Icmr Pos Neg 17.05.2021.Xlsx
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
F Is H E R H in D U P L U R Al Is M
FISHER | HINDU PLURALISM Luminos is the open access monograph publishing program from UC Press. Luminos provides a framework for preserving and rein- vigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org The publisher gratefully acknowledges the generous support of the Philip E. Lilienthal Asian Studies Endowment Fund of the University of California Press Foundation, which was established by a major gift from Sally Lilienthal. Hindu Pluralism SOUTH ASIA ACROSS THE DISCIPLINES Edited by Muzaffar Alam, Robert Goldman, and Gauri Viswanathan Dipesh Chakrabarty, Sheldon Pollock, and Sanjay Subrahmanyam, Founding Editors Funded by a grant from the Andrew W. Mellon Foundation and jointly published by the University of California Press, the University of Chicago Press, and Columbia University Press South Asia Across the Disciplines is a series devoted to publishing first books across a wide range of South Asian studies, including art, history, philology or textual studies, philosophy, religion, and the interpretive social sciences. Series authors all share the goal of opening up new archives and suggesting new methods and approaches, while demonstrating that South Asian scholarship can be at once deep in expertise and broad in appeal. Extreme Poetry: The South Asian Movement of Simultaneous Narration, by Yigal Bronner (Columbia) The Social Space of Language: Vernacular Culture in British Colonial Punjab, by Farina Mir (UC Press) Unifying Hinduism: Philosophy and Identity in Indian Intellectual History, by Andrew J. -
To Download As
Registered with the Reg. No. TN/CH(C)/374/18-20 Registrar of Newspapers Licenced to post without prepayment for India under R.N.I. 53640/91 Licence No. TN/PMG(CCR)/WPP-506/18-20 Publication: 1st & 16th of every month Rs. 5 per copy (Annual Subscription: Rs. 100/-) INSIDE Short ‘N’ Snappy My Story/My T Nagar Remembering R.J. Shahaney To MS, with gratitude Madras Week Quizzes www.madrasmusings.com WE CARE FOR MADRAS THAT IS CHENNAI Vol. XXX No. 7 September 16-30, 2020 Chennai under HERITAGE WATCH The Madras Literary Society Building ‘Unlock 4’ – what now? he question that is upper- anyway. There are others who Was the hand of the Tmost in the minds of most wonder as to why we went into Govern ment, Central and residents of the city is whether a lockdown when numbers State, forced into opening there is any lockdown at all in were low and why we are open- up? Most certainly – by the place. Yes, those with school ing up now, when the figures demands of the economy. As a and college-going children do for infected cases remains at a city we operate on a dynamic know that educational instit- steady high. There are however model – we can function only if utions are still out of bounds no answers. The lockdown was everything works. Metropolises for physical attendance. The such as ours were not designed Nestled in one corner of the Directorate of Public Instructions entertainment industry is still for shutdowns. There are many campus on College Road is the Madras Literary Society. -
Annexure 5.8 (Chapter V , Para 25) Form 9
ANNEXURE 5.8 (CHAPTER V , PARA 25) FORM 9 List of Applications for inclusion received in Form 6 Designated location identity (where Constituency (Assembly/£Parliamentary): Thuraiyur Revision identity applications have been received) 1. List number@ 2. Period of applications (covered in this list) From date To date 16/11/2020 16/11/2020 3. Place of hearing * Serial number$ Date of receipt Name of claimant Name of Place of residence Date of Time of of application Father/Mother/ hearing* hearing* Husband and (Relationship)# 1 16/11/2020 Gemini Ganesan T Suganthi r (W) 4/113, vannadu , Thannerpallam , , 2 16/11/2020 POOJASHRI B SHANTHI (M) 2/4.23, REDDIYAR STREET, KOPPAMPATTY, , 3 16/11/2020 Manoj S Rajeswari (M) 15/20, kudi theru, THURAIYUR, , 4 16/11/2020 AJITH R RENGARAJ (F) 183A, VAITHIYANATHAN STREET, NAGALAPURAM, , 5 16/11/2020 VANATHI MATHAVAN (F) 254, RAJA STREET, NAGALAPURAM, , 6 16/11/2020 PRAVEEN GOPIKRISHNAN (F) 16, NALLA VANDU SANDHU, THURAIYUR, , £ In case of Union territories having no Legislative Assembly and the State of Jammu and Kashmir Date of exhibition at @ For this revision for this designated location designated location under Date of exhibition at Electoral * Place, time and date of hearings as fixed by electoral registration officer rule 15(b) Registration Officer’s Office under $ Running serial number is to be maintained for each revision for each designated rule 16(b) location # Give relationship as F-Father, M=Mother, and H=Husband within brackets i.e. (F), (M), (H) 01/12/2020 ANNEXURE 5.8 (CHAPTER V , PARA 25) FORM 9 List of Applications for inclusion received in Form 6 Designated location identity (where Constituency (Assembly/£Parliamentary): Thuraiyur Revision identity applications have been received) 1. -
Carnatic Ragas in Ilayarajas Films
Carnatic Music in Tamil Film Songs Carnatic Music in Tamil Film Songs by: Lakshminarayanan Srirangam Ramakrishnan, Internal Medicine Department, Brackenridge Hospital, Austin, Tx 78701. Classical Illayaraja - 1 Recently, I watched the movie 'Chembaruthi' on video. One of those unethical, "kuppai" screen printed video cassette, you know, that gives you a vision like that of a "soda-butti" watching TV without his spectacles! Illayaraja has done a fantastic job in that movie. Though I had heared all those songs many times while I was in India, watching that movie created a reminiscent train of thoughts in my mind, about Illayaraja, his music, the dramatic change he brought about in Thamizh cinema. I thought that it would be worthwhile to discuss his music, particularly the CLASSICAL aspect! I am aware that it is not possible to write about all his carnatic oriented songs, about how he has handled those ragas, how he has deviated from the classical style etc. But it would definitely be interesting to pour out our ideas once in a while in a random order of the ragas covered by him. In "Chembaruthi" there are six songs, out of which 4 are carnatic based. All the songs were "sooper hits". To a guy who knows carnatic music, the ragas are explicit, and to a non-classical rasika, they are just great tunes! This was one of his specialities, to give the raga in almost good shape and also make a good cinema tune out of it. And ofcourse, the rhythm should give scope for good dance movements so that the hero and heroine could share their love by dancing! Maybe, many of his tunes have to be branded as semi-classical or light music (even though the raga form might be pure) only because of this rhythm factor. -
TAMIL NADU AGRICULTURAL UNIVERSITY UNDER GRADUATE ADMISSION - RANKLIST 2020 Ranks Registrationno Studentname Aggregate Category 1 115845438 PRAVEEN KUMAR R
TAMIL NADU AGRICULTURAL UNIVERSITY UNDER GRADUATE ADMISSION - RANKLIST 2020 Ranks RegistrationNo StudentName Aggregate Category 1 115845438 PRAVEEN KUMAR R. 199.50 BC 2 115570484 GIRIVASAN T V 199.25 SC 3 104308964 PUSHKALA D.G. 199.00 BC 4 114705341 KAVYA R 198.00 BC 5 111490216 Siddharth K.S. 198.00 Open Competition 6 116510812 GOVARTHAN K. 198.00 BC 7 102747282 R SWATHI 197.50 BC 8 104532050 Darshini A 197.00 BC 9 108337650 MOHANAVENKATESH L 197.00 BC 10 113100986 POONKODI A.D. 196.68 BC 11 104104932 DIVYA R 196.25 BC 12 109482877 CHRISTINA S E 196.00 BC 13 116481578 Gokul Subash M. 196.00 BC 14 100754872 REDHANYA S 195.66 BC 15 115349231 SELVA SREE S. 195.50 Open Competition 16 110784137 EMIMA ELIZABETH G 195.50 BC 17 116310731 JAYAKIRUTHIKA M. 195.50 BC 18 114689775 MAHESHWARI R 195.00 BC 19 101113574 Madhusri ER 195.00 BC 20 105843695 SUBASREE V . 195.00 BC 21 106270941 PRADHISHA R 195.00 BC 22 102023013 SANGAMITHIRAI A. 195.00 MBC/DNC 23 103268279 Srimathi K. 195.00 BC 24 114425365 SHARAN SURYA S M 195.00 BC 25 105057936 MADHAVAN DHIVYA PRABA 194.66 BC 26 111629523 RAAHUL R J 194.50 BC 27 100540056 GOWSHIGA P. 194.50 BC 28 106325577 SHANMUGA DHARSHINI M.S. 194.50 SC 29 114768269 Sibhi P.S. 194.50 BC 30 104562264 ARAVINDHAN S. 194.25 BC 31 106661644 DEEPTHI P 194.00 BC 32 109271649 Rishi Kesavan B. 194.00 BC 33 103698859 Guru Raman C 194.00 Open Competition 34 108040968 JEEVITHA C. -
Veena Naregal Sudipto Veena Naregal Sudipto 2 Introduction
Veena Naregal Sudipto Veena Naregal Sudipto 2 Introduction 7 Provincial elites, urban intellectuals, and a new Marathi theatre VEENA NAREGAL Guest Editor Hanne M.de Bruin 24 Editor From colonial jatra to native theatre: Hybrid aesthetics of Anjum Katyal nineteenth century Bengali theatre Editorial Consultant SUDIPTO CHATTERJEE Samik Bandyopadhyay Assistants Sudeshna Banerjee 33 Sunandini Banerjee Design Use of Adversity: Embodiments of culture and crisis Sunandini Banerjee in the Prahlada nataka of Orissa Cover design using a photograph JOHN EMIGH by John Emigh. 56 The history of the rural natakam or ‘drama’ in North Tamilnadu HANNE M. DE BRUIN 75 Persistence of conventions: ‘company drama’ and the Tamil cinema S. THEODORE BA S KARAN Published by Naveen Kishore 89 for The Seagull Foundation for the Arts, Interview with P. K. Bhupathi 26 Circus Avenue, Calcutta 700017 P. RAJAGOPAL Printed at Laurens & Co. 9 Crooked Lane, Calcutta 700 069 S T Q SEAGULL THeatRE QUARTERLY Issue 31 Sept 2001 14 V e e n a Provincial elites, urban intellectuals, and a new Marathi theatre A major problem bedevilling the task of art and cultural historians of non-Western societies is the imperative to theorize about the transition between pre-colonial expressive and performative forms and Part of the difficulty is to distinguish the status of pre- modern forms from their representation in colonial, the guises these forms assumed through their re-invention during the colonial period. Part of the difficulty is to distinguish the status of pre-modern forms from their representation in colonial, nationalist, and one might add, post-modern discourse.