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Touchstones of Popular Culture Among Contemporary College Students in the United States
Minnesota State University Moorhead RED: a Repository of Digital Collections Dissertations, Theses, and Projects Graduate Studies Spring 5-17-2019 Touchstones of Popular Culture Among Contemporary College Students in the United States Margaret Thoemke [email protected] Follow this and additional works at: https://red.mnstate.edu/thesis Part of the Higher Education and Teaching Commons Recommended Citation Thoemke, Margaret, "Touchstones of Popular Culture Among Contemporary College Students in the United States" (2019). Dissertations, Theses, and Projects. 167. https://red.mnstate.edu/thesis/167 This Thesis (699 registration) is brought to you for free and open access by the Graduate Studies at RED: a Repository of Digital Collections. It has been accepted for inclusion in Dissertations, Theses, and Projects by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Touchstones of Popular Culture Among Contemporary College Students in the United States A Thesis Presented to The Graduate Faculty of Minnesota State University Moorhead By Margaret Elizabeth Thoemke In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Teaching English as a Second Language May 2019 Moorhead, Minnesota iii Copyright 2019 Margaret Elizabeth Thoemke iv Dedication I would like to dedicate this thesis to my three most favorite people in the world. To my mother, Heather Flaherty, for always supporting me and guiding me to where I am today. To my husband, Jake Thoemke, for pushing me to be the best I can be and reminding me that I’m okay. Lastly, to my son, Liam, who is my biggest fan and my reason to be the best person I can be. -
Marble Hornets, the Slender Man, and The
DIGITAL FOLKLORE: MARBLE HORNETS, THE SLENDER MAN, AND THE EMERGENCE OF FOLK HORROR IN ONLINE COMMUNITIES by Dana Keller B.A., The University of British Columbia, 2005 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Film Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2013 © Dana Keller, 2013 Abstract In June 2009 a group of forum-goers on the popular culture website, Something Awful, created a monster called the Slender Man. Inhumanly tall, pale, black-clad, and with the power to control minds, the Slender Man references many classic, canonical horror monsters while simultaneously expressing an acute anxiety about the contemporary digital context that birthed him. This anxiety is apparent in the collective legends that have risen around the Slender Man since 2009, but it figures particularly strongly in the Web series Marble Hornets (Troy Wagner and Joseph DeLage June 2009 - ). This thesis examines Marble Hornets as an example of an emerging trend in digital, online cinema that it defines as “folk horror”: a subgenre of horror that is produced by online communities of everyday people— or folk—as opposed to professional crews working within the film industry. Works of folk horror address the questions and anxieties of our current, digital age by reflecting the changing roles and behaviours of the everyday person, who is becoming increasingly involved with the products of popular culture. After providing a context for understanding folk horror, this thesis analyzes Marble Hornets through the lens of folkloric narrative structures such as legends and folktales, and vernacular modes of filmmaking such as cinéma direct and found footage horror. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
OCTOBER 4, 2018 the INDEPENDENT NEWSPAPER of the UNIVERSITY of IOWA COMMUNITY SINCE 1868 DAILYIOWAN.COM 50¢ INSIDE 80 Hours
The Daily Iowan THURSDAY, OCTOBER 4, 2018 THE INDEPENDENT NEWSPAPER OF THE UNIVERSITY OF IOWA COMMUNITY SINCE 1868 DAILYIOWAN.COM 50¢ INSIDE 80 Hours The weekend in arts & entertainment Thursday, October 4, 2018 IC police make arrest in weekend shooting The Art of the SCREAM An Iowa City woman has been charged in connection with the Sept. 29 shooting at Court and Gilbert Streets. BY CHARLES PECKMAN reckless use of a firearm. Once officers arrived, a male victim was wound. The second male victim’s in- [email protected] According to a press release from discovered suffering from an apparent juries were also non-life-threatening, the city of Iowa City, the investigation gunshot wound. The injuries sustained and he was also transported to UIHC. Iowa City police have made an arrest is ongoing by the Iowa City Police De- by the victim were non-life-threatening, As The Daily Iowan has previously on Wednesday in connection to a shoot- partment’s Investigations Division. and he was transported to the University reported, Sgt. Jerry Blomgren said in- ing that happened on Sept. 29 near East The press release encourages anyone of Iowa Hospital. dividuals at the scene, including those Court and South Gilbert Streets. with information to contact the police. Shortly after the first victim was who were shot, did not cooperate with Arielle Grier, 24, of Iowa City has On Sept. 29, Iowa City police received a discovered, a second person was locat- authorities. Blomgren said Sept. 29 that been charged with two counts of at- report of shots fired near the intersection ed one block away from the shooting’s authorities planned to use surveillance tempted murder and one count of of East Court and South Gilbert Streets. -
Operating Together: 12 Years of Collaboration Between RCSI and COSECSA
Operating Together: 12 Years of Collaboration Between RCSI and COSECSA Leading the world to better health 1 Leading the world to better health Dr Enock Ludzu and patient, Mangochi District Hospital, Malawi. Photo courtesy of Antonio Osuna and SURG-Africa. Edited by Eric O’Flynn, Krikor Erzingatsian, Declan Magee and the RCSI/COSECSA Collaboration Dedication To everyone who made this happen. 1 Authors’ Note The story of the collaboration between the Royal College of Surgeons in Ireland (RCSI) and the College of Surgeons of East, Central and Southern Africa (COSECSA) can only be properly told in conjunction with an account of the story of COSECSA. This book cannot, and does not attempt to, give a comprehensive history of COSECSA, only that part of it necessary for a better understanding of the story of the RCSI/ COSECSA Collaboration Programme. Recounting the exciting and inspiring story of COSECSA itself is for another day. We look forward to reading such an account in the years to come! 2 Foreword 4 Chapter 1 The Global Surgical Care Crisis 6 Chapter 2 A Vision for a Surgical Training College 10 Chapter 3 The Genesis of the Collaboration Programme 14 Chapter 4 The COSECSA Experience 23 Chapter 5 Examinations and Training Support 28 Chapter 6 Training Support 34 Chapter 7 Rural Surgery 49 Chapter 8 Harnessing the Power of Data 52 Chapter 9 Building the Organisation 56 Chapter 10 The Voice of COSECSA 63 Chapter 11 Evolution of the Collaboration – Successes, Failures and Lessons Learned 67 Chapter 12 Looking Forward – A Lot Done, More To Do 72 Chapter 13 In Memoriam 76 Bibliography 78 Acknowledgements 82 Glossary 83 3 Foreword by Minister of State for the Diaspora and International Development, Ciarán Cannon TD The late Kofi Annan, former United Nations Secretary-General and a great friend of Ireland, said that “The biggest enemy of health in the developing world is poverty”. -
Introduction ROBERT AUNGER a Number of Prominent Academics
CHAPTER 1: Introduction ROBERT AUNGER A number of prominent academics have recently argued that we are entering a period in which evolutionary theory is being applied to every conceivable domain of inquiry. Witness the development of fields such as evolutionary ecology (Krebs and Davies 1997), evolutionary economics (Nelson and Winter 1982), evolutionary psychology (Barkow et al. 1992), evolutionary linguistics (Pinker 1994) and literary theory (Carroll 1995), evolutionary epistemology (Callebaut and Pinxten 1987), evolutionary computational science (Koza 1992), evolutionary medicine (Nesse and Williams 1994) and psychiatry (McGuire and Troisi 1998) -- even evolutionary chemistry (Wilson and Czarnik 1997) and evolutionary physics (Smolin 1997). Such developments certainly suggest that Darwin’s legacy continues to grow. The new millennium can therefore be called the Age of Universal Darwinism (Dennett 1995; Cziko 1995). What unifies these approaches? Dan Dennett (1995) has argued that Darwin’s “dangerous idea” is an abstract algorithm, often called the “replicator dynamic.” This dynamic consists of repeated iterations of selection from among randomly mutating replicators. Replicators, in turn, are units of information with the ability to reproduce themselves using resources from some material substrate. Couched in these terms, the evolutionary process is obviously quite general. for example, the replicator dynamic, when played out on biological material such as DNA, is called natural selection. But Dennett suggests there are essentially no limits to the phenomena which can be treated using this algorithm, although there will be variation in the degree to which such treatment leads to productive insights. The primary hold-out from “evolutionarization,” it seems, is the social sciences. Twenty-five years have now passed since the biologist Richard Dawkins introduced the notion of a meme, or an idea that becomes commonly shared through social transmission, into the scholastic lexicon. -
CBRNE-Terrorism Newsletter December 2014
CBRNE-Terrorism Newsletter December 2014 1 www.cbrne-terrorism-newsletter.com CBRNE-Terrorism Newsletter December 2014 2 www.cbrne-terrorism-newsletter.com CBRNE-Terrorism Newsletter December 2014 3 www.cbrne-terrorism-newsletter.com CBRNE-Terrorism Newsletter December 2014 CBRNE-Terrorism Newsletter – 2014© December 2014 Website: www.cbrne-terrorism-newsletter.com 10 YEARS: 2005-2014 Editor-in-Chief BG (ret) Ioannis Galatas MD, MA, MC PhD cand Consultant in Allergy & Clinical Immunology Medical/Hospital CBRNE Planner Senior Asymmetric Threats Analyst CBRN Scientific Coordinator @ RIEAS Athens, Greece Contact e-mail: [email protected] Assistant Editor Panagiotis Stavrakakis MEng, PhD, MBA, MSc Hellenic Navy Capt (ret) Athens, Greece Co-Editors/Text Supervisors 1. Steve Photiou, MD, MSc (Italy) 2. Dr. Sarafis Pavlos, Captain RN(ret‘d), PhD, MSc (Greece) 3. Kiourktsoglou George, BSc, Dipl, MSc, MBA, PhD (cand) (UK) 4 Advertise with us! (New price list) CBRNE-Terrorism Newsletter is published on-line monthly and distributed free of charge. Starting from 2014 issue all advertisements will be charged as following: Full page (A4) 100€ Double pages (A4X2) 200€ EDITOR Mendor Editions S.A. 3 Selinountos Street 14231 Nea Ionia Athens, Greece Tel: +30 210 2723094/-5 Fax: +30 210 2723698 Contact e-mail: Valia Kalantzi [email protected] Cover: Nicotiana benthamiana, the plant from which ZMapp is derived. DISCLAIMER: The CBRNE-Terrorism Newsletter® is a free online publication for the fellow civilian/military First Responders worldwide. The Newsletter is a collection of papers related to the stated thematology, relevant sources are provided and all info provided herein is from open Internet sources. Opinions and comments from the Editorial group or the authors publishing in the Newsletter do not necessarily represent those of the Publisher. -
Found Media: Interactivity and Community in Online Horror Media
SUNY College Cortland Digital Commons @ Cortland Master's Theses 4-2021 Found media: interactivity and community in online horror media Jax Mello Follow this and additional works at: https://digitalcommons.cortland.edu/theses Part of the American Film Studies Commons, Fiction Commons, Film and Media Studies Commons, Social Media Commons, and the Social Psychology and Interaction Commons Found Media: Interactivity and Community in Online Horror Media by Jax Mello A Thesis Submitted in Partial Fulfillment of the Requirements For the Master of Arts in English Department of English, School of Arts and Sciences STATE UNIVERSITY OF NEW YORK COLLEGE AT CORTLAND April 2021 Master of Arts Thesis, English Department SUNY Cortland Student Signature: ______________________________________________________ Thesis Title: Found Media: Interactivity and Community in Online Horror Media Thesis Advisor’s Signature: _______________________________________________ MA Coordinator’s Signature: ______________________________________________ Being isolated is a common fear. The fear can take many forms, from the fear of being the last one alive in a horrific situation to being completely deserted by everyone you love. This is a fear that has been showcased many different times in movies, novels, and every other piece of media imaginable. Although not always tied to the horror genre, the fear of being isolated is tightly intertwined with many horror stories. Therefore, it is interesting when a horror production goes out of their way to encourage interactivity within its audience. This goes beyond an artist’s desire for a creation to have a raving fanbase behind it, which is typically generated through external means from the narrative itself. Instead, there is an as-yet-unaccounted-for subgenre of horror that integrates Found Footage techniques with the specific goal of eliciting interactivity within the audience. -
Ebola and MSF
Ebola and MSF Introduction for schools December 2014 Ebola epidemics “MSF has been working in ‘Ebola settings’ for almost 20 years, so we have an enormous amount of knowledge on safe behaviour, infection control and patient management.” - Kimberly Larkins, MSF Who are Medecins Sans Frontieres/ Doctors Without Borders (MSF)? • We are an independent international medical humanitarian aid organisation • Founded in 1971, we provide emergency medical care to those people who need it the most in over 70 countries around the world • In 1999 MSF won the Nobel Peace Prize Medical Emergencies War and Civil Conflict Refugee and IDP Crises Nutritional Crises Epidemics such as Ebola Natural Disasters History Ebola was first identified in 1976 in remote villages near tropical rainforests in Sudan and Democratic Republic of Congo, Central Africa. Can you find them on the map? Map: http://victoriastaffordapsychicinvestigation.files.wordpress.com/2012/07/map-of-africa-countries-nambia-angola-south-africa-madagascar-island-se-mozambique- tanzania-kenya-somalia-ethiopia-sudan-egypt-libya-algeria.gif?w=600 What is Ebola? • One of the world’s most deadly diseases, but you do not necessarily die if you catch it. • Ebola has not been spread in the UK, so you needn’t worry! • Ebola is transmitted through close contact with bodily fluids such as blood, sweat and saliva. Ebola is far more difficult to catch than measles that is transmitted through the air. • Patients with Ebola need to be treated in isolation by staff wearing protective clothing. Symptoms "The feeling was overpowering. Ebola is like a sickness from a different planet. It comes with so much pain." - SALOME KARWAH, EBOLA SURVIVOR • People are not infectious (cannot pass on the virus) until they show symptoms. -
Daybreakers and the Vampire Movie
16 • Metro Magazine 164 THERE WILL BE BLOOD Daybreakers and the Vampire Movie The enduring popularity of the vampire figure has led to some truly creative and original films as well as some downright disasters. Rjurik Davidson examines the current fascination with this genre and explores why the latest Australian offering fails to deliver despite its very promising beginning. HE VAMPIRE is the fantasy figure of the moment. Where only five years ago it was the ubiquitous boy magician Harry Potter who dominated fan- Ttasy film, now it is the vampire. Almost like a symbol of itself – transmit- ting dangerously out of control like a virus – the vampire has spread throughout popular culture, largely on the back of Stephenie Meyer’s wildly popular Twilight books and movies (Twilight [Catherine Hardwicke, 2008], New Moon [Chris Weitz, 2009]), so that there are now vampire weddings, vampire bands, a flurry of vampire novels and vampire television shows like True Blood. Recently, The Age reported that we are a nation obsessed with ‘vampires and AFL’ and that New Moon and Twilight were the most Googled movies in Australia during 2009.1 One of the great attractions of the vampire is that it can be a symbol for many things. As a symbol for the decaying aristocracy in Bram Stoker’s classic 1897 novel Dracula, the vampire has the allure of charisma and sex. Indeed, Dracula drew upon John Polidori’s 1819 portrait of Lord Byron in The Vampyre. In the symbol of the vampire, sex and death are entwined in the single act of drinking some- one’s blood. -
The Gnostic Zombie in Robert Kirkman's the Walking Dead
Doing What Comes Unnaturally: The Gnostic Zombie in Robert Kirkman’s The Walking Dead Peter Y. Paik, Comparative Literature University of Wisconsin-Milwaukee I. Pursuing the Millennium, Redux The defining philosophic problem of modernity is that of the soul that has become closed within itself, and cannot get outside of itself. This closed soul is one that remains confined within the narrow orbit of a static and one-sidedly immanent account of human reality, which denies the very possibility of truths and experiences that transcend the circumscribed limits set by calculability and utility. The leading thinkers of the modern period have evoked in arresting ways the diminished spiritual, political, and historical horizon that afflicts modern man and woman. We may think here of Heidegger’s dictum that modern technology constitutes a mode of revealing that alters the way human beings relate to being, so that “everywhere and always” man only encounters himself.1 For Pierre Manent, modern man is cut off from the experience of conversion -- the postmodern tolerance of all differences is at the same time a flight from their necessarily competing claims of significance, ruling out thereby the possibility of being transformed by a singular difference.2 For Hannah Arendt, the crisis of modern politics stems from the waning of authority, which enables men and women to resolve their conflicts without resorting to violence and coercion,3 or, we might add in light of recent events, without putting social peace at the mercy of unsustainable levels of economic growth. José Ortega y Gasset, in Revolt of the Masses, provides a scathing portrait of the modern “mass man” who believes that there is no one capable of teaching him anything and who complacently imposes a technicist and materialist ideology on history and society. -
2012 Annual Report
2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M.