Isabella Stewart Gardner Museum Annual Report
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The Boston Red Sox Thursday, November 1, 2018 * The Boston Globe Why the Red Sox feel good about David Price going forward Alex Speier David Price came to Fenway Park ready to celebrate the Red Sox’ 2018 championship season, and hoping to do it again sometime in the next four years. Price had the right to opt out of the final four years and $127 million of the record-setting seven-year, $217 million deal he signed with the Red Sox after the 2015 season by midnight on Wednesday. However, as he basked in the afterglow of his first World Series title, the lefthander said that he would not leave the Red Sox. “I’m opting in. I’m not going anywhere. I want to win here. We did that this year and I want to do it again,” Price said minutes before boarding a duck boat. “There wasn’t any reconsideration on my part ever. I came here to win. We did that this year and that was very special, and now I want to do it again.” Red Sox principal owner (and Globe owner) John Henry was pleased with the decision. While industry opinion was nearly unanimous that Price wouldn’t have been able to make as much money on the open market as he will over the duration of his Red Sox deal, Henry said that the team wasn’t certain of the pitcher’s decision until he informed the club. “[Boston is] a tough town in many ways. I think [the opt-out] was there because it gave him an opportunity to see if he wanted to spend [all seven years here],” said Henry. -
Fls---Saint-Peters-University-Jersey-City.Php3
explore. learn. excel. SPECIALTY TOUR PROGRAMS 2020 Book at worldwide lowest price at: https://www.languagecourse.net/school-fls---saint-peters-university-jersey-city.php3 +1 646 503 18 10 +44 330 124 03 17 +34 93 220 38 75 +33 1-78416974 +41 225 180 700 +49 221 162 56897 +43 720116182 +31 858880253 +7 4995000466 +46 844 68 36 76 +47 219 30 570 +45 898 83 996 +39 02-94751194 +48 223 988 072 +81 345 895 399 +55 213 958 08 76 +86 19816218990 Have you ever wanted to make a movie? Surf the beaches of California? Build a robot from scratch? Visit famous university campuses? These are just some of the amazing things you can do with FLS International by joining one of our unique Specialty Tour programs. Our seasonal specialty programs offer a fun and stimulating combination of our popular English language classes along with sightseeing and such exciting sports and subjects as surfing, basketball, cinema, acting and more. TABLE OF CONTENTS Discover California 2 Boston Summer 12 Citrus College Fisher College Explore California 3 TOEFL or SAT Prep Camp 13 Cal State University, Fullerton Fisher College Explore California , Junior 4 University Tour 14 Cal State University, Fullerton Fisher College Cinema Camp 5 Harvard STEM Camp 15 Cal State University, Fullerton Boston Acting Camp 6 Basketball Camp 16 Cal State University, Fullerton Fisher College Computer Science Camp 7 Family Programs 17 Cal State University, Fullerton Los Angeles Surf Camp 8 Preparing For Your Tour 18 Cal State University, Fullerton Groups & Custom Tours 19 Model United Nations -
But Why: a Podcast for Curious Kids How Do
But Why: A Podcast for Curious Kids How Do You Make Paint? June 10, 2016 [00:00:00] Tell your parents now that you need this rock. Is going to do something cool with it. And it's worth it. [00:00:26] [Jane] I’m Jane Lindholm and this is But Why? A Podcast for Curious Lids from Vermont Public Radio. Every episode we take a question from you, our listeners, and we help find cool people to offer an answer for what's on your mind. [00:00:42] You can find all the instructions at butwhykids.org for how to record a question with an adult's help on a smartphone. We are getting some really incredible questions so keep them coming. Before we get started today, we're excited to announce a new sponsor. This episode of But Why? is supported by Seventh Generation asking “But why?”[00:01:03] for over 27 years. Why don't cleaning products have to list their ingredients on the label? Why are so many laundry detergents such crazy colors? Seventh Generation encourages kids of all ages to keep asking why. Learn more at seventhgeneration.com. OK, let's get to the show and hear today's questions. [00:01:27] [Addison] My name is Addison Bee. I am five years old and I live in Edmonds, Washington and I want to know about how we make paints. [00:01:39] [Jane] There are a lot of different ways that paint is made. If you're painting your house, you're probably using industrial paint that was made in a very big factory. -
Excerpted from Bernard Berenson and the Picture Trade
1 Bernard Berenson at Harvard College* Rachel Cohen When Bernard Berenson began his university studies, he was eighteen years old, and his family had been in the United States for eight years. The Berensons, who had been the Valvrojenskis when they left the village of Butrimonys in Lithuania, had settled in the West End of Boston. They lived near the North Station rail yard and the North End, which would soon see a great influx of Eastern European Jews. But the Berensons were among the early arrivals, their struggles were solitary, and they had not exactly prospered. Albert Berenson (fig. CC.I.1), the father of the family, worked as a tin peddler, and though he had tried for a while to run a small shop out of their house, that had failed, and by the time Berenson began college, his father had gone back to the long trudging rounds with his copper and tin pots. Berenson did his first college year at Boston University, but, an avid reader and already a lover of art and culture, he hoped for a wider field. It seems that he met Edward Warren (fig. CC.I.16), with whom he shared an interest in classical antiquities, and that Warren generously offered to pay the fees that had otherwise prevented Berenson from attempting to transfer to Harvard. To go to Harvard would, in later decades, be an ambition of many of the Jews of Boston, both the wealthier German and Central European Jews who were the first to come, and the poorer Jews, like the Berensons, who left the Pale of Settlement in the period of economic crisis and pogroms.1 But Berenson came before this; he was among a very small group of Jewish students, and one of the first of the Russian Jews, to go to Harvard. -
Stained Glass Conservation at the Isabella Stewart Gardner Museum
Article: Stained glass conservation at the Isabella Stewart Gardner Museum: Putting the pieces together Author(s): Valentine Talland and Barbara Mangum Source: Objects Specialty Group Postprints, Volume Four, 1996 Pages: 86-98 Compilers: Virginia Greene and John Griswold th © 1996 by The American Institute for Conservation of Historic & Artistic Works, 1156 15 Street NW, Suite 320, Washington, DC 20005. (202) 452-9545 www.conservation-us.org Under a licensing agreement, individual authors retain copyright to their work and extend publications rights to the American Institute for Conservation. Objects Specialty Group Postprints is published annually by the Objects Specialty Group (OSG) of the American Institute for Conservation of Historic & Artistic Works (AIC). A membership benefit of the Objects Specialty Group, Objects Specialty Group Postprints is mainly comprised of papers presented at OSG sessions at AIC Annual Meetings and is intended to inform and educate conservation-related disciplines. Papers presented in Objects Specialty Group Postprints, Volume Four, 1996 have been edited for clarity and content but have not undergone a formal process of peer review. This publication is primarily intended for the members of the Objects Specialty Group of the American Institute for Conservation of Historic & Artistic Works. Responsibility for the methods and materials described herein rests solely with the authors, whose articles should not be considered official statements of the OSG or the AIC. The OSG is an approved division of the AIC but does not necessarily represent the AIC policy or opinions. STAINED GLASS CONSERVATION AT THE ISABELLA STEWART GARDNER MUSEUM: PUTTING THE PIECES TOGETHER Valentine Talland and Barbara Mangum Introduction In the Spring of 1994 the Gardner Museum began the conservation of nine medieval and Renaissance stained glass windows in its permanent collection. -
Botticelli: Heroines + Heroes on View: February 14, 2019 – May 19, 2019
FOR IMMEDIATE RELEASE Botticelli: Heroines + Heroes On View: February 14, 2019 – May 19, 2019 Sandro Botticelli (Italian, 1444 or 1445-1510), The Tragedy of Lucretia, 1499-1500. Tempera and oil on panel, 83.8 x 176.8 cm (33 x 69 5/8 in.) Isabella Stewart Gardner Museum, Boston (P16e20) BOSTON, MA (October 2018) – For the forthcoming Botticelli: Heroines + Heroes exhibition in early 2019, the Isabella Stewart Gardner Museum will be the sole venue in the United States to reunite Renaissance master Sandro Botticelli’s The Story of Lucretia from the Gardner Museum collection with the painter’s Story of Virginia, on loan from Italy for the first time. This presentation explores Botticelli’s revolutionary narrative paintings and brings them into dialogue with contemporary responses. The exhibition opens Feb. 14, 2019 and runs through May 19, 2019. Painted around 1500, eight monumental works – including important loans from museums in Europe and the U.S. - demonstrate Botticelli’s extraordinary talent as a master storyteller. He reinvented ancient Roman and early Christian heroines and heroes as role models, transforming their stories of lust, betrayal, and violence into parables for a new era of political and religious turmoil. Considered one of the most renowned artists of the Renaissance, Botticelli (about 1445-1510) was sought after by popes, princes, and prelates for paintings to decorate Italian churches. His Medici-era madonnas elevated Botticelli to a household name in Gilded Age Boston. Yet the painter achieved iconic status through his secular paintings for domestic interiors – like the Primavera. All of the works in the Gardner’s exhibition originally filled the palaces of Florence, adorning patrician bedrooms with sophisticated modern spins on ancient tales. -
Office of Performance Management & Oversight
OFFICE OF PERFORMANCE MANAGEMENT & OVERSIGHT FISCAL 2014 ANNUAL REPORT GUIDANCE The Office of Performance Management & Oversight (OPMO) measures the performance of all public and quasi‐public entities engaged in economic development. All agencies are required to submit an Annual Report demonstrating progress against plan and include additional information as outlined in Chapter 240 of the Acts of 2010. The annual reports of each agency will be published on the Office of Performance Management website, and will be electronically submitted to the clerks of the Senate and House of Representatives, the Chairs of the House and Senate Committees on Ways and Means and the House and Senate Chairs of the Joint Committee on Economic Development and Emerging Technologies. Filing Instructions: The Fiscal Year 2014 report is due no later than Friday, October 3, 2014. An electronic copy of the report and attachments A & B should be e‐mailed to [email protected] 1) AGENCY INFORMATION Agency Name Massachusetts Cultural Council Agency Head Anita Walker Title Executive Director Website www.massculturalcouncil.org Address 10 St. James Avenue, Boston, MA 02116 2) MISSION STATEMENT Please include the Mission Statement for your organization below. Building Creative Communities. Inspiring Creative Minds. OUR MISSION The Massachusetts Cultural Council (MCC) is a state agency that promotes excellence, access, education, and diversity in the arts, humanities, and interpretive sciences to improve the quality of life for all Massachusetts residents and contribute to the economic vitality of our communities. The Council pursues this mission through a combination of grant programs, partnerships, and services for nonprofit cultural organizations, schools, communities, and artists. -
Northbridge Legion Falls to Cherry Valley
Mailed free to requesting homes in Douglas, Northbridge and Uxbridge Vol. II, No. 36 Complimentary to homes by request ONLINE: WWW.BLACKSTONEVALLEYTRIBUNE.COM Friday, July 4, 2014 THIS WEEK’S QUOTE Northbridge Legion falls “Men are equal; it is not birth but virtue that to Cherry Valley makes the difference.” BY NICK ETHIER Voltaire SPORTS STAFF WRITER NORTHBRIDGE — Although they fell behind quickly, 2-0, the Cherry Valley Post 443 American Legion INSIDE baseball team played a strong game against Northbridge Post 343 on June Joy Richard photos 30 at Lasell Field. A2-3— LOCAL Douglas School Building Committee Chairman Mitch Cohen Behind the pitching of Tyler Simons poses for a photo on Monday, June 30, in front of a bank of A4-5— OPINION and a five-run third inning, Cherry lockers at the middle school. Cohen said he is happy to see Valley walked away 7-2 winners. A7— OBITUARIES the buildings on track and looks forward to getting students “They could have died when it was and staff moved in this fall. A9— SENIOR SCENE 2-0, but they stayed in it,” Cherry Valley manager Joel Hart said of his PORTS A11 — S team. B2 — CALENDAR Northbridge’s best inning was the EAL STATE first, which gave them the aforemen- Schools taking B4— R E tioned 2-0 advantage, but from there it B5 — LEGALS was Cherry Valley’s game. Northbridge scored its runs on a Dylan Jepsen (2 for 3) RBI single and shape LOCAL a Tommy Sperino RBI groundout, but Jepsen was left stranded on second base. -
Hessisches Landesmuseum, Darmstadt
Botticelli Reimagined V&A Museum, 5 March – 3 July 2016 Lender Reference number: Hessisches Landesmuseum, Darmstadt (8767) Title: Birth of Venus Date of creation: 1868-9 Place of creation: Basel, Switzerland Artist/ Designer: Arnold Böcklin (1827-1901) Dimensions: 1355 x 790 mm Nationality of Artist: Swiss Materials/ medium: Oil on canvas Brief physical description (including identifying marks and inscriptions): Female figure, representing Venus, emerges from the foam of the sea. A veil held by two putti is gathered in the hand of the female figure to cover her from the waist down. Lender (name and address): Hessisches Landesmuseum Darmstadt Friedenspl. 1 64283 Darmstadt Germany Provenance: 1898 Maximilian Freiherr von Heyl, in Darmstadt; various owners; Sigmund Buchenau, Niendorf/Lubeck; 1938 Karl Haberstock, Berlin; ‘Führermuseum’, Linz; acquired by The Federal Republic of Germany; since 1968 on permanent loan to Hessisches Landesmuseum in Darmstadt Ownership between 1933-1945: Collection of Sigmund Buchenau; from 1938 in the collection of Karl Haberstock; the ‘Führermuseum’, Linz Art Gallery Object registered on Art Loss Register?: Not checked Image of Object: Lender Reference number: Hessisches Landesmuseum, Darmstadt (AE.1285) Title: The Devout Jews at Pentecost Date of creation: 1500s Place of creation: Italy Artist/ Designer: Sandro Botticelli (c.1445-1510) Dimensions: 231 x 365 mm Nationality of Artist: Italian (Florentine) Materials/ medium: Black chalk, pen and brown ink, brown wash with white gouache, on paper Brief physical description (including identifying marks and inscriptions): This drawing depicts eight figures (seven above and one below) gathered around a central door. It is believed to record the missing lower half of a painting titled Pentecost now in the collection of the Birmingham Museums Trust. -
The Key West Aquarium CAST Are ESP Award Winners! Bob Bernreuter, Natonal Sales Manager for Historic Tours of America
The Key West Aquarium CAST are ESP Award Winners! Bob Bernreuter, Natonal Sales Manager for Historic Tours of America The H.T.A. Entertainment, Service, and People (E.S.P.) Award carpentry skills while they were building decks and exhibits. Everyone is normally presented to an individual who has gone beyond their had to pull extra duties, perform skills outside their job descriptions, normal call of duty in their given field of endeavor. However, in the and cover for each other. Throughout this major undertaking, the case of the Key West Aquarium, the whole CAST stepped up offering show never lost a beat. All of us at HTA headquarters are in awe of their time and talent to accomplish a complete makeover of the the transformation of this attraction. Greg used his artistic skills in oldest attraction in Key West. repairing and repainting the huge fish mounts on exhibit, such as the Built in 1935 by the FERA (Federal Emergency Relief great white shark, the hammerhead shark, the huge goliath grouper, Administration) the exhibits and general building dynamics were in and the monstrous manta ray. Robert Murphy, who was a contractor need of a facelift to attract a market that has become overexposed to in a previous life, oversaw the planning and construction of the decks hype. Saturated by sophisticated marketing, our guests today require and new exhibits, like Stingray Bay, the tank where guests can touch the latest in visual, audio, and tactile stimulation just to get their and feed cow nose rays and southern stingray pups. attention. Like having your picture taken holding a live alligator… or Through their determination, expertise, and dedication to our petting a live shark. -
Titian, the Rape of Europa, Isabella Stewart Gardner Museum, Boston
Titian, The Rape of Europa, Isabella Stewart Gardner Museum, Boston Titian, Danaë, Wellington Collection, Apsley House, London The National Gallery’s much anticipated exhibition Titian – Love, Desire, Death opened on Monday, 16 March and I was lucky enough to see it the following day. It closed on the Wednesday of that week, together with the Gallery’s permanent collection, due to the Coronavirus crisis. A remarkable display, the most ravishing small-scale exhibition I have ever seen, the official closing date is 15 June, so if the Gallery reopens before then, please try to see it. The exhibition is due to continue at three of the other four art galleries whose generous loans have made this ground breaking art historical event possible: Edinburgh’s Scottish National Gallery, 11 July – 27 September; Madrid’s Prado Mueum, 20 October – 10 January; and Boston’s Isabella Stewart Gardner Museum, 11 February – 9 May next year. So, should we not be able to feast our eyes on these spectacular works in London, we must hope for the opportunity elsewhere. The catalogue for the London, Edinburgh and Boston versions of the exhibition, also titled Titian – Love, Desire, Death is, given the closure of normal booksellers, widely available via Amazon or similar web suppliers: the ISBN number is 978 1 8570 9655 2 and costs £25. The Prado will publish a separate catalogue. As you may know, we have a Study Day in connection with the exhibition scheduled for 13 May and we very much hope that this may still be possible? Meanwhile, by way of anticipation I have written this short review of the exhibition, which I hope you will find of interest? 2 Titian, Venus and Adonis, Prado Museum, Madrid The exhibition represents a series of amazing ‘firsts’. -
“Henry James and American Painting” Exhibition Explores Novelist’S Connection to Visual Art and Isabella Stewart Gardner on View: Oct
FOR IMMEDIATE RELEASE “Henry James and American Painting” exhibition explores novelist’s connection to visual art and Isabella Stewart Gardner On View: Oct. 19 to Jan. 21, 2018 BOSTON, MA (July 2017) – This fall, Henry James and American Painting, an exhibition that is the first to explore the relationship between James’ literary works and the visual arts, opens at the Isabella Stewart Gardner Museum in Boston. On view from Oct. 19 to Jan. 21, 2018, it offers a fresh perspective on the master novelist and the significance of his friendships with American artists John La Farge, John Singer Sargent, and James McNeill Whistler, and close friend and esteemed arts patron, Isabella Stewart Gardner. Originating this summer at the Morgan Library and Museum, the exhibition includes a rich selection of more than 50 oil paintings, drawings, watercolors, photographs, manuscripts, letters, and printed books from 24 museums and private collections in the US, Great Britain, and Ireland. The Gardner Museum will also pay special attention to James’s enduring relationship with Gardner and their circle of mutual friends through archival objects and correspondence drawn from the Museum collection. “Isabella Stewart Gardner’s bold vision for the Museum as an artistic incubator where all disciplines of art inform and inspire each other—from visual art to dance, literature, music, and the spoken word – is as relevant as ever in today’s fluid, multi-faceted culture,” said Peggy Fogelman, the Museum’s Norma Jean Calderwood Director. "In many ways, it all began in those grand salons with Gardner, James, Sargent, and Whistler.” James, who had a distinctive, almost painterly style of writing, is best known for his books, Portrait of a Lady (1880), Washington Square (1880), The Wings of a Dove (1902), and The Ambassadors (1903).