Shame in the Presence Or Absence of God in Stephen Ministry

Total Page:16

File Type:pdf, Size:1020Kb

Shame in the Presence Or Absence of God in Stephen Ministry Wilfrid Laurier University Scholars Commons @ Laurier Theses and Dissertations (Comprehensive) 2018 SHAME IN THE PRESENCE OR ABSENCE OF GOD IN STEPHEN MINISTRY Richard Tamas [email protected] Follow this and additional works at: https://scholars.wlu.ca/etd Part of the Counseling Commons, and the Religion Commons Recommended Citation Tamas, Richard, "SHAME IN THE PRESENCE OR ABSENCE OF GOD IN STEPHEN MINISTRY" (2018). Theses and Dissertations (Comprehensive). 2017. https://scholars.wlu.ca/etd/2017 This Dissertation is brought to you for free and open access by Scholars Commons @ Laurier. It has been accepted for inclusion in Theses and Dissertations (Comprehensive) by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. SHAME IN THE PRESENCE OR ABSENCE OF GOD IN STEPHEN MINISTRY by Richard Andrew Tamas Master of Divinity, University of Toronto, 2003 Bachelor of Fine Arts with Honours, Ryerson University, 2012 Bachelor of Arts, University of Toronto, 1976 DISSERTATION Submitted to the Faculty of Waterloo Lutheran Seminary in partial fulfillment of the requirements for Doctor of Philosophy in Human Relationships: Spiritual Care and Psychotherapy Wilfrid Laurier University © Richard Andrew Tamas 2018 Abstract This hermeneutical phenomenological study explores the lived experience of shame in relation to the presence or absence of God in the caregiving process of Stephen Ministry. Stephen Ministers are trained Christian caregivers who walk side-by-side with those who are struggling in a congregation. Stephen Ministers are trained by Stephen Leaders who have completed the Stephen Ministry Leadership training program. A concern for an assurance of quality of care led to the research question: what is the lived experience of unacknowledged or unprocessed shame in the presence or absence of God experienced by Stephen Ministers who offer Christian care? The foundations of the study rest in the four domains of the literature reviewed: shame and image of God, personality type, faith development, and spirituality. The results revealed an inter-relationship between the lived experience of shame, as the disintegration of one’s felt sense of self in relation to a dysregulating other, and the presence or absence of God. Future research is recommended in each domain of research that would lead to a clearer understanding of shame in the process of Christian care. Keywords: shame, image of God, spirituality, personality type, Stephen Ministry. i Acknowledgments I would like to thank the faculty of Wilfrid Laurier University and all who have helped me reach this point in my academic career. My heartfelt appreciation goes to my thesis advisor, Rev. Dr. Brice Balmer, and to the members of my dissertation committee, Rev. Dr. Mark Harris, Rev. Dr. Kristine Lund, Dr. Christopher Ross, and Dr. Carol Penner. Thank you for your support and guidance. I would also like to extend a special thank you to Rev. Dr. Lawrence A. Beech and A. Ross Gibson for their encouragement and mentorship as registered psychotherapists working with clients struggling with shame. ii TABLE OF CONTENTS List of Tables .......................................................................................................... xi List of Appendices ................................................................................................ xii Chapter 1 ............................................................................................................... 1 Stephen Ministry ............................................................................................ 2 A brief history of Stephen Ministry. ..................................................... 2 A bible-based ministry. ......................................................................... 3 The process of Stephen Ministry. ......................................................... 4 The Research Problem ................................................................................... 4 Background to the Study ............................................................................... 5 The Purpose Statement .................................................................................. 7 Research question. ................................................................................ 7 Towards an Operational Definition of Shame ............................................... 7 A relational dynamic of shame. ............................................................ 9 Definition of Shame ..................................................................................... 10 Indications of Shame ....................................................................................11 Karen Horney and shame anxiety........................................................11 Shame-rage. ........................................................................................ 12 Right-brain dysregulation. .................................................................. 12 Varieties of shame. ............................................................................. 13 A Difficult Story to Tell ............................................................................... 13 Definition of Terms ...................................................................................... 14 The experience of guilt. ...................................................................... 14 Definition of image of God. ............................................................... 15 Definition of lay caregiving. .............................................................. 16 Significance of the Study ............................................................................. 16 Scholarly research. ............................................................................. 16 Lay caregiving .................................................................................... 17 Overview of the Study ................................................................................. 17 iii Chapter Summary ........................................................................................ 18 Chapter 2. Literature Review ............................................................................ 19 Overview of Four Domains of Literature .................................................... 19 First Domain: Shame and Image of God ..................................................... 20 God representation ............................................................................. 21 God concept and God image .............................................................. 24 God image and pathology .................................................................. 25 Attachment theory. ............................................................................. 26 Second Domain: Shame and Spirituality ..................................................... 27 Spirituality and health. ....................................................................... 28 Spirituality and religion. ..................................................................... 30 Pastoral Care and Cultures of Shame .......................................................... 33 Pastoral Care and Human Brokenness ......................................................... 34 Wintry Spirituality ....................................................................................... 34 Absence and the cross. ....................................................................... 35 Third Domain: Shame and Personality Type ............................................... 36 Fourth Domain: Shame and Faith Development ......................................... 37 Fowler and shame. ............................................................................. 38 Fowler and pastoral care. ................................................................... 38 Theoretical Elements and Shame Theorists ................................................. 39 Gershen Kaufman. .............................................................................. 39 Stephen Pattison. ................................................................................ 40 John Bradshaw.................................................................................... 41 Brené Brown. ..................................................................................... 42 Patricia DeYoung. .............................................................................. 42 Summary and Research Question ................................................................ 43 Research question. .............................................................................. 44 Chapter 3. Methodology ..................................................................................... 45 The Interpretive Framework ........................................................................ 45 iv Social Constructivism .................................................................................. 46 Philosophical assumptions of social constructivism .......................... 46 Meaning-Making in Social Constructivism ................................................. 47 A Phenomenological Approach ................................................................... 48 Background of phenomenology. ........................................................ 48 Phenomenological process ................................................................. 50 Characteristics of phenomenology. ...................................................
Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • You Say Goodbye, I Say Tony & Kris Together Again for the First Time
    July 17, 2017, Issue 559 Together Again For The First Time There’s more to the new WWYZ/Hartford morning pairing than the typical late career format jump. Many years ago, Cory Myers met a friend at the suburban Hartford nightclub Fantasia. While there, she had a conversation with the booth deejay about her interest in radio. Myers spent a year-and-a-half as an intern for that deejay, Damon Scott, at Hot AC WTIC-FM before mov- ing on to a career that culminated in her now two-decade run at crosstown Country WWYZ. Last month, Scott joined Myers in mornings at WWYZ. As for the club, it’s now called Cadillac Ranch. And, yes, they play country. Cory Myers Chemistry Lab: With their history, Scott and Myers have an obvious chemistry that may actually be combustible. “I have a couple of working titles for this story,” jokes Scott. “’The Future of Country Music’ or ‘Two Mete- ors Collide.’” With that, he and Myers are off My Guy: The Curb crew celebrates Dylan Scott’s first No. 1 “My to the races, finishing each other’s sentences Girl” today in Nashville. Pictured (l-r) are Jim Ed Norman, Mike without skipping a beat. Rogers, Scott, Taylor Childress, Ryan Dokke and RJ Meacham. Scott left his afternoon post at CBS Radio See the whole Curb family on page 7. Damon Scott last month after 28 years. “I can’t say enough about how they treated me,” says Scott. “Not only did they let me do my last show, they threw a party for me.
    [Show full text]
  • ARIA Charts, 1993-01-10 to 1993-04-18
    4 i Enjoy iian /21.'oril industty %s °clai!? m 1'3 A U S T R A L I A N SINGLES CHART ALBUMS CHART TW LW TI TITLE / ARTIST TW LW TI TITLE / ARTIST 1 1 6 I WILL ALWAYS LOVE YOU Whitney Houston A BMG 4321120654 *1 3 4 STILL THE 12TH MAN The Twelfth Man A2 EMI 8141392 *2 12 7 YOU DON'T TREAT ME NO GOOD Sonia Dada • FES C 12078 *2 10 11 TIMELESS (THE CLASSICS) Michael Bolton A COL/SONY 472302.2 3 2 14 END OF THE ROAD Boyz II Men A PDR/POL 8600644 3 1 10 ABBA GOLD • GREATEST HITS ABBA A2 PDR/POL 5172752 4 4 10 ACCIDENTLY KELLY STREET Frente A VVHUFES C 12063 *4 14 17 UNPLUGGED Eric Clapton A WARNER 9362450242 5 3 10 WOULD I LIE TO YOU? Charles & Eddie • EMI 8802284 *5 23 4 THE BODYGUARD Soundtrack BMG 7822186992 6 7 25 NOVEMBER RAIN Guns n' Roses A GEF/BMG GEFCS19067 6 7 6 MARVIN THE ALBUM Frente A WHI/FES D 93367 *7 18 7 DECEMBER 1963 (OH WHAT A NIGHT) The Four Seasons SONY 658441.8 7 5 9 THE ESSENTIAL COLLECTION Joe Cocker A EMI 7807572 8 5 20 ACHY BREAKY HEART Billy Ray Cyrus A2 PHON/POL 8640554 *8 16 10 COOLEYHIGHHARMONY Boyz II Men A PDR/POL 530 089-2 9 6 18 THE DAY YOU WENT AWAY Wendy Matthews • WARNER 4509905224 9 2 9 GLITTERING PRIZE 81.92 Simple Minds A VIR/EMI 7865082 10 10 9 TEQUILA A.L.T.
    [Show full text]
  • Logotipo El Siglo De Durango NUEVO DISEÃ'o
    4 JUEVES 30 DE ENERO DE 2014 TÍMPANO TRADICIÓN Y VERDAD Lanzará versión en vivo de Off the ground AGENCIAS in the Dirt” (1989) , mostraba México D.F. el creciente interés del can- tante por los temas sociales, Paul McCartney lanzará el como muestran los “himnos próximo 18 de febrero una para un mundo mejor” de reedición especial “grabada “Hope of Deliverance” y en vivo” de su noveno álbum, “C’mon People” o el “rock an- “Off the ground” , publicado ticrueldad animal” de “Loo- en 1993. king for Changes” . McCartney (Liverpool, Paul McCartney, cantan- Reino Unido, 1942) quería te y guitarra de The Beatles, que el disco fuera realizado compuso junto a Lennon la en directo en el estudio, por mayor parte de los temas de lo que la banda ensayaba el la banda británica, aunque tema y, posteriormente, lo algunos de los más emblemá- grababa en una sola toma, en ticos, como “Let it be” , “Yes- vez de registrar cada pista terday” o “Hey Jude” , fue- vocal e instrumental por se- ron creados por McCartney. parado, ha informado en un Tras la disolución del comunicado la discográfica grupo, el músico comenzó su Universal. carrera en solitario, publi- Este proceso ha dado una cando en 1971 “Ram” , junto “nueva sensación cruda y di- a su mujer Linda, y con una recta a la obra” , declaran. nueva banda, Wings, integra- AGENCIAS “Off the ground” , publi- da por ella, Denny Laine y cado tras el éxito de “Flowers Denny Seiwell. AGENCIAS Deseo. McCartney quería que el disco fuera realizado en directo en el estudio Colaboración.
    [Show full text]
  • Stardigio Program
    STARdigio チャンネル:450 洋楽アーティスト特集 放送日:2018/10/01~2018/10/07 「番組案内 (8時間サイクル)」 開始時間:4:00~/12:00~/20:00~ 楽曲タイトル 演奏者名 ■PAUL McCARTNEY 特集 (1) EVERY NIGHT PAUL McCARTNEY JUNK PAUL McCARTNEY MAYBE I'M AMAZED [恋することのもどかしさ] PAUL McCARTNEY ANOTHER DAY PAUL & LINDA McCARTNEY TOO MANY PEOPLE PAUL & LINDA McCARTNEY UNCLE ALBERT / ADMIRAL HALSEY PAUL & LINDA McCARTNEY EAT AT HOME [出ておいでよお嬢さん] PAUL & LINDA McCARTNEY THE BACK SEAT OF MY CAR PAUL & LINDA McCARTNEY GIVE IRELAND BACK TO THE IRISH(アイルランドに平和を) PAUL McCARTNEY & WINGS MARY HAD A LITTLE LAMB(メアリーの子羊) PAUL McCARTNEY & WINGS LOVE IS STRANGE PAUL McCARTNEY & WINGS TOMORROW PAUL McCARTNEY & WINGS HI, HI, HI PAUL McCARTNEY & WINGS C MOON PAUL McCARTNEY & WINGS ONE MORE KISS PAUL McCARTNEY & WINGS MY LOVE PAUL McCARTNEY & WINGS ■PAUL McCARTNEY 特集 (2) LIVE AND LET DIE (007/死ぬのは奴らだ) PAUL McCARTNEY & WINGS Helen Wheels [愛しのヘレン] PAUL McCARTNEY & WINGS BAND ON THE RUN PAUL McCARTNEY & WINGS JET PAUL McCARTNEY & WINGS Bluebird PAUL McCARTNEY & WINGS Mrs. Vandebilt PAUL McCARTNEY & WINGS Let Me Roll It PAUL McCARTNEY & WINGS Mamunia PAUL McCARTNEY & WINGS Nineteen Hundred And Eighty Five [西暦1985年] PAUL McCARTNEY & WINGS Venus And Mars WINGS(PAUL McCARTNEY) Rock Show WINGS(PAUL McCARTNEY) Letting Go (ワインカラーの少女) WINGS(PAUL McCARTNEY) Listen To What The Man Said (あの娘におせっかい) WINGS(PAUL McCARTNEY) Treat Her Gently - Lonely Old People WINGS(PAUL McCARTNEY) ■PAUL McCARTNEY 特集 (3) JUNIOR'S FARM PAUL McCARTNEY & WINGS SALLY G PAUL McCARTNEY & WINGS LET 'EM IN(幸せのノック) WINGS(PAUL McCARTNEY) SILLY LOVE SONGS(心のラヴ・ソング) WINGS(PAUL
    [Show full text]
  • T\ \Yft(F WESTWOOD ONE COMPANIES
    J)Y!t\ \Yft(f WESTWOOD ONE COMPANIES 9540 Washington Boulevard • Culver City, California 90232-2689 • (310) 204-5000 Casey's Countdown Show #93-09 for broadcast the weekend of February 27 /28, 1993 . *** Disc One *** lncue: "And now the Westwood One ... " Seg 1 -11:07 Track 1 Open Bbds.: Nestle Crunch, Trident, U.S. Army, Mounds/Almond Joy Content: #25. No Ordinary Love / Sade #24. I'm Every Woman / Whitney Houston Commercials: :30 Nestle Crunch :30 Trident :30 Lifesavers Holes Outcue: " ... put the holes in the ... " (music out) Local Break 1 :30 I Content: #23. Passionate Kisses / Mary-Chapin Carpenter Seg 2 - 16:07 R&D. When I'm Back On My Feet Again / Michael Bolton Track 2 #22. I Have Nothing / Whitney Houston Commercials: :30 York P'mint Patty :30 U.S. Army :30 S.O.S. Pads :30 Reese's PB Cups Outcue: " ... Reese's Peanut Butter Cups." Local Break 1 :00 I Content: #21. Never A Time / Genesis Seg 3 - 9:55 #20. Ordinary World / Duran Duran Track 3 Commercials: :30 Hershey's 5th Ave. :30 Lifesavers Holes :30 Mounds/Almond Joy Outcue: " ... sometimes you don't." Local Break 1 :30 I Content: #19. Somebody Love Me/ Michael W. Smith Seg4-15:51 EXT. Right Here Waiting / Richard Marx Track 4 #18._Come In Out Of The Rain / Wendy Moten Commercials: :30 T.G.I. Friday's :30 Nestle Crunch :30 Wrigley's Big Red :30 Halls Outcue: " ... use only as directed." Local Break 1 :00 I Content: #17. Does Love Not Open Your Eyes / Kurt Howell Seg 5 - 4:04 Track 5 Outcue: Jingle into music bed for local ID Insert local ID over :06 jingle bed *** Casey's Countdown continues on :next page *** .
    [Show full text]
  • KOK Advent Presentation Sunday, December 18Th 10:30 Am
    December 2016 Advent Pot-Luck Supper & Candlelight Prayer Service December 21st More than 800 million people — Everyone is invited to slow down during this busy holiday that’s 1 in 8 people in our world today season, and enjoy a pot-luck meal together at 6:00pm — are hungry. As members of the and then worship at 6:45pm, using the Holden’s Evening ELCA, we are called to respond. We Prayer service. Our Prayer Team will be present to offer are a church that rolls up our sleeves anointing with oil, and laying on of hands with prayer for and gets to work. Working with and healing of body, mind, and spirit. We all have wounds through our congregations, in the and brokenness in our lives. It is important to bring United States, Puerto Rico and the ourselves deliberately and expectantly to Jesus, the U.S. Virgin Islands Lutheran churches great physician. overseas and other partners, ELCA Everyone is encouraged to attend this evening as a World Hunger is uniquely positioned family, this will take the place of H2H Confirmation Class to reach communities in need. From and 5/6 Youth Group this week. Please sign-up (call health clinics to microloans, water 492-2099 or email [email protected]) to bring a wells to animal husbandry, dish to share. Beverages will be provided. community meals to advocacy, your gifts to ELCA World Hunger make it possible for the ELCA to respond, KOK Advent Presentation supporting sustainable solutions that get at the root causes of hunger and Sunday, December 18th 10:30 am poverty.
    [Show full text]
  • Paul Mccartney, 1980-1999
    Paul McCartney from Wings through the 90's McCartney II Columbia FC‐36511 May 21, 1980 About ten years after recording McCartney by himself, Paul got several songs together and recorded them‐‐again alone‐‐on somewhat of a lark. Then Paul embarked on his ill‐fated 1980 tour of Japan (which resulted in his being jailed for drug possession). After returning to the safety of his own home, he was urged to release the album, and he did. The album contrasts well with McCartney, for this second production contains numerous instruments and electronic tricks that were not present on the 1970 release. Side One is particularly interesting. The solo version of "Coming Up" is followed by the fun track, "Temporary Secretary" (released as a single in England). The almost‐lament, "On the Way," is then succeeded by "Waterfalls," Paul's second (US) single from the album. "Bogey Music," from Side Two, is also a standout. John Lennon heard a song from McCartney II and thought that Paul sounded sad. When the album was released in the US, a bonus one‐sided single ‐‐ the hit version of "Coming Up"‐‐was included with the LP. This hit was enough to propel the album to the #3 position on the charts, during a time when disco was now on the wane. "Waterfalls" Columbia 1‐11335 Jul. 22, 1980 The lovely ballad about protectiveness was one of the standouts from McCartney II. After "Coming Up," it received the most airplay and the most positive response from Paul's friends. As a single, though, the song fared poorly, only reaching #83...one of Paul's worst showings to date.
    [Show full text]
  • Bill Harry. "The Paul Mccartney Encyclopedia"The Beatles 1963-1970
    Bill Harry. "The Paul McCartney Encyclopedia"The Beatles 1963-1970 BILL HARRY. THE PAUL MCCARTNEY ENCYCLOPEDIA Tadpoles A single by the Bonzo Dog Doo-Dah Band, produced by Paul and issued in Britain on Friday 1 August 1969 on Liberty LBS 83257, with 'I'm The Urban Spaceman' on the flip. Take It Away (promotional film) The filming of the promotional video for 'Take It Away' took place at EMI's Elstree Studios in Boreham Wood and was directed by John MacKenzie. Six hundred members of the Wings Fun Club were invited along as a live audience to the filming, which took place on Wednesday 23 June 1982. The band comprised Paul on bass, Eric Stewart on lead, George Martin on electric piano, Ringo and Steve Gadd on drums, Linda on tambourine and the horn section from the Q Tips. In between the various takes of 'Take It Away' Paul and his band played several numbers to entertain the audience, including 'Lucille', 'Bo Diddley', 'Peggy Sue', 'Send Me Some Lovin", 'Twenty Flight Rock', 'Cut Across Shorty', 'Reeling And Rocking', 'Searching' and 'Hallelujah I Love Her So'. The promotional film made its debut on Top Of The Pops on Thursday 15 July 1982. Take It Away (single) A single by Paul which was issued in Britain on Parlophone 6056 on Monday 21 June 1982 where it reached No. 14 in the charts and in America on Columbia 18-02018 on Saturday 3 July 1982 where it reached No. 10 in the charts. 'I'll Give You A Ring' was on the flip.
    [Show full text]
  • UC Riverside UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title Silver Lake Adjacent Permalink https://escholarship.org/uc/item/05r7601m Author Doss, Yvette Crystal Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Silver Lake Adjacent A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Fine Arts in Creative Writing and Writing for the Performing Arts by Yvette Crystal Doss June 2012 Thesis Committee: Professor Robin Russin, Chairperson Professor Juan Felipe Herrera Professor Nalo Hopkinson Copyright by Yvette Crystal Doss 2012 The Thesis of Yvette Crystal Doss is approved: Committee Chairperson University of California at Riverside Acknowledgements I want to thank the members of my thesis committee: Robin Russin, Juan Felipe Herrera and Nalo Hopkinson. iv To Chon v TABLE OF CONTENTS Sighting El Viejo 1 Silver Lake Adjacent 20 Currency 52 Dot 57 White Sands 68 The Space Between 83 Yarn 108 Remembering 115 vi Sighting El Viejo I knew El Viejo had ended up on this side of the border, and I had the feeling I might run into him someday. But for the most part, I just didn’t give him much thought. I’d gone thirty years without him in my life, and I could go another thirty. And besides, this side or that, what difference did it make? Growing up, El Viejo, otherwise known as my father, was one thing you just didn’t mention around our house, not if you knew what was good for you.
    [Show full text]
  • Infomail 1456: Dvds Von PAUL Mccartney
    Alter Markt 12 • 06 108 Halle (Saale) • Telefon 03 45 - 290 390 0 : Di., Mi., Do., Fr., Sa., So. und an Feiertagen jeweils von 10 bis 20 Uhr InfoMail 1456: DVDs von PAUL McCARTNEY Hallo M.B.M., hallo BEATLES-Fan, wir haben folgende DVDs mit PAUL McCARTNEY: 3er DVD THE McCARTNEY YEARS. DVD 1: 1. Tug Of War; 2. Say Say Say; 3. Silly Love Songs; 4. Band On The Run; 5. Maybe I'm Amazed; 6. Heart Of The Country; 7. Mamunia; 8. With A Little Luck; 9. Goodnight Tonight; 10. Waterfalls; 11. My Love; 12. C Moon; 13. Baby's Request; 14. Hi Hi Hi; 15. Ebony And Ivory; 16. Take It Away; 17. Mull Of Kintyre; 18. Helen Wheels; 19. I've Had Enough; 20. Coming Up; 21. Wonderful Christmastime. Extra 1: Juniors Farm. Extra 2: Band On The Run. Extra 3: London Town. Extra 4: Oktober 1977: aus Fernsehsendung THE SOUTH BANK SHOW, Großbritannien: Mull Of Kintyre #2. DVD 2: 1. Pipes Of Peace; 2. My Brave Face; 3. Beautiful Night; 4. Fine Line; 5. No More Lonely Nights; 6. This One; 7. Little Willow; 8. Pretty Little Head; 9. Birthday; 10. Hope Of Deliverance; 11. Once Upon A Long Ago; 12. All My Trials; 13. Brown-Eyed Handsome Man; 14. Press; 15. No Other Baby; 16. Off The Ground; 17. Biker Like An Icon; 18. Spies Like Us; 19. Put It There; 20. Figure Of Eight; 21. C'Mon People. Extras: 1. PARKINSON; 2. So Bad. Extra 3: Donnerstag, 28. Juni 2005: CHAOS AND CREATION AT ABBEY ROAD.
    [Show full text]
  • Ani Difranco's Musical Structuring of Subjectivity and Pleasure in Dilate
    Dilating on Life: Ani DiFranco's Musical Structuring of Subjectivity and Pleasure in Dilate. by Adelia Honeywood Harrison B.M., The Eastman School of Music of the University of Rochester, 1993. A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Music; Historical Musicology) We accept thi^thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 2000 © Adelia Honeywood Harrison, 2000 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver, Canada Date Agrii atJmn DE-6 (2/88) Abstract The experience of subjectivity provided by an art form can consist of the sense of "recognizing ourselves, our feelings, our bodies, our beliefs, or our social positions" in the art work (Middleton, 1990). For fans of guitarist-singer-songwriter Ani DiFranco, the identification with a subjective reality experienced in her music is powerful and pleasurable enough to inspire them with ardent devotion. Ani DiFranco's influence may not be simply reduced to her media image as a bisexual feminist, with fanatically obsessive and possessive fans, who has achieved stunning financial success completely independent of any major recording label.
    [Show full text]