Allegato Curriculum Giorgio Caselli
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Florence Next Time Contents & Introduction
TABLE OF CONTENTS Introduction Conventional names for traditional religious subjects in Renaissance art The Cathedral of Florence (Duomo) The Baptistery Museo dell’Opera del Duomo The other Basilicas of Florence Introduction Santissima Annunciata Santa Croce and Museum San Lorenzo and Medici Chapels San Marco and Museum Santa Maria del Carmine and Brancacci Chapel Santa Maria Novella and Museum San Miniato al Monte Santo Spirito and Museum Santa Trinita Florence’s other churches Ognissanti Orsanmichele and Museum Santi Apostoli Sant’Ambrogio San Frediano in Cestello San Felice in Piazza San Filippo Neri San Remigio Last Suppers Sant’Apollonia Ognissanti Foligno San Salvi San Marco Santa Croce Santa Maria Novella and Santo Spirito Tours of Major Galleries Tour One – Uffizi Tour Two – Bargello Tour Three – Accademia Tour Four – Palatine Gallery Museum Tours Palazzo Vecchio Museo Stefano Bardini Museo Bandini at Fiesole Other Museums - Pitti, La Specola, Horne, Galileo Ten Lesser-known Treasures Chiostro dello Scalzo Santa Maria Maggiore – the Coppovaldo Loggia del Bigallo San Michele Visdomini – Pontormo’s Madonna with Child and Saints The Chimera of Arezzo Perugino’s Crucifixion at Santa Maria dei Pazzi The Badia Fiorentina and Chiostro degli Aranci The Madonna of the Stairs and Battle of the Centaurs by Michelangelo The Cappella dei Magi, Palazzo Medici-Riccardi The Capponi Chapel at Santa Felicita Biographies of the Artists Glossary of Terms Bibliography SimplifiedTime-line diagram Index INTRODUCTION There can’t be many people who love art who won’t at some time in their lives find themselves in Florence, expecting to see and appreciate the incredibly beautiful paintings and sculptures collected in that little city. -
MONTEPULCIANO's PALAZZO COMUNALE, 1440 – C.1465: RETHINKING CASTELLATED CIVIC PALACES in FLORENTINE ARCHITECTURAL and POLITI
MONTEPULCIANO’S PALAZZO COMUNALE, 1440 – c.1465: RETHINKING CASTELLATED CIVIC PALACES IN FLORENTINE ARCHITECTURAL AND POLITICAL CONTEXTS Two Volumes Volume I Koching Chao Ph.D. University of York History of Art September 2019 ABSTRACT This thesis argues for the significance of castellated civic palaces in shaping and consolidating Florence’s territorial hegemony during the fifteenth century. Although fortress-like civic palaces were a predominant architectural type in Tuscan communes from the twelfth century onwards, it is an understudied field. In the literature of Italian Renaissance civic and military architecture, the castellated motifs of civic palaces have either been marginalised as an outdated and anti-classical form opposing Quattrocento all’antica taste, or have been oversimplified as a redundant object lacking defensive functionality. By analysing Michelozzo’s Palazzo Comunale in Montepulciano, a fifteenth-century castellated palace resembling Florence’s thirteenth-century Palazzo dei Priori, this thesis seeks to address the ways in which castellated forms substantially legitimised Florence’s political, military and cultural supremacy. Chapter One examines textual and pictorial representations of Florence’s castellation civic palaces and fortifications in order to capture Florentine perceptions of castellation. This investigation offers a conceptual framework, interpreting the profile of castellated civic palaces as an effective architectural affirmation of the contemporary idea of a powerful city-republic rather than being a symbol of despotism as it has been previously understood. Chapters Two and Three examine Montepulciano’s renovation project for the Palazzo Comunale within local and central administrative, socio-political, and military contexts during the first half of the fifteenth century, highlighting the Florentine features of Montepulciano’s town hall despite the town’s peripheral location within the Florentine dominion. -
Illustrations Ij
Mack_Ftmat.qxd 1/17/2005 12:23 PM Page xiii Illustrations ij Fig. 1. Expulsion of Adam and Eve from Paradise, ca. 1015, Doors of St. Michael’s, Hildesheim, Germany. Fig. 2. Masaccio, Expulsion of Adam and Eve from Paradise, ca. 1425, Brancacci Chapel, Church of Santa Maria del Carmine, Flo- rence. Fig. 3. Bernardo Rossellino, Facade of the Pienza Cathedral, 1459–63. Fig. 4. Bernardo Rossellino, Interior of the Pienza Cathedral, 1459–63. Fig. 5. Leonardo da Vinci, The Last Supper, 1495–98, Refectory of the Monastery of Santa Maria delle Grazie, Milan. Fig. 6. Anonymous Pisan artist, Pisa Cross #15, late twelfth century, Museo Civico, Pisa. Fig. 7. Anonymous artist, Cross of San Damiano, late twelfth century, Basilica of Santa Chiara, Assisi. Fig. 8. Giotto di Bondone, Cruci‹xion, ca. 1305, Arena (Scrovegni) Chapel, Padua. Fig. 9. Masaccio, Trinity Fresco, ca. 1427, Church of Santa Maria Novella, Florence. Fig. 10. Bonaventura Berlinghieri, Altarpiece of St. Francis, 1235, Church of San Francesco, Pescia. Fig. 11. St. Francis Master, St. Francis Preaching to the Birds, early four- teenth century, Upper Church of San Francesco, Assisi. Fig. 12. Anonymous Florentine artist, Detail of the Misericordia Fresco from the Loggia del Bigallo, 1352, Council Chamber, Misericor- dia Palace, Florence. Fig. 13. Florentine artist (Francesco Rosselli?), “Della Catena” View of Mack_Ftmat.qxd 1/17/2005 12:23 PM Page xiv ILLUSTRATIONS Florence, 1470s, Kupferstichkabinett, Staatliche Museen zu Berlin. Fig. 14. Present-day view of Florence from the Costa San Giorgio. Fig. 15. Nicola Pisano, Nativity Panel, 1260, Baptistery Pulpit, Baptis- tery, Pisa. Fig. -
Management Plan Men Agement Plan Ement
MANAGEMENTAGEMENTMANAGEMENTEMENTNAGEMENTMEN PLAN PLAN 2006 | 2008 Historic Centre of Florence UNESCO WORLD HERITAGE he Management Plan of the His- toric Centre of Florence, approved T th by the City Council on the 7 March 2006, is under the auspices of the Historic Centre Bureau - UNESCO World Heritage of the Department of Culture of the Florence Municipality In charge of the Management Plan and coordinator of the project: Carlo Francini Text by: Carlo Francini Laura Carsillo Caterina Rizzetto In the compilation of the Management Plan, documents and data provided di- rectly by the project managers have also been used. INDEXEX INDEX INTRODUCTIONS CHAPTER V 45 Introduction by Antonio Paolucci 4 Socio-economic survey Introduction by Simone Siliani 10 V.1 Population indicators 45 V.2 Indicators of temporary residence. 46 FOREWORD 13 V.3 Employment indicators 47 V.4 Sectors of production 47 INTRODUCTION TO THE MANAGEMENT 15 V.5 Tourism and related activities 49 PLANS V.6 Tourism indicators 50 V.7 Access and availability 51 FIRST PART 17 V.8 Traffi c indicators 54 GENERAL REFERENCE FRAME OF THE PLAN V.9 Exposure to various sources of pollution 55 CHAPTER I 17 CHAPTER VI 56 Florence on the World Heritage List Analysis of the plans for the safeguarding of the site I.1 Reasons for inclusion 17 VI.1 Urban planning and safeguarding methods 56 I.2 Recognition of Value 18 VI. 2 Sector plans and/or integrated plans 60 VI.3 Plans for socio-economic development 61 CHAPTER II 19 History and historical identity CHAPTER VII 63 II.1 Historical outline 19 Summary -
Advisory Mission to the World Heritage Site of the Historic Centre of Florence, Italy
REPORT JOINT UNESCO WORLD HERITAGE CENTRE/ ICOMOS ADVISORY MISSION TO THE WORLD HERITAGE SITE OF THE HISTORIC CENTRE OF FLORENCE, ITALY 22-25 May 2017 Cover: View across the city towards Santa Croce, from the belvedere of the Bardini Garden This report is jointly prepared by the mission members: Ms Isabelle Anatole-Gabriel (UNESCO World Heritage Centre) and Mr Paul Drury (ICOMOS International). 2 CONTENTS ACKNOWLEDGEMENTS ...................................................................................................................... 5 EXECUTIVE SUMMARY AND RECOMMENDATIONS ................................................................. 6 1. BACKGROUND TO THE MISSION ........................................................................................... 8 2. NATIONAL AND LOCAL POLICY FOR PRESERVATION AND MANAGEMENT ...... 9 3. IDENTIFICATION AND ASSESSMENT OF ISSUES .............................................................. 10 3.1. Introduction ............................................................................................................................. 10 3.2. Airport expansion ................................................................................................................... 11 3.3. The High Speed Rail Link ...................................................................................................... 12 3.4. Mobility in the historic centre and the developing tram system .................................. 13 Context ................................................................................................................................................ -
Data: 23/09/2020 Pagina: 1
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A CALENDAR of TREASURES from the RUSKIN COLLECTION (With Additional Material)
A CALENDAR OF TREASURES FROM THE RUSKIN COLLECTION (with additional material) JUNE Guild of St George With thanks to Museums Sheffield Text by Louise Pullen and Stuart Eagles Images selected by Stuart Eagles Images scanned by Museums Sheffield Edited & designed by Stuart Eagles www.facebook.com/guildofstgeorge/ Follow us on Twitter @RuskinToday http://collections.museums- sheffield.org.uk/ Visit our website www.guildofstgeorge.org.uk JUNE 1 John Wharlton Bunney, "Spring Flowers, Derbyshire: Purple from Matlock, Primrose from Haddon" (1853-58). Acceptance by HM Government in Lieu of Inheritance Tax and allocated to The Guild of St George, 2002. Collection of the Guild of St George, Museums Sheffield. http://www.guildofstgeorge.org.uk/the-collection/ JUNE 2 Henry Roderick Newman, "Florentine Roses" (1881). Ruskin wrote about why people often "admire a rose so much more than all other flowers". His view was that it was because of their pure, rich colours. He added: "in the rose there is no shadow, except what is composed of colour. All its shadows are fuller in colour than its lights, owing to the translucency and reflective power of its leaves." Though he was in general an architectural artist, Newman's rose drawing reflects these observations. Ruskin felt that few artists, other than botanical illustrators, tried to paint roses properly because they could not capture the true beauty in them. In his words: "a thoroughly good workman feels the feebleness of his means when he matches them fairly with Nature, and gives up the attempt frankly - painting the rose dull red, rather than trying to rival its flush in the sunshine." You can purchase a greetings card with this image here: http://www.guildofstgeorge.org.uk/shop/ http://www.guildofstgeorge.org.uk/the-collection/ On This Day in 1958: (Constance) Genevieve Pilley died, aged 80. -
Liceo Scientifico Statale “A. Volta” Foggia Viaggio Di Istruzione a Firenze (Dal 03 Al 06 Maggio 2015) PROGRAMMA Classi 4° Dsa (Prof
Liceo Scientifico Statale “A. Volta” Foggia Viaggio di Istruzione a Firenze (dal 03 al 06 Maggio 2015) PROGRAMMA Classi 4° Dsa (prof. Gasperi) 4°D (prof.ssa Frati) 1° GIORNO 03.05.2015 Ore 7.00 raduno dei partecipanti davanti la sede della scuola e partenza in bus per Monteriggioni Soste tecniche lungo il percorso; Pranzo libero a cura dei partecipanti; Arrivo nel pomeriggio e visita del Borgo Castello di Monteriggioni, Ore 16.00 circa partenza per Firenze, trasferimento in hotel Plus Florence in “Via Santa Caterina D'Alessandria” n. 15, 50129 Firenze – Tel. 055 628 6347. - Sistemazione nelle camere riservate; Ore 20.30 cena presso il ristorante “Da i 5 Amici” in Via dei Cimatori, 30 – 50122 Firenze (FI) – Tel. 055.2396672; - Eventuale passeggiata serale nel centro di Firenze; - Rientro in hotel e pernottamento; 2° GIORNO 04.05.2015 - Sveglia e prima colazione in hotel; Ore 9.30 incontro con la guida turistica (riferimento Marco n. cell. 3335371411) c/o Lungarno Pecori Giraldi (Torre della Zecca Vecchia) e inizio visita guidata della città: Duomo, Battistero, Palazzo Vecchio, Ponte Vecchio ecc… - Ore 13.00 pranzo libero a cura dei partecipanti; - Ore 16.30 visita della Basilica di Santa Croce (biglietto di ingresso + prenotazione); - Ore 20.00 cena presso il ristorante “Da i 5 Amici” in Via dei Cimatori, 30 – 50122 Firenze (FI) – Tel. 055.2396672 - Eventuale passeggiata serale nel centro di Firenze; - Rientro in hotel e pernottamento; 3° GIORNO 05.05.2015 - Sveglia e prima colazione in hotel; - Ore 10.00 ingresso al Museo Galileo di Firenze (1° gruppo ore 10.00 – 2° gruppo ore 10.30); - Ore 13.00 pranzo libero a cura dei partecipanti; - ore 17.00 visita alla Galleria degli Uffizi (per motivi tecnici non è stato possibile effettuare nessuna prenotazione, si prega di presentarsi con la lista nominativa di tutti i partecipanti su carta intestata della scuola) Ore 20.00 cena presso il ristorante “Da i 5 Amici” in Via dei Cimatori, 30 – 50122 Firenze (FI) – Tel. -
Section II: Summary of the Periodic Report on the State of Conservation, 2006
State of Conservation of World Heritage Properties in Europe SECTION II centre of Florence responds to nearly all the criteria defined by the Convention. ITALY 1) Criterion (i)- the urban complex of Florence is in itself a unique artistic realization, a chef-d'oeuvre Historic Centre of Florence absolute, the fruit of a continuous creation over more than six centuries. Leaving aside its museums Brief description (the Archaeological Museum, Uffizi Bargello, Pitti, Galleria dell' Academia, etc.), the greatest Built on the site of an Etruscan settlement, concentration of universally renowned works of art Florence, the symbol of the Renaissance, rose to in the world is found here - the Cathedral of Santa economic and cultural pre-eminence under the Maria del Fiore, the Baptistery and the Campanile Medici in the 15th and 16th centuries. Its 600 years of Giotto, Piazza de la Signoria dominated by the of extraordinary artistic activity can be seen above Palazzo Vecchio and the Palazzo Uffizi, San all in the 13th-century cathedral (Santa Maria del Lorenzo, Santa Maria Novella, Santa Croce and the Fiore), the Church of Santa Croce, the Uffizi and Pazzi chapel, the Convent of San Marco which the Pitti Palace, the work of great masters such as houses paintings of Fra Angelico, Santo Spirito, Giotto, Brunelleschi, Botticelli and Michelangelo. San Miniato, etc. 2) Criterion (ii) - Since the Quattrocento, Florence 1. Introduction has exerted a predominate influence on the development of architecture and the monumental Year(s) of Inscription 1982 arts- first in Italy, and then throughout Europe: the Agency responsible for site management artistic principles of the Renaissance were defined there from the beginning of the 15th century by • Municipality of Florence Brunelleschi, Donatello and Masaccio. -
IMMAGINE URBANA Temi E Progetti Per Lo Spazio Pubblico Nel Centro Storico Di Firenze
dida ricerche IMMAGINE URBANA Temi e progetti per lo spazio pubblico nel Centro Storico di Firenze R Marco Bini Carolina Capitanio Laura Aiello FIRENZE ARCHITETTURA DIPARTIMENTO DI DIPARTIMENTO Rdida ricerche Heritage_CITYlab Heritage_CITYlab | 3 Rdida ricerche Heritage_CITYlab La Collana Heritage_CITYlab della serie di pubblicazioni scientifiche DIDARicerche ha l’obiettivo di diffon- dere i risultati di ricerche realizzate dal Dipartimento di Architettura DIDA dell’Università di Firenze, nate da convenzioni e accordi di ricerca svolti con l’ufficio UNESCO del Comune di Firenze e riguardanti proget- ti ritenuti strategici per il Piano di Gestione del Sito UNESCO Centro Storico di Firenze. Il Piano di Gestione ha come obiettivo quello di “garantire l’identificazione, la tutela, la conservazione, la valorizzazione e la tra- smissione alle future generazioni del sito”. Ogni volume è soggetto ad una procedura di accettazione e va- lutazione qualitativa basata sul giudizio tra pari affidata ad un apposito Comitato Scientifico del Dipar- timento DIDA. Tutte le pubblicazioni sono inoltre open access su Web, favorendo una valutazione effetti- va aperta a tutta la comunità scientifica internazionale. Le pubblicazioni documentano le aree di ricer- ca, formazione e trasferimento di conoscenze del Dipartimento DIDA, Architettura, Pianificazione, Ar- chitettura del Paesaggio e Design. Si tratta di attività condotte a livello internazionale, nazionale e loca- le anche in collaborazione con altri Dipartimenti e Università, con Istituzioni e imprese -
1 Monte Giovi | Acone 2 the Hospital of the Knights Oftau | Altopascio 3 the Via Francigena | Altopascio 4 Hostel Antico Spedale
Ill Places 1 Monte Giovi | Acone Summit atop the summit | 10 2 The Hospital of the Knights ofTau | Altopascio An emergency room from the Middle Ages | 12 3 The Via Francigena | Altopascio On the pilgrimage trail | 14 4 Hostel Antico Spedale | Bagno a Ripoli For pilgrims of the third millennium | 16 5 Santa Caterina delle Ruote | Bagno a Ripoli Frescofrenzy | 18 6 The Whale Bone | Barberino di Mugello When the Mugello was underwater | 20 7 Cathedral of San Christoforo | Barga A mysterious inscription | 22 8 The Castle of Calenzano Alto | Caienzano Alto A small fortress with miniature soldiers \ 24 9 Church of the Freeway | Campi Bisenzio Service area for thefaithful | 26 10 The Hermitage of San Viano | Campocatino The most beautiful alpine pasture in Tuscany | 28 11 The Gaetano Bresci Memorial | Carrara The assassin becomes the hero | 30 12 The Mural of Francesca Rolla | Carrara Uprising on the Piazza delle Erbe | 32 13 The Sculptures ofMario Del Sarto | Carrara An open-air museum on the road to Colonnata \ 34 14 Via Carriona | Carrara The ancient versus the Zeitgeist | 36 15 _ Padule di Fucecchio | Castelmartini Italy's largest wetland | 38 16 The Alimentari Forno Giotto | Chiesa Nuova The best schiacciata | 40 1 7 The Romanesque Church | Codipontc Worshipping in the time of the Romans \ 42 1 8 Casa Villa Carlo Pepi | Crespina The Don Quixote of art | 44 http://d-nb.info/106304975X 1 9 The Former Salt Storehouse | Empoli A red house with green bottles | 46 20 Fattoria di Maiano f Fiesole The romantic park of the queen | 48 2 1 Naturalmente -
Firenze Monumenti Ed Edifici Storici
Firenze Monumenti ed edifici storici Legenda dei punti riportati sulla mappa A Palazzo degli Uffizi Galleria degli Uffizi, Firenze Caratterizzato da due lunghi porticati conclusi in fondo da un grande arco affacciato sull'Arno, rappresenta la più bella e maggiore opera del vasari il quale la edificò su ordine di Cosimo I nel decennio tra il 1560 e il 1570. nel XIX secolo nelle nicchie dei grossi pilastri che si alternano alle coppie di colonne furono aggiunte statue dei più illustri personaggi toscani, tra i quali solo per citarne alcuni, Galileo Galilei, Amerigo Vespucci, Benvenuto Cellini, Leonardo, Michealngelo, Lorenzo il Magnifico, Cosimoil vecchio, Giotto, Donatello, Petrarca, Boccacccio, e altri. A La fontana del Nettuno Piazza della Signoria, Firenze Il Biancone, così è stata simpaticamente appellata la Fontana del Nettuno di Bartolomeo Amannati dai Fiorentini. Si trova in Piazza della Signoria, sul lato sinistro di Palazzo Vecchio, e l'Ammannati vi lavorò dal 1560 al 1575 insieme al Giambologna. E' composta da una serie di statue in bronzo che raffigurano divinità marine e satiri, e culmina con la grande statua marmorea di Nettuno. Fu voluta da Cosimo dè Medici e progettata da Baccio Bandinelli. La statua del Nettuno è opera di Ammannati e le statue in Bronzo sono invece del Gianbologna. Per far giungere l'acqua alla fontana fu anche progettato anche un sistema ingegnoso e articolato di condotta delle acque. La vasca di forma ottagonale contiene i quattro cavalli del cocchio di Nettuno, il quale ha le somiglianze fisiche di Cosimo Dè Medici. Una delle statue in bronzo opera del Giambologna fu ricostruita e riposizionata a seguito di un furto subito durante i festeggiamenti del carnevale del 1830.