Oratorio Society of New York and Kent Tritle Conclude
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The Art of the Score Amadeus
FOR IMMEDIATE RELEASE ARTIST UPDATES February 27, 2018 Contact: Katherine E. Johnson (212) 875-5700; [email protected] THE ART OF THE SCORE Alec Baldwin, Artistic Advisor AMADEUS: LIVE Conducted by RICHARD KAUFMAN NEW YORK PREMIERE of Score Performed Live to Complete Film Featuring Special Guest Tom Hulce on April 11 April 11–14 and 17, 2018 The Art of the Score, exploring some of the most distinctive uses of music in film, will return for its fifth season with Amadeus: Live, the New York Premiere screening of Amadeus with the Mozart- centered score performed live to the complete film. Conducted by Richard Kaufman in his Philharmonic debut and featuring Musica Sacra, directed by Kent Tritle, Amadeus: Live will take place Wednesday, April 11, 2018, at 7:30 p.m.; Thursday, April 12 at 7:30 p.m.; Friday, April 13 at 11:00 a.m.; Saturday, April l4 at 7:30 p.m.; and Tuesday, April 17 at 7:30 p.m. On April 11 actor Alec Baldwin — Philharmonic Board Member and Artistic Advisor of The Art of the Score — and special guest Tom Hulce — who earned an Academy Award nomination for his portrayal of Mozart — will introduce the film, replacing F. Murray Abraham, who had to withdraw due to a scheduling conflict with his Off-Broadway play, Good for Otto. The Amadeus score includes selections from more than a dozen works by Mozart, including his Requiem; his operas The Magic Flute, The Marriage of Figaro, and Don Giovanni; and his Symphony No. 25, Serenade for 13 Winds, Gran partita, and Piano Concerto No. -
RELEASE for Further Information Please Call
RELEASE For further information please call Julie Robinson, Rubenstein Communications (212) 843-9341 / [email protected] Isadora Wilkenfeld, Cathedral of St. John the Divine (212) 316-7468 / [email protected] THE CATHEDRAL OF ST. JOHN THE DIVINE PRESENTS AN ORGAN RECITAL BY KENT TRITLE, PERFORMING WORKS BY BACH, BRUHNS, FRANCK, AND VIERNE Performance continues the 2019-2020 season of Great Music in a Great Space Photo: Jennifer Taylor *** The Cathedral of St. John the Divine continues its 2019-2020 season of Great Music in a Great Space with Great Organ: Kent Tritle, performing works by J.S. Bach, Nicolaus Bruhns, César Franck, and Louis Vierne, on Tuesday, January 28, 2020 at 7:30 pm at the Cathedral of St. John the Divine, 1047 Amsterdam Avenue (at 112th Street), Manhattan. Kent Tritle is now in his eighth year as Director of Cathedral Music and Organist. Widely noted for his virtuoso performances, this recital, the first of the 2020 Great Music in a Great Space concerts, showcases the range of Tritle’s talents. Spanning over 300 years of organ repertoire, the performance ranges from baroque compositions of Bruhns and Bach to the French Romanticism of Franck and Vierne. While the Cathedral’s Great Organ is on hiatus due to restoration work following a fire on Palm Sunday of last year, organ recitals will be presented in the magnificent acoustic of the Cathedral by way of a fine digitally sampled instrument by Walker Technical Company. This cutting-edge system is sampled from instruments by Æolian-Skinner, the company that built the Great Organ. -
2020-21-Brochure.Pdf
SUBSCRIPTIONS 20 21 music dance Ca l theater Performances University of California, Berkeley Letter from the Director Universities. They exist to foster a commitment to knowledge in its myriad facets. To pursue that knowledge and extend its boundaries. To organize, teach, and disseminate it throughout the wider community. At Cal Performances, we’re proud of our place at the heart of one of the world’s finest public universities. Each season, we strive to honor the same spirit of curiosity that fuels the work of this remarkable center of learning—of its teachers, researchers, and students. That’s why I’m happy to present the details of our 2020/21 Season, an endlessly diverse collection of performances rivaling any program, on any stage, on the planet. Here you’ll find legendary artists and companies like cellist Yo-Yo Ma, the Vienna Philharmonic Orchestra with conductor Gustavo Dudamel, the Mark Morris Dance Group, pianist Mitsuko Uchida, and singer/songwriter Angélique Kidjo. And you’ll discover a wide range of performers you might not yet know you can’t live without—extraordinary, less-familiar talent just now emerging on the international scene. This season, we are especially proud to introduce our new Illuminations series, which aims to harness the power of the arts to address the pressing issues of our time and amplify them by shining a light on developments taking place elsewhere on the Berkeley campus. Through the themes of Music and the Mind and Fact or Fiction (please see the following pages for details), we’ll examine current groundbreaking work in the university’s classrooms and laboratories. -
Ojai North Music Festival
CAL PERFORMANCES PRESENTS Thursday–Saturday, June 19–21, 2014 Hertz Hall Ojai North Music Festival Jeremy Denk Music Director, 2014 Ojai Music Festival Thomas W. Morris Artistic Director, Ojai Music Festival Matías Tarnopolsky Executive and Artistic Director, Cal Performances Robert Spano, conductor Storm Large, vocalist Timo Andres, piano Aubrey Allicock, bass-baritone Kim Josephson, baritone Dominic Armstrong, tenor Ashraf Sewailam, bass-baritone Rachel Calloway, mezzo-soprano Peabody Southwell, mezzo-soprano Keith Jameson, tenor Jennifer Zetlan, soprano The Knights Eric Jacobsen, conductor Brooklyn Rider Uri Caine Ensemble Hudson Shad Ojai Festival Singers Kevin Fox, conductor Ojai North is a co-production of the Ojai Music Festival and Cal Performances. Ojai North is made possible, in part, by Patron Sponsors Liz and Greg Lutz. Cal Performances’ – season is sponsored by Wells Fargo. CAL PERFORMANCES 13 FESTIVAL SCHEDULE Thursday–Saturday, June 19–21, 2014 Hertz Hall Ojai North Music Festival FESTIVAL SCHEDULE Thursday, June <D, =;<?, Cpm Welcome : Cal Performances Executive and Artistic Director Matías Tarnopolsky Concert: Bay Area première of The Classical Style: An Opera (of Sorts) plus Brooklyn Rider plays Haydn Brooklyn Rider Johnny Gandelsman, violin Colin Jacobsen, violin Nicholas Cords, viola Eric Jacobsen, cello The Knights Aubrey Allicock, bass-baritone Dominic Armstrong, tenor Rachel Calloway, mezzo-soprano Keith Jameson, tenor Kim Josephson, baritone Ashraf Sewailam, bass-baritone Peabody Southwell, mezzo-soprano Jennifer Zetlan, soprano Mary Birnbaum, director Robert Spano, conductor Friday, June =;, =;<?, A:>;pm Talk: The creative team of The Classical Style: An Opera (of Sorts) —Jeremy Denk, Steven Stucky, and Mary Birnbaum—in a conversation moderated by Matías Tarnopolsky PLAYBILL FESTIVAL SCHEDULE Cpm Concert: Second Bay Area performance of The Classical Style: An Opera (of Sorts) plus Brooklyn Rider plays Haydn Same performers as on Thursday evening. -
Msm Women's Chorus
MSM WOMEN’S CHORUS Kent Tritle, Ronnie Oliver, Jr., Hannah Nacheman, and Alejandro Zuleta, Conductors Vanessa May-lok Lee, piano Francesca Leo, flute Liana Hoffman and Shengmu Wang, horn Minyoung Kwon and Frances Konomi, harp Tamika Gorski (MM ’17), marimba Elliot Roman and Alexandros Darna, percussion WEDNESDAY, FEBRUARY 27, 2019 | 7:30 PM NEIDORFF-KARPATI HALL WEDNESDAY, FEBRUARY 27, 2019 | 7:30 PM NEIDORFF-KARPATI HALL MSM WOMEN’S CHORUS Kent Tritle, Ronnie Oliver, Jr., Hannah Nacheman, and Alejandro Zuleta, Conductors Vanessa May-lok Lee, piano Francesca Leo, flute Liana Hoffman and Shengmu Wang, horn Minyoung Kwon and Frances Konomi, harp Tamika Gorski (MM ’17), marimba Elliot Roman and Alexandros Darna, percussion PROGRAM STEPHEN PAULUS The Earth Sings (1949–2014) I. Day Break II. Sea and Sky III. Wind and Sun Alejandro Zuleta, Conductor Vanessa May-lok Lee, piano Elliot Roman and Alexandros Darna, percussion GUSTAV HOLST Choral Hymns from the Rig Veda, Group 3, H. 99, (1874–1934) Op. 26 Hymn to the Dawn Hymn to the Waters Hymn to Vena (Sun rising through the mist) Hymn of the Travellers Hannah Nacheman, Conductor Minyoung Kwon, harp VINCENT Winter Cantata, Op. 97 PERSICHETTI I. A Copper Pheasant (1915–1987) II. Winter’s First Drizzle III. Winter Seclusion I V. The Woodcutter V. Gentlest Fall of Snow VI. One Umbrella VII. Of Crimson Ice VIII. The Branch Is Black IX. Fallen Leaves X. So Deep XI. The Wind’s Whetstone XII. Epilogue Ronnie Oliver, Jr., Conductor Francesca Leo, flute Tamika Gorski (MM ’17), marimba JOHANNES BRAHMS Vier Gesänge (Four Songs), Op. -
Boris Godunov Biographies
Boris Godunov Biographies Cast Stanislav Trofimov (Boris Godunov) began his operatic career in the Chelyabinsk Opera House in 2008, and went on to perform leading bass roles at the Ekaterinburg Opera House (the Bolshoi Theatre) and other opera theaters across Russia. He became a soloist at the Mariinsky Theatre in 2016. Mr. Trofimov has portrayed numerous leading roles including Boris Godunov (Boris Godunov), Philip II (Don Carlos), Procida (I vespri siciliani), Fiesco (Simon Boccanegra), Konchak (Prince Igor), Ivan Susanin (Life of the Tsar), Sobakin (Tsar’s Bride), Prince Yuri Vsevolodovich (The Legend of the Invisible City of Kitezh and the Maiden Fevronia), Prince Gremin (Eugene Onegin), Ferrando (Il Trovatore), Don Bartolo (Le nozze di Figaro), and Old Hebrew (Samson et Dalila). Recent performances include Procida in Mariinsky’s new production of I vespri siciliani, Zaccaria in Nabucco at the opening of Arena di Verona Summer Festival, a tour with the Bolshoi Theatre as Archbishop in The Maid of Orleans in France, and performances at the Salzburg Festival as Priest in the new production of Lady Macbeth of the Mtsensk District. Mr. Trofimov will appear at the 2018 Salzburg Festival and at Teatro alla Scala in 2019. These performances mark his San Francisco Symphony debut. This season, Cuban-American mezzo-soprano Eliza Bonet (Fyodor) made her debut at the Kennedy Center as a member of the Washington National Opera’s Domingo-Cafritz Young Artist Program, singing the role of Bradamante in Handel’s Alcina. As a part of this season’s nationwide Bernstein at 100 celebrations, Ms. Bonet performs as Paquette in Candide with the WNO, and with National Symphony Orchestra in West Side Story. -
The Moments That Matter Annual Report: July 2012–June 2013 BOARD of TRUSTEES Honorary Board
The MoMenTs ThaT MaTTer annual reporT: July 2012–June 2013 BOARD oF TrusTees honorary BoarD Herb Scannell, Chair* Kate D. Levin, ex officio Peter H. Darrow President, BBc WorldWide america commissioner, neW york city dePartment senior counsel, oF cultural aFFairs cleary gottlieB steen & hamilton, llP Cynthia King Vance, Vice Chair*, Chair† advanced strategies, LLC Anton J. Levy Eduardo G. Mestre managing director, chairman, gloBal advisory, Alexander Kaplen, Vice Chair* general atlantic LLC evercore Partners executive, time Warner Joanne B. Matthews Thomas B. Morgan John S. Rose, Vice Chair† PhilanthroPist senior Partner and managing director, Lulu C. Wang the Boston consulting grouP Bethany Millard ceo, tuPelo caPital management, LLC PhilanthroPist Susan Rebell Solomon, Vice Chair† retired Partner, Richard A. Pace neW YORK puBlIC raDIo senIor sTaFF mercer management consulting executive vice President, Bank oF neW york mellon, retired Laura R. Walker Mayo Stuntz, Vice Chair† President and ceo memBer, Pilot grouP Ellen Polaner Dean Cappello Howard S. Stein, Treasurer Jonelle Procope chieF content oFFicer managing director, gloBal corPorate President and ceo, and senior vice President and investment Bank, citigrouP, retired aPollo theater Foundation Thomas Bartunek Alan G. Weiler, Secretary Jon W. Rotenstreich vice President, PrinciPal, managing Partner, Planning and sPecial ProJects Weiler arnoW management co., inc. rotenstreich Family Partners Thomas Hjelm Laura R. Walker, President and CEO Joshua Sapan chieF digital oFFicer and vice President, neW york PuBlic radio President and ceo, amc netWorks Business develoPment Jean B. Angell Lauren Seikaly Margaret Hunt retired Partner and memBer, Private theater Producer and actress vice President, develoPment client service grouP, Bryan cave Peter Shapiro Noreen O’Loughlin Tom A. -
Circle Map Program of Contemporary Classical Works by Kaija Saariaho to Feature New York Premieres Performed by the New York Philharmonic
Circle Map Program of Contemporary Classical Works by Kaija Saariaho to Feature New York Premieres Performed by the New York Philharmonic Site-Specific Realization by Armory Artistic Director Pierre Audi Conducted by Esa-Pekka Salonen Two Performances Only - October 13 and 14, 2016 New York, NY — August 16, 2016 — Park Avenue Armory will present Circle Map, two evenings of immersive spatial works by internationally acclaimed Finnish composer Kaija Saariaho performed by the New York Philharmonic under the baton of its Marie-Josée Kravis Composer-in-Residence Esa-Pekka Salonen on October 13 and 14, 2016. Conceived by Pierre Audi to take full advantage of the Wade Thompson Drill Hall, the engagement marks the orchestra’s first performance at the Armory since 2012’s Philharmonic 360, the acclaimed spatial music program co-produced by the Armory and Philharmonic. A program of four ambitious works that require a massive, open space for their full realization, Circle Map will utilize the vast drill hall in an immersive presentation that continually shifts the relationship between performers and audience. The staging will place the orchestra at the center of the hall, with audience members in a half-round seating arrangement and performances taking place throughout. Longtime Saariaho collaborator Jean-Baptiste Barrière will translate the composer’s soundscapes into projections that include interpretations of literary and visual artworks from which inspiration for specific compositions are drawn. “Our drill hall is an ideal setting and partner for realizing spatial compositions, providing tremendous freedom for composers and performers,” said Rebecca Robertson, President and Executive Producer of Park Avenue Armory. -
FY19 Annual Report View Report
Annual Report 2018–19 3 Introduction 5 Metropolitan Opera Board of Directors 6 Season Repertory and Events 14 Artist Roster 16 The Financial Results 20 Our Patrons On the cover: Yannick Nézet-Séguin takes a bow after his first official performance as Jeanette Lerman-Neubauer Music Director PHOTO: JONATHAN TICHLER / MET OPERA 2 Introduction The 2018–19 season was a historic one for the Metropolitan Opera. Not only did the company present more than 200 exiting performances, but we also welcomed Yannick Nézet-Séguin as the Met’s new Jeanette Lerman- Neubauer Music Director. Maestro Nézet-Séguin is only the third conductor to hold the title of Music Director since the company’s founding in 1883. I am also happy to report that the 2018–19 season marked the fifth year running in which the company’s finances were balanced or very nearly so, as we recorded a very small deficit of less than 1% of expenses. The season opened with the premiere of a new staging of Saint-Saëns’s epic Samson et Dalila and also included three other new productions, as well as three exhilarating full cycles of Wagner’s Ring and a full slate of 18 revivals. The Live in HD series of cinema transmissions brought opera to audiences around the world for the 13th season, with ten broadcasts reaching more than two million people. Combined earned revenue for the Met (box office, media, and presentations) totaled $121 million. As in past seasons, total paid attendance for the season in the opera house was 75%. The new productions in the 2018–19 season were the work of three distinguished directors, two having had previous successes at the Met and one making his company debut. -
Boris Godunov
Modest Mussorgsky Boris Godunov CONDUCTOR Opera in a prologue and four acts Valery Gergiev Libretto by the composer, based on the play by PRODUCTION Alexander Pushkin (1875 version, with additions Stephen Wadsworth from the 1869 version) SET DESIGNER Ferdinand Wögerbauer Saturday, October 23, 2010, 12:00–4:15 pm COSTUME DESIGNER Moidele Bickel New Production LIGHTING DESIGNER Duane Schuler CHOREOGRAPHER Apostolia Tsolaki This production of Boris Godunov was made possible by generous gifts from Karen and Kevin Kennedy, Mr. and Mrs. Howard Solomon, and Mr. and Mrs. Wilmer J. Thomas, Jr. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2010–11 Season The 268th Metropolitan Opera performance of Modest Mussorgsky’s Boris Godunov Conductor Valery Gergiev in o r d e r o f v o c a l a p p e a r a n c e Nikitich, a police officer Xenia, daughter of Boris Valerian Ruminski Jennifer Zetlan Mitiukha, a peasant Feodor, son of Boris Mikhail Svetlov Jonathan A. Makepeace Shchelkalov, a boyar Nurse, nanny to Boris’s Alexey Markov children Larisa Shevchenko Prince Shuisky, a boyar Oleg Balashov Boyar in Attendance Brian Frutiger Boris Godunov René Pape Marina Ekaterina Semenchuk Pimen, a monk Mikhail Petrenko Rangoni, a Jesuit priest Evgeny Nikitin Grigory, a monk, later pretender to the Russian throne Holy Fool Aleksandrs Antonenko Andrey Popov Hostess of the Inn Chernikovsky, a Jesuit Olga Savova Mark Schowalter Missail Lavitsky, a Jesuit Nikolai Gassiev Andrew Oakden Varlaam Khrushchov, a boyar Vladimir Ognovenko Dennis Petersen Police Officer Gennady Bezzubenkov Saturday, October 23, 2010, 12:00–4:15 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. -
Kent Tritle Spring Season 2018
KENT TRITLE SPRING SEASON 2018: American History, New York History Take Center Stage in New Works, in Programs at Carnegie Hall and the Cathedral of St. John the Divine Organ Recital of French Music at St. John the Divine Is Immediately Followed by Saint-Saëns “Organ Symphony” with Antonio Pappano and the New York Philharmonic Photo by Jennifer Taylor In the spring of 2018, “choral conducting superstar” (Time Out New York) Kent Tritle leads two programs featuring world premieres of works with American themes that are resonating especially strongly today: with the Oratorio Society of New York, Sanctuary Road, an oratorio about the Underground Railroad with music by Paul Moravec and text by Mark Campbell (commissioned by the OSNY) based upon the accounts of William Still, as well as Behzad Ranjbaran’s We Are One (commissioned by the Los Angeles Chamber Orchestra) on May 7; and a program at the Cathedral Choir of St. John the Divine celebrating the immigrant history of New York in collaboration with early/world music group Rose of the Compass that includes the world premiere of a commissioned work by Robert Sirota, text by Reverend Victoria Sirota, on April 9. Come down, rain./Come down hard. Come down fast./Come down Noah’s Ark heavy. Double the darkness of this night. Kent Tritle’s 2018 Spring Season - Page 2 of 8 That I might slip away,/Like a shadow, And get to the boat/That will take me up North To liberty,/To my own life. -Excerpt from text for Sanctuary Road based on the writings of William Still Kent also fulfills his role as organ virtuoso and New York Philharmonic member in February when he performs his annual recital on the magnificent instrument of the Cathedral of St. -
Composer Robert Paterson Celebrates 50Th Birthday with Premieres and a New Album the Four Seasons – out April 24
FEBRUARY 19, 2020 CONTACT: STUART WOLFERMAN [email protected] 718-938-7679 Composer Robert Paterson celebrates 50th birthday with premieres and a new album The Four Seasons – Out April 24 This spring, the composer enjoys three Carnegie Hall performances, including two world premieres, and the culmination of his 20-year-long “Four Seasons” project. Spring 2020 marks a particularly busy and celebratory period for composer Robert Paterson. Called a “modern day master” by the New York Times, Paterson’s String Quartet No. 3 will be premiered at Carnegie Hall’s Weill Hall on March 5 by the Indianapolis String Quartet. On April 17, he celebrates his 50th birthday and the release of his 21-song Four Seasons project (out April 24 on Paterson’s American Modern Recordings). On May 6, the Oratorio Society of New York, under Kent Tritle, will perform Paterson’s Whitman’s America. Paterson’s ability to set text has been widely praised, with Gramophone stating that he “could probably set a telephone book to music and create something that captivates.” In The Four Seasons the composer has set the poems of Ann Stanford, Sharan Strange, Wallace Stevens, keep reading Dorothea Tanning, to name a few. The world premiere recording consists of four song-cycles (21 songs), written over the last 20 years, for four voice types (each representing a different season). The four singers on the album are soprano Marnie Breckenridge, mezzo-soprano Blythe Gaissert, tenor Alok Kumar, and bass-baritone David Neal. In 2014, the six Winter Songs were released as part of a broader collection.