Postanarchism in a Nutshell
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Virilio – Art and Fear
ART AND FEAR Paul Virilio Translated by Julie Rose continuum This work is published with the support of the French Ministry of Culture - Centre National du Livre. This book is supported by the French Ministry for Foreign Affairs, as part of the Burgess programme headed for the French Embassy in London by the Institut Français du Royaume- Uni. Liberté • Égalité • Fraternité RÉPUBLIQUE FRANÇAISE Continuum The Tower Building 80 Maiden Lane 11 York Road Suite 704 London SE1 7NX New York, NY 10038 www.continuumbooks.com First Published in France 2000 under the title La Procedure silence © 2000 Editions Galilee English translation © 2003 Julie Rose (Introduction © 2003 John Armitage) English translation first published 2003 by Continuum This edition published 2006 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN 0-8264-8796-3 Typeset by BookEns Ltd, Royston, Herts. Printed and bound in Great Britain by MPG Books, Cornwall Contents Translator's preface vii Art and Fear: an introduction 1 John Armitage A Pitiless Art 15 Silence on Trial 35 Notes 51 Bibliography 55 Index 57 v This page intentionally left blank Translator's preface Immediately after September 11 - an event that did not take him by surprise - people who had always dismissed Virilio as a pessimist started plaguing him for interviews. -
Speed and Politics
SPEED AND POLITICS Paul Virilio Translated by Marc Polizzotti <e> SEMIOTEXT (E) FOREIGN AGENTS SERIES Oiginally published in 1977 as "Vitesse et Politique," Edition Galilee, Paris. Copyright © 1977 Paul Virilio Copyright© 2006 Semiotext(e) Translation © Semiotext(e) and Mark Polizzotti All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means, electronic, mechanical, photo copying, recording, or otherwise, without prior permission of the publisher. Published by Semiotext(e) 2007 Wilshire Bl".d., Suite 427, Los Angeles, CA 90057 www.semiotexte.com Special thanks to Nicholas Zurko and Mark Polizzotti. Cover: Map of Paris published in 1847 depicting Baron Georges Eugene Haussman's plan to transform Paris into "the capital of capitals." In red are the networks of new streets and boulevards and in green are the parks. Courtesy of the New York City Public Library. Back Cover Photography: Sylvere Locringer Design: Hedi EI Kholti ISBN-10: 1-58435-040-7 ISBN-13: 978-1-58435-040-8 Distributed by The MIT Press, Cambridge, Mass. and London, England Printed in the United States of America Contents Introduction: Logistics of Habitable Circulation 7 PART 1. THE DROMOCRATIC REVOLUTION 27 1. From Street Fight to State Right 29 2. From Highway Right to State Right 49 PART 2. DROMOLOGICAL PROGRESS 59 1. From Space Right to State Right 61 2. Practical War 73 PART 3. DROMOCRATIC SOCIETY 81 1. Unable Bodies 83 2. The Boarding of Metabolic Vehicles 96 3. The End of the Proletariat 115 4. The Consumption of Security 136 PART 4. -
Anarchy in the PA? Anti-Essentialism, Anti-Statism, and the Future of Public Administration
CONFERENCE DRAFT This paper is not intended for general circulation and may not be cited without the permission of the author. Anarchy in the PA? Anti-Essentialism, Anti-Statism, and the Future of Public Administration Thomas J. Catlaw Assistant Professor School of Public Affairs Arizona State University 411 North Central Avenue Mail Code 3720, Suite 450 Phoenix, AZ 85004 Email: [email protected] Phone (602) 496-0459 Paper prepared for presentation at the “Public Administration and Anti-Essentialism” Conference, Florida Atlantic University, Fort Lauderdale, FL—March 2-3, 2007 Introduction Authority has been an ongoing focus of scholarly and intellectual investigation for nearly entirety of modern social science. In sociology, this concern can be tracked from Weber’s famous typologies and Durkheim’s exposition of anomie, a state induced by the decline of regulative authority relations, through the 1960’s “twilight of authority” (Nisbet, 1975) and the contemporary declaration of a “post-traditional” order (Giddens, 1994). Authority has also received enormous consideration in political science and political philosophy (Agamben, 2005; Arendt, 1958; Benne, 1943; DeGeorge, 1985; Engles, 1978; Flathman, 1980; Friedrich, 1972; Laski, 2000/1919; Lowi, 1970; McKercher, 1989), anthropology (W. B. Miller, 1955; Turner, 1969), organizational sociology (Blau, 1968; Dalton, Barnes, & Zaleznik, 1973/1968; Meyer, 1972), psychology (Kelman & Hamilton, 1989), and a wide range of provocative interdisciplinary legal, political, and psychological perspectives (Diggins & Kann, 1981; Friedrich, 1958; Horkheimer, 1972; Lincoln, 1994; Pennock & Chapman, 1987; Sennett, 1980). The literature on the topic is internally contradictory and voluminous—not withstanding the fact that consideration of authority readily expands into equally nebulous and complex concepts such as power, legitimacy, the state, and the nature of social order itself with no obvious analytic or historical limit. -
Time War: Paul Virilio and the Potential Educational Impacts of Real-Time Strategy Videogames
Philosophical Inquiry in Education, Volume 27 (2020), No. 1, pp. 46-61 Time War: Paul Virilio and the Potential Educational Impacts of Real-Time Strategy Videogames DAVID I. WADDINGTON Concordia University This essay explores the possibility that a particular type of video game—real-time strategy games—could have worrisome educational impacts. In order to make this case, I will develop a theoretical framework originally advanced by French social critic Paul Virilio. In two key texts, Speed and Politics (1977) and “The Aesthetics of Disappearance” (1984), Virilio maintains that society is becoming “dromocratic” – determined by and obsessed with speed. Extending Virilio’s analysis, I will argue that the frenetic, ruthless environment of real-time strategy games may promote an accelerated, hypermodern way of thinking about the world that focuses unduly on efficiency. Introduction Video games have been a subject of significant interest lately in education. A new wave of momentum began when James Paul Gee’s book, What Video Games Have to Teach Us About Learning and Literacy (2003a), was critically acclaimed, and was followed by a wave of optimistic studies and analyses. In 2010, a MacArthur Foundation report, The Civic Potential of Video Games, built on this energy, drawing on large-scale survey data to highlight the possibility that games that certain popular types of video games might promote civic engagement in the form of increased political participation and volunteerism. The hypothesis that video games, a perpetual parental bête-noire and the site of many a sex/violence media panic, might actually be educationally beneficial, has been gathering steam and is the preferred position of most educational researchers working in the field. -
French Theory
FLUSSER STUDIES 31 Martha Schwendener Flusser and French Theory “Saussure did not impress me.”1 So wrote Flusser in the 1969 essay “In Search of Meaning (Philosoph- ical Self-portrait),” before he returned to Europe and settled for the last decades of his life in France. Rather than Francophone writers – and particularly Saussure, the linguist and figurehead of a strain of language philosophy that would guide French thought in the twentieth century – Flusser acknowledged a host of other thinkers: Kant, Camus, José Ortega y Gasset, Nietzsche, Cassirer, Cohen, Hartmann, the entire Marburg School, the Viennese School, Bertrand Russell, Wittgenstein, and Heidegger, Joyce, Pound, Eliot, Goethe, Thomas Mann, and particularly Kafka and Rilke. In other words, practically anything but French writers. However, the last two decades of Flusser’s life brought him in close con- tact with French thinkers, from Abraham Moles to Jean Baudrillard. Moreover, his increasing contact with German media theory and the U.S. art world, which was besotted with French “theory” (a desig- nation I will explain in a moment) were crucial to his legacy. Paradoxically, even though Flusser’s reception lagged in France, I would argue that his importance is in large part due to the avenues opened up by French theory and the “model” – one of Flusser’s favorite terms – for his own visionary thinking. First, French “theory.” Anaël Lejeune, Olivier Mignon, and Raphaël Pirenne write that French theory refers “roughly to the structuralist and post-structuralist thought that developed in France from the 1960s to the 1980s” and which should be differentiated from “French thought.”1 French theory, as opposed to French thought, offered a degree of heterogeneity and intellectual freedom – which is why it was largely adopted by radical thinkers, in the vein of Flusser. -
Toward an Ontology of the Interface
G e n e r a l n o t e Toward an Ontology of the Interface Identifying the Interface as a Mediation Entity C risti n A S á The interface is more than an assemblage of processes and effects; it is Interface is defined within the theoretical framework more than a pure relational instance. The interface can be identified as of mediation and experience [3]. According to Kittler [4], an entity in itself and in relation to other entities. In this article, the author from Aristotle onward ontological studies have dealt only presents an ontological work on the interface, defining what it is and ABSTRACT how it exists, and discussing its relation to other entities. The interface with things—their matter and form—and not with the rela- is defined both abstractly as a mediation complex—by identifying tions between things in time and space, therefore leaving characteristics present in its multiple instantiations—and in relation to mediating entities out of such studies. Because I study the other entities—by observing the case of the human-computer interface. interface as a mediating entity, we must begin our discussion by defining the interface and describing its relationships in space-time (and matter, which can no longer be separated The interface is a system or device through which nonrelated from space and time). entities can interact [1]. From this definition, I conclude that the interface must have some characteristics that are com- What IS An InTeRface? mon to each of the entities it puts in connection, since it Definitions of interface often consider its space and actions must communicate with each of them. -
Egoism and the Post-Anarchic: Max Stirner's New Individualism
CALIFORNIA STATE UNIVERSITY SAN MARCOS THESLS SIGNATURE PAGE Tl IESIS SUBMITTED IN PARTIAL FULFILLMENT OF Tl IE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS IN LITERA TUR.E AND WRITING STUDIES THESIS TJTLE: Egoism and the Post-Anarchic: Max Stimer's New Individualism AUTHOR: Kristian Pr'Out DATE OF SUCCESSFUL DEFEN E: May 911' 2019 --- THE THESIS HAS BEEN ACCEPTED BY THE THESIS COMMITTEE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LITERATURE AND WRITING STUDIES. Oliver Berghof August 5, 2019 TIIESIS COMMITTEE CHAIR DATE Francesco Levato 8/5/19 TIIESIS COMMITTEE MEMBER DATE Heidi Breuer �-11 THESIS COMMITTEE MEMBER DATE Pr’Out 1 Egoism and the Post-Anarchic: Max Stirner’s New Individualism Kristian Pr’Out Pr’Out 2 Table of Contents Preface 3 Chapter 1 Max Stirner: Biographers and Interpreters 13 Stirner and The Dialectic: A Genealogy of Liberalism 23 Fichte and the Unique One: Speaking the Intangible 32 Chapter 2 Stirner and the Case for Anarchism 39 Stirner’s Egoism Meets Classical Anarchism 48 Welsh’s Dialectical Egoism and Post-Anarchist Individualism 64 Chapter 3 May 1968 and Its Impact 67 Post-Anarchism: A Contemporary Theoretical Model 82 Narrative and the Critique of Modernity 89 ‘Ownness,’ Power, and The Material 92 Conclusion: A Revenant Returns 102 Bibliography 104 Pr’Out 3 Preface In the 19th century, the influence of Georg W. F. Hegel was widespread. His works influenced anarchists, communists, the moderately liberal, and the staunchly traditional. In Hegel’s Phenomenology of Spirit (1977), history operates in certain movements - namely, that of a world spirit that ushers in new and different epochs (6-7). -
Anarchy and Anti-Intellectualism: Reason, Foundationalism, and the Anarchist Tradition Joaquin A
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 6-23-2016 Anarchy and Anti-Intellectualism: Reason, Foundationalism, and the Anarchist Tradition Joaquin A. Pedroso [email protected] DOI: 10.25148/etd.FIDC000744 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Philosophy Commons, and the Political Theory Commons Recommended Citation Pedroso, Joaquin A., "Anarchy and Anti-Intellectualism: Reason, Foundationalism, and the Anarchist Tradition" (2016). FIU Electronic Theses and Dissertations. 2578. https://digitalcommons.fiu.edu/etd/2578 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida ANARCHY AND ANTI-INTELLECTUALISM: REASON, FOUNDATIONALISM, AND THE ANARCHIST TRADITION A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in POLITICAL SCIENCE by Joaquin A. Pedroso 2016 To: Dean John F. Stack, Jr. Steven J. Green School of International and Public Affairs This dissertation, written by Joaquin A. Pedroso, and entitled Anarchy and Anti- Intellectualism: Reason, Foundationalism, and the Anarchist Tradition, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this dissertation and recommend that it be approved. _______________________________________ Paul Warren _______________________________________ Bruce Hauptli _______________________________________ Ronald Cox _______________________________________ Harry Gould _______________________________________ Clement Fatovic, Major Professor Date of Defense: June 23, 2016 The dissertation of Joaquin A. -
From Modernism to Hypermodernism and Beyond an Interview with Paul Virilio
From Modernism to Hypermodernism and Beyond An Interview with Paul Virilio John Armitage Postmodernism and Hypermodernism JA: Professor Virilio, I would like to begin by charting your place within the contemporary intellectual landscape.1 For instance, your work is closely associated with the cultural movement known as postmodernism. Certainly, your most recently translated study Open Sky (1997 [1995]) is being received as such in the English-speaking world.2 However, you have always been sceptical of the idea of postmodernism. Could you explain the basis of your critique of this concept? PV: Postmodernism is a notion that makes sense in architecture, through the work of [Robert] Venturi (Venturi et al., 1977) and so on. Since I am teaching architecture, to me, postmodernism is a `suitcase' word, a syncret- ism. In architecture it is a clear-cut phenomenon: styles are mixed up, history is ignored, one goes for a `melting pot' of approaches. But as far as thought is concerned, thought as developed in the years 1970±80, I simply cannot understand why people are talking about postmodernism. Post- structuralism? Yes, OK. Postmodernism? It doesn't make any sense to me. Hence, I do not feel linked at all with postmodernity. Moreover, as a teacher in a college of architecture, I believe postmodernism was a catastrophe in the history of modern architecture. Therefore there is no linkage between me and postmodernism. I know that many people tend to associate post- modernism with relativism, especially with cognitive relativism. Well, this is a new polemic that is cropping up, especially here in France, and which does not concern, let alone interest me in the slightest measure. -
Editorial: Postanarchism
Editorial: Postanarchism SAUL NEWMAN Postanarchism is emerging as an important new current in anarchist thought, and it is the source of growing interest and debate amongst anarchist activists and scholars alike, as well as in broader academic circles. Given the number of internet sites, discussion groups, and new books and journal publications appearing on postanarchism, it is time that the challenges it poses to classical anarchist thought and practice are taken more seriously. Postanarchism refers to a wide body of theory – encompassing political theory, philosophy, aesthetics, literature and film studies – which attempts to explore new directions in anarchist thought and politics. While it includes a number of different perspectives and trajectories, the central contention of postanarchism is that classical anarchist philosophy must take account of new theoretical directions and cultural phenomena, in particular, postmodernity and poststructuralism. While these theoretical categories have had a major impact on different areas of scholarship and thought, as well as politics, anarchism tends to have remained largely resistant to these developments and continues to work within an Enlightenment humanist epistemological framework1 which many see as being in need of updating. At the same time, anarchism – as a form of political theory and practice – is becoming increasingly important to radical struggles and global social movements today, to a large extent supplanting Marxism. Postanarchism seeks to revitalise anarchist theory in light of these new struggles and forms of resistance. However, rather than dismissing the tradition of classical anarchism, postanarchism, on the contrary, seeks to explore its potential and radicalise its possibilities. It remains entirely consistent, I would suggest, with the libertarian and egal- itarian horizon of anarchism; yet it seeks to broaden the terms of anti-authoritarian thought to include a critical analysis of language, discourse, culture and new modalities of power. -
UNIVERSITY of CALIFORNIA RIVERSIDE the Fantasy and Fear
UNIVERSITY OF CALIFORNIA RIVERSIDE The Fantasy and Fear of Chernobyl’s Ruins A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Masha Rotfeld June 2012 Thesis Committee: Dr. Patricia Morton, Chairperson Dr. Susan Laxton Dr. Elizabeth Kotz Copyright by Masha Rotfeld 2012 The Thesis of Masha Rotfeld is approved: ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ Committee Chairperson University of California, Riverside ACKNOWLEDGMENTS My first acknowledgment is to my mother, Marina Kibrik, who instilled in me an unfaltering penchant for art and history and the curiosity that accompanies such learning. For the inspiration and encouragement they gave me as role models and mentors in the subsequent stage of my education, I would like to thank my undergraduate professors, Dr. Andrea Pappas and Dr. Blake de Maria. I feel deeply grateful to my advisor Dr. Patricia Morton for her guidance, patience, and endless insight. I would also like to recognize the two members of my thesis committee, Dr. Susan Laxton, and Dr. Elizabeth Kotz. I am grateful to my committee for choosing to share with me their keen knowledge of photography, architecture, and critical theory. Additionally, I would like to acknowledge several other faculty members in UCR’s History of Art department: Dr. Françoise Forster-Hahn for her course-altering thesis advice, Professor Erika Suderberg for her enlightening associations about war and memory in Eastern Europe, and Dr. Kristoffer Neville for personally extending his encouragement. I have truly appreaciated the Department of the History of Art at UC Riverside for their overall diligence and organization in ensuring the students’ success. -
PDF Download War and Cinema the Logistics of Perception 1St Edition
WAR AND CINEMA THE LOGISTICS OF PERCEPTION 1ST EDITION PDF, EPUB, EBOOK Paul Virilio | 9781844673469 | | | | | War and Cinema The Logistics of Perception 1st edition PDF Book Matt rated it really liked it Oct 21, This book isn't that up to date with current technologies, but the evolution of the way we see is already there in the text. Dec 29, Skidmarquez rated it really liked it Recommends it for: anyone. Verso Books. Return to Book Page. I found myself stopping between chapters to watch old silent movies or talkies that I have missed to get a better understanding of what Virilio was so masterfully revealing to the reader. Paris , France. L'Administration de la Peur. Wars Paperback Nonfiction Books. He examines in parallel the ideas of strategists and directors, along with views on war and cinema of writers from Apollinaire to William Burrroughs. Like some other cultural theorists, he rejects labels - including 'cultural theorist' - yet he has been linked by others with post-structuralism and postmodernism. The Administration of Fear. He also notes that Virilio does not pass the grade in academic studies :. But those colossal war epics are an attempt, I think, to give modern battle its due, representing it not just at the squad level, but showing commanders making operational decisions, code-breaking, reconnaissance, resistance fighters, battles in multiple towns, everything taking place across hundreds of miles, etc. Cinema And Desire. Dec 24, Tosh rated it really liked it. Stock photo. Some people describe Virilio's work as being positioned in the realm of the 'hypermodern'. New other : Lowest price The lowest- priced item in unused and unworn condition with absolutely no signs of wear.