DOCSLIB.ORG

POSITION PROFILE – EXECUTIVE DIRECTOR Second Stage Theater New York, NY

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
POSITION PROFILE – EXECUTIVE DIRECTOR Second Stage Theater New York, NY POSITION PROFILE – EXECUTIVE DIRECTOR Second Stage Theater New York, NY The Search Second Stage Theater, one of New York’s leading nonprofit theatres, has initiated a search for its next Executive Director. The board intends to name the successful candidate by late Spring of 2020. Background Second Stage Theater was founded in 1979 to produce “second stagings” of contemporary American plays that deserved to reach a wider audience. It soon expanded its mission to produce new plays by its developing corps of writers. Over time, Second Stage’s dedication to telling essential American stories in their most exciting forms has come to include genre-bending solo performances, cutting- edge theatrical events, explosive new musicals, and world and New York premieres by America’s most esteemed playwrights. Second Stage is committed to supporting both established and emerging artists. Commissions and artist residencies nurture playwrights, directors, designers, and actors in the creation of work that speaks to our contemporary moment. Dedicated to developing not only artists but artistic community, Second Stage builds future audiences by educating young people about the art of contemporary theater and encouraging their participation in the cultural life of New York City. Under the artistic direction of Carole Rothman, Second Stage produces a diverse range of premieres and new interpretations of America’s best contemporary theater, including the 2015 Pulitzer Prize winner Between Riverside and Crazy by Stephen Adly Guirgis; 2012 Pulitzer Prize winner Water by the Spoonful by Quiara Alegria Hudes; 2010 Pulitzer Prize winner Next to Normal by Tom Kitt and Brian Yorkey. Other note-worthy Second Stage productions have included Dear Evan Hansen; The Last Five Years; Dogfight; By the Way, Meet Vera Stark; Trust and Lonely, I’m Not ; The Elaborate Entrance of Chad Deity; Everyday Rapture; Let Me Down Easy; Becky Shaw; Eurydice; The Little Dog Laughed; Metamorphoses; The 25th Annual Putnam County Spelling Bee; Jar the Floor; Uncommon Women and Others; Crowns; Saturday; Afterbirth: Kathy & Mo’s Greatest Hits; This Is Our Youth; Ricky Jay and His 52 Assistants; Coastal Disturbances; A Soldier’s Play ; Little Murders; The Good Times Are Killing Me; and Tiny Alice. Second Stage’s more than 130 citations include 2017 Tony Awards for Dear Evan Hansen; 2009 Tony Awards for Best Lead Actress in a Musical (Alice Ripley, Next to Normal) and Best Score and Best Orchestrations (Tom Kitt and Brian Yorkey, Next to Normal); the 2007 Tony Award for Best Actress in a Play (Julie White, The Little Dog Laughed); the 2005 Tony Award for Best Book of a Musical (Rachel Sheinkin, The 25th Annual Putnam County Spelling Bee) and Best Featured Actor in a Musical (Dan Fogler, …Spelling Bee); the 2002 Tony Award for Best Director of a Play (Mary 2 Zimmerman, Metamorphoses); the 2002 Lucille Lortel Award for Outstanding Body of Work, 29 Obie Awards, 8 Outer Critics Circle Awards, two Clarence Derwent Awards, 13 Drama Desk Awards, 9 Theater World Awards, 20 Lucille Lortel Awards, the Drama Critics Circle Award and 23 AUDELCO Awards. In 1999, Second Stage Theater opened its 296-seat theater at 43rd Street, designed by renowned Dutch architect Rem Koolhaas. The Second Stage Theater Uptown series was inaugurated in 2002 to showcase the work of emerging artists at the McGinn/Cazale Theater at 76th Street; productions have included The Mystery Plays by Roberto Aguirre-Sacasa, Spanish Girl by Hunt Holman, The Triple Happiness by Brooke Berman, Swimming in the Shallows by Adam Bock, Animals Out of Paper by Rajiv Joseph, Bachelorette by Leslye Headland, Warrior Class by Kenneth Lin, and Murder For Two by Joe Kinosian and Kellen Blair. In 2011 the 43rd Street Theater was named after long-time Chairman of the Board, Anthony C.M. Kiser, and became "The Tony Kiser Theater." In 2015, Second Stage purchased the historic Helen Hayes Theater on Broadway. With this new home, Second Stage became the only theater company on Broadway dedicated exclusively to developing and producing works by living American playwrights. The Mission Second Stage Theater produces work entirely by 21st century American playwrights both on and off Broadway. Dedicated to adventurous contemporary plays and musicals, bold new interpretations, and unique theatrical experiences, the work at Second Stage reflects diversity and inclusiveness. Through the discovery of emerging talent and the commissioning of new work, Second Stage nurtures future generations of theater artists and welcomes a theatergoing audience of all backgrounds. Second Stage’s next Executive Director will be an individual who shares this deep commitment to celebrating the work of 21st Century American playwrights and who is continuously focused on strengthening the company’s financial, organizational and volunteer resources in service to that mission. The Executive Director will assume a strong public profile on behalf of Second Stage and be a principal advocate for the importance of Second Stage’s mission as a unique and essential piece of the American theatre ecology. The Opportunity Second Stage offers an exceptional administrative and organizational leader the rare opportunity to work in concert with a committed board and staff in leading one of the most respected and accomplished theatres in the nation. The Executive Director will report to the Board of Trustees and partner with President/Artistic Director, Carole Rothman in leading Second Stage into the future. Even with Second Stage’s many accomplishments and significant growth in recent years, ample opportunities remain for its next Executive Director to help shape the company’s future success. Second Stage’s leadership and key stakeholders have forged a clear mandate regarding the core mission and values that will provide the framework and support for the company’s next period of organizational advancement. Having opened the Helen Hayes Theatre to critical acclaim, Second 3 Stage is now focused on completing the capital campaign to retire the Hayes mortgage, build a more robust annual fundraising effort and refine the company’s operating model to ensure artistic and financial success well into the future. Its next Executive Director will play a key role in leading those initiatives. Second Stage’s next Executive Director will report to the Board of Trustees and help guide the larger vision of all activity undertaken at the company’s three venues. They will take the lead on expanding Second Stage’s fundraising efforts while developing a business model for the company that will maintain a dynamic artistic environment in keeping with Second Stage’s mission and ensures its financial sustainability and growth. They will work closely with other members of the professional leadership team and board to strengthen Second Stage’s mission delivery while developing new public and private support and earned revenue streams to ensure that Second Stage is able to continue to build upon its current offerings and success. Qualities and Qualifications – The Search Committee is focused on identifying an accomplished administrative leader whose organizational leadership and fundraising skills have been in evidence over a significant period of time. To that end, Second Stage is seeking an Executive Director who has: • Demonstrated the ability to successfully oversee Second Stage’s administrative, financial and operational functions; • The collaborative skills and desire to successfully partner with the President/Artistic Director and work with the board, staff and key stakeholders in order to provide unified organizational leadership and direction that will lead to long-term artistic and financial health; • Extensive experience managing complex, creative organizations with demonstrated success in mission delivery, revenue generation and overall financial success; • Experience developing and leading capital campaigns and in establishing and cultivating governmental relationships that are important to Second Stage’s continued success; • A dynamic public presence that will enable the Executive Director to function as a compelling public spokesperson who inspires growing support for Second Stage’s mission and organizational goals; • A commitment to the highest levels of organizational excellence; • The ability to consistently analyze the theatre’s operational status in order to develop strategies in support of lasting artistic, organizational and financial success; • The demonstrated ability to motivate staff and form an effective team that is committed to a collaborative approach to both organizational success and sustainability; • The capability and commitment to take a leadership role in long-term strategic planning, major donor cultivation/solicitation and board development; • The interest to develop a clear understanding of Second Stage’s relationship to the community, including city and state governmental agencies, and a passion to continuously strengthen those relationships at all levels; • Strong skills as a community leader with the demonstrated ability to create a “sense of community” within and outside the theatre; • A desire to participate in all aspects of institutional advancement, including completion of the Hayes capital campaign and expanding annual fundraising; 4 • A commitment to work with others to continuously balance artistic initiatives and risks with responsible fiscal management while maintaining the centrality of Second Stage’s mission, vision and core values. Core Responsibilities –
Load more

Recommended publications
  • Amjad Ali Khan & Sharon Isbin
    SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S.
    [Show full text]
  • Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
    HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20
    [Show full text]
  • Prime Corner Retail Space Available SQ 20TIMESSQ 701 Seventh Avenue at 47Th Street
    SQ 20TIMESSQ 701 Seventh Avenue at 47th Street Join NFL, Cirque du Soleil and Hershey in the Heart of Times Square Prime Corner Retail Space Available SQ 20TIMESSQ 701 Seventh Avenue at 47th Street THE NFL EXPERIENCE HERSHEY’S CHOCOLATE WORLD EDITION HOTEL Ground Floor and Floors 2 – 4 Ground Floor Ground Floor entrance to a 39-story hotel ■■ The NFL Experience brings together the NFL ■■ The new 20 Times Square store will be ■■ 39-story, 452-room, luxury lifestyle EDITION and Cirque du Soleil, two preeminent names three times larger than the current branded hotel conceived by Ian Schrager in sports and entertainment, to create a top Hershey’s Chocolate World with Marriott destination in the heart of Times Square ■■ 6,940 square feet of ground floor retail space ■■ Only five-star hotel in Times Square ■■ 40,000 square foot interactive experience ■■ Superstructure signage will showcase the ■■ 40,000 square-feet of food and beverage ■■ Spans 4 floors and includes a 350-seat state- brand and products including six bars, a cabaret/entertainment venue, of-the-art theater with show production by NFL and several restaurants with significant outdoor ■■ New products will be found here along with Films space traditional Hershey’s Chocolate World products. ■■ Rockwell Group and Thinkwell Group will work with Cirque to design the space and leading sports and entertainment presenter, AEG, is a partner in the project ■■ In addition to the multimedia show and interactive activities, there will be educational programming on the art of tackling and passing, on-site retail, stadium-style food and beverage offerings and special artifacts on display.
    [Show full text]
  • OFFICIAL PROGRAM for BROADWAY in DETROIT at the Detroit Opera House MADE IN
    OFFICIAL PROGRAM FOR BROADWAY IN DETROIT AT THE Detroit Opera HOUSE MADE IN PEOPLE MAGNET. REALIZES EVERY DAY IS A BLESSING. ENJOYS WORKING AT COSTCO. APPRECIATES HIS SECOND CHANCE IN LIFE. 100 % SAM ZIEMAN XL CHARACTER We have character. Thousands of them, actually. Like Sam, our residents won’t just steal the show... they’ll steal your heart. Visit americanhouse.com/testimonials to watch videos and learn more about our incredible cast of characters. For information on our communities visit americanhouse.com or call (800) 351-5224. Residences • Dining • Activities • Education • Wellness • Transportation • Support Services* TDD (800) 649-3777 *Support Services provided by third party not affiliated with American House. job number: 50679_B24_C1-1 date: 10/07/11 client: RLX advertiser: RLX dtp: color: cs: acct: client: please contact thelab at 212-209-1333 with any questions or concerns regarding these materials. Proof: 12/23/11; 8:30PM Million Dollar Quartet JERRY LEE JOHNNY Tom Hulce & Ira Pittelman Work Light Productions Publication: ELVIS CARL Vivek J. Tiwary Latitude Link Scott M. Delman Broadway in Detroit programAllan for S. Gordon MagicSpace Entertainment PRESLEY PERKINS “Wicked” LEWIS CASH In Association with Run dates: 12/7/11 tpAbbie 12/31/11 M. Strassler John Domo Lorenzo Thione & Jay Kuo Size: full page full bleed Present trim size: 5-3/8” x 8-3/8” THE BROADWAY MUSICAL bleed: 1/8” inside margin: 1/4” For: Nederlander Detroit (Fisher Theatre & others) Music by Lyrics by Design: Frank Bach, Green Day Billie Joe Armstrong INSPIRED BY THE ELECTRIFYING TRUE STORY Bach & Associates; Book by Phone 313-822-43038;Billie Joe Armstrong and Michael Mayer [email protected] Van Hughes Scott J.
    [Show full text]
  • Equity Magazine Autumn 2020 in This Issue
    www.equity.org.uk AUTUMN 2020 Filming resumes HE’S in Albert Square Union leads the BEHIND fight for the circus ...THE Goodbye, MASK! Christine Payne Staying safe at the panto parade FIRST SET VISITS SINCE THE LIVE PERFORMANCE TASK FORCE FOR COVID PANDEMIC BEGAN IN THE ZOOM AGE FREELANCERS LAUNCHED INSURANCE? EQUITY MAGAZINE AUTUMN 2020 IN THIS ISSUE 4 UPFRONT Exclusive Professional Property Cover for New General Secretary Paul Fleming talks Panto Equity members Parade, equality and his vision for the union 6 CIRCUS RETURNS Equity’s campaign for clarity and parity for the UK/Europe or Worldwide circus cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer 6 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. 9 FILMING RETURNS Tanya Franks on the socially distanced EastEnders set 24 GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK 11 MEETING THE MEMBERS Tel 020 8686 5050 Equity’s Marlene Curran goes on the union’s first cast visits since March First Act Insurance* is the preferred insurance intermediary to *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 12 SAFETY ON STAGE New musical Sleepless adapts to the demands of live performance during the pandemic First Act Insurance presents... 14 ONLINE PERFORMANCE Lessons learned from a theatre company’s experiments working over Zoom 17 CONTRACTS Equity reaches new temporary variation for directors, designers and choreographers 18 MOVEMENT DIRECTORS Association launches to secure movement directors recognition within the industry 20 FREELANCERS Participants in the Freelance Task Force share their experiences Key features include 24 CHRISTINE RETIRES • Competitive online quote and buy cover provided by HISCOX.
    [Show full text]
  • BROOKS ATKINSON THEATER (Originally Mansfield Theater), 256-262 West 47Th Street, Manhattan
    Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1311 BROOKS ATKINSON THEATER (originally Mansfield Theater), 256-262 West 47th Street, Manhattan. Built 1925-26; architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1018, Lot 57. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Brooks Atkinson Theater and the proposed designation of the related Landmark Site (I tern No. 7). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has · received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Brooks Atkinson Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built during the mid-1920s, the Brooks Atkinson was among the half-dozen theaters constructed by the Chanin Organization, to the designs of Herbert J. Krapp, that typified the development of the Times Square/Broadway theater district. Founded by Irwin S. Chanin, the Chanin organization was a major construction company in New York. During the 1920s, Chanin branched out into the building of theaters, and helped create much of the ambience of the heart of the theater district.
    [Show full text]
  • Tom Kitt Brian Yorkey
    WHITBY COURTHOUSE THEATRE | 2018/19 NEXT TO NORMAL Music by Book & Lyrics by TOM KITT BRIAN YORKEY November 8-24, 2018 PROGRAM whitbytheatre.ca Whitby Centennial Building, 416 Centre St. S. | 905.668.8111 Next to Normal is presented through special arrangement with Music Theatre International (MTI). Small by design. All girls with a purpose. ALL GIRLS DAY & BOARDING GRADES 4-12 Join us Winter Open House Saturday, February 2 10 a.m. to noon 401 Reynolds Street 905.668.3358 Email us at trafalgarcastle.ca [email protected] to arrange your own personal visit. Small by design. All girls with a purpose. WHITBY COURTHOUSE THEATRE PRESENTS NEXT TO NORMAL Music by Book & Lyrics by Tom Kitt Brian Yorkey Producer Director Music Director Heather Doucette Shael Risman Nick Denis ALL GIRLS Stage Manager Assistant Director Back Stage Manager DAY & BOARDING Paul Sowerbutts Melissa Gibson Peggy Sowerbutts GRADES 4-12 Costume Design Lighting Design Set Design Sound Design Join us Rhonda Martin Greg Poulin Erastus Burley Margo Rodgers Original Broadway Production Produced by David Stone, James L. Nederlander, Winter Open House Barbara Whitman, Patrick Catullo and Second Stage Theatre. New York Premiere Produced by Second Stage Theatre, New York. February 2008 Saturday, February 2 Carole Rothman, Artistic Director Ellen Richard, Executive Director 10 a.m. to noon ‘Next To Normal’ was subsequently produced by Arena Stage in November 2008. 401 Reynolds Street Developed at Village Theatre, Issaquah, WA (Robb Hunt, Executive Producer, Steve Tomkins, Artistic Director). 905.668.3358 An earlier version was presented in the 2005 New York Musical Theatre Festival.
    [Show full text]
  • Broadway Rush, Lottery, and Standing Room Only Policies | Playbill
    10/4/2019 Broadway Rush, Lottery, and Standing Room Only Policies | Playbill INSIDER INFO Broadway Rush, Lottery, and Standing Room Only Policies BY RUTHIE FIERBERG, NATAN ZAMANSKY Playbill’s complete round-up of the latest Broadway rush, lottery, standing-room-only (SRO), and student ticket policies. Anyone willing to wake up and get to the bo��������������������������, spend some time in a line, or stand during the show, can get greatly discounted tickets to the majority of shows on Broadway. Or if none of those appeal, several Broadway shows now offer digital or online lottery options. www.playbill.com/article/broadway-rush-lottery-and-standing-room-only-policies-com-116003 1/22 10/4/2019 Broadway Rush, Lottery, and Standing Room Only Policies | Playbill The idea of a rush for affordable tickets all started with Rent, which, at the peak of its popularity, sold all seats in ����������������������������ows of the orchestra for $20 to whomever would get to the box ofce in time on the day of the performance. (Read more about the history of the Broadway rush line here.) Playbill ClubSEATS is the monthly Broadway Ticket Giveaway brought to you by Playbill Discount Club. Click here for more information. Find a full listing of rush, lottery, standing room, and student and young professional discounts below: CLICK HERE FOR OUR OFF-BROADWAY RUSH, LOTTERY, STANDING ROOM, AND INEXPENSIVE TICKET POLICIES AIN'T TOO PROUD-THE LIFE AND TIMES OF THE TEMPTATIONS (Imperial Theatre- 249 W.45th St., betw 7th and 8th aves.) Digital Lottery Price: $42 How: ainttooproudlottery.com Time: Lottery opens at 12 AM on the day of the performance.
    [Show full text]
  • Theater Events: Mooney Does 'Shakespeare on Demand' in 'Breakneck Hamlet'
    dailyherald.com http://www.dailyherald.com/article/20150529/entlife/150528711/ Theater events: Mooney does 'Shakespeare on demand' in 'Breakneck Hamlet' Barbara Vitello Writer/director Tim Mooney stars in "Breakneck Hamlet" at Clockwise Theatre in Waukegan. COURTESY OF DALE JESSEN/CLOCKWISE THEATRE Fast-paced 'Hamlet' Clockwise Theatre presents the world premiere of "Breakneck Hamlet," writer/actor Tim Mooney's accelerated version of William Shakespeare's longest plays. Having introduced the melancholy Dane in Act 1, Mooney takes audience requests for the Bard's most famous speeches in the second act, which he dubs "Shakespeare on demand." Opens at 8 p.m. Friday, May 29, at 221 N. Genesee St., Waukegan. $20. (847) 775-1500 or clockwisetheatre.org. Standup showcase Standup comedians including Jordan Holmes and Peter Daniel perform as part of Comedy Shrine's monthly showcase of its favorite Midwest comedians. 8 p.m. Friday and Saturday, May 29-30, at 4034 Fox Valley Center Drive, Aurora. $20. (630) 585-0300 or comedyshrine.com. Playing his songs Theo Ubique Cabaret Theatre salutes the late composer Marvin Hamlisch as part of its summer showcase. "A Marvin Hamlisch Songbook" features standards like "The Way We Were" along with tunes from the musicals "A Chorus Line," "Sweet Smell of Success" and "They're Playing Our Song." Aaron Benham serves as musical director and arranger. Previews begin at 7:30 p.m. Thursday, June 4, at No Exit Cafe, 6970 N. Glenwood Ave., Chicago. The show opens June 6. $20-$34. (800) 595-4849 or theo-u.org. Other theater events • Lifeline Theatre, 6912 N.
    [Show full text]
  • TONY KISER THEATER LETTERS of SURESH by RAJIV JOSEPH DIRECTED by MAY ADRALES Letters of Suresh Is the Recipient of an Edgerton Foundation New Play Award
    JULY 2021 – TONY KISER THEATER KATE BALDWIN IN CONCERT THE SAME, BUT DIFFERENT KATE BALDWIN IN CONCERT THE SAME, BUT DIFFERENT July 22-25, 28-31 CAST KATE BALDWIN CREATIVE Music Director .............................................GEORGIA STITT Director ....................................................TRAVIS GREISLER Lighting Design ..................................HERRICK GOLDMAN Sound Design ............................................. JASON CRYSTAL Stage Manager ...............................................KYRIE BAYLES SONGS Where or When/I Didn’t Know What Time it Was (Rodgers/Hart) Look to the Rainbow/How are Things in Glocca Morra (Lane/Harburg) I’m the Bravest Individual (Coleman/Fields) Water is Wide (arr. Stitt) One Minute Song Cycle (Stitt, various poets) Breeze off the River/I Don’t Need a Roof (Yazbeck/Lippa) You Could Drive a Person Crazy (Sondheim, arr. Loud) Lorna’s Here (Strouse/Adams) Still Haven’t Found/Taking Chances (U2/Celine Dion) New York, New York (Kander & Ebb) Look for the Silver Lining (Kern) Special Thanks to the Creative Team of We’re Gonna Die by Young Jean Lee Directed & Choreographed by Raja Feather Kelly, Scenic Design by David Zinn, Costume Design by Naoko Nagata, Lighting Design by Tuce Yasak, Sound Design by Jason Crystal TONY KISER THEATER 2ST.COM FOLLOW US @2STNYC 2 SECOND STAGE BOARD OF TRUSTEES Terry Lindsay, Co-Chair of the Board Timothy J. McClimon, Co-Chair of the Board ROBERTO AGUIRRE-SACASA KHADY KAMARA GABRIELLE LONDON PALITZ ELIZABETH C. BERENS ANTHONY C. M. KISER BAMBI PUTNAM KEVIN BROCKMAN STEVEN B. KLINSKY CAROLE ROTHMAN LOUISE HENRY BRYSON JANET LYNNE KNOPF NATHAN E. SAINT-AMAND MIA CAMPBELL PATRICIA J. LANGER IRA SCHRECK DEBRA MARTIN CHASE GINA MARIA LEONETTI STEPHEN C.
    [Show full text]
  • Helen Alvaré on Having 'The God Talk'
    HELEN ALVARÉ ON HAVING ‘THE GOD TALK’ OF MANY THINGS ut of our memory of the governments were at best modest 106 West 56th Street New York, NY 10019-3803 Holocaust,” said President and slow. Apart from allowing Ph: (212) 581-4640; Fax: (212) 399-3596 Jimmy Carter in 1979, “we Christians to enter their region, Subscriptions: (800) 627-9533 ‘O the Kurdish government did www.americamedia.org must forge an unshakable oath with facebook.com/americamag all civilized people that never again not offer any aid either financial twitter.com/americamag will the world stand silent, never again or material…. Thankfully, the will the world...fail to act in time to Church in the Kurdistan region PRESIDENT AND EDITOR IN CHIEF Matt Malone, S.J. prevent this terrible crime of genocide.” stepped forward and cared for the displaced Christians, doing her EXECUTIVE EDITORS President Carter made those remarks Robert C. Collins, S.J., Maurice Timothy Reidy very best to handle the disaster. as he received the official report of MANAGING EDITOR Kerry Weber Church buildings were opened the presidential commission on the LITERARY EDITOR Raymond A. Schroth, S.J. to accommodate the people; Holocaust, or Shoah, the deliberate SENIOR EDITOR AND CHIEF CORRESPONDENT food and non-food items were Kevin Clarke and singularly horrific mass murder provided to meet the immediate EDITOR AT LARGE James Martin, S.J. of millions during the Second World needs of the people; and medical EXECUTIVE EDITOR, AMERICA FIlmS Jeremy Zipple, S.J. War, most of them European Jews. It is health services were also provided.
    [Show full text]
  • The Noteworthy Life of Howard Barnes at Village Theatre Encore
    SEPTEMBER 2018 September 2018 Volume 18, No. 1 RECEIVINGBR STANDING OVATIONS AVO! & RAVE REVIEWS FROM PATIENTS · Sports Medicine · Foot & Ankle · Spine Surgery · Joint Replacement · Hand & Wrist · Surgery Center Paul Heppner President Board Certified Orthopedic Surgeons Mike Hathaway Vice President (425) 339-2433 Kajsa Puckett www.ebjproliancesurgeons.com Vice President, Marketing & Business Development Genay Genereux EAP 1_6 H template.indd 1 9/30/16 11:56 AM Accounting & Office Manager Production Susan Peterson Design & Production Director Jennifer Sugden Assistant Production Manager Ana Alvira, Stevie VanBronkhorst Production Artists and Graphic Designers Sales Amelia Heppner, Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Joey Chapman, Brieanna Hansen, Ann Manning, Wendy Pedersen Seattle Area Account Executives Carol Yip Sales Coordinator Marketing Shaun Swick Senior Designer & Digital Lead Ciara Caya Marketing Coordinator Encore Media Group Corporate Office 425 North 85th Street Seattle, WA 98103 p 800.308.2898 | 206.443.0445 f 206.443.1246 [email protected] www.encoremediagroup.com APPARITIONS Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve musical and theatrical events & in the Puget Sound and San Francisco Bay Areas. All rights reserved. ©2018 Encore Media Group. Reproduction without SPELLBOUND written permission is prohibited. September 18 through November 18, 2018 Opening Reception September 21, 2018 6pm – 8pm, FREE Image: Marlene Seven Bremner. The Transfiguration of Thoth. Oil on canvas. 620 Market Street Kirkland, WA 98033 kirklandartscenter.org 2 VILLAGE THEATRE ROBB HUNT Executive Producer JERRY DIXON Artistic Director Book and Lyrics by Christopher Dimond Music by Michael Kooman Francis J. Gaudette Theatre Everett Performing Arts Center September 13 – October 21, 2018 October 26 – November 18, 2018 Director BRANDON IVIE Choreographer Music Director Scenic Designer AL BLACKSTONE R.J.
    [Show full text]