Robert Graham CV
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IRA Defeated by 3-1 Margin
OPINION Spartans beat Patchy low Majority rules U()P in the clouds and fog. for Prop. 187 final game of Highs in the 50s supporters. the season. to low 60s. See page 2... See page 6... DAILY I SPARTAN 103. 'N r 57 Published for San .lose State niversity since 1934 Monday. November 21. 1991 IRA defeated by 3-1 margin Student rescued Proponents, opponents claim election violations on both sides from carjacking By Kevin Valine no and 1,185 voted yes ence major and a leader of the million, with $670,000 going to Spartan Daily Stall Writer opposition. By Cindy Trotter screaming. "We are all disappointed, athletics. The higher fee, based Spartan Daily Staff Writer victim needless to say," said John "If he (President J. Handel on an enrollment of 25,000, "I saw this little Asian girl at San Jose State University stu- Ralston, SJSU head football Evans) wants athletics on cam- would have generated $3.75 mil- An 18-year-old San Jose the stoplight yelling 'help me, dents rejected the proposed coach. "Students saw it the pus," DeAlba said, "he's going to lion, with $2 million going to State University student was help me,' " Carlson said. "And Instructionally Related Activi- other way. We gave it a good have do more fund-raising." athletics. leaving the Bank of America I saw this black guy holding ties fee increase by a nearly 3- effort." At his Tuesday press confer- The remaining balance of IRA branch on Fourth and San on to her clothes. to-1 margin in the special elec- Opponents of the fee increase ence, President Evans said that money helps fund such non-ath- Fernando streets, when a tran- "She broke away from him tion held Wednesday and said the election was a referen- he supported the fee increase letic programs as the Spartan sient approached her, told her and ran toward me. -
Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript -
Helen Pashgianhelen Helen Pashgian L Acm a Delmonico • Prestel
HELEN HELEN PASHGIAN ELIEL HELEN PASHGIAN LACMA DELMONICO • PRESTEL HELEN CAROL S. ELIEL PASHGIAN 9 This exhibition was organized by the Published in conjunction with the exhibition Helen Pashgian: Light Invisible Los Angeles County Museum of Art. Funding at the Los Angeles County Museum of Art, Los Angeles, California is provided by the Director’s Circle, with additional support from Suzanne Deal Booth (March 30–June 29, 2014). and David G. Booth. EXHIBITION ITINERARY Published by the Los Angeles County All rights reserved. No part of this book may Museum of Art be reproduced or transmitted in any form Los Angeles County Museum of Art 5905 Wilshire Boulevard or by any means, electronic or mechanical, March 30–June 29, 2014 Los Angeles, California 90036 including photocopy, recording, or any other (323) 857-6000 information storage and retrieval system, Frist Center for the Visual Arts, Nashville www.lacma.org or otherwise without written permission from September 26, 2014–January 4, 2015 the publishers. Head of Publications: Lisa Gabrielle Mark Editor: Jennifer MacNair Stitt ISBN 978-3-7913-5385-2 Rights and Reproductions: Dawson Weber Creative Director: Lorraine Wild Designer: Xiaoqing Wang FRONT COVER, BACK COVER, Proofreader: Jane Hyun PAGES 3–6, 10, AND 11 Untitled, 2012–13, details and installation view Formed acrylic 1 Color Separator, Printer, and Binder: 12 parts, each approx. 96 17 ⁄2 20 inches PR1MARY COLOR In Helen Pashgian: Light Invisible, Los Angeles County Museum of Art, 2014 This book is typeset in Locator. PAGE 9 Helen Pashgian at work, Pasadena, 1970 Copyright ¦ 2014 Los Angeles County Museum of Art Printed and bound in Los Angeles, California Published in 2014 by the Los Angeles County Museum of Art In association with DelMonico Books • Prestel Prestel, a member of Verlagsgruppe Random House GmbH Prestel Verlag Neumarkter Strasse 28 81673 Munich Germany Tel.: +49 (0)89 41 36 0 Fax: +49 (0)89 41 36 23 35 Prestel Publishing Ltd. -
Marian Goodman Gallery Robert Smithson
MARIAN GOODMAN GALLERY ROBERT SMITHSON Born: Passaic, New Jersey, 1938 Died: Amarillo, Texas, 1973 SELECTED SOLO EXHIBITIONS 2018 Robert Smithson: Time Crystals, University of Queensland, BrisBane; Monash University Art Museum, MelBourne 2015 Robert Smithson: Pop, James Cohan, New York, New York 2014 Robert Smithson: New Jersey Earthworks, Montclair Museum of Art, Montclair, New Jersey 2013 Robert Smithson in Texas, Dallas Museum of Art, Dallas, Texas 2012 Robert Smithson: The Invention of Landscape, Museum für Gegenwartskunst Siegen, Unteres Schloss, Germany; Reykjavik Art Museum, Reykjavik, Iceland 2011 Robert Smithson in Emmen, Broken Circle/Spiral Hill Revisited, CBK Emmen (Center for Visual Arts), Emmen, the Netherlands 2010 IKONS, Religious Drawings and Sculptures from 1960, Art Basel 41, Basel, Switzerland 2008 Robert Smithson POP Works, 1961-1964, Art Kabinett, Art Basel Miami Beach, Miami, Florida 2004 Robert Smithson, Museum of Contemporary Art, Los Angeles, California; Dallas Museum of Art, Dallas, Texas; Whitney Museum of American Art, New York, New York 2003 Robert Smithson in Vancouver: A Fragment of a Greater Fragmentation, Vancouver Art Gallery, Canada Rundown, curated by Cornelia Lauf and Elyse Goldberg, American Academy in Rome, Italy 2001 Mapping Dislocations, James Cohan Gallery, New York 2000 Robert Smithson, curated by Eva Schmidt, Kai Voeckler, Sabine Folie, Kunsthalle Wein am Karlsplatz, Vienna, Austria new york paris london www.mariangoodman.com MARIAN GOODMAN GALLERY Robert Smithson: The Spiral Jetty, organized -
Download Sol Lewitt's Biography
ARTIST - SOL LEWITT Born in 1928, Hartford, CT, USA Died in 2007, New York, NY, USA EDUCATION - 1949 Syracuse University, B.F.A, NY, USA SOLO SHOWS - 1965 John Daniels Gallery, New York, NY, USA 1966 Dwan Gallery, New York, NY, USA 1967 Dwan Gallery, Los Angeles, NY, USA 1968 Galerie Konrad Fischer, Düsseldorf, Germany Dwan Gallery, New York, NY, USA Galerie Bischofberger, Zürich, Switzerland Galerie Heiner Friederich, Munich, Germany 1968–1969 Ace Gallery, Los Angeles, CA, USA 1969 Galerie Konrad Fischer, Düsseldorf, Germany Galleria L'Attico, Rome, Italy Galerie Ernst, Hannover, Germany Wall Drawings, Dwan Gallery, New York, NY, USA Sol LeWitt: Sculptures and Wall Drawings, Museum Haus Lange, Krefeld, Germany Galerie Bischofberger, Zürich, Switzerland 1970 Art & Project, Amsterdam, Netherlands Wisconsin State University, River Falls, WI, USA Galerie Yvon Lambert, Paris, France Wall Drawings, Galleria Sperone, Turin, Italy Dwan Gallery, New York, NY, USA Lisson Gallery, London, UK Gemeentemuseum, The Hague, Netherlands Galerie Heiner Friederich, Munich, Germany 1970–1971 Pasadena Art Museum, CA, USA 1971 Art & Project, Amsterdam, Netherlands Wall Drawings, Protetch-Rivkin Gallery, Washington D.C., USA Prints and Drawings, Dwan Gallery, New York, NY, USA Lisson Gallery, London, UK Galerie Stampa, Basel, Germany Galleria Toselli, Milano, Italy Informations-Raum 3, Basel, Germany Galerie Konrad Fischer, Düsseldorf, Germany Art & Project, Amsterdam, Netherlands Structures and Wall Drawings, John Weber Gallery, New York, NY, USA Dunkelmann -
Sol Lewitt Selected One-Artist
SOL LEWITT SELECTED ONE-ARTIST EXHIBITIONS DATES Born 1928, Hartford, Connecticut Died 2007, New York, New York EDUCATION 1949, Syracuse University, New York, BFA 2018 Sol LeWitt: Large Gouaches, Paula Cooper Gallery, New York, November 3–December 15, 2018. Sol LeWitt: Lines in All Directions, Mignoni, New York, November 1, 2018–February 9, 2019. By Hand: Sol LeWitt, The Mattatuck Museum, Waterbury, Connecticut, April 8–June 10, 2018. Sol LeWitt Wall Drawings: Expanding a Legacy, Yale University Art Gallery, New Haven, March 2–July 8, 2018 (extended through January 27, 2019). Sol LeWitt, Honor Fraser Gallery, Los Angeles, February 17–April 7, 2018. Sol LeWitt: 1 + 1 = 1 Million, Vito Schnabel Gallery, St. Moritz, Switzerland, February 15–March 11, 2018. 2017 Sol LeWitt: Selected One-artist Exhibitions 2 Sol LeWitt: Between the Lines, Fondazione Carriero, Milan, November 17, 2017–June 24, 2018. (Catalogue) Sol LeWitt: Structures, Massachusetts Museum of Contemporary Art, North Adams, opened May 28, 2017. One Wall, One Work: Sol LeWitt, Barbara Krakow Gallery, Boston, January 3–March 11, 2017. Sol LeWitt: 6 Wall Drawings, Musee des Beaux-Arts, Le Locle, Switzerland, February 19–October 15, 2017. 2016 Sol LeWitt: Wall Drawing #1183: Eight Bands of Color, Cahiers D’Art Gallery, Paris, October 20, 2016– January 28, 2017. Sol LeWitt, Paula Cooper Gallery, New York, September 8–October 22, 2016. Sol LeWitt, Cardi Gallery, Milan, January 27–April 15, 2016. 2015 Sol LeWitt, Galería Elvira González, Madrid, September 12–October 31, 2015. Sol LeWitt: Wall Drawings, Grids on Black and White, Konrad Fischer Galerie, Berlin, September 4–October 31, 2015. -
Marlborough Gallery
Marlborough DENNIS OPPENHEIM 1938 — Born in Electric City, Washington 2011 — Died in New York, New York The artist lived and worked in New York, New York. Education 1965 — B.F.A., the School of Arts and Crafts, Oakland, California 1966 — M.F.A., Stanford University, Palo Alto, California Solo Exhibitions 2020 — Dennis Oppenheim, Galerie Mitterand, Paris, France 2019 — Feedback: Parent Child Projects from the 70s, Shirley Fiterman Art Center, The City University of New York, BMCC, New York, New York 2018 — Violations, 1971 — 1972, Marlborough Contemporary, New York, New York Broken Record Blues, Peder Lund, Oslo, Sweden 2016 — Art Institute of Chicago, Chicago, Illinois Storm King Art Center, New Windsor, New York 2015 — Wooson Gallery, Daegu, Korea MAMCO, Geneva, Switzerland Halle Nord, Geneva, Switzerland 2014 — MOT International, London, United Kingdom Museo Magi'900, Pieve di Cento, Italy 2013 — Henry Moore Institute, Leeds, United Kingdom Museo Pecci Milano, Milan, Italy Yorkshire Sculpture Park, West Yorkshire, United Kingdom Marlborough 2012 — Centro de Arte Palacio, Selected Works, Murcia, Spain Kunst Merano Arte, Merano, Italy Haines Gallery, San Francisco, California HaBeer, Beersheba, Israel 2011 — Musée d'Art moderne Saint-Etienne Metropole, Saint-Priest-en-Jarez, France Eaton Fine Arts, West Palm Beach, Florida Galerie Samuel Lallouz, Quebec, Canada The Carriage House, Gabarron Foundation, New York, New York 2010 — Thomas Solomon Gallery, Los Angeles, California Royale Projects, Indian Wells, California Buschlen Mowatt Galleries, Vancouver, British Columbia, Canada Galleria Fumagalli, Bergamo, Italy Gallerie d'arts Orler, Venice, Italy 2009 — Marta Museum, Herford, Germany Scolacium Park, Catanzaro, Italy Museo Marca, Catanzarto, Italy Eaton Fine Art, West Palm Beach, Florida Janos Gat Gallery, New York, New York 2008 — Ace Gallery, Beverly Hills, California 4 Culture Gallery, Seattle, Washington Edelman Arts, New York, New York D.O. -
Robert Rauschenberg
Robert Rauschenberg Born in Port Arthur, United States. 1925 – 2008 Solo Exhibitions 2017 – Window to China, gl Holtegaard, Holte, Denmark. 2016 – Robert Rauschenberg, Tate Modern, London, England. 2014 – Rauschenberg: China/America Mix, Bob Rauschenberg Gallery, Florida SouthWestern State College, Fort Myers, USA. – Rauschenberg: Collecting and Connecting, Nasher Museum of Art at Duke University, Durham, USA. – Robert Rasuchenberg: The Fulton Street Studio, 1953–1954, Craig F. Starr Gallery, New York, USA. – Robert Rauschenberg: Works on Metal, Gagosian Gallery, Beverly Hills, USA. 2013 – Jammers, Gagosian Gallery, London, England. – 2012 Early Photographs, Gagosian Gallery, London, England. 2011 – The Private Collection of Robert Rauschenberg, Gagosian Gallery, 980 Madison Avenue, New York, USA. – Robert Rauschenberg, Gagosian Gallery, Paris, France. – Robert Rauschenberg, Gagosian Gallery, New York, USA. 2008 – Robert Rauschenberg: Scenarios and the Ancient Incident, Pace Gallery, New York, USA. – Robert Rauschenberg: Runts, Pace Gallery, New York, USA. – Last Turn-Your Turn: Robert Rauschenberg and the Environmental Crisis, Jacobson Howard Gallery, New York, USA. 2007 – Let the World In: Prints by Robert Rauschenberg from the National Gallery of Art and Related Collections, The National Gallery of Art, Washington D.C, USA. – Robert Rauschenberg: Three Decades, Galleri Faurschou, Beijing, China. – Robert Rauschenberg: Travelling ’70-’76, Museu de Arte Contemporânea de Serralves, Porto, Portugal. – Travelled to: Haus der Kunst, Munich, Germany and Museo d’Arte Contemporanea Donna Regina, Naples, Italy. – Signs of Life: Robert Rauschenberg Posters, Black Mountain College of Arts Center in Asheville, USA. – Robert Rauschenberg: Cardboards and Related Pieces, Menil Collection, Houston, USA. – Robert Rauschenberg: Scenarios, Bob Rauschenberg Gallery, Edison State College, Fort Myers, USA. Page 1 / 15 – Rauschenberg’s Currents: Features and Surface, Michael C. -
Proefschrift-Van Melik.Indd 1 27-03-2008 13:41:16 Nederlandse Geografische Studies / Netherlands Geographical Studies
Changing public space The recent redevelopment of Dutch city squares Veranderende openbare ruimte De recente herontwikkeling van Nederlandse stadspleinen (met een samenvatting in het Nederlands) PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof.dr. J.C. Stoof, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op woensdag 21 mei 2008 des ochtends te 10.30 uur door Rianne Gertruda van Melik geboren op 7 juli 1980 te Horst titelblad-van Melik.indd 1 27-03-2008 13:45:15 Promotor: Prof.dr. J. van Weesep Co-promotor: Dr. I. van Aalst titelblad-van Melik.indd 2 27-03-2008 13:45:15 Changing public space proefschrift-van Melik.indd 1 27-03-2008 13:41:16 Nederlandse Geografische Studies / Netherlands Geographical Studies Redactie / Editorial Board Drs. J.G. Borchert (Editor in Chief ) Prof. Dr. J.M.M. van Amersfoort Dr. P.C.J. Druijven Prof. Dr. A.O. Kouwenhoven Prof. Dr. H. Scholten Plaatselijke Redacteuren / Local Editors Drs. R. van Melik, Faculteit Geowetenschappen Universiteit Utrecht Dr. D.H. Drenth, Faculteit der Managementwetenschappen Radboud Universiteit Nijmegen Dr. P.C.J. Druijven, Faculteit der Ruimtelijke Wetenschappen Rijksuniversiteit Groningen Drs. F.J.P.M. Kwaad, Fysich-Geografisch en Bodemkundig Laboratorium Universiteit van Amsterdam Dr. L. van der Laan, Economisch-Geografisch Instituut Erasmus Universiteit Rotterdam Dr. J.A. van der Schee, Centrum voor Educatieve Geografie Vrije Universiteit Amsterdam Dr. F. Thissen, Afdeling Geografie, Planologie en Internationale Ontwikkelingsstudies Universiteit van Amsterdam Redactie-Adviseurs / Editorial Advisory Board Prof. Dr. G.J. -
The Bay Area’S Modern Landscape Legacy
SPUR and The Cultural Landscape Foundation Symposium, September 15, 2011 The Bay Area’s Modern Landscape Legacy Sasaki, Walker Associates and The SWA Group-Kalvin Platt 1. Foothill College (1959) Peter Walker came out to California from the Sasaki, Walker Associates office in Watertown , Massachusetts to set up a San Francisco office in 1959 to oversee the construction of Foothill College, a brand new community college for 3500 students. Hideo Sasaki at that time was the head of the Landscape Program at the Harvard Graduate School of Design and he kept the Watertown office going. Foothill College was on a hillside site in Los Altos Hills and the site was graded so the clusters of pavilion like college buildings designed by Ernest Kump were situated on the higher ground in a car free pedestrian environment with varied open spaces. Parking, road access and support uses were below and were connected by ramps and stairs. 2. Golden Gateway, San Francisco, California (1960) The office soon was part of a winning submission for a 10 acre redevelopment project, in Downtown San Francisco, working with William Wurster, the dean of Bay Area Style architects and DeMars and Reay. The old produce market was replaced by tall residential towers surrounded by town houses on a second level podium with parking below and retail at the street frontage. The blocks were connected by pedestrian bridges. 3. One Maritime Plaza (1964) Another part of the San Francisco Downtown redevelopment, connected by pedestrian bridges to the residential areas was an office building by Skidmore, Owens and Merrill which included retail uses on the podium over a parking structure. -
Stanford Auctioneers Fine Art, Pop Art, Photographs: Day 1 of 3 Friday – January 26Th, 2018
Stanford Auctioneers Fine Art, Pop Art, Photographs: Day 1 of 3 Friday – January 26th, 2018 www.stanfordauctioneers.com | [email protected] 1: PAUL KLEE - "M" Garden Gate ["Portail du jardin M"] USD 300 - 400 Paul Klee (Swiss/German, 1879 - 1940). ""M" Garden Gate ["Portail du jardin M"]". Original color collotype. 1932. Printed 1957. Signed in the image, lower left. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 8 5/16 x 9 3/16 in. (211 x 233 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II and its aftermath until 1957. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [23634-2-225] 2: ANDY WARHOL - $$ [dollar signs] USD 4,000 - 5,000 Andy Warhol (American, 1928 - 1987). "$$ [dollar signs] [drawing]". Marker drawing on paper. c1979. Signed in black marker, lower center. White wove bond paper. The "full sheet". Fine condition. Provenance: Private collector, Sweden, acquired c.1991 possibly from Frederick W. Hughes (Warhol's business manager); thence to our consignor. Overall size: 11 x 8 1/2 in. (279 x 216 mm). Marker drawings of dollar signs by Warhol are scarce/rare. Our example is rare as it was drawn on Warhol’s “Andy Warhol Enterprises, Inc.” letterhead at the Factory (or as it was known then, “the office”). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Conditions of the Hong Kong Section: Spatial History and Regulatory Environment of Vertically Integrated Developments Permalink https://escholarship.org/uc/item/43t4721n Author Tan, Zheng Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Conditions of the Hong Kong Section: Spatial History and Regulatory Environment of Vertically Integrated Developments A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Zheng Tan 2014 © Copyright by Zheng Tan 2014 ABSTRACT OF THE DISSERTATION Conditions of the Hong Kong Section: Spatial History and Regulatory Environment of Vertically Integrated Developments by Zheng Tan Doctor of Philosophy in Architecture University of California, Los Angeles, 2014 Professor Dana Cuff, Chair This dissertation explores the urbanism of Hong Kong between 1967 and 1997, tracing the history of Hong Kong’s vertically integrated developments. It inquires into a Hong Kong myth: How can minimum state intervention gather social resources to build collective urban form? Roughly around the MacLehose Era, Hong Kong began to consciously assume a new vertical order in urban restructuring in order to address the issue of over-crowding and social unrest. British modernist planning provided rich approaches and visions which were borrowed by Hong Kong to achieve its own planning goals. The new town plan and infrastructural development ii transformed Hong Kong from a colonial city concentrated on the Victoria Harbor to a multi-nucleated metropolitan area. The implementation of the R+P development model around 1980 deepened the intermingling between urban infrastructure and superstructure and extended the vertical urbanity to large interior spaces: the shopping centers.