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ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
18 May 1999 Professor Richard Snape Commissioner Productivity
18 May 1999 Professor Richard Snape Commissioner Productivity Commission Locked Bag 2 Collins Street East Post Office MELBOURNE VIC 8003 Dear Professor Snape I attach the ABC’s submission to the Productivity Commission’s review of the Broadcasting Services Act. I look forward to discussing the issues raised at the public hearing called in Melbourne on 7 June, and in the meantime I would be happy to elaborate on any matter covered in our submission. The ABC is preparing a supporting submission focusing on the economic and market impacts of public broadcasting, and this will be made available to the Commission at the beginning of June. Yours sincerely, BRIAN JOHNS Managing Director AUSTRALIAN BROADCASTING CORPORATION SUBMISSION TO THE PRODUCTIVITY COMMISSION REVIEW OF THE BROADCASTING SERVICES ACT 1992 MAY 1999 CONTENTS Introduction 4 1. The ABC’s obligations under its own Act 6 1.1 The ABC’s Charter obligations 6 1.2 ABC’s range of services 7 1.3 Public perception of the ABC 7 2. The ABC and the broadcasting industry 9 2.1 ABC’s role in broadcasting: the difference 9 2.2 ABC as part of a diverse industry 14 2.3 ABC’s role in broadcasting: the connections 15 3. Regulation of competition in the broadcasting industry 16 3.1 Aim of competition policy/control rules 16 3.2 ABC and competition policy 17 3.3 ABC as program purchaser 17 3.4 ABC as program seller 17 3.5 BSA control rules and diversity 18 3.6 ACCC as regulator 19 4. Relationship with other regulators 20 4.1 Australian Broadcasting Authority 20 4.2 Australian Communications Authority (ACA) 21 5. -
Chapter 5 (PDF, 280.3KB)
CHAPTER 5 EXTERNAL FACTORS IN THE DECLINE OF THE PHILHARMONIC The decline and ultimate demise of the Royal Philharmonic Society of Sydney can be attributed to many factors. The evidence in the previous chapter has shown that the absence of a strong and long-term conductor during the second half of the Philharmonic’s existence hampered the organisation’s advancement. This artistic deterioration was further worsened by an increase in internal arguments, specifically among members of the committee. Later, during the Lastelle years, this conflict was felt between members of the choir and their conductor. These internal issues were further compounded by other significant factors. Externally, the Philharmonic faced a change in musical trends, increase in competition from several sources, specifically the ABC, and an ongoing lack of support from the city and state governments. As the Philharmonic faced artistic decline, the response from the press became more negative and public support for the ensemble waned. A close examination of these external factors will reveal the part they played in the collapse of the Royal Philharmonic Society of Sydney. A Change in Musical Trends and an Increase in Competition The amateur choral music society was an institution of the nineteenth century. These societies originated in Europe, specifically England, in the tradition of performances by amateur musicians encouraged by the Enlightenment movement of the eighteenth century.1 The social elites in Australia in the late nineteenth and early 1 Donald Jay Grout and Claude V. Palisca, A History of Western Music, 5th ed. (New York: W.W. Norton and Company, 1996), 443-444. -
Dunera Lives
Dunera Lives: A Visual History (Monash University Publishing) by Ken Inglis, Seumas Spark and Jay Winter with Carol Bunyan Launch Speech, National Library of Australia, 4 July 2018 Frank Bongiorno Good evening. I begin by acknowledging the traditional owners of the land on which we meet, the Ngunnawal people, and pay my respects to their elders, past and present. And, of course, I acknowledge members of the Inglis, Turner and Dunera families. Dunera Lives: A Visual History is a result of the historical project to which Professor Ken Inglis devoted the last years of a long and fruitful life as a historian. It is also the product of a great friendship between the co-authors; between Ken and Jay Winter, stretching back many decades, and between Ken, Jay and Seumas Spark, one of more recent vintage, but the bond between Ken and Seumas more like kinship than friendship in Ken’s final years. It is testament to Ken’s own gift of friendship that he was able to bring together these fine scholars to research and write Dunera Lives and, with the help of the excellent Monash University Publishing, to see it through to completion. And as explained in the general introduction, the book has benefited enormously from the continuing research of Carol Bunyan on the Dunera internees. I’m sure you will agree, one you’ve had a chance to see it and, I hope, to buy a copy, that Dunera Lives: A Visual History is a remarkably beautiful volume. Less obvious, until you’ve had a chance to begin reading it, will be that it is also both meticulous and humane in its scholarship. -
Annual Report 2006-2007: Part 2 – Overview
24 international broadcasting then... The opening transmission of Radio Australia in December 1939, known then as “Australia Calling”. “Australia Calling… Australia Calling”, diminishing series of transmission “hops” announced the clipped voice of John Royal around the globe. For decades to come, through the crackle of shortwave radio. It was listeners would tune their receivers in the a few days before Christmas 1939. Overseas early morning and dusk and again at night broadcasting station VLQ 2—V-for-victory, to receive the clearest signals. Even then, L-for-liberty, Q-for-quality—had come alive signal strength lifted and fell repeatedly, to the impending terror of World War II. amid the atmospheric hash. The forerunner of Radio Australia broadcast Australia Calling/Radio Australia based itself in those European languages that were still in Melbourne well south of the wartime widely used throughout South-East Asia at “Brisbane Line” and safe from possible the end of in the colonial age—German, Dutch, Japanese invasion. Even today, one of Radio French, Spanish and English. Australia’s principal transmitter stations is located in the Victorian city of Shepparton. Transmission signals leapt to the ionosphere —a layer of electro-magnetic particles By 1955, ABC Chairman Sir Richard Boyer surrounding the planet—before reflecting summed up the Radio Australia achievement: down to earth and bouncing up again in a “We have sought to tell the story of this section 2 25 country with due pride in our achievements international broadcasting with Australia and way of life, but without ignoring the Television. Neither the ABC nor, later, differences and divisions which are inevitable commercial owners of the service could in and indeed the proof of a free country”. -
Remembering Edouard Borovansky and His Company 1939–1959
REMEMBERING EDOUARD BOROVANSKY AND HIS COMPANY 1939–1959 Marie Ada Couper Submitted in total fulfillment of the requirements of the degree of Doctor of Philosophy 2018 School of Culture and Communication The University of Melbourne 1 ABSTRACT This project sets out to establish that Edouard Borovansky, an ex-Ballets Russes danseur/ teacher/choreographer/producer, was ‘the father of Australian ballet’. With the backing of J. C. Williamson’s Theatres Limited, he created and maintained a professional ballet company which performed in commercial theatre for almost twenty years. This was a business arrangement, and he received no revenue from either government or private sources. The longevity of the Borovansky Australian Ballet company, under the direction of one person, was a remarkable achievement that has never been officially recognised. The principal intention of this undertaking is to define Borovansky’s proper place in the theatrical history of Australia. Although technically not the first Australian professional ballet company, the Borovansky Australian Ballet outlasted all its rivals until its transformation into the Australian Ballet in the early 1960s, with Borovansky remaining the sole person in charge until his death in 1959. In Australian theatre the 1930s was dominated by variety shows and musical comedies, which had replaced the pantomimes of the 19th century although the annual Christmas pantomime remained on the calendar for many years. Cinemas (referred to as ‘picture theatres’) had all but replaced live theatre as mass entertainment. The extremely rare event of a ballet performance was considered an exotic art reserved for the upper classes. ‘Culture’ was a word dismissed by many Australians as undefinable and generally unattainable because of our colonial heritage, which had long been the focus of English attitudes. -
Australian Historians Networking, 1914–1973 Geoffrey Bolton1
10 Australian Historians Networking, 1914–1973 Geoffrey Bolton1 TheOxford English Dictionary defines networking as ‘the action or process of making use of a network of people for the exchange of information, etc., or for professional or other advantage’.2 Although recently prominent in management theory, the art of networking has been practised over many centuries in many societies, but its role in the Australian academic community has been little explored. This essay represents a preliminary excursion into the field, raising questions that more systematic researchers may follow in time, and drawing unashamedly on the resources of the Australian Dictionary of Biography. Beginning on the eve of the First World War, the essay is bounded by the formation of the Australian Historical Association in 1973, at which date the profession provided itself with 1 This essay is a lightly edited version of the paper prepared by Geoffrey Bolton for the ‘Workshop on Biographies and Autobiographies of Historians’ held at The Australian National University in July 2015. Professor Bolton had intended to make further revisions, which included adding some analysis of the social origins of the Australian historians who participated in the networks he had defined. In all essential respects, however, we believe that the essay as presented here would have met with his approval, and we are very grateful to Carol Bolton for giving permission to make the modest editorial changes that we have incorporated. For biographical information and insights, see Stuart Macintyre, Lenore Layman and Jenny Gregory, eds, A Historian for all Seasons: Essays for Geoffrey Bolton (Melbourne: Monash University Publishing, 2017). -
A History of Manning Clark the Making of Manning Clark
The making of Manning Clark This is the Published version of the following publication Pascoe, Robert (1978) The making of Manning Clark. The National Times : Australia's national weekly of business and affairs (382). pp. 18-23. The publisher’s official version can be found at Note that access to this version may require subscription. Downloaded from VU Research Repository https://vuir.vu.edu.au/19397/ 1 A HISTORY OF MANNING CLARK (cover story, The National Times, week ending 2 June 1978, pp. 18-23) THE MAKING OF MANNING CLARK By ROB PASCOE Early one morning in November, 1938, a 23-year-old history student got out of the train at Bonn Railway Station. Manning Clark was fresh out of the University of Melbourne, full of socialist and Freudian ideas about what was wrong with the world and how it should be improved. The night before he alighted at that station roving gangs of Nazi stormtroopers had smashed up every Jewish business house in Bonn and elsewhere in Germany. Clark made his way amid the debris throughout Bonn in a state of disbelief. “That was the beginning of an awakening”, he recalled recently. “That was the moment when I realised that I would have to start to think again about the whole human situation.” Clark was born the second son of an Anglican clergyman in Sydney in March 1915. His parents named him Charles Manning Hope Clark, a resounding enough emblem of this ecclesiastical background. An uncle and an older brother followed this clerical tradition, but Clark decided at a young age that God’s emissaries in Australia had either misunderstood the religious needs of the people or were misrepresenting what there was to know and preach about man, his relations with others, and nature. -
Annual Report and Financial Statements
The Australian Elizabethan Theatre Trust Annual Report and Financial Statements 31st December, 1967 THE AUSTRALIAN ELIZABETHAN THEATRE TRUST NOTICE OF MEETING NOTICE IS HEREBY GIVEN that the ANNUAL ORDINARY GENERAL MEETING of Members will be held at the office of The Australian Elizabethan Theatre Trust. 153 Dowling Street, Potts Point. N.S.W., on Monday, 24th June. 1968, at 5.30 p.m. BUSINESS 1. To receive and consider the Balance Sheet and Income and Expenditure Account made up to 31st December, 1967, and the Report of the Directors and Honorary ",/ Auditors thereon. {} 2. The President and Vice-Presidents retire in accordance with Article 69. fL / 3. To elect Directors. / The following Directors, who were appointed by the Board since the last Ordinary General Meeting at which Directors retired, retire in accordance with Article 43. They are eligible and offer themselves for re-election: q Sir Reginald Groom. Mr. C. J. Legoe, Mr. Bruce Macklin, Sir Robert Madgwick, O.B.E., Sir George Paton. Sir Ian Potter, Mr. N. R. Seddon, Mr. Kenneth von Bibra. The following Directors retire by rotation in accordance with Article 44, are eligible. and offer themselves for re-election: Emeritus Professor Frederick Alexander, CB.E., Sir Warwick Fairfax, Miss / Margaret Gillespie, Mr. Stanley Haviland, CB.E., Mr. N. F. Hopkins, Mrs. y F. Massy Burnside, Professor J. A. Passmore, Mr. J. B. Piggott, Miss M. E. Roper. Mr. F. E. Lampe, M.B.E., Sir Alexander Reid, CM.G., LS.0., and Sir Arthur Smithers, CB.E., retire pursuant to Section 121 of the Companies Ordinance. -
Oswald Anderson
OSWALD ANDERSON (1885-1944) Although best remembered today as one of Australia's radio broadcasting pioneers, Oswald Anderson's career prior to 1925 saw him regarded as one of the country's leading composers of popular and concert songs. He was also involved in repertory theatre in Sydney as a manager, producer and director, co- founded a music college, set up his own publishing company, collaborated with author Conway Drew on the stage adaptation of his hit novel Jinker the Grafter's Mate (1916), and had a long association with the music publisher and instrument importer W. H. Paling. Anderson's radio career began officially in 1925 (although he took part in at least one experimental transmission in 1923). His achievements during the next 19 years included the formation of the Federal Radio Network (later renamed the Commonwealth Broadcasting Network) and overseeing a number of significant Australian radio firsts - initially with Sydney station 2FC and later with 2BL, 2UW and 2UE. Considered one of the best-known figures in early Australian radio during the 1920s, Oswald Anderson was widely referred to as "A.O." (or Andy to his friends), and often described as "dapper." While few Australian's within the broader public would recognise his name today, he is nevertheless regarded by radio historians as one of the first active leaders of Australian broadcasting, a position his contemporaries also believed he held. While his contribution to the industry is invariably acknowledged in contemporary insights into our early radio history, few even mention his background prior to entering the field in 1925, and indeed his reputation as being among our most successful composers of popular and concert songs during the 1910s and 1920s is rarely mentioned. -
Bearing Witness: Essays in Honour of Brij V.Lal
BEARING WITNESS ESSAYS IN HONOUR OF BRIJ V. LAL BEARING WITNESS ESSAYS IN HONOUR OF BRIJ V. LAL EDITED BY DOUG MUNRO AND JACK CORBETT STATE, SOCIETY AND GOVERNANCE IN MELANESIA SERIES Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: Bearing witness : essays in honour of Brij V. Lal / editors : Doug Munro, Jack Corbett. ISBN: 9781760461218 (paperback) 9781760461225 (ebook) Subjects: Festschriften Indentured servants--Fiji--Biography. East Indians--Foreign countries--Intellectual life. Fiji--Politics and government Fiji--History. Other Creators/Contributors: Lal Brij V. honouree. Munro Doug, editor. Corbett, Jack, editor. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press. Cover image: Oil painting by Jane Ricketts, Suva, 1996. This edition © 2017 ANU Press Contents List of Illustrations . vii Contributors . ix Acknowledgements . xv Brij Over Troubled Waters . 1 Tessa Morris-Suzuki Editors’ Introduction . 3 Doug Munro and Jack Corbett In His Own Words 1 . Indenture and Contemporary Fiji . .. 13 Doug Munro 2 . From the Sidelines . 29 Vilsoni Hereniko 3 . Curtain Call . .47 Jack Corbett Indenture 4 . Brij V . Lal: Rooting for History . 65 Goolam Vahed 5 . Girmitiyas and my Discovery of India . 87 Clem Seecharan 6 . Reflections on Brij Lal’s Girmityas: The Origins of the Fiji Indians . -
JUNE-2016-CATALOGUE.Pdf
ROGER PAGE DEALER IN NEW AND SECOND-HAND CRICKET BOOKS 10 EKARI COURT, YALLAMBIE, VICTORIA, 3085 TELEPHONE: (03) 9435 6332 FAX: (03) 9432 2050 EMAIL: [email protected] ABN 95 007 799 336 JUNE 2016 CATALOGUE Unless otherwise stated, all books in good condition & bound in cloth boards. Books once sold cannot be returned or exchanged. G.S.T. of 10% to be added to all listed prices for purchases within Australia. Postage is charged on all orders. For parcels l - 2kgs. in weight, the following rates apply: within Victoria $12:50; to New South Wales & South Australia $16.00; to the Brisbane metropolitan area and to Tasmania $18.00; to other parts of Queensland $20; to Western Australia & the Northern Territory $22.00; to New Zealand $40; and to other overseas countries $42.00. Overseas remittances - bank drafts in Australian currency - should be made payable at the Commonwealth Bank, Greensborough, Victoria, 3088. Mastercard and Visa accepted. This List is a selection of current stock. Enquiries for other items are welcome. Cricket books and collections purchased. A. ANNUALS AND PERIODICALS $ ¢ 1. A.C.S International Cricket Year Books: a. 1986 (lst edition) to 1995 inc. 20.00 ea b. 1997, 1998, 1999, 2001, 2002, 2003, 2006 30.00 ea c. 2016 (due early June) 70.00 2. Australian Cricket Digest (ed) Lawrie Colliver/Ric Finlay: 2012-13, 2013-14, 2014-15, 2015-2016 25.00 ea 3. Between Wickets (ed) Ronald Cardwell: a. Winter 2014 (Vol. 2) 25.00 b. Winter 2015 (Vol. 4) & Summer 2015-2016 (Vol. 5) 35.00 ea 4.