DOCSLIB.ORG

Woody Herman Big Band Charts Collection, 1946-1982 BCA-042 Finding Aid Prepared by Amanda Axel

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Woody Herman Big Band Charts Collection, 1946-1982 BCA-042 Finding Aid Prepared by Amanda Axel Woody Herman big band charts collection, 1946-1982 BCA-042 Finding aid prepared by Amanda Axel This finding aid was produced using the Archivists' Toolkit March 02, 2018 Describing Archives: A Content Standard Berklee Archives 2018-01-16 Berklee College of Music 1140 Boylston St Boston, MA, 02215 617-747-8001 Woody Herman big band charts collection, 1946-1982 BCA-042 Table of Contents Summary Information ................................................................................................................................. 3 Biographical/Historical note.......................................................................................................................... 6 Scope and Contents note............................................................................................................................... 6 Arrangement note...........................................................................................................................................6 Administrative Information .........................................................................................................................6 Controlled Access Headings..........................................................................................................................7 Collection Inventory...................................................................................................................................... 8 - Page 2 - Woody Herman big band charts collection, 1946-1982 BCA-042 Summary Information Repository Berklee Archives Creator Amadie, Jimmy Creator Anderson, Gary, (Saxophonist) Creator Ascher, Kenny Creator Belden, Bob Creator Blanton, Walter J. Creator Boras, Tom Creator Broadbent, Alan, 1947- Creator Burns, Ralph Creator Byrne, Bill, 1935-2002 Creator Carter, Lou Creator Clausen, Alf Creator DeVoe, Dale Creator Ellis, Herb, 1921-2010 Creator Evanow, Matt Creator Evans, Richard L., (Richard Lee), 1932- - Page 3 - Woody Herman big band charts collection, 1946-1982 BCA-042 Creator Feldman, Victor, 1934-1987 Creator Frigo, John, 1916-2007 Creator Gish, Vern Creator Goykovich, Dusko, 1931- Creator Hammer, Bob Creator Hampton, Slide Creator Hefti, Neal Creator Herman, Woody, 1913-1987 Creator Hinds, Nelson Creator Holman, Bill Creator Johnstone, Bruce Creator Klatka, Tony Creator Lalama, Dave Creator Longstreth, Everett Creator Manone, Jimmy Creator McGarity, Kent Creator Oddo, John Creator Pierce, Nat - Page 4 - Woody Herman big band charts collection, 1946-1982 BCA-042 Creator Pugh, Jim Creator Rader, Don, 1935- Creator Roccisano, Joe, 1939-1997 Creator Stapleton, Bill Creator Tiberi, Frank Creator Tucker, Aubrey Creator Wiester, Vaughn Creator Wilson, Gerald, 1918-2014 Title Woody Herman big band charts collection Date 1946-1998 Extent 10.0 Cubic feet Language English Preferred Citation note [Identification of item], in the Woody Herman big band charts collection, BCA-042. Berklee Archives, Stan Getz Library, Berklee College of Music. - Page 5 - Woody Herman big band charts collection, 1946-1982 BCA-042 Biographical/Historical note In 1981, a large collection of charts and scores from Woody Herman's Thundering Herd was transferred, with Herman's permission, from the University of Houston Archives to Berklee College of Music. Under the custody of the Ensemble Department at Berklee, copies of charts were regularly lent out to bands across the country. Over time, individual members of the Ensemble Department acquired new charts that had been used by Herman's orchestra, such as a group of music composed and arranged by Alan Broadbent. In 2017, the collection of charts and scores was moved from the Ensemble Department to the Berklee Archives. Scope and Contents note The Woody Herman big band charts collection contains charts and scores used by Woody Herman's Thundering Herd. While the majority of the collection came to Berklee from the University of Houston, documentation within the collection also shows that some individual pieces were acquired at different points in time by members of the Berklee College of Music Ensemble Department. Composers and arrangers represented in the collection include Alan Broadbent, Tony Klatka, Gary Anderson, Nat Pierce, Bill Stapleton, Ralph Burns, Joe Roccisano, and Richard Evans, among others. Arrangement note The music in this collection is arranged alphabetically by song title. Administrative Information Publication Information Berklee Archives 2018-01-16 - Page 6 - Woody Herman big band charts collection, 1946-1982 BCA-042 Conditions Governing Access note This non-circulating collection is open for research use by appointment on site at the Berklee Archives (Monday - Friday from 9 a.m. to 5 p.m., with evening hours available upon request). Advance notice is required to retrieve archival items because these materials are stored offsite. Use of audiovisual materials may require the production of listening or viewing copies. To schedule an appointment or request further information, please email [email protected] or call 617-747-8001. Controlled Access Headings Genre(s) • Jazz Subject(s) • Arrangement (music) • Band music • Composition (music) • Jazz musicians • Popular music -- United States -- 20th century - Page 7 - Woody Herman big band charts collection, 1946-1982 BCA-042 Collection Inventory Drawer Folder 1 1 After Hours, arranged by Nat Pierce, 1971 1 2 After You've Gone, Undated Box Folder 2 20 Al's Tune, Drawer Folder 1 3 Alfie, arranged by Nat Pierce, Scope and Contents note Trombone I chart 1 4 Alone Again, Undated 1 5 Alone Again, Naturally, arranged by Alan Broadbent, 1972 1 6 Alone Again, Naturally, arranged by Alan Broadbent, 1972 August 28 Box Folder 2 12 Alone Again, Naturally, arranged by Alan Broadbent, 1972 Drawer Folder - Page 8 - Woody Herman big band charts collection, 1946-1982 BCA-042 1 7 Any Time at All, arranged by Nat Pierce, Undated 1 8 Apple Honey, Undated 1 9 Aquarius, Undated 1 10 Autobahn Blues score, Undated 1 11 Avalon, Undated Scope and Contents note Duško Gojovi#'s trumpet 4 chart 1 12 Bass Folk Song, arranged by Tony Klatka, 1973 1 13 Bass Folk Song, arranged by Tony Klatka, 1973 1 14 Bebop and Roses, arranged by Alan Broadbent, Undated 1 15 Bem-Basha, Undated Scope and Contents note Trombone chart 1 16 Bijou, Undated 1 17 Bill's Blues score, arranged by Bill Stapleton, 1972 May - Page 9 - Woody Herman big band charts collection, 1946-1982 BCA-042 1 18 Bill's Blues, arranged by Bill Stapleton, Undated 1 19 Bird, arranged by Richard Evans, Undated 1 20 Black Orchid score, composed by Neal Hefti, Undated 1 21 Bless Johnny, composed by Alan Broadbent, 1974 1 22 Blowing Up a Storm, arranged by Nat Pierce, Undated 1 23 Blowing Up a Storm, arranged by Nat Pierce, 1976 November 1 24 Blowing Up a Storm, arranged by Nat Pierce, 1976 1 25 Blue Flame (theme), Undated Box Folder 2 13 Blue Monk, Undated Drawer Folder 1 26 Blue Serge, arranged by Gary Anderson, 1972 1 27 Blues for Poland, composed by Tony Klatka, 1974 1 28 Borderland score, composed and arranged by Joe Roccisano, 1979 July 01 1 29 Borderland, composed and arranged by Joe Roccisano, Undated - Page 10 - Woody Herman big band charts collection, 1946-1982 BCA-042 1 30 Boy Next Door, arranged by Ralph Burns, Undated 1 31 B.P. Medley score, Undated 1 32 B.P. Medley, Undated 1 33 Brotherhood of Man, arranged by Tony Klatka, Undated 1 34 Buck Dance, Undated Scope and Contents note Trombone chart 1 35 Bugaloo- These Blues, arranged by Ken Ascher, Undated 1 36 By the Time I Get to Phoenix, arranged by Nat Pierce, Undated Scope and Contents note Piano chart 1 37 Caldonia, arranged by Bill Byrne, Undated 1 38 Caldonia score, arranged by Bill Byrne, Undated 1 39 Candy Man, Undated Scope and Contents note - Page 11 - Woody Herman big band charts collection, 1946-1982 BCA-042 Alto I chart 1 40 Can't Get Next to You, Undated 1 41 Can't Get Started, Undated 1 42 Cape Verdean Blues, arranged by Tom Boras, Undated 1 43 Caravan, arranged by Bob Belden, 1979 July 1 44 Chase Your Eyes, arranged by Richard Evans, 1969 1 45 Cheese Cake Charlie, arranged by Walter Blanton, Undated Scope and Contents note Drum chart 1 46 Children of Lima, Undated Scope and Contents note Trombone chart 1 47 The Christmas Song, Undated 1 48 Classical Fanfare, Undated 1 49 Cloud 9, arranged by Richard Evans, 1969 - Page 12 - Woody Herman big band charts collection, 1946-1982 BCA-042 1 50 Concerto for Herd, arranged by Bill Holman, 1967 1 51 Concerto for Jazzband and Symphony Orchestra, Undated 1 52 Corazon, arranged by Bill Stapleton, Undated 1 53 Crosswind, arranged by Jim Pugh, Undated 1 54 Dallas Symphony, composed by Alan Broadbent, Undated 1 55 Dear John Coltrane, arranged by Bob Hammer, Undated Box Folder 2 19 Deed I Do, Undated Drawer Folder 1 56 Deep Purple, Undated 1 57 Detour Ahead, composed by Lou Carter, Herb Ellis, and John Frigo, Undated 1 58 Dinah, arranged by Nat Pierce, 1966 June 1 59 Do Anything You Wanna, Undated 1 60 Do You Know What it Means to Miss New Orleans, arranged by Bob Belden, 1980 June - Page 13 - Woody Herman big band charts collection, 1946-1982 BCA-042 1 61 Donahue theme song, arranged by Gary Anderson, Undated 1 62 Don't Get Around Much Anymore, Undated 1 63 Don't Go to Strangers, Undated 1 64 Don't Worry 'Bout Me, arranged by Matt Evanow and Vern Gish, Undated Box Folder 2 14 Dr. Wong's Bag, Undated Drawer Folder 1 65 Duke Ellington's Sound of Love, Undated 1 66 Dupree Blues score, arranged by Richard Evans, Undated 1 67 Early Autumn, Undated 1 68 Easy Movin', composed by Jimmy
Load more

Recommended publications
  • The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
    04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
    [Show full text]
  • Guide to the Bill Holman Collection
    Guide to the Bill Holman Collection NMAH.AC.0733 Scott Schwartz, Ann Kuebler, and Pam Kirby 2001 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Music Manuscripts, 1952 - 1999.............................................................. 4 Series 2: Photographs and Business Records, 1975-1997.................................... 28 Bill Holman Collection NMAH.AC.0733 Collection Overview Repository: Archives Center, National Museum of American History Title: Bill Holman Collection Identifier: NMAH.AC.0733 Date:
    [Show full text]
  • FOLLOWING the HERD REPERTOIRE TABLE 2017-V3
    TITLE COMPOSER/ STYLE ALBUM/ERA INSTRUMENT ARRANGER FEATURE/SOLO ADAM’S BROADBENT MEDIUM BRAND NEW 1971 CLARINET/FLUGEL APPLE SWING TROMBONE AFTER PARISH/PIERCE SLOW BRAND NEW 1971 PIANO HOURS GROOVE AFTER CREAMER/LAYTON/ HOLMAN UP TEMPO WOODY HERMAN 1964 CLARINET/TRUMPET YOU’VE TENOR SAX GONE AJA BECKER/FAGAN / BROADBENT STRAIGHT CHICK,DONALD,WALTER TENOR SAX 8th WOODROW 1978 A KISS HEMAN/SLACK/VICTOR EASY NUMEROUS ALBUMS TRUMPET/CLARINET GOODNIGHT VOCAL SINCE 1945 ALONE AGAIN O’SULLIVAN/ BROADBENT STRAIGHT THE RAVEN SPEAKS TROMBONE/ALTO SAX (NATURALLY) 8th 1974 TENOR SAX AMERICA ZAPPA/BROADBENT FAST THUNDERING HERD FLUGEL/PIANO DRINKS AND GOES HOME SWING 1974 APPLE WOODY HERMAN UP TEMPO NUMEROUS ALBUMS VIBES/’BONE /TENOR SAX/ HONEY SINCE 1944 TRUMPET APRIL DeSYLVA/SILVERS/BURNS EASY JAZZ SWINGER ALBUM FLUGEL HORN SHOWERS VOCAL 1966 AQUARIUS RADA/RAGNI STRAIGHT HEAVY EXPOSURE 1969 SOPRANO SAX EVANS 8th A SONG FOR RUSSELL/STAPLETON STRAIGHT GIANT STEPS PIANO/SOPRANO SAX YOU 8th 1973 FLUGEL AURORA ROLAND BALLAD VARIOUS ALBUMS ALTO/TENOR AUTOBAHN BURNS/HERMAN MEDIUM VARIOUS ALBUMS TENOR/BARITONE BLUES SWING SINCE 1954 TRUMPET BAMBA BYRD/FELLER MEDIUM WOODY HERMAN Vol. 3 GUITAR LATIN/SWING SAMBA BASS FOLK CLARKE/KLATKA FAST 4 THUNDERING HERDS BASS/PIANO/PICCOLO (ROCK-FUNK) SONG 1974 BATTLE ELLINGTON/FEDCHOCK UP-TEMPO GOLD STAR SAXES ROYAL SWING 1987 BEBOP AND BROADBENT FAST GIANT STEPS 1973 TRUMPET/’BONE/TENOR ROSES SWING SAX BEDROOM GEE/PIERCE EASY LIVE AT HARRAH’S CLUB PIANO/TROMBONE EYES SWING 1964 TRUMPET BETTER GET MINGUS/ HAMMER FAST
    [Show full text]
  • M-Pact to Bring Its Signature Vocal-Only Pop-Jazz Sound to Doudna.Pdf" (2011)
    Eastern Illinois University The Keep 2011 Press Releases 1-21-2011 01/21/2011 - M-Pact To Bring Its Signature Vocal- Only Pop-Jazz Sound To Doudna.pdf University Marketing and Communications Follow this and additional works at: http://thekeep.eiu.edu/press_releases_2011 Recommended Citation University Marketing and Communications, "01/21/2011 - M-Pact To Bring Its Signature Vocal-Only Pop-Jazz Sound To Doudna.pdf" (2011). 2011. 7. http://thekeep.eiu.edu/press_releases_2011/7 This Article is brought to you for free and open access by the Press Releases at The Keep. It has been accepted for inclusion in 2011 by an authorized administrator of The Keep. For more information, please contact [email protected]. M-pact to Bring its Signature Vocal-Only Pop-Jazz Sound to Doudna Jan-21-2011 M-pact, which uses only human voices to create its trailblazing signature pop-jazz sound, will perform at Eastern Illinois University's Doudna Fine Arts Center on Tuesday, Feb. 1. The Los Angeles-based sextet has been hailed as "one of the best pop- jazz vocal groups in the world" by the San Francisco Chronicle, and their performance has been described as "a vocal wall of sound" by National Public Radio. The group describes its sound as a combination of "the smooth soul of Stevie Wonder; the percussive power of Stomp; the funk and drive of Earth, Wind, & Fire; the hip licks of Take 6; and the brass bite of the Harry Connick Jr. Big Band." Touring renowned fine arts halls and jazz festivals across four continents, m-pact has performed with many pop superstars, including Sheryl Crow, Boyz II Men, Kenny G, Liza Minnelli, Babyface, Rick Springfield and Jackson Browne.
    [Show full text]
  • Stage Door Swings Brochure
    . 0 A G 6 E C R 2 G , O 1 FEATURING A H . T T D C I O I S F A N O E O A P T B R I . P P G The Palladium Big 3 Orchestra S M . N N R U O E O Featuring the combined orchestras N P L of Tito Puente, Machito and Tito Rodriguez presents Manteca - The Afro-Cuban Music of The Dizzy Gillespie Big Band FROM with special guest Candido CUBAN FIRE Brazilliance featuring TO SKETCHES Bud Shank OF SPAIN The Music of Chico O’ Farrill Big Band Directed by Arturo O’Farrill Bill Holman Band- Echoes of Aranjuez 8 3 0 Armando Peraza 0 - 8 Stan Kenton’s Cuban Fire 0 8 0 Viva Tirado- 9 e The Gerald Wilson Orchestra t A u t C i Jose Rizo’s Jazz on , t s h the Latin Side All-Stars n c I a z Francisco Aguabella e z B a Justo Almario J g n s o Shorty Rogers Big Band- e l L , e Afro-Cuban Influence 8 g 3 n Viva Zapata-The Latin Side of 0 A 8 The Lighthouse All-Stars s x o o L Jack Costanzo B . e O h Sketches of Spain . P T The classic Gil Evans-Miles Davis October 9-12, 2008 collaboration featuring Bobby Shew Hyatt Regency Newport Beach Johnny Richards’ Rites of Diablo 1107 Jamboree Road www.lajazzinstitute.org Newport Beach, CA The Estrada Brothers- Tribute to Cal Tjader about the LOS PLATINUM VIP PACKAGE! ANGELES The VIP package includes priority seats in the DATES HOW TO amphitheater and ballroom (first come, first served JAZZ FESTIVAL | October 9-12, 2008 PURCHASE TICKETS basis) plus a Wednesday Night bonus concert.
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
    [Show full text]
  • Program of the 2015-16 Season ______Jazz Studies Department
    JAZZCELEBRATION INAUGURAL IU JAZZ ALUMNI HALL OF FAME Featuring IU Jazz Faculty & Student Big Band, & Plummer Jazz Sextet Saturday, April 23 | 8pm | Musical Arts Center Sponsored by JACOBS SCHOOL OF MUSIC Indiana University Bloomington A Message from Tonight’s Sponsor Old National Wealth Management Old National Wealth Management (ONWM) is jazzed to sponsor the inaugural IU Jazz Alumni Hall of Fame and to support the Indiana University Jacobs School of Music. At Old National Wealth Management, we are proud to be a part of this annual presentation of timeless music and feature world- renowned musicians. Thank you for joining us this evening, and we hope you have a wonderful time. About Old National Wealth Management At Old National Wealth Management, we manage money for people with more important things to manage. Families, corporations, and foundations experience local, personal service from a dedicated team of seasoned professionals. Our team structure offers the unique advantage of long-term continuity of service. ONWM is a trusted financial partner, assisting with investment management, financial planning, retirement planning, and trust services. Old National Wealth Management is a Top 100 Fiduciary in the U.S. and part of the Old National Bancorp family of companies . the largest financial services company headquartered in the state of Indiana. _______________________ Supporting Jazz Studies at the IU Jacobs School of Music The Indiana University Jacobs School of Music gratefully acknowledges persons and institutions who support our students and faculty through the following endowments, scholarships, estate plans, and other funds. Endowed Funds Jamey and Sara Aebersold Jazz Fellowship David N. Baker Jr.
    [Show full text]
  • Jazzpress 0213
    LUTY 2013 Gazeta internetowa poświęcona muzyce improwizowanej 2084-3143 ISSN Rozmawiają z nami Artur Dutkiewicz Cezary Konrad Oles Brothers & Theo Jörgensmann Adam Bałdych Skrzypce były mi pisane Podążam za muzyczną intuicją KONKURSY Adam Bałdych, fot. Bogdan Augustyniak i Krzysztof Wierzbowski SPIS TREŚCI 3 – Od Redakcji 40 – Publicystyka 40 Felieton muzyczny Macieja Nowotnego 4 – KONKURSY O tym, dlaczego ona tańczy NIE dla mnie... 6 – Co w RadioJAZZ.FM 42 Najciekawsze z najmniejszych w 2012 6 Jazz DO IT! 44 Claude Nobs 12 – Wydarzenia legendarny twórca Montreux Jazz Festival 46 Ravi Shankar 14 – Płyty Geniusz muzyki hinduskiej 14 RadioJAZZ.FM poleca 48 Trzeci nurt – definicja i opis (część 3) 16 Nowości płytowe 50 Lektury (nie tylko) jazzowe 22 Pod naszym patronatem Reflektorem na niebie wyświetlimy napis 52 – Wywiady Tranquillo 52 Adam Baldych 24 Recenzje Skrzypce były mi pisane Walter Norris & Leszek Możdżer Podążam za muzyczną intuicją – The Last Set Live at the a – Trane 68 Cezary Konrad W muzyce chodzi o emocje, a nie technikę 26 – Przewik koncertowy 77 Co słychać u Artura Dutkiewicza? 26 RadioJAZZ.FM i JazzPRESS zapraszają 79 Oles Brothers & Theo Jörgensmann 27 Koncerty w Polsce Transgression to znak, że wspięliśmy się na 28 Nasi zagranicą nowy poziom 31 Ulf Wakenius & AMC Trio 33 Oleś Brothers & Theo Jörgensmann tour 83 – BLUESOWY ZAUŁEK Obłędny klarnet w magicznym oświetleniu 83 29 International Blues Challenge 35 Extra Ball 2, czyli Śmietana – Olejniczak 84 Magda Piskorczyk Quartet 86 T-Bone Walker 37 Yasmin Levy w Palladium 90 – Kanon Jazzu 90 Kanon w eterze Music for K – Tomasz Stańko Quintet The Trio – Oscar Peterson, Joe Pass, Niels-Henning Orsted Pedersen 95 – Sesje jazzowe 101 – Redakcja Możesz nas wesprzeć nr konta: 05 1020 1169 0000 8002 0138 6994 wpłata tytułem: Darowizna na działalność statutową Fundacji JazzPRESS, luty 2013 Od Redakcji Czas pędzi nieubłaganie i zaskakująco szybko.
    [Show full text]
  • Discography Updates (Updated May, 2021)
    Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard.
    [Show full text]
  • Web.Roster.Pdf
    2022-2023 Touring Roster Our 47th Year! Artrageous Artrageous, multi-talented live performance artists, world class singers & recording artists, highly trained dancers, audience motivators & veteran musicians hailing from the high desert of New Mexico. Their high energy performance is a combination of all arts on one stage combined with humor and interaction in a frenzy of movement and color. Artrageous’ passion for all things art and community brings their message of the arts being an integral and valuable part of human existence to the stage. Audiences of all ages sing, dance & clap along. Artrageous performs for theatre goers and celebrities alike. Their artworks are in private and public galleries around the world. “Go See This Show” – CBS TV, “Artrageous makes a HUGE impact” – Cobb Energy Center, “transform your community, bring Artrageous! It was magical!” – Farmington Civic Center, “this is the complete package! book the show and have a great time!” – Jay Wildstein PAC Peacherine Ragtime Society Orchestra A crowd favorite while performing at venues from The Kennedy Center, The Library of Congress, The American Film Institute, historic theaters, major performing arts centers, universities and more across the USA…PRSO is also a favorite on radio stations everywhere! Their programs highlight the music of the late 1800s and early 1900s, with selections by composers such as Irving Berlin, George Gershwin, W.C. Handy, Victor Herbert, George M. Cohan, and of course, the King of Ragtime, Scott Joplin. “Peacherine is the premiere American Ragtime Ensemble” –Washington Post “We need more!” –Baltimore Sun The Stage & Screen Spectacular This show sets PRSO apart from any other show you have ever presented.
    [Show full text]
  • Frank Rosolino
    FRANK ROSOLINO s far as really being here, weeks has been a complete ball. have. Those I've met and heard in- this was my first visit to Also, on a few nights John Taylor clude John Marshall, Wally Smith, Britain. I was here in 1953 was committed elsewhere; so Bobby Lamb, Don Lusher, George Awith Stan Kenton, which Gordon Beck come in to take his Chisholm. I liked George's playing was just an overnight thing; so place. He's another really excellent very much; he has a nice conception twenty years have elapsed in be- player. You've got some great play- and feel, good soul, and he plays tween. I've been having an abso- ers round here! with an extremely good melodic lutely beautiful time here, and en- They're equal to musicians I sense. joying London. work with in the States. I mean, it As for my beginnings—I was Playing at Ronnie Scott's with doesn't matter where you are; once born and raised in Detroit, Michigan, me I had John Taylor on piano, Ron you've captured the feeling for jazz, until I was old enough to be drafted Mathewson on bass and Martin and you've been playing it practi- into the Service, which was the latter Drew on drums. Absolutely great cally all your life, you're a pro at it. part of '44. I started playing guitar players, every one of 'em. I can't tell I've heard so much about when I was nine or ten. My father you how much I enjoyed myself, and trombonist Chris Pyne that when I played parties and weddings on it just came out that way.
    [Show full text]
  • Charlie Mariano and the Birth of Boston Bop
    Charlie Mariano and the Birth of Boston Bop By Richard Vacca The tributes to alto saxophonist Charlie Mariano that have appeared since his death on June 16, 2009 have called him an explorer, an innovator, and a musical adventurer. The expatriot Mariano was all of those things—a champion of world music before anyone thought to call it that. Mariano was known for the years he spent crisscrossing Europe and Asia, but his musical career began in Boston, the city where he was born. In the years between 1945 and 1953, he was already an explorer and innovator, but his most important role was as a leader and catalyst. He helped build the founda- tion of modern jazz in Boston on three fronts: as soloist in the Nat Pierce Orchestra of the late 1940s, as a bandleader cutting the records that introduced Boston’s modern jazz talent to a wider world in the early 1950s, and as the founder of the original Jazz Workshop in 1953. Born in 1923, Mariano grew up in Boston’s Hyde Park district in a house filled with music. His father loved opera, his sister played piano, and starting in his late teens, Charlie himself played the alto saxo- phone, the instrument for which he was best known throughout his life. By 1942, Mariano was already making the rounds on Boston’s buckets of blood circuit. The following year he was drafted. It was Mariano’s good fortune to spend his two years in service playing in an Army Air Corps band, and while stationed in California, he heard Charlie Parker for the first time.
    [Show full text]