3-1 3-1 Introduction the Aviation Forecasts Provide Estimates For
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The Hanging Package∗
The hanging package∗ Author: Peter Wilson, Herries Press Maintainer: Will Robertson will dot robertson at latex-project dot org 2009/09/02 Abstract The hanging package provides facilities for defining hanging paragraphs and hanging punctuation. Contents 1 Introduction 1 2 The hanging package 2 2.1 Hanging paragraphs . 2 2.2 Hanging punctuation . 2 3 The package code 3 3.1 Hanging paragraphs . 4 3.2 Hanging punctuation . 4 1 Introduction Some authors may wish to use hanging paragraphs in their documents. Normally only the first line of a paragraph is indented. A hanging paragraph is a paragraph like this one where lines other than the first have indentation. Other au- thors might wish to use hanging punctuation. In this style of typesetting punctuation marks that come at either the start or end of a line are typeset outside the normal text block. The hanging package provides facilities for both hanging paragraphs and hang- ing punctuation. This manual is typeset according to the conventions of the LATEX doc- strip utility which enables the automatic extraction of the LATEX macro source files [GMS94]. ∗This file (hanging.dtx) has version number v1.2b, last revised 2009/09/02. 1 Section 2 describes the usage of the package. Commented source code for the package is in Section 3. 2 The hanging package 2.1 Hanging paragraphs The hanging package provides a command for producing a single hanging para- graph and an environment for typesetting a series of hanging paragraphs. \hangpara The command \hangpara{hindenti}{hafternumi} placed at the start of a para- graph will cause it to be typeset as a hanging paragraph. -
Supplementary Guide to UEB Reference Materials V.8.31.16
Supplementary Guide to UEB Reference Materials v.8.31.16 Unless otherwise indicated, page numbers refer to The Rules of Unified English Braille, 2013 For referenced BANA Guidances visit: www.brailleauthority.org * indicates definition of entry word A @ sign, 25 Caret, 24, 42 Abbreviations, 106, 152 Cent Sign ¢, 26 Accented letters, 42, 190 Chemistry, 89, 178, see BANA Guidance capitals, 80 Code switching, 199-210 in fully capped words, 89 how to use, 202-203 Acronyms, 106, 152 indicators Addition foreign language, 191-192, 195 non-technical materials, 31 IPA, 199, 207-208 technical materials, 169 music, 199, 208-209 Alphabetic wordsign, *7, 9, 15, 103-106, Nemeth code, 199, 209-210 164 non-UEB, 199, 203-208 Ampersand &, 21 Coinage, 26, 64 Anglicized words, 45, 158, 186, 189 Colored type, 11, 97 Apostrophe, 18, 69, 105, 107 Comma, 69 Arrows, 21, 174 numeric mode, 59 line mode, 219 Comparison, signs of, 169,31 Asterisk, 21 Compound words, bridging, 146 At sign @, 25 Computer material contractions in, 155 B email addresses, 155 Blank to be filled in, 73, 160 grade 1 indicators, 52 Boldface indicators, 91 Computer notation, 178 Brackets, opening and closing, 69, 78 Contracted (grade 2) braille, *7, 14 Braille grouping indicators, 23, 45, 172 usage cross-referenced, 14 Braille order, list of symbols, 275 Contractions summary, 9 Bullet, 24, 34, 37 Contractions, *7, 9, 103-168 abbreviations, 152 C acronyms, 152 Capitalization, 79-90 alphabetic wordsigns, *7, 9, 15, 103-106, grade 1, 55 164 indicators bridging, 146-152 choice of, 87 aspirated -
The Eye Has It: Optical Alignment and Hanging Punctuation Sometimes Little Things Can Make a Big Difference
InType: Alignment By Nigel French The Eye Has It: Optical Alignment and Hanging Punctuation Sometimes little things can make a big difference. When it comes to typography this is especially true. One of the simplest enhancements you can make to your type— especially if you’re working with justified type—is to use Optical Margin Alignment. What is Optical Margin Alignment? But today, with InDesign’s Optical Have you ever noticed how punctuation Margin Alignment, we can easily ensure at the margin of a text frame can make the that punctuation, as well as the edges of left or right sides of a column appear mis- letters, hangs outside the text frame or aligned? When a line begins with punctua- column margins so that the column edge T tion, like an opening quotation mark, or remains flush (Figure 1). ends with a comma, period, or hyphen, you This makes Optical Margin Alignment get a visual hole. Once, this was regarded as especially beneficial when working with the price of progress. We could do so much justified text, but even with left-aligned more with our page layout programs—did text, the first character of the line will “hang” Figure 1: The text is the same; the margin alignment is not. it matter that we had to forgo a few niceties? outside the text frame. INDESIGN MAGAZINE 43 August | September 2011 CONTENTS PREVIOUS NEXT FULL SCREEN 30 InType: Alignment T Optical margin alignment isn’t to eve- tool, choose Story from the ryone’s taste. Some consider the look of Type menu, check the box optically aligned text too fussy, preferring and you’re good to go. -
Photoshop Typography: Elements of the Character Panel
PHOTOSHOP TYPOGRAPHY: ELEMENTS OF THE CHARACTER PANEL Learn how to utilize Photoshop typography to create stunning images by effectively pairing text and photos together. Many Photoshop users don’t have access to other programs that allow them to combine type with images, such as Adobe InDesign. Adobe knows that many people use Photoshop to create text-and-image documents, and has expanded the type tools available to Photoshop users. In light of this, I’ve started the “Photoshop Typography” series to help you make your type in Photoshop look professional. THE CHARACTER PANEL IN PHOTOSHOP Open Character panel by going to Type Menu → Panels → Type Panel. You can also type Cmd/Ctrl-T to open the window. All sorts of type choices and options become available to you through this window. It’s time to go exploring. I’ve numbered various areas to draw your attention. #1 – Select A Font Pick the font you want by clicking on the name of the font at the top left of the panel – the screenshot is currently showing Helvetica Neue. Click on the downward pointing arrow at the right of the box to see the whole menu of fonts currently available, or put your cursor at the front the field and type the first few letters of the font name you want. Photoshop will automatically display the font you type from the first few letters. By the way, if you have a font you want to install and use, you can install it at any time, and do not have to restart Photoshop to use the newly installed font. -
Book Typography 101 at the End of This Session, Participants Should Be Able To: 1
3/21/2016 Objectives Book Typography 101 At the end of this session, participants should be able to: 1. Evaluate typeset pages for adherence Dick Margulis to traditional standards of good composition 2. Make sensible design recommendations to clients based on readability of text and clarity of communication © 2013–2016 Dick Margulis Creative Services © 2013–2016 Dick Margulis Creative Services What is typography? Typography encompasses • The design and layout of the printed or virtual page • The selection of fonts • The specification of typesetting variables • The actual composition of text © 2013–2016 Dick Margulis Creative Services © 2013–2016 Dick Margulis Creative Services What is typography? What is typography? The goal of good typography is to allow Typography that intrudes its own cleverness the unencumbered communication and interferes with the dialogue of the author’s meaning to the reader. between author and reader is almost always inappropriate. Assigned reading: “The Crystal Goblet,” by Beatrice Ward http://www.arts.ucsb.edu/faculty/reese/classes/artistsbooks/Beatrice%20Warde,%20The%20Crystal%20Goblet.pdf (or just google it) © 2013–2016 Dick Margulis Creative Services © 2013–2016 Dick Margulis Creative Services 1 3/21/2016 How we read The basics • Saccades • Page size and margins The quick brown fox jumps over the lazy dog. Mary had a little lamb, a little bread, a little jam. • Line length and leading • Boules • Justification My very educated mother just served us nine. • Typeface My very educated mother just served us nine. -
Adobe Garamond Pro
Adobe Garamond Pro a® a An Adobe® Original Adobe Garamond® Pro A contemporary typeface family based on the roman types of Claude Garamond and the italic types of Robert Granjon © Adobe Systems Incorporated. All rights reserved. For more information about OpenType®, please refer to Adobe’s web site at www.adobe.com/type/opentype is document was designed to be viewed on-screen or printed duplex and assembled as a booklet Adobe® Originals Adobe Systems Incorporated introduces Adobe Garamond Pro, a new font software package in the growing library of Adobe Originals typefaces, designed specifically for today’s digital technology. Since the inception of the Adobe Originals program in , the Adobe Originals typefaces have been consistently recognized throughout the world for their quality, originality, and practicality. ey combine the power of PostScript® language software technology and the most 23 sophisticated electronic design tools with the spirit of craftsmanship that has inspired type designers since Gutenberg. Comprising both new designs and revivals of classic typefaces, Adobe Originals font software has set a standard for typographic excellence. What is OpenType? Developed jointly by Adobe and Microsoft, OpenType® is a highly versatile new font file format that represents a signifi cant advance in type functionality on Macintosh and Windows® computers. Perhaps most exciting for designers and typographers is that OpenType fonts off er extended layout features that bring an unprecedented level of sophistication and control to contemporary typography. Because an OpenType typeface can incorporate all glyphs for a specifi c style and weight into a single font, the need for separate expert, alternate, swash, non-Latin, and other related sets is elimi- nated. -
Word 2010 Basics I
Microsoft Word Fonts [email protected] Microsoft Word Fonts 1.0 hours Format Font ............................................................................................. 3 Font Dialog Box ........................................................................................ 4 Effects ................................................................................................ 4 Set as Default… .................................................................................. 4 Text Effects .............................................................................................. 5 Format Text Effects Pane ................................................................... 6 Typography .............................................................................................. 7 Advanced Font Features .......................................................................... 8 Drop Cap ................................................................................................. 8 Symbols .................................................................................................... 9 Class Exercise ......................................................................................... 10 Exercise 1: Simple Font Formatting ................................................. 10 Exercise 2: Advanced Options .......................................................... 12 Exercise 3: Text Effects, Symbols, Superscript, Subscript ................ 13 Exercise 4: More Formats ............................................................... -
Markup-Guide-For-Journal-Article-Pdfs.Pdf
UH Press Journals 1 1/21/2015 Marking PDFs Using Standard Adobe Reader Please read these instructions for marking digital proofs before you begin a project. Your Adobe software might appear somewhat differently on your monitor, depending on the version, so you may need to explore how to use it to obtain similar results as below. To access the needed features, click the “Comment” button at the upper right in the document window. Examples 1. Use the strikethrough tool for deletions (click the “T” icon with red strikethrough). If you simply want to delete text, no need to type “delete” in the comment box or on the PDF. The “strikethrough” icon in the comment box is enough to instruct the compositor. UH Press Journals 2 1/21/2015 2. When you use other tools, a pop-up dialog box appears. The text you enter in this box also appears in the Comments list to the right. Clicking on the comment box in the list will turn the selected comment yellow (or a pinkish color, depending on your monitor). The pop-up dialog box then opens to show the corresponding correction in the text. UH Press Journals 3 1/21/2015 3. If you highlight material, a Comment box will appear in the list of comments to the right. To add a note to the Comment box, double-click on the box to open and enter text. A fillable box appears for your note. To distinguish instructions from desired revisions, use angle brackets (</>), e.g., “<insert>X”. To delete a correction you made, right-click on the comment box or the correction itself to access options, then select “Delete.” UH Press Journals 4 1/21/2015 4. -
Paragraph Using the In-Line Style to Determine the Font-Size (15Pt) and Colour
mPDF Fixed-position block element with Autofit Using the CSS properties position and overflow:auto it is possible to fit text to a single page: Nulla felis erat, imperdiet eu, ullamcorper non, nonummy quis, elit. Suspendisse potenti. Ut a eros at ligula vehicula pretium. Maecenas feugiat pede vel risus. Nulla et lectus. Fusce eleifend neque sit amet erat. Integer consectetuer nulla non orci. Morbi feugiat pulvinar dolor. Cras odio. Donec mattis, nisi id euismod auctor, neque metus pellentesque risus, at eleifend lacus sapien et risus. Phasellus metus. Phasellus feugiat, lectus ac aliquam molestie, leo lacus tincidunt turpis, vel aliquam quam odio et sapien. Mauris ante pede, auctor ac, suscipit quis, malesuada sed, nulla. Integer sit amet odio sit amet lectus luctus euismod. Donec et nulla. Sed quis orci. DIV: Proin aliquet lorem id felis. Curabitur vel libero at mauris nonummy tincidunt. Donec imperdiet. Vestibulum sem sem, lacinia vel, molestie et, laoreet eget, urna. Curabitur viverra faucibus pede. Morbi lobortis. Donec dapibus. Donec tempus. Ut arcu enim, rhoncus ac, venenatis eu, porttitor mollis, dui. Sed vitae risus. In elementum sem placerat dui. Nam tristique eros in nisl. Nulla cursus sapien non quam porta porttitor. Quisque dictum ipsum ornare tortor. Fusce ornare tempus enim. DIV: Proin aliquet lorem id felis. Curabitur vel libero at mauris nonummy tincidunt. Donec imperdiet. Vestibulum sem sem, lacinia vel, molestie et, laoreet eget, urna. Curabitur viverra faucibus pede. Morbi lobortis. Donec dapibus. Donec tempus. Ut arcu enim, rhoncus ac, venenatis eu, porttitor mollis, dui. Sed vitae risus. In elementum sem placerat dui. Nam tristique eros in nisl. -
Introduction to Microsoft Word 1
Introduction to Microsoft Word 1 Table of Contents Opening a New Document ......................................................................................................................... 3 Navigating the Toolbar .............................................................................................................................. 3 Clipboard ................................................................................................................................................... 3 Cut ......................................................................................................................................................... 3 Copy ...................................................................................................................................................... 3 Paste ..................................................................................................................................................... 3 Format Painter .................................................................................................................................... 4 Font ........................................................................................................................................................... 4 Changing font and text size .................................................................................................................. 5 Bold/Italicize/Underline text ............................................................................................................... -
Chapter 3 Adding and Formatting Text Copyright This Document Is Copyright © 2005–2009 by Its Contributors As Listed in the Section Titled Authors
Impress Guide Chapter 3 Adding and Formatting Text Copyright This document is Copyright © 2005–2009 by its contributors as listed in the section titled Authors. You may distribute it and/or modify it under the terms of either the GNU General Public License, version 3 or later, or the Creative Commons Attribution License, version 3.0 or later. All trademarks within this guide belong to their legitimate owners. Authors Martin J Fox Peter Hillier-Brook Jean Hollis Weber Michele Zarri Feedback Please direct any comments or suggestions about this document to: [email protected] Publication date and software version Published 17 March 2009. Based on OpenOffice.org 3.0.1. You can download an editable version of this document from http://oooauthors.org/en/authors/userguide3/published/ Contents Copyright...............................................................................................2 Introduction...........................................................................................5 Working with text boxes.........................................................................5 Using text boxes created from the Layout pane.................................5 Using text boxes created from the text box tool.................................5 Moving a text box...............................................................................6 Resizing a text box..............................................................................7 Deleting a text box..............................................................................7 -
TYPOGRAPHY 1 Text Mechanics
TYPOGRAPHY 1 text mechanics text MECHANICS TYPOGRAPHY 1 text mechanics The Optics of Spacing Every typeface has a distinct rhythm of strokes and spaces. This relationship between form and counterform defines the optimal spacing of that particular typeface and, therefore, of the overall spacing between words and lines of type, and among paragraphs. Space Space S p a c e TYPOGRAPHY 1 text mechanics Kerning Kerning is an adjustment of the space between two letters. As the characters of the Latin alphabet emerged over time; they were not designed with mechanical or automated spacing in mind. Thus some letter combinations look awkward without special spacing considerations. Gaps occur around letters whose forms angle outward or frame an open space (W, Y, V, T). Spacing Matters TYPOGRAPHY 1 text mechanics Kerning (continued) With metric kerning, a program such as Adobe Illustrator or Adobe InDesign uses values found in a particular fonts kerning table. These values were defined by the type designer when the font was created. The metric kerning setting represents the designers intent for spacing between certain letters within a given font. With optical kerning, a program such as Adobe Illustrator or Adobe InDesign uses an algorithm to calculate the optimal spacing for each pair of consecutive characters. Generally speaking, this setting can produce varied results but can sometimes work well in certain situations. TYPOGRAPHY 1 text mechanics Kerning (continued) Warm Type default / no kerning applied Warm Ty pe optical kerning applied Warm Type metric kerning applied TYPOGRAPHY 1 text mechanics Manual Kerning A third form of kerning is called manual, a designer ignores the automatic settings of metric and optical.