I, STYLE
    [Show full text]
  • Pressure Ulcer Staging Guide
    Pressure Ulcer Staging Guide Pressure Ulcer Staging Guide STAGE I STAGE IV Intact skin with non-blanchable Full thickness tissue loss with exposed redness of a localized area usually Reddened area bone, tendon, or muscle. Slough or eschar may be present on some parts Epidermis over a bony prominence. Darkly Epidermis pigmented skin may not have of the wound bed. Often includes undermining and tunneling. The depth visible blanching; its color may Dermis of a stage IV pressure ulcer varies by Dermis differ from the surrounding area. anatomical location. The bridge of the This area may be painful, firm, soft, nose, ear, occiput, and malleolus do not warmer, or cooler as compared to have subcutaneous tissue and these adjacent tissue. Stage I may be Adipose tissue ulcers can be shallow. Stage IV ulcers Adipose tissue difficult to detect in individuals with can extend into muscle and/or Muscle dark skin tones. May indicate "at supporting structures (e.g., fascia, Muscle risk" persons (a heralding sign of Bone tendon, or joint capsule) making risk). osteomyelitis possible. Exposed bone/ Bone tendon is visible or directly palpable. STAGE II DEEP TISSUE INJURY Partial thickness loss of dermis Blister Purple or maroon localized area of Reddened area presenting as a shallow open ulcer discolored intact skin or blood-filled Epidermis with a red pink wound bed, without Epidermis blister due to damage of underlying soft slough. May also present as an tissue from pressure and/or shear. The intact or open/ruptured serum-filled Dermis area may be preceded by tissue that is Dermis blister.
    [Show full text]
  • Color Chart.Pdf
    ® Finishing Products Division of RPM Wood Finishes Group Inc. Color Chart The Original Touch Up Company™ Made in the USA Color Chart ® Finishing Products Division of RPM Wood Finishes Group, Inc. Index Aerosols 1-5 Ultra® Classic Toner & Tone Finish Toner 1-3 Colored Lacquer Enamel 3-5 Shadow Toner 5 Touch-Up Markers/Pencils 5-15 Ultra® Mark Markers 5-9 3 in 1 Repair Stick 9 Pro-Mark® Markers 9-10 Quik-Tip™ Markers 10-11 Background Marker Touch-Up & Background Marker Glaze Hang-Up 11-13 Artisan Glaze Markers 13 Vinyl Marker Glaze Hang-Up 14 Brush Tip Graining Markers 14 Accent Pencils 15 Blend-Its 15 Fillers 15-29 Quick Fill® Burn-In Sticks 15-16 Edging/Low Heat Sticks 16 E-Z Flow™ Burn-In Sticks 16-17 PlaneStick® Burn-In Sticks 17-18 Fil-Stik® Putty Sticks 18-25 Hard Fill & Hard Fill Plus 25-27 PermaFill™ 27 Epoxy Putty Sticks 27-28 Patchal® Puttys 28-29 Knot Filler 29 Fil-O-Wood™ Wood Putty Tubes 29 Color Replacement 30-31 Blendal® Sticks 30 Sand Thru Sticks 30-31 Blendal® Powder Stains 31 Bronzing Powders 31 Dye Stains 32 Ultra® Penetrating & Architectural Ultra® Penetrating Stain 32 Dye Concentrate 32 Pigmented Stains 32-34 Wiping Wood™, Architectural Wiping Stain & Wiping Wood™ Stain Aerosols 32-33 Designer Series Stain, Designer Series Radiant Stain 33-34 Glazes 34 Finisher’s Glaze™ Glazing Stain & Aerosols 34 Break-A-Way™ Glaze & Aerosols 34 Leather Repair 35-37 E-Z Flow™ Leather Markers 35 Leather/Vinyl Markers 35 Leather/Vinyl Fil Sticks 35-36 Leather Repair Basecoat Aerosols 36 Leather Repair Toner Aerosols 36 Leather Repair Color Adjuster Aerosols 37 Touch Up Pigment 37 Leather Refinishing 37 Base Coat 37 NOTE: COLORS ARE APPROXIMATE REPRESENTATIONS OF ACTUAL COLORS USING MODERN PROCESS TECHNIQUES.
    [Show full text]
  • Color Chart Colorchart
    Color Chart AMERICANA ACRYLICS Snow (Titanium) White White Wash Cool White Warm White Light Buttermilk Buttermilk Oyster Beige Antique White Desert Sand Bleached Sand Eggshell Pink Chiffon Baby Blush Cotton Candy Electric Pink Poodleskirt Pink Baby Pink Petal Pink Bubblegum Pink Carousel Pink Royal Fuchsia Wild Berry Peony Pink Boysenberry Pink Dragon Fruit Joyful Pink Razzle Berry Berry Cobbler French Mauve Vintage Pink Terra Coral Blush Pink Coral Scarlet Watermelon Slice Cadmium Red Red Alert Cinnamon Drop True Red Calico Red Cherry Red Tuscan Red Berry Red Santa Red Brilliant Red Primary Red Country Red Tomato Red Naphthol Red Oxblood Burgundy Wine Heritage Brick Alizarin Crimson Deep Burgundy Napa Red Rookwood Red Antique Maroon Mulberry Cranberry Wine Natural Buff Sugared Peach White Peach Warm Beige Coral Cloud Cactus Flower Melon Coral Blush Bright Salmon Peaches 'n Cream Coral Shell Tangerine Bright Orange Jack-O'-Lantern Orange Spiced Pumpkin Tangelo Orange Orange Flame Canyon Orange Warm Sunset Cadmium Orange Dried Clay Persimmon Burnt Orange Georgia Clay Banana Cream Sand Pineapple Sunny Day Lemon Yellow Summer Squash Bright Yellow Cadmium Yellow Yellow Light Golden Yellow Primary Yellow Saffron Yellow Moon Yellow Marigold Golden Straw Yellow Ochre Camel True Ochre Antique Gold Antique Gold Deep Citron Green Margarita Chartreuse Yellow Olive Green Yellow Green Matcha Green Wasabi Green Celery Shoot Antique Green Light Sage Light Lime Pistachio Mint Irish Moss Sweet Mint Sage Mint Mint Julep Green Jadeite Glass Green Tree Jade
    [Show full text]
  • Pac-Clad® Color Chart
    pa c - c l a d ® c O l O R c H a RT Cardinal Red Colonial Red Burgundy Terra Cotta Sierra Tan Mansard Brown Stone White Granite Sandstone Almond Medium Bronze Dark Bronze Slate Gray Bone White Musket Gray Charcoal Midnight Bronze Matte Black Cityscape Interstate Blue Hemlock Green Arcadia Green Patina Green Hunter Green Military Blue Award Blue Teal Hartford Green Forest Green Evergreen Denotes PAC-CLAD Metallic Colors Denotes Energy Star® Colors Denotes PAC-CLAD Cool Colors Kynar 500® or Hylar 5000® pre-finished galvanized steel and aluminum for roofing, curtainwall and storefront applications. Berkshire Blue Slate Blue PAC-CLAD Metallic Colors Zinc Silver Copper Penny Aged Copper Champagne Weathered Zinc PETERSEN ALUMINUM CORPORATION HQ: 1005 Tonne Road 9060 Junction Drive 10551 PAC Road 350 73rd Ave., NE, Ste 1 102 Northpoint Pkwy Ext, Bldg 1, Ste 100 Elk Grove Village, IL 60007 Annapolis Junction, MD 20701 Tyler, TX 75707 Fridley, MN 55432 Acworth, GA 30102 P: 800-PAC-CLAD P: 800-344-1400 P: 800-441-8661 P: 877-571-2025 P: 800-272-4482 F: 800-722-7150 F: 301-953-7627 F: 903-581-8592 F: 866-901-2935 F: 770-420-2533 pa c - c l a d ® c O l O R aVa I l a BI l ITY PAC-CLAD 3 year STeeL ALuMiNuM eNeRGy STANDARD RefLectiviTy EmissiviTy SRi 24ga. 22ga. .032 .040 .050 .063 ® COLORS exposuRe STAR Almond 0.56 0.83 0.27 64 √ √ √ √ √ • Arcadia Green 0.33 0.84 0.32 33 √ √ • Bone White 0.71 0.85 0.71 86 √ √ √ √ √ √ • Cardinal Red 0.42 0.84 0.41 45 √ √ √ • Charcoal 0.28 0.84 0.28 27 √ √ √ • Cityscape 0.37 0.85 0.34 39 √ √ √ √ • Colonial Red 0.34
    [Show full text]
  • Awlgrip Color Chart
    742 PAINT Sea Foam Boston Whaler Blue Island Turquoise Teal Brightside Teal Atlantic Blue H4256 ⁄ F4101 H5462 ⁄ F5323 H5723 ⁄ F5624 H5328 ⁄ F5252 H4264 ⁄ F4281 H5566 ⁄ F5623 Light Blue Sky Blue Bahama Blue Pigeon Blue Stars and Stripes Petrol Blue H5570 ⁄ F5516 G5014 ⁄ F5256 G5036 ⁄ F5418 H5511 ⁄ F5538 Blue H5627 ⁄ F5476 H5161 ⁄ F5194 Empress Blue Marlin Blue Ocean Blue Largo Blue Lauderdale Blue Navy Blue G5041 ⁄ F5264 G5011 ⁄ F5015 H5545 ⁄ F5622 H5732 ⁄ F5625 H5543 ⁄ F5566 G5001 ⁄ F5028 PAINT Royal Blue Aristo Blue Carinthia Blue Flag Blue Dark Blue Mauritius Blue G5007 ⁄ F5011 G5003 ⁄ F5010 H5342 ⁄ F5359 G5002 ⁄ F5014 H5524 ⁄ F5385 H5615 ⁄ F5422 Jade Mist Green Donegal Green Dark Green Timeless Green Majestic Blue Midnight Blue H4089 ⁄ F4114 H4492 ⁄ F4279 H4024 ⁄ F4121 H4413 ⁄ F4168 H5409 ⁄ F5275 H5346 ⁄ F5381 PLEASE CHECK PRICING AND AVAILABILITY OF YOUR CHOSEN COLOR WITH YOUR LOCAL SUPPLIER Item# www.awlgrip.com facebook.com/awlgripfinishfirst twitter.com/awlgrip List AwlGrip_Color Cards_1 NaN Awlcraft, Awlgrip, and the AkzoNobel logo are trademarks of AkzoNobel. © AkzoNobel 2014. ITEM NUMBERS IN RED "3&)";"3%064t*5&.4*/BLUE "3&/&8t*5&.4"3&450$,&%*/0638"3&)064&4#"4&%0/3&(*0/"-%&."/%*'"/*5&.*4/05*/450$,"5"-0$"-8"3&)064& "%%*5*0/"-$)"3(&4.":"11-: PAINT 743 AWLGRIP / AWLCRAFT 2000: COLOR INSPIRATIONS Bertram White Sand White Chalky White Morrinsville Double Cream Lunar White H8464 ⁄ F8510 H8428 ⁄ F8286 H8337 ⁄ F8183 H8647 ⁄ F8445 H8002 ⁄ F8016 H8413 ⁄ F8281 Hatteras Off-White Hatteras Off-White 4208 Biscuit Bristol Beige Grand Banks
    [Show full text]
  • A L D E N N E W E N G L a N D E S T a B L I S H E D 1 8
    Alden New England Established 1884 The Alden Shoe Company has manufactured quality shoes for men since 1884. With over 125 years of unwavering dedication to the highest standards of shoe-making, we proudly offer our collection of American handcrafted footwear. Not redone yearly at the drawing board, but reaffirmed continuously in the shop, heavy with the scent of rich leathers carefully worked to offer the best. Standards of Quality 1. Genuine Goodyear welt construction. 5. Every Alden New England shoe Top quality leather welting is securely carries a tempered steel shank, precisely stitched through the upper to the insole contoured and triple ribbed for extra rib. On models requiring the clean strength. Truly the backbone of a fine appearance of a close heel trim the welt shoe, the shank provides the welt runs from the heel forward. For proper support and shape so necessary other styles, such as brogues, where when your day involves walking and the solid look of an extended heel trim 1 time on your feet. is appropriate the welt is stitched all 6 around the shoe. 5 2 6. Oak tanned leather bends are cut 7 into outsoles at our factory for maximum 2. Long wearing rubber dovetail control of quality. heels with leather inserts. Solid brass 8 slugging gives secure attachment yet allows for easy rebuilding. 7. Every Alden New England shoe has a leather lining chosen from our special stock of supple glove linings and 3. Upper leather selected from the smooth, glazed linings. top grades of the finest tanneries in the world. Rich, aniline calfskins, luxurious 3 calf and kid suedes, and genuine shell cordovan.
    [Show full text]