Re-Interpreting Eighteenth Century Sumptuary Laws at the Cape
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Academic Dress Rules
Academic Dress Rules 1. The University may, in respect of any University occasion, prescribe that academic dress shall be worn by students, graduates, graduates-elect or staff, or any of them, attending such occasion. 2. Academic dress shall be worn by students, graduates, graduates-elect and staff attending a University graduation ceremony. 3. The academic dress shall be: Level of award Gown Hood Cap or bonnet Professional Certificate Black gown in Cambridge No hood Black trencher cap BA style Sub-bachelor (ie Certificates Black gown in Cambridge No hood Black trencher cap and Diplomas) BA style Graduates of awards offered by the Centre for Aboriginal Studies in Music will also wear the prescribed stole Bachelor (including four year Black gown in Cambridge Black partly lined Black trencher cap degrees awarded without BA style 150mm wide with the honours) discipline colour 4, 5 and 6 year Bachelor Black gown in Cambridge Black entirely lined Black trencher cap including MBBS, BDS and four BA style with the discipline year degrees awarded with colour including a honours 12.5-13mm edging in the discipline colour Honours on the cape Graduate Certificate Black gown in Cambridge Black partly lined Black trencher cap Graduate Diploma BA style 150mm wide with white Coursework Masters Black gown in Cambridge Black entirely lined Black trencher cap MA style with white including a 12.5-13mm edging in white on the cape Black gown in Cambridge Black entirely lined Black trencher cap Masters by Research MA style with scarlet including a 12.5-13mm -
The Growth of Population in the Province of the Western Cape
Southern Africa Labour and Development Research Unit A Tapestry of People: The Growth of Population in the Province of the Western Cape by Dudley Horner and Francis Wilson WORKING PAPER SERIES Number 21 About the Authors and Acknowledgments Professor Francis Wilson and Dudley Horner are both SALDRU Honorary Research Fellows and were previously respectively director and deputy-director of the research unit. We acknowledge with thanks the Directorate for Social Research & Provincial Population in the Department of Social Development within the Provincial Government of the Western Cape, and particularly Mr Gavin Miller and Dr Ravayi Marindo, who commissioned this study as part of the project on the state of population in the Western Cape Province. We thank, too, Mrs Brenda Adams and Mrs Alison Siljeur for all their assistance with the production of this report. While we have endeavoured to make this historical overview as accurate as possible we would welcome any comments suggesting appropriate amendments or corrections. Recommended citation Horner, D. and Wilson, F. (2008) E A Tapestry of People: The Growth of Population in the Province of the Western Cape. A Southern Africa Labour and Development Research Unit Working Paper Number 21. Cape Town: SALDRU, University of Cape Town ISBN: 978-0-9814123-2-0 © Southern Africa Labour and Development Research Unit, UCT, 2008 Working Papers can be downloaded in Adobe Acrobat format from www.saldru.uct.ac.za. Printed copies of Working Papers are available for R15.00 each plus vat and postage charges. Contact: Francis Wilson - [email protected] Dudley Horner - [email protected] Orders may be directed to: The Administrative Officer, SALDRU, University of Cape Town, Private Bag, Rondebosch, 7701, Tel: (021) 650 5696, Fax: (021) 650 5697, Email: [email protected] A Tapestry of People: The Growth of Population in the Province of the Western Cape by Dudley Horner & Francis Wilson Long Before Van Riebeeck. -
A Study on the Design and Composition of Victorian Women's Mantle
Journal of Fashion Business Vol. 14, No. 6, pp.188~203(2010) A Study on the Design and Composition of Victorian Women’s Mantle * Lee Sangrye ‧ Kim Hyejeong Professor, Dept. of Fashion Design, TongMyong University * Associate Professor, Dept. of Clothing Industry, Hankyong National University Abstract This study purposed to identify the design and composition characteristics of mantle through a historical review of its change and development focusing on women’s dress. This analysis was particularly focused on the Victorian age because the variety of mantle designs introduced and popularized was wider than ever since ancient times to the present. For this study, we collected historical literature on mantle from ancient times to the 19 th century and made comparative analysis of design and composition, and for the Victorian age we investigated also actual items from the period. During the early Victorian age when the crinoline style was popular, mantle was of A‐ line silhouette spreading downward from the shoulders and of around knee length. In the mid Victorian age from 1870 to 1889 when the bustle style was popular, the style of mantle was changed to be three‐ dimensional, exaggerating the rear side of the bustle skirt. In addition, with increase in women’s suburban activities, walking costume became popular and mantle reached its climax. With the diversification of design and composition in this period, the name of mantle became more specific and as a result, mantle, mantelet, dolman, paletot, etc. were used. The styles popular were: it looked like half-jacket and half-cape. Ornaments such as tassels, fur, braids, rosettes, tufts and fringe were attached to create luxurious effects. -
What They Wear the Observer | FEBRUARY 2020 | 1 in the Habit
SPECIAL SECTION FEBRUARY 2020 Inside Poor Clare Colettines ....... 2 Benedictines of Marmion Abbey What .............................. 4 Everyday Wear for Priests ......... 6 Priests’ Vestments ...... 8 Deacons’ Attire .......................... 10 Monsignors’ They Attire .............. 12 Bishops’ Attire ........................... 14 — Text and photos by Amanda Hudson, news editor; design by Sharon Boehlefeld, features editor Wear Learn the names of the everyday and liturgical attire worn by bishops, monsignors, priests, deacons and religious in the Rockford Diocese. And learn what each piece of clothing means in the lives of those who have given themselves to the service of God. What They Wear The Observer | FEBRUARY 2020 | 1 In the Habit Mother Habits Span Centuries Dominica Stein, PCC he wearing n The hood — of habits in humility; religious com- n The belt — purity; munities goes and Tback to the early 300s. n The scapular — The Armenian manual labor. monks founded by For women, a veil Eustatius in 318 was part of the habit, were the first to originating from the have their entire rite of consecrated community virgins as a bride of dress alike. Belt placement Christ. Using a veil was Having “the members an adaptation of the societal practice (dress) the same,” says where married women covered their Mother Dominica Stein, hair when in public. Poor Clare Colettines, “was a Putting on the habit was an symbol of unity. The wearing of outward sign of profession in a the habit was a symbol of leaving religious order. Early on, those the secular life to give oneself to joining an order were clothed in the God.” order’s habit almost immediately. -
Ucl Degree Awarding Powers Academic Dress Regulations
UCL DEGREE AWARDING POWERS ACADEMIC DRESS REGULATIONS UCL ACADEMIC DRESS REGULATIONS 1. The Hood All hoods shall be the ‘slim’ shape. 1.1 First Degrees (Fig. 1.1, 1.2 & 1.3) The hood for the following degrees shall be the slim shape in black cloth, fully lined with silk of the colour indicated below: Bachelor of Arts (BA) Purple Bachelor of Arts and Sciences (BASc) Purple Bachelor of Engineering (BEng) Purple Bachelor of Education (BEd) Purple Bachelor of Fine Art (BFA) Purple Bachelor of Laws (LLB) Purple Bachelor of Medicine and Bachelor of Surgery (MB,BS) Red Bachelor of Science (BSc) Purple Bachelor of Science (Economics) (BSc(Econ)) Purple Bachelor of Science (Engineering) (BSc(Eng)) Purple Master in Science (MSci) Blue Master of Engineering (MEng) Blue Master of Pharmacy (MPharm) Blue 1.2 Postgraduate Diplomas and Postgraduate Certificate in Education (Fig. 2.1) The hood for the following diplomas shall be the slim shape in black cloth, fully lined with black silk and edged around the cape, cowl and neckband with blue silk: Postgraduate Diploma (PG Dip) Euro Postgraduate Diploma (Euro PG Dip) Postgraduate Certificate in Education (PGCE) 1.3 Postgraduate Taught Degrees (Fig. 3.1) The hood for the following degrees shall be the slim shape in black cloth, fully lined with silver grey silk: Euro Master of Science (Euro MA) International Masters (Int MA) Master in Public Administration (MPA) Master of Architecture (MArch) Master of Arts (MA) Master of Clinical Dentistry (MClinDent) Master of Fine Art (MFA) Master of Laws (LLM) Master of Research (MRes) Master of Science (MSc) Master of Teaching (MTeach) Master of Education (MEd) Master of Public Administration (MPA) 1.4 Specialist Doctorates (Fig. -
Tudor Sumptuary Laws and Academical Dress: an Act Against Wearing of Costly Apparel 1509 and an Act for Reformation of Excess in Apparel 1533
Transactions of the Burgon Society Volume 6 Article 2 1-1-2006 Tudor Sumptuary Laws and Academical Dress: An Act against Wearing of Costly Apparel 1509 and An Act for Reformation of Excess in Apparel 1533 Noel Cox Follow this and additional works at: https://newprairiepress.org/burgonsociety Recommended Citation Cox, Noel (2006) "Tudor Sumptuary Laws and Academical Dress: An Act against Wearing of Costly Apparel 1509 and An Act for Reformation of Excess in Apparel 1533," Transactions of the Burgon Society: Vol. 6. https://doi.org/10.4148/2475-7799.1047 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Transactions of the Burgon Society by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Transactions of the Burgon Society, 6 (2006), pages 15–43 Tudor Sumptuary Laws and Academical Dress: An Act against Wearing of Costly Apparel 1509 and An Act for Reformation of Excess in Apparel 1533 by Noel Cox In the United Kingdom, as in other modern liberal democracies, there are few, if any, restrictions upon one’s choice of habiliment.1 There have in the past, however, been repeated attempts in most countries and civilizations—from the Romans (and indeed earlier civilizations) onwards—to strictly control aspects of apparel, by legislation.2 They were motivated by political, moral or economic considerations. However, these sumptuary laws, as they were known,3 were generally a failure, for many reasons. Those who wished to ignore them often could do so with impunity.4 The frequency of such legislation is a sign both of the perceived importance of The author would like to acknowledge the assistance of Professor Bruce Christianson and Ms Susan North in the preparation of this paper. -
Knowledge and Colonialism: Eighteenth-Century Travellers in South Africa Atlantic World
Knowledge and Colonialism: Eighteenth-century Travellers in South Africa Atlantic World Europe, Africa and the Americas, 1500–1830 Edited by Wim Klooster Clark University and Benjamin Schmidt University of Washington VOLUME 18 Knowledge and Colonialism: Eighteenth-century Travellers in South Africa By Siegfried Huigen LEIDEN • BOSTON 2009 On the cover: “Coba Caffer Captein” (Gordon Atlas, G75). Courtesy of the Rijkspren- tenkabinet, Amsterdam. This book was originally published as Verkenningen van Zuid-Afrika. Achttiende-eeuwse reizigers aan de kaap (2007). This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Huigen, Siegfried. Knowledge and colonialism : eighteenth-century travellers in South Africa / by Siegfried Huigen. p. cm. — (Atlantic world : Europe, Africa, and the Americas, 1500–1830 ; v. 18) Includes bibliographical references and index. ISBN 978-90-04-17743-7 (hbk. : alk. paper) 1. Cape of Good Hope (South Africa)—Description and travel. 2. Cape of Good Hope (South Africa)—Description and travel—Sources. 3. Travelers—South Africa—Cape of Good Hope—History— 18th century. 4. Europeans—South Africa—Cape of Good Hope—History—18th century. 5. Ethnology—South Africa—Cape of Good Hope—History—18th century. 6. Ethnological expeditions—South Africa—Cape of Good Hope—History—18th century. 7. South Africa—History—To 1836. 8. South Africa—Colonial infl uence. 9. South Africa—Description and travel. 10. South Africa—Description and travel— Sources. I. Title. II. Series. DT2020.H85 2009 968.03—dc22 2009017888 ISSN 1570-0542 ISBN 978 90 04 17743 7 Copyright 2009 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishers, IDC Publishers, Martinus Nijhoff Publishers and VSP. -
SAVE $50 on Any Tuxedo Rental to Be Used on October 31St for Halloween
Halloween Tuxedo Savings SAVE $50 on Any Tuxedo Rental to be used on October 31st for Halloween 1900 East Ridge Road (Near 104/Culver Rd) Rochester, NY 14622 (585) 467-7711 vittorioformalwear.com Here are our top tuxedo-themed costume ideas 1. Bond. James Bond. Just add a martini glass. Bonush pointsh if you can do a Sean Connery accshent. Aston Martin sports car is optional. 2. The Most Interesting Man in the World. This ad campaign for Dos Equis beer has been a favorite of ours, as actor Jonathan Goldsmith is frequently clad in a tuxedo in various permutations of their commercials. Stay thirsty my friends! 3. A Formal Apology. Very easy to pull off — wear a tuxedo and pin a sign to the front saying, “I’m sorry.” What are you this year? A formal apology. An extra ten points from your more intellectual friends for for creativity. 4. Dumb & Dumber. This 1994 movie with Jim Carrey and Jeff Daniels featured them clad in outrageous orange and powder blue tuxedos. Since most people don’t have these at the ready, we have a supplier that produces a number of brightly colored tuxedos to help you recreate the look. 5. Downton Abbey Cast Member. Pretend you’re a member of the landed gentry headed to dinner with a formal tailcoat and white tie attire. Extra credit if you get into an argument with some guy named Tom about Irish independence. 6. Bride & Groom. Have your date grab an old wedding dress (Goodwill perhaps?) and head down the aisle. A good option for married couples, but avoid if this raises uncomfortable conversations about why you haven’t shown more interest in popping the question to your long-term girlfriend. -
Official and Academic Dress
University Regulations 2021-22 Official and Academic Dress A. Official Dress 1. The Chancellor The Chancellor shall wear a robe of black damask figured silk, the fronts, hem, sleeves, back, sides and flap collar trimmed with gold lace two inches and a half in width; the sleeve shall be faced with twelve bars of gold lace one inch and three quarters in width running horizontally, four above the arm slit and eight below; the sleeve ends shall be square. The cap shall be square and of black silk velvet trimmed with a gold lace band one inch in width with gold bullion tassel and button. 2. The Pro-Chancellors (including Chair of Council) The Pro-Chancellors shall wear robes of black damask figured silk, the fronts and flap collar trimmed with gold lace two inches in width; there shall be one broad bar of gold lace placed horizontally at the bottom of each sleeve which shall be square ended. The hem and sleeve slits shall be trimmed with gold lace one inch in width. The caps shall be square and of black silk velvet trimmed with gold lace bands three-quarters of an inch in width with gold bullion button and gold silk tassel. 3. The President and Vice-Chancellor The President and Vice-Chancellor shall wear a robe of black damask figured silk, the fronts, yoke and sleeves being trimmed with gold lace one inch and three quarters in width; the sleeves and yoke shall be in the Oxford MA style. The cap shall be square and of black silk velvet, trimmed with a gold lace band half an inch in width with a gold button and black silk tassel. -
Fashion and the World of the Women of the VOC Official Elite
Fashion and the World of the Women of the VOC Official Elite Liza-Mari Coetzee, University of Johannesburg, [email protected] Abstract During the early modern period material culture increasingly started to serve as a symbol of identity and status rather than merely fulfilling a basic need. One example of such possessions that was particularly relevant for demonstrating social position is clothing. By using markers of distinction such as clothing, individuals could affirm or reaffirm their identities and could denote an association with a certain status group. At the Cape this means of distinction was utilised by the societal elite that consisted of a small group of senior officials with the Governor at the head. The Governor was appointed by the VOC and in all cases but one, was not locally born. Equally, many members of the VOC elite were temporarily stationed at the Cape and would return to Europe or move to another VOC station at the end of their tenure, most often taking their wives and daughters back with them. The aim of this article is to discuss women belonging to the VOC elite of Cape society and to determine firstly whether these women maintained their status through the use of status objects (in particular clothing and other items used for personal adornment). The second aim of the article is to determine what effect this use of clothing as a symbol of status had on the social consciousness of the importance or unimportance of a particular object. The article will also aim to determine how these women in the top echelons of society influenced and determined what types of fashion, dress and accessories were seen as status objects. -
Sumptuary Law by Any Other Name: Manifestations of Sumptuary Regulation in Australia, 1901-1927
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2015 Sumptuary law by any other name: manifestations of sumptuary regulation in Australia, 1901-1927 Caroline Irene Dick University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Dick, Caroline Irene, Sumptuary law by any other name: manifestations of sumptuary regulation in Australia, 1901-1927, Doctor of Philosophy thesis, Faculty of Law, Humanities, and the Arts, University of Wollongong, 2015. -
Extant Outdoor Garments in Oregon, 1880 to 1920 Historic Research Using Objects from Oregon’S Historical Institutions
RESEARCH FILES Extant Outdoor Garments in Oregon, 1880 to 1920 Historic Research Using Objects from Oregon’s Historical Institutions by Jennifer M. Mower and Elaine L. Pedersen GARMENTS, long overlooked by many and society.3 Extant outdoor garments scholars of history, are capable of pro- analyzed for this study provide tangible viding information about social and evidence of the ways Oregon women personal history that often cannot be adapted to a developing consumer- found among other historical sources. oriented middle class and to new Clothing is “an expressive medium” — modes of transportation and com- a means of communicating cultural merce. values and norms as well as economic Oregon museums contain numer- and social status. Extant garments — ous garments that were owned and a particular type of material culture likely worn by Oregonians as early as that has been preserved for study and the 88s and extending through the display — contain stories that reveal twentieth century. Such artifacts are clues about people and their behaviors. valuable resources for those who study Amy Smart Martin, a historian of early local and regional history, particularly American culture, explains: when they are documented to a par- ticular locale and time period (that is, Material objects matter because they are complex, symbolic bundles of social, cultural have clear provenance). An analysis of and individual meanings fused onto some- ninety-eight extant garments from the thing we can touch, see and own. That very 88s to 2s suggests lifestyle trends quality is the reason that social values can so in Oregon and provides a case study quickly penetrate into and evaporate out of of the usefulness of examining extant common objects.2 garments.