DOCSLIB.ORG

Read Book the Universal Myths Heroes, Gods, Tricksters, And

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Book the Universal Myths Heroes, Gods, Tricksters, And THE UNIVERSAL MYTHS HEROES, GODS, TRICKSTERS, AND OTHERS 1ST EDITION PDF, EPUB, EBOOK Alexander Eliot | 9780452010277 | | | | | The Universal Myths Heroes, Gods, Tricksters, and Others 1st edition PDF Book These gods reflect humanity, all its glory and fallibility. We can only guess how much of those old beliefs were left out because they may have been incompatible with the new beliefs of Christendom. The five most famous are:. This is the nature of power in our world. In Lokasenna , Loki attends a feast held by Aegir , where he is unwelcome. You may also like. The age of belief in the Norse gods had ended. Iconographically, Osiris is always depicted in mummified form; he is a powerful god of the potent dead. Kennedy, J. No ratings or reviews yet No ratings or reviews yet. Player's Handbook: Core Rulebook I v. Balder is a Norse deity, a son of Odin, whose mythology dates to the end of the 11th or 12th century AD:. In being torn apart, scattered abroad, and broken into seven pieces, Dionysos experiences for himself the effects of the utmost differentiation, in accord with the process that began after the first age under the aegis of Phanes-Metis, another name for Dionysos. Mar 09, Paul rated it really liked it Shelves: myth , classics. Many deities are arranged in pantheons, which are often led by Greater deities which are their direct superiors. When Christianity was establishing itself in the ancient Mediterranean world, the cult of Dionysos was its most geographically widespread and deeply rooted rival Seaford, pages 3, 4, , Sometimes this gets represented in art, including religious art, and it especially is used when a work of art is being done to show the motherhood of an individual. In recent centuries Krsna has been adored principally as a mischievous child in the cowherd settlement Vrndavana where he launches his earthly career as a matchless lover of women and girls who dwell there. To have them as an integral part of the campaign world, one must have them limited in potential to something less than the dominant humans. And so you get the lie repeated many times, mostly by people who aren't lying, who really do think it's true but just didn't check. If you haven't heard of record-smashing singer and songwriter Mariah Carey, is there any hope for you? Sometimes these gaps obscured the meaning of the story so much that I wasn't able to understand the content. Mettinger of Lund University in Sweden, wrote a recent scholarly critique challenging the modern consensus and attempts to "resurrect" the dying and rising theme. Bruce Metzger, the great New Testament scholar and textual critic, is cited by Ronald Nash on this "reversal" :. Odin turns Loki's son Vali into a wolf and has him slay Loki's son Narfi. All of them, bending in humility, worshipped him. Cuthburt" is mentioned; this was the first published reference to a Greyhawk deity. Hanali Celanil love. No glad handling, septic, but nice. Was early Christianity a synthesis of ideas and practices borrowed from different sources, some of them pagan? These definitions can be extended to include the religion of the Zoroastrian communities in Iran and India today. This is a detailed response to the claim that there are many parallel pagan gods and "crucified saviors" that rival Christianity's founder Jesus Christ. And in a commentary on SB Quite a shame. Mithra the word means "contract, covenant" is one of the major deities of ancient Iran Persia along with Ahura Mazda and Anahita, but one that later crossed the borders of the Iranian world to become the supreme god of a mystery religion popular throughout the Roman empire. Be the first to write a review. The Universal Myths Heroes, Gods, Tricksters, and Others 1st edition Writer Virgin Born? With his first wife, Glut , Loki had two children, Eisa and Einmyria. Review Finished: Buy It Now. He represents the power making sap rise in plants and trees in spring with the coming of the flood of the river. Condition: Used; Good. All orders are dispatched as swiftly as possible! My final comment will be on the last myth in this book and that is Erra and Ishum. However before I look at some of the other myths in this book there are a couple of things that I wish to point out. It's in a background graphic Return to Book Page. Back to Home Page. Thus the people of ancient Mesopotamia learned it is best to serve your city and your gods. By the fifth dynasty - BC , the Horus-king also became "son of Re" the sun god by personifying mythologically the entire older genealogy of Horus as the goddess Hathor, or "house of Horus" who was also the spouse of Re and mother of Horus. The stories are a good introduction for juvenile and young adult readers into the world of Norse myths and legends. They were accepted on faith and are taught to be believed. Now I will finish off with a word on the structure of these stories. Recent developments in Akkadian grammar and lexicography mean that this new translation--complete with notes, a glossary of deities, place-names, and key terms, and illustrations of the mythical monsters featured in the text--will replace all other versions. Condition: Good. And as with any story of gods, we start with the Norse version of creation. She is remarkable and crazy smart, lol. Published by Quercus Publishing. I was disappointed and my rating reflects so. Nov 13, David rated it it was amazing. Damu the child -- an earlier form of the word dumu means "child. Customer service is our top priority!. Dragon Loki is restless, impulsive, talkative, and highly sociable. More information about this seller Contact this seller 5. Refresh and try again. Yes and No, depends how you interpret revivification. Even included are names of all the kings of the third dynasty of Ur and of Isin, who embody him in the rite of the Sacred Marriage. Another portrayal in the Late Period was as a human child suckling at the breast of his mother, Isis. At the very end of this story we have what could be considered an Ancient Assyrian copyright notice. Yes, magic as a child in the Mahabharata. In the mania of Dionysos is a taint that the god himself experiences in the course of his life Apollodorus, Library 3. Must I lie down too? Okay, I cannot read cuneiform the Ancient Mesopotamian written language and I also suspect that there are numerous phrases and words that are difficult to translate, however while I will give credit to the translators for allowing me to access these stories, I generally do look beyond them to the original author whoever that may be. Mithraists consecrated the alliance between Mithra and the Sun through a banquet, which prefigured the ritual. As I wished to have include demi-humans commonly as PCs, NPCs, and in basically their own racial communities and state entities as well as amongst human societies, I limited their potential power so as to make human dominance a reasonable assumption for play. This book is not yet featured on Listopia. Perhaps I'd write one if I actually knew how to read the original text. The Universal Myths Heroes, Gods, Tricksters, and Others 1st edition Reviews Hanali Celanil love. Seller Inventory IQ Enlarge cover. The food was of course not simply actual or literal food, but also food in the metaphorical sense, which nourished souls after death: the meal was the guarantee of their ascension into the undying light. Jan 02, Andrew rated it really liked it. It is a fun book to flip though before bed. Though the world came to know of the Norse and their legends through Roman interaction about the time of Christ, most of what we came to know were handed down from folk tales gathered by native writers like Snorri Sturluson c. Maria Baarslag rated it really liked it May 03, Finished: Loki instead disguises Thor as Frey and himself as a bridesmaid, and they steal back. In another version of the myth, Semele asks Zeus to grant an unspecified favor, and got him to swear by the river Styx that he would grant it. Start a Wiki. Agdistis begged Jupiter [or Zeus] to bring Attis back to life revivisceret , but that was not permitted. Loki's third wife is Sigyn , who tends to him during his imprisonment. Day and night, dance and play, Wear fresh clothes. He is swift in combat, can dodge attacks, and can inflict bleeding wounds upon his opponents. Some see a "pagan parallel" here with Catholic portrayals of the Virgin Mary and Jesus, but mothers with children is common to all cultures, religious or not. The second form has Adonis dying in a field of lettuce, by Ares disguised as a boar, and his commemoration by Aphrodite in a flower that perpetuates his memory. The first form knows only of a quarrel between two goddesses, Aphrodite and Persephone, for the affections of the infant Adonis. Hermes' world is one of peace and frivolous delight. As I wished to have include demi- humans commonly as PCs, NPCs, and in basically their own racial communities and state entities as well as amongst human societies, I limited their potential power so as to make human dominance a reasonable assumption for play. The book has been read, but is in excellent condition. The long Indian epic-poem the Mahabharata Book Mausala Parva has an account of Krsna's "resurrection and ascension" to heaven witnessed by the hunter Jara who mistook him for a deer.
Load more

Recommended publications
  • The Titanic Origin of Humans: the Melian Nymphs and Zagreus Velvet Yates
    The Titanic Origin of Humans: The Melian Nymphs and Zagreus Velvet Yates HE FIRST PART of this paper examines a minor mystery in Hesiod’s Theogony, centering around the Melian Nymphs, Tin order to assess the suggestions, both ancient and modern, that the Melian Nymphs were the mothers of the human race. The second part examines the afterlife of Hesiod’s Melian Nymphs over a thousand years later, in the allegorizing myths of late Neoplatonism, in order to suggest that the Hesiodic myth in which the Melian Nymphs primarily figure, namely the castration of Ouranos, has close similarities to a central Neoplatonic myth, that of Zagreus. Both myths depict a “Titanic” act of destruction and separation which leads to the birth of the human race. Both myths furthermore seek to account for a divine element which human nature retains from its origins. The Melian Nymphs in Hesiod ˜ssai går =ayãmiggew ép°ssuyen aflmatÒessai, pãsaw d°jato Ga›a: periplom°nou d' §niautoË ge¤nat' ÉErinËw te krateråw megãlouw te G¤gantaw, teÊxesi lampom°nouw, dol¤x' ¶gxea xers‹n ¶xontaw, NÊmfaw y' ìw Mel¤aw kal°ous' §p' épe¤rona ga›an. Gaia took in all the bloody drops that spattered off, and as the seasons of the year turned round she bore the potent Furies and the Giants, immense, dazzling in their armor, holding long spears in their hands, and then she bore the Melian Nymphs on the boundless earth.1 1 Theog. 183–187. Translations of Hesiod adapted from A. Athanassakis, Hesiod: Theogony, Works and Days, Shield (Baltimore 1983).
    [Show full text]
  • Defining Orphism: the Beliefs, the Teletae and the Writings
    Defining Orphism: the Beliefs, the teletae and the Writings Anthi Chrysanthou Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures and Societies Department of Classics May 2017 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. I This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2017 The University of Leeds and Anthi Chrysanthou. The right of Anthi Chrysanthou to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. II Acknowledgements This research would not have been possible without the help and support of my supervisors, family and friends. Firstly, I would like to express my sincere gratitude to my supervisors Prof. Malcolm Heath and Dr. Emma Stafford for their constant support during my research, for motivating me and for their patience in reading my drafts numerous times. It is due to their insightful comments and constructive feedback that I have managed to evolve as a researcher and a person. Our meetings were always delightful and thought provoking. I could not have imagined having better mentors for my Ph.D studies. Special thanks goes to Prof. Malcolm Heath for his help and advice on the reconstruction of the Orphic Rhapsodies. I would also like to thank the University of Leeds for giving me the opportunity to undertake this research and all the departmental and library staff for their support and guidance.
    [Show full text]
  • Deviant Origins: Hesiodic Theogony and the Orphica Radcliffe .G Edmonds III Bryn Mawr College, [email protected]
    Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2018 Deviant Origins: Hesiodic Theogony and the Orphica Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://repository.brynmawr.edu/classics_pubs Part of the Classics Commons Custom Citation Edmonds, Radcliffe .G 2018. "Deviant Origins: Hesiodic Theogony and the Orphica." In In Oxford Handbook of Hesiod, edited by A. Loney & S. Scully, 225-242. New York/Oxford: Oxford University Press. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/classics_pubs/125 For more information, please contact [email protected]. Deviant Origins: Hesiod’s Theogony and the Orphica Oxford Handbooks Online Deviant Origins: Hesiod’s Theogony and the Orphica Radcliffe G. Edmonds III The Oxford Handbook of Hesiod Edited by Alexander C. Loney and Stephen Scully Print Publication Date: Sep 2018 Subject: Classical Studies, Classical Poetry, Classical Religions and Mythologies Online Publication Date: Aug 2018 DOI: 10.1093/oxfordhb/9780190209032.013.43 Abstract and Keywords Hesiod’s Theogony provides one of the most widely authoritative accounts of the origin of the cosmos, but his account has always been challenged by rivals claiming to be older, wiser, and better, and the name of Orpheus has always been privileged in the evidence for ancient rivals to Hesiod. The Orphic accounts play their variations on the Hesiodic themes, riffing in different ways on the idea of the ultimate origin of the cosmos; the processes of reproduction by which subsequent entities were generated; the conflicts between these divinities that created the changes from the original state to the current one; the way in which humans entered the story; and the final resolution of the conflicts and changes that created the current, normal order of Zeus.
    [Show full text]
  • The Beginning of Time: Vedic and Orphic Theogonies and Poetics Kate Alsobrook
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 The Beginning of Time: Vedic and Orphic Theogonies and Poetics Kate Alsobrook Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE BEGINNING OF TIME: VEDIC AND ORPHIC THEOGONIES AND POETICS By KATE ALSOBROOK A Thesis submitted to the Department of Classics in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2008 The members of the Committee approve the thesis of Kate Alsobrook defended on December 3, 2007. ______________________________ James Sickinger Professor Directing Thesis ______________________________ Kathleen Erndl Committee Member ______________________________ John Marincola Committee Member ______________________________ Svetla Slaveva-Griffin Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables ..................................................................................................................... v List of Figures................................................................................................................... vi List of Abbreviations ....................................................................................................... vii Abstract..........................................................................................................................
    [Show full text]
  • Aletheia: the Orphic Ouroboros
    Edith Cowan University Research Online Theses : Honours Theses 2020 Aletheia: The Orphic Ouroboros Glen McKnight Edith Cown University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Classics Commons, Philosophy Commons, and the Poetry Commons Recommended Citation McKnight, G. (2020). Aletheia: The Orphic Ouroboros. https://ro.ecu.edu.au/theses_hons/1541 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1541 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Aletheia: The Orphic Ouroboros Glen McKnight Bachelor of Arts This thesis is presented in partial fulfilment of the degree of Bachelor of Arts Honours School of Arts & Humanities Edith Cowan University 2020 i Abstract This thesis shows how The Orphic Hymns function as a katábasis, a descent to the underworld, representing a process of becoming and psychological rebirth.
    [Show full text]
  • Apokatanidis Katerina.Pdf (669.1Kb)
    Gender Interplay in Nonnos’ Dionysiaka The cases of Deriades and Aura by Katerina Apokatanidis A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in Classical Studies Waterloo, Ontario, Canada, 2018 © Katerina Apokatanidis 2018 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This thesis presents the relation between the gendered language of Nonnos and the ironic undertones he employs to describe two main plot points in the Dionysiaka. I focus on Dionysos’ battle with Deriades, the Indian king, and Aura, the titan goddess of the breeze. In my first section, I argue that the irony employed to describe the death of Deriades is based on misperceptions of gender identity as he understands the world. Due to his fixity on the masculine extreme of the gender spectrum, Deriades has created a skewed view of the world which led to his demise by the gender-fluid Dionysos. His false perception is reflected in the text when Athena disguises herself as Morrheus, Deriades’ son-in-law, and comes to taunt him for fleeing the battle with Dionysos. Athena is herself a gender-fluid goddess as the masculine virgin goddess of Truth/Wisdom. Her disguise symbolises the loss of true understanding. For my second section, I examine the implications of the total loss of gender identity as experienced by Aura.
    [Show full text]
  • Orpheus and Orphism: Cosmology and Sacrifice at the Boundary
    Orpheus and Orphism: Cosmology and Sacrifice at the Boundary Liz Locke An Interdisciplinary Prelude Knowledge is, in the final analysis, taxonomic, but a taxonomy that is allowed to merge with the object of study-which is reified so that it becomes a datum in its own right-must at best be stultifying. Were this not so, there would have been no intellectual change in human history. Thus, to see the particular reading of an ancient tragedy as refracted through a particular ideological prism, or to spell out the implications of a translator's vocabulary, syntax, and style-these things do not decrease our knowledge; they protect it. (Herzfeld 198359) I am fond of this passage by Michael Herzfeld because it points in so many directions at once. It points toward epistemology in that it asks us to examine the categorical taxonomies that underlie our assumptions about how we know what we think we know. It points toward cosmology in that it suggests that the world which produced ancient tragedy is still available to us as a precursive guide to our own sense of place in the universe. Epistemology, cosmology, and ideology have much in common: they attempt simultaneously to create and explain the bases from which we describe our knowledge of the world, of ourselves, and of the cognitive and social structures through which we circulate in the course of our lifetimes, our histories, and our projected futures. I am a folklorist because the study of folklore also points in so many directions at once. It recognizes that we cannot hope to understand much about our peculiar place in the universe without eventually taking all such questions into account.
    [Show full text]
  • Chapter 10 the Monism of Darkness and the Dualism
    CHAPTER 10 THE MONISM OF DARKNESS AND THE DUALISM OF LIMIT AND INDETERMINACY 1. Greek philosophical dualism sprang from an experience of cosmological (structural) and cosmogonic (causal) polarity between the Luminous Form and the Indeterminacy of Darkness, between astounding Beauty and awe-inspiring Power, between archetypal, well- ordered Harmony and reckless, productive Fertility. Such a polarity found expression in religion, poetry and popular belief as the copulation of the antithetical Male and Female, in philosophy as the opposition, but also conjugation, of Limit and Indeterminacy1. Underneath the experience of polarity a deeper experience lay hidden which originally engendered and nurtured dualism and which, later, when polarity came to relative independence, was developed to such a degree that it finally altered the entire articulation of Dualism by digesting it according to its own proper modalities. That was the experience of aboriginal Darkness as the terrible and almighty Womb of all-that-is. The primaeval Darkness and the infinite Silence of first origins, the theocosmic Abyss of Chaos and the unblest and awful all-generating Night were in the beginning felt and conceived as the foundation and the root of existence, as the causal and temporal beginning of everything, as the Great Mother of the world’s subsistence. This conception while actively experienced led to the religious and theoretical formation of the Monism of Darkness, that is to say to the sole recognition of a single, primaeval, dark
    [Show full text]
  • Choruses for Dionysus: Studies in the History of Dithyramb and Tragedy by Matthew C. Wellenbach B.A., Williams College, 2009
    Choruses for Dionysus: Studies in the History of Dithyramb and Tragedy By Matthew C. Wellenbach B.A., Williams College, 2009 Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of Classics at Brown University PROVIDENCE, RHODE ISLAND MAY 2015 © Copyright 2015 by Matthew C. Wellenbach This dissertation by Matthew C. Wellenbach is accepted in its present form by the Department of Classics as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date________________ _______________________________________ Johanna Hanink, Advisor Recommended to the Graduate Council Date________________ _______________________________________ Deborah Boedeker, Reader Date_______________ _______________________________________ Pura Nieto Hernández, Reader Date_______________ _______________________________________ Andrew Ford, Reader Approved by the Graduate Council Date_______________ _______________________________________ Peter M. Weber, Dean of the Graduate School iii Curriculum Vitae Matthew C. Wellenbach was born on June 4, 1987, in Philadelphia, PA. He first began studying Latin during his primary and second education, and in 2009 he earned a B.A. in Classics, magna cum laude, and with highest honors, from Williams College, located in Williamstown, MA. In the fall of 2008, he was inducted into Phi Beta Kappa. He matriculated at Brown University in Providence, RI, in the fall of 2009 as a graduate student in the Department of Classics. During his time at Brown, he presented a paper on similes in the Odyssey at the 2012 meeting of the Classical Association of the Middle West and South and published a review of a monograph on Aeschylus’ Suppliant Women in Bryn Mawr Classical Review as well as an article on depictions of choral performance in Attic vase-paintings in Greek Roman and Byzantine Studies.
    [Show full text]
  • The Greek Myths 1955, Revised 1960
    Robert Graves – The Greek Myths 1955, revised 1960 Robert Graves was born in 1895 at Wimbledon, son of Alfred Perceval Graves, the Irish writer, and Amalia von Ranke. He went from school to the First World War, where he became a captain in the Royal Welch Fusiliers. His principal calling is poetry, and his Selected Poems have been published in the Penguin Poets. Apart from a year as Professor of English Literature at Cairo University in 1926 he has since earned his living by writing, mostly historical novels which include: I, Claudius; Claudius the God; Sergeant Lamb of the Ninth; Count Belisarius; Wife to Mr Milton (all published as Penguins); Proceed, Sergeant Lamb; The Golden Fleece; They Hanged My Saintly Billy; and The Isles of Unwisdom. He wrote his autobiography, Goodbye to All That (a Penguin Modem Classic), in 1929. His two most discussed non-fiction books are The White Goddess, which presents a new view of the poetic impulse, and The Nazarene Gospel Restored (with Joshua Podro), a re-examination of primitive Christianity. He has translated Apuleius, Lucan, and Svetonius for the Penguin Classics. He was elected Professor of Poetry at Oxford in 1962. Contents Foreword Introduction I. The Pelasgian Creation Myth 2. The Homeric And Orphic Creation Myths 3. The Olympian Creation Myth 4. Two Philosophical Creation Myths 5. The Five Ages Of Man 6. The Castration Of Uranus 7. The Dethronement Of Cronus 8. The Birth Of Athene 9. Zeus And Metis 10. The Fates 11. The Birth Of Aphrodite 12. Hera And Her Children 13. Zeus And Hera 14.
    [Show full text]
  • Greek Mythology - 1 Deities
    Greek Mythology - 1 Deities PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Thu, 06 Sep 2012 08:42:51 UTC Contents Articles Primordial Gods 1 Greek primordial deities 1 Chaos 3 Aether 7 Gaia 10 Uranus 16 Hemera 22 Chronos 23 Erebus 25 Nyx 27 Ophion 31 Tartarus 33 Titans 37 Titan 37 Titanes 41 Oceanus 41 Hyperion 44 Coeus 46 Cronus 47 Crius 52 Iapetus 53 Titanides 55 Tethys 55 Theia 59 Phoebe 60 Rhea 62 Mnemosyne 66 Themis 67 Sons of Iapetus 71 Atlas 71 Prometheus 75 Epimetheus 85 Menoetius 86 The Twelve Olympians 87 Twelve Olympians 87 Males 93 Zeus 93 Poseidon 108 Hermes 117 Apollo 134 Ares 163 Hephaestus 172 Females 179 Hera 179 Demeter 191 Aphrodite 201 Artemis 217 Athena 230 Hestia 247 Extra Olympians 251 Dionysus 251 Personified Concepts 268 Muse 268 Nemesis 277 Moirai 281 Cratos 295 Zelus 296 Nike 297 Metis 299 Charites 302 Oneiroi 307 Adrasteia 309 Horae 311 Bia 315 Eros 316 Apate 319 Eris 319 Thanatos 323 Hypnos 328 Greek Sea Gods 330 Greek sea gods 330 Cetus 333 Nereus 334 Thetis 336 Amphitrite 344 Triton 348 Proteus 352 Phorcys 356 Pontus 358 Oceanid 359 Nereid 360 Naiad 364 Chthonic Gods 369 Chthonic 369 Hades 372 Persephone 380 Hecate 400 Iacchus 416 Trophonius 418 Triptolemus 420 Erinyes 421 Other Deities 424 Glycon 424 Pan 427 Selene 435 Asclepius 437 References Article Sources and Contributors 442 Image Sources, Licenses and Contributors 459 Article Licenses License 467 1 Primordial Gods Greek primordial deities Greek deities series Titans and Olympians Aquatic deities Chthonic deities Personified concepts Other deities Primordial deities •• Aether •• Hemera •• Ananke •• Nyx •• Chaos •• Phanes •• Chronos •• Pontus •• Erebus •• Tartarus •• Eros •• Thalassa •• Gaia •• Uranus In Greek mythology the Primordial deities are the first entities or beings that come into existence.
    [Show full text]
  • Theosophy: Reconstructing a Compendium of Greek Wisdom
    Theosophy: Reconstructing a Compendium of Greek Wisdom How should Greek philosophy and theology be confronted in the context of a new religious sensibility? Early Christian thinkers struggled with this question, some denouncing, others assimilating "pagan" sources. One intriguing example of this sort of deliberation was titled Theosophy. Composed c. A.D. 500, this was a collection of oracles and sayings of philosphers compiled with the intention of demonstrating agreement between the wisdom of ancient pagan sages and the Christian religion. A significant repository of late antique Greek oracles, from Claros and Didyma in particular (cf. Busine 2005), it is also an important document in the development of Christian intellectual methods of re-envisioning paganism. Much of the text, however, has been lost. Only an 8th-century epitome (the "Tübingen Theosophy") and a some pages dealing with Sibylline oracles (the "Theosophy of the Sibyls") survive, along with numerous small collections of similar oracles and sayings that appear to have something to do with the Theosophy; additionally, some Byzantine chroniclers incorporated similar material into their works. The perennial questions about this work remain to be answered satisfactorily: What exactly were the contents and scope of the Theosophy, and what exactly was its view of the pagan material it compiled? Two competing editions make the questions difficult. Erbse (1941 and 1995) traces the textual history of the individual components and prints them separately. Beatrice (2001), by contrast, following indications in the epitome, attempts to reorder and reconstruct the text much more audaciously, incorporating material from the smaller collections and Byzantine chroniclers, as well as a text of the Tiburtine Sibyl, statements attributed to Hystaspes, and a brief chronicle of world history.
    [Show full text]