Read Ebook {PDF EPUB} In Each Other We Trust by Connor Fitzgerald ‘Scream’s’ Newest Victim Details MTV’s Show’s Most Gruesome Death Yet: ‘A Crazy Way to Go Out’ At Tuesday’s episode of the MTV horror series “Scream,” Connor Weil’s character Will suffered the show’s most violent death to date. After surviving being abducted by Lakewood’s masked killer, Will found himself again at the hands of Brandon James. Only this time, he was being fed into a piece of farm machinery, spewing his blood all over ex-girlfriend, Emma (Willa Fitzgerald). It was gruesome to watch, but as an actor, Weil was excited to find out about the death. “It’s such a crazy way to go out,” he told TheWrap. “I was excited that it was going to be such a shocking thing.” In an interview with TheWrap, Weil talked about the implications for Emma and Lakewood residents, the growing suspicion among the characters, and the upcoming flashbacks. TheWrap: When did you find out you were going to die? Connor Weil: When Episode 6 came out — with Will getting dragged off by the killer in an abandoned car dealership — that’s when I was like, “Oh my god. What is happening?” I got a call from Jill Blotevogel, our showrunner, and she says, “Alright, this isn’t the end for Will. But it’s definitely the beginning of the end.” What was your reaction when you found out that it was going to be so gruesome? I was excited about it. It’s such a crazy way to go out. Especially after Episode 6 when you don’t know what’s going on. This was such a clear way to go that it’s just shocking. The killer seems to be making it more and more explicitly Emma’s fault every time with every kill, how do you think she’ll react to this one? The killer is just messing with her at this point. He’s saying, “This is your fault. I told you that this was a game, and it ends with you.” I think it’s really going to mess with her. Especially because the town is so crushed without Riley. And then in Episode 7, throughout the whole episode, Will and Emma start coming back together. They start rekindling their relationship and then having that happen, it’ll take a toll on her emotionally. What effect do you think it’ll have on her relationship with Kieran? I think it’ll absolutely put it on standstill while they recuperate. Whether she’ll need Kieran to help her get over it or she’ll push him away, we’re just going to have to see. Will was always kind of struggling to do the right thing. Why do you think it’s so difficult for him? I’ve always said that with him being so focused and driven — to get the scholarship, do well on the team and get out of town — with that, there’s a lot of passion. And so personally, I think Will could’ve handled a lot of situations better … Maybe if he wasn’t taken away in a chokehold, he could’ve figured out the right thing, but he was so passionate and ready to jump at these things that it got him into some bad situations. What does Will’s death mean for Lakewood going forward? Everything so far has definitely been a wake-up call, but this death will be the ultimate indication that this guy [the killer] needs to be taken seriously … He knows how to mess with people, get into their heads and their lives, and I think this will lock everyone down even more. Especially Emma. Why are all of these kids so quick to suspect each other? Now that everybody’s freaking out, I think the trust has fallen down. There’s no more giving anyone the benefit of the doubt. This guy is crazy and he knows personal things, so they start wondering “Could it be you? Where were you?” I think everybody starts to get on edge. Will you appear in any future episodes? There are some flashback moments coming up. You’ll definitely see Will one or two more times in retrospect. Do you know who the killer is? I do. At the end of the season, you’ll definitely be satisfied with finding out what’s going on and who’s behind it. But you’ll definitely be left in a place where you can continue on to Season 2, no problem. “Scream” airs Tuesdays on MTV at 10 p.m. ET and can be streamed at MTV.com. A soundtrack featuring artists including George Ezra, Phoebe Ryan, Liz Wet and MSMR will be released Aug. 14. Watch “Scream’s” new mid-season trailer above. 15 New Stills of MTV's 'Scream' With Willa Fitzgerald, Bella Thorne, Bex Taylor-Klaus (Photos) Bella Thorne as "Nina Patterson" Nina is the stereotypical Queen Bee of George Washington High School. Her best friend Brooke describes her as "a spoiled sociopath." Nina regularly bullies the school underlings, but all of that is about to change. Willa Fitzgerald as "Emma Duval" The Good Girl with the troubled home life. Emma's father left her and her mother years ago, but she continues to look for the good in others. This makes her an easy target for a psychotic killer. Amadeus Serafini as "Kieran Wilcox" Kieran is the mysterious charismatic loner who is new in town. He and Emma share instant chemistry, but he's not looking to fit in with the cool kids. Carlson Young as "Brooke Maddox" Brooke is Nina's right-hand girl. Unlike Nina, this mean girl would never double cross her friends. Mayor Quinn Maddox is her father. John Karna as "Noah Foster" Noah is the classic nerd. This boy genius has an after school job at the local comic shop and hacks into servers for fun. His interests include video games, anime and horror movies. Bex Taylor-Klaus as "Audrey Jensen" Audrey is a filmmaker in the making. Her brash attitude has made her an outsider at GWHS. Audrey is also coming to terms with her sexuality, which leads to a romantic tryst with another girl that ignites a fatal cyber-bullying incident. Connor Weil as "Will Belmont" Will and Emma are in a rocky relationship, and things get even more complicated when a love triangle develops with Kieran. How did Flannery O’Connor’s writing reflect her disability? The writer Flannery O’Connor was known for her dark, funny and sassy stories about misfits, outsiders and the types of offbeat characters she encountered while living in the American South. O’Connor herself could be considered a sort of outsider. Plagued by symptoms of lupus in the latter part of her life and mostly bound to the farm where she lived with her mother and many peacocks, she often wrote about themes of isolation and created characters driven by desires to connect with each other, society at large, or with God. Her stories, which have inspired many writers and readers over the years, were also imbued with a kind of dark humor and exploration of faith and mortality that was often attributed to her illness. “Flannery O’Connor’s life in some ways could have come out of a Flannery O’Connor story,” said contemporary writer Alice McDermott, who was influenced by O’Connor’s work. “It was the illness I think that made her the writer that she is.” Born Mary Flannery O’Connor in Savannah, Georgia, to an Irish Catholic immigrant family, the young writer was largely encouraged to write and draw by her father, who died of lupus when she was 15 years old. There remains no cure for the disease – only treatment of its symptoms. It was a turning point for O’Connor. Devastated by her father’s death, but also motivated to pursue her literary ambitions, O’Connor began studying writing during World War II in Georgia before attending the Iowa Writers’ Workshop and then being admitted to the famed Yaddo writing program in Saratoga Springs, NY. O’Connor dropped her first name, Mary, around this time. After her time at Yaddo, O’Connor remained on the East Coast for a while longer to write her first novel, “Wise Blood” (published 1952).The family she was boarding with at the time, Robert and Sally Fitzgerald, remembered that one day, O’Connor told them: “I think I’d better see a doctor, because I can’t raise my arms to the typewriter.” When O’Connor returned to Georgia to see a doctor, he diagnosed her with lupus, but only told the diagnosis to O’Connor’s mother, Regina. “Her mother, knowing that the father had died of the same disease, thought that the shock would be too great for Flannery and decided not to tell her,” said Sally Fitzgerald. “[Flannery] lost her hair. She was rather disfigured by the medicine. It could be combated, although not cured, by cortisone. This is the way she was able to live as long as she did.” In 1951 when O’Connor became intensely ill, she continued to think it was merely arthritis that was bothering her. She moved out to the family’s dairy farm with her mother. By then, O’Connor was using crutches to get around. Both women lived on the ground floor of the home so that O’Connor had no need to climb the stairs. At the farm, O’Connor continued writing religiously. Every morning, seven days a week, never taking a single day off, even Sunday. Being confined to the farm, O’Connor also began finding her material and characters in her environs. “After she got sick, she was a prisoner of her body. I think she loved writing so much because it freed her from the corporeal,” said the writer and theater critic Hilton Als. “She realized that she didn’t have to sit in New York and lose her ear for Southern speech, that she had it everywhere. The farm women, the farm people,” said Fitzgerald. One day, as Fitzgerald was driving O’Connor around to do errands, Fitzgerald revealed her lupus diagnosis. “She said something again about her arthritis. I said, ‘Flannery, you don’t have arthritis. You have lupus.'” Fitzgerald recalled. “Her hand was shaking. My knee was shaking on the clutch. “We drove back up and down the road, and a few minutes later she said, ‘Well, that’s not good news. But I can’t thank you enough for telling me. I thought I had lupus. And I thought I was going crazy. And I’d a lot rather be sick than crazy’.” O’Connor launched herself into writing with even more fervor. Her friends and acquaintances who knew her around this time noted that she rarely complained about her illness and was usually in good humor. “One of the few signs of Flannery’s lupus was the fact that after the midday meal, you could see her tiring,” said friend Louise Abbot . “The cortisone derivative that she took, which saved her life, had softened the bones and also had put her on crutches and this had altered her appearance. But she was wonderfully animated when she was interested in what she was saying, when a good question was asked and she could answer with zest.” “I’m making out fine, in spite of any conflicting stories,” O’Connor wrote around this time. “I have enough energy to write with, and as that is all I have any business doing anyhow, I can with one eye squinting take it all as a blessing.” While outwardly coping with her illness, O’Connor’s writing began reflecting the suffering, both physical and mental, she was undergoing at that time. The work that came next, “A Good Man Is Hard To Find,” a collection of short stories, was a critical and literary success that changed O’Connor’s reputation and popularized her work. “ She looks at the darkness unflinchingly and she approaches it with clarity and with precision. And that I think is her greatness,” the writer Mary Gordon said of O’Connor’s work. “I think that it’s inevitable that her dark view of the body and not nature, but the bodily world as being only a source of dark things, has to be connected to her lupus. The deformed body, the broken body, the afflicted body is very much a theme that recurs in her work.” Her work reflected flawed characters who interacted with disabled characters in what she herself referred to as “grotesque” scenarios and often violent narratives. But O’Connor also used that violence as a vehicle for internal transformations for her characters who were in pursuit of God’s grace — a way to explore religion and morality through the grotesque. “Grace changes us and the change is painful,” she wrote in one of the letters she exchanged with a friend during this time. “In some ways, I think we can say now thank God for her suffering, because it allowed her to produce the work that she produced,” said McDermott. By 1965, as O’Connor was putting together her collection of stories, “Everything That Rises Must Converge,” her editor Robert Giroux said he knew he was “working with a dying writer.” “She was in the hospital in Atlanta. It was, in a way, it was in kind of a horror story because she was so anxious to get the last story, ‘Revelation,'” Giroux said. “She wanted that to get in.” O’Connor died on August 3, 1964 at the age of 39, some 12 years after her diagnosis. Her body of work includes two novels, at least 32 short stories and numerous essays. There have been multiple film adaptations of her work and she even won a posthumous National Book Award for Fiction in 1972 for the “Complete Stories” book that was compiled after her death, providing an enduring legacy for this unique writer for generations to come. Colleen & Alex. August 7, 2021 • Dennis Port, MA. Colleen and Alex have known each other from afar for close to two decades. However, it wasn’t until two years ago at a Christmas party that Alex left his memorable impression on Colleen. Hardly coincidental, the couple reconnected a month later at the surprise 30th birthday gathering for Colleen’s brother, Sean, which spurred their journey together. Almost instantaneously, the pair intuitively knew that everything was unfolding as it should and a lifetime of love awaited them. Their journey continues to bring them immeasurable joy, endless support from one another, and immense gratitude for the path on which they’re traveling together. “The minute I heard my first love story, I started looking for you, not knowing how blind that was. Lovers don’t finally meet somewhere. They’re in each other all along.” -Rumi. Saturday, August 7, 2021. Pelham House Resort 14 Sea Street Dennis Port, MA 02639. Ceremony 4:30 p.m. Cocktail Hour 5:00 p.m. Reception 6:00 p.m. Please Note: The ceremony will be held on the lawn and the reception will follow in the venue directly behind. After Hours Continue celebrating with the newlyweds on the rooftop and private beach with drinks and late night snacks. B-SQUAD books by connor fitzgerald. Connor Fitzgerald is the author of The B-Squad series, a trilogy of fast-paced Action-Thriller novels about THE B-SQUAD; This organisation has grown to a worldwide force and has operations going on all over the globe. So if you are lucky enough to come across a Connor Fitzgerald book grab it, savour it, read it again and again and pass the message on that you have discovered some wonderful writing. Monday, 15 April 2013. B-Squad books now in paperback. The B-Squad series of action-thriller novels are now immortalised in print and available from Griffin Publishing.. Friday, 2 December 2011. B-SQUAD WAR by Connor Fitzgerald. base. The first voice they heard through the coms was that of their Squadron Major. He spoke only to The Jedi who was leading the field teams but all could hear his voice. 'We have surveyed the area and have the perfect spot earmarked for the ambush. I'm sending it to you now.' Luke received an email on his iPhone and pressed the blue highlighted co-ordinates. His device jumped to its Map Application. The little red dot showed him the location of the hit. The display at the top told him the distance. Six miles. A short jog would see the blue spot, which was his iPhone, move towards the red. . Terry felt a sense of pride and commitment as he stood tall and in command sporting the eye patch that earned him the name Rooster. The Analysts all sat at their desks and he surveyed the large semi-circular screen that had on it a satellite image of the area and a bunch of blue dots tracking the iPhones of each member along with a green dot tracking the vehicles containing the precious cargo. had been their trainer. A man himself who served his time in The Regiment and had many times himself killed with a knife. Luke had not but he remembered his training and he crept up to the enemy just as Micky did. . This was one load he wanted rid of and quick. He instructed Luke to change the tyres on the lead vehicle then go and get the tour bus. He told them to load the bus with the bodies and push it off the cliff on the hilltop road. Devils' Connor Carrick focused on personal growth during NHL pause. Like many hockey players during the season's pause, rollerblading has been a way to best simulate skating with ice rinks unavailable for use. New Jersey Devils defenseman Connor Carrick is among the rollerblading fraternity, taking up the activity under his condo in downtown Chicago. One day, a woman walking her dog asked him why he was rollerblading and he explained he was a professional hockey player. Now, he has two young neighbors helping him stay in hockey form. "She had a young son that played and she's like, 'Do you mind if he comes out and passes with you at some point,'" Carrick recounted on a Zoom call with reporters Monday. "I see no harm in that, so the kid came out from 20 yards away or whatever, passed the puck around and his friend that was two doors down so there's that." Carrick, a veteran of more than 300 professional games in the NHL and AHL, said playing with those two kids has given him a fresh outlook of the game during these uncertain times. "It puts me back in touch with the 12-year-old that had this big dream to play in the NHL and has brought some beauty to it that otherwise, midseason, you're just pissed off you're taken off the power play last night," Carrick said. "You're just more stuck in the moment, which is great about that way of focus to what makes our sport, our craft so competitive and great and the product is so good on the ice. "But for me, a lot of it's been really rewarding to have this distanced view from the game and really to miss it for an extended period of time. It has rekindled some of that fire because I've had a tough couple of years career-wise." The 26-year-old is still trying to solidify himself as an NHL regular. Carrick's career-high in games played was 67 in 2016-17 with the Toronto Maple Leafs. However, over the last three seasons, the Orland Park, Ill., native has played in just 63 battling numerous injuries. He did find some consistency before the season was paused, having played in 18 of the Devils' last 19 games and notched his lone goal of the season on March 6 against St. Louis. The team also found a similar level of stability. In December, the Devils replaced head coach John Hynes with interim Alain Nasreddine; New Jersey was 9-13-4 when Nasreddine took over and a 19-16-8 record after. #NJDevils Connor Carrick, who is always thoughtful in his responses, reflected about how he would feel re: a return to play. "You have to trust somebody to do something right on your behalf and I guess I would enter into that with a healthy sense of questioning. " "When he came in, we were really struggling. As a team with negative momentum. I think it's one thing to be doing poorly as a team, it's a whole other to be doing poorly on top of that," Carrick recalled. "We were in the face of some expectations that were high coming off the offseason so I think was Nas is really about is trying to build a process that led us to clearly identify what might give us success each night and then creating digestible points within our game that we can build confidence off of. "I thought he was doing a nice job and it was our goal day-to-day to perform the best that we could. There was a great recognition that the way we were playing under John Hynes at the time was below the capability of the group and what we expected of ourselves. We maintained a culture even through those lows that we demanded better of each other. We knew it was going to come, coaching change or not. "I was excited to see the last little bit there. I was finally personally playing my best hockey too prior to the season's pause. I was excited to see where we can get to, frankly." It's still unknown whether Nasreddine will be the permanent head coach as interim GM Tom Fitzgerald has reportedly interviewed former Vegas Golden Knights head coach Gerard Gallant and Dallas Stars assistant coach John Stevens. Even with the bench boss uncertainty, Carrick is focusing on himself and how he can improve as a player. "You know I had been a part of some coaching changes in my career and GM changes and things like that, I've changed scenery a couple of times," he said. "To be truthful, a lot of my professional process and progression has become focused on turning my focus inward and learning to — no matter who the coach is, no matter what rink we're playing, whether my ice time is good, ice team is bad, whether I got hurt — to be more consistent personally and emotionally."