John Marshall, Magnificent Mugwump
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Henry James and William Wetmore Story
“Interrogation of the Past”: Henry James and William Wetmore Story ELIZABETH POWERS Though artists of many nations made the journey to Italy, to partake of “the great Roman back - ground,” as Henry James described it in his biography of Nathaniel Hawthorne, very few of them were at home there. Winckelmann and Raphael Mengs both penetrated the high - est and homeliest circles of Italian life, but for most foreign - ers Italy was a vast museum or an imaginative home, das Land, wo die Zitronen blühn . Its unaccountable reality was a different matter, even for Goethe, a seemingly cosmopoli - tan man who nevertheless was not comfortable with Roman society and, while in Italy, consorted almost exclusively (with a few important exceptions) with other Germans. As he wrote to the duke in Weimar a few months after his ar - rival, interest in the living Rome ( das neue lebendige Rom ) would interfere with his imagination. Despite its suggestions of experience, the poem cycle Roman Elegies , begun in 1788 , is mediated through art and literature (the triumvir of Catullus, Propertius, and Tibullus), while the connection be - tween love and Rome was probably the result of his meeting with Christiane Vulpius shortly after his return to Weimar. Italian Journey (1813 –17 ) mentions meals taken but no Ital - ian food; in Rome Goethe ate at Caffè Greco (also known as Caffè Tedesco). The Roman Carnival , despite the beautiful hand-colored plates that accompanied its first publication in 1789 , is written by someone who suffered rather than ap - preciated the event. It was not principally the primitive nature of Italian do - mestic life or the byzantine political conditions that kept for - arion 16.2 fall 2008 52 “interrogation of the past” eigners in their enclaves. -
Ross E. Davies, Professor, George Mason University School of Law 10
A CRANK ON THE COURT: THE PASSION OF JUSTICE WILLIAM R. DAY Ross E. Davies, Professor, George Mason University School of Law The Baseball Research Journal, Vol. 38, No. 2, Fall 2009, pp. 94-107 (BRJ is a publication of SABR, the Society for American Baseball Research) George Mason University Law and Economics Research Paper Series 10-10 This paper can be downloaded without charge from the Social Science Research Network at http://ssrn.com/abstract_id=1555017 **SABR_BRJ-38.2_final-v2:Layout 1 12/15/09 2:00 PM Page 94 BASEBALL AND LAW A Crank on the Court The Passion of Justice William R. Day Ross E. Davies here is an understandable tendency to date the Not surprisingly, there were plenty of other baseball Supreme Court’s involvement with baseball fans on the Court during, and even before, the period Tfrom 1922, when the Court decided Federal covered by McKenna’s (1898–1925), Day’s (1903–22), Baseball Club of Baltimore v. National League of Pro- and Taft’s (1921–30) service. 13 Chief Justice Edward D. fessional Base Ball Clubs —the original baseball White (1894–1921) 14 and Justices John Marshall Har - antitrust-exemption case. 1 And there is a correspon - lan (1877–1911), 15 Horace H. Lurton (1910–14), 16 and ding tendency to dwell on William Howard Taft—he Mahlon Pitney (1912–22), 17 for example. And no doubt was chief justice when Federal Baseball was decided 2— a thorough search would turn up many more. 18 There is, when discussing early baseball fandom on the Court. -
2017 Stevens Helen 1333274
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Paradise Closed Energy, inspiration and making art in Rome in the works of Harriet Hosmer, William Wetmore Story, Elizabeth Barrett Browning, Nathaniel Hawthorne, Sophia Peabody Hawthorne, Elizabeth Gaskell and Henry James, 1847-1903 Stevens, Helen Christine Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 02. Oct. 2021 Paradise Closed: Energy, inspiration and making art in Rome in the works of Harriet Hosmer, William Wetmore Story, Elizabeth Barrett Browning, Nathaniel Hawthorne, Sophia Peabody Hawthorne, Elizabeth Gaskell and Henry James, 1847-1903 Helen Stevens 1 Thesis submitted for the degree of PhD King’s College London September, 2016 2 Table of Contents Acknowledgements .................................................................................................... -
Annual Report 2017 - 2018
ANNUAL REPORT 2017 - 2018 Details Make a Difference www.historicrichmond.com 1 FROM OUR LEADERSHIP Details Make A Difference In our Spring Newsletter, we discussed stepping back to look at “The Big Picture” and how our Vision came into Focus with a shared set of Preservation Values. With that Big Picture now in focus, it is also clear that the Details Make All the Difference. The details are what connect us across generations to those that walked these streets before us. It is the details that connect us to the lives and struggles – both large and small – of those people in these places. For two centuries, an upturned torch at Monumental Church has reflected the lives extinguished too soon by the Richmond Theatre Fire. For more than a century, an eagle on the General Assembly Building’s 1912 façade stood sentinel watching over our Capitol. Several blocks away, another eagle, radiator grill in its grasp (and tongue in cheek), signaled the advent of the automobile. Exceptional craftsmanship has stood the test of time in Virginia Union University’s “nine noble” buildings of Virginia granite. This attention to detail said “We are strong. We are solid. And we will strive and succeed for centuries to come.” It is seemingly insignificant details such as these that help us to understand that our lives are significant – that our actions can - and do - make an impact on the world around us. We are excited to have rolled up our sleeves to focus on those details. In this report, we share with you an update on our work in 2017-2018, including: Preservation • Monumental Church • Masons’ Hall Revitalization • Neighborhood Revitalization Projects Rehabilitation • Westhampton School • Downtown Revitalization/ Blues Armory Advocacy & Education • Master Planning • Rehab Expo • Lecture Programs • Golden Hammer Awards Cover Photo: Painting the east stairwell of Monumental Church thanks to the Elmon B. -
1907 Journal of General Convention
Journal of the General Convention of the Protestant Episcopal Church in the United States of America 1907 Digital Copyright Notice Copyright 2017. The Domestic and Foreign Missionary Society of the Protestant Episcopal Church in the United States of America / The Archives of the Episcopal Church All rights reserved. Limited reproduction of excerpts of this is permitted for personal research and educational activities. Systematic or multiple copy reproduction; electronic retransmission or redistribution; print or electronic duplication of any material for a fee or for commercial purposes; altering or recompiling any contents of this document for electronic re-display, and all other re-publication that does not qualify as fair use are not permitted without prior written permission. Send written requests for permission to re-publish to: Rights and Permissions Office The Archives of the Episcopal Church 606 Rathervue Place P.O. Box 2247 Austin, Texas 78768 Email: [email protected] Telephone: 512-472-6816 Fax: 512-480-0437 JOURNAL OF THE GENERAL CONVENTION OF THE -roe~tant epizopal eburib IN THE UNITED STATES OF AMERICA Held in the City of Richmond From October Second to October Nineteenth, inclusive In the Year of Our Lord 1907 WITH APPENDIcES PRINTED FOR THE CONVENTION 1907 SECRETABY OF THE HOUSE OF DEPUTIES. THE REV. HENRY ANSTICE, D.D. Office, 281 FOURTH AVE., NEW YORK. aTo whom, as Secretary of the Convention, all communications relating to the general work of the Convention should be addressed; and to whom should be forwarded copies of the Journals of Diocesan Conventions or Convocations, together with Episcopal Charges, State- ments, Pastoral Letters, and other papers which may throw light upon the state of the Church in the Diocese or Missionary District, as re- quired by Canon 47, Section II. -
Winter 2009 (Vol. 32 – Issue 2)
Humanitas Vol. 32 Winter 2009 Issue 2 A Message From the OCC Table of Contents President An Invitation to Attend the 3 Dear OCC Members, Ohio Junior Classical League Convention Please allow me to begin this message by thank- ing Gwen Compton-Engle of John Carroll Uni- William Wetmore Story and versity for her efforts in putting together this past year’s Ohio Classical Conference. All of “Black” Cleopatra Cynthia King, Wright State 4 those in attendance greatly enjoyed all of the presentations given throughout the weekend. University During discussions at the meeting, a common Vergil Week at Case Western 10 theme that emerged was the future of Classics Programs at the High School and University Reserve University Level in the state of Ohio. Many high school teachers expressed a concern about the recent OCC Scholarship Information 12 push to add courses in Chinese, potentially at the expense of the Latin programs at their in- OCC Offi cers and Council 16 stitutions. If you are aware of a High School Program whose existence is threatened, please contact the OCC President as soon as possible so that the OCC can take the appropriate ac- tion. During Saturday’s panel discussion on recruit- ing students, the participants put forth a num- ber of helpful suggestions to increase commu- nication between High School teachers and University professors of the Classics. Many University professors expressed a desire to be able to directly contact students potentially interested in studying Classics at their univer- sity. In an attempt to meet this need, please see inside this edition of Humanitas an invitation to college professors to attend the Ohio Junior Classical League Convention in 2009. -
Dc0261data.Pdf
Washington Monument HABS No. DC-428 Located on high ground west of 15th Street between Independence and Constitution Avenues, NW Washington District of Columbia PHOTOGRAPHS WRITTEN HISTORICAL AND DESCRIPTIVE DATA Historic American Buildings Survey National Park Service Department of the Interior r * f. ■ -ft -■-.-. , Washington, D.C. 20240 * . J MABS PC, Form 10-920 UNITED STATES DEPARTMENT OF THE INTERIOR (Jura 1983) NATIONAL PARK SERVICE i ARCHITECTURAL DATA FORM STATE COUNTY TOWN OR VICINITY District of Columbia Washington HISTORIC NAME OF STRUCTURE (INCLUDE SdURCE FOR NAME) HABS NO. Washington Monument DC-428 SECONDARY OR COMMON NAMES OF STRUCTURE COMPLETE ADDRESS (DESCRIBE LOCATION FOR RURAL SITES) Located on high ground west of 15th Street between Independence and Constitution Avesf( NW DATE OF CONSTRUCTION (INCLUDE SOURCE) ARCHITECTS) (INCLUDE SOURCE) Original design: Robert Mills 1848-1884 Design altered by: George Perkins Marsh SIGNIFICANCE (ARCHITECTURAL AND HISTORICAL, INCLUDE ORIGINAL USE OF STRUCTURE) Landmark monument, dedicated to the memory of George Washington, it serves as a centerpiece in the grand vista connecting the Capitol to the Lincoln Memorial. Designed by the noted architect, Robert Mills. STYLE (IFAPPROPRIATE) MATERIAL OF CONSTRUCTION (INCLUDE STRUCTURAL SYSTEMS) Maryland marble with granite backing APE AND DIMENSIONS OF STRUCTURE (SKETCHED FLOOR PLANS ON SEPARATE PAGES ARE ACCEPTABLE) 4*555'-tall four sided obelisk topped by pyramidion with observation windows; 55' square at base EXTERIOR FEATURES OF NOTE INTERIOR FEATURES OF NOTE (DESCRIBE FLOOR PLANS, IF NOT SKETCHED) Open central shaft contains cast-iron stairway and passenger elevator MAJOR ALTERATIONS AND ADDITIONS WITH DATES Construction begun 1848 but virtually halted in 1855 when the Washington National Monument Society was taken over by the Know-Nothing political party. -
The Seated Cleopatra in Nineteenth Century American Sculpture
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 1997 The Seated Cleopatra in Nineteenth Century American Sculpture Kelly J. Gotschalk Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the History of Art, Architecture, and Archaeology Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/4350 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. APPROVAL CERTIFICATE The Seated Cleopatra in Nineteenth Century AmericanSculpture by Kelly J. Gotschalk Director of Graduate Studies � Dean, School of the Arts Dean, School of Graduate Studies �////PP? Date THE SEATED CLEOPATRA INNINETEENTH CENTURY AMERICAN SCULPTURE by Kelly J. Gotschalk B.F.A., Virginia Commonwealth University, 1990 Submitted to the Faculty of the School of the Arts of Virginia Commonwealth University in Partial Fulfillment of the Requirements forthe Degree Master of Arts Richmond, Virginia November, 1997 ACKNOWLEDGMENTS I would like to thank Dr. Fredrika Jacobs and Dr. Charles Brownell fortheir invaluable guidance andendless encouragement in the preparation of this thesis. I would also like to thank my husband, Tom Richards, and my family for their constant support and understanding. In addition, my sincere thanks to my co-workers, Amanda Wilson, Christin Jones and Laurel Hayward fortheir friendship, proofreadingand accommodating a few spur-of-the-moment research trips. ii CONTENTS ACKNOWLEDGMENTS.. .. .. .. .. .. .. 11 LIST OF ILLUSTRATIONS. iv ABSTRACT ......................................... V JNTRODUCTION. -
James Russell Lowell - Poems
Classic Poetry Series James Russell Lowell - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive James Russell Lowell(22 February 1819 – 12 August 1891) James Russell Lowell was an American Romantic poet, critic, editor, and diplomat. He is associated with the Fireside Poets, a group of New England writers who were among the first American poets who rivaled the popularity of British poets. These poets usually used conventional forms and meters in their poetry, making them suitable for families entertaining at their fireside. Lowell graduated from Harvard College in 1838, despite his reputation as a troublemaker, and went on to earn a law degree from Harvard Law School. He published his first collection of poetry in 1841 and married Maria White in 1844. He and his wife had several children, though only one survived past childhood. The couple soon became involved in the movement to abolish slavery, with Lowell using poetry to express his anti-slavery views and taking a job in Philadelphia, Pennsylvania as the editor of an abolitionist newspaper. After moving back to Cambridge, Lowell was one of the founders of a journal called The Pioneer, which lasted only three issues. He gained notoriety in 1848 with the publication of A Fable for Critics, a book-length poem satirizing contemporary critics and poets. The same year, he published The Biglow Papers, which increased his fame. He would publish several other poetry collections and essay collections throughout his literary career. Maria White died in 1853, and Lowell accepted a professorship of languages at Harvard in 1854. -
The 1811 Richmond Theatre Fire
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2015 The Fatal Lamp and the Nightmare after Christmas: The 1811 Richmond Theatre Fire Amber Marie Martinez Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/4043 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. ©Amber M. Martinez________________________2015 All Rights Reserved The Fatal Lamp and the Nightmare after Christmas The 1811 Richmond Theatre Fire A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. by Amber Marie Martinez Bachelor of Fine Arts in Theatre Performance Virginia Commonwealth University, 2009 Director: Dr. Noreen C. Barnes, Director of Graduate Studies, Department of Theatre Virginia Commonwealth University Richmond, Virginia December 2015 ii Acknowledgement The author wishes to thank several people. I would like to thank my son Faris whose presence inspired me to return to school to obtain a master’s degree. I would like to thank my partner Richard for his love and encouragement during the past few years. I would like to thank my parents for their continuous love and support that has seen me through difficult times. I would also like to thank Dr. Noreen C. Barnes for paving the path to discovering my love for this historical event. -
Bibliography
BIBLIOGRAPHY PRIMARY SOURCES MANUSCRIPTS OFFICIAL RECORDS Fredericksburg, Virginia. City Council Minutes, 1782-1801, 1829- 1851, 448 pp.; 474 pp. City Manager's Office. Law. Corporation Court, 1900-1905, Book E. St. George's Parish, Spotsylvania County. Minutes of the Ves try, 1726-1745 and 1746-1817. 58 unnumbered pp., 298 unnumbered pp. ----- Protestant Episcopal Church, Fredericksburg. Min utes of the Vestry, [Books III-VIII], Apr. 17, 1865- Sept. 19, 1906; Oct. 2, 1906-Mar. 8, 1922; Apr. 17, 1922-Dec. 5, 1927; Jan. 9, 1928-Apr. 24, 1939; June 5, 1939-Jan. 12, 1949; Jan. 21, 1949-June 2, 1950. Pp. 9-217, pp. 31-121, 107 unnumbered pp., 154 unnumbered pp., 157 unnumbered pp., 46 unnum bered pp. Spotsylvania County Orders, 1724-1730; 1749-1755. LETTERS AND DIARIES Boggs, Betty Lewis. Letter to Nannie Scott, June 2, 1869. Property of Mrs. J. E. Timberlake, Fredericksburg. Davis, I. S. Letter to Dr. James F. Thompson, June 7,1877. St. George's Church Office. Hereafter referred to as Church Office. Gooch, William. Papers. Virginia Historical Society, II. Hamilton, Matilda. Letter to her sister Margaret Hamilton Thornton, Apr. 24, 1849. Longhand copy of this letter copied in a notebook in the 1870's. Property of Miss Hamilton's great niece, Mrs. John F. Scott, Fredericksburg. McBryde, Robert J. Letter to A. Wellington Wallace and A. B. Botts, Sept. 9, 1905. Church Office. McGuire, Edward Charles. A Spiritual Diary Commenced J an uary 1st, 1819 to May 23, 1831. 363 pp. Property of W. A. Smoot, Alexandria. Letter to J no. Coakley, Nov. -
Elu!8~1~ 'Al~Lasa~~Opey 3 Sajepossy A~!Unmmo3 Pug? :Aq Pa~Eda~D
elu!8~1~'al~lasa~~opey 3 sajepossy A~!unmmo3 pue pug? :Aq pa~eda~d This publication and the work from which it resulted is funded in part by a grant from the National Park Service, U. S. Department of the Interior through the Virginia Department of Historic Resources. Under Title VI of the Civil Rights Act of 1964 and Section 504 of the Rehabilitation Act of 1973, the U. S. Department of the Interior prohibits discrimination on the basis of race, color, national origin, or handicap in its federally assisted programs. If you believe you have been discriminated against in any program activity or facility described above, or if you desire further information, please write to : Office for Equal Opportunity, U. S. Department of the Interior, Washington, D. C. 20240. The contents and opinions of this publication do not necessarily reflect the views or policies of the Department of the Interior or of the Virginia Department of Historic Resources, nor does the mention of trade names or commercial products constitute endorsement or recommendation by the Department of the Interior or the Virginia Department of Historic Resources. CREDITS Department of Historic Resources Hugh C. Miller, Director Robert A. Carter, Director, Preservation Services Julie L. Vosmik, Survey and Register Programs Manager John S. Salmon, Historian Jeffrey OIDell, Architectural Historian David A. Edwards, Architectural Historian Land and Community Associates Genevieve P. Keller J. Timothy Keller, ASLA Katharine T. Lacy ACKNOWLEDGMENTS The Department of Historic Resources and Land and Community Associates gratefully acknowledge the assistance of the many individuals who contributed to the successful completion of this project.