DOCSLIB.ORG

Rhaglen Y Gynhadledd Conference Programme

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rhaglen Y Gynhadledd Conference Programme RHAGLEN Y GYNHADLEDD CONFERENCE PROGRAMME LLYFRGELL GENEDLAETHOL CYMRU NATIONAL LIBRARY OF WALES ABERYSTWYTH 14–16/09/2015 Mewn cydweithrediad â / In collaboration with: Cyfnewidfa Lên Cymru / Wales Literature Exchange ac / and Amgueddfa Ceredigion Museum Prif ddarlith / Keynote: Yr Athro / Professor Michael Cronin (Dublin City University) Cyfweliad: Yr awdur Basgaidd Kirmen Uribe mewn sgwrs gyda Ned Thomas Interview: Basque writer Kirmen Uribe in conversation with Ned Thomas Rhwydwaith / Network: LLGCWPA Cyfrinair WiFi Password: pFvdE2kDX Hashnod trydar / twitter Hashtag: #MinTrav Amgueddfa Ceredigion Museum Terrace Rd, Aberystwyth, Dyfed SY23 2AQ Conference Dinner Pier Brasserie The Royal Pier, Marine Terrace, Aberystwyth SY23 2AZ. Ffôn / Tel: 01970 636123 Dydd Llun, 14 Medi 2015 Monday, 14 September 2015 11.00 Cofrestru o flaen y DRWM, Llyfrgell Genedlaethol Cymru Registration in front of the DRWM, National Library of Wales 12.30 Cinio / Lunch 13.40 DRWM – Croeso / Welcome Address 14.00 DRWM – Panel 1a: Belgian Refugees in Wales John Alban: ‘Belgian Refugees and Swansea’s Belgian Community’ Caterina Verdickt: ‘Belgian artists finding refuge in Wales during the Great War’ Rhian Davies: ‘Soir héroïque: Belgian refugee musicians in Wales’ Ystafell y Cyngor / Council Chamber – Panel 1b: Women Travellers Alison Martin: ‘A Welsh "Assembly": Compilation and Adaptation in Priscilla Wakefield's Family Tour (1804)’ Kathryn Walchester: ‘The Picturesque and the Beastly; Wales in the journals of Lady’s Companions Eliza and Millicent Bant (1806, 1808)’ Silvia Pelicier-Ortín: ‘A Minority in Search of Identity: Travel Writing and the Representation of British-Jewish Women in Linda Grant’s The Cast Iron Shore and When I Lived in Modern Times’ 15.30 Te/ Tea Break 16.00 DRWM – Panel 2a: Iberian Travellers David Miranda-Barreiro: ‘“Everything Stays the Same”: Julio Camba Travelling Spain’ Bárbara Álvarez Fernández: ‘Everything but the squeal: A portrait of present day Galicia’ Enrique Santos Unamuno: ‘Galician National Identity and Extraterritoriality in Diarios dun nómada (1993) by Xavier Queipo: a Geoliterary and Cartographic Approach’ Ystafell y Cyngor / Council Chamber – Panel 2b: Literary Travellers Ruth Oldman: ‘The Chivalrous Nation: Travel and Ideological Exchange in Sir Gawain and the Green Knight’ Amy L. Klemm: ‘Traversing Across Imagined Lands: Magic Realism and “Minority” Culture’ Marija Bergam: ‘“A language of wet stones and mists”: A Caribbean Poet as Traveller through England and Wales’ 17.30 Swper / Dinner 19.00 DRWM Sgwrs rhwng Kirmen Uribe a Ned Thomas A Talk with Kirmen Uribe and Ned Thomas Dydd Mawrth, 15 Medi 2015 Tuesday, 15 September 2015 10.00 DRWM – Panel 3: Involuntary Travellers Gabor Gelleri: ‘Exile meets minority: chevalier La Tocnaye’s “promenades”’ Arddun Arwyn: ‘German Prisoners of War in Wales’ 11.00 Coffi / Coffee Break 11.30 DRWM – Panel 4a: Western Travellers Eimear Kennedy: ‘Complex Encounters: Irish-language travel writers and the cultural “other”’ Julie Watt: ‘Highlanders in West Africa’ Diana Luft: ‘Identity? Politics: William Griffith’s African Adventure’ Ystafell y Cyngor / Council Chamber – Panel 4b: Minorities of the Imaginary Jessica Reid: ‘“Folk” celebration? Thomas St. Serfe’s “The Prince of Tartaria, his Voyage to Cowper in Fife”’ Christopher McMillan: ‘A Discription, A journey and a Prophecy: Scottophobia in English Literature, 1626-1763’ Lorna McBean: ‘White Man Writing: Language of Colonisation in the writings of William Lithgow (1582-1645)’ 13.00 Cinio / Lunch 14.00 DRWM – Panel 5a: Purposeful Travellers Marion Löffler: ‘German Scholars in Wales, c.1840–c.1880: Friedrich Carl Meyer’ Adam N. Coward: ‘Rambles and Studies of the United States Consul in south Wales’ Ystafell y Cyngor / Council Chamber – Panel 5b: Travellers and Commodities Gwyn Griffiths: ‘Yr Ymwelwydd Tymhorol o Lydaw’ Anna-Lou Dijkstra: “‘Guidebook Gazes”: Wales Through Dutch, German and French Eyes, 1990-2010’ Melinda Szarvas: ‘Immobile travel: The “postcard-literature” in Yugoslavia’ 15.30 Te / Tea Break 16.00 DRWM – Prif Ddarlith / Keynote Lecture: Michael Cronin ‘Minority Reports: Travel, Language and the Politics of Microspection’ 19.30 Cinio’r Gynhadledd / Conference Dinner: Pier Brasserie Dydd Mercher, 16 Medi 2015 Wednesday, 16 September 2015 9.30 Amgueddfa Ceredigion Museum Arddangosfa ‘EwrOlwg: Cymru drwy Lygaid Ymwelwyr o Ewrop, 1750–2015’ Exhibition ‘EuroVisions: Wales through the Eyes of European Visitors, 1750–2015’ 10.00 Panel 6: Travellers and Material Culture Robert Lewis: ‘Welsh Language and Bilingual Provision in Tourism in Wales’ Jacqui Ansell: ‘Difference and Decorum: Addressing Dress in Published Travelogues’ 11.00 Dychwelyd i Lyfrgell Genedlaethol Cymru / Return to the National Library of Wales 12.00 DRWM Panel 7: Curious Travellers Elizabeth Edwards: ‘“[B]leak and desolate as anything I have seen in Scotland”: Mary Brunton on the home tour’ Mary-Ann Constantine: ‘“To find out all its beauties, a man must travel on foot”: Catherine Hutton’s explorations of Wales’ 13.00 Casgliadau / Closing Remarks Dydd Llun, 14 Medi 2015 Monday, 14 September 2015 11.00 Cofrestru yng Nghyntedd Llyfrgell Genedlaethol Cymru Registration in the Foyer of the National Library of Wales 12.30 Cinio / Lunch 13.40 DRWM – Croeso / Welcome Address 14.00 DRWM Ystafell y Cyngor / Council Chamber Panel 1a: Panel 1b: Belgian Refugees in Wales Women Travellers Panel 1a: Belgian Refugees in Wales Cadair / Chair: Robert Evans Belgian Refugees and Swansea’s Belgian Community Following the outbreak of the Great War, Great Britain received the largest influx of refugees in its history, as over 250,000 Belgians arrived, having fled from the advance of the German army across their homeland. It was an exodus which has been described as ‘a migration phenomenon without previous precedent in the modern history of Europe outside the Balkan peninsula’. The arriving refugees were dispersed across the whole of the United Kingdom, including many parts of Wales. Relief for them was coordinated by the central War Refugees Committee in London, but was actually delivered by local committees, of which there were over 2,500 across the country. Some 700 of these Belgian refugees came to Swansea, mainly in 1914 and 1915, where they united with a large, pre-existing Belgian community, mainly composed of the families of metal-workers, the first of whom had arrived in the town in the late 1840s, when they had brought their expertise, gained in the zinc works of Belgium, to help develop Swansea’s own newly-established spelter industry. The welcome and support which the Belgian refugees received in Swansea were generally very positive, especially when compared with the sometimes adverse experiences of refugees in other parts of the United Kingdom. The energies and dedication of Swansea Corporation – and especially of the Swansea Belgian Refugee Committee – made a large contribution to this success, but, as a visiting Belgian minister pointed out in 1916, the people of Swansea themselves also played their own vital part in ensuring that these less fortunate souls received a good welcome. As a consequence, links between Swansea and Belgium were maintained post-war and were re-affirmed during the Second World War, when an even larger contingent of Belgian refugees returned to the town. John Alban University of East Anglia Belgian artists finding refuge in Wales during the Great War The outbreak of the war in August 1914 brought an enormous influx of Belgian refugees on the move. Hundreds of thousands Belgians arrived in Britain, among them hundreds of architects and artists. The Belgians were warmly welcomed since Britain felt partly responsible for the agony of the Belgian population. In the UK the Belgians were housed, cared for and employed. The British cultural society offered many opportunities for the exiles, not only the people themselves were cared for, also the reconstruction of Belgium has been prepared and researched by many British and Belgian architects. A conference for this purpose only was held in 1915 in order to prepare the rebuilding of Belgium. Apart from this urbanization aspect many artists and architects stayed in Britain during the war and interacted with society. One must realize that because of the scattering events of the war a logical well conducted cultural policy is lacking, although the situation was very different in Wales. Yet, these refugees came aboard in Britain and were dispatched all over the country. Some thrived, some merely survived. In the many documents, archives, personal letters and artefacts significant cases can be found, and these cases can be used to illustrate the larger mechanisms and schemes of an exiled artistic community. This paper however will focus on the effects of this migration on the Belgian artists who were involved in interior architecture. An interesting example is the one of Valerius de Sadeleer and his daughter Elisabeth who by invitation of the Davies sisters of Aberystwyth made Rhydyfelin their home for several years during the Great War. When they returned to Belgium in 1922 they named, as a token of recognition, their new home in Tiegem ‘Tynlon’ after their Welsh home. More important Elisabeth and her father worked in the new Arts and Crafts centre in Aberystwyth. They were commissioned to do so by the Davies sisters, who were very keen on injecting Aberystwyth’s cultural life with renowned continental artists. Elisabeth trained in tapestry weaving in the William Morris tradition. When back in Belgium her tapestry firm grew to be one of the most important in the country in the inter-war period. Caterina Verdickt Antwerp University Soir héroïque: Belgian refugee musicians in Wales In October 1914, Gwendoline and Margaret Davies – heiress grand-daughters of the nineteenth-century industrialist David Davies, Llandinam – assisted a select group of Belgian refugees to settle in Powys and Ceredigion with the aim of raising cultural standards in Wales. A major retrospective exhibition of artworks produced during their time here by Valerius De Saedeleer, George Minne, Edgar Gevaert and Gustave van de Woestijne was held at National Museum Cardiff and the Museum of Fine Arts in Ghent in 2002.
Load more

Recommended publications
  • Belgian Refugees, Prisoners-Of-War, Enemy Aliens and War Casualties
    ¿ .ö . I p National University of Ireland Maynooth THE IRISH HOME FRONT 1914-18 WITH PARTICULAR REFERENCE TO THE TREATMENT OF BELGIAN REFUGEES, PRISONERS-OF-WAR, ENEMY ALIENS AND WAR CASUALTIES. by CLARE O’NEILL THESIS FOR THE DEGREE OF PH.D. DEPARTMENT OF HISTORY NATIONAL UNIVERSITY OF IRELAND MAYNOOTH Supervisor of Research: Dr Filipe Meneses October 2006 Contents Contents i Acknowledgements iii Abbreviations iv Introduction 1 Memory and remembrance 7 Wartime mobilisation 16 Purpose of the thesis and methodology 18 Chapter 1 - Ireland at the outbreak of war 24 Ireland within the Union 24 Home Rule 25 An Irish refugees support committee 30 Europe erupts 32 Local Government Board 35 Legislating for aliens 37 Laws concerning war wounded and prisoners of war 46 Chapter 2 - Belgian Refugees 52 The formation of the Belgian Refugees Committee in London 54 Belgian Refugees Committee in Ireland 57 The role of the Local Government Board 67 Michel Schepers - The director of Dunshaughlin colony 72 Education and the churches’ response 74 Belgian customs 79 Taking advantage of refugees 80 Recruitment 81 Reasons for supporting Belgian refugees 82 Refugees as Propaganda 83 Chapter 3 Captivity - ‘a side-show story’ 87 Self mobilisation - humanitarian support for aliens 91 Legislation 92 Detention of enemy aliens 94 Military prisoners 103 Departure from Templemore 106 Treatment of aliens 107 Self-interest 109 Case study 1 - Harry Premperl 110 Case Study 2 - Frederick Vogelsang 111 Chapter 4 - War Wounded 115 Transporting the wounded 132 Funding volunteer
    [Show full text]
  • Agatha Christie
    book & film club: Agatha Christie Discussion Questions & Activities Discussion Questions 1 For her first novel,The Mysterious Affair at Styles, Agatha Christie wanted her detective to be “someone who hadn’t been used before.” Thus, the fastidious retired policeman Hercule Poirot was born—a fish-out-of-water, inspired by Belgian refugees she encountered during World War I in the seaside town of Torquay, where she grew up. When a later Poirot mystery, The Murder of Roger Ackroyd, was adapted into a stage play, Christie was unhappy that the role of Dr. Sheppard’s spinster sister had been rewritten for a much younger actress. So she created elderly amateur detective Jane Marple to show English village life through the eyes of an “old maid”—an often overlooked and patronized character. How are Miss Marple and Monsieur Poirot different from “classic” crime solvers such as police officials or hard-boiled private eyes? How do their personalities help them to be more effective than the local authorities? Which modern fictional sleuths, in literature, film, and television, seem to be inspired by Christie’s creations? 2 Miss Marple and Poirot crossed paths only once—in a not-so-classic 1965 British film adaptation of The ABC Murders called The Alphabet Murders (played, respectively, by Margaret Rutherford and Tony Randall). In her autobiography, Christie writes that her readers often suggested that she should have her two iconic sleuths meet. “But why should they?” she countered. “I am sure they would not enjoy it at all.” Imagine a new scenario in which the shrewd amateur and the egotistical professional might join forces.
    [Show full text]
  • Belgian Refugees; Worthing's
    West Sussex & the Great War Project www.westsussexpast.org.uk Belgian Refugees; Worthing’s “Guests” Image from Worthing Gazette 28 October 1914 p6 cols de by Angela Levy © Angela Levy and West Sussex County Council 1 West Sussex & the Great War Project www.westsussexpast.org.uk Belgian Refugees; Worthing’s “Guests” Germany had been hatching plans to invade France for a long time before the First World War. There was the Schlieffen Plan when Count Alfred von Schlieffen was German Chief of Staff in 1891 and when Helmuth von Moltke succeeded him in 1906 he pursued the same objective. The small, neutral country of Belgium, sandwiched between France and Germany, stood in the way. Because of Belgium’s position at the centre of the continent, when her neighbours quarrelled, as they frequently had over the centuries, she inevitably suffered and was known as “the battleground of Europe”. 1 In 1914, Belgium had a population of about 7.5 million people and was affluent. Her economy was based on trade and industry for she had good iron and coal resources and an efficient railway system. Germany demanded free passage through Belgium across the plains of Flanders in order to attack France swiftly before her ally, Russia, had time to mobilise. Belgium refused permission. The Belgian Government was “firmly resolved to repel, by all the means in their power, every attack upon their rights”.2 The Belgian King, Albert I, famously said, “Belgium is a nation, not a road!” 3 Nevertheless, on 2 August 1914 the German Army marched into Luxembourg and crossed into Belgium on the morning of 4 August.
    [Show full text]
  • Closer Roomcard-Hodgkins.Indd
    “May Peace soon allow our guests in St Ives to return home; but since Fate has decreed that they celebrate this important holiday abroad, may the sympathy of us all here surround them and be a consolation in their ordeal and a source of comfort in their moments of sadness!” —Martin Cock, editor of the St Ives Times, off ers the Belgian Colony in St Ives his best wishes for Christmas “ February, . My dearest Mother … Tomorrow is the day the German blockade of England commences. The British fl esh doesn’t creep very easily—but I fancy people are uneasy and anxious … You can imagine it’s not easy to paint in the circumstances. And yet I am—I drive myself to it but the feeling of insecurity weighs one down with depression & dark doubts. … I fi nd I am too modern for people down here & I am conscious of the cold eye of distrust and disapproval by the older members of St Ives.” —Frances Hodgkins, February After the war ended in November , Frances Hodgkins moved to London Take a closer look at and eventually back to the south of France. She gave up her studio in St Ives, telling her mother that she was burning her boats and defi nitely turning her Frances Hodgkins’s back on the place. It’s wonderful what one lives through, she said. One of Hodgkins’s fi rst oil paintings, Unshatterable was exhibited in London Unshatterable in , and bought by her friend the painter Cedric Morris who sold it to Dr Rodney Wilson, director of the Robert McDougall Art Gallery in Christchurch, in .
    [Show full text]
  • Easier Project WWI and Folkestone
    Easier Project WWI and Folkestone Picture courtesy of Step Short Picture displaying troops walking down The Slope Road (now known as The Road of Remembrance). The troops are heading to the harbour. Booklet prepared by pupils from Pent Valley with assistance from Kent in WW1 Folkestone Harbour Point A on the route Picture courtesy of JC Carlile Folkestone 1914-1919 On the 20th August 1914 the first wave of Belgian refugees arrived in Folkestone. By Sep- tember 5th 1914, over 18,000 refugees had arrived in Britain through Folkestone. In this pe- riod there were only 35,000 people living in Folkestone. A Folkestone War Refugees Com- mittee was quickly formed in the town and a Belgian Relief Fund was created by local news- papers around the country. Each refugee was given a medical examination by a doctor be- fore they left Folkestone Harbour and were sent around England. Activity 1. How many refugees arrived in Folkestone? 2. The picture below shows the pier where the boats dropped off some of the Belgian refugees. Draw where you think this happened Folkestone Harbour Station Point B on route This train station was the last many British soldiers would visit. Soldiers travelled from all around Britain to places like Folkestone so they could catch a boat across the Channel to fight in the war. Over 10 million landings and embarkations took place from the harbour, with men going and returning from leave. Free refresh- ments were served for the troops at the Mole Cafe on A picture of the train station the harbour arm by the Jeffrey sisters and their helpers.
    [Show full text]
  • ST-RAPHAELS-WAR-MEMORIAL.Pdf
    BEHIND THE NAMES. THE MEMORIAL TO THE PARISH DEAD OF THE GREAT WAR, 1914-1919, AT ST. RAPHAEL’S ROMAN CATHOLIC CHURCH, KINGSTON UPON THAMES DAVID A. KENNEDY, PhD 25 June 2019 ABSTRACT The War Memorial at St. Raphael’s Roman Catholic Church, Kingston upon Thames KT1 2NA, was installed in 1921, probably at the expense of the church’s owner, Captain, The Honourable George Savile. It lists the names of 50 parishioners; 47 men and three women. An attempt was made to compile biographical notes for each person from computerised databases and other sources. A best match was sought for each name, i.e., someone who, on a balance of probabilities in the light of the accumulated evidence, was most likely to be a person behind a name on the memorial. Most of the men served in the British forces and thirteen appeared to be Belgian citizens who probably were known to parishioners who were Belgian refugees. A British woman was killed during a German air-raid on London by shrapnel from an anti-aircraft gun. Two French sisters, assumed to be known to an existing parishioner, were killed in a church during a German long-range bombardment of Paris. One man did not die in the Great War and the name of a brother appeared to have been substituted for a sailor who died in the War. One soldier, stationed in England, was murdered by a comrade of unsound mind. In the time available, it was impossible to compile biographical notes for most of the Belgians and some of the British names, because of lack of information.
    [Show full text]
  • The Davies Family and Belgian Refugee Artists & Musicians in Wales
    The Davies family and Belgian refugee artists & musicians in Wales [Cylchgrawn Llyfrgell Genedlaethol Cymru / National Library of Wales Journal Rhifyn Cyf. 22, rh. 2 (Gaeaf 1981), p. 226-233.] http://welshjournals.llgc.org.uk/browse/viewpage/llgc-id:1277425/llgc-id:1286537/llgc- id:1286637/getText THE Davies family of Llandinam owed their wealth to David Davies who had made a vast fortune with coal and railway interests in the 19th Century. The grandchildren, David Davies (later the first Lord Davies), Gwendoline and Margaret Davies all developed strong philanthropic interests and a desire to use their money for the benefit of Wales. In September 1914 the Davies family decided to invite Belgian refugee artists and musicians to settle in Mid-Wales. I hope to demonstrate how this encouragement and financial support was seen not just as a form of patronage towards Belgian artists but as a means of furthering their family's hopes of a cultural renewal in Wales. In early October 1914 Gwendoline Davies wrote: 'My sister and I together with Professor Tom Jones went to Alexandra Palace the week before last in search for refugees. Our original intention was to get people of the artisan or trades people class but we found that the Roman Catholics are most vigilant and are preventing these people as far as possible from being taken into Protestant homes.'1 They had heard that many Belgians of the educated classes were also stranded and it was arranged that a party should go over to Belgium to make contact directly. The arrival of the Belgians in Aberystwyth was announced in the local papers on October 7th 1914.
    [Show full text]
  • The Odd Case of the Welcome Refugee in Wartime Britain: Uneasy Numbers, Disappearing Acts and Forgetfulness Regarding Belgian Refugees in the First World War
    The odd case of the welcome refugee in wartime Britain: uneasy numbers, disappearing acts and forgetfulness regarding Belgian refugees in the First World War This is the final draft as it was sent to the editors. A process of peer review had preceded this stage. The final publication has had some copy-editing and is available from https://closeencountersinwar.org/issue-n-2-2019-close-encounters-displacement-and-war/. Many thanks again to Gianluca and Simona and the editorial board. Author details Christophe Declercq, Lecturer at KU Leuven, Belgium / Senior lecturer at University College London, [email protected] / [email protected] @chrisdec71 belgianrefugees Biography Christophe Declercq, whose great-grandfather fled to the UK first in 1914 and to the Netherlands next, obtained his PhD from Imperial College London on the subject of Belgian refugees in Britain during the First World War. He has spoken widely about the subject and has been involved in many commemoration and Centenary projects, both in the UK and in Belgium, including several local community projects (Vredescentrum Antwerpen, Amsab-ISG Ghent, Flanders House London, Wales for Peace, Twickenham, Royal Tunbridge Wells and Tracing the Belgian Refugees). Together with Julian Walker he edited two volumes on Languages and the First World War (Palgrave). With Felicity Rash he edited another book for the same publisher, Beyond Flanders Fields. With Federico Federici he edited Intercultural Crisis Communication for Bloomsbury. Christophe manages several successful social media outlets on the subject of Belgian refugees in Britain as well as on Languages and the First World War. He has had multiple involvements with both BBC and VRT on Belgians in Britain.
    [Show full text]
  • War Trauma Among Belgian Refugee Women in Scotland in the First World War
    War Trauma among Belgian Refugee Women in Scotland in the First World War Caroline Verdier, University of Strathclyde Jacqueline Jenkinson, University of Stirling Introduction This study provides an original and pioneering analysis of civilian war trauma by focusing on evidence of the trauma experienced by a cohort among the 19,000 Belgian refugees living in Scotland. The Scottish settlement represented around 8 per cent of the 240,000 civilian Belgian refugees who had fled to Britain during the First World War.1 This research sheds fresh light on historical debates about human security in the First World War, understandings of war trauma, gender issues in war and family life on the home front. To set up these themes this introduction discusses in brief key relevant secondary literature on the topics of displaced Belgian civilians, war trauma and gender, and wartime atrocities. There is limited historiographical coverage of civilian war trauma. Proctor discusses this topic in generalised terms in her broad study of transnational civilian experiences in the war as she addresses the question of what it meant to be a civilian in the First World War.2 Poynter has looked at trauma suffered by female civilian nurses at the front as part of her thesis which uses nurses’ pension and medical tribunal records to challenge the view that ‘shell shock’ was a purely masculine affliction.3 Grayzel has considered trauma experienced by civilians in air raids as part of her study of both World Wars which sets an ‘equivalency between soldiers and civilians and between home front and front line’.4 The limited references to civilian trauma in broader works are far outweighed by studies of war neurosis This is a peer-reviewed, accepted author manuscript of the following article: War Trauma among Belgian Refugee Women in Scotland in the First World War.
    [Show full text]
  • BELGIAN REFUGEES in CUMBRIA During World War 1
    BELGIAN REFUGEES IN CUMBRIA during World War 1 West Cumbria The first mention of the Belgian Relief Effort in the Whitehaven News is a fund raising dance at Ravenglass Village Hall on 5th November, followed the next day by a Ball at Captain Shaw’s School, Bootle. At Workington Hippodrome there was a sacred dance on 18th October in aid of the general relief effort On 22nd October we learn that there is a refugee family at Rothay Manor Ambleside- Joseph Burseniers (a master builder), his wife Louise, and son Marcel Abta with his wife of 3 months-Juliette, who had arrived via the Ostend to Folkestone boat. In Whitehaven the first practical mention is on 22nd October 1914 when there was an appeal to provide Furniture, Bedding and Kitchen Utensils etc to furnish the old Bank of Whitehaven building in Coates Lane as accommodation for around 3 dozen refugees. This was co-ordinated by the Whitehaven Distress and Relief Committee, who also appealed for money for the around £500 per year estimated costs to maintain these facilities. (There had been an earlier letter on 24th August asking for national donations, from a John William Young of Trafalgar Villa, Bransty quoting the Belgian Consul in Edinburgh who had Germans quartered in his father’s house in Belgium, his 80 year old mother being held as prisoner by the Germans and whose wife and children had had to flee from the invasion). On 29th October there is a very detailed report about the arrival of the first refugees at Whitehaven. The Whitehaven Colliery Company had paid for their train fares from London, and company housing at Kells and was going to provide work for them at Ladysmith Pit.
    [Show full text]
  • Belgian Refugees Came to Britain
    “Our Belgian Guests” - Refugees in Brent, 1914-1919 By M.C. Barrès-Baker This is an extended version of an article published in Local History Magazine (July/August 2007) pp. 14-19. © Brent Archives 2010 Between late August 1914 and May 1915 250,000 Belgian refugees came to Britain. It was the largest influx of political refugees in British history. Today it is almost entirely forgotten. Even social histories of Britain in the First World War barely mention it. Yet in the early part of the war helping Belgian refugees was a significant part of local people‟s contribution to the war effort. This is the story of the Belgian refugees who came to what is now Brent, and of the people who helped them. Apart from general information taken from the Internet and a couple of obscure academic works, all of the sources for this story were found in Brent Archive. Several of the illustrations come from the Museum and Archive collection as well. In 1905 Count Alfred von Schlieffen decided that the way to attack France was to outflank her armies by invading through Belgium. In August 1914, faced with the need to knock France out of the war before Russia could fully mobilise, Schlieffen‟s plan was put into practice. The invasion of neutral Belgium gave Britain a useful moral pretext to enter the war, though her alliance with France and her strategic interests would almost certainly have forced her to take part anyway. The German invasion plan had been calculated assuming an invasion force of German regular soldiers facing minimal Belgian resistance.
    [Show full text]
  • HOW to RESEARCH BELGIAN REFUGEES in BRITAIN DURING the FIRST WORLD WAR a Guidance Booklet from 'Tracing the Belgian Refugees' Belgian Refugee Researcher Profiles
    HOW TO RESEARCH BELGIAN REFUGEES IN BRITAIN DURING THE FIRST WORLD WAR A guidance booklet from 'Tracing the Belgian Refugees' Belgian refugee researcher profiles When you are looking into the history of Belgian refugees in the United Kingdom during the First World War, it is usually for at least one of the following reasons: You are related to someone who spent time in the United Kingdom as a refugee from Belgium in the period 1914-1919. You are related to someone who helped Belgian refugees in the UK during the period 1914-1919 ( accommodation, employment, charity, etc.). You are someone with a strong interest in this particular part of the history of The First World War. Primary sources In researching the past, sources play an important role. Primary sources are from people who have been directly involved (e.g. eyewitnesses). There are no primary spoken resources left alive, and very often important archive material (such as letters or diaries) remains hidden in the family attic and - regrettably - a lot is thrown away when an older relative passes away. In addition to memorial plaques, image sources and official documents from that time, other primary sources include archive material that is still accessible (of which only a small part is available digitally), and newspaper archives. Registers There is no overall list of Belgian refugees who came to the UK. It was only at the end of 1914 that the Belgians were obliged to register. The first months of the war were characterised by a certain degree of mobility between the different host countries (UK, France and the Netherlands) and different registration systems were operating in parallel.
    [Show full text]