Democrats Shrink Eligibility for Aid As Bill Heads for Vote
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Birks Group 2018 Annual Report
ANNUAL REPORT 2018 UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 20-F ‘ REGISTRATION STATEMENT PURSUANT TO SECTION 12(b) OR (g) OF THE SECURITIES EXCHANGE ACT OF 1934 OR È ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended March 31, 2018 OR ‘ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 OR ‘ SHELL COMPANY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Date of event requiring this shell company report For the transition period from to Commission file number: 001-32635 BIRKS GROUP INC. (Exact name of Registrant as specified in its charter) Not Applicable (Translation of Registrant’s name into English) Canada (Jurisdiction of incorporation or organization) 2020 Robert-Bourassa Blvd. Montreal Québec Canada H3A 2A5 (Address of principal executive offices) Pat Di Lillo, 514-397-2592 (telephone), 514-397-2537 (facsimile) 2020 Robert-Bourassa Blvd. Suite 200 Montreal Québec Canada H3A 2A5 (Name, Telephone, E-mail and/or Facsimile number and Address of Company Contact Person) Securities registered or to be registered pursuant to Section 12(b) of the Act: Title of each class Name of each exchange on which registered Class A Voting Shares, without nominal or par value NYSE American LLC Securities registered or to be registered pursuant to Section 12(g) of the Act: None. Securities for which there is a reporting obligation pursuant to Section 15(d) of the Act: None. The number of outstanding shares of each of the issuer’s classes of capital or common stock as of the close of the period covered by the Annual Report was: 10,242,911 Class A Voting Shares, without nominal or par value 7,717,970 Class B Multiple Voting Shares, without nominal or par value 0 Series A Preferred Shares, without nominal or par value, issuable in series Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. -
2018-2019 Annual Report
2018-2019 annuAl report THE MONTREAL MUSEUM OF FINE ARTS CITED AS MODEL EXAMPLE IN THE OECD AND ICOM’S INTERNATIONAL GUIDE “The Organisation for Economic Co-operation and Development (OECD) and the International Council of Museums (ICOM) recognized the Montreal Museum of Fine Arts’ pioneering role in their guide launched in December 2018, Culture and Local Development: Maximising the Impact. Guide for Local Governments, Communities and Museums. This remarkable validation from two major international economic and cultural institutions will enable us to disseminate our message ever farther, so as to strengthen the role of culture and expand the definition of trailblazing museums, like the MMFA, that are fostering greater inclusion and wellness.” – Nathalie Bondil The Museum is cited in 5 of the 16 international case studies in the guide: a remarkable nod to our institution’s actions that stem from a humanist, innovative and inclusive vision. Below are a few excerpts from the publication that is available online at www.oedc.org: 1. Partnering for urban regeneration 3. Partnership for education: EducArt 5. Promoting inclusiveness, health and Regarding the MMFA’s involvement in creating the digital platform, Quebec, Canada well-being: A Manifesto for a Humanist Zone Éducation-Culture in 2016, in collaboration Launched in 2017 by the MMFA, EducArt gives Fine Arts Museum with Concordia University and the Ville de Montreal: secondary school teachers across the province access “As part of the Manifesto for a Humanist Fine “The project … has its roots in a common vision [of to an interdisciplinary approach to teaching the Arts Museum written by Nathalie Bondil,1 the the three institutions] to improve Montreal’s role as educational curriculum, based on the Museum’s MMFA has put forth a strong vision of the social a city of knowledge and culture. -
3Rd Quarter 2020
List of Section 13F Securities Third Quarter FY 2020 Copyright (c) 2020 American Bankers Association. CUSIP Numbers and descriptions are used with permission by Standard & Poors CUSIP Service Bureau, a division of The McGraw-Hill Companies, Inc. All rights reserved. No redistribution without permission from Standard & Poors CUSIP Service Bureau. Standard & Poors CUSIP Service Bureau does not guarantee the accuracy or completeness of the CUSIP Numbers and standard descriptions included herein and neither the American Bankers Association nor Standard & Poor's CUSIP Service Bureau shall be responsible for any errors, omissions or damages arising out of the use of such information. U.S. Securities and Exchange Commission OFFICIAL LIST OF SECTION 13(f) SECURITIES USER INFORMATION SHEET General This list of “Section 13(f) securities” as defined by Rule 13f-1(c) [17 CFR 240.13f-1(c)] is made available to the public pursuant to Section13 (f) (3) of the Securities Exchange Act of 1934 [15 USC 78m(f) (3)]. It is made available for use in the preparation of reports filed with the Securities and Exhange Commission pursuant to Rule 13f-1 [17 CFR 240.13f-1] under Section 13(f) of the Securities Exchange Act of 1934. An updated list is published on a quarterly basis. This list is current as of September 15, 2020, and may be relied on by institutional investment managers filing Form 13F reports for the calendar quarter ending September 30, 2020. Institutional investment managers should report holdings--number of shares and fair market value--as of the last day of the calendar quarter as required by [ Section 13(f)(1) and Rule 13f-1] thereunder. -
Download Issue 3 of Autitude
Welcome to the third thrill-packed edition of Autitude! Autitude is a magazine for the autistic community featuring an eclectic mix of articles, reviews, blogs, cartoons, photos and lots more. Illustrated and curated by the talented Ash Loydon, Autitude is shaped by what matters most to you. Thank you so much to everyone who has contributed to this edition, if you have something you would like to share please get in touch with us at [email protected]. To make sure you are updated when the latest edition is released sign up here – thank you! 4. Winter Connections update. 5. Reasonable Adjustment – A series by Lea B. 8. Taking Things Literally – An ongoing cartoon series by Peter Vermeulen. 10. Poems by C.D. 13. Hello Kitty! - Ash Loydon confesses all as teen hormones and cult horror collide. 18. Andrew Moodie casts a critical eye over Coming 2 America. 20. Artitude! Featuring Alistair Cowell. 22. Spectrum Superstars! 23. The Last Word. Email us at [email protected] 2. Fallen in Love, From a Chair December 2018. Dear Santa, think ble" it this #ear, a$ter all. %# too&good&to&be true 'ob no" "ill be devoured b# a bunch o$ unhel($ul $eelings acting in m# chest in coordinated "a#s. Santa, have tried to masks things, but #ou !no" ho" it is b# the time get home, get tired o$ it all. So last "ee! m# $ianc), aka elusive bo#$riend asked me i$ "as in love. said *#es+. ,hen he as!ed me i$ it "as someone at "ork and said *#es+. -
When Victims Rule
1 24 JEWISH INFLUENCE IN THE MASS MEDIA, Part II In 1985 Laurence Tisch, Chairman of the Board of New York University, former President of the Greater New York United Jewish Appeal, an active supporter of Israel, and a man of many other roles, started buying stock in the CBStelevision network through his company, the Loews Corporation. The Tisch family, worth an estimated 4 billion dollars, has major interests in hotels, an insurance company, Bulova, movie theatres, and Loliards, the nation's fourth largest tobacco company (Kent, Newport, True cigarettes). Brother Andrew Tisch has served as a Vice-President for the UJA-Federation, and as a member of the United Jewish Appeal national youth leadership cabinet, the American Jewish Committee, and the American Israel Political Action Committee, among other Jewish organizations. By September of 1986 Tisch's company owned 25% of the stock of CBS and he became the company's president. And Tisch -- now the most powerful man at CBS -- had strong feelings about television, Jews, and Israel. The CBS news department began to live in fear of being compromised by their boss -- overtly, or, more likely, by intimidation towards self-censorship -- concerning these issues. "There have been rumors in New York for years," says J. J. Goldberg, "that Tisch took over CBS in 1986 at least partly out of a desire to do something about media bias against Israel." [GOLDBERG, p. 297] The powerful President of a major American television network dare not publicize his own active bias in favor of another country, of course. That would look bad, going against the grain of the democratic traditions, free speech, and a presumed "fair" mass media. -
The Deadly Price of Pursuing Peace by Evelyn Gordon
JANUARY 2010 ggggggggg The Deadly Price of Pursuing Peace by evelyn gordon WHEN the Oslo process began in 1993, one benefi t its adherents promised was a signifi cant improvement in Israel’s international standing. Now, 16 years later, Israel’s has fallen to an unprecedented low. Yet even today, conventional wisdom, including OBAMA’S NEXT THREE YEARS in Israel, continues to assert that Israel’s JOHN R. BOLTON #3 Commentary international standing depends on its A NEVER-ENDING willingness to advance the “peace pro- ECONOMIC CRISIS? DAVID M. SMICK cess.” So why has Israel’s standing fallen #3 WHY JEWS JANUARY 2010 : VOLUME 129 NUMBER 1 : VOLUME 2010 JANUARY so precipitously despite its numerous HATE PALIN JENNIFER RUBIN concessions for peace since 1993? The #3 PHILIP ROTH mounting evidence makes it inescapable: COMES TO THE END Israel’s standing has declined so precipi- SAM SACKS tously not despite Oslo but because of Oslo. $5.95 US : $7.00 CANADA $7.00 : US $5.95 JCC Maccabi Games 2009 Taube Koret Campus for Jewish Life KORET FOUNDATION AND TAUBE PHILANTHROPIES Collaborating to support Jewish life in the San Francisco Bay Area: Bay Area Jewish Community Centers Contemporary Jewish Museum, San Francisco Hillel at Stanford JCC Maccabi Games 2009 Jewish Chaplaincy at Stanford University Medical Center Jewish Family & Children’s Services of San Francisco Jewish Home of San Francisco Koret-Taube Initiative on Jewish Peoplehood Taube Center for Jewish Studies at Stanford Taube Koret Campus for Jewish Life, Palo Alto Koret-Taube Grand Lobby, www.koretfoundation.org -
April 1920) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1920 Volume 38, Number 04 (April 1920) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 38, Number 04 (April 1920)." , (1920). https://digitalcommons.gardner-webb.edu/etude/667 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. Jlae Utiuiufi SPRING NUMBER 1MUUISZ5 LJEJNTS APRIL 1920 $ 2.00 A YEAR The Tonne daugrhter of the Into Tnrasn-Bonlba, a new opera by A Brrent Opera Trnst, according: to Colerldgre-Taylor is following a musical Marcel Sninuel-Houssenu, was recently report. Is being proposed in tlif« career, and has already a number of songs country, which would control all presenta¬ tions of opera, all singers, all opera houses, ■SS.rJE •! *£rS'.!Bf j" ' 1 CONTENTS FOR APRIL, 1920 sHSr!Sir'-s‘^“'s SV,s£S: APRIL 1920 Page THE ETUDE Page 218 APRIL 1920 THE Jane Novak in “The River’s End” Jane Novak is an emotional ac¬ PUPILS RECITALS AND PLEASED AUDIENCES tress of sincere power and dis¬ tinguished ability. -
Amazon.Com, Inc
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 _________________________ FORM 8-K _________________________ CURRENT REPORT Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 February 2, 2021 Date of Report (Date of earliest event reported) _________________________ AMAZON.COM, INC. (Exact name of registrant as specified in its charter) _________________________ Delaware 000-22513 91-1646860 (State or other jurisdiction of (Commission File Number) (IRS Employer Identification No.) incorporation) 410 Terry Avenue North, Seattle, Washington 98109-5210 (Address of principal executive offices, including Zip Code) (206) 266-1000 (Registrant’s telephone number, including area code) _________________________ Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions: ☐ Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) ☐ Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) ☐ Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) ☐ Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c)) Securities registered pursuant to Section 12(b) of the Act: Title of Each Class Trading Symbol(s) Name of Each Exchange on Which Registered Common Stock, par value $.01 per share AMZN Nasdaq Global Select Market Indicate by check mark whether the registrant is an emerging growth company as defined in Rule 405 of the Securities Act of 1933 (§230.405 of this chapter) or Rule 12b-2 of the Securities Exchange Act of 1934 (§240.12b-2 of this chapter). -
How Public Art Gets Lost - and Saved - in Philly
How public art gets lost - and saved - in Philly JANUARY 8, 2016 by Samantha Melamed For fans of public art in Philadelphia, it still stings to think about that day in 1998 when word got out that an iconic wall sculpture by artist Ellsworth Kelly had been removed from the old Greyhound office building, quietly sold, and given to New York's Museum of Modern Art. It wasn't the first or last great work of public art to be lost to Philadelphia through some combination of intercity poaching, heedless development, and neglect. In fact, even as the Gallery mall closed for renovations Jan. 1, the fate of its public art remained unclear. The same goes for other works that have languished in storage, with limited money for preservation. Still, losing the work by Kelly, who died Dec. 27, wasn't entirely a bad thing, said Penny Balkin Bach, executive director of the Association for Public Art, a nonprofit that commissions, preserves, and promotes works in the city. "The removal of the Kelly was this sort of slap-in-the-face wake-up call that we needed as a city and as a cultural community to pay more attention to these kinds of things," she said. Her organization has become more proactive since, as have art fans. "Having the public's eyes and ears alert is probably our greatest protection." Now, scrap yards call her when they come across bronze sculptures they suspect have been stolen, and New York gallery owners tip her off when important works come up for sale. -
Operations RG.03
Operations RG.03 This finding aid was produced using ArchivesSpace on January 24, 2019. Describing Archives: A Content Standard The papers of the American Academy in Rome 7 East 60 Street New York, New York 10022 [email protected] URL: http://www.aarome.org Operations RG.03 Table of Contents Summary Information .................................................................................................................................... 3 Scope and Contents ........................................................................................................................................ 3 Arrangement ................................................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Collection Inventory ....................................................................................................................................... 4 - Page 2 - Operations RG.03 Summary Information Repository: The papers of the American Academy in Rome Title: Operations ID: RG.03 Date [inclusive]: 1895-2018 Physical Description: 209.45 Linear Feet Language of the English Material: ^ Return to Table of Contents Scope and Contents This Record Group is comprised of records that document the functions of the American Academy in Rome (AAR). Records in this group include administrative files that document the daily operations -
Eddie Murphy Reprises His Role As the Ever-Charming Prince Akeem and Leads an All-Star Cast for the Much-Anticipated Sequel, COMING 2 AMERICA
COMING 2 AMERICA - An American Marvel! Eddie Murphy reprises his role as the ever-charming Prince Akeem and leads an all-star cast for the much-anticipated sequel, COMING 2 AMERICA. Three decades and three beautiful daughters later, Akeem prepares to take over the reigns of his homeland of Zamunda. As antiquated gender roles are being challenged within his home, he is also faced with a new dilemma on the outside. While tradition has always required a male heir to take the throne, Akeem feels torn between following custom and creating change. While considering his eldest daughter, Meeka, who is the strongest choice, his rival, General Izzi, is plotting a union of dynasties with his son, Idi, as Meeka’s groom. Meanwhile, an ailing King Joffer delivers the shocking news that Akeem has a long-lost son, Lavelle, in Queens. After an unexpected turn of events, Akeem, now the King of Zamunda, along with his trusted confidante, Semmi, return to New York to tend to this unfinished royal family business. Upon finding Lavelle, Akeem convinces him to travel to Zamunda in order to learn the customs of royal life in preparation for becoming the heir to the throne. While Akeem smooths tensions with his wife and three daughters, General Izzi decides that his daughter, Bopoto, will become Lavelle’s wife. All the while, Lavelle is falling in love with his royal barber, Mirembe, who has dreams of owning her own barbershop. Arsenio Hall returns as Semmi, alongside James Earl Jones as King Jaffe Joffer, Shari Headley as Lisa, John Amos as Cleo McDowell, Louie Anderson as Maurice and the legendary barbershop crew who sparked the laughs in 1988 for COMING TO AMERICA. -
Chantier D'innovation
Rapport annuel 2015–2016 CHANTIER D’INNOVATION RÔLE Le Centre national des Arts a été créé par le Parlement du Canada à titre de projet du Centenaire dans les années 1960, et a ouvert ses portes en 1969. Le CNA collabore avec des artistes et des organisations artistiques partout au Canada afin de créer une vibrante scène nationale dans le domaine des arts du spectacle, et agit comme catalyseur de la diffusion, de la création et de la transmission des savoirs d’un bout à l’autre du pays. Carrefour des plus grands talents créateurs canadiens, le CNA privilégie les choix audacieux dans chacun de ses volets de programmation : l’Orchestre du CNA, le Théâtre français, le Théâtre anglais et la Danse, sans oublier le festival Scène et CNA Présente, qui mettent en valeur des artistes canadiens, tant émergents qu’établis. Il est aux avant-postes en matière de programmation enfance-jeunesse et d’activités éducatives, procurant une formation aux artistes et des ressources aux enseignants des quatre coins du pays. Il fait aussi œuvre de pionnier dans l’utilisation des nouveaux médias en offrant du téléenseignement à des élèves et des jeunes artistes du monde entier, en créant des fichiers balados très prisés et en proposant un large éventail de concerts sur demande de l’Orchestre du CNA. Le CNA est le seul centre des arts de la scène multidisciplinaire bilingue au Canada, et l’un des plus grands établissements du genre au monde. OBLIGATION REDDITIONNELLE ET FINANCEMENT Le CNA relève du Parlement par l’entremise de la ministre du Patrimoine canadien.