Finishing Formulas

Total Page:16

File Type:pdf, Size:1020Kb

Finishing Formulas FINISHING FORMULAS Some woodworkers keep a tight lid on their recipes, but we pour it all out. ome say that finishing can be the stain’s penetration. Because a “ruination of a nicely built these stains depend on soaking Spiece of furniture.” Well, to into the wood to obtain the best build that piece you have to study results, sanding too fine should the different techniques and have be avoided. I hope that’s music access to good plans. Plans and to your ears because most of us procedures are now shared openly complain about sanding. by most woodworkers. But when What’s important is to remove it comes to finishing, some of all imperfections, so while you the best woodworkers slip into don’t need to go past #180 grit, a secret back room and never let you do need to sand effectively to their exact procedures see the gain the upper hand. I use a ran- light of day. dom-orbit sander and begin with How are you supposed to #120 grit, if necessary, and move become a better finisher if you are through the #150 and #180 grits, not shown the techniques and for- followed up by hand sanding with mulas? That’s why we are “blowing #180 grit, making sure to move in the doors off” this little-shared the wood’s grain direction. Also, but highly important aspect of use sandpaper to knock off any woodworking. This article is an sharp edges on the project because all-access pass to the finishing these will show wear first. methods I’ve used for a number of projects from my books and A Homemade Wipe-on magazine articles. Finish for a Clear Topcoat Once the sanding is complete Sand Less Than You Think we can move on. Some projects All finishing starts with the sand- require that you add only a pro- ing, and I think that many of us tective clear topcoat. I have used sand more than necessary. Once the commercial products that you move to a paper that’s finer are available for a wipe-on finish, than #180 grit, you begin to close but I keep returning to my own the wood pores, which will affect mixture. Why? It’s cheap and easy by Glen D. Huey Comments or questions? Contact Glen at 513-531-2690 ext. 1293 or [email protected]. Photo by Al Parrish 70 POPULAR WOODWORKING Month 2007 to make with ingredients from a of the dyes to fading in sunlight. volume low pressure (HVLP) spray the drawer will hinder the sliding hardware store. The alcohol-soluble dye dries system, or spray gun of some type, of the drawer and not allow any My mixture is one-third tur- too fast, leading to the possibil- to apply the dye. HVLP systems naturally occurring patina. Use pentine, one-third spar varnish ity of lapping marks. And the are reasonably priced and will the edge of the dovetails as your (a marine finish) and one-third oil-soluble dyes can cause sev- make your finishing a snap. cut-off point for staining. boiled linseed oil (sometimes eral problems, including choos- You can apply dye with a brush With the stain applied to a abbreviated as BLO). Make sure ing a compatible topcoat as well (in fact you should stain any draw- drawer front, set the first drawer it’s boiled – not raw – linseed oil. as combustion concerns. ers with a brush) but to stain an aside and start staining the next. I mix enough in a batch for about The mixing of the dye is a very entire piece with a brush is more As you set aside the second drawer, 11⁄2 applications to my piece. scientific procedure. Simply mix difficult. If you plan to brush your apply another coat of color to the The turpentine thins the mix- one ounce of powder to four cups finishes I would keep the projects first drawer. This method allows ture, which allows it to seep into of water. Most manufacturers rec- on the small side. the drawer fronts to obtain the wood pores. As the oil/varnish ommend mixing in that ratio, or The staining begins with same depth of color that the case dries, the first coat acts to bridge making the stain twice as strong any drawers in your project. Use will achieve during the process between the pores. Successive by mixing two ounces of stain into a foam brush to apply the stain of spraying. applications then allow the finish the same amount of water. In my in an even coat. Only stain the As for the carcase or any proj- to build. Keep the surface of your experience, there is no reason to drawer fronts. Don’t stain any part ect that has no drawers, spray the work wet for five minutes before mix the stronger solution. of the actual drawer box. Staining dye onto your piece until it drips wiping away any excess. If your tap water is high in and finishing the interior parts of from the project and the piece is After the first coat, you need any one chemical, such as lime, to allow the mixture to thicken use bottled water to reduce any The most effec- before wiping the excess. Look for chances of the chemicals affecting tive way to apply the consistency of honey. Once the stain’s color. But generally, I the stain to a the mixture dries to that consis- use plain tap water. That’s it! drawer front tency, wipe away any excess before Heat the water until it’s sim- without getting it dries completely. Create more mering (you should see small bub- the interior of the mixture as needed for the next bles rising from the bottom of the drawer covered coat. But at this stage add only pan). Place the powder into an is to use a foam brush. equal parts of the varnish and oil, opaque container; I use an empty leave out the turpentine. You don’t orange juice jug to minimize the need to have any soaking into the reaction to sunlight. Then add the grain at this point. water when it reaches tempera- Also, there is no need to ture. Replace the lid tightly and sand the surface between coats shake the mixture. Do this care- provided you have wiped all the fully. Pay attention to the lid. I’ve excess off your work. The beauty had one loosen as I began to shake of this oil/varnish blend is that if – not a pretty sight. Some instruc- you missed wiping an area, you just tions say it’s necessary to strain need to go back and sand that spot the stain prior to use, but I’ve not before applying another coat. It is found that to be necessary. a forgiving topcoat. Apply three Won’t the water-based stain coats to your work to build up the raise the wood’s grain when you finish; a fourth coat will enhance apply it? Yes, the grain of your piece the sheen. will raise – so you need to trick the wood into believing that this has Dying to Add Color already happened before you apply If I need to first color the piece, the solution. Use a water-soaked I use Moser’s aniline dye (avail- sponge or cloth to wet the entire able from woodworker.com). Ani- project, then allow it to dry and line dyes are soluble in water, oil lightly sand with #180 grit, knock- or alcohol. I use water-based dye ing down the raised grain. because it’s easy to mix and to In applying the dye my rule is Any case can be stained with a high-volume low-pressure (HVLP) system. clean up. In addition, the water- to saturate the project. This is why Flood the surface when applying stain. Let the stain soak into the wood in soluble dyes are the most resistant I recommend you purchase a high order to get the best results. popularwoodworking.com 71 totally saturated. You want to see not have any to wipe away, you pooling on the flat surfaces. Once did not saturate the piece! you have given it a good soaking, Now the warning – a fresh, wet let it sit for five minutes and wipe stain looks great. In a few hours, away any excess stain. If you do after the stain has dried com- pletely, you may feel the piece is ruined because of the dull, lacklus- ter appearence. It’s not. My heart SUPPLIES stopped when I first saw this hap- All three of Glen’s books are pen. Worry not – the next coat of available at a discount to finish, be it linseed oil or sealer, members of WoodWorker’s will renew that great look. Book Club (woodworkersbook- Glue stains or spots have a club.com or 386-246-3404), tendency to show up during the from Popular Woodworking Books (fwbookstore.com, click staining. You have two choices to on “woodworking” or 800- fix this problem. First, as you are applying the stain, you can grab A coat of boiled linseed oil is a great way to add depth to your finish. Make 448-0915) or from your local sure it is boiled (not raw) linseed oil. The raw will not dry properly. bookstore. your sandpaper or sander, remove • “Fine Furniture for a Lifetime” the spots immediately and con- (#70533; Popular Woodwork- tinue to stain. But if you didn’t To apply, simply brush the oil manner.
Recommended publications
  • Bulls-Eye® Sealcoat™ Universal Sanding Sealer
    TECHNICAL DATA BEY-07 BULLS-EYE® SEALCOAT™ UNIVERSAL SANDING SEALER .DESCRIPTION AND USES . PRODUCT APPLICATION (cont.) . Zinsser ® Bulls-Eye® SealCoat Universal Sanding Sealer is WARNING! If you scrape, sand or remove old paint, you a 100% de-waxed shellac-based sanding sealer designed may release lead dust. LEAD IS TOXIC. EXPOSURE TO for use as an undercoat to prepare new or previously LEAD DUST CAN CAUSE SERIOUS ILLNESS, SUCH AS finished interior wood surfaces or as a pre-stain sealer and BRAIN DAMAGE, ESPECIALLY IN CHILDREN. wood conditioner. The absence of any wax in SealCoat PREGNANT WOMEN SHOULD ALSO AVOID makes it compatible with all clear finish topcoats including EXPOSURE. Wear a NIOSH-Approved respirator to oil-based polyurethanes. control lead exposure. Clean up carefully with a HEPA vacuum and a wet mop. Before you start, find out how to It is recommended for doors, trim, baseboards, paneling, protect yourself and your family by contacting the National wainscoting, cabinets, shelves, furniture, interior shutters, Lead Information Hotline at 1-800-424-LEAD or log on to floors, stairs and spindles. It may also be used to seal www.epa.gov/lead. wood turnings, figurines, wicker, plaster and other hobby or craft items. It is not recommended for use as a sealer APPLICATION on exterior surfaces. Apply only when air, material, and surface temperatures MPI #88 Certified* are between 50-90ºF (10-32ºC) and the relative humidity is below 85%. Do not thin this product when using as a PERFORMANCE CHARACTERISTICS . sealer or bond/barrier coat. Apply evenly and consistently Compatible with all clear finishes, including oil-based and allow to dry 45 minutes before sanding with #120 or and water-based polyurethane, lacquer and shellac finer grit sandpaper.
    [Show full text]
  • The Maiwa Guide to NATURAL DYES W H at T H Ey a R E a N D H Ow to U S E T H E M
    the maiwa guide to NATURAL DYES WHAT THEY ARE AND HOW TO USE THEM WA L NUT NATURA L I ND IG O MADDER TARA SYM PL O C OS SUMA C SE Q UO I A MAR IG O L D SA FFL OWER B U CK THORN LIVI N G B L UE MYRO B A L AN K AMA L A L A C I ND IG O HENNA H I MA L AYAN RHU B AR B G A LL NUT WE L D P OME G RANATE L O G WOOD EASTERN B RA ZIL WOOD C UT C H C HAMOM IL E ( SA PP ANWOOD ) A LK ANET ON I ON S KI NS OSA G E C HESTNUT C O C H I NEA L Q UE B RA C HO EU P ATOR I UM $1.00 603216 NATURAL DYES WHAT THEY ARE AND HOW TO USE THEM Artisans have added colour to cloth for thousands of years. It is only recently (the first artificial dye was invented in 1857) that the textile industry has turned to synthetic dyes. Today, many craftspeople are rediscovering the joy of achieving colour through the use of renewable, non-toxic, natural sources. Natural dyes are inviting and satisfying to use. Most are familiar substances that will spark creative ideas and widen your view of the world. Try experimenting. Colour can be coaxed from many different sources. Once the cloth or fibre is prepared for dyeing it will soak up the colour, yielding a range of results from deep jew- el-like tones to dusky heathers and pastels.
    [Show full text]
  • Star-K Kosher Certification - Kosher Consumer
    Star-K Kosher Certification - Kosher Consumer back Facts on Wax: Are Vegetable and Fruit Waxes Kosher? Rabbi Dovid Heber, Star-K Kashrus Administrator You may notice at your favorite supermarket the following statement next to the prominent "Summer Fruits from California" banner: "Coated with food grade vegetable, petroleum, and/or shellac-based wax or resin to maintain freshness" on their favorite fruits and vegetables. What are waxes? Are there any Kashrus concerns? Let us examine some of the Kosher facts on wax. Waxes are not a new phenomenon, as they have been used domestically for over 60 years, on a wide variety of fruits and vegetables (see list). Waxes are derived from a variety of sources and are a cross combination of natural and synthetic ingredients. The most common primary wax ingredients are shellac, carnuba wax, or petroleum based wax. Less frequently used and more costly wax bases include beeswax and candelia wax. Shellac or lac resin is a product that is imported from India and is used in waxes for citrus fruits, apples and pears. It is a product that is derived from the secretions of the tiny lac insect. The lac insect secretes "lac-resin" from its glands onto a host tree. The resin is then gathered, crushed, sieved, washed and purified into food grade shellac. Horav Moshe Feinstein, zt'l explains in Igros Moshe Y.D. II 24 that shellac is Kosher. Rav Moshe zt'l discusses several reasons for this conclusion - most important the analogy between shellac - a secretion from a non-Kosher insect, and honey - a secretion from a non-Kosher insect.
    [Show full text]
  • The Moisture-Excluding Effectiveness of Finishes on Wood Surfaces
    United States Department of Agriculture The Moisture- Forest Service Forest Excluding Products Laboratory Research Paper Effectiveness FPL 462 of Finishes on Wood Surfaces William C. Feist James K. Little Jill M. Wennesheimer Abstract Permeability to water vapor is one of the more important properties affecting the performance of coatings and other wood finishes. Often, one of the main purposes of finishing wood is to restrict moisture movement from the surroundings. We evaluated the moisture-excluding effectiveness (MEE) of 91 finishes on ponderosa pine sapwood, using the Forest Products Laboratory method in which finished and unfinished wood specimens in equilibrium with 30 percent relative humidity (RH) at 80 °F are weighed before and after exposure to 90 percent RH at 80 °F. Finishes with the best MEE were pigmented, nonaqueous (solvent-borne) finishes. Two-component epoxy paint systems had MEE values greater than 85 percent after 14 days when three coats were put on the wood. Molten paraffin wax and a sheathing grade, two-component epoxy material with no solvent were the very best finishes found in this study for controlling moisture vapor movement into wood. The MEE is a direct function of the number of coats of finish applied to the wood (film thickness) and the length of time of exposure to a particular humidity. Only 11 finishes were found to retard moisture vapor movement into wood with any degree of success over the relatively short time of 14 days, and then only when two or three coats were applied. These studies include evaluations of MEE by finish type, number of coats, substrate type, sample size, and time of exposure, and describe the effect on MEE of repeated adsorption/desorption cycles.
    [Show full text]
  • Finishing Techniques.Pdf
    Finishing Techniques Al Miotke Sept 8, 2020 Share your ideas Agenda 1. Preparing the surface 2. Types of Finishes 3. Goals of the final finish 4. Pro’s/Con’s of each finish option 5. Filling the grain 6. Finish the finish 7. Applying a Gloss finish Good Reference materials Three stages of finishing 1. Surface preparation 2. Selecting and applying the finish 3. Finishing the finish Select the best finish for each piece Surface Preparation 1. Cut as clean as possible. 2. Go thru the grits to at least 320 or 400. • Depends on type of wood and finish you plan to apply and sheen you want. 3. Sand with the grain with last grit. 4. Don’t overheat the wood. Keep speed low. 5. Don’t over sand especially on soft or open grain woods. What are the common Finishes? 1) Oil • Natural product extracted from walnut, linseed, Tung, soy bean, etc. • Polymerized oil is heated to about 500 degrees in absence of oxygen, dryers sometimes added. Goal is to dry faster • Provided a natural looking finish but limited protection 2) Shellac • Shellac is a resin secreted by the female lac bug on trees in the forests of India and Thailand. • Friction Polish – Shellac, Alcohol, Boiled Linseed Oil, Beeswax optional 3) Varnish • Synthetic product made by cooking a drying oil and add resin like urethane or Alkalyd. • Wiping Varnish – Varnish/thinner blend 4) Lacquer • Nitrocellulose lacquer is mostly solvent-based and comprised of plant-based substances like cotton, mixed nitric and sulfuric acids. 5) Wax • Beeswax, carnuba • Provides little protection but adds sheen and maintains natural color • Used as both a finish and a polish.
    [Show full text]
  • NATURAL SPIRIT VARNISH RESINS SHELLAC Production
    CHAPTER 5 NATURAL SPIRIT VARNISH RESINS SHELLAC ALTHOUGH shellac is not used in the varnish trade in such large quantities as other natural and synthetic resins it has attracted a considerable amount of interest. Much research and development work has been done. Source.—Lac is the secretion of an insect, Laccifer lacca, which swarms on the twigs of special trees. A comprehensive list of host trees is given by Parry.1 The insects extract sap from the twigs but its constitution and the nature of the process involved for the production of lac are not com- pletely understood. Gibson 2 suggests that if the food for the lac insect could be produced synthetically, the insect could be cultivated under ideal conditions. The greater part of the world's shellac supply comes from India. Assam, Burma, Indo-China and Siam supply smaller quantities. Attempts have been made to produce lac in Abyssinia. Two crops of lac are produced yearly. Climatic influences seem to alter the properties of the lac produced. In the areas west of Calcutta lac has a yellow or orange colour ; in Assam it is pale red, and dark red in Siam.3 Other variations in properties may be due to the type of host tree, the time of the crop and the district, species of lac insect and method of cultivation. Shellac as used by the varnish trade may vary in properties for various reasons, including method of production and time of storage. Production Sticklac.—The incrusted twigs are scraped to remove the lac and this crude product is known as sticklac.
    [Show full text]
  • Application of Lac Dye in Shoe Upper Leather Dyeing
    APPLICATION OF LAC DYE IN SHOE UPPER LEATHER DYEING APPLICATION OF LAC DYE IN SHOE UPPER LEATHER DYEING Amal Kanti DEB1*, Md. Aftab Ali SHAIKH1, Md. Zakir SULTAN2, Md. Israil Hossain RAFI1 1Institute of Leather Engineering and Technology, University of Dhaka, Dhaka-1209, Bangladesh 2Centre for Advanced Research in Sciences (CARS), University of Dhaka, Dhaka-1000, Bangladesh Received: 09.03.2017 Accepted: 25.04.2017 https://doi.org/10.24264/lfj.17.2.4 APPLICATION OF LAC DYE IN SHOE UPPER LEATHER DYEING ABSTRACT. Shoe upper leather samples were dyed with the natural lac dyes (byproduct of shellac and shellac products industry) extracted from washings of the stick lac by conventional methods. The aim of this research is to utilize this dye water and reveal the novel natural recipe for eco-friendly dyeing operation of shoe upper leather processing. The extraction of lac dye was carried out by using water at different temperatures. The lac dye was applied on the leather samples with and without using mordants; and three different mordants (CuSO4, FeSO4, [KAl(SO4)2]) were used following metamordanting method of dyeing. Absorbance and λmax of all dye liquors at different time intervals were determined by UV-visible spectrophotometer. The dyestuffs exhaustion and uptake were investigated and results showed that mordanted dyeing increased the dye uptake on leather than unmordanted dyeing. The FTIR analyses samples were carried out and it was found that lac dye could be mainly composed of -OH, -NH, >C=C<, >C=O, -COOH functional groups. The fastness properties such as fastness to washing, rubbing (dry and wet) and light of prepared leather samples were assessed.
    [Show full text]
  • Chapter 17. the Dissolution of the Matrix and Its Ingredients
    CHAPTER 17 The Dissolution of the Matrix and Its Ingredients Although the matrix is at least as important as paints because of their tendency to react with the toxic, the properties which make certain pigments (1, 8). Yet this very acidity and the matrix ingredients useful for the formulation of resultant solubility in sea water is the principal antifouling paints have often not been recognized. reason for the satisfactory performance of anti- As shown in the previous chapter, some paints fouling paints containing such ingredients. depend l!pon the solubility of a matrix ingredient to maintain an adequate steady-state leaching rate THE COMPOSITION OF ROSIN AND of the toxic. The slowly dissolving matrix eventu- ITS DERIVATIVES ally exposes toxic particles which .lie deep within The use of rosin as a constituent of antifouling the paint film, thus permitting them to dissolve paints was patented in 1867 (3), and since that and exert their toxic effect on the fouling organ- time, because of its availability and cheapness, isms. Thus the toxic and the matrix dissolve its use has been constantly expanded. Its only simultaneously, resulting in a gradual decrease serious competitor has been shellac, another in thickness of the film. Since the toxics commonly acidic resin from natural sources. But shellac used dissolve more rapidly than the matrix ingredi- suffers from the drawback that it must be '.im- ents, the rate of solution of the latter controls ported into the United States, a fact that led the the rate of solution of the entire film. This chapter Navy in 1926 to discontinue its use (1).
    [Show full text]
  • The Extraction of Shellac Is Comparable to the Production of Honey and Can Therefore Be Classified As Permitted
    EHZ-inquiry: Is shellac allowed? The extraction of shellac is comparable to the production of honey and can therefore be classified as permitted. If the product is dissolved with ethanol from halal-compliant sources, but is no longer traceable in the end product (less than 1%), consumption is permitted. Explanation: Shellac is obtained from the excretions of the lac insect (kerria lacca). The lice use the tree as a host and feed on the sap of the trees. The animals prick the tree, ingest the sap and then excrete a resinous substance. The resin serves as protective armor to protect the offspring, because this is where the brood of the lac insects grows. The resin coats the trees and forms the raw material for shellac. Most of the time, the substance is also used with other coatings such as bee resin. Occasionally, shellac can also be dissolved with ethanol. 1. The extraction of shellac is comparable to the production of honey and can therefore be classified as permitted. 2. When the resin is removed, it is possible that some remains of lice may also be picked up. The EHZ classifies this as harmless, as the consumption of insects per se is not classified as prohibited (see declaration 1) for carmine E120. 3. Ethanol, obtained from a source that is clearly to be classified as prohibited (for example from the distillation of drinking alcohol such as wine) is prohibited and therefore its use in flavor production, regardless of the amount, is prohibited. Ethanol from halal-compliant sources (e.g., based on mineral oil) must not exceed 1% in flavor production (according to the Indonesian MUI standard), since flavor is classified as an intermediate product and not as an end product for consumption.
    [Show full text]
  • Non-Wood Forest Products in Asia
    Page 1 of 4 Non -Wood Forest Products in Asia RAPA PUBLICATION 1994/28 REGIONAL OFFICE FOR ASIA AND THE PACIFIC (RAPA) FOOD AND AGRICULTURE ORGANIZATION OF THE UNITED NATIONS BANGKOK 1994 EDITORS Patrick B. Durst Ward Ulrich M. Kashio The designations and the presentation of material in this publication do not imply the expression of any opinion whatsoever on the part of the Food and Agriculture Organization of the United Nations concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The opinions expressed in this publication are those of the authors alone and do not imply any opinion whatsoever on the part of FAO. COVER PHOTO CREDIT: Mr. K. J. Joseph PHOTO CREDITS: Mr. Mohammad Iqbal Sial Mr. A.L. Rao Mr. Urbito Oncleo Mr. Michael Jensen Mr. K. J. Joseph EDITED BY: Mr. Patrick B. Durst Mr. Ward Ulrich Mr. M. Kashio TYPE SETTING AND LAYOUT OF PUBLICATION: Helene Praneet Guna-Tilaka FOR COPIES WRITE TO: FAO Regional Office for Asia and the Pacific 39 Phra Atit Road Bangkok 10200 Page 2 of 4 Table of Contents Foreword Bangladesh Introduction Major NWFPs Collection and processing of NWFPs Economic and social benefits from NWFPs Promoting NWFPs References China Introduction Production and utilization of non-wood forest products Prospects for NWFP development in China India Introduction Status of various categories of non-wood forest products Export of non-wood forest products Organization for collection and processing Employment generation and
    [Show full text]
  • Letter Circular 542: List of Publications Relating to Paint
    if if if * if -**•«# if if if * if if if if if if * -:< if if if «• if if if if * if if if if * if if EFH : JHMc if V~1 Letter if if Circular if if LG 5^2 if •if if if if if U. S. DEPARTMENT OF COMMERCE if if if if NATIONAL BUREAU OF STANDARDS if if if •if WASHINGTON if if if if Jy % if if if •if if if / yb O / if * LIST OF PUBLICATIONS RELATING- TO PAINT, if •if if if if PAINTING, VARNISH , LACQUER, BITUMENS if if if AND allied subjects if if if if if if if if if if if if if if if if if if if January 7 , 1939. if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if if EFH: JHMc U. S. DEPARTMENT OF COMMERCE Letter V-l NATIONAL BUREAU OF STANDARDS Circular "Washington, D.C. LC 5^2 ( Supersedes January 7, 1939. LC 478) LIST OF PUBLICATIONS RELATING TO FAINT, PAINTING, VARNISH, LACQUER, BITUMENS AND ALLIED SUBJECTS C ont ent s p age General information ; 1 Publications from Government Departments 2 Sources of abstracts of original articles 10 Suggested technical journals and trade magazines ... 11 Publications of scientific societies and trade associations 12 Publications of some pigment producers 14 Books classified into groups or subjects 16 GE NERAL I NFORMATI ON This letter circular is intended to be of assistance to persons who write to this Bureau requesting sources of information on some subject relating to paint, varnish and bituminous materials.
    [Show full text]
  • Development of Lipid-Based Coatings for the Quality Maintenance of Fruit and Vegetables Doctor of Philosophy Olabisi Abiola Amud
    DEVELOPMENT OF LIPID-BASED COATINGS FOR THE QUALITY MAINTENANCE OF FRUIT AND VEGETABLES A Thesis submitted to the • University of New South Wales i as fulfilment of the requirement for the degree of DOCTOR OF PHILOSOPHY by OLABISI ABIOLA AMUDIPE B.Tech (Storage Technol.) FUTA, MAppSc (Food Tech.) UNSW The University of New South Wales Sydney NSW 2052 Australia June, 1996 U N S W 13 OCT 1998 -ARY DECLARATION The candidate, Olabisi Abiola Amudipe, hereby declares that none of the work presented in this thesis has been submitted to any other university or institution for higher degree. O. A. Amudipe CERTIFICATE OF ORIGINALITY of Tcom" ,S ^ ^ Wrk and *»< to ,he be , toy ow^o7h^ZthTXZ",en' °f,hiS ,hesis is ,he Product of °n s,y,e- a~ o.z (Signed) ACKNOWLEDGMENT I wish to express my appreciation and gratitude to my supervisors, Dr J.E. Patton and Dr C.M.C. Yuen, for their patient supervision, guidance and understanding during the conduct of this study and their constructive criticism during the preparation of this manuscript. I am also grateful to Mr. K.J. Scott for his valuable advice and assistance during the course of this study. t I wish to thank Mr P. Chy, Dr M. Forbes-Smith and my other colleagues in the Postharvest Section for making the conduct of this study enjoyable. I am grateful to the Commonwealth Government of Australia for the financial support, The Australian Centre for Industrial and Agricultural Research for the funding of the project and The Federal University of Technology, Akure-Nigeria for granting me a study leave.
    [Show full text]