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Commencement 2006-2011
2009 OMMENCEMENT / Conferring of Degrees at the Close of the 1 33rd Academic Year Johns Hopkins University May 21, 2009 9:15 a.m. Contents Order of Procession 1 Order of Events 2 Divisional Ceremonies Information 6 Johns Hopkins Society of Scholars 7 Honorary Degree Citations 12 Academic Regalia 15 Awards 17 Honor Societies 25 Student Honors 28 Candidates for Degrees 33 Please note that while all degrees are conferred, only doctoral graduates process across the stage. Though taking photos from vour seats during the ceremony is not prohibited, we request that guests respect each other's comfort and enjoyment by not standing and blocking other people's views. Photos ol graduates can he purchased from 1 lomcwood Imaging and Photographic Services (410-516-5332, [email protected]). videotapes and I )\ I )s can he purchased from Northeast Photo Network (410 789-6001 ). /!(• appreciate your cooperation! Graduates Seating c 3 / Homewood Field A/ Order of Seating Facing Stage (Left) Order of Seating Facing Stage (Right) Doctors of Philosophy and Doctors of Medicine - Medicine Doctors of Philosophy - Arts & Sciences Doctors of Philosophy - Advanced International Studies Doctors of Philosophy - Engineering Doctors of Philosophy, Doctors of Public Health, and Doctors of Masters and Certificates -Arts & Sciences Science - Public Health Masters and Certificates - Engineering Doctors of Philosophy - Nursing Bachelors - Engineering Doctors of Musical Arts and Artist Diplomas - Peabody Bachelors - Arts & Sciences Doctors of Education - Education Masters -
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OCT.OCT. 21-27,21-27, 20112011 CURRENTSURRENTS CThe News-Review’s guide to arts, entertainment and television HOPHOPtoto itit UmpquaUmpqua BrewBrew FestFest plansplans secondsecond yearyear ofof musicmusic andand beerbeer MICHAEL SULLIVAN/The News-Review INSIDE: What’s Happening/3 Calendar/4 Book Review/10 Movies/11 TV/15 Page 2, The News-Review Roseburg, Oregon, Currents—Thursday, October 20, 2011 MUSIC Some sales from Bieber’s new CD to go to charity FREE NEW YORK (AP) — Justin Bieber is in the holiday spirit: The singer is the first artist on the Universal Music roster to have part of his album sales Air & Duct Sealing benefit charity. Partial sales from “Under the Mistletoe,” his Christmas album that is out Nov. 1, will No catches, No out-of-pocket costs…just savings! go to various charities, includ- ing Pencils of Promise and the Make-A-Wish Foundation. “Universal never actually allowed money from the If you are Pacifi c Power Customer who owns or rents a album to go to charity, so it’s kind of a unique thing and I’m very happy and proud of what we’ve done,” the 17-year-old said in an interview from Manufactured Home Lima, Peru, on Monday. Universal Music Group in with electric heat, then we can help. the parent company to labels like Interscope Records and Island Def Jam Music Group. Over 90% of new and old homes tested have costly air leaks “holes” in their Its roster includes Eminem, Rihanna, Kanye West and heating/cooling ductwork resulting in higher utility bills and reduced home Lady Gaga. -
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NEWS Local news and entertainment since 1969 Gadsden student reels in scholarship page 3 FRIDAY, FEBRUARY 12, 2021 I Volume 53, Number 7 I lascrucesbulletin.com NEWS Birth near Cookies for community heroes ‘A’ Mountain page 11 NEWS Clarence Fielder remembered on radio page 15 A&E PHOTO COURTESY NEW MEXICO FARM AND RANCH HERITAGE MUSEUM LIVESTOCK MANAGER GREG BALL Area photographers This Hereford, born in January at New Mexico Farm and Ranch Heritage Museum (FRHM), is among several calves that hit the dirt while the museum was closed. take awards The New Mexico Department of Cultural Affairs (DCA) has re-opened the state’s eight museums — including the FRHM at 4100 Dripping Springs Road in Las Cruces — and seven historic sites in accordance with COVID-safe practices and public health measures to protect the well-being of patrons. Hours at FRHM are page 20 10 a.m.-4 p.m. Monday-Saturday. 2 | FRIDAY, FEBRUARY 12, 2021 LAS CRUCES BULLETIN LAS CRUCES BULLETIN NEWS FRIDAY, FEBRUARY 12, 2021 | 3 Gadsden student reels in prestigious scholarship By JESS WILLIAMS hands-on. It's a job I know Las Cruces Bulletin ‘“I’m deeply honored to receive I will be happy with, be- the Horatio Alger scholarship, cause it's something I am Damian Trevino, a very passionate about. All Gadsden High School because it will help me continue my hard work is so I can student from Berino, is be able to get paid doing one of 106 students from my education after high school, what I love, and that's across the country to what will happen.” receive a $25,000 college which is something not many He said his newfound scholarship from the motivation has a lot to do Horatio Alger Association people get the chance to do.’ with a challenging family of Distinguished Ameri- life. -
RETROBACK 2013 DPTO. PRENSA: Carmen R. Novi. Tlf: 958 250 279 Móvil: 655 547 493 [email protected]
RETROBACK 2013 DPTO. PRENSA: Carmen R. Novi. Tlf: 958 250 279 móvil: 655 547 493 [email protected]/www.retroback.info RETROBACK 2013 DEL 22 DE FEBRERO AL 3 DE MARZO El Festival de Cine Clásico de Granada, Retroback, llega a su quinta edición y lo hace de la mano del Conde Drácula. Como ya se anunciara en su día, el eje del festival se aparta momentáneamente de los grandes mitos de la actuación para adentrarnos en un personaje que ha tenido mil caras a lo largo de la historia del cine, siempre partiendo de la novela de Bram Stoker y cuando se han cumplido 100 años de su muerte. El creciente y renovado interés por el vampirismo nos ha llevado a plantear de forma diferente nuestra programación, adentrándonos en un fenómeno que puede abrir más aun el abanico de público que llena nuestras salas, un objetivo que vamos cumpliendo edición a edición y que nos va dotando de esta ecléptica identidad. Además de este gran recorrido cinematográfico Retroback tendrá diversas actividades paralelas dedicadas a Drácula y los Vampiros. Exposiciones, teatro, literatura y música en torno al mito del Príncipe de la Noche que serán un complemento ideal tanto para neófitos como amantes del género. Como broche final a este gran homenaje al personaje creado por Stoker, su sobrino biznieto Dacre Stoker nos acompañará en esta especial edición. Continuador de la obra del legendario literato, Dacre Stoker presentó en 2009 su primera novela “Drácula, el no muerto” tomando el testigo familiar en la divulgación de la memoria de Bram Stoker y su obra. -
An Interviewwith Keith Laumer
No. 45 February 1973 An Interview With Keith Laumer Why science fiction? Well, I write science fiction because the kind of story I like to write is called science fiction by those who like to read them. I’ve always been intrigued by subjects such as astronomy, archaeology, historical geology, etc., and by the possibilities inherent in technology. How I write? I always start my plots from the middle. That is, the nucleus of the idea usually comes into my mind in the form of a scene, a situation involving a character. This, of course, is a situation which interests me. I then build backwards to discover how the character got into this situation. Thereafter, I examine the situation for its true significance; the thing that made it seem meaningful or provocative to me in the first place. The significance arising from the climactic situation comprises the conclusion of the story. A good plot is one that holds the interest of the reader, a bad plot is one that doesn’t. I sometimes write an outline for a novel when it’s required in order to sign a contract. Thereafter I ignore the outline almost completely. I’m always eager to get back to work on a novel in progress because I want to find out what happens next. Sometimes I introduce novelty into the story by switching roles; the character who had been ear-marked as the villain, I turn into the good guy and vice versa. I have sometimes been surprised to have a reader announce that something was obvious from the beginning of the story when it was far from obvious to me when I was writing it. -
Commencement
WAKE FOREST UNIVERSITY Commencement THE GRADUATION EXERCISES MONDAY, MAY THE SEVENTEENTH TwO THOUSAND AND TEN T HE GRADUA T ION EXE R C ISE S M OND AY, M AY THE SEVEN T EEN TH TWO THO U SAND AND TEN N INE O’C LOCK IN THE MORNING T H OMAS K. HE ARN, JR. PLAZA THE CARILLON: “Nederlandse Volksliederen” ....................................................Dutch Folk Tune Lauren Rae Bradley (’05), University Carillonneur THE PROCESSIONAL ....................................................................e Brass Ensemble THE WELCOME ........................................................................... Nathan O. Hatch President THE PRAYER OF INVOCATION ..............................................e Reverend Timothy L. Auman University Chaplain THE HYMN: “Praise the Source of Faith and Learning” ...............................................AUSTRIA Led by e Concert Choir 1. Praise the Source of faith and learning 3. May our faith redeem the blunder who has sparked and stoked the mind of believing that our thought with a passion for discerning has displaced the grounds for wonder how the world has been designed. which the ancient prophets taught. Let the sense of wonder owing May our learning curb the error from the wonders we survey which unthinking faith can breed keep our faith forever growing and together seek to better and renew our need to pray: all humankind of every creed. 2. God of wisdom, we acknowledge 4. As two currents in a river that our science and our art ght each other’s undertow and the breadth of human knowledge ’til converging they deliver only partial truth impart. one coherent steady ow. Far beyond our calculation Blend, O God, our faith and learning lies a depth we cannot sound ’til they carve a single course, where your purpose for creation ’til they join as one, returning and the pulse of life are found. -
Blaxploitation Unchained
Hugvísindasvið Blaxploitation Unchained An historical analysis of Blaxploitation and how Django Unchained fits within the Blaxploitation cycle. Ritgerð til BA prófs í ensku Marvin Lee Dupree Febrúar 2014 Háskóli Íslands Hugvísindasvið Enska Blaxploitation Unchained An historical analysis of Blaxploitation and how Django Unchained fits within the Blaxploitation cycle. Ritgerð til BA prófs í ensku Marvin Lee Dupree Kt.: 2806804439 Leiðbeinandi: Martin Regal Febrúar 2014 Abstract The main aim of this thesis is to examine Django Unchained within the context of the Blaxploitation cycle of films. Although this film was automatically assumed, by many to belong to this genre, it does not fit easily within such a rigid label. Indeed, it has been suggested that its director, Quentin Tarantino, a well-known film connoisseur, is paying homage to Blaxploitation. This essay attempts to critique Django Unchained and present the film in a new light by examining the history and genealogy of Blaxploitation films. This is carried out by first identifying the tropes and characteristics of Blaxploitation films and thereby more clearly delineating their generic borders. In addition, the essay examines the sociocultural background out of which these films sprung forth, that is to say from early cinema and the Hollywood studio system. Finally, since the terminology of Blaxploitation is itself problematic, it was crucial to take a thematic approach heavily influenced by notions of intertextuality, as well as to include a historical appendix to assist with the interpretation. Table of Contents Introduction ....................................................................................................................... 2 Chapter I: Early cinematic portrayals of African-American individuals. .................. 4 Chapter II: The Precursor to Blaxploitation: Sidney Poitier or “They call me MISTER Tibbs!” ............................................................................................................