Hymn for the Year of Mercy

Total Page：16

File Type：pdf, Size：1020Kb

Hymn for the Year of Mercy The Pontifical Council for the Promotion of the New Evangelization has published on its “Jubilee of Mercy” website the winning entry in an international competition for a hymn setting for the Holy Year of Mercy. The music has been written by NPM member Paul Inwood, an English Catholic liturgical composer well known on both sides of the Atlantic. A substantial number of composers from around the world were invited to submit settings of a text by Eugenio Costa, SJ, to a committee whose members included Monsignor Massimo Palombella, director of the Sistine Chapel Choir, which has recorded the new hymn with Vatican Radio. Links to the score and audio recording are currently on the Pontifical Council’s Italian website at Jubilee of Mercy, and there is a YouTube video available here. Paul explained his composition this way: “The text we were given has a Latin antiphon and Italian verses interspersed with refrains in Latin, like a kind of litany. My music is also a mixture, with elements in the style of a Taizé response and a Gelineau tone. The verses work in any language ― I provided French and English translations ― and I deliberately kept the music very simple so that even the smallest parishes [might] make use of it. There is also some more elaborate music: a brass prelude and interludes, and a choral coda which is included in the recording.” The hymn is currently available in Italian, English, and French, and the author and composer have donated all rights in it to the Pontifical Council to aid its diffusion around the world. The Holy Year begins with the opening of the Holy Door in St Peter’s Basilica, Rome, on December 8, 2015. .

Copy Link

Recommended publications

Presentation of the Jubilee of the Sick and Disabled
N. 160609d Thursday 09.06.2016 Presentation of the Jubilee of the sick and disabled Vatican City, 9 June 2016 – This morning in the Holy See Press Office a press conference was held to present the Jubilee of the sick and disabled (10 to 12 June). The panel was composed of Archbishop Rino Fisichella, president of the Pontifical Council for Promoting New Evangelisation, Bishop José Octavio Ruiz Arenas and Msgr. Graham Bell, respectively secretary and under-secretary of the same dicastery. The Jubilee will begin tomorrow, Friday, with the usual pilgrimage from Castel Sant'Angelo to the Holy Door. Later, at 5 p.m., in the Church of Santa Maria in Vallicella, there will be a catechesis addressed to all and in particular to the deaf and blind, given by the Redemptorist Fr. Cyril Axelrod, also deaf and blind and known throughout the world, especially in China, the United Kingdom and South Africa, for his full commitment to disability issues. The catechesis will be made available in International Sign Language (ISL), in Italian sign language and in tactile sign language. On Saturday 11 there will be two special moments. The first, of a religious nature, will be an appointment in various churches in the city centre from 10 to 11 am., for catechesis offered in various languages and methods of communication, entitled "Mercy, source of joy". In the Church of Sant'Andrea della Valle there will be, in Italian, a symbolic catechesis with a dramatisation of the Gospel reading and various simple gestures to accompany prayer, which will enable those with intellectual disabilities to participate.
[Show full text]
Liszt and Christus: Reactionary Romanticism
LISZT AND CHRISTUS: REACTIONARY ROMANTICISM A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Robert Pegg May 2020 Examining Committee Members: Dr. Maurice Wright, Advisory Chair, Music Studies Dr. Michael Klein, Music Studies Dr. Paul Rardin, Choral Activities Dr. Christine Anderson, Voice and Opera, external member © Copyright 2020 by Robert Pegg All Rights Reserved € ii ABSTRACT This dissertation seeks to examine the historical context of Franz Lizt’s oratorio Christus and explore its obscurity. Chapter 1 makes note of the much greater familiarity of other choral works of the Romantic period, and observes critics’ and scholars’ recognition (or lack thereof) of Liszt’s religiosity. Chapter 2 discusses Liszt’s father Adam, his religious and musical experiences, and his influence on the young Franz. Chapter 3 explores Liszt’s early adulthood in Paris, particularly with respect to his intellectual growth. Special attention is given to François-René, vicomte de Chateaubriand and the Abbé Félicité de Lamennais, and the latter’s papal condemnation. After Chapter 4 briefly chronicles Liszt’s artistic achievements in Weimar and its ramifications for the rest of his work, Chapter 5 examines theological trends in the nineteenth century, as exemplified by David Friedrich Strauss, and the Catholic Church’s rejection of such novelties. The writings of Charles Rosen aid in decribing the possible musical ramifications of modern theology. Chapter 6 takes stock of the movements for renewal in Catholic music, especially the work of Prosper Gueranger and his fellow Benedictine monks of Solesmes, France, and of the Society of Saint Cecilia in Germany.
[Show full text]
Press Kit 2019
1. Mrs. Bénédicte Vigner, French Cultural Attaché 2. Fr. Pierre Najem, President of Notre-Dame University (NDU) - Louaize 3. Br. Riccardo Ceriani, co-director of SOL Festival and Superintendent of Terra Sancta Organ Festival SPEAKERS 4. Mr. Bassam Saba, Director of Lebanese National Higher Conservatory of Music 5. Fr. Khalil Rahmeh, Founder and Director of SOL Festival and NDU School of Music Notre Dame University-Louaize (NDU) and Terra Sancta International Organ Festival The Lebanese Pipe Organ Week is a (Custody of Holy Land) have the pleasure to present the fourth edition of the SOL Festival co-production of Notre Dame University (Semaine de l’Orgue au Liban - Lebanese Pipe Organ Week) from February 2 till 10, 2019; and Terra Sancta International Organ featuring a selection of world top organists from Paris, Gdansk,´ Berlin, Rome, Barcelona, Festival. The festival is made possible Budapest, and Vienna. thanks to the availability of different venues, the patronage of Ministry of Culture and the Custody of holy Land, The Lebanese Pipe Organ Week is the sole Lebanese festival to highlight this monumental the collaboration with the Lebanese instrument, played by renowned international organists. The festival takes place in different National Higher Conservatory of Music, churches and venues, giving the audience the opportunity to explore all these different the support of the Institut Français du textures during a one-week course. Free admission to all concerts. Liban, the Italian Cultural Institute, the Embassy of Spain in Beirut, Marc- PRESS RELEASE The opening concert of the Festival will feature the French organist Frédéric Blanc Henri Mainguy foundation, BEMO (February 2, Collège Sacré Coeur – Gemmayzeh, in the occasion of the 125th anniversary of Bank, Commercial Insurance, Saint the institution), former titular of the great Cavaillé-Coll organ´ of Notre-Dame d’Auteuil church, Charbel Phoenicia foundation, along improvising on the soundtrack of a 60-minutes version of Interstellar movie of Christopher with Giovanni Tamburini organ builders Nolan.
[Show full text]
Vatican City to Set up Abuse Reporting System by End of Year
Vatican City to set up abuse reporting system by end of year Vatican City State will have its own reporting system in place before the end of the year for flagging suspected cases of the abuse of minors and vulnerable people and instances of cover-up or negligence in handling such cases, the Vatican said. Msgr. Robert Oliver was appointed to be the contact person for people with information or concerns about potential cases of abuse and cover-up within the Vicariate of Vatican City State, the Vatican newspaper, L’Osservatore Romano, reported July 30. Msgr. Oliver, a canon lawyer who worked as the promoter of justice at the Congregation for the Doctrine of the Faith and in a number of dioceses in the United States, is the secretary of the Pontifical Commission for the Protection of Minors. He was appointed in June, the newspaper said, to be the contact person for anyone who “may have information or suspicions that a minor or a vulnerable person may be at risk of abuse or may have been subjected to it as part of pastoral activities of the vicariate as well as knowledge of any act of negligence by authorities.” Cardinal Angelo Comastri, papal vicar for Vatican City State, sent a letter to each head of a dicastery as well as “spiritual assistants” of Vatican City State, outlining procedures for reporting, the newspaper said. “Within the year, the Vicariate of Vatican City will establish a public, permanent and easily accessible system for presenting reports concerning crimes and negligence dealing with the abuse of minors and vulnerable people,” it said.
[Show full text]
Around Catholic
AROUND CATHOLIC Murphy’s: A Place for Friends embers of the Catholic University community have a new place University President John Garvey also spoke during the dedication and to gather with friends, colleagues, and classmates, as Murphy’s said he hoped Murphy’s would provide a place where students could foster MGrill, a full-service restaurant located on the bottom floor of lifelong friendships while continuing their education through conversation. the Edward J. Pryzbyla University Center, opened for business on Sept. 25. The grill and the lounge on the upper level, which opened in 2016, “What a wonderful gift this is to our current together make up “Murphy’s.” The restaurant and lounge are named in honor of Mike Murphy, B.A. 1974, students, that we are going to give them a M.A. 1975. A voracious reader and a lover of politics, Murphy was known lifetime of friendship.” for his friendly and fun-loving personality. After Murphy’s death from cancer in 2007, his friends and former classmates rallied together to honor him by raising all the funds for a new gathering place “What a wonderful gift this is to our current students, that we are going that would replace the Rathskellar, a pub that was located in what is now to give them a lifetime of friendship,” he said. Father O’Connell Hall. These efforts were led by Murphy’s close friends, Murphy’s Grill has a full menu, including a full bar. For more information, including Frank Persico, recently retired vice president for University relations visit murphysgrillcua.com.
[Show full text]
Miserere Mei, Deus
MISERERE MEI, DEUS GREGORIO ALLEGRI A Quest for the Holy Grail? BEN BYRAM-WIGFIELD © 1996 Ben Byram-Wigfield Revised 1998, 1999, 2002, 2005, 2007 All rights reserved. Designed and typeset by Ben Byram-Wigfield A performing edition is produced as a companion to this essay, as the result of the research. MISERERE MEI, DEUS GREGORIO ALLEGRI A Quest for the Holy Grail? BEN BYRAM-WIGFIELD Ben Byram-Wigfield was born in Herefordshire in 1970, and first discovered Allegri’sMiserere mei as a chorister at King’s College, Cambridge, where he sang the top C of this famous work. After leaving the King’s School, Worcester, he became a choral scholar at St Mary’s Cathedral, Edinburgh whilst studying for a B.Sc. from Heriot Watt University. He subsequently sang as a lay clerk at Gloucester Cathedral, and has since produced many editions of early church music. MISERERE MEI, DEUS GREGORIO ALLEGRI A Quest for the Holy Grail? Contents Introduction . 7 The Manuscripts . 8 The Holy Grail . 15 Remaining Questions . 20 Summary and Chronology . 21 Postscript . 22 Sources . 23 Musical Appendices . 24 Biography of Allegri . 30 ACKNOWLEDGEMENTS I should like to thank the Biblioteca Apostolica Vaticana and the British Museum for making the manuscripts available; also Philip Colls and Dr. Simon Anderson for their academic insight and help. Figures: 1. Engraving of the Sistine Chapel by Filippo Juvara, 1711 2. Biblioteca Apostolica Vaticana ms 185, f 1 3. Engraved portrait of Gregorio Allegri, 18th c (Anon.) A Quest for the Holy Grail? 7 Introduction regorio Allegri (1582 - 1652) was a singer in the Papal Chapel from 6th December 1629, until his death on 17th February 1652.
[Show full text]
What Did Women Sing? a Chronology Concerning Female Choristers Laura Stanfield Prichard Northeastern University, Massachusetts, USA
What Did Women Sing? A Chronology concerning Female Choristers Laura Stanfield Prichard Northeastern University, Massachusetts, USA Women have been professional soloists throughout the history of church and dramatic music, but have not always participated in choral singing. This paper explores the roots of women as equal partners in mixed choral music, and brings to light several historical moments when women “broke through” older prejudices and laid the groundwork for the modern mixed chorus. The Early Church In ancient Egypt, music was under the patronage of male gods. Osiris was said to have traveled to Ethiopia, where he heard a troupe of traveling satyrs who performed with nine musical maidens, perhaps the prototype of the Grecian muses. Since ancient Greek poetry and music were inseparable, there are many examples of female performers ranging from the mythological (the Muses and the Sirens) to slave girls and the lyric poet Sappho (c630-570 BCE). Antiphonal religious singing came from Jewish temple practice and was introduced to Christian gnostic worship by Bardesanes (154-222 CE) in Persia, who composed psalms and hymns for the Edessa congregation (in imitation of David’s Psalter). The early Catholic Church found it necessary to confront and reinterpret this movement, which spread from Persia into Antioch and thence through the Orient. The Synod of Antioch in 379 specified that men and women could not combine together on the same melody, so most congregations were divided into two demi- choruses, one of men, the other of women and children, each delivering a verse of the psalm then uniting for refrains only rarely.
[Show full text]
August 14, 2015 Vol
Twenty Something Christina Capecchi reflects on a young woman’s quest to find a husband while keeping the faith, page 12. Serving the Church in Central and Southern Indiana Since 1960 CriterionOnline.com August 14, 2015 Vol. LV, No. 44 75¢ Pope designates Sept. 1 as A bounty of transformation World Day of Prayer for Care of Creation VATICAN CITY (CNS)—Like their Orthodox brothers and sisters, Catholics formally will mark Sept. 1 as the World Day of Prayer for the Care of Creation, Pope Francis has decided. The day of prayer, the pope said, will give individuals and communities an opportunity to implore God’s help in protecting creation and an opportunity to ask God’s forgiveness “for sins committed against the world in which we live.” Pope Francis announced his decision to add the annual prayer day to the Catholic calendar in a letter to Cardinal Peter Turkson, president of the Pontifical Council for Justice and Peace, and to Cardinal Kurt Koch, president of the Pontifical Council for Promoting Christian Unity. The text of the letter, dated Aug. 6, was released by the Vatican on Aug. 10. Pope Francis said he was instituting Tracy Ross and her children, Jack and Hanna, pose for a photo in the community garden at Immaculate Heart of Mary Parish in Indianapolis on Aug. 7. the prayer day for Catholics because The garden provides fresh produce for people in need. (Photo by John Shaughnessy) he shares the concern of Ecumenical Patriarch Bartholomew of Constantinople, who initiated a similar prayer day for the Orthodox Church in 1989.
[Show full text]
Sacred Music Winter 2016 | Volume 143, Number 4
Sacred Music Winter 2016 | Volume 143, Number 4 Editorial Harmony | William Mahrt . 3 Articles A Change of Panting Heart: An Overview of Music in the Papal Liturgies at St. Peter’s Basilica from the Second Vatican Council to 2013 | Wilfrid Jones . 9 The Grammar and Rhetoric of Gregorian Chant | William Mahrt . .29 Repertory Antonio Salieri’s De profundis: Rediscovering a Gem | Jane Schatkin Hettrick . .39 News Sacred Music Workshop in Lincoln, Nebraska | Amy Flamminio . .50 CMAA Announcements . .53 Formed as a continuation of Cæcilia, published by the Society of St. Cæcilia since 1874, and The Catholic Choir- master, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America since its inception in 1964. Office of Publication: 12421 New Point Drive, Richmond, VA 23233. Email: [email protected]; Website: www. musicasacra.com Editor William Mahrt Managing editor Jennifer Donelson Editor at large Kurt Poterack Ty pesetter Judy Thommesen Church Music Association of America Officers and board of directors President William Mahrt Vice- president Horst Buchholz Secretary Mary Jane Ballou Treasurer Adam Wright Chaplain Father Robert Pasley Director of Publications Jeffrey Tucker Directors Jennifer Donelson, David Hughes, Susan Treacy, Edward Schaefer, Jonathan Ryan Directors emeriti Rev. Father Ralph S. March, S.O.Cist. †, Kurt Poterack, Paul F. Salamunovich †, Calvert Shenk †, Very Rev. Monsignor Richard J. Schuler †, Rev. Father Robert Skeris, Scott Turkington General manager Janet Gorbitz Membership in the Church Music Association of America includes a subscription to the quarterly journal Sa- cred Music. Membership is $60.00 annually (U.S.), $60 (Canada), and $65 (other countries).
[Show full text]
Four New Priests Ordained for Miami Two Were Born in Colombia, Another in Mexico, and One in Hialeah
WWW.THEFLORIDACATHOLIC.ORG | May 2018 FLORIDACatholic MIAMI ARCHDIOCESE Four new priests ordained for Miami Two were born in Colombia, another in Mexico, and one in Hialeah ANA RODRIGUEZ-SOTO of the Florida Catholic staff MIAMI | Two are older. Two are younger. Two come from the same parish, Mother of Our Redeemer, another comes from a par- ish nearby, Immaculate Conception. One is a native, born and raised in Hialeah. The other three are immigrants who started out as manual laborers: loading and unloading clothing, moving mattresses, waiting tables. Miami’s newest priests aptly represent the people they will serve: • Omar Ayubi, 55, a Colombia native of Lebanese extraction who moved to the U.S. 26 years ago to join his family. • Gustavo Barros, 45, also a native of Co- lombia who came to the U.S. 17 years ago seeking success as a photojournalist. • Juan Alberto Gomez, 37, a native of Mex- ico who found salvation through the Neocat- echumenal Way, and his vocation at World Youth Day in Toronto in 2002. • Matthew Gomez, 27, a Hialeah native and local Catholic school graduate who always considered the priesthood an option, then discerned it as a calling. Archbishop Thomas Wenski ordained them May 12 in front of a jam-packed St. Mary Cathedral, during a ceremony brimming with symbols and tradition — and as emo- tion-filled as the new priests’ personal stories. ‘LIFE HAPPENED’ Archbishop Thomas Wenski, center, poses with the newly ordained priests outside St. Mary Cathedral. From left are Father Matthew Father Ayubi, born April 13, 1963, discov- Gomez, Father Gustavo Barros, Father Omar Ayubi and Father Juan Alberto Gomez.
[Show full text]
Mass Intentions “Freedom Isn’T Free.”
Thirteenth Sunday in Ordinary Time July 1, 2018 A Note from Fr. Quealy Mass Intentions “Freedom isn’t free.” Scheduled Masses for the week of July 1, 2018 The Bill of Rights guarantees the freedoms we often Sat. 5:00pm Ted & Terry Piekos take for granted. Speech, press, religion, etc. allow (Wedding Anniv.) us to fulfill our life, our liberty and our pursuit of Sun. 7:30am Carmela & Terige Calcagni happiness. At some time during this week, whether 9:00am Maria Aprecida Rodriguez, Leite at a picnic, at the beach, stop what you are doing, look around you and seriously contemplate the great & Vitor Juao Leite blessings we have, and then say a prayer of 10:30am George Marinakis thanksgiving. None of these blessings would be 12:00pm Rosina & Francesco Antonio possible without that supreme sacrifice of so many Comito men and women who serve our country, our state, 5:00pm People of the Parish and our cities and towns. Happy Independence Day! Mon. 8:00am Filomena Montella 9:00am Frank & Louise Larizza God Bless, Tues. 8:00am Mary Krench Fr. Quealy 9:00am Carol Justic Wed. 8:00am Catherine Devlin (Liv.) Registration forms for the 2018-2019 Religious 9:00am Rose Persico Education school year are currently being Thurs. 8:00am Anthony Milea accepted for grades K-8. Registration forms are 9:00am Rosa & Sabastiano Caruso available at the rectory office or you can email the Religious Education office at [email protected] Fri. 8:00am John & Lina Filice Please note: class availability is on a first come, first 9:00am Ronald Alley served basis.
[Show full text]
Ars Artem Salvat ENGLISH TEXT 238-300 Librofondazione OK Ing 11-10-2010 11:13 Pagina 240
238-300 LibroFondazione OK ing 11-10-2010 11:13 Pagina 239 ANNO SACERDOTALE E VIII FESTIVAL INTERNAZIONALE DI MUSICA E ARTE SACRA Ars Artem Salvat ENGLISH TEXT 238-300 LibroFondazione OK ing 11-10-2010 11:13 Pagina 240 WITH THE SUPPORT OF THE PRESIDENT OF THE ITALIAN REPUBLIC AND UNDER THE AUSPICES OF the Senate the Chamber of Deputies the President of the Council of Ministers the Ministry of Cultural Heritage and Activities the Ministry of Interior – Central Head Office for the Administration of the Fund of Religious Buildings the Pontifical Council for Culture The medal that H.E. Mr Giorgio the Pontifical Commission for the Cultural Heritage of the Church Napolitano, President of Italy, the Latium Regional Council has presented as a prize for the the Prefect of Rome Ninth the City of Rome International Festival of the Province of Rome Sacred Music the Roman Chamber of Commerce and Art in token of his appreciation. the Italian State Tourist Board ENIT 13 ott. 2008 Basilica di S. Paolo fuori le Mura 240 238-300 LibroFondazione OK ing 11-10-2010 11:13 Pagina 241 THE NINTH INTERNATIONAL FESTIVAL OF SACRED MUSIC AND ART IS DEDICATED TO HIS HOLINESS BENEDICT XVI IN THE FIFTH YEAR OF HIS PONTIFICATE During the fifth anniversary of Benedict XVI’s call to continue Peter’s role in the Church it is beautiful to listen to the words that welled up in the heart of the Holy Bishop Thomas Becket who wrote in long ago 1165: “The Roman Church remains the head of all the Churches and the source of Catholic teaching.
[Show full text]