Selected Branches of the Redway Family Tree
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The Justices of the SUPREME COURT of OHIO
The Supreme Court of Ohio The Justices OF THE SUPREME COURT OF OHIO INTRODUCTION ince the establishment of the judicial branch of to hearing cases and writing opinions, oversees SOhio government with the adoption of the first the administrative functions of the Court and its state Constitution, 161 men and women have served superintendence of the Ohio judiciary. as judges and justices of the Supreme Court of Ohio. The justices hear oral arguments, deliberate on These public servants have come from every corner cases, and conduct other business in the Thomas J. of our diverse state. That first Constitution provided Moyer Ohio Judicial Center, the Court’s home on for a court consisting of three judges and required the Scioto River in Columbus. The Court still holds they hold session each year in every county of Ohio. session outside of Columbus twice each year in a So the judges traveled extensively on horseback, program designed to educate high school students and the early sessions of the court were not held in about the judicial branch and the workings of the courtrooms or the Statehouse, but in private homes. Court. Today, there are seven justices who serve on the This guide is designed to introduce citizens to Court, each elected by the citizens of Ohio in all the justices of the Supreme Court by providing basic 88 counties. The justices serve six-year terms, with biographical information. For more information two seats open for election every even-numbered about the justices, the Court, and the state judiciary, year. The exception is in the year when the including live and archived video of oral arguments, position of chief justice is open, when three seats visit the Supreme Court website at sc.ohio.gov. -
Timothy Walker's Last Conversation with Salmon P. Chase Gordon A
University of Cincinnati College of Law University of Cincinnati College of Law Scholarship and Publications Faculty Articles and Other Publications Faculty Scholarship 1-1-2002 A Tale of Two Lawyers in Antebellum Cincinnati: Timothy Walker's Last Conversation with Salmon P. Chase Gordon A. Christenson University of Cincinnati College of Law, [email protected] Follow this and additional works at: http://scholarship.law.uc.edu/fac_pubs Part of the Legal History, Theory and Process Commons Recommended Citation Christenson, Gordon A., "A Tale of Two Lawyers in Antebellum Cincinnati: Timothy Walker's Last Conversation with Salmon P. Chase" (2002). Faculty Articles and Other Publications. Paper 168. http://scholarship.law.uc.edu/fac_pubs/168 This Article is brought to you for free and open access by the Faculty Scholarship at University of Cincinnati College of Law Scholarship and Publications. It has been accepted for inclusion in Faculty Articles and Other Publications by an authorized administrator of University of Cincinnati College of Law Scholarship and Publications. For more information, please contact [email protected]. A TALE OF TWO LAWYERSLAWYERS IN ANTEBELLUM CINCINNATI:CINCINNATI: TIMOTHY WALKER'S LAST CONVERSATION WITH SALMON P. CHASE Gordon A. Christenson·Christenson" The summer of 1855 is much too warm and humid. The August rain this morning has cooled the woods and hillsides. But theythey seem darker now, sultrier, with shades of green playing between sunshine and shadow. Timothy Walker waves to his wife Ellen who stands on thethe porch of their home Woodland Cottage with two of theirtheir five children. He takes up the reins for his daily buggy ride to town. -
Art and Reform in Cincinnati™S Antebellum Associations
Creating a Western Heart: Art and Reform in Cincinnati's Antebellum Associations Wendy J. Katz In studying art in early nineteenth-century opportunity for new economic, social and cultural Cincinnati, scholars generally emphasize the impres- choices, if reformers and promoters could win sup- sive number of artists and art institutions that flour- port for them. As Dr. Daniel Drake, an early and ished in the city. Alternately, they look more closely influential Cincinnati booster, wrote in William at how the work of individual artists who lived in the McGuffey's widely-disseminated "eclectic" reader, city expressed general trends in American life—how "we should foster western genius, encourage western painter Lilly Martin Spencer's scenes of domestic life, writers, patronize western publishers, augment the for example, contributed to the ideology of gendered number of western readers and create a western heart separate spheres.1 This division in focus separates . [then] the union will be secure, for its center will the local (a flowering of support for the arts) from the be sound, and its attraction on the surrounding parts national (the production of American gender roles), or irresistible. Then will our state governments emu- it sees the city sending artists to New York, from late each other in works for the common good; the whose standards and market a national culture then people of remote places begin to feel as the members issued and which, not incidentally, determined the of one family, and our whole intelligent and virtuous very value of the local cultivation of art by those later population unite, heart and hand. -
Selected Branches of the Redway Family Tree
Selected Branches of the Redway Family Tree Eugene Cole Zubrinsky, FASG SELECTED BRANCHES OF THE REDWAY FAMILY TREE Selected Branches of the Redway Family Tree Eugene Cole Zubrinsky, FASG Ojai, California 2016 Gene Zubrinsky ([email protected]) is a retired community college sociology instructor and former professional musician. A Fellow of the American Society of Genealogists, he has contributed many articles to the leading genealogical journals and local-history magazines. Copyright © 2016 by Eugene Cole Zubrinsky Published and distributed by Eugene Cole Zubrinsky 559 Pala Drive Ojai, California 93023-3547 All rights reserved. CONTENTS PREFACE vii HOW TO USE THIS BOOK ix KEY TO TITLES AND OTHER ABBREVIATIONS xi JAMES1 REDWAY: FROM INDENTURED SERVANT TO YEOMAN 1 JOHN2 REDWAY, SURVIVING SON 7 CAPT. JAMES3 REDWAY AND HIS BROTHER PRESERVED 9 JAMES4 REDWAY AND HIS BROTHERS TIMOTHY AND SAMUEL 13 MOLLY5, JAMES, JOEL, COMFORT, AND PRESERVED REDWAY 25 CHAUNCEY6, AZUBAH, DANIEL, ALBERT, DAVID, ABEL, AND HARVEY REDWAY 43 CAROLINE7, ANGELINE, ALBERT, AND MARY REDWAY 61 ALBERT8 REDWAY II AND HIS COUSIN MARIAN(8) GRISWOLD 67 LAURANCE D.9 AND ALBERT III REDWAY; OLIVE(9) COLE 71 ELIZABETH/DORA10, ALBERT IV, EDITH, LAURANCE M., AND WILLIAM REDWAY; EUGENE(10) ZUBRINSKY 75 DAVID11, ALBERT V, KATHARINE, AND JONATHAN REDWAY; CAMILLE(11) ZUBRINSKY 79 INDEX 83 PREFACE As its title implies, this genealogy is not exhaustive. Chapter one presents a particular immi- grant of the surname Redway: James1, who, though of English heritage, arrived at Hingham, Mas- sachusetts Bay Colony, in 1637 as an indentured servant from Dublin, Ireland, and in 1644 became a freeholder in Rehoboth, Plymouth Colony, where he and many of his descendants remained. -
The 1989 Annual Report of the Cincinnati Historical Society
32 Queen City Heritage 1989 Annual Report of the Cincinnati Historical Society Presidents' Reports At the close of my final year as president of the Society, it seems appropriate to review very briefly what has been accomplished in the time. In 1974 when I became president of the Cincinnati Historical Society membership stood at 1,543 and the annual budget was $154,000. During my fourteen year tenure we have grown at a lively but prudent pace. The membership now stands at close to 4,000 including a heartening increase in business members and the annual budget exceeds $850,000 with a substantially increased endowment. Our staff has doubled to thirty-nine very capable persons. Extensive and valuable additions to our superb collections have outgrown the capacity of our present quarters. We continue to grow in patronage of the library and usefulness to the community. We have attained a solid visible presence in the region. Most satisfying is the prospect of the Society's new museum. It began as a tenuous, hopeful wish in 1975, went through a long series of discussions, planning, and fortunate circumstances and is now on the very threshold of reality. The move to Union Terminal will provide not only ample space and facilities for an enlarged and greatly enhanced library, with plenty of room to grow, but also a world-class history museum that will tell the important, fascinating story of the Cincinnati area in a wonderfully exciting, visual way. This remarkable progress is due to the cooperative effort of a legion of devoted people. -
History of the Phelps Building & Lytle Park Brochure (PDF)
A Walk Through History the phelps building & lytle park • cincinnati, ohio fort washington Cincinnati was founded in 1788 and was originally named Losantiville, meaning “the city opposite the mouth of the (Licking) River.” It was a village of about 20 cabins and 50 – 100 inhabitants. (11) In 1789, Fort Washington was built here to protect early settlements in the Northwest Territory and named in honor of President George Washington. Constructed under the direction of General Josiah Harmar, he described it as “one of the most solid substantial wooden fortresses… of any in the Western Territory.” (1) The fort’s boundaries were directly outside the front of the Phelps building: Fourth Street to the north, Ludlow Street to the east, the Ohio River to the south and Broadway to the west. (2) Today’s Fort Washington Way, a corridor of Welcome to the I-71 running through Cincinnati, was named to mark the fort when remains were unearthed during construction. A blockhouse and marker on 4th street stands at the historic Phelps Building. site of the fort. The city of Cincinnati and particularly the area In 1790, Arthur St. Clair, the governor surrounding the Residence Inn Cincinnati Downtown at of the Northwest Territory, renamed the Phelps is steeped in history. We welcome you to our the settlement “Cincinnati” in honor city and encourage you to explore the neighborhood. As of the Society of Cincinnati, of you enjoy the view from your window or venture out for which he was president. In 1811, the the day, picture yourself in this walk through history. -
Collector's Choice of the Gilded Age
The Mill, by local artist Worthington Whittredge, is an example of the Dusseldorf-style landscapes which were the "collector's choice" in Cincinnati. This is one of the sixty-three oil paintings which Reuben Springer bequeathed to the Cincinnati Art Museum, which he had helped to organize. Collector's Choice of the Gilded Age by Joseph E. Holliday isitors to Cincinnati in mid-May 1886 must have nodded in approval of V the cultural avenues open to them. There was the seventh May Music Festival which attracted thousands, while on May 17 the new Art Museum in Eden Park was dedicated with appropriate ceremonies. Tourists might also view the private art collections of George K. Shoenberger and Obed J. Wilson in Clifton and those of Nicholas Longworth II, L. B. Harrison, and William S. Groesbeck in East Walnut Hills. In such a variety of ways Cincinnatians fo- cused attention on the cultural advances of their city in music and fine arts.1 Although the immediate post-Civil War period was relatively quiet as far as the creative arts were concerned, a burgeoning interest in viewing and buy- ing pictures attracted a number of influential and affluent Cincinnatians. The first attempt to unite artists and collectors came as early as 1866 when mem- bers of the city's art colony organized the short-lived Associated Artists of Cincinnati, with Charles T. Webber (1825-1911) as president, to display their canvases for sale. In 1868 a new association was formed called the Cincinnati Academy of Fine Arts, composed of civic leaders interested in promoting the sale of paintings in the city. -
The Red Stockings of 1869 by Joseph S
BOSTON. Published by OLIVER DITSON & C0. 451 Washington St. NEW YORK CHICAGO CINCINNATI SAN FRANCISCO PHILA. C.H.DITSON & CO. LYON&HEALY. DOB MEYER & NEWHALL. McCURRIE.WEBER & CO. J. E.DITSON & CO. 1869 sheet music dedicated to the ladies of Cincinnati The Team that Couldn't Be Beat: The Red Stockings of 1869 by Joseph S. Stern, Jr. hen the umpire's traditional cry of "play ball" opens the 1969 season Wat Crosley Field, it will mark the one hundredth anniversary of the nation's first professional baseball team: the Cincinnati Reds, successors to the remarkable Red Stockings. Never in the history of the game has there been another season like that first one for the Red Stockings. In 1869, their initial year as a professional team, they took on all comers, semi-professional and amateur, from coast to coast, emerging undefeated in every one of their sixty-nine games. This in- credible record focused national attention on the emerging spectator sport of professional baseball, and bestowed fame on the Red Stockings as well as on their hometown of Cincinnati. When the Red Stockings finally lost their first game (on a fluke play) in 1870, the tension that had steadily built up over two years of undefeated competition was justifiably relieved. But with this first defeat the heart also went out of the ball club. The holy crusade was over; something had snapped; the team actually disbanded at the end of the 1870 season. But it left profes- sional baseball firmly established on the national scene—and this, rather than its extraordinary debut, was the most significant contribution of the immortal Red Stockings.