Robert Graham CV

Total Page:16

File Type:pdf, Size:1020Kb

Robert Graham CV ROBERT GRAHAM BORN August 19, 1938 Mexico City, Mexico DIED December 27, 2008 Venice, California EDUCATION 1963-1964 San Francisco Art Institute 1961-1963 San Jose State College SELECTED SOLO EXHIBITIONS 2008 Ace Gallery, Beverly Hills, CA 2007 Fisher Gallery, University of Southern California 2006 Imago Galleries, Palm Desert, CA Tremaine Gallery at the Hotchkiss School, Lakeville, CT 2005 Ace Gallery, Beverly Hills, CA Imago Galleries, Palm Desert, CA 2004 Riva Yares Gallery, Santa Fe, NM 2003 Imago Galleries, Palm Desert, CA 2001 Earl McGrath Gallery, New York City, NY 1999 Contemporary Art Institute, Sapporo, Japan City of Iwamizawa, Hokkaido, Japan Kemper Museum of Art, Kansas City, MO Frederick Spratt Gallery, San Jose, CA 1998 Larry Evans/James Willis Gallery, with Frederick Spratt Gallery, San Francisco, CA Riva Yares Gallery, Santa Fe, NM Peter Blake Gallery, Laguna Beach, CA Riva Yares Gallery, Scottsdale, AZ 1997 Museo del Palacio de Bellas Artes, Mexico City, Mexico Galeria OMR, Mexico City, Mexico 1996 Gagosian Gallery, New York City, New York Larry Evans/James Willis Gallery, with Frederick Spratt Gallery, San Francisco, CA Remba Gallery, West Hollywood, CA Fahey/Klein Gallery, Los Angeles, CA 1995 Chac-Mool Gallery, Los Angeles, CA Mikimoto Gallery, Tokyo, Japan 1994 Frederick Spratt Gallery, San Jose, CA San Jose Museum of Art, San Jose, CA Gagosian Gallery, New York City, NY 1993 Building Arts Gallery, Venice, CA FIAC’93, Galerie Neuendorf, Grand-Palais, Paris, France 1992 Robert Miller Gallery, New York City, NY 300 Crescent Court, Suite 100 Dallas, Texas 75201 bivinsgallery.com 214.272.2795 [email protected] 48 Market Street Gallery, Venice, CA 1991 John Berggruen Gallery, San Francisco, CA 1990 Mixografia Gallery, Los Angeles, CA Robert Miller Gallery, New York City, NY Galerie Neuendorf, Frankfurt, Germany Galerie Fahnenmann, Berlin, Germany Earl McGrath Gallery, Los Angeles, CA 48 Market Street Gallery, Venice, CA 1989 Robert Miller Gallery, New York City, NY 1988 Los Angeles County Museum of Art, Los Angeles, CA 1985 48 Market Street Gallery, Fragments Exhibition, Venice, CA 1984 Gemini G.E.L., Los Angeles, CA ARCO Center for Visual Arts, Los Angeles, CA 1982 Norton Gallery and School of Art, West Palm Beach, FL Museum of Fine Arts, Houston, TX Joslyn Art Center, Omaha, NE Des Moines Art Center, Des Moines IO San Francisco Museum of Modern Art, San Francisco, CA Robert Miller Gallery, New York City, NY 1981 Los Angeles County Museum of Art, Los Angeles, CA Dorothy Rosenthal Gallery, Chicago, IL School of Visual Arts, New York City, NY Walker Art Center, Minneapolis, MN 1980 Dorothy Rosenthal Gallery, Chicago, IL 1979 Galeries Neuendorf, Hamburg, Germany Robert Miller Gallery, New York City, NY Dag Hammarskjold Plaza, New York City, NY 1978 Los Angeles County Museum of Art, Los Angeles, CA Robert Miller Gallery, New York City, NY Dorothy Rosenthal Gallery, Chicago, IL 1977 Robert Miller Gallery, New York City, NY Nicholas Wilder Gallery, Los Angeles, CA John Stoller Gallery, Minneapolis, MN Dorothy Rosenthal Gallery, Chicago, IL 1976 Greenberg Gallery, St. Louis, MO Galerie Neuendorf, Hamburg/Cologne, Germany Gimpel Fils, London, England 1975 Dorothy Rosenthal Gallery, Chicago, IL Felicity Samuel Gallery, London, England Gimpel & Hanover Galerie, Zurich, Switzerland Gimpel & Hanover Galerie, Basel Art Fair Nicholas Wilder Gallery, Los Angeles, CA 1974 Felicity Samuel Gallery, London, England Galerie Zwirner, Cologne, Germany Galerie Neuendorf, Hamburg/Cologne, Germany Gimpel & Hanover Galerie, Zurich, Switzerland Nicholas Wilder Gallery, Los Angeles, CA Texas Gallery, Houston, TX 300 Crescent Court, Suite 100 Dallas, Texas 75201 bivinsgallery.com 214.272.2795 [email protected] 1972 Dallas Museum of Fine Arts, Dallas, TX Galerie Herbert Meyer-Ellinger, Frankfurt, Germany Courtney Sale Gallery, Dallas, TX 1971 Kunstverein, Hamburg, Germany Sonnabend Gallery, New York City, NY 1970 Galerie Mollenhoff, Cologne, Germany Galerie Neuendorf, Hamburg/Cologne, Germany Galerie Rene Block, Berlin, Germany Whitechapel Gallery, London, England 1969 Kornblee Gallery, New York City, NY Nicholas Wilder Gallery, Los Angeles, CA 1968 Galerie Neuendorf, Hamburg/Cologne, Germany Galerie Zwirner, Cologne, Germany Kornblee Gallery, New York City, NY 1967 Galerie Thelen, Essen, Germany Nicholas Wilder Gallery, Los Angeles, CA 1966 Nicholas Wilder Gallery, Los Angeles, CA 1964 Lanyon Gallery, Palo Alto, CA CIVIC MONUMENTS 2002 The Great Bronze Doors, the Cathedral of Our Lady of the Angels, Los Angeles, CA 2001 “Prologue,” addition to the Franklin D. Roosevelt Memorial, Washington, D.C. 1999 Charlie “Bird” Parker Memorial, Kansas City, MO 1997 Duke Ellington Monument, New York City, New York Franklin D. Roosevelt Memorial, Washington, D.C. 1994 Plumed Serpent, City of San Jose, CA 1986 Joe Louis Memorial, Detroit, MI 1984 Olympic Gateway, Los Angeles Memorial Coliseum, Los Angeles, CA PUBLIC COMMISSIONS 2007 Basilica of Notre Dame University, Notre Dame, IN 2006 School of Architecture, University of Southern California, CA 2003 Rodeo Drive, City of Beverly Hills, Beverly Hills, CA 1991 First Interstate World Center, Los Angeles, CA 1987 United States Courthouse/Federal Building, San Jose, CA 1985 Kentucky Derby Festival, Louisville, KY 1984 72 Market St. Restaurant, Venice, CA 1983 Federal Reserve Bank, San Fracisco, CA City of Los Angeles, CA 1981 Los Angeles County Museum of Art, Los Angeles, CA 1980 Michael’s Restaurant, Santa Monica, CA 1978 Wright-Runsted Buiding, Seattle, WA UCLA Murphy Sculpture Garden, Los Angeles, CA ARCHITECTURAL PROJECTS 1995 Design of UCLA Doumani Sculpture Garden, Venice, CA 1994 Santa Fe City Center Project, Mexico City, Mexico; co-designed with Jon Jerde 1979 Doumani House, Venice, CA 300 Crescent Court, Suite 100 Dallas, Texas 75201 bivinsgallery.com 214.272.2795 [email protected] SELECTED PUBLIC COLLECTIONS Bank of America, San Francisco, CA The Contemporary Museum, Honolulu, HI Dallas Museum of Fine Art, Dallas, TX Des Moines Art Center, Des Moines, IA Detroit Institute of Arts, Detroit, MI Frederick Weisman Art Foundation, Los Angeles, CA Hirshhorn Museum and Sculpture Garden, Washington, D.C. Kemper Museum of Contemporary Art, Kansas City, MO Kunstmuseum, Hamburg, Germany Kunstmuseum, Cologne, Germany Los Angeles County Museum of Art, Los Angeles, CA Ludwig Museum, Aachen, Germany Museum of Art, Rotterdam, Holland The Museum of Contemporary Art, Los Angeles, CA Museum of Fine Arts, Houston, TX The Museum of Modern Art, New York City, NY Museum of Modern Art, Paris, France National Gallery of Art, Washington, D.C. National Museum of Wales, Cardiff, Wales Norton Simon Museum of Art, Pasadena, CA Oakland Museum of Art, Oakland, CA Palm Springs Art Museum, Palm Springs, CA San Francisco Museum of Modern Art, San Francisco, CA Smith College, Northhampton, MA Snite Museum of Art, University of Notre Dame, Notre Dame, IN Victoria and Albert Museum, London, England Walker Art Center, Minneapolis, MN Whitney Museum of American Art, New York City, NY COIN AND AWARD DESIGN 2006 “Spirit of California” Award 2003 American Jazz Museum Award, ongoing design Rodeo Drive Walk of Style Award “Lo Maximo” Award, Homeboy Industries 2001 Franklin Delano Roosevelt International Disability Award Carousel of Hope Award, ongoing design 1997 The Los Angeles Latino International Fim Festival, ongoing design The Latin Jazz Award 1994 The California Governors’ Award for the Arts, ongoing design The John Huston Award for the Artists’ Rights Foundation 1985 National Medal of Arts, presented by the President of the Unites States, ongoing design Spirit of Liberty Award, presented by the People for the American Way 1984 Olympic Silver Dollar for the United States Mint ($4 million minted) PUBLIC ART DIRECTION 1987 Ronald Reagan Building, Los Angeles, California, with Beckett Development 1985 Mitsui Bank Tower, Home Savings Bank Tower, Los Angeles, CA, for A.C Martin Architects 300 Crescent Court, Suite 100 Dallas, Texas 75201 bivinsgallery.com 214.272.2795 [email protected] BOARD OF TRUSTEE POSITIONS 2000-2008 Advisory Board, Homeboy Industries, Los Angeles, CA 1998-2008 San Francisco Art Institute, San Francisco, CA 1997-2008 Yo San University of Traditional Chinese Medicine, Santa Monica, CA 1993-2000 The Museum of Contemporary Art, Los Angeles, CA 1985-2008 Otis College of Art and Design, Westchester, CA RECIPIENT 2005 Hope of Los Angeles Award, Latino Heritage Month, City of Los Angeles, CA 2004 Estrellas de Nuestra Cultura Award, Mexican Cultural Institute, Los Angeles, CA Lifetime Achievement Award of the 24th Roses and Lemon Awards, Downtown Breakfast Club, Los Angeles, CA 2003 Commander of Merit of the Sovereign Military Order of Malta, Malta 1993 ACLU Freedom of Speech Award California Governors’ Award for the Arts 300 Crescent Court, Suite 100 Dallas, Texas 75201 bivinsgallery.com 214.272.2795 [email protected].
Recommended publications
  • IRA Defeated by 3-1 Margin
    OPINION Spartans beat Patchy low Majority rules U()P in the clouds and fog. for Prop. 187 final game of Highs in the 50s supporters. the season. to low 60s. See page 2... See page 6... DAILY I SPARTAN 103. 'N r 57 Published for San .lose State niversity since 1934 Monday. November 21. 1991 IRA defeated by 3-1 margin Student rescued Proponents, opponents claim election violations on both sides from carjacking By Kevin Valine no and 1,185 voted yes ence major and a leader of the million, with $670,000 going to Spartan Daily Stall Writer opposition. By Cindy Trotter screaming. "We are all disappointed, athletics. The higher fee, based Spartan Daily Staff Writer victim needless to say," said John "If he (President J. Handel on an enrollment of 25,000, "I saw this little Asian girl at San Jose State University stu- Ralston, SJSU head football Evans) wants athletics on cam- would have generated $3.75 mil- An 18-year-old San Jose the stoplight yelling 'help me, dents rejected the proposed coach. "Students saw it the pus," DeAlba said, "he's going to lion, with $2 million going to State University student was help me,' " Carlson said. "And Instructionally Related Activi- other way. We gave it a good have do more fund-raising." athletics. leaving the Bank of America I saw this black guy holding ties fee increase by a nearly 3- effort." At his Tuesday press confer- The remaining balance of IRA branch on Fourth and San on to her clothes. to-1 margin in the special elec- Opponents of the fee increase ence, President Evans said that money helps fund such non-ath- Fernando streets, when a tran- "She broke away from him tion held Wednesday and said the election was a referen- he supported the fee increase letic programs as the Spartan sient approached her, told her and ran toward me.
    [Show full text]
  • Six Canonical Projects by Rem Koolhaas
    5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript
    [Show full text]
  • Helen Pashgianhelen Helen Pashgian L Acm a Delmonico • Prestel
    HELEN HELEN PASHGIAN ELIEL HELEN PASHGIAN LACMA DELMONICO • PRESTEL HELEN CAROL S. ELIEL PASHGIAN 9 This exhibition was organized by the Published in conjunction with the exhibition Helen Pashgian: Light Invisible Los Angeles County Museum of Art. Funding at the Los Angeles County Museum of Art, Los Angeles, California is provided by the Director’s Circle, with additional support from Suzanne Deal Booth (March 30–June 29, 2014). and David G. Booth. EXHIBITION ITINERARY Published by the Los Angeles County All rights reserved. No part of this book may Museum of Art be reproduced or transmitted in any form Los Angeles County Museum of Art 5905 Wilshire Boulevard or by any means, electronic or mechanical, March 30–June 29, 2014 Los Angeles, California 90036 including photocopy, recording, or any other (323) 857-6000 information storage and retrieval system, Frist Center for the Visual Arts, Nashville www.lacma.org or otherwise without written permission from September 26, 2014–January 4, 2015 the publishers. Head of Publications: Lisa Gabrielle Mark Editor: Jennifer MacNair Stitt ISBN 978-3-7913-5385-2 Rights and Reproductions: Dawson Weber Creative Director: Lorraine Wild Designer: Xiaoqing Wang FRONT COVER, BACK COVER, Proofreader: Jane Hyun PAGES 3–6, 10, AND 11 Untitled, 2012–13, details and installation view Formed acrylic 1 Color Separator, Printer, and Binder: 12 parts, each approx. 96 17 ⁄2 20 inches PR1MARY COLOR In Helen Pashgian: Light Invisible, Los Angeles County Museum of Art, 2014 This book is typeset in Locator. PAGE 9 Helen Pashgian at work, Pasadena, 1970 Copyright ¦ 2014 Los Angeles County Museum of Art Printed and bound in Los Angeles, California Published in 2014 by the Los Angeles County Museum of Art In association with DelMonico Books • Prestel Prestel, a member of Verlagsgruppe Random House GmbH Prestel Verlag Neumarkter Strasse 28 81673 Munich Germany Tel.: +49 (0)89 41 36 0 Fax: +49 (0)89 41 36 23 35 Prestel Publishing Ltd.
    [Show full text]
  • Marian Goodman Gallery Robert Smithson
    MARIAN GOODMAN GALLERY ROBERT SMITHSON Born: Passaic, New Jersey, 1938 Died: Amarillo, Texas, 1973 SELECTED SOLO EXHIBITIONS 2018 Robert Smithson: Time Crystals, University of Queensland, BrisBane; Monash University Art Museum, MelBourne 2015 Robert Smithson: Pop, James Cohan, New York, New York 2014 Robert Smithson: New Jersey Earthworks, Montclair Museum of Art, Montclair, New Jersey 2013 Robert Smithson in Texas, Dallas Museum of Art, Dallas, Texas 2012 Robert Smithson: The Invention of Landscape, Museum für Gegenwartskunst Siegen, Unteres Schloss, Germany; Reykjavik Art Museum, Reykjavik, Iceland 2011 Robert Smithson in Emmen, Broken Circle/Spiral Hill Revisited, CBK Emmen (Center for Visual Arts), Emmen, the Netherlands 2010 IKONS, Religious Drawings and Sculptures from 1960, Art Basel 41, Basel, Switzerland 2008 Robert Smithson POP Works, 1961-1964, Art Kabinett, Art Basel Miami Beach, Miami, Florida 2004 Robert Smithson, Museum of Contemporary Art, Los Angeles, California; Dallas Museum of Art, Dallas, Texas; Whitney Museum of American Art, New York, New York 2003 Robert Smithson in Vancouver: A Fragment of a Greater Fragmentation, Vancouver Art Gallery, Canada Rundown, curated by Cornelia Lauf and Elyse Goldberg, American Academy in Rome, Italy 2001 Mapping Dislocations, James Cohan Gallery, New York 2000 Robert Smithson, curated by Eva Schmidt, Kai Voeckler, Sabine Folie, Kunsthalle Wein am Karlsplatz, Vienna, Austria new york paris london www.mariangoodman.com MARIAN GOODMAN GALLERY Robert Smithson: The Spiral Jetty, organized
    [Show full text]
  • Download Sol Lewitt's Biography
    ARTIST - SOL LEWITT Born in 1928, Hartford, CT, USA Died in 2007, New York, NY, USA EDUCATION - 1949 Syracuse University, B.F.A, NY, USA SOLO SHOWS - 1965 John Daniels Gallery, New York, NY, USA 1966 Dwan Gallery, New York, NY, USA 1967 Dwan Gallery, Los Angeles, NY, USA 1968 Galerie Konrad Fischer, Düsseldorf, Germany Dwan Gallery, New York, NY, USA Galerie Bischofberger, Zürich, Switzerland Galerie Heiner Friederich, Munich, Germany 1968–1969 Ace Gallery, Los Angeles, CA, USA 1969 Galerie Konrad Fischer, Düsseldorf, Germany Galleria L'Attico, Rome, Italy Galerie Ernst, Hannover, Germany Wall Drawings, Dwan Gallery, New York, NY, USA Sol LeWitt: Sculptures and Wall Drawings, Museum Haus Lange, Krefeld, Germany Galerie Bischofberger, Zürich, Switzerland 1970 Art & Project, Amsterdam, Netherlands Wisconsin State University, River Falls, WI, USA Galerie Yvon Lambert, Paris, France Wall Drawings, Galleria Sperone, Turin, Italy Dwan Gallery, New York, NY, USA Lisson Gallery, London, UK Gemeentemuseum, The Hague, Netherlands Galerie Heiner Friederich, Munich, Germany 1970–1971 Pasadena Art Museum, CA, USA 1971 Art & Project, Amsterdam, Netherlands Wall Drawings, Protetch-Rivkin Gallery, Washington D.C., USA Prints and Drawings, Dwan Gallery, New York, NY, USA Lisson Gallery, London, UK Galerie Stampa, Basel, Germany Galleria Toselli, Milano, Italy Informations-Raum 3, Basel, Germany Galerie Konrad Fischer, Düsseldorf, Germany Art & Project, Amsterdam, Netherlands Structures and Wall Drawings, John Weber Gallery, New York, NY, USA Dunkelmann
    [Show full text]
  • Sol Lewitt Selected One-Artist
    SOL LEWITT SELECTED ONE-ARTIST EXHIBITIONS DATES Born 1928, Hartford, Connecticut Died 2007, New York, New York EDUCATION 1949, Syracuse University, New York, BFA 2018 Sol LeWitt: Large Gouaches, Paula Cooper Gallery, New York, November 3–December 15, 2018. Sol LeWitt: Lines in All Directions, Mignoni, New York, November 1, 2018–February 9, 2019. By Hand: Sol LeWitt, The Mattatuck Museum, Waterbury, Connecticut, April 8–June 10, 2018. Sol LeWitt Wall Drawings: Expanding a Legacy, Yale University Art Gallery, New Haven, March 2–July 8, 2018 (extended through January 27, 2019). Sol LeWitt, Honor Fraser Gallery, Los Angeles, February 17–April 7, 2018. Sol LeWitt: 1 + 1 = 1 Million, Vito Schnabel Gallery, St. Moritz, Switzerland, February 15–March 11, 2018. 2017 Sol LeWitt: Selected One-artist Exhibitions 2 Sol LeWitt: Between the Lines, Fondazione Carriero, Milan, November 17, 2017–June 24, 2018. (Catalogue) Sol LeWitt: Structures, Massachusetts Museum of Contemporary Art, North Adams, opened May 28, 2017. One Wall, One Work: Sol LeWitt, Barbara Krakow Gallery, Boston, January 3–March 11, 2017. Sol LeWitt: 6 Wall Drawings, Musee des Beaux-Arts, Le Locle, Switzerland, February 19–October 15, 2017. 2016 Sol LeWitt: Wall Drawing #1183: Eight Bands of Color, Cahiers D’Art Gallery, Paris, October 20, 2016– January 28, 2017. Sol LeWitt, Paula Cooper Gallery, New York, September 8–October 22, 2016. Sol LeWitt, Cardi Gallery, Milan, January 27–April 15, 2016. 2015 Sol LeWitt, Galería Elvira González, Madrid, September 12–October 31, 2015. Sol LeWitt: Wall Drawings, Grids on Black and White, Konrad Fischer Galerie, Berlin, September 4–October 31, 2015.
    [Show full text]
  • Marlborough Gallery
    Marlborough DENNIS OPPENHEIM 1938 — Born in Electric City, Washington 2011 — Died in New York, New York The artist lived and worked in New York, New York. Education 1965 — B.F.A., the School of Arts and Crafts, Oakland, California 1966 — M.F.A., Stanford University, Palo Alto, California Solo Exhibitions 2020 — Dennis Oppenheim, Galerie Mitterand, Paris, France 2019 — Feedback: Parent Child Projects from the 70s, Shirley Fiterman Art Center, The City University of New York, BMCC, New York, New York 2018 — Violations, 1971 — 1972, Marlborough Contemporary, New York, New York Broken Record Blues, Peder Lund, Oslo, Sweden 2016 — Art Institute of Chicago, Chicago, Illinois Storm King Art Center, New Windsor, New York 2015 — Wooson Gallery, Daegu, Korea MAMCO, Geneva, Switzerland Halle Nord, Geneva, Switzerland 2014 — MOT International, London, United Kingdom Museo Magi'900, Pieve di Cento, Italy 2013 — Henry Moore Institute, Leeds, United Kingdom Museo Pecci Milano, Milan, Italy Yorkshire Sculpture Park, West Yorkshire, United Kingdom Marlborough 2012 — Centro de Arte Palacio, Selected Works, Murcia, Spain Kunst Merano Arte, Merano, Italy Haines Gallery, San Francisco, California HaBeer, Beersheba, Israel 2011 — Musée d'Art moderne Saint-Etienne Metropole, Saint-Priest-en-Jarez, France Eaton Fine Arts, West Palm Beach, Florida Galerie Samuel Lallouz, Quebec, Canada The Carriage House, Gabarron Foundation, New York, New York 2010 — Thomas Solomon Gallery, Los Angeles, California Royale Projects, Indian Wells, California Buschlen Mowatt Galleries, Vancouver, British Columbia, Canada Galleria Fumagalli, Bergamo, Italy Gallerie d'arts Orler, Venice, Italy 2009 — Marta Museum, Herford, Germany Scolacium Park, Catanzaro, Italy Museo Marca, Catanzarto, Italy Eaton Fine Art, West Palm Beach, Florida Janos Gat Gallery, New York, New York 2008 — Ace Gallery, Beverly Hills, California 4 Culture Gallery, Seattle, Washington Edelman Arts, New York, New York D.O.
    [Show full text]
  • Robert Rauschenberg
    Robert Rauschenberg Born in Port Arthur, United States. 1925 – 2008 Solo Exhibitions 2017 – Window to China, gl Holtegaard, Holte, Denmark. 2016 – Robert Rauschenberg, Tate Modern, London, England. 2014 – Rauschenberg: China/America Mix, Bob Rauschenberg Gallery, Florida SouthWestern State College, Fort Myers, USA. – Rauschenberg: Collecting and Connecting, Nasher Museum of Art at Duke University, Durham, USA. – Robert Rasuchenberg: The Fulton Street Studio, 1953–1954, Craig F. Starr Gallery, New York, USA. – Robert Rauschenberg: Works on Metal, Gagosian Gallery, Beverly Hills, USA. 2013 – Jammers, Gagosian Gallery, London, England. – 2012 Early Photographs, Gagosian Gallery, London, England. 2011 – The Private Collection of Robert Rauschenberg, Gagosian Gallery, 980 Madison Avenue, New York, USA. – Robert Rauschenberg, Gagosian Gallery, Paris, France. – Robert Rauschenberg, Gagosian Gallery, New York, USA. 2008 – Robert Rauschenberg: Scenarios and the Ancient Incident, Pace Gallery, New York, USA. – Robert Rauschenberg: Runts, Pace Gallery, New York, USA. – Last Turn-Your Turn: Robert Rauschenberg and the Environmental Crisis, Jacobson Howard Gallery, New York, USA. 2007 – Let the World In: Prints by Robert Rauschenberg from the National Gallery of Art and Related Collections, The National Gallery of Art, Washington D.C, USA. – Robert Rauschenberg: Three Decades, Galleri Faurschou, Beijing, China. – Robert Rauschenberg: Travelling ’70-’76, Museu de Arte Contemporânea de Serralves, Porto, Portugal. – Travelled to: Haus der Kunst, Munich, Germany and Museo d’Arte Contemporanea Donna Regina, Naples, Italy. – Signs of Life: Robert Rauschenberg Posters, Black Mountain College of Arts Center in Asheville, USA. – Robert Rauschenberg: Cardboards and Related Pieces, Menil Collection, Houston, USA. – Robert Rauschenberg: Scenarios, Bob Rauschenberg Gallery, Edison State College, Fort Myers, USA. Page 1 / 15 – Rauschenberg’s Currents: Features and Surface, Michael C.
    [Show full text]
  • Proefschrift-Van Melik.Indd 1 27-03-2008 13:41:16 Nederlandse Geografische Studies / Netherlands Geographical Studies
    Changing public space The recent redevelopment of Dutch city squares Veranderende openbare ruimte De recente herontwikkeling van Nederlandse stadspleinen (met een samenvatting in het Nederlands) PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof.dr. J.C. Stoof, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op woensdag 21 mei 2008 des ochtends te 10.30 uur door Rianne Gertruda van Melik geboren op 7 juli 1980 te Horst titelblad-van Melik.indd 1 27-03-2008 13:45:15 Promotor: Prof.dr. J. van Weesep Co-promotor: Dr. I. van Aalst titelblad-van Melik.indd 2 27-03-2008 13:45:15 Changing public space proefschrift-van Melik.indd 1 27-03-2008 13:41:16 Nederlandse Geografische Studies / Netherlands Geographical Studies Redactie / Editorial Board Drs. J.G. Borchert (Editor in Chief ) Prof. Dr. J.M.M. van Amersfoort Dr. P.C.J. Druijven Prof. Dr. A.O. Kouwenhoven Prof. Dr. H. Scholten Plaatselijke Redacteuren / Local Editors Drs. R. van Melik, Faculteit Geowetenschappen Universiteit Utrecht Dr. D.H. Drenth, Faculteit der Managementwetenschappen Radboud Universiteit Nijmegen Dr. P.C.J. Druijven, Faculteit der Ruimtelijke Wetenschappen Rijksuniversiteit Groningen Drs. F.J.P.M. Kwaad, Fysich-Geografisch en Bodemkundig Laboratorium Universiteit van Amsterdam Dr. L. van der Laan, Economisch-Geografisch Instituut Erasmus Universiteit Rotterdam Dr. J.A. van der Schee, Centrum voor Educatieve Geografie Vrije Universiteit Amsterdam Dr. F. Thissen, Afdeling Geografie, Planologie en Internationale Ontwikkelingsstudies Universiteit van Amsterdam Redactie-Adviseurs / Editorial Advisory Board Prof. Dr. G.J.
    [Show full text]
  • The Bay Area’S Modern Landscape Legacy
    SPUR and The Cultural Landscape Foundation Symposium, September 15, 2011 The Bay Area’s Modern Landscape Legacy Sasaki, Walker Associates and The SWA Group-Kalvin Platt 1. Foothill College (1959) Peter Walker came out to California from the Sasaki, Walker Associates office in Watertown , Massachusetts to set up a San Francisco office in 1959 to oversee the construction of Foothill College, a brand new community college for 3500 students. Hideo Sasaki at that time was the head of the Landscape Program at the Harvard Graduate School of Design and he kept the Watertown office going. Foothill College was on a hillside site in Los Altos Hills and the site was graded so the clusters of pavilion like college buildings designed by Ernest Kump were situated on the higher ground in a car free pedestrian environment with varied open spaces. Parking, road access and support uses were below and were connected by ramps and stairs. 2. Golden Gateway, San Francisco, California (1960) The office soon was part of a winning submission for a 10 acre redevelopment project, in Downtown San Francisco, working with William Wurster, the dean of Bay Area Style architects and DeMars and Reay. The old produce market was replaced by tall residential towers surrounded by town houses on a second level podium with parking below and retail at the street frontage. The blocks were connected by pedestrian bridges. 3. One Maritime Plaza (1964) Another part of the San Francisco Downtown redevelopment, connected by pedestrian bridges to the residential areas was an office building by Skidmore, Owens and Merrill which included retail uses on the podium over a parking structure.
    [Show full text]
  • Stanford Auctioneers Fine Art, Pop Art, Photographs: Day 1 of 3 Friday – January 26Th, 2018
    Stanford Auctioneers Fine Art, Pop Art, Photographs: Day 1 of 3 Friday – January 26th, 2018 www.stanfordauctioneers.com | [email protected] 1: PAUL KLEE - "M" Garden Gate ["Portail du jardin M"] USD 300 - 400 Paul Klee (Swiss/German, 1879 - 1940). ""M" Garden Gate ["Portail du jardin M"]". Original color collotype. 1932. Printed 1957. Signed in the image, lower left. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 8 5/16 x 9 3/16 in. (211 x 233 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II and its aftermath until 1957. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [23634-2-225] 2: ANDY WARHOL - $$ [dollar signs] USD 4,000 - 5,000 Andy Warhol (American, 1928 - 1987). "$$ [dollar signs] [drawing]". Marker drawing on paper. c1979. Signed in black marker, lower center. White wove bond paper. The "full sheet". Fine condition. Provenance: Private collector, Sweden, acquired c.1991 possibly from Frederick W. Hughes (Warhol's business manager); thence to our consignor. Overall size: 11 x 8 1/2 in. (279 x 216 mm). Marker drawings of dollar signs by Warhol are scarce/rare. Our example is rare as it was drawn on Warhol’s “Andy Warhol Enterprises, Inc.” letterhead at the Factory (or as it was known then, “the office”). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Conditions of the Hong Kong Section: Spatial History and Regulatory Environment of Vertically Integrated Developments Permalink https://escholarship.org/uc/item/43t4721n Author Tan, Zheng Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Conditions of the Hong Kong Section: Spatial History and Regulatory Environment of Vertically Integrated Developments A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Zheng Tan 2014 © Copyright by Zheng Tan 2014 ABSTRACT OF THE DISSERTATION Conditions of the Hong Kong Section: Spatial History and Regulatory Environment of Vertically Integrated Developments by Zheng Tan Doctor of Philosophy in Architecture University of California, Los Angeles, 2014 Professor Dana Cuff, Chair This dissertation explores the urbanism of Hong Kong between 1967 and 1997, tracing the history of Hong Kong’s vertically integrated developments. It inquires into a Hong Kong myth: How can minimum state intervention gather social resources to build collective urban form? Roughly around the MacLehose Era, Hong Kong began to consciously assume a new vertical order in urban restructuring in order to address the issue of over-crowding and social unrest. British modernist planning provided rich approaches and visions which were borrowed by Hong Kong to achieve its own planning goals. The new town plan and infrastructural development ii transformed Hong Kong from a colonial city concentrated on the Victoria Harbor to a multi-nucleated metropolitan area. The implementation of the R+P development model around 1980 deepened the intermingling between urban infrastructure and superstructure and extended the vertical urbanity to large interior spaces: the shopping centers.
    [Show full text]