Middle Eastern Literature Resources and Recommendations: Compiled
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Iraqi Literary Response to the US Occupation
Countering the Sectarian Metanarrative: Iraqi Literary Response to the US Occupation Chad Day Truslow Waynesboro, Virginia B.A. in International Relations & History, Virginia Military Institute, 2008 M.A. in Business Administration, Liberty University, 2014 A Thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Master of Arts Department of Middle Eastern and South Asian Languages and Cultures University of Virginia December, 2019 1 Abstract Sectarian conflict is a commonly understood concept that has largely shaped US foreign policy approach to the region throughout the modern Middle East. As a result of the conflict between Shia and Sunni militias in Iraq and the nature of Iraqi politics since 2003, many experts have accepted sectarianism as an enduring phenomenon in Iraq and use it as a foundation to understand Iraqi society. This paper problematizes the accepted narrative regarding the relevance of sectarian identity and demonstrates the fallacy of approaching Iraq through an exclusively “sectarian lens” in future foreign policy. This paper begins by exploring the role of the Iraqi intellectuals in the twentieth century and how political ideologies influenced and replaced traditional forms of identity. The paper then examines the common themes used by mid-twentieth century Iraqi literati to promote national unity and a sense of Iraqi identity that championed the nation’s heterogeneity. The paper then surveys the Iraqi literary response to the 2003 invasion in order to explain how some of the most popular Iraqi writers represent sectarianism in their works. The literary response to the US invasion and occupation provides a counter- narrative to western viewpoints and reveals the reality of the war from the Iraqi perspective. -
Ahmed Saadawi, Frankenstein in Baghdad Translated by Jonathan Wright (Penguin, 2018)
Ahmed Saadawi, Frankenstein in Baghdad translated by Jonathan Wright (Penguin, 2018) Baghdad is rocked by war and Iraqis flee the city under the frenetic rampage of American occupation, sectarian violence, and a wilting economy. Hadi, a junk dealer and storyteller of the Bataween neighborhood, scans the scene of a suicide car bombing. Hadi collects more than rubbish: amongst the smoke, dust, and the bloody debris of human bodies, he stoops to pluck the remnants of a nose from the wreckage, wraps it in a canvas sheet, and leaves the scene. Curating the remains of human bodies blasted asunder by suicide bombs, Hadi sutures bloody remnants to form a complete corpse, stowed away in his crumbling flat. Necromania is far from the reason Hadi pursues his gory task: ‘I made it [the corpse] complete so that it wouldn’t be treated as trash, so it would be treated like other dead people and given a proper burial’ (27). The nose from that day’s bombing was the crowning remnant that perfected the corpse. Hadi is peculiarly obsessed with imposing an order of wholeness on his disparate and dispersed corner of the Islamic world. He’s preoccupied with what happens at the periphery of suicide bombings: ‘It [a bomb] cut electricity wires and killed birds. Windows were shattered and doors blown in. Cracks appeared in the walls of the nearby houses, and some old ceilings collapsed. There was unseen damage too, all inflicted in a single moment’ (21). At the periphery of the rubble are human remains that are carelessly regarded as debris by Baghdad emergency teams. -
Myfff2017 the One & Only Online French Film Festival Is Back!
PRESENTS MY FRENCH FILM FESTIVAL .COM JAN 19 - FEB 19, 2018 8TH EDITION É DITORIAUX / E DITORIALS P.4 & 6 M Y F R E NCH F IL M F E ST I VA L P.8 P RIX D É C E RN É S / A WARDS P.10 PLATefORmeS PARTENAIRES / PARTNER PLATFORMS P.12 J URYS / J URI E S P.14 I LS AI me NT L E fe ST I VA L / T H E Y LIK E TH E fe ST I VA L P.18 I ND E X D E S F IL M S / M OVI E IND E X P.19 L A S É L E CTION / T H E S E L E CTION WTF...RENCH!? P.20 HIT THE ROAD! P.32 TEEN STORIES P.38 FRENCH & FURIOUS P.46 LOVE "À LA FRANÇAISE" P.56 NEW HORIZONS P.64 J URYS P R É C É D E NTS / P R E VIOUS J URI E S P.71 U NI F RANC E P.73 P ART E NAIR E S / P ARTN E RS P.74 3 PAOLO SORRENTINO, PRÉSIDENT DU JURY DE MYFRENCHFILMFESTIVAL « Le cinéma français est un point de repère pour les cinéastes du monde entier. Il a toujours été marqué par sa capacité d’expérimentation et de renouveau, et par le soutien qu’il a donné au travail des auteurs. J’aime le cinéma français, surtout celui de François Truffaut : son idée du cinéma a toujours été une source d’inspiration pour moi. -
Horses of God
Jonathan Demme Presents HORSES OF GOD A Film by Nabil Ayouch Moroccan / in Arabic (with English subtitles) / 115 minutes / 16:9 (1.85) / Color A Kino Lorber Release Kino Lorber, Inc. 333 West 39 Street, Suite 503 New York, NY 10018 (212) 629-6880 Publicity Contact: Rodrigo Brandão – [email protected] CAST Yachine Abdelhakim Rachid Hamid Abdelilah Rachid Nabil Hamza Souidek Fouad Ahmed El Idrissi Amrani CREW Directed by Nabil Ayouch Written by Jamal Belmahi Inspired by the novel “The Stars of Sidi Moumen” by Mahi Binebine Presented by Les Films Du Nouveau Monde & Jonathan Demme Producers: Pierre-Ange Le Pogam, Eric Van Beuren, Patrick Quinet, and Nabil Ayouch Executive Producers: Ferantz Richard (Ali n’Films), Marie Kervyn (YC Aligator Film), Stéphane Quinet (Artebis). DP: Hichame Alaouie Sound: Zacharie Naciri and Eric Lesachet Editor: Damien Keyeux Original Soundtrack: Malvina Meinier Set Design: Hafid Emly and Hind Ghazali Costumes: Nezha Dakil Executive Production: LES FILMS DU NOUVEAU MONDE Co-production: ALI N’PRODUCTIONS (Morocco); STONE ANGELS (France) – YC ALIGATOR FILM (Belgium) – ARTEMIS PRODUCTIONS (Belgium) Synopsis: Ten year-old Yachine and his thirteen year-old brother Hamid live in Sidi Moumen, a destitute slum on the outskirts of Casablanca. Days are spent trying to draw some pleasure from their petty existence, in the backdrop of a noxious environment of poverty and violence. Hamid, though just a child, forcefully sustains his unbalanced family by any means. As he hangs out with a bad crowd and becomes one of the local neighborhood bosses, he continues to fiercely protect his younger brother Yachine until the day he is thrown into prison for a few years. -
Academy Invites 774 to Membership
MEDIA CONTACT [email protected] June 28, 2017 FOR IMMEDIATE RELEASE ACADEMY INVITES 774 TO MEMBERSHIP LOS ANGELES, CA – The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 774 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitations will be the only additions to the Academy’s membership in 2017. 30 individuals (noted by an asterisk) have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership. New members will be welcomed into the Academy at invitation-only receptions in the fall. The 2017 invitees are: Actors Riz Ahmed – “Rogue One: A Star Wars Story,” “Nightcrawler” Debbie Allen – “Fame,” “Ragtime” Elena Anaya – “Wonder Woman,” “The Skin I Live In” Aishwarya Rai Bachchan – “Jodhaa Akbar,” “Devdas” Amitabh Bachchan – “The Great Gatsby,” “Kabhi Khushi Kabhie Gham…” Monica Bellucci – “Spectre,” “Bram Stoker’s Dracula” Gil Birmingham – “Hell or High Water,” “Twilight” series Nazanin Boniadi – “Ben-Hur,” “Iron Man” Daniel Brühl – “The Zookeeper’s Wife,” “Inglourious Basterds” Maggie Cheung – “Hero,” “In the Mood for Love” John Cho – “Star Trek” series, “Harold & Kumar” series Priyanka Chopra – “Baywatch,” “Barfi!” Matt Craven – “X-Men: First Class,” “A Few Good Men” Terry Crews – “The Expendables” series, “Draft Day” Warwick Davis – “Rogue One: A Star Wars Story,” “Harry Potter” series Colman Domingo – “The Birth of a Nation,” “Selma” Adam -
International Journal of Language and Literary Studies
International Journal of Language and Literary Studies The Grotesque in Frankenstein in Baghdad: Between Humanity and Monstrosity Volume 2, Issue 1, 2020 Homepage : http://ijlls.org/index.php/ijlls The Grotesque in Frankenstein in Baghdad: Between Humanity and DOIMonstrosity: 10.36892/ijlls.v1i3.71 Rawad Alhashmi The University of Texas at Dallas, USA [email protected] DOI: https://doi.org/10.36892/ijlls.v2i1.120 Received: Abstract 13/01/2020 This paper analyzes Ahmed Saadawi’s Frankenstein in Baghdad (2018) with a special emphasis on the grotesque bodily images of the monster, the novel’s Accepted: 17/03/2020 exploration of justice, and the question of violence. I draw on the theoretical framework of the Russian philosopher and literary critic Mikhail Bakhtin (1895–1975), the ethics philosopher Emmanuel Levinas (1906–1995), and the Keywords: German-American philosopher and political thinker Hannah Arendt (1906– Dystopia; 1975). Saadawi’s unnamed monster, “The Whatsitsname,” comes into being Frankenstein; via an accidental if honorably intentioned act, when the main character, Hadi, Grotesque; Justice; compiles remnant corpses that he finds in the streets of Bagdad into one body Monster; Other; Violence with the aim of conducting “a proper burial” in order to dignify the dead. Interestingly, while the monster is the enemy in the eyes of the Iraqi government, he is a savior for the ordinary people— their only hope of putting an end to the violence and achieving justice. In this paper, I argue that Saadawi draws on the metaphor of Frankenstein’s monster not only to capture the dystopian mood in post-2003 Baghdad, but also to question the tragic realities, and the consequence of war, as well as the overall ramification of colonialism. -
A N N Otated B Ook S R Eceived
A n n otated B ook s R eceived A SUPPLEMENT TO Tran slation R ev iew Volume 23, No. 1–2, 2018 THE UNIVERSITY OF TEXAS AT DALLAS CONTRIBUTORS Linda Snow Stephanie Tamayo Shelby Vincent All correspondence and inquiries should be directed to: Translation Review The University of Texas at Dallas 800 West Campbell Road, JO 51 Richardson, TX 75080-3021 Telephone: 972-883-2093 Fax: 972-883-6303 [email protected] Annota ted B ooks R eceived is a supplement of T ra nsla tion Review, a publication of The Center for Translation Studies at The University of Texas at Dallas. ISSN 0737-4836 Copyright © 2018 by The University of Texas at Dallas The University of Texas at Dallas is an equal opportunity /affirmative action employer. Annotated Books Received — vol. 23.1–2 ANNOTATED BOOKS RECEIVED 23.1 – 2 TABLE OF CONTENTS Albanian ............................................................................................................. 1 Arabic .................................................................................................................. 1 Arabic, French, and Dutch …………………………………………………………… 3 Arabic and Persian …………………………………………………………………… 3 Bulgarian……………………………………………………………………..……...… 4 Catalan………………………………………………………………...……………..… 4 Chinese ................................................................................................................. 5 Croatian ................................................................................................................ 6 Czech………………………………………………………………………………..…… 8 Danish………………………………………………………………………………….… -
NETFLIX – CATALOGO USA 20 Dicembre 2015 1. 009-1: the End Of
NETFLIX – CATALOGO USA 20 dicembre 2015 1. 009-1: The End of the Beginning (2013) , 85 imdb 2. 1,000 Times Good Night (2013) , 117 imdb 3. 1000 to 1: The Cory Weissman Story (2014) , 98 imdbAvailable in HD on your TV 4. 1001 Grams (2014) , 90 imdb 5. 100 Bloody Acres (2012) , 1hr 30m imdbAvailable in HD on your TV 6. 10.0 Earthquake (2014) , 87 imdb 7. 100 Ghost Street: Richard Speck (2012) , 1hr 23m imdbAvailable in HD on your TV 8. 100, The - Season 1 (2014) 4.3, 1 Season imdbClosed Captions: [ Available in HD on your TV 9. 100, The - Season 2 (2014) , 41 imdbAvailable in HD on your TV 10. 101 Dalmatians (1996) 3.6, 1hr 42m imdbClosed Captions: [ 11. 10 Questions for the Dalai Lama (2006) 3.9, 1hr 27m imdbClosed Captions: [ 12. 10 Rules for Sleeping Around (2013) , 1hr 34m imdbAvailable in HD on your TV 13. 11 Blocks (2015) , 78 imdb 14. 12/12/12 (2012) 2.4, 1hr 25m imdbClosed Captions: [ Available in HD on your TV 15. 12 Dates of Christmas (2011) 3.8, 1hr 26m imdbClosed Captions: [ Available in HD on your TV 16. 12 Horas 2 Minutos (2012) , 70 imdb 17. 12 Segundos (2013) , 85 imdb 18. 13 Assassins (2010) , 2hr 5m imdbAvailable in HD on your TV 19. 13 Going on 30 (2004) 3.5, 1hr 37m imdbClosed Captions: [ Available in HD on your TV 20. 13 Sins (2014) 3.6, 1hr 32m imdbClosed Captions: [ Available in HD on your TV 21. 14 Blades (2010) , 113 imdbAvailable in HD on your TV 22. -
Robert James Farley
Robert James Farley UCLA | Department of Comparative Literature 350 Kaplan Hall | University of California | Los Angeles, CA 90095-0001 +1 562 673 2913 (mobile) | [email protected] | www.robertfarley.org EDUCATION Degree Programs 2021 Ph.D., expected Spring, University of California, Los Angeles (2019, Candidacy in Comparative Literature, dissertation title: Virtually Kwīr: Digital Archives of the Sexual Rights Movement in Arabic) 2011 B.A., 2011, California State University, Long Beach (comparative world literature, minors in history and Middle Eastern studies) Arabic Training 2015-16 Center for Arabic Study Abroad (CASA), Qasid Institute, Amman, Jordan 2013-14 Arabic Language Program, University of Jordan and Princess Sumaya University for Technology, Amman, Jordan 2012 Arabic Language Summer Session, Middlebury College, Oakland, California Other Education 2009 Semester Exchange, University of Leicester College of Arts, Humanities, and Law, Leicester, U.K. PUBLICATIONS Book Chapters 2021 “Mahfouz, al-Mutanabbi, and the Canon: Poetics of Deviance in the Masculine Nationalist Discourse of Al-Sukkariyya,” in Constructions of Masculinity in the Middle East and North Africa: Literature, Film, and National Discourse, eds. Mohja Kahf and Nadine Sinno. The American University in Cairo Press, pp. 103-119. Articles 2019 “Phantom Limbs: Socio-Psychic Contours of the Maimed Body in ‘I used to Count my Friends on my Fingers’,” Wordgathering: A Journal of Disability Poetry and Literature, vol. 13, no. 1, March. 2013 “National Allegory and the Parallax View in Tawfiq̄ al-Haḳ im's̄ Masị r̄ Suṛ sạ r̄ ,” Portals: A Journal in Comparative Literature, vol. 10. 2011 “Intellectual Space in Naguib Mahfouz’s Thartharah fawq al-Nil̄ ,” CSULB McNair Scholars Research Journal, vol. -
[email protected] [email protected]
[email protected] [email protected] This work is licensed under a Creative Commons Attribution 4.0 International License Norman Fairclough 13 Discourse Analysis of Terrorism in Iraqi novels: A look at Frankenstein in Baghdad Asst. Prof.Dr. Nasser Qasemi - Asst. Prof.Dr. Kamal Baghjari Asst. Prof.Dr. yadollah Malayeri - Vahid Samadi University Of Tehran [email protected] [email protected] Abstract: The present Paper aims to analyse terrorism discourse in the modern Iraqi novel titled Frankenstein in Baghdad by Ahmed Saadawi by using Norman Fairclough's critical discourse analysis theory. The research is divided into two chapters of five sections. The first chapter provides a brief description on "the concept of terrorism", "the concept of discourse" and "terrorism in Iraqi novels". The second chapter deals with an analysis of the practical words in Saadawi’s novel, exploring the role of terrorism discourse in selecting those words. This chapter also addresses the social dimension of terrorism discourse, suggesting that social phenomena results from discourses, especially the dominant one prevailing in the society, much like the terrorism discourse in Iraq society in the post-2003 era. The research also deals with the behavior of power-holders who, in their struggle to sustain unequal relations of power, impose an impression of ideological common sense through background knowledge which is widely-accepted as true in the public opinion. In Saadawi’s view US troops did the same after 2003 in Iraq. The novel’s analysis reveals the role of the dominant discourse, i.e., terrorism discourse, in the establishment of wrong and even dangerous social behaviors among the public, including the development of wrong beliefs, the exploitation of the situation to the detriment of innocent civilians and the trading of death. -
Robert James Farley
Robert James Farley UCLA | Department of Comparative Literature 350 Kaplan Hall | University of California | Los Angeles, CA 90095-0001 +1 562 673 2913 %mo&ile' | rfarley(u)la*e+u | ,,,*ro&ertfarley*org Education Degree Programs Ph.D. in progress, University of California, Los Angeles (2019, Candidacy in Comparative Literature, tentative dissertation title: ‘Writing Kwīr Against Empire: Towards A Grassroots Literary Archive of Gender in Arabic’) B.A., 2011, California State University, Long Beach (comparative world literature, minors in history and Middle Eastern studies) Arabic Training Center for Arabic Study Abroad (CASA), 2015-16, Qasid Institute, Amman, Jordan Arabic Language Program, 2013-2014, University of Jordan and Princess Sumaya University for Technology, Amman, Jordan Arabic Language Summer Session, 2012, Middlebury College, Oakland, California Other Semester Exchange, Spring 2009, University of Leicester College of Arts, Humanities, and Law, Leicester, U.K. Publications Chapter “Mahfouz, al-Mutanabbi, and the Canon: Poetics of Deviance in the Masculine Nationalist Discourse of Al-Sukkariyya,” in Constructions of Masculinity in the Middle East, eds. Mohja Kahf and Nadine Sinno. American University in Cairo Press, forthcoming. Articles “Phantom Limbs: Socio-Psychic Contours of the Maimed Body in ‘I used to Count my Friends on my Fingers’,” Wordgathering: A Journal of Disability Poetry and Literature, vol. 13, no. 1, March 2019. “National Allegory and the Parallax View in Tawfīq al-Ḥakīm's Maṣīr Ṣurṣār,” Portals: A Journal in Comparative Literature, vol. 10, 2013. “Intellectual Space in Naguib Mahfouz’s Thartharah fawq al-Nīl,” CSULB McNair Scholars Research Journal, vol. 15, 2011, pp. 31-50. Translations “Getting to Abu Nuwas Street,” short story by Dheya al-Khalidi. -
Cambridge University Press 978-1-108-47272-2 — the Cambridge History of the Gothic Volume 3: Gothic in the Twentieth and Twenty-First Centuries Index More Information
Cambridge University Press 978-1-108-47272-2 — The Cambridge History of the Gothic Volume 3: Gothic in the Twentieth and Twenty-First Centuries Index More Information Index Abbott, Stacey, 3, 25–6, 29 Alt-Right movement, 299–301 Abraham, Nicolas, 254 American Horror Story: Cult (television), Absalom, Absalom (Faulkner), 65, 69 299–300 aesthetics, Modernist Gothic and, 44–9, 50 American Psycho (film), 294 African American writers. See also specific Amirpour, Ana Lily, 383, 385 writers The Anatomist (Bridie), 224 Southern Gothic literature and, after Ancuta, Katarzyna, 404–5 World War II, 74–6 And the Band Played On (Shilts), 275–6 Age of Anxiety, 369–70 Andersen, Hans Christian, 37–8, 427 Imperial Gothic and, 370 Andersen, Tryggve, 427 Agee, James, 76 Anderson, Eric, 68 Agrarians, as regional group, 71–2 Andeweg, Agnes, 233 Agrippa, Cornelius, 160 Anger, Kenneth, 215 Ahn Byung-ki, 417–18 Anil’s Ghost (Ondaatje), 356 AIDS narratives, Queer Gothic and, 264–82 Animal’s People (Sinha), 133–4 contagion and, 265–6, 268–9, 278–9 Antichrist (film), 435–6 guilt and innocence and, of affected anti-psychiatry movement, 191 individuals, 265 Anvari, Babak, 383, 385 homophobia influenced by, 265–6 apocalyptic Gothic LGBTQ+ identity and, 265–6 Cold War catastrophe, 470–4 medical timeline of AIDS discovery, 264–5 as end of history, 477–9 medication development, 275, 279–80 future in, optimism about, 480–2 moral judgement of affected rationalism in, 474–7 individuals, 265 re-enchantment in, 474–7 from 1981 to 1991, 266–75 religious history of, 465–6 The Hunger,