Kettle, Thomas Michael (‘Tom’) by Donal Lowry
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The Great War in Irish Poetry
Durham E-Theses Creation from conict: The Great War in Irish poetry Brearton, Frances Elizabeth How to cite: Brearton, Frances Elizabeth (1998) Creation from conict: The Great War in Irish poetry, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/5042/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Creation from Conflict: The Great War in Irish Poetry The copyright of this thesis rests with the author. No quotation from it should be published without the written consent of the author and information derived from it should be acknowledged. Frances Elizabeth Brearton Thesis submitted for the degree of Ph.D Department of English Studies University of Durham January 1998 12 HAY 1998 ABSTRACT This thesis explores the impact of the First World War on the imaginations of six poets - W.B. -
Francis Sheehy-Skeffington, in Dark and Evil Days (1916), with a Biographical Preface by Hanna Sheehy-Skeffington; Richard Ellmann, James Joyce (1982, Rev
Skeffington, Francis Sheehy- by Patrick Maume Skeffington, Francis Sheehy- (1878–1916), radical, was born Francis Skeffington on 23 December 1878, in Bailieborough, Co. Cavan, only child of Joseph Bartholomew Skeffington, inspector of schools, and his wife Rose Magorian. He was brought up in Downpatrick, Co. Down. Educated privately by his father, he was emotionally closer to his mother, who came from a poor farming family and was eighteen years older than the forceful husband whose condescension she endured. J. B. Skeffington believed education, logic and discipline solved all problems and his son brought these characteristics into conflict with some of his father's beliefs. From the age of 11, W. T. Stead's Review of Reviews became the boy's ‘bible’. Through Stead he adopted J. S. Mill's feminism and the belief that women's suffrage was vital for the triumph of social reform and public probity. Many of his opinions and exhibitionist tactics derive from Stead, who perished in 1912 on the Titanic. Skeffington studied modern languages at UCD from 1896 to 1902, graduating BA (1900) and MA (1902). He arrived in college as a non-smoking teetotaller, vegetarian and anti-vivisectionist, pacifist and feminist. His non-conformity was marked by his refusal to shave and distinctive garb, a rough tweed suit with knee-breeches, a collarless shirt, long stockings and large boots. College contemporaries were amused and intimidated by his tendency to take casual remarks as expressions of heartfelt opinion, engaging the speaker in fierce argument or pressing him to defend his views in public. Skeffington took a leading role in reviving the college Literary and Historical Society, becoming auditor for 1897–8, having beaten James Fitzgerald-Kenney (qv) by one vote. -
The George Russell Collection at Colby College
Colby Quarterly Volume 4 Issue 2 May Article 6 May 1955 The George Russell Collection at Colby College Carlin T. Kindilien Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 4, no.2, May 1955, p.31-55 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Kindilien: The George Russell Collection at Colby College Colby Library Quarterly 3 1 acted like a lot of bad boys in their conversation with each other but they did it in beautiful English. I never knew AE to tell a story which was in the slightest degree off color or irreverent. And yet, of an evening, he could grip your closest attention as you listened steadily to an endless flow of words from nine in the evening till two in the morn ing. In 1934 Mary Rumsey offered to pay AE's expenses to come to this country to consult with the Department of Agriculture. Robert Frost was somewhat annoyed because he felt we should have called him in rather than AE. At the moment, however, AE, when talking to our Exten sion people, furnished a type of profound inspiration which I thought was exceedingly important. He worked largely out of the office of M. L. Wilson, who later became Under-Secretary of Agriculture and Director of Extension. In this period I had him out to our apartment with Justice Stone, the Morgenthaus, and others. -
The Afterlives of the Irish Literary Revival
The Afterlives of the Irish Literary Revival Author: Dathalinn Mary O'Dea Persistent link: http://hdl.handle.net/2345/bc-ir:104356 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2014 Copyright is held by the author, with all rights reserved, unless otherwise noted. Boston College The Graduate School of Arts and Sciences Department of English THE AFTERLIVES OF THE IRISH LITERARY REVIVAL a dissertation by DATHALINN M. O’DEA submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy August 2014 © copyright by DATHALINN M. O’DEA 2014 Abstract THE AFTERLIVES OF THE IRISH LITERARY REVIVAL Director: Dr. Marjorie Howes, Boston College Readers: Dr. Paige Reynolds, College of the Holy Cross and Dr. Christopher Wilson, Boston College This study examines how Irish and American writing from the early twentieth century demonstrates a continued engagement with the formal, thematic and cultural imperatives of the Irish Literary Revival. It brings together writers and intellectuals from across Ireland and the United States – including James Joyce, George William Russell (Æ), Alice Milligan, Lewis Purcell, Lady Gregory, the Fugitive-Agrarian poets, W. B. Yeats, Harriet Monroe, Alice Corbin Henderson, and Ezra Pound – whose work registers the movement’s impact via imitation, homage, adaptation, appropriation, repudiation or some combination of these practices. Individual chapters read Irish and American writing from the period in the little magazines and literary journals where it first appeared, using these publications to give a material form to the larger, cross-national web of ideas and readers that linked distant regions. -
Hanna Sheehy Skeffington, Feminism and the Irish Revolution
Book Review: Fearless Woman: Hanna Sheehy Skeffington, Feminism and the Irish Revolution walkeddedicatedcithar e11On could. the the second pacifist, two miles day pleaded offrom the their withRising citizenshome in 1916, in to Rathmines stopHanna looting and to Francis thethe Cityabandoned Sheehy Centre. Skeffington Frank,shops ofa the On her arrival she was surprised to find her cherished 75-year-old uncle Father Eugene Sheehy playing an active role alongside Pearse and Clarke. At 5.30pm that afternoon, Francis and Hanna met at the offices of the Irish Women’s Franchise League (IWFL). They were aware of the growing risk of roaming the streets and so Hanna made for home, with Francis to follow later. In Fearless Woman, Margaret Ward utilises a significant body of primary source material to produce a revealing insight into a towering figure in Irish history. That was the last time the young married couple saw each other. Frank was arrested by British soldiers that evening as he walked home. They mistook him for one of the rebels and shot him that night in the yard of Portobello barracks. Months later, when a friend wrote to her asking how she was coping with the grief, she replied ‘Sometimes it is harder to live for a cause than to die for it’. In Fearless Woman, Margaret Ward utilises a significant body of primary source material to produce a revealing insight into a towering figure in Irish history. Born Hanna Sheehy in 1877, daughter of Home Rule Party MP David Sheehy, she married Belfast journalist Francis ‘Skeffy’ Skeffington in 1903. -
Archipelagic Poetry of the First World War David Goldie for Well Over A
Archipelagic Poetry of the First World War David Goldie For well over a century before the First World War, the British Army had played a significant role in cementing the Union of Great Britain and Ireland, offering escape, a way out of poverty, or the opportunity of adventure for young men from the impoverished regions and smaller nations of the United Kingdom. Scots and Irish soldiers in particular were mainstays of the Victorian army, at times almost outnumbering English soldiers in the ranks. In the twenty years leading up to the war many of the military’s decision-makers had significant Irish or Scottish connections. Several Commanders-in-Chief of the Army in this period, including Viscount Wolseley and Roberts, were Irish and another, Lord Kitchener, had been born in Ireland. The man responsible for building the modern army as the Secretary of State for War in the decade before the war, Viscount Haldane, was a Scot. The first commander of the British Expeditionary Force, Field Marshal Sir John French came from an old Anglo-Irish family and its second, Field Marshal Sir Douglas Haig, was a Scot. A smattering of key generals, such as General Sir Ian Hamilton, who commanded the Dardanelles campaign, were Scots or Irish: of the five wartime Chiefs of the Imperial General Staff two, General Sir Charles Douglas and Lieutenant General Sir James Wolfe-Murray, were Anglo-Scots and another, General Sir Henry Wilson, was an Ulsterman. The Army before and during the war was, then, perhaps one of the most fully integrated structures of the British state, and one in which the dominant ruling-class English voice was strongly inflected by the diverse accents of its Celtic fringes. -
Download in English +
www.ucd.ie/centenaries 2 / UCD DECADE OF CENTENARIES 1912-1923 EVENTS TIMELINE / 3 Events Key UCD EVENT NATIONAL EVENT INTERNATIONAL EVENT UCD Commemorating the Decade of Centenaries 100 years ago, as the steps towards independence gathered momentum, many staff, students and graduates of University College Dublin played a pivotal role in the discourse and actions that took place. Today, University College Dublin continues to value the ethos of justice and equality, alongside a sense of cultural identity that shapes our thinking and prompts our debate. As a major holder of archives of national and international significance relating to the period 1912 to 1923, our vision for these commemorations is to inform national debate and understanding with an objective scholarly voice, in a manner that brings education and new perspectives to the fore. We will achieve this through public engagement, scholarly output and promotion of our rich archives. 1912 – 1923 events timeline was compiled by Dr Conor Mulvagh, Lecturer in Irish History with special responsibility for the Decade of Commemorations, UCD School of History & Archives and UCD History graduate Colm O’Flaherty and details the key events for the period, highlighting some of the rich resources available in UCD. Translation into Irish by Cathal Billings PhD, lecturer, UCD de Bhaldraithe Centre for Irish Language Scholarship, UCD School of Irish, Celtic Studies, Irish Folklore and Linguistics. 4 / UCD DECADE OF CENTENARIES 1912-1923 EVENTS TIMELINE / 5 1913 1914 1915 1916 1917 1918 1919 1920 1921 1922 1923 1912 1st January 1912 11th April 1912 UCD EVENT NATIONAL EVENT THOMAS MACDONAGH HOME RULE BILL NEWLY APPOINTED INTRODUCED TO THE AT UCD HOUSE OF COMMONS After completing his MA, MacDonagh is appointed Assistant Prime Minister Herbert Henry Asquith introduces the Third Professor of English at the end of 1911. -
The Irish Volunteers in North Co. Dublin, 1913-17
Title The Irish Volunteers in north Co. Dublin, 1913-17 By Peter Francis Whearity SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MA IN LOCAL HISTORY DEPARTMENT OF HISTORY NATIONAL UNIVERSITY OF IRELAND MAYNOOTH Supervisor of research: Dr Terence A. Dooley December 2011 Contents Page Illustrations iii Abbreviations iv Acknowledgment v Map 1 specifically made for this study vi Map 2 Ordnance Survey of Ireland, Townland Index, for County Dublin vii Introduction 1 Chapter 1 The formation of the Irish Volunteer movement 10 Chapter 2 The National Volunteer movement 28 Chapter 3 The Redmondite-split and its aftermath 47 Chapter 4 The 1916 Rising in north County Dublin 68 Chapter 5 The aftermath of the Rising 88 Conclusion 111 Appendix 121 Bibliography 134 List of Tables Table 1 Irish Volunteer companies formed in north County Dublin up to 11 June 1914 27 Table 2 Irish national Volunteer companies formed after 11 June 1914 45 Table 3 National Volunteer companies at the time of the Redmondite-split 58 Table 4 County Dublin Volunteer membership figures for the period beginning July 1914, until Apr. 1916 67 Table 5 Places in north County Dublin from where arrested men came from after the Rising 90 i Table 6 Age profiles of north County Dublin men arrested after the Rising 92 Table 7 Marital status of north County Dublin men arrested after the 1916 Rising 93 Table 8 Occupational profiles of north County Dublin men arrested after the Rising 94 Table 9 Category A prisoners from north County Dublin after the Rising 96 Table 10 Category B prisoners from north County Dublin after the Rising 97 Table 11 Category C prisoners from north County Dublin after the Rising 98 Table 12 Classification of arrested north County Dublin men on R.I.C. -
ISSN: 2320-5407 Int. J. Adv. Res. 7(7), 719-721 RESEARCH ARTICLE
ISSN: 2320-5407 Int. J. Adv. Res. 7(7), 719-721 Journal Homepage: -www.journalijar.com Article DOI:10.21474/IJAR01/9416 DOI URL: http://dx.doi.org/10.21474/IJAR01/9416 RESEARCH ARTICLE J. M. SYNGE AND THE IRISH DRAMATIC MOVEMENT Indrajit Kundu1 and Dr. Mirza Maqsood Baig2. 1. Research Scholar, Department of English, Sri Satya Sai University of Technology and Medical Sciences, Sehore, Madhya Pradesh. 2. PhD Supervisor, Department of English, Sri Satya Sai University of Technology and Medical Sciences, Sehore, Madhya Pradesh. …………………………………………………………………………………………………….... Manuscript Info Abstract ……………………. ……………………………………………………………… Manuscript History Received: 20 May 2019 Final Accepted: 22 June 2019 Published: July 2019 Copy Right, IJAR, 2019,. All rights reserved. …………………………………………………………………………………………………….... Introduction:- Synge was a key figure in the Irish national theatre movement. When the Abbey Theatre opened in 1904, Synge was to be one of its founding directors together with Yeats and Yeats‘s close friend and collaborator Lady Gregory. In fact, as he was the only one of the three directors who actually lived in Dublin – with his mother, having given up his flat in Paris – he often had most to do with the day to day running of the theatre. He was very friendly with W.G. and Frank Fay, the two brothers who led the acting company; he fell in love and became engaged to the young actor Molly Algood, who used the stage name of Maire O‘Neill. While Yeats and Gregory had been instrumental in conceiving and establishing the national theatre movement, Synge was the first major practicing playwright the movement produced. Along with the development of the nationalistic prose-drama or the drama of ideas, the revival of poetic drama also took place. -
Christianity, Paganism and Celtic Mythology in the Plays of JM Synge
! " # $ ! "%" &" $ ! "' ( ) * " + , " - . /# 0 / /1 2 2 / "' ( + ) " , "! - 1 3 ' * 4- 5 6 7 5 " & $ - & 6 89"' * $ # # & , " !!" !"!" # # ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-" % . %:=9: /- >:=9?4& )*5/ +) "3 " & :=9? CONTENTS Page No. Chapter One 3- 32 Introduction The Genesis of the Native Culture of Ireland: Birth of a Civilisation 3 The ‘Dark Ages’ of Irish Culture 12 Celtic Revival: The Phoenix Reborn 18 John Millington Synge and the New Theatre Movement 22 Chapter Two 33- 82 Synge’s Treatment of Christianity and Paganism: Return to the Primitive World of Rituals Pre-Christian Ireland: Celtic Paganism 33 Arrival of Christianity in Ireland 38 “The lord protect us from the saints of god”: -
George Russell 'AE' Lurgan Historic Walk Guide
George Russell ‘AE’ Lurgan Historic Walk Guide Brian McKernan Funded by the National Lottery Supported by Introduction George Russell is probably the most distinguished son of Lurgan in the town’s entire 400 year history. He was known popularly as ‘AE’1 and was a celebrated painter, poet, editor, land reformer, political thinker, visionary mystic and philosopher. He was a leader of Ireland’s literary revival and a voice of reason and wisdom throughout Ireland’s turbulent years in the period from 1890 to 1930. AE was born at 12 William Street Lurgan on 10th April 1867 into a lower middle-class Ulster Protestant family. A blue plaque marks the house. He was baptised in Shankill Parish Church and spent eleven formative years in Lurgan. His family later lived at the North Street gate lodge of the Brownlow estate and young George attended the Model school in Brownlow Terrace. Although his family moved to Dublin in 1878, AE never lost his Northern connection. He frequently visited family and friends in Lurgan, Drumgor and Armagh city. He went on to become one of the most remarkable and inspirational personalities in Ireland and in the wider world. When he died in England in 1935, the ship transporting his body back to Ireland was given a flying escort that dipped in salute as it reached the harbour. After lying in State at the headquarters of the Irish cooperative movement an estimated 500,000 people attended his funeral procession in Dublin. 1 Russell used to write under different pen-names, one of which was ‘Aeon’. -
The Candle of Vision
THE CANDLE OF VISION BY Æ (George William Russell) "The spirit of man is the candle of the Lord." — Proverbs. "When his candle shined upon my head and by his light I walked through darkness." — Jot- MACMILLAN AND CO., LIMITED ST.. MARTIN STREET, LONDON 1920 COPYRIGHT First edition October 1918 Reprinter November 1918, January, February, August 1919 1920 This e-book has been prepared by Auro e-Books, an international website dedicated to e-books on Well-Being and Spirituality. Discover more e-books and other activities on our website: www.auro-ebooks.com Ebook Edition 2016 TO JAMES STEPHENS BEST OF COMPANIONS PREFACE When I am in my room looking upon the walls I have painted I see there reflections of the personal life, but when I look through the windows I see a living nature and landscapes not painted by hands. So, too, when I meditate I feel in the images and thoughts which throng about me the reflections of personality, but there are also windows in the soul through which can be seen images created not by human but by the divine imagination. I have tried according to my capacity to report about the divine order and to discriminate between that which was self-begotten fantasy and that which came from a higher sphere. These retrospects and meditations are the efforts of an artist and poet to relate his own vision to the vision of the seers and writers of the sacred books, and to discover what element of truth lay in those imaginations. A. E. CONTENTS The Candle of Vision.....................................................................................................................