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Corporate Rebel Futzie Nutzle by against the encroaching leviathan of the Corporation. “The Nutty considers himself primarily self taught, but has Johnny Graham key is co-existence,” he says, “Competition without collaborated with artists “known, unknown, alive, and destruction. But competition is just the strive to win, that’s deceased” since 1962. His list of exhibitions over the years and all... I believe in the Work Ethic. That’s American. I work is long, showing that he rarely sits on his ass. As one close Scott Sedlik eight hours a day...” friend said, “He’s extremely prolific.” This perseverance The easel also is a symbol often seen in Nutzle’s work, has earned him a place in Who’s Who In American Art. But “I’m a walking contradiction,” says Futzie Nutzel. “I whether off in the corner of the drawing or taking center it was a bi-monthly column with Rolling Stone from 1975 to ' believe in self development and professionalism, and that stage. It represents the “stump” of a tree or a podium 1980 that demonstrated he had come a long way up the seems a paradox. How can one remain an individual and where someone, in the tradition of an orator, might stand pyramid since his first drawings published in his high still deal with the Corporation? explaining their position to the crowd. And from that school newspaper. Nutzle’s work, shown here in drawings from his easel podium, Nutzle explains his position. autobiographical FUTZIE NUTZLE (1983, Jazz Press) and “I like a personal interpretation of a drawing. When Modern Loafer (1981, Thames and Hudson), is highly self­ someone tells me a drawing or painting meant something to “So far the art has survived the absurdity of reflexive, examining the artist as an isolated individual them which I hadn’t thought of when I was painting it then the name and it seems the name has survived working against the power of the corporation, a power that fine! That gives me a hew way to look at it.” the absurdity of the art.” he believes “eliminates the individual." The familiarity of situations depicted in Nutty’s drawings We talked with Nutzle, a.k.a. “Corporate Rebel," by gives one a renewed understanding of the insanity of the phone from his top secret studio hideaway, but the tape human condition. The Filthy Rich cartoon reveals a It would seem that '“Corporate Rebel” is the perfect recorder, corporate dog that it is, failed to record our in­ satirical representation of a common scene in American monicker for Futzie Nutzle since the name encompasses terview. Based on our conversations with Nutty, as his society. Affluent culture often contains an abundance of both the ideas of the individual (“rebel” ) and the system he friends call him, and his lecture last Monday (sponsored by priceless garbage which goes unused. Nutzle relates this or she must work within to achieve recognition. But Nutty UCSB’s Book Arts Program), we will give you an idea of philosophy in his presentation by boiling it down to one or ain’t down on the Corporation; he understands the sym­ what the man who calls himself “a living cartoon” does. two descriptive words and a simple image. biotic relationship that It and the artist can have. It’s just Nutzle’s drawings are earmarked by their simplicity, The cover of his recent collection of autobiographical that “they have the chance to save the world,” but don’t improvisation, and even their imperfection. “They are like drawings depicts his personal interpretation of corporate pursue that chance. “Creativity is seen as a hobby these jazz, like Coltrane,” he says. “And the pen and ink bottle America and the theme of many of his drawings. The days. But what it’s all about is economics, isn’t it?” Again, are like instruments... I spent a long time trying to draw the drawing shows a man, an artist, maintaining his vision the concept of co-existence arises: the corporation will perfect picture, but found that I couldn’t. Sometimes the despite his surroundings. As Nutzle says, “Artists are continue its business of power but, as Nutty would like, the perspective is off, but that’s alright; it represents self persuaded to discuss or make statements about their work. artist can also continue his business of personal develop­ development.” I would prefer to think that the work make statements ment, available to and needed by the Corporation, but not Part of Nutzle’s style lies in his efficient use of a single about me.” smothered by it. The artist, in essence, must always be the line against a white background. Nothing is over-textured Nutzle’s pen and brush make people aware of the ab­ log cabin individual. or wasted, down to the last twig on a tree. surdity of televisions, computers, appliances... hell, Nutty’s desire is to travel to Japan with his work. He has It is in his paintings that one observes a move towards modern life. And Nutzle’s life is his art, but he doesn’t an interest in the way they value honorability. This would more visual as well as social involvement. The images consider himself the stereotypical artiste sitting around a parallel, it seems, his own idea about discipline, without work closely with one another and give weight to his Cor­ cafe sipping expresso. Responding to the volumes of sterile which he would not be able to produce the way he does. But porate Rebel stance. One of the best of those images is the textbook definitions of art, Nutzle merely says, “So far the it remains to be seen how the pilgrim of Corporate log cabin. To Nutsle the small but sturdy cabin represents art has survived the absurdity of the name and it seems the Rebellion will function in the empire of the Corporation. someone like himself, working honestly and diligently name has survived the absurdity of the art.” What do you think, Nutty? Can you do it? 2A Friday, April 26,1985 Daily Nexus

Friday Magazine The Womens Room Stalls lined up like cattle Editors: How Strange, Christopher Croton porcelain and mirrors Scott Sedlik Congregate to excrete Contributors: and beautify. Robert Auci Ramin How Amusing. Lydia Emard Jessica Anne Saitz Ann Gallagher Anita Siu — A.M. Whiting Johnny Graham Dave Skinner Sean Haffey Jeannie Sprecher Amy Holmen Laura Svienty Anna MacKinnon Mitch Vicino Mary. Ellen Mason Angela M. Whiting Anita Siu CANCER. NOT Good friends keep you going KNOWING THE RISKS when all you want to do is stop. IS YOUR GREATEST RISK.

A lot of people think cancer is un­ beatable. That simply isn’t true. In fact, over two million people have had cancer and survived to lead happy, normal lives. And not only can cancer be beaten, it can also be prevented. There are defi­ nite precautions that have been proven to decrease your risk of getting certain cancers. Talk with your physician about how often you need cancer-related checkups. Ask your local American Cancer Society to send you a free booklet about cancer risks. Learn the facts about cancer. And make not knowing the risks, one less risk.

AMERICAN ip CANCER Your feet hurt. Your legs FSOOETf® hurt. Even your teeth hurt. But your friends thought How you live you looked terrific. And with may save your life. them urging you on, your first 10 kilometer race didn’t

A public service of The finish you. You finished it. Now that you have some­ thing to celebrate, make sure your support team has D a ily the beer it deserves. Tonight, let it be Lowenbrau. N e x u s Löwenbräu. Hereis to good friends. Daily Nexus Friday, April 26,1986 3A

Broadway I. R. T.

The wheels screech, the train stops, the doors open She in pink Stepson. The doors close, the train starts, the wheels screech They in black Stare and know She’s from somewhere else. They only want to make her feel at home When the tunnel comes The lights go out, the doors stay shut, they touch Her body tenses Her mouth opens — The lights go on The wheels screech, the train stops, the doors open She steps out

Their eyes follow Mitch Vicino Another.

— Laura Svienty I, I, I, I, I’m not your stepping stone.

BOUQUET

She collected shells where water came to the edge of the sand at opposite ends of the country and mixed them in a basket beside her bed, a thousand miles from the ocean. Also she put dry flower buds there from a shriveled-up bouquet. She brought lovers from far away to that bed there, too. Where before there’d been sand and tar and tide-sounds, now they experienced lace sheets and were buried in soft white pillows that muffled piano music. Memories of pleasures of shells and eating cookies outdoors by a lake and candles hanging and smelling that black licorice plant that grows on all running paths. These are such thoughts of a woman’s mind as she lies tangled with her once far away lover.

Jeannine Sprecher — Amy L. Holmen

•A.S. TYPING SERVICE' FAST, ACCURATE WORD-PROCESSING See MDr. Zhivago" SERVICES. RESUMES, CLASS PAPERS, SUNDAY, APRIL28• Campbell Hall * 7:30 P.M. COVER LETTERS AND MUCH MORE. 1x2 CALL: 961-4471 • UCENRM.2273 Sounds liko multiplica­ OPEN 10:00 - 4:00 DAILY tion? Quass again. It’s Associated Students newspaper talk for a one column by 2-inch ad. Too I N otetakin g Typing small to be affective? I You’re reading this one! S f R o ic e

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The music of SERENADE is filled with the warmth and spirit of Jswish, Israeli and Pizza Bob's American folk sounds. Three young end dynamic musicians crests the melodies, blending their voices and strings into lively renditions of ancient tunes and new ones, For Fm Hoot Delivery Coll 9 6 8 *8 6 4 6 standards and originals. $2 DONATION ***+**#++ M M Sponsored by HUM. Jewish Student Action Coalition tr A.S. Program Board 4A Friday, April 26,1985 Daily Nexus

Lydia Emard

innocence The Awakening He tiptoed D o you see tke sadness in my eyes across the damp beach sand dissolving away in drops and snuck tke dark rebel my skadow

Up caugkt by tke Sun’s kands, and keld behind her. D o you see He whispered something — I’m not quite sure what, my keaven into her ear. streaked witk comets When she would turn around blushing and surprised, O ut of tke dim distance he’d run up the beach you came, from lands of perfume and ligkt giggling, and set me in tkis castle one hand over his mouth, made all of ivory, crystal and cloud the other holding his side. lSlow carry me, keart-caressing kope, When she would stop looking, he’d turn around, carry me off to tkat city of passion and poems tiptoe back, and try again. — Ramin

— Mary Ellen Mason

Robert Auci

July 26,1952 (A True Story)

Santa Evita died wearing red nail polish, enduring slight pain — her doctor refusing to give her any drugs that might disturb her successful embalming — angry that someone had switched off the radio before she had a chance to hear her own funeral oration.

— Jessica Anne Saitz

“Self Portrait” Sean Haffey Friday, April 26.1985 5A

The Desert Lay down soul Earth fallen Heavy with burden And knowing

Now take me Cleanse and parch Dry pure land Of clarity and emptiness

No depths, cool and blue No reflection of me, earth, water, clouds but Comfortless and stark Greatness telling all By witholding

I seek your greatness Vast dunes Of Oriental etchings Order and Clarity In detail

So clear at night Brilliant glitterings Earthward slitherings Shadows offering What is not there Dave Skinner Ydt this heat Blisters my fingertips Splits my head open The Criminally Sane Like boiled lobster tails Friends in an illusion Pink and generous as it spills who discover too late they’re rotting, please me better If only the waves born of the sand Shiny, curving waves, dissolving, diffusing than pals mentally taxidermied Would not mislead who clip perception’s toenails. T reacherous Vision Not that I enjoy Water and shade cooking over open flame and playing Jesus, Scorpion skittles away but if s not easy Across cracked puzzle pieces of mud turning around and refilling Curling apart and tearing away Opening up your footprints with dirt. Tiny purple veins of a breast There’s no knowing, see all tortured by subtraction.

— Jan DiVincenzo

' ; ■ 6A Friday, April 26,1985 Daily Nexus

Story #27 PICTURE YOURSELF held out, and before they could sneak directions from me, the girl and I had slipped off towards the car. Entering the cafe I caught a glimpse of a new face had slipped off towards the car. surrounded by a group of bandwagon regulars talking Faint moonlight worked its way through thickening loudly about the usual nothing and making sure their forced clouds and reflected off the windshield as I pulled out of the laughter could be heard above clanking china and cap- back alley. FRIDAY pucino steam — above all hoping to be noticed here as being “Nice night out but it looks like rain.” ever so fashionably aware (of what, some had a vague “Rain? Oh I hope so,” she replied assuring my right turn idea). I seated myself quickly in the spot by the wall under heading out to the golf course. No more words passed. the acceptability passe art-deco prints — where I can As we walked across the damp grass of the course, I felt a inevitably be found coming from or heading towards some few drops begin to fall and decided hole nine was good enviable path of enlightened activity or another — and kept enough. A half hour and a downpour later the reappearing a somewhat polished and discerning eye on the face that moon glowed a pale white on two slick bodies below the appeared to be unjustly enclosed in that circle of wannabe- ninth hole flag, the flag nudged by a barely perceptible homosexual nobodies. I held her in my view, which was breeze. shaded enough to avoid gauche obviousness, but boyishly Driving back into town I saw the welcoming arches of a obvious enough to arouse the desired recognition. By Iced McDonald’s and pulled in to grab a bite. I ordered two Big Vienna and Carmalita bar’s arrival, I had noticed nothing Macs and a coffee, ate them there, and on the way out objectionable enough to drop her from interest (as could be grabbed a cheeseburger for the road. Ahh, the simple so easily done by exposure of a foolish remark or article of pleasures of life: Big Macs, coffee ... and of course, clothing that might be giveaway to some truer identity.) cigarettes, such as the one I was now lighting. But nothing like this had yet happened, in fact, quite the The next morning the early rising greenskeeper bounced contrary. The everpresently welcome yet silent rapport through the oak grove in his weather-beaten maintenance that sparked upon first glance had only grown. cart. He loved this time of day before sunrise when the air is When she rose with the others who were chatting noisily yet filled with night’s mysterious sensuality but given some about this or that party they could hit up I noticed her look coherence by an oranging preview of daylight. He emerged over Lie shoulder — lingering a moment as if she might from the grove and noticed something at hole nine curved have forgotten something. Then with practiced timing I around closer, and saw a body — icy white and stiff — paid my tab and, after a minute or two acknowledging some pinned against dewy blood-stained turf by the ninth hole friends, I stepped out. As I had guessed, their group was marker. “Damn kids,” he mused to himself as he drove on still talking out front of the cafe, happy to think for a while but quickly had to check himself for he nearly slipped off that they really did have something to do. I approached the his cart in laughter — laughing uncontrollable and echoing crowd and suggested a party to which the girl quickly through the oak grove and out towards the red light already MAGAZINE agreed. The others, not wanting to sound overly anxious, replacing stars in the east. Spike

is now accepting self portraits for our next issue. All entries must be submitted by May 7.

Ç.CL. (Sfc DO YOUR NOTES LOOK LIKE THIS > cl;

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1 «I 5 CU lS S : «LKC/COMP gWGHCEMWC 13» UK t 2 V -T 7 MT/MTI W* ______« H MUM ■^atatatatatatatatatatatatatatatatatatatatatatatatatatatatat MOTTTAJUE* » . SR H HVARRII FAGS OT J _ it at Step 4. Repeat for each capacitor. u at *!•» it tama aimas...ma taha tha matas.* Steps. Calculate the time constants. ' Zi% » *■ UPACvUf Knock Out Productions Presents at >-* refer* | at at If the crcu it capacitances don’t interact, men 1/ TC s give the poles of at at the circuit ( very rarely tru e ). Nevertheless, me following equation holds. at at . r >,• . 2T: -4- —^ %. % at at ANNOUNCE HE NTS at at There »s no nomewonc this week. The T.A:ofnce w ill he Engr 4102 tilt : uh o&iainga will De inaccurate, at further notice and the office hours w ill be: The location of the dominant zero can be found by inspecting the circuit and at Tuesdays 9:50-12 noon & Wednesdays 8:50-10 am for Nike. it should not be close to the dominant pole location at at Tuesdays 0:50-10 am & Wednesdays 2 - 4 pm for Tom . at at Reading assignment for next week w ill be Chap. 15. sections 9 thru 10. Case iiF High freq. ( HF) at at Same as above except for the follow rig changes at at LAST LECTURE Step 2. Open circuit the other cvacitors. at Organizational lecture. One handout. Course details. Step 5. The time constants are C; at The Common gate FET circuit and FET active loads were discussed. at at * * * x T. * - . f 1 * - °r“ at at &>. i ** > n at Charly McClain Johnny Lee at Poles and T ime Constants ( TC ) in FET circuits. Example 1 at at Consider the low frequency response of the single stage Common Source ac at TODAY’S LECTURE plus special guests at The general technique for finding 3dB frequencies is not as simple as in the i t at Common Emitter circuit o r as in Dominant pole circuits. at at at at The traditional methods are : at at 1. Solving Network aquations - takes a lot o f time, but accurate. at at 2. Time constant methods. f at 0 lo w Freq. response - — > Short circuit time constant, at ii) High Freq re s p o n s e ----- > Open circuit time constant. at at at at Method 2 w ill be discussed. This is an approximate method and gets to at at within 10-15* of correct answer, used if the circuit has 2 or more poles at at that interact or otherwise. at Keith Stegall Grant Goodeve Singer/Songwriter Singer'Actor - From “ 8 Is Enough" at Case i) Low Freo. ( IF ) at at The circuit has n capacitors. at at Step 1. Consider each capacitor, one at a time at Friday, May 10th — 7:30 p.m. at Steo 2 Snort ail the rest. at Arlington Theatre, Santa Barbara at Step 3. Find the equivalent resistance at the terminals of me capacitor at Reserved Seating $ 15.00 current ly under considerai ion at at • A t: Aftagton Theatre Ticket Agency Santa Barbara. MamngO r. Cheap t h e «1 San h at at ampoc & Atascadero McCain a. JaJhouse. Wharf. Veniva A Naval Base-Pon H e Cai (805)963 4406 at R . c . Otat^^atatatatatatatatatatatatatatatatatatatatatatatatatat Daily Nexus Friday, April 26,1985 7 A

poets artists writers painters cartoonists photographers submit your work now for the new Friday Magazine, an eclectic collection of creative works, stop by the Daily Nexus beneath Storke Tower and ask for Scott or Chris

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