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Colonial Frontier Massacres in Australia 1788-1930: Sources
Colonial Frontier Massacres in Australia 1788-1930: Sources © Ryan, Lyndall; Pascoe, William; Debenham, Jennifer; Gilbert, Stephanie; Richards, Jonathan; Smith, Robyn; Owen, Chris; Anders, Robert J; Brown, Mark; Price, Daniel; Newley, Jack; Usher, Kaine, 2019. The information and data on this site may only be re-used in accordance with the Terms Of Use. This research was funded by the Australian Government through the Australian Research Council, PROJECT ID: DP140100399. http://hdl.handle.net/1959.13/1340762 Colonial Frontier Massacres in Australia 1788-1930: Sources 0 Abbreviations 1 Unpublished Archival Sources 2 Battye Library, Perth, Western Australia 2 State Records of NSW (SRNSW) 2 Mitchell Library - State Library of New South Wales (MLSLNSW) 3 National Library of Australia (NLA) 3 Northern Territory Archives Service (NTAS) 4 Oxley Memorial Library, State Library Of Queensland 4 National Archives, London (PRO) 4 Queensland State Archives (QSA) 4 State Libary Of Victoria (SLV) - La Trobe Library, Melbourne 5 State Records Of Western Australia (SROWA) 5 Tasmanian Archives And Heritage Office (TAHO), Hobart 7 Colonial Secretary’s Office (CSO) 1/321, 16 June, 1829; 1/316, 24 August, 1831. 7 Victorian Public Records Series (VPRS), Melbourne 7 Manuscripts, Theses and Typescripts 8 Newspapers 9 Films and Artworks 12 Printed and Electronic Sources 13 Colonial Frontier Massacres In Australia, 1788-1930: Sources 1 Abbreviations AJCP Australian Joint Copying Project ANU Australian National University AOT Archives of Office of Tasmania -
Longreach Outback Getaway
5 DAYS LONGREACH OUTBACK GETAWAY dinner at the historic Wellshot Hotel. Then Day 1 | SUN | LONGREACH it’s time for Longreach’s latest sensation, Feel that sense of freedom and adventure TOUR HIGHLIGHTS the Luminescent Longreach Sound & Light as you arrive into Longreach. Fly/Rail guests Camden Park Station Smoko Tour Show, which brings the 100-year story of will be met at Longreach Airport on arrival. Qantas to life. Qantas Founders Museum & You’re standing in the true heartland of Airpark Tour Outback Queensland, home of legends, Drover's Sunset Cruise including larrikins and our pioneering giants. Get Day 3 | TUE | WINTON Smithy's Outback Dinner & Show acquainted on an introductory town Be prepared to be impressed with the Australian Age of Dinosaurs Tour tour with our Savannah Guides Operator changing landscapes as we travel from Waltzing Matilda Centre and Driver-Guide before checking into your Longreach to Winton. We visit the Australian Winton Tour accommodation. Dinner tonight will be at Age of Dinosaurs perched high on a Rosebank Station Tour & the Bird Cage Hotel, a local favourite! magnificent mesa overlooking the plains Morning Tea 4 nights Longreach Motor Inn, where dinosaurs once roamed! Onsite Australian Stockman's Hall of Fame (Optional upgrade to Mitchell Grass dinosaur enthusiasts treat us to a top- Ilfracombe Tour & Historic Retreat or Saltbush Retreat) class interpretive tour of the laboratory, Wellshot Hotel collection room and Dinosaur Canyon. In Luminescent Longreach Sound & Day 2 | MON | LONGREACH Winton see the quirky Arno’s Wall, the Light Show Meet the Smith family at historic Musical Fence and learn the story behind Rosebank Station for an exclusive tour and Australia’s unofficial national anthem at a relaxed homestead morning tea. -
There's a Lot Going on in 'Australia': Baz Luhrmann's Claim to the Epic
10 • Metro Magazine 159 There’s a lot going on in Australia Baz Luhrmann’s Claim to the Epic Brian McFarlane REVIEWS BAZ LUHRmann’s EAGERLY AWAITED ‘Event’ FiLM. ou’ve got to admire the cheek of scape of a restricted kind. Does Luhrmann a director who calls his film simply believe that it is only Dorothea Mackellarland YAustralia. It implies that what is (all ‘sweeping plains’ and ‘ragged mountain going on in it is comprehensive enough, or ranges’ and ‘droughts and flooding rains’) at least symptomatic enough, to evoke the that the world at large will recognize as Aus- continent at large. Can it possibly live up to tralia? What he shows us is gorgeous be- such a grandiose announcement of intention? yond the shadow of a doubt – gorgeous, that There have been plenty of films named for is, to look at on a huge screen rather than to cities (New York, New York [Martin Scorsese, live in. It is, though, hardly the ‘Australia’ that 1977], Barcelona [Whit Stillman, 1994], most most of its inhabitants will know intimately, recently Paris [Cédric Klapisch, 2008]), but living as we do in our urban fastnesses, but summoning a city seems a modest enterprise the pictorial arts have done their bit in instill- compared with a country or a continent ing it as one of the sites of our yearning. (please sort us out, Senator Palin). D.W. Griffith in 1924 and Robert Downey Sr in Perhaps it’s really a love story at heart, a love 1986 had a go with America: neither director story in a huge setting that overpowers its is today remembered for his attempt to fragile forays into intimacy. -
Fire on Board the Livestock Carrier Ocean Drover Fremantle, Western Australia, 9 October 2014
Fire on board the livestock carrier Ocean Drover Fremantle, Western Australia, 9 October 2014 ATSB Transport Safety Report Marine Occurrence Investigation 315-MO-2014-012 Preliminary – 15 January 2015 Released in accordance with section 25 of the Transport Safety Investigation Act 2003 Publishing information Published by: Australian Transport Safety Bureau Postal address: PO Box 967, Civic Square ACT 2608 Office: 62 Northbourne Avenue Canberra, Australian Capital Territory 2601 Telephone: 1800 020 616, from overseas +61 2 6257 4150 (24 hours) Accident and incident notification: 1800 011 034 (24 hours) Facsimile: 02 6247 3117, from overseas +61 2 6247 3117 Email: [email protected] Internet: www.atsb.gov.au © Commonwealth of Australia 2015 Ownership of intellectual property rights in this publication Unless otherwise noted, copyright (and any other intellectual property rights, if any) in this publication is owned by the Commonwealth of Australia. Creative Commons licence With the exception of the Coat of Arms, ATSB logo, and photos and graphics in which a third party holds copyright, this publication is licensed under a Creative Commons Attribution 3.0 Australia licence. Creative Commons Attribution 3.0 Australia Licence is a standard form license agreement that allows you to copy, distribute, transmit and adapt this publication provided that you attribute the work. The ATSB’s preference is that you attribute this publication (and any material sourced from it) using the following wording: Source: Australian Transport Safety Bureau Copyright in material obtained from other agencies, private individuals or organisations, belongs to those agencies, individuals or organisations. Where you want to use their material you will need to contact them directly. -
AUSTRALIAN BUSH SONGS Newport Convention Bush Band Songbook
AUSTRALIAN BUSH SONGS Newport Convention Bush Band Songbook Friday, 11 July 2003 Song 1 All for Me GrOG...........................................................................................................................................................................2 SONG 2 Billy of tea.................................................................................................................................................................................. 3 Song 3 BLACK VELVET BAND............................................................................................................................................................ 4 Song 4 BOTANTY BAY.......................................................................................................................................................................... 5 Song 5 Click Go the Shears.......................................................................................................................................................................7 Song 6 Dennis O'Reilly............................................................................................................................................................................. 8 Song 7 Drovers Dream..............................................................................................................................................................................9 Song 8 Dying Stockman..........................................................................................................................................................................10 -
The Analysis of the Drover's Wife Stories
MASARYK UNIVERSITY IN BRNO FACULTY OF ARTS DEPARTMENT OF ENGLISH AND AMERICAN STUDIES Jana Laszáková The Position of Women in Australian Literature: the Analysis of the Drover’s Wife Stories Bachelor‟s Diploma Thesis Supervisor: Mgr. Martina Horáková, Ph. D. Brno 2012 I declare that I have worked on this bachelor thesis independently using only primary and secondary sources listed in the bibliography. 2 Acknowledgement I would like to thank to Mgr. Martina Horáková, Ph. D. for her helpful insights and her inexhaustible patience. 3 TABLE OF CONTENTS 1. INTRODUCTION ........................................................................................ 5 1.1. FORMING AUSTRALIA AND AUSTRALIAN IDENTITY ......................................................... 7 1.2. BUSH AND THE BUSHMAN VS. WOMEN ........................................................................... 11 1.3. GENDER BIAS ................................................................................................................ 13 1.4. THE ROLE OF LANGUAGE .............................................................................................. 14 2. THE ANALYSIS OF THE DROVER’S WIFE STORIES ...................... 16 2.1. HENRY LAWSON: “THE DROVER‟S WIFE” ..................................................................... 16 2.2. MURRAY BAIL: “THE DROVER‟S WIFE” ........................................................................ 19 2.3. BARBARA JEFFERIS: “THE DROVER‟S WIFE” ................................................................. 22 2.4. MANDY -
THE LONG PADDOCK Distribution for Not
Distribution For Not - Publishing Echo THE LONG PADDOCK Distribution For Not - Publishing Echo 2 THE LONG PADDOCK ANDREW CHAPMAN AND TIM LEE The Five Mile Press Pty Ltd 1 Centre Road, Scoresby Contents Victoria 3179 Australia www.fivemile.com.au Introduction Part of the Bonnier Publishing Group 7 www.bonnierpublishing.com Part 1 ON THE HOOF Copyright © Andrew Chapman and Tim Lee, 2014 All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or be FROM WILCANNIA TO BOOLIGAL transmitted by any form or by any means, electronic, mechanical, photocopying, recording or Distribution 13 otherwise, without the prior written permission of the publisher. Part 2 HAY, HELL & BOOLIGAL First published 2014 For FROM BOOLIGAL TO HAY Printed in China Not 73 Cover and internal design by Philip Campbell Design - Part 3 THE OLD MAN PLAIN National Library of Australia Cataloguing-in-Publication entry FROM HAY TO DENILIQUIN Chapman, Andrew, photographer. 117 The long paddock : a photographic journey along Australia's longest stock route / Andrew Chapman, Tim Lee. Part 4 TO THE BORDER ISBN: 9781743467268 (hardback) FROM DENILIQUIN TO MOAMA/ECHUCA Stock routes--New South Wales--Pictorial works. Publishing 137 Droving--New South Wales--Pictorial works. Country life--New South Wales--Pictorial works. Part 5 AN EPIC TREK Lee, Tim, author. Echo BRINKWORTH’S GREAT CATTLE DRIVE 779.96362 165 Front cover Just past dawn at Mungindi, drover Bill Little cracks his stockwhip to get his cattle moving for the day Previous pages: Brinkworth cattle move out near Hillston Opposite: The shimmering promise of dry times mixed with a faint hope for rain, across the Long Paddock near One Tree 4 5 MAP of the long paddock INTRODUCTION Bourke e r i v Louth Across the Australian continent runs a vast network Australia ran from Wilcannia on the Darling River pioneers in an adventurous outdoor life pitted against R g n of corridors largely unseen and unrecognized by most in northwestern New South Wales to the Victorian the elements. -
Dog on the Tuckerbox Development Opportunity Expression of Interest
Dog on the Tuckerbox Development Opportunity Expression of Interest – EOI DOG ON THE TUCKERBOX DEVELOPMENT OPPORTUNITY EXPRESSION OF INTEREST – E0I Background Cootamundra-Gundagai Regional Council (CGRC) is seeking Expressions of Interest for the development and enhancement of the famous national icon “THE DOG ON THE TUCKERBOX”, monument and surrounds at Gundagai NSW. The Site THE DOG ON THE TUCKERBOX (DoTT) site is located at 37 Annie Pyres Drive, Gundagai within a highway service centre locally known as the ‘Five Mile Precinct’, 7.2 kilometres north of Gundagai town centre. The Site has a land area of 2.66 hectares and is zoned “SP3 Tourist”. The building improvements on the Site mainly include a tourist visitor centre, former service station canopy and shop/store. The Site has a heritage listing associated with the Dog on the Tuckerbox monument. Major developments within the Five Mile precinct include a modern Shell Coles (branded) fuel service station with KFC & Subway and an Oliver’s healthy fast food restaurant. Traffic data shows of the 11,218 vehicles passing the Precinct daily (on average during peak season), 27% (2,974) turn into Anne Pyres Drive with a suggestive 21% (632) of these vehicles visiting the Dog on The Tuckerbox daily. This level of passing traffic is being achieved with limited facilities at the Site, a below average street presentation, poor visibility from the Hume Highway and no official ongoing tourist promotional campaign of the historic monument. The DoTT is situated on the national Hume Highway. Canberra city centre is located approximately 150 kilometres to the east. -
The NSW Travelling Stock Routes and Reserves Network
The NSW travelling stock routes and reserves network Heritage – Habitat – Livelihood Authored By: Bev Smiles, Cathy Merchant and Kirstin Proft for the National Parks Association of NSW, June 2011 Cover photo: TSR near Coonabarabran, Milton Judd Contents Table of contents Executive summary Introduction 4 Scope of the campaign 4 Importance of the network 4 Threats 5 Desired outcomes 5 Part 1: What are travelling stock routes, and why do they matter? Introduction 6 Campaign focus The NPA NSW campaign 6 Other TSR campaigns 7 Why are TSRs important? 8 Environmental importance of the TSR network 8 Temperate woodlands and biodiversity in TSRs 8 TSRs and connectivity conservation 12 TSRs and government biodiversity targets 13 Sustainable economic uses Agricultural importance 16 Tourism 17 Culture and heritage Aboriginal culture and heritage 18 Historical development of TSRs 19 Folk lore, songs and art 21 Continuing social benefits of the TSR Network 23 Community involvement in TSR management 24 Part 2: How are travelling stock routes threatened? Legislative and administrative threats to TSRs History of legislative pressures on TSRs 28 Page 2 Contents Current legislative pressures on TSRs Recent administrative changes 29 Threats posed by current administrative initiatives 29 Threats posed by emphasis on economic returns of TSRs 30 Other threats to TSRs Industrial logging 31 Firewood collection 31 Illegal tree felling 31 Invasion of weeds 32 Gas and mineral exploration and infrastructure 32 Part 3: How can we protect the environmental, economic, -
Critical and Creative Approaches Ed. Jan Shaw, Philippa Kelly, LE Semler
Published in Storytelling: Critical and Creative Approaches ed. Jan Shaw, Philippa Kelly, L. E. Semler (Basingstoke: Palgrave, 2013), pp. 83-113. Transnational Glamour, National Allure: Community, Change and Cliché in Baz Luhrmann’s Australia. Meaghan Morris What are the links between stories and the wider social world—the contextual conditions for stories to be told and for stories to be received? What brings people to give voice to a story at a particular historical moment? … and as the historical moment shifts, what stories may lose their significance and what stories may gain in tellability? (Plummer 25). The vantage points from which we customarily view the world are, as William James puts it, ‘fringed forever by a more’ that outstrips and outruns them (Jackson 23-24). Poetry from the future interrupts the habitual formation of bodies, and it is an index of a time to come in which what today exists potently—even if not (yet) effectively— but escapes us will find its time. (Keeling, ‘Looking for M—’ 567) 1 The first time I saw Baz Luhrmann’s Australia I laughed till I cried. To be exact, I cried laughing at dinner after watching the film with a group of old friends at an inner suburban cinema in Sydney. During the screening itself I laughed and I cried. As so often in the movies, our laughter was public and my tears were private, left to dry on my face lest the dabbing of a tissue or an audible gulp should give my emotion away. The theatre was packed that night with a raucously critical audience groaning at the dialogue, hooting at moments of high melodrama (especially Jack Thompson’s convulsive death by stampeding cattle) and cracking jokes at travesties of history perceived on screen. -
The Creation of the Torrens : a History of Adelaide's River to 1881
The Creation of the Torrens: A History of Adelaide's River to 1881 by Sharyn Clarke This is submitted for the degree of Master of Arts in History School of Social Sciences University of Adelaide CONTENTS List of Paintings and Maps Introduction 1 Chapter One: Conceiving the Torrens t4 Chapter Two: Black and White 4t Chapter Three: The Destruction of the Torrens 76 Chapter Four: Meeting the Demand for Progress 105 Chapter Five: The Torrens Lake 130 Conclusion 157 Bilbiography ABSTRACT The River Torrens in Adelaide is a fragile watercourse with variable seasonal flows which was transformed in the nineteenth century into an artificial lake on a European scale. This thesis presents the reasons behind the changes which took place. The creation of the Torrens covers both physical changes and altering conceptions of the river from a society which, on the whole, desired a European river and acted as though the Torrens was one. The period of study ranges from the Kaurna people's life, which adapted around the river they called Karrawirraparri, to the damming of the river in 1881, Being the major river forthe city, the relatively higher population density meant huge environmental pressure, an inability to assess its limits lead to it being heavily polluted and degraded only a decade after white settlement. Distinct stages in the use of the river can be observed and a variety of both positive and negative responses towards it were recorded. By studying the interactions with, and attitudes towards, the River Torrens, and the changes it has undergone, we learn much about the societies that inhabited the river and their values towards a specific and crucial part of the natural environment. -
Dampier Seven Mile
The Dingo’s Breakfast (Lyrics/chords for Loosely Woven – April 2016) Dampier Seven Mile ............................................................................... 2 Mademoiselle from Armientiers ...................................................... 3 Dirty Old Town ........................................................................................ 4 The Lachlan Tigers ................................................................................... 5 Now I’m Easy .............................................................................................. 6 The Diamantina Drover ....................................................................... 7 The Shemlock ............................................................................................. 8 The Gundagai Set – Nine Miles to Gundagai .......................... 9 The Gundagai Set – Lousy Harry’s .............................................. 10 The Gundagai Set – The Road to Gundagai ......................... 12 Dampier Seven Mile . Am G F E Am The sun comes o’er the red rock hills to the east of Dampier Town Am G F E Am It breathes it’s fire upon the earth, turns the dust red brown G Am G Am It breathes its fire up-on the men that work upon the track Am G F E Am Burns their minds, burns their souls, burns their bodies black Into this hell of flies and sweat for money men are driven To work upon the railroad track at a place they call Mile Seven To work upon that railroad track down at Seven Mile To earn their pay, to buy their drinks, to earn a young gin’s