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Silence in Sri Lankan Cinema from 1990 to 2010
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright SILENCE IN SRI LANKAN CINEMA FROM 1990 TO 2010 S.L. Priyantha Fonseka FACULTY OF ARTS AND SOCIAL SCIENCES THE UNIVERSITY OF SYDNEY A thesis submitted in total fulfilment of requirements for the degree of Master of Philosophy at the University of Sydney 2014 DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of a university or other institute of higher learning, except where due acknowledgement has been made in the text. -
LA TERRE ABANDONNÉE Un Film De Vimukthi Jayasundara
UNE COPRODUCTION UNLIMITED LES FILMS DE L'ÉTRANGER / ONOMA / ARTE FRANCE CINÉMA EN ASSOCIATION AVEC FILM COUNCIL PRODUCTIONS (SRI LANKA) ET LE FRESNOY (STUDIO NATIONAL DES ARTS CONTEMPORAINS) 2 Philippe Avril, Francisco Villa-Lobos, Pascal Diot et Tadrart Films présentent LA TERRE ABANDONNÉE Un film de Vimukthi Jayasundara France - Sri Lanka 2005 – 35mm couleurs 1.85 Dolby SRD – 1h48 Visa n° 109.948 Sortie le 25 janvier 2006 DISTRIBUTION PRESSE Tadrart Films Viviana Andriani 83A, rue Bobillot - 75013 Paris 32, rue Godot de Mauroy - 75009 Paris Tél : 01 43 13 10 68 - Fax : 01 43 13 10 69 Tél / Fax : 01 42 66 36 35 [email protected] [email protected] Les photos et le dossier de presse sont téléchargeables sur le site : www.laterreabandonnee.com SYNOPSIS Sur une terre entre guerre et paix, dans une atmosphère étrange et incertaine, des corps s'attirent, la culpabilité ronge les assassins, des soldats s'abrutissent en manœuvres ineptes, les légendes ressurgissent. Seule l'enfance est innocence en cette terre abandonnée des Dieux. 4 LA TERRE ABANDONNÉE 5 ENTRETIEN AVEC VIMUKTHI JAYASUNDARA “La terre abandonnée” se déroule dans un après-guerre incertain et désolé, presque au milieu de nulle part, pourrait- on dire, et on y parle cinghalais. Doit- on y voir une évocation de l’histoire sri lankaise récente ? Il est clair que la guerre civile au Sri Lanka ne s’est pas seulement infiltré dans les esprits entre les forces gouvernementales et la et les âmes des Sri Lankais,il a aussi ébranlé guérilla tamoule a été marquante pour tout leur présence physique.Chacun hérite encore le monde, pour moi aussi par conséquent. -
D E Sig Ng Ra Ph Iq Ue
4€ Design graphique : Marion Tigréat / www.mariontigreatportfolio.com Lyannaj ! Une expression découverte ici à la faveur du mouvement populaire qui a agité La Guadeloupe, La Martinique… Et la « métropole » au début du printemps. Si le vocable Pwofitation a lui aussi connu un grand succès public, c’est au Lyannaj que nous dédions notre 9ème édition. Formidable langue créole qui nous offre ce mot en partage… Littéralement « lianer », c’est nouer, relier, vivre ensemble, et faire ensemble. Or depuis 2001, notre propos est justement de créer ce « Lyannaj » à Groix. Les insulaires et les amoureux des îles s’y retrouvent autour du cinéma, de la musique, et des débats. Lyannaj… à Sri Lanka. Notre île invitée en a bien besoin ! L'actuelle défaite militaire de la rebellion séparatiste tamoul met fin à près de 30 ans d'un conflit qui aura fait plus de 80 000 morts. Sans partis pris, autre que celui des populations civiles, nous avons invité des personnalités qui défendent la paix, la démocratie, et le « vivre ensemble », toutes confessions et ethnies confondues. En partenariat avec Amnesty International, nous vous proposons une vingtaine de films en provenance de l’île « aux mille sourires » et aux mille peines, en majorité inédits en France. Lyannaj toujours, mais cette fois contre la pwofitation. Nous vous invitons, par des films et des débats, à revenir sur le formidable séisme qui a secoué La Guadeloupe et la Martinique, avant de nous arrêter une nouvelle fois chez leur voisine Haïti. Nous la fêterons à travers des documentaires et des concerts afin d’amorcer notre futur partenariat avec la commune des Abricots et son maire Jean-Claude Fignolé. -
Trailblazers of Fine Arts
Kaushalya Fernando T RAILBLAZERS OF FINE ARTS ...: She belongs to a new generation of artistes Face to Face by Ranga Chandrarathne Jackson Anthony's venomous attack on Kaushalya's acting once condemned her as an actress who is willing to expose 'ugly nudity, and categorised her as one among a group of actors including Hemasiri Liyanage, W.Jayasiri, Mahendra Perera and Saumya Liyanage. He also condemned this group's application of the media, as those films were not aesthetic creations, but creations based on delirious thoughts. It is surprising to hear a person who had worked with progressive directors like Dharmasiri Bandaranayake and the late Sugathapala de Silva making such petty and baseless remarks on serious and ground-braking creative work. Career Kaushalya did not want to comment on the adverse remarks. In her trailblazing career, she has acted in many stage dramas including 'Vikurti', 'Katandara Dekak' by her mother Somalatha Subasinghe, 'Punthila' a play directed by a Finnish theatre director and Sugathapala de Silva's 'Marat Sade' for which Kaushalya won Special Award of the Jury. Among the stage plays she acted are Dharmasiri Bandaranaike's 'Dhawala Bheeshana' for which she won the best actress's award, Somalatha Subasinghe's 'Antigone', 'Dona Kathirina', 'Yadam' and 'Nambukara Vilasiniya'. In most of these stage plays, Kaushalya won either Best Actress's Award or Best Supporting Actress's Award. For Asoka Handagama's 'Dunhida Addara' and 'Sanda Dadayama', Kaushalya won the Best Actress's Award and the Best Actress's Critic's Award. Handagama's 'Diyakata Pahana', Sudath Mahadiulwewe's 'Wanaspathi', Bertram Nihal's 'Isuru Gira' were some of the other teledramas she acted in. -
National Disrespect Is National Disgrace the Powder Keg! a Note to the President
The Island OPINION Tuesday 8th June, 2010 Views LETTERS 9 Corruption: National disrespect is national disgrace The powder keg! A note to the President t is an earnest patriotic display to have our national anthem sung Iand our national flag hoisted at all national functions attended by the high and the mighty of our land. But it is also a national disgrace when politicians and others fail to stand at attention while the anthem is being sung. One saw this national disre- spect for our national anthem on CBK crude display at the recent opening Mahinda ceremony of IIFA cricket match. The VIPs and many others were aimlessly orruption which is in the boiling pot wondering about while the national became a hot topic last week. It was anthem was being sung. These dregs Cmore in the news than the IIFA of our society did not have an iota of Awards because of statements made by patriotism in their bones. They ought prominent figures. to be banned from attending any We had the Sports minister, national ceremonies. The IIFA occa- C.B.Ratnayake, with his remarks on corrup- sion is not the first time this dis- tion. His comments at the Sri Lanka Cricket graceful behaviour has taken place. Board press conference stunned the audi- Mr. President you need to take action ence. at least as far as the politicians are Bollywood We should admire his courage for saying concerned. Please view the video. stars in Sri this and for coming forward with his experi- Most members of our national Lanka ence by saying that a top cricket board offi- sports teams including our cricketers cial had offered him an all expenses paid appear to be tongue-tied and stand Caribbean trip for 3 days during the T20 like mute statues when it comes to World Cup. -
Provenance in Personal Documentary: My Mother's Village Aaron Burton
Provenance in Personal Documentary: My Mother's Village Aaron Burton A thesis submitted for the degree of Doctor of Philosophy (Media Arts) UNSW Australia Art & Design The University of New South Wales October 2014 Abstract My Mother's Village is a personal documentary response to The Sri Lanka Series (1980), a series of ethnographic films produced by the author's anthropologist mother, Sharon Bell, and filmmaker father, Geoff Burton. Four women, a community of fishermen, and a dance instructor were the 'subjects' of their three films. The feature length film My Mother's Village revisits the same participants in Sri Lanka and pursues the original themes and issues, such as economic conditions, the status of women, colonialism, religion, ritual, and inter-generational change. My Mother's Village explores how both the filmmaker and participants are navigating heredity and inheritance. Supplementing the film, the exegesis component, Provenance in Personal Documentary interrogates the conceptual underpinnings of the creative research. 'Provenance', the key concept informing the production of My Mother's Village is a fine art term specifically ‘repractised’ and retheorised here. It is hypothesised that cross-disciplinary personal documentary production is a fertile environment that responds to increasingly accessible technologies and progressive interpretations of what contemporary ‘documentary’ means. This research project responds to the lack of a critical framework for interpreting and developing inter-disciplinary documentary praxis. The experimental methods employed in the provenance of My Mother's Village extend to the adoption of an auto-ethnographic and autobiographical mode of storytelling in this exegesis. This marriage of creativity and scholarly research is further reflected in the relationship between the exegesis and corresponding personal documentary film production. -
Silencing Dissent
Sri Lanka Silencing dissent 7 February 2008 AI Index: ASA 37/001/2008 Amnesty International is an independent worldwide movement of people who campaign for internationally recognized human rights to be respected and protected. It has more than 2.2 million members and supporters in over 150 countries and territories. Published by: Amnesty International International Secretariat Peter Benenson House 1 Easton Street London WC1X ODW United Kingdom © Amnesty International Publications 2008 All rights reserved. This publication is copyright, but may be reproduced by any method without fee for advocacy, campaigning and teaching purposes, but not for resale. The copyright holders request that all such use be registered with them for impact assessment purposes. For copying in any other circumstances, or for re-use in other publications, or for translation or adaptation, prior written permission must be obtained from the publishers, and a fee may be payable. The text of this report is available to download at: www.amnesty.org Title: Sri Lanka: Silencing dissent AI Index: ASA 37/001/2008 Original language: English Printed by: Amnesty International, International Secretariat, United Kingdom Cover images: Protest by media workers and unionists, December 2007. © LankaeNews Embargoed for: 7th February 2008 Map of Sri Lanka © University of Texas Libraries AI Index: ASA 37/001/2008 Amnesty International February 2008 TABLE OF CONTENTS 1. Introduction …………………………………………………………………………… .. 1 2. Background…………………………………………………………… ........................ 3 3. Freedom of Expression: International Standards ................................................ 6 3.1 Restrictions on Freedom of Expression ..................................................... 6 3.2 Sri Lankan Legal Framework …………………………………………………..8 3.3 Emergency Regulations (ERs) .................................................................. 8 3.4 Emergency Regulation (Prevention and Prohibition of Terrorism and Specified Terrorist Activities) No. -
In Post-War Sri Lankan Memory Culture
ABSTRACT ‘LABORS OF MEMORY’ AND ‘GUERILLA-TYPES OF ATTRITION’ IN POST-WAR SRI LANKAN MEMORY CULTURE by Dinidu Priyanimal Karunanayake Speaking of Sri Lanka’s civil war against the Liberation Tigers of Tamil Eelam, Ananda Abeysekara observes an authorization of a power dynamic between Buddhism, the state head, and the nation. The official end of the war on May 19, 2009 has reaffirmed this religio- national power grid. Correspondingly, the religious fervor has become an indispensable ingredient in post-war memory culture. This thesis concentrates on state-sanctioned memory work and the ways in which it is resisted by artists who draw from memories of trauma. Using Sarath Weerasekara’s Gamani (2011), this thesis explores the “uses and abuses” of memory (Jelin) in the state–sponsored post–war cinema. The thesis also examines how this hegemonic memory narrative is deconstructed, through a close reading of Sanjeewa Pushpakumara’s Flying Fish (2011), and engages with the work of artists Thamotharapillai Sanaathanan and Bandu Manamperi. It thus shows how memories are merged with a quest for justice. ‘LABORS OF MEMORY’ AND ‘GUERILLA-TYPES OF ATTRITION’ IN POST-WAR SRI LANKAN MEMORY CULTURE A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English by Karunanayake Pathirannehelage Dinidu Priyanimal Miami University Oxford, Ohio 2014 Advisor________________________ Professor Nalin Jayasena Reader_________________________ Professor Anita Mannur Reader_________________________ -
Final Public Appeal English.Indd
A Public Appeal By Artistes, Intellectuals & Social Activists t is our considered view that our country at present is facing a serious crisis of many Meanwhile, public services such as free health and free education are in a state of utter chaos.With dimensions.I The crisis should not be allowed to continue, if we want our country to progress. the collapse of the rule of law,Sri Lanka has become a land of crimes and impunity. Furthermore, the worsening of Human Rights record is unprecedented. Country’s constitution and the system of Hidden beneath the superfi cial development being carried out by the government through its various governance are no better. infrastructure projects, which are funded by costly foreign loans, is the reality of the erosion of the economic well being of the people. The government is also facing a fi scal crisis, although it is This continuing and widespread chaos in the country is a direct result of the aberrations in concealed from the public. It is with great diffi culty that the government is handling even the day– our system of governance and society.The violent confl icts and bloodbaths produced by these to-day fi scal management. aberrations have only further intensifi ed them. The inter-ethnic and inter-religious relations are also at the point of breaking up. Even fi ve years As citizens who are committed to the common good of our people and to a better tomorrow for after the military defeat of the LTTE, the Tamil people of the North and East have not received the country, we make the following appeal to the government, its constituent political parties and anything matching their legitimate entitlements as equal citizens of our country.Instead, they have the opposition parties: Please dedicate yourselves for a new democratic constitution and a system fallen from the frying pan to fi re, compelling them to live in a militarized society where they have of governance by abolishing the executive presidential system with its unbridled powers in order been robbed of their freedom and human dignity. -
Signis 2018 Surpasses Grandeur
Award winners of SIGNIS 2018 with their awards. Pictures by Sarath Peries. Archbishop of Colombo Malcolm Cardinal Ranjith lighting the oil lamp Best film actor – Jackson Anthony CHANNA BANDARA WIJEKOON tures. The youth must indulge in redibility and filmmaking by adhering to their innovation individual philosophies. Yet are endemic their thinking processes should attributes of be updated constantly in line SIGNIS Salu- with old traits of botanical cul- Ctation Tele -Cinema ture. On scientifically grasping Awards. The authentici- these facts with knowledge SIGNIS 2018 SURPASSES GRANDEUR ty of SIGNIS awards updating, our contemporary Best film actress – Samanalee Fonseka (Premaya Nam) has been endorsed by filmmakers could make films all Sri Lankans includ- with an international appeal”, ing the cinema fraterni- said Jackson. ty. He added, “Cinema being one The 41st edition of SIGNIS attribute of the big picture of awards staged at the BMICH on culture too has a world map. We August 25 surpassed mere splen- identify cultural diversity in cin- dour to bring fresh hopes to the ema as American cinema, Indian local cinema. cinema, French cinema, Iranian SIGNIS 2018 was championed cinema, and so forth and so on. by Rev Fr Lal Pushpadewa Fer- We further subdivide more het- nando OMI, President - SIGNIS erogeneous segments in world Sri Lanka and Media Spokesper- cinema culture as regional and son for the Catholic Church Sri linguistic. For example, we Lanka. divide western cinema as Eng- The event was graced by His lish, French, German or Russian Best supporting actor (Tele-drama) Best tele-drama director – Ananda Abeynayake Best film director – Vimukthi Jayasundara Senior film actress Sumana Amarasinghe felicitated Eminence, Malcolm Cardinal cinema, emphasizing on lan- – Ananda Kumara Unnahe (Bedde Kulavamiya) (Sulanga Gini Aran) with SIGNIS International Lifetime Homage award Ranjith, Archbishop of Colombo, guage. -
Le Cambodge Qu’Il Choisit De Montrer Vu Du Bord De Mer, De Phnom Penh La Capitale, L’Occident
Sommaire Palmarès – Vesoul 2011 3 Le jury Langues O’ 4 Le mot du Président de l’INALCO 5 COMPÉTITION : VISAGES DES CINÉMAS D’ASIE CONTEMPORAINS Addicted to Love de Liu Hao par Corinne Ailliot et Philippe Desvalois 6 Wang Liang's Ideal de Gao Xiongjie par Stefano Centini 7 Susa de Rusurdan Pirveli par Sarah Richardot et Kate Chaillat 8 ° Riding the Dreams de Girish Kasaravalli par Damien Tridant 9 1 7 Running Among the Clouds de Amin Farajpoor par Emma Quercy et Philippe Desvalois 10 Limbunan de Gutierrez Mangansakan II par Kate Chaillat 11 FESTIVAL INTERNATIONAL Une Asie centrale électrique ! par Justine Meignan 12/13 Haru’s Journey de Masahiro Kobayashi par Philippe Desvalois 14 DES CINÉMAS D’ ASIE DE VESOUL FAMILLES D’ASIE Une famille chinoise de Wang Xiaoshuai par Eva Merkel 15 8 au 15 FÉVRIER 2011 Serbis de Brillante Mendoza par Maïté Fréchard 16 Serbis de Brillante Mendoza par Chandrasekhar Chatterjee 17 BILAN Changement au village de Lester James Peries par Véronique Halperin 18 REGARD SUR LE CINÉMA CORÉEN Le Mûrier de Lee Doo-yong par Hélène Kessous 19 Noël en Août de Hur Jin-Ho par Marion Gilbert 20 J.S.A.: Joint Security Area de Park Chan-Wook par Hélène Kessous et Cécile Jeune 21 Memories of Murder de Bong Joon-Ho par Stefano Centini 22 FRANCOPHONIE D’ASIE : CAMBODGE Le cinéma cambodgien des années 1960-1975 par Suppya Hélène NUT 23 Norodom Sihanouk, deux films du roi cinéaste par Hélène Kessous 24/25 La Terre des âmes errantes de Rithy Pahn par Antoine De Mena 26 Les gens d’Angkor de Rithy Panh par Julie Blot et Morgane Iat 27 Programmes de courts métrages cambodgiens par Sarah Richardot 28/29 COMPÉTITION : DOCUMENTAIRES Le Veilleur de Céline Dréan par Stéphane Londéro 30 Prix Langues O’ : Addicted To Love (Lao Na) de Liu Hao (Chine, 2010, 112mn) Remerciements 31 2 Palmarès – Vesoul 2011 Le jury Langues O’ CYCLO D'OR D'HONNEUR offert par la ville et l'agglomération de Vesoul à M.