DOCSLIB.ORG

Ub Lwerks' SINBAD the SAILOR the MISADVENTURES OF

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Ub lwerks' SINBAD THE SAILOR Ub lwtlrks let his Imagination run rampant in SINBAD THE SAi LOR, so that ot times this oction•Pocked cartoon borders on sur• realism. The storv moves ropidlv from one absurd scene to another. Slnbod spots o Pi rote ship and not onlv does its Captain hove on eve• patch and o peg•leg, but the Captain's parrot hos on eve·Potch and a peg.leg too! Sinbod's ship, which resembles o brontosaurus, sights the pirate ship, does o double•toke, and proceeds to run on its oars across the water. The skull and crossbones flog uses its bones os binoculars and sights Sinbod's ship. When the pirates fire cannon• bolls, Sinbod hits the projectiles with o bot os if thev were baseballs. During the bottle even the parrots get into the act, as Sinbod's par• rot does bottle with the pirate's parrot. The Pirate's parrot tokes off his leg to use as o weoPOn . As bullets bounce off the chest of the tough old pirate Captain, his mermaid totoo dives Into the water totoo to ovoid being hit. The pirates win the bottle and Sinbod walks the Plank. Rescued bv his parrot, Slnbod swims to shore and hollucl• notes hulo•doncers. He sees the pirates burying his treasure and be• gins to bombard them with coconuts. When he mistakes on ape's head for o coconut, the ope tosses him out of the tree and Into the clutches of the pirates. They tie the unfortunate sailor to what OP· pears to be o tree but is octuollv o giant bird. The real star of this aquatic adventure is Sinbad's parrot, who daringly rescues his master on several occasions. The music and sound effects enhance the action effectivelv and lwerks' cor.tooning mosterv is verv much in evidence In this colorfui'istorv. • 885•81-2626, Super 8 magetic sound, color, svnchrono~ 8 min., 11· ozs . ................................................................i .. ,............. $35.98 685-81-2626, 16mm optical sound, color, svnchronoll;! 8 :mirt., 2-lbs . ... ........................................................................................ S63.98 Zonv Lew Lehr, Movletone's resident fowl. When his wife asks for stuffing, Lew lifts funnv man, often would find himself at on the bird over his head and looks into it, and of event of minor Interest and would turn the sit­ course stuffing drops out into his face. Lew uation Into a funnv scene with his own pecul­ wipes the breading off and sovs, " It's not iar sense of humor. For example, on this com­ even housebroke." Finally, the Lehr family pilation of some of Lehr's funniest encoun­ gives up and goes out to get a hot dog. At the ters, he enters a woodchoppfng contest, tries beach, Lew measures girls' swimsuits to to carve a Thanksgiving turkey, comments on make sure they are decent. He savs to one a dog show, goes to Conev Island, visits the girl, ofter measuring her exposed bock, beach and interviews the winners of the Irish "Don't ever put this suit on backwards." Sweepstakes. All verv ordlnarv events used When interviewing Irish Sweepstakes win• to display his special comic touch. ners, Lew offers to teach a Germon man, who At the woodchopping contest, Lew is dis­ won S75,000, how to plov ",craps". Lovable tracted bv a prettv lodv and he brings his ox Lew Lehr endeared himself to movie oudi• down on his foot Instead of on the log. After ences throughout the 1930s and 1940s and this presenting the victory cup to the champion collection of his whimsical misadventures is LEW LEHR'S log cutter, Lew sovs to the chomp, "I know on excellent sample of his wockv humor. where vou con get ii filled for a quarter." 880-68-2777, Super 8 magnetic sound, b/w, dio• THE MISADVENTURES OF Lew's method of carving a turkev isn't anv logue 11 min., 11-ozs . ........................ $29.98 better than his log-chopping technique. Ha­ DRIBBLEPUSS (t93Ds) rassed on all sides bv his hungry fomllv, Lehr 640·68-2777, 16mm optical sound, b/w, dia- Restricted to the United States and Canada manages to cut almost evervthlng but the logue 11 min., 2-lbs ....... : ........ ..... : .... SM'.98 2 BLACKHAWK BULLETINr---.;,,_.-~~".""""""~~~~~----------------, B-290, September, 1977 BLACKHAWK'S NEWSREEL RECENT BLACKHAWK RELEASES These are COl?Yrighted motion Picture films which may on ly be licensed for private, NEWGEMS FEATURES noncommercial, nontheatrical home movie use as limited to rights granted. All other rights, privileges and licenses, In cluding, but not limited to, television, theatrical and We've iust completed the SON OF THE SHEIK (1926) commercial rights are expressly r eserved. screening of our first botch of starring RUDOLPH VALENTINO with new Hal Roach shorts and think VILMA BANKY you'll be pleased to hear what's The torrid love scenes, furious THE IRON HORSE (192S} RIDERS OF THE PURPLE on the agenda. There are sev­ fights, desert chases, and last-m inute Restricted to the United States SAGE (192S} eral well-edited abridgements rescues ore all disarmingly targer-thon­ Directed by John Ford Restricted ta the United States of Laurel and Hardy features; life. with GEORGE O' BRIEN and starring TOM MIX Including THE WHACKY WEST Abridged Version from (History of the MADGE BELLAMY Scored Versions Composed and from WAY OUT WEST and Motion Picture" Series) Sound Versions Composed and Performed by William Perry GYP THE GYPSY from THE 810-55-1668, Standard 8 silent, b/ w, 519- Performed by William Perry This classic Za ne Grey story was fil­ BOHEMIAN GIRL scheduled feel, 11 -ozs .............................. $39.98 med with M ix at the top of his career. It (Availability of film is A surveyor for the Union Pacific has breathtaking Western scenery and o for next year. A splendid limited to present stock) crosses paths with his childhood sweet­ full quota of action and excitement. heart. whose father is in charge of all Charlie Chase short, POKER 860-55-1668, Super 8 silent, b/w, 584 -feet, 810-51 -2008, Standard 8 si lent, b/ w, 1026- AT EIGHT will be released next 11 -ozs ...................................... $39.98 productions for the Union Pacific. feet, 2½ lbs ............................. $85.98 summer. And we promise folks, Full Length 860-49-2592, Super 8 silent, b/ w, 2407-fee t, 860-51 -2008, Super 8 silent, b/ w, 1139-feet, THE TAXI BOYS, TODD AND 810-55-0913, Standard 8 silent, b/ w, 1204- • 4-lbs ...................................... $179.98 21/2 lbs ..................................... $99 .98 KELLY, and a good many feet, 2-lbs . ...... ......................... $85 .98 880-49-2592, Super 8 magnetic sound, 880-51 -2008, Super 8 magnetic sound, more. 860-55-0913, Super 8 silent, b/ w, 1336-feet, b/ w , music 2 hrs., 4-lbs . .......... $273.98 b/ w, music 57 min., 21/, lbs ...... $131.98 2-lbs . ..... ................................. $85 .98 620-55-0913, 16mm silent, b/ w, 2407-feet, 4-lbs ............................... ....... $239.98 In 1978, Blackhawk will begin to release Paul Kllllam's t-C_O__ M_E_D_I_E_S _______._~H~o"""N .. K=E"!""Y"""D~O--N .. K"""E~Y-( .. 1... 93'!""4_} _____________ _. excellent series, HISTORY OF FRESH PAINT (1920) THE MOTION PICTURE In ReSlricted to ~:n~~~ed Slates and starring SNUB POLLARD 16mm sound. We will Introduce GLAD RAGS TO RICHES starring THE LITTLE RASCALS Snub comes upon the artist surroun- Super 8 sound In a number of the When w ally and his chauffeur come ded by o bevy of beauties and he trades (1933) st titles presently in release in Si• with SHIRLEY TEMPLE across the Little Rascals and Algebra ~~srefe ern Union cop for the artist's lent 8mm format only. There Shirley is as adorable as ever in the the Donkey, the fun begins. 860 01 2074 8 2 are several new titles YOU will role of a reluctant cabarat performer. 880-05-1558, Super 8 magnetic sound, • • • Super si lent, b/ w, 18-15feet98, appreciate; Including THE BS0-01 -2097, Super 8 magnetic sound, b/w, dialogue 16 m in., 14-ozs .... $39.98 88ll-oz2s .......................... ............ S · VALENTINO MYSTIQUE and b/ w, diatogue 10 min., 11-ozs .... $19.98 640-05-1558S, 16mm optical sound, b/ w, gi°~:~i;ics1ut~n-~ 1f.'i,;~e_l_i_c... sf~3n:e THE BUSTER KEA TON SPE- 640-01-2097, 16mm optical sound, b/w, di- dialogue 16 min., 2½ lbs ........... $71. 98 640-01 -2074, 16mm optical sound, b/ w, CIAL. alogue 10 min., 2-lbs ................. $35.98 NOW IN SOUND music 11 min., 2-lbs .......... ....... $4 1.99 BIG BUSINESS (1929) Restricted to the United States and THE DAREDEVIL (1923) In the more Immediate fu­ Canada with BEN TURPIN ture Is the 1927 romantic drama starring STAN LAUREL & Turpin gets a stuntman iob because 7th HEAVEN, directed by the movie director sees him ,;ding a Frank Borzage, starring The g,~J~feR,,ttt:,Porn ,a se111ng wildly bucking horse. Charles Farrell and Janet Gay­ Christmas trees door to door. The last 860 -11 -0987, Super 8 si lent, b/w, 425 -teet, door they attempt is feisty Jimmy Fin- 14-ozs ...................................... $31.98 nor. Gaynor recently commen­ 1ovson 's. ted that movies today show 620-11 -09875, 16mm silent, b/ w, 750-feet, 860-02-2733, Super 8 si lent, b/ w, 384 -feel, 3-lbs ....................................... $54.98 life's realities as they are, while 14-ozs ...................................... $21.98 880-11 -0987, Super 8 magnetic sound, people traditionally have atten­ 880-02-2733, Super 8 magnetic sound, b/ w, music 20 m in., 14-ozs . ....... S47.98 ded movies "to get away from. " b/.w, music 19 min., 14-ozs .......
Recommended publications
  • UPA : Redesigning Animation

    UPA : Redesigning Animation

    This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously
  • Boxoffice Records: Season 1937-1938 (1938)

    Boxoffice Records: Season 1937-1938 (1938)

    ' zm. v<W SELZNICK INTERNATIONAL JANET DOUGLAS PAULETTE GAYNOR FAIRBANKS, JR. GODDARD in "THE YOUNG IN HEART” with Roland Young ' Billie Burke and introducing Richard Carlson and Minnie Dupree Screen Play by Paul Osborn Adaptation by Charles Bennett Directed by Richard Wallace CAROLE LOMBARD and JAMES STEWART in "MADE FOR EACH OTHER ” Story and Screen Play by Jo Swerling Directed by John Cromwell IN PREPARATION: “GONE WITH THE WIND ” Screen Play by Sidney Howard Director, George Cukor Producer DAVID O. SELZNICK /x/HAT price personality? That question is everlastingly applied in the evaluation of the prime fac- tors in the making of motion pictures. It is applied to the star, the producer, the director, the writer and the other human ingredients that combine in the production of a motion picture. • And for all alike there is a common denominator—the boxoffice. • It has often been stated that each per- sonality is as good as his or her last picture. But it is unfair to make an evaluation on such a basis. The average for a season, based on intakes at the boxoffices throughout the land, is the more reliable measuring stick. • To render a service heretofore lacking, the publishers of BOXOFFICE have surveyed the field of the motion picture theatre and herein present BOXOFFICE RECORDS that tell their own important story. BEN SHLYEN, Publisher MAURICE KANN, Editor Records is published annually by Associated Publica- tions at Ninth and Van Brunt, Kansas City, Mo. PRICE TWO DOLLARS Hollywood Office: 6404 Hollywood Blvd., Ivan Spear, Manager. New York Office: 9 Rockefeller Plaza, J.
  • The University of Chicago Looking at Cartoons

    The University of Chicago Looking at Cartoons

    THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174
  • Pd Films List 0824

    Pd Films List 0824

    PD FILMS LIST 2012/8/23 現在 FILM Title 日本映画名 制作年度 キャラクター ＮＯ 1 Sabouteur 逃走迷路 1942 2 Shadow of a Doubt 疑惑の影 1943 3 The Lady Vanishe バルカン超特急 1938 4 From Here Etanity 地上より永遠に 1953 5 Flying Leather Necks 太平洋航空作戦 1951 6 Shane シェーン 1953 7 The Thief Of Bagdad 1・2 （1924） バクダッドの盗賊 １･２ （1924） 1924 8 I Confess 私は告白する 1953 9 The 39 Steps 39夜 1935 10 Strangers On A Train 見知らぬ乗客 1951 11 Foreign Correspon 海外特派員 1940 12 The Big Lift 大空輸 1950 13 The Grapes of Wirath 怒りの葡萄 上下有 1940 14 A Star Is Born スター誕生 1937 15 Tarzan, the Ape Man 類猿人ターザン 1932 16 Little Princess 小公女 1939 17 Mclintock！ マクリントック 1963APD 18 Beneath the 12Mile Reef 12哩の暗礁の下に 1953 19 PePe Le Moko 望郷 1937 20 The Bicycle Thief 自転車泥棒 1948 21 Under The Roof of Paris 巴里の屋根の根 下 1930 22 Ossenssione (R1.2) 郵便配達は2度ベルを鳴らす 1943 23 To Kill A Mockingbird (R1.2) アラバマ物語 1962 APD 24 All About Eve イヴの総て 1950 25 The Wizard of Oz オズの魔法使い 1939 26 Outpost in Morocco モロッコの城塞 1949 27 Thief of Bagdad (1940) バクダッドの盗賊 1940 28 The Picture of Dorian Grey ドリアングレイの肖像 1949 29 Gone with the Wind 1.2 風と共に去りぬ 1.2 1939 30 Charade シャレード（２種有り） 1963 APD 31 One Eyed Jacks 片目のジャック 1961 APD 32 Hangmen ハングマン 1987 APD 33 Tulsa タルサ 1949 34 Deadly Companions 荒野のガンマン 1961 APD 35 Death Sentence 午後10時の殺意 1974 APD 36 Carrie 黄昏 1952 37 It Happened One Night 或る夜の出来事 1934 38 Cityzen Ken 市民ケーン 1945 39 Made for Each Other 貴方なしでは 1939 40 Stagecoach 駅馬車 1952 41 Jeux Interdits 禁じられた遊び 1941 42 The Maltese Falcon マルタの鷹 1952 43 High Noon 真昼の決闘 1943 44 For Whom the Bell tolls 誰が為に鐘は鳴る 1947 45 The Paradine Case パラダイン夫人の恋 1942 46 I Married a Witch 奥様は魔女
  • Courts-Metrages

    Courts-Metrages

    COURTS-METRAGES vieux dessins animés libres de droits (Popeye, Tom et Jerry, Superman…) : https://archive.org/details/animationandcartoons page d’accueil (adultes et enfants (films libres de droit) : https://www.apar.tv/cinema/700-films-rares-et-gratuits-disponibles-ici-et-maintenant/ page d’accueil : https://films-pour-enfants.com/tous-les-films-pour-enfants.html page d’accueil : https://creapills.com/courts-metrages-animation-compilation-20200322 SELECTION Un film pour les passionnés de cyclisme et les nostalgiques des premiers Tours de France. L'histoire n'est pas sans rappeler la réelle mésaventure du coureur cycliste français Eugène Christophe pendant la descente du col du Tourmalet du Tour de France 1913. Eugène Christophe cassa la fourche de son vélo et marcha 14 kilomètres avant de trouver une forge pour effectuer seul la réparation, comme l'imposait le règlement du Tour. Les longues moustaches du héros sont aussi à l'image d'Eugène Christophe, surnommé "le Vieux Gaulois". (7minutes , comique) https://films-pour-enfants.com/fiches-pedagogiques/14.html pickpocket Une course-poursuite rocambolesque. (1minute 27) https://films-pour-enfants.com/fiches-pedagogiques/korobushka.html salles gosses (1 minutes 30) Oui, les rapaces sont des oiseaux prédateurs et carnivores ! Un film comique et un dénouement surprenant pour expliquer aux enfants l'expression "être à bout de nerfs". https://films-pour-enfants.com/fiches-pedagogiques/sales-gosses.html i am dyslexic (6 minutes 20) Une montagne de livres ! Une très belle métaphore de la dyslexie et des difficultés que doivent surmonter les enfants dyslexiques. https://films-pour-enfants.com/fiches-pedagogiques/i-am-dyslexic.html d'une rare crudité et si les plantes avaient des sentiments (7 minutes 45) Un film étrange et poétique, et si les plantes avaient des sentiments.
  • Best Picture of the Yeari Best. Rice of the Ear

    Best Picture of the Yeari Best. Rice of the Ear

    SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex­ perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz­ ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history.
  • Confia 2013 Proceedings.Pdf

    Confia 2013 Proceedings.Pdf

    2 3 COMMITTES General chair Paula Tavares Organization chair Pedro Mota Teixeira Program chair Alan Male Organization Paula Tavares, Pedro Mota Teixeira, Marta Madureira, Jorge Marques, Manuel Gaspar Albino, Cláudio Ferreira Scientific Committee Adrian Holme - Camberwell Coll. Arts (UK) Alan Male - Univ. College Falmouth (UK) Alan Young - Auckland University of Technology (NZ) Álvaro Barbosa - Univ. Católica (PT) Ana Madeira Rodrigues - Univ. Lisboa (PT) André da Loba (PT) António Costa Valente - Univ. Aveiro (PT) António Quadros Ferreira - Univ. Porto (PT) Carlos Nogueira - Univ. Nova Lisbon (PT) Chelo Matesanz - Univ. Vigo (ES) Debora Harty - Loughborough Univ. (UK) Eduardo Corte Real - IADE Lisbon (PT) Fernando Galrito - Inst. Polit. Leiria (PT) Francisco Laranjo - Univ. Porto (PT) Helena Barbosa - Univ. Aveiro (PT) James Walker - UCA (UK) João Manuel Ribeiro - IPCA (PT) Jorge Campos - Inst. Politécnico Porto (PT) Jorge Marques - IPCA (PT) José Chavete Rodriguez - Univ. Vigo (ES) Edição IPCA José Manuel Saraiva - ESAD (PT) ISBN: 978-989-97567-6-2 José Antonio Castro - Univ. Vigo (ES) Design editorial · Cláudio Ferreira Juan Carlos Róman - Univ. Vigo (ES) 4 5 Júlio Dolbeth - Univ. Porto (PT) PREFACE Marcos Rizolli - Univ. Presbit. Mckenzie (BR) Maria Lorenzo - Hernández Polytechnic Univ. of Valencia (ES) Marina Estela Graça - Univ. Algarve (PT) “These three ields require a high degree of collaboration with Mário Moura - Univ. Porto (PT) artists, producers, story editors, directors, programmers, and Marta Madureira - IPCA (PT) any number of other people in both the executive and creative Martin Sallisbury - Anglia Ruskin Univ. (UK) ends of the business.This is most emphatically true for anima- Nelson Zagalo - University of Minho (PT) tion and games.
  • The Chimp That Talks

    The Chimp That Talks

    => C v— innrsf 1 » 3 S-S.15 85^, !» a jl ™ a ™ zr < 1 2*Stiff if 3 8.-S O 5 I.ii1 ■sflt "•"p If'lfSRP?rpJRIf •< J§ ?<» e ?£*>& I —■» CO ij sff «##£mimm it IIIfill <T> a fill l r AT E NE s* IEW WITH MOVIES ft SPORTS FOR THE COMING WEEK Video Everyday — All Rights Reserved — Dickinson Newspaper Services, THE CHIMP THAT TALKS Washoe is a chimp who talks — with her hands. And you can meet her for the first time on television on "The First Signs Of Washoe" on NOVA this Sunday night at 7:30 p.m. on Channel 23. Saturday, January _25,_ 1975 Washoe has a vocabulary of over 150 words and she uses it with 9.30 AM a frankness that might not make a (50) "Invisible Stripes" sailor blush, but she certainly does Humphrey Bogart, William communicate! She'll let you know Holden. (1939) Story of an just exactly what she thinks about ex con who tries to go straight. something — or you. Washoe was "brought up" by 12:00 NOON Prof. Allen Gardner and Dr. Trixie (50) 'Terror In The Haunted Gardner in their home. The House" Gerald Mohr, Cathy Gardners taught Washoe O'Oonnell. (1958) Young bride American Sign Language, the is terrified when her husband language of the deaf. Not only has takes her to live in the mansion Washoe turned out to be an that is the scene of her many amazingly successful scientific horrible nightmares. experiment — but it turns out she has some very "human" char¬ 1:30 PM acteristics.
  • Knowing and Being Known: Sexual Delinquency, Stardom, and Adolescent Girlhood in Midcentury American Film

    Knowing and Being Known: Sexual Delinquency, Stardom, and Adolescent Girlhood in Midcentury American Film

    University of Kentucky UKnowledge Theses and Dissertations--English English 2014 KNOWING AND BEING KNOWN: SEXUAL DELINQUENCY, STARDOM, AND ADOLESCENT GIRLHOOD IN MIDCENTURY AMERICAN FILM Michael Todd Hendricks University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Hendricks, Michael Todd, "KNOWING AND BEING KNOWN: SEXUAL DELINQUENCY, STARDOM, AND ADOLESCENT GIRLHOOD IN MIDCENTURY AMERICAN FILM" (2014). Theses and Dissertations--English. 14. https://uknowledge.uky.edu/english_etds/14 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies.
  • Festival Runway, Limp Into the Air (Barely Missing the Trees) and Splutter up Into the Clouds

    Festival Runway, Limp Into the Air (Barely Missing the Trees) and Splutter up Into the Clouds

    1 DIRECTOR’S MESSAGE Malcolm Turner Greetings to fans, first-timers and the animatedly curious. DIRECTOR Despite the crazed improbability of it all, MIAF is still here doing its thing. It certainly suffers from the so-called ‘bumble bee’ syndrome. That is to say, on paper there’s no way Melbourne International you can prove it will fly. Somehow though, Air MIAF has found a way to bump down the Animation Festival runway, limp into the air (barely missing the trees) and splutter up into the clouds. Dunno how we do it, to be honest. It certainly wouldn’t happen without the support of ACMI, Screen Australia and each and every one of the sponsors. Nor would it happen without the core crew who give up a great deal of their time and varying slivers of their sanity to make this thing work. And it definitely wouldn’t happen without the filmmakers. It surprises alot of people (including me sometimes) just how many short animated films are being made. We get over 2,000 entries every year and the vast majority of them are made for the simple reason that somebody has felt compelled to create them – in much the same way that a painter feels compelled to paint a picture or a playwright feels compelled to create an imaginary universe, populated with a fictional tribe who have something on their mind they want to share. Animation, as a technological achievement, surrounds us and is woven into so many elements of our daily lives. It is a workhorse technology that is pressed into service by any number of plump jockeys who vie for our scarce and shattered attentions as we go through our day.
  • Friday 16 November 2018, London. BFI Southbank Kicks Off 2019 with a Major Season Dedicated to the Groundbreaking and Influential Films of Michelangelo Antonioni

    Friday 16 November 2018, London. BFI Southbank Kicks Off 2019 with a Major Season Dedicated to the Groundbreaking and Influential Films of Michelangelo Antonioni

    ONSTAGE AT BFI SOUTHBANK: PRODUCERS STEPHEN WOOLLEY AND ELIZABETH KARLSEN (COLETTE), WRITER AND BROADCASTER MARK KERMODE, DIRECTOR DEAN DEBLOIS AND PRODUCER BRAD LEWIS (HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD), DIRECTOR JESSICA LESKI (I USED TO BE NORMAL: A BOYBAND FANGIRL STORY), HOST OF THE GUILTY FEMINIST DEBORAH FRANCES- WHITE, VISUAL ARTIST AND BEATBOXER REEPS ONE Film previews: HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD (Dean DeBlois, 2019), BEAUTIFUL BOY (Felix van Groeningen, 2018), DESTROYER (Karyn Kusama, 2018), COLETTE (Wash Westmoreland, 2017), HALE COUNTY THIS MORNING, THIS EVENING (RaMell Ross, 2018) New and Re-Releases: SORRY TO BOTHER YOU (Boots Riley, 2018), FREE SOLO (Elizabeth Chai Vasarhelyi, Jimmy Chin, 2018), THE PASSENGER (Michelangelo Antonioni, 1975), STAN AND OLLIE (Jon S Baird, 2018), BERGMAN: A YEAR IN A LIFE (Jane Magnusson, 2018) Friday 16 November 2018, London. BFI Southbank kicks off 2019 with a major season dedicated to the groundbreaking and influential films of Michelangelo Antonioni. This major two month season ANTONIONI: CONFRONTING THE MODERN WORLD WITH STYLE will include a BFI re-release of Antonioni’s last American film, The Passenger (1975) starring Jack Nicholson and Maria Schneider, which will be back in selected cinemas across the UK from Friday 4 January. This month will also include a season honouring the maverick producer-director whose vision and ambition transformed British cinema; THE GOLDEN AGE OF ALEXANDER KORDA: BRITAIN’S MOVIE MOGUL includes screenings of The Private Life of Henry VIII (Alexander Korda, 1933) in a new BFI 4K restoration; Korda’s collaboration with HG Wells Things to Come (William Cameron Manzies, 1936) and That Hamilton Woman (Alexander Korda, 1941) starring Laurence Olivier and Vivien Leigh.
  • Walt Disney Treasures - the Chronological Donald Vol

    Walt Disney Treasures - the Chronological Donald Vol

    Walt Disney Treasures - The Chronological Donald Vol. 3 (1947- 1950) [2 DVD] Walt Disney Treasures - The Chronological Donald Vol. 3 (1947-1950) [2 DVD] Nok en utgave i Treasures-serien som hyller Donalds innsats i Disneys kortfilmer. Denne gangen er det årene 1947-1950 som dokumenteres med i alt 30 kortfilmer fordelt på to disker. Walt Disney Treasures - The Chronological Donald Vol. 3 (1947-1950) Jack Hannah, Jack King, Bob Carlson Walt Disney Animation 1947-1950 Walt Disney Studios Home Entertainment 4:3 Fullskjerm (1,33:1) Dolby Digital 2.0 263 min. 2 6 Nok en skatt Vi tar opp tråden der vi slapp sist. Annen verdenskrig er over og det begynner å lysne for Disney på ny. Donald er fremdeles selskapets sterkest skinnende stjerne, også når etterkrigstidens optimisme rår i noen få år. I perioden 1947-50 er det høy aktivitet hos Disney. På langfilmfronten er det fremdels fokus på episodefilmene som startet under andre verdenskrig, men store deler av staben er også opptatt med gigantsatsingen Tornerose (1950). Donald, på sin side, har dratt Disney ut av krigsperioden med hodet over vannet og lever et aktivt liv i kortfilmene. Kortfilmene fra denne perioden holder meget høy kvalitet. Vi befinner oss fremdeles i en form for gullalder for Disney-animasjon. Donald har fått lov til å utvikle seg fra de første filmene hvor han stort sett kun hadde raserianfall gjennom det hele og handlingen og karakterutviklingen var minimal. I de senere årene har kortfilmene fått bedre manus og Donald som karakter har fått mer spillerom og flere andre karakterer å spille sammen med.