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A Conversation with Brandi Carlile by Frank Goodman (7/2007
A Conversation with Brandi Carlile by Frank Goodman (7/2007. Puremusic.com) Raw talent vs. expensive packaging is always a pleasant surprise in the entertainment business. Brandi Carlile is the very rare exception to the rule; she and her band made their own EP, piece by piece with their own money, and Columbia ended up buying it and putting it out. Rolling Stone chose her as one of the 10 Artists to Watch in 2005. The subsequent Columbia full length debut CD contained new versions of a number of the songs from the EP. Relentless gigging leading up to the EP and through the debut had already moved her through various styles with her running twin partners, the Hanseroth Brothers. Tim and Phil had had a hard rock band called The Fighting Machinists, and they bring that honed edge to the BC sound. She is not only a vocalist that can literally do it all, the band itself moves fluidly and convincingly from flat out country right through edgy pop radio rock. She's the only artist you can see on CMT whose main cited influences are Elton John, k.d. lang, Jeff Buckley, and Radiohead. One hears all the time now about how acts getting tunes on Grey's Anatomy can practically launch their career, but in BC's case, there was a Grey's episode that actually debuted a version of the video for Brandi's big song "The Story." Overall, no less than four of her songs have been used in the show. She's hot, super talented, and a driven workaholic. -
Diplomarbeit
DIPLOMARBEIT „Die Kunstfigur "Nerd" - eine Subkultur und ihre Darstellung im Film“ Verfasserin Andrea Torggler angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuerin / Betreuer: Univ. - Prof. Dr. Michael Gissenwehrer Inhalt 1. Einleitung...................................................................................................................... 1 2. Der Begriff „Nerd“ ..................................................................................................... 3 2.1. Etymologie des Begriffes Nerd ............................................................................. 9 2.2. Geeks und Nerds weltweit ................................................................................... 11 2.3. Dichotomie .......................................................................................................... 13 3. Soziologische Aspekte der Nerd-Identität .................................................................. 15 3.1. Männlichkeit und Sexualität ................................................................................ 15 3.2. „Oriental racism“ ................................................................................................. 17 3.3. “MaNchine” ........................................................................................................ 21 3.4. Ein bisschen “Asperger”? ................................................................................... -
Changes to Rule 5.5B1, Extent of Item for Notated Music
CC:DA/MLA/2011/2 May 12, 2011 page 1 of 5 To: ALA/ALCTS/CCS Committee on Cataloging: Description and Access From: Mark Scharff, Music Library Association liaison to CC:DA Subject: Change to RDA 7.24 and Glossary, Artistic and/or Technical Credit The Bibliographic Control Committee of the Music Library Association requests CC:DA’S endorsement of the proposed revision to the text of Resource Description and Access (RDA). We ask for your consideration and endorsement at the 2011 Annual Meeting so that the proposal may be considered by the Joint Steering Committee at their November meeting. This proposal has been reviewed by members of OLAC’s Cataloging Policy Advisory Committee (CAPC). As mentioned at the end of the document, CC:DA may wish to broaden the scope of this proposal; if that is the case, we hope for timely action. Background Music catalogers have traditionally recorded information on music producers and engineers deemed to be significant in a note, according to AACR2 rule 6.7B6, Statements of Responsibility. Such information has been accommodated in MARC field 508 $a, Creation/Production Credits Note. Furthermore, music catalogers have often found it prudent to trace the names of producers and engineers in added entries, for enhanced access. As presently written, RDA 7.24 restricts the recording of this information to motion pictures and video recordings, thereby limiting catalog users’ access to this information in the realm of sound recordings. Rationale RDA 7.24 and the Glossary currently define Artistic and/or Technical Credit as “a listing of persons, families, or corporate bodies making contributions to the artistic and/or technical production of a motion picture or video recording other than as performers, narrators, or presenters.” MLA proposes that the Glossary definition and Basic Instructions on recording artistic and/or technical credits (7.24.1) be expanded to include sound recording producers and engineers. -
Xavier University Newswire
Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 2016-09-07 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (2016). All Xavier Student Newspapers. 773. https://www.exhibit.xavier.edu/student_newspaper/773 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. Published by the students of Xavier University since 1915 Fiat justitia, ruat coelum Volume CII Issue 4 September 7, 2016 Flash floods damage campus buildings BY REGINA WRIGHT ZDVQHUYHZUDFNLQJZDONLQJEDFN )ORRGLQJ DOVR RFFXUUHG LQ WKH FKHFNHG WKH ÁRRUV DQG ZDOOV WR ZDLWLQJ IRU WKH UDLQIDOO WR VWRS Campus News Editor WR P\ URRP EHFDXVH P\ URRP $OO IRU 2QH 6KRS LQ 86WDWLRQ FRQÀUPWKDWWKH\ZHUHGU\DQG DQG ZDWHU WR FOHDU 1XPHURXV 6ZDPSHG E\ ÀYHSOXV LQFKHV PDWHVFDOOHGDQGKDGWRPRYHDOO WKH$OXPQL&HQWHU6FKPLGW)LHOG LQVRPHDUHDVWKHERWWRPVRI WKH UDPSVDQGSDVVDJHVXQGHUEULGJ RI ZDWHULQWZRKRXUVWKH;DYLHU RI RXUEHORQJLQJVRQWRSRI WKH +RXVH WKH WHQQLV FRXUWV DQG WKH ZDOOVKDGWREHWDNHQRXWWRDYRLG HVZHUHVXEPHUJHG FDPSXV DQG FRPPXQLW\ DUH VWLOO EHGVDQGWDEOHVEHFDXVHWKHUHZDV &LQWDV &HQWHU EDVHPHQW 7KUHH WUDSSHGPRLVWXUH ´2QP\ZD\WR;DYLHU,DF FOHDQLQJ XS WKH DIWHUPDWK IURP DJLDQWSXGGOHQHDURXUZLQGRZ -
The Past, Present and Future of DC's Hip-Hop Movement" by Sidney Thomas
Diamonds In The Raw will take you on a trip through Washington DC's inner-city streets in search of talented musicians struggling to survive in a game where the odds are stacked against them. For the first time ever, step into the world of the DMV! Diamonds in the Raw: "The Past, Present and Future of DC's Hip-Hop Movement" By Sidney Thomas Order the book from the publisher Booklocker.com https://www.booklocker.com/p/books/11554.html?s=pdf or from your favorite neighborhood or online bookstore. Copyright © 2009-2021 Sidney Thomas Paperback ISBN: 978-1-64719-331-7 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Published by BookLocker.com, Inc., St. Petersburg, Florida. Printed on acid-free paper. BookLocker.com, Inc. 2021 (#6) The Go-Go Rappers The go-go industry was so dominant in the DC area that hip- hop music had a difficult time becoming established. So by neces- sity, the most talented rappers in DC gravitated towards the go-go scene. Many rappers during the 80’ and 90’s got their chance to shine by rapping on stage with the go-go bands. Tony Blunt, P.O.P. (Prince of Poetry), Hechinger Mall Zhigge and Fat Rodney were some of the names that dominated the go-go/rap game. On the national level, hip-hop was growing by leaps and bounds and the more records that were sold, the more hip-hop cul- ture became interlaced with popular culture. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Stjohn-Catholic.Org Fifth Sunday of Lent April 2, 2017 Ninth & Boulevard, P.O. Box 510 Edmond, OK 73083-0510, 405-340-0
stjohn-catholic.org Fifth Sunday of Lent April 2, 2017 MASS TIMES As our season of Lent quickly draws to a close, we are reminded today Saturday Vigil, 5:30 pm* that God's creative and life giving Sunday 7:30 am, 9:00 am*, presence is always at work, bringing 11:30 am*, light out of darkness and new life 5:30 pm* out of death. The prophet Ezekiel Daily & See “Masses For reminds us that God's spirit is within Holy Days The Week” us. Realizing this allows us to endure not only our eventual physical *NURSERY AVAILABLE deaths but any difficulty, disappoint- SACRAMENT SCHEDULE ment or crisis we may encounter. PENANCE Saturday 4:00-5:00 pm St. Elizabeth Ann Seton Catholic School Wednesday 5:00-6:00 pm OPEN HOUSE BAPTISM PREP CLASS ~Readings ~ Contact Dr. Harry Kocurek TODAY, April 2, 2017 Week of April 2, 2017 MATRIMONY Come by anytime between 1:00—3:00 pm Contact priest at least six Sun. Fifth Sunday of Lent We look forward to showing you around. months in advance Ez 37:12-14; Ps 130:1-2, 3-4, 5-6, More information on page 10 or online ANOINTING OF THE SICK 7-8; Rom 8:8-11; Jn 11:1-45 or stelizabethedmond.org First Friday 7:30 am & 5:30 pm 11:3-7, 17, 20-27, 33b-45 Mon. Dn 13:1-9, 15-17, 19-30, 33-62 or PARISH STAFF Music Director CATHOLIC SCHOOL 13:41c-62; Ps 23:1-3a, 3b-4, 5, 6; Office 405-340-0691 Barbara Meiser x117 405-348-5364 • Fax 340-9627 Jn 8:1-11 Fax 405-340-5715 Accountants Principal, Laura Gallagher x137 Tues. -
The UK Top 200 Most Requested Songs in 2016 This List Is Compiled Based on Over 2 Million Song Requests Made Using the DJ Event Planner Song Request System
The UK Top 200 Most Requested Songs In 2016 This list is compiled based on over 2 million song requests made using the DJ Event Planner song request system. Rank Song Song Title 1 Mark Ronson feat. Bruno Mars Uptown Funk 2 Killers Mr. Brightside 3 Pharrell Williams Happy 4 Whitney Houston I Wanna Dance With Somebody (Who Loves Me) 5 Kings Of Leon Sex On Fire 6 Bon Jov i Livin' On A Prayer 7 Bryan Adams Summer Of '69 8 Taylor Swift Shake It Off 9 Black Eyed Peas I Gotta Feeling 10 Walk The Moon Shut Up And Dance 11 Journey Don't Stop Believin' 12 ABBA Dancing Queen 13 Bruno Mars Marry You 14 Queen Don't Stop Me Now 15 Rihanna feat. Calv in Harris We Found Love 16 Beyonce Single Ladies (Put A Ring On It) 17 Dexys Midnight Runners Come On Eileen 18 Beyonce feat. Jay-Z Crazy In Love 19 Maroon 5 Moves Like Jagger 20 Mark Ronson feat. Amy Winehouse Valerie 21 Foundations Build Me Up Buttercup 22 Ed Sheeran Thinking Out Loud 23 B-52's Love Shack 24 Van Morrison Brown Eyed Girl 25 Robin Thicke feat. Pharrell & T.I. Blurred Lines 26 OMI Cheerleader 27 Arctic Monkeys I Bet You Look Good On The Dancefloor 28 John Trav olta & Oliv ia Newton-John Grease Megamix 29 Stev ie Wonder Superstition 30 Oasis Wonderwall 31 Daft Punk Get Lucky 32 OutKast Hey Ya! 33 Guns N' Roses Sweet Child O' Mine 34 House Of Pain Jump Around 35 Kenny Loggins Footloose 36 Michael Jackson Billie Jean 37 Wham! Wake Me Up Before You Go-Go 38 DJ Casper Cha Cha Slide 39 Maroon 5 Sugar 40 Jacksons Blame It On The Boogie 41 Cyndi Lauper Girls Just Want To Have Fun 42 Beatles Twist And Shout 43 Neil Diamond Sweet Caroline 44 Los Del Rio Macarena 45 Village People Y.M.C.A. -
Brooklyn Youth Chorus Is a Grammy Award-Winning Ensemble and Training Program Led by Visionary Founder & Artistic Director Dianne Berkun Menaker
GET TO KNOW Brooklyn Youth Chorus is a Grammy Award-winning ensemble and training program led by visionary Founder & Artistic Director Dianne Berkun Menaker. HIGHLIGHTS Founded in 1992, the Chorus is in its 28th season. Strong reputation as an arts producer, developing and premiering Training Programs serve over 700 students, several original grades 2-12, from all five boroughs of NYC. productions. Top students participate in performance The Chorus is an active commissioner of new ensembles and experience ongoing professional music, with over 120 original works premiered. performance opportunities. Financial aid is offered to over 30% of enrolled Among others, the ensembles have performed students. No student is turned away due to financial need. with the New York Philharmonic, Barbra Streisand, and David Byrne; recorded with The 100% of Chorus students go on to college upon National and Bon Iver; and were featured by graduating. Chanel, rag & bone, and Beyoncé and Jay-Z. MUSIC EDUCATION VOCAL PERFORMANCE Our training programs serve students from all five Our ensembles have performed with the New York boroughs of NYC, representing 70 zip codes and Philharmonic, The National, David Byrne, Barbra 185 schools. We offer programs in multiple Brooklyn Streisand, Arcade Fire, Sir Elton John, Philip Glass, neighborhoods for greater accessibility. And to ensure among others. The Chorus has commissioned new works access to all students regardless of background or by composers such as Caroline Shaw, Toshi Reagon, economic circumstances, the Chorus provides broad Bryce Dessner, and Nico Muhly. Recordings of the financial support for both chorus and elective music Chorus have been featured in various media, including program tuition. -
Biu Withers by Rob Bowman He Was the Leading Figure in the Nascent Black Singer-Songwriter Movement of the Early 1970S
PERFORMERS BiU Withers By Rob Bowman He was the leading figure in the nascent black singer-songwriter movement of the early 1970s. BILL WITHERS WAS SIMPLY NOT BORN TO PLAY THE record industry game. His oft-repeated descriptor for A&R men is “antagonistic and redundant.” Not surprisingly, most A&R men at Columbia Records, the label he recorded for beginning in 1975, considered him “difficult.” Yet when given the freedom to follow his muse, Withers wrote, sang, and in many cases produced some of our most enduring classics, including “Ain’t No Sunshine,” “Lean on Me,” “Use Me,” “Lovely Day,” “Grandma’s Hands,” and “Who Is He (and What Is He to You).” ^ “Not a lot of people got me,” Withers recently mused. “Here I was, this black guy playing an acoustic guitar, and I wasn’t playing the gut-bucket blues. People had a certain slot that they expected you to fit in to.” ^ Withers’ story is about as improb able as it could get. His first hit, “Ain’t No Sunshine,” recorded in 1971 when he was 33, broke nearly every pop music rule. Instead of writing words for a bridge, Withers audaciously repeated “I know” twenty-six times in a row. Moreover, the two-minute song had no introduction and was released as a throwaway B-side. Produced by Stax alumni Booker T. Jones for Sussex Records, the single’s struc ture, sound, and sentiment were completely unprecedented and pos sessed a melody and lyric that tapped into the Zeitgeist of the era. Like much of Withers’ work, it would ultimately prove to be timeless. -
' Lurred Line ' Infringed on Marvin Ga E Cop Right, Jur Rule
http://nyti.ms/1D24A6t MEDIA ‘lurred Line’ Infringed on Marvin Gae Copright, Jur Rule N SISARIO and NOAH SMITH MARCH 10, 2015 For the last year and a half, the music industry has been gripped by a lawsuit over whether Robin Thicke’s 2013 hit “Blurred Lines” was merely reminiscent of a song by Marvin Gaye, or had crossed the line into plagiarism. A federal jury in Los Angeles on Tuesday agreed that “Blurred Lines” had gone too far, and copied elements of Gaye’s 1977 song “Got to Give It Up” without permission. The jury found that Mr. Thicke, with Pharrell Williams, who shares a songwriting credit on the track, had committed copyright infringement, and it awarded more than $7.3 million to Mr. Gaye’s family. Nona and Frankie Gaye, two of Marvin Gaye’s children, are to receive $4 million in damages plus about $3.3 million of the profits earned by Mr. Thicke and Mr. Williams. The decision is believed to be one of the largest damages awards in a music copyright case. In one of the few comparable cases, in 1994, Michael Bolton and Sony were ordered to pay $5.4 million for infringing on a 1960s song by the soul group the Isley Brothers. Since the “Blurred Lines” suit was filed in August 2013, while the song was still No. 1, the case has prompted debate in music and copyright circles about the difference between plagiarism and homage, as well as what impact the verdict would have on how musicians create work in the future. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay