DOCSLIB.ORG

Infocom-87Catalog

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Infocom-87Catalog Welcome to the Realm of the Master Storytellers '1nfocom is the class ofthe field. Its games are cleverly written, beautifully Infocom interactive fiction is unlike anything you've ever experienced. packaged, and punctuated with a sharp sense ofhumor."-Newsweek It's a whole new dimension in storytelling. ''Wkn Infocom rekases a new game, the question that goes through Think of your favorite story. Now think of the main character your minds should not be 'Should I get the game?' but, in that story. And imagine that YOU have become that character. rather, 'W1:ien should I get the game?' And the answer should You are standing in his shoes, in his world. You have people to meet, always be 1mmedUitely. "'-A+ Magazine places to visit, and challenges to face. It's all just as vivid as anything you've ever experienced in real life. '7bere are imitators and innovators. With each new work, Infocom again The decisions are yours ... and so are the consequences. falls into the latter category." -Analog Computing In interactive fiction, you communicate with the story in '~have said it again and again: Infocom can't be beat. conversational English sentences. The plot unfolds as you decide what For richness ofdescription, unfolding ofstoryline, sharpness ofwit, to do next, drawing you into a world so involving that it taps and challenge ofpuzzles, Infocom has no equal in the your adrenaline as much as your intellect. Your pulse races with the software business."-Creative Computing anticipation of what lies ahead. You feel the thrill of discovery and the '7be passion that pla-yers bring to these games comes from the same source panic of life-threatening situations. You laugh, you cry, you cheer as all fiction-induced pleasure-the projection ofself into another world and aloud, and when you finally succeed, the glory is all yours. the desire to kam what happens next as the adventures unfold. Only in this Now feast your eyes upon the latest works from Infocom. case, it's up to you to determine what happens next." - Rolling Stone Imagine all the excitement that awaits you in the realm of The Master Storytellers. lnfocom is a member of the Activision software family. All Infocom products are manufactured and distributed worldwide by Acr1v1s1on. Zork, Enchanter, The Witness, Planetfal/, Trinity, Suspec~ and Wzshbringer are registered trademarks, and Sarr:erer, Spellbreaker, A Mind Forever VO)"ging, Leamer Goddesses ofPhobos, Moonmis~ Stationfal/, The Lurking Horror, Nord And Bert Couldn'tMake Head Or Tail OfI~ Plundered Hearts, Bureaucracy, Hollywood Hijinx, and InvmOues are trademarks of lnfocom, Inc. The Hitchhiker~ Guide To The Gala:x:y is a trademark of Douglas Adams. N=AL[ THE LURKING HORROR EQUB TO Pl.Allmlll. Steve Meret:iky's award-winning recalls PLANETFALL* haslongbeena the ghastly visions ofH.P. Lovecraft ~ favorite ofInfocom fans. This is due and Stephen King, as author Dave er- in no small part to FWyd, your Lebling turns an everyday world into mischievous robot companion in the a frightening web ofuncertainty. story, who quickly becomes a beloved Ever since you arrived at G.U.E. Tech, friend. Now FWyd is back in the you've heard stories about the creepy bojfoid sequel, STA110NFAllJ old campus basements and storage STATIONFALL begins five long rooms, some so ancient that they years after your incredible heroics in contain only rotting piles of uniden­ PLANETFALL. Since then, abso­ tifiable junk. And you've vowed never lutely nothing of interest has hap­ to set foot in any of them. But tonight, pened in the Stellar Patrol. Today's with a blizzard howling around the thrilling assignment: travel to a monolithic buildings, something draws nearby space station to pick up a ~·you inexorably downward. What a bore! Until you learn that your compan- Suddenly, you're in a world that rivals ion for the journey is your old buddy Floyd! your most hideous visions. Shapes emerge from dark corners. Arriving at the space station, you find it strangely Eerie sounds draw closer. Slimy passageways lead to sights so deserted. A spooky alien ship rests in a docking bay. A com­ horrifying that they will feed your nightmares for weeks. mander's log describes the mysterious breakdown of machin­ You'll face ingenious puzzles, unique characters, and ery. An ostrich and an Arcturian balloon creature are found, chilling twists of plot as you explore the ghastly nether regions abandoned but in perfect health. Luckily, Floyd is on hand to of the institute and confront the horror lurking below. help you identify and overcome the dangerous forces at work. But then even he begins acting oddly ... Assigned to each STATIONFALL p~kage : your.STATIONFALL disk; a set of blueprints for a Mouldering inside every LURKJ~G HORROR package: your LURKING HORROR disk; a guide Gamma-Delta-Gamma Class deep space station; three highly bureaucratic forms; and your Stellar Patrol patch. to George Underwood Edwards Institute of Technology; and your G. U.E. Tech student identification card. The ZORK TRIWGY has sold Ifyou're looki.ng for a fan way to 'Ntlrly one million copies, maki.ng it spend an evening, alone or with the most popular entertainment friends, NORD AND BERT Nord and Bert software product ever/ Now, COUWN'TMAKE HEAD OR five years after the release of TAIL OF IT might be just the Couldn't Make ZORK III, Brian Moriarty has ticket! This light-hearted collection created an exciting new Zorkian ofshort stories features cliches, Head or Tail of It™ universe blending the puzzles spoonerisms, and other verbal Eight Toles of Climes, Spoonerisms. and Other Verbal Trichery and fine prose ofinteractive witticisms. fiction with the combat and character-building ofrole­ NORD AND BERT takes you to playing games. the mixed-up town of Punster, where nothing is quite as it seems. BEYOND ZORK takes you to the troubled Kingdom of Quendor, across the It's a place where you really can sea from the Great Underground Empire. In Quendor, the wizards have mysteri­ make a mountain out of a molehill, ously disappeared, and vicious monsters haunt the streets and wastelands. Fate where 'the fur is flying' is taken has directed that you, a lowly peasant, must unravel the meaning behind these literally, and where a happy Sam ominous events. Luckily, you have an arsenal of new weapons and abilities at is transformed into a sappy ham. your disposal. Each of the short stories involves a different type of wordplay. You'll find You start by designing your own character, choosing from such diverse attri­ yourself challenging your wits and your memory to come up with the idioms, butes as strength, endurance, and luck. You can press onward homonyms, and other verbal trickeries needed to complete using the special function keys to perform frequently-used ~~ the puzzles. But don't view this as a hard row to hoe. There commands with a single keystroke. There's even an on-screen ~ are built-in hints to help you out, and an easy method of map to chart your progress! ""''*'"iif+•+•j!jldiWliiii moving from place to place. Fans of Infocom's fantasy series will recognize characters NORD AND BERT COULDN'T MAKE HEAD OR and locations from previous stories, while old and new players - TAIL OF ITwas authored by Jeff O'Neill, whose mind is will enjoy exploring the Zorkian landscape as their challenge ~· ~BAM~=~~~ constantly working on artful new turns of phrase. increases and their character grows in strength and power. Venturing forth from every BEYOND ZORK package:your .BEYOND ZORK disk; a lavishly-illustrated Invite your friends over to play NORD AND BERT and check out the booklet of original edition of The Lore and Legends Of~ and a fabulous map. Kevin Pope cartoons included in each package. A lively tale ofl.ove and adventure, Douglas Adams's interactive PllJNDERFD HEARTS is a unanimous version of THE HITCHHIKER'S favorite ofInf<XX?m 's large circle of GUIDE 10 THE GALAXY'" expert game reviewers, includ­ was a runaway success. Now the ing men and women ofall ages. distinctive humor 'that made In the Vth century, the seas are HJTCHHIKER'S a #1 bestseller as wild as the untamed heart of a will keep you in stitches in young woman. But when you set BUREAUCRACY. out on the schooner Lafond Deux, Everyone, at one time or another, bound for the West Indies, your feels bound up in an endless swathe thoughts are only of your ailing of red tape. In BUREAUCRACY, father awaiting your care. Little do Adams draws on his own battles you know that your innocent jour­ with beadledom to create a hilari­ ney will soon turn to dangerous ous misadventure. adventure. The goal of the story is to get You barely survive an encounter your bank to acknowledge your with pirates, whose plans for you include change-of-address form. Sounds a fate worse than death. The explosives, the easy, eh? Not when Douglas rocky reefs, the vicious crocodile-all these are Adams adds his outrageous twists to the plot! While trying to complete this obstacles which you must overcome with cunning and agility. True, it's not easy; seemingly simple task, you become entangled in a series of bureaucratic mishaps but at least you can control your fate. What you cannot that take you from the feeding trough of a greedy llama to the control is much more dangerous: your passion for Nicholas lofty branches of a tree deep in the Zalagasan jungle. Jamison, the handsome pirate captain. BUREAUCRACY was designed by Douglas Adams spe­ You'll thrill to spine-tingling peril, heart-pounding ro­ cifically for Infocom.
Load more

Recommended publications
  • Theescapist 055.Pdf
    in line and everything will be just fine. two articles I fired up Noctis to see the Which, frankly, is about how many of us insanity for myself. That is the loneliest think to this day. With the exception of a game I’ve ever played. For those of you who fell asleep during very brave few. the classical mythology portion of your In response to “Development in a - Danjo Olivaw higher education, the stories all go like In this issue of The Escapist, we take a Vacuum” from The Escapist Forum: this: Some guy decides he no longer look at the stories of a few, brave souls As for the fact that thier isolation has In response to “Footprints in needs the gods, sets off to prove as in the game industry who, for better or been a benefit to them rather than a Moondust” from The Escapist Forum: much and promptly gets smacked down. worse, decided that they, too, were hindrance, that’s what I discussed with I’d just like to say this was a fantastic destined to make their dreams a reality. Oveur (Nathan Richardsson) while in article. I think I’ll have to read Olaf Prometheus, Sisyphus, Icarus, Odysseus, Some actually succeeded, while others Vegas earlier this year at the EVE the stories are full of men who, for crashed and burned. We in the game Gathering. The fact that Iceland is such whatever reason, believed that they industry may not have jealous, angry small country, with a very unique culture were not bound by the normal gods against which to struggle, but and the fact that most of the early CCP constraints of mortality.
    [Show full text]
  • The Craft of the Adventure
    The Craft of the Adventure Five articles on the design of adventure games Second edition 1 Intro duction :: ::: :::: ::: :::: :::: ::: :::: ::: :::: :::: ::: :::: ::: :::: ::2 2 In The Beginning ::: :::: ::: :::: :::: ::: :::: ::: :::: :::: ::: :::: ::: ::: 3 3 Bill of Player's Rights : ::: :::: ::: :::: :::: ::: :::: ::: :::: :::: ::: :::: :7 4 A Narrative... ::: ::: :::: ::: :::: :::: ::: :::: ::: :::: :::: ::: :::: ::: :: 12 5 ...AtWar With a Crossword : : :::: ::: :::: :::: ::: :::: ::: :::: :::: :: 21 6 Varnish and Veneer : ::: :::: :::: ::: :::: ::: :::: :::: ::: :::: ::: :::: ::32 1 1 Intro duction 1 Intro duction Skill without imagination is craftsmanship and gives us many useful ob jects such as wickerwork picnic baskets. Imagination without skill gives us mo dern art. {Tom Stoppard, Artist Descending A Staircase Making b o oks is a skilled trade, like making clo cks. { Jean de la Bruy ere 1645-1696 If you're going to have a complicated story you must work to a map; otherwise you'll never make a map of it afterwards. {J.R.R.Tolkien 1892-1973 Designing an adventure game is b oth an art and a craft. Whereas art cannot be taught, only commented up on, craft at least can be handed down: but the tricks of the trade do not make an elegant narrative, only a catalogue. This small collection of essays is just such a string of grits of wisdom and half-baked critical opinions, whichmaywell leave the reader feeling unsatis ed. One can only say to such a reader that any book claiming to reveal the secret of how to paint, or to write novels, should be recycled at once into something more genuinely artistic, say a papier-mach e sculpture. If there is any theme here, it is that standards count: not just of comp etent co ding, but of writing.
    [Show full text]
  • DESIGN-DRIVEN APPROACHES TOWARD MORE EXPRESSIVE STORYGAMES a Dissertation Submitted in Partial Satisfaction of the Requirements for the Degree Of
    UNIVERSITY OF CALIFORNIA SANTA CRUZ CHANGEFUL TALES: DESIGN-DRIVEN APPROACHES TOWARD MORE EXPRESSIVE STORYGAMES A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in COMPUTER SCIENCE by Aaron A. Reed June 2017 The Dissertation of Aaron A. Reed is approved: Noah Wardrip-Fruin, Chair Michael Mateas Michael Chemers Dean Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright c by Aaron A. Reed 2017 Table of Contents List of Figures viii List of Tables xii Abstract xiii Acknowledgments xv Introduction 1 1 Framework 15 1.1 Vocabulary . 15 1.1.1 Foundational terms . 15 1.1.2 Storygames . 18 1.1.2.1 Adventure as prototypical storygame . 19 1.1.2.2 What Isn't a Storygame? . 21 1.1.3 Expressive Input . 24 1.1.4 Why Fiction? . 27 1.2 A Framework for Storygame Discussion . 30 1.2.1 The Slipperiness of Genre . 30 1.2.2 Inputs, Events, and Actions . 31 1.2.3 Mechanics and Dynamics . 32 1.2.4 Operational Logics . 33 1.2.5 Narrative Mechanics . 34 1.2.6 Narrative Logics . 36 1.2.7 The Choice Graph: A Standard Narrative Logic . 38 2 The Adventure Game: An Existing Storygame Mode 44 2.1 Definition . 46 2.2 Eureka Stories . 56 2.3 The Adventure Triangle and its Flaws . 60 2.3.1 Instability . 65 iii 2.4 Blue Lacuna ................................. 66 2.5 Three Design Solutions . 69 2.5.1 The Witness ............................. 70 2.5.2 Firewatch ............................... 78 2.5.3 Her Story ............................... 86 2.6 A Technological Fix? .
    [Show full text]
  • Download As a PDF and Also Offered It for Sale As a Print-On-Demand Book (Daly 2015)
    humanities Editorial Further Reading Nick Montfort Comparative Media Studies/Writing, Massachusetts Institute of Technology, Cambridge, MA 02139, USA; [email protected] Received: 7 March 2018; Accepted: 8 March 2018; Published: 9 March 2018 Keywords: interactive fiction; Twitter bots; computer-generated novels; performance It is clear that the contributions in this volume are not only insightful, but also wide-ranging, reaching into popular culture and across different media forms and practices. Rather than directly comment on this writing further, though, I offered to supplement the topics of these essays by pointing to a few additional categories of computational, poetic production that seem rich but relatively overlooked. Interactive Fiction Over the past 40 years, interactive fiction has occupied several different places in computing and in culture. When the first widely-released version of Adventure by Will Crowther and Don Woods became available to users of time-sharing systems in 1976, it hit them like a wrecking ball. Legends tell that productivity ceased for days, or weeks, while those who were supposed to be programming explored the simulated cave system. Then people in the US and UK went on to program their own Adventure-like games, or, simply, adventure games. Zork was a successful and memorable one, originally created at MIT by Tim Anderson, Marc Blank, Dave Lebling and Bruce Daniels and then made into a trilogy of home-computer games by Blank and Lebling. Interactive fiction was a pillar of the emerging entertainment software industry—videogames, or to be more specific, computer games. In the 1980s “interactive fiction” (or “IF”) was more widely used a term for this type of production, or “text adventure” if one wanted to distinguish the graphical adventure.
    [Show full text]
  • The New Zork Times Dark – Carry a Lamp VOL
    “All the Grues New Zork Area Weather: That Fit, We Print” The New Zork Times Dark – carry a lamp VOL. 3. .No. 1 WINTER 1984 INTERNATIONAL EDITION SORCERER HAS THE MAGIC TOUCH InfoNews Roundup New Game! Hint Booklets Sorcerer, the second in the In December, Infocom's long- Enchanter series of adventures in the awaited direct mail operation got mystic arts, is now available. The underway. Many of the functions game was written by Steve formerly provided by the Zork Users Meretzky, whose hilarious science Group were taken over by Infocom. fiction game, Planetfall, was named Maps and InvisiClues hint booklets by InfoWorld as the Best Adventure were produced for all 10 of Game of 1983. In Sorcerer, you are a Infocom's products. The games member of the prestigious Circle of themselves were also made available Enchanters, a position that you primarily as a service to those of you achieved in recognition of your in remote geographical areas and to success in defeating the Warlock those who own the less common Krill in Enchanter. computer systems. When the game starts, you realize Orders are processed by the that Belboz, the Eldest of the Circle, Creative Fulfillment division of the and the most powerful Enchanter in DM Group, one of the most the land, has disappeared. Perhaps he respected firms in direct mail. Their has just taken a vacation, but it facilities are in the New York metro- wouldn't be like him to leave without politan area, which explains the letting you know. You remember strange addresses and phone num- that he has been experimenting with bers you'll see on the order forms.
    [Show full text]
  • Ebook Download a Mind Forever Voyaging
    A MIND FOREVER VOYAGING : A HISTORY OF STORYTELLING IN VIDEO GAMES PDF, EPUB, EBOOK Dylan Holmes | 248 pages | 07 Nov 2012 | Createspace Independent Publishing Platform | 9781480005754 | English | [S.l A Mind Forever Voyaging : A History of Storytelling in Video Games PDF Book Delivered from our UK warehouse in 4 to 14 business days. Since the inception of video games, their depictions of violence, sexuality and other explicit themes have made them a lighting rod of controversy. Good video games and good learning: Collected essays on video games, learning and literacy 2nd ed. Can a Computer Make You Cry? International Journal of Research in Education and Science , 3 2 , Critical analysis, historical perspective, and a gently opinionated personal touch make A Mind Forever Voyaging an enlightening read that captures the best that video games have to offer. Rogers, R. The thought was that while this game might have a liberal slant, future games might have a conservative slant, or be educational, or whatever else — the sky was the limit. Course Schedule subject to change Please be sure to complete readings before that class day. Hugos, M. Hwa, S. Good video games and good learning: Collected essays on video games, learning and literacy 2nd ed. Owen, P. Average rating 3. Alternative gaming blogger Dylan Holmes focuses on games that tell stories in innovative and fasci From amazon. View all copies of this ISBN edition:. John Harney. Throw in the four contract-fulfilling Zork gamebooks he cranked out betwixt and between the computer games, plus all the help he gave to others with their designs, plus the way he just kept everyone insanely sane during all of the trials of the Cornerstone era with his parties and games and antics… yeah, Meretzky deserved carte blanche to make his next game exactly what he wanted it to be.
    [Show full text]
  • Infocom-Catalog3
    inFocom Games and Accessories The Great Underground Empire confronts you with perils and predicaments ranging from the mystical to the macabre, as you strive to discover the Twenty Treasures of ZORK and escape with them and your life. The Wizard of Frobozz takes you into new depths of the subterranean realm. There you'll meet the Wizard, who will attempt to confound your quest with his capricious powers. The Dungeon Master is the final test of your courage and wisdom. Your odyssey culminates in an encounter with the Dungeon Master himself, and your destiny hangs in the balance. eNCHANTER The first of a spellbinding series in the tradition of ZORK. When the wicked power of the Warlock sub- jugates this land, his magic defenses will recognize all who have attained the Circle of Enchanters. So, to a novice we speak — one yet unproven who has the heart to challenge and the skill to dare. Sealed inside, you will find such wisdom and guidance as we can provide. Stealth, resourcefulness, and courage you must find within yourself. You are the sole hope of this land, young ENCHANTER. Infocom's mindbending science fiction first launches you headlong into the year 2186 and the depths of space. You are destined to rendezvous with a gargantuan starship from the outer fringes of our galaxy which conveys a challenge that was issued eons ago, from lightyears away — and only you can meet it. SUSPENDED Placed in the twilight world of cryogenic suspen- sion, you awaken to the nightmarish landscape of a planet gone mad. As the central control of the life- support systems that make a terraformed planet habitable, you exist in a frozen sleep that will be disturbed only if the civilization is imperiled.
    [Show full text]
  • The New Zork Times by Brief but Savage Downpour
    ® “All the Gnus Weather: Thic fog, followed That Fit, We Print” The New Zork Times by brief but savage downpour. VOL. 4. .No. 2 —SUMMER 1985— INTERFERON EDITION New Release: A Mind Forever Voyaging A Mind Forever Voyaging, the first were to be introduced. While you're advanced-level Science Fiction story busy exploring the future, the scien- from Infocom, is for true text- tists and programmers who created adventure buffs. Why? Because it you are honing and perfecting the has more locations to visit (several simulation's parameters. Thus, as the hundred), more things to do, more story progresses, you can travel responses, and a large vocabulary further and further in time, watching (1800+ words) than any of our previ- Rockvil prosper as the Plan ously released products. succeeds, or perish as it fails. Only The story takes place in 21st- you can tell on what course the century Rockvil, South Dakota. The country sets itself by adopting the United States of North America has Plan. fallen prey to incredibly high unem- While there are several puzzles to ployment and crime rates. Political keep players on their toes, designer indiffererence, perhaps caused by Steve Meretzky (author of Planetfall backward educational systems or and Sorcerer, and co-author of The diminishing national resources, has Hitchhiker's Guide to the Galaxy) Items from Dr. Perleman’s desk are contained in every A Mind Forever swept the nation. Exploiting this op- concentrated more on immersing the Voyaging package. portunity, Senator Richard Ryder has player in a vast, highly detailed, develop (sic) the Plan for a Renewed realistic world; a vision of the National Purpose, stressing patriot- destiny of mankind.
    [Show full text]
  • 14. Riddle Machines: the History and Nature of Interactive Fiction
    Nick Montfort Riddle Machines: The History and Nature of Interactive Fiction 14. Riddle Machines: The History and Nature of Interactive Fiction Nick Montfort Introduction The genre that has also been labeled "text adventure" and "text game" is stereotypically thought to offer dungeons, dragons, and the ability for readers to choose their own adventure. While there may be dragons here, interactive fiction (abbreviated "IF") also offers utopias, revenge plays, horrors, parables, intrigues, and codework, and pieces in this form resound with and rework Gilgamesh, Shakespeare, and Eliot as well as Tolkien. The reader types in phrases to participate in a dialogue with the system, commanding a character with writing. Beneath this surface conversation, and determining what the computer narrates, there is the machinery of a simulated world, capable of drawing the reader into imagining new perspectives and understanding strange systems. Interactive fiction works can be challenging for literary readers, even those interested in other sorts of electronic literature, because of the text-based interface and because of the way in which these works require detailed exploration, mapping, and solution. Works in this form are often less visually rewarding, and the rewards they do offer are only attained with time and effort. But text-based interactive fiction has provided some of the most the intricate and compelling literary simulations yet developed. Understanding how interactive fiction works, and how it has developed over the past three decades, is an essential part of the puzzle of literary computing. Characteristics of interactive fiction Formally, a work of interactive fiction (often called a "game," even if it does not exhibit the typical qualities of a game) is an interactive computer program.
    [Show full text]
  • Jay Simon 3/18/2002 STS 145 Case Study Zork: a Study of Early
    Jay Simon 3/18/2002 STS 145 Case Study Zork: A Study of Early Interactive Fiction I: Introduction If you are a fan of interactive fiction, or have any interest in text-based games from the early 1980’s, then you are no doubt familiar with a fascinating series known as Zork. For the other 97 percent of the population, the original Zork games are text-based adventures in which the player is given a setting, and types in a command in standard English. The command is processed, and sometimes changes the state of the game. This results in a new situation that is then communicated to the user, restarting the cycle. This type of adventure game is classified as belonging to a genre called “interactive fiction”. Zork is exceptional in that the early Zork games are by far the most popular early interactive fiction titles ever released. It is interesting to examine why these games sold so well, while most other interactive fiction games could not sell for free in the 1980’s. As we will see, this is a result of many different technological and stylistic aspects of Zork that separate it from the rest of the genre. Zork is a unique artifact in gaming history. II: MIT and Infocom – The Prehistory of Zork Zork was not a modern project developed under a strict timeline by a designated team of programmers, but credit is given to two MIT phenoms named Marc Blank and Dave Lebling. Its history can be traced all the way back to the invention of a medium-sized machine called the PDP-10, in the 1960’s.
    [Show full text]
  • The Z-Machine Standards Document: Contents
    The Z-Machine Standards Document: Contents The Z-Machine Standards Document Version 1.0 22nd June 1997 two misprints corrected, 9th August resources appendix updated and discovery added to header table, 4th September ● Preface ● Overview of Z-machine architecture Fundamentals ● 1. The memory map ● 2. Numbers and arithmetic ● 3. How text and characters are encoded ● 4. How instructions are encoded ● 5. How routines are encoded ● 6. The game state: storage and routine calls Input/Output ● 7. Output streams and file handling ● 8. The screen model ● 9. Sound effects ● 10. Input streams and devices Tables ● 11. The format of the header ● 12. The object table ● 13. The dictionary and lexical analysis Instruction Set ● 14. Complete table of opcodes (with Inform assembly syntax) file:///D|/doc/zspec10/index.html (1 of 2) [6/22/2000 4:34:11 PM] The Z-Machine Standards Document: Contents ● 15. Dictionary of opcodes An Unusual Font ● 16. Font 3 and character graphics Appendices ● A. Error messages and debugging ● B. Conventional contents of the header ● C. Resources available (with WWW links) ● D. A short history of the Z-machine ● E. Statistics ● F. Canonical story files file:///D|/doc/zspec10/index.html (2 of 2) [6/22/2000 4:34:11 PM] The Z-Machine Standards Document: Preface Preface The Z-machine was created on a coffee table in Pittsburgh in 1979. It is an imaginary computer whose programs are adventure games, and is well-adapted to its task, implementing complex games remarkably compactly. They were still perhaps 100K long, too large for the memory of the home computers of their day, and the Z-machine seems to have made the first usage of virtual memory on a microcomputer.
    [Show full text]
  • Beyondzork-Regcard.Pdf
    Fantastic savings on Brian Moriarty's Wishbringer® ! Now that you're proving your cunning and valor in Wishbringer is the perfect choice for both novices Beyond Zork,® you'll want to take on the fabulous crea­ and seasoned interactive fiction players. Although the tures and explore the fantastic landscape in another magic wishes you're granted will help you solve the captivating lnfocom story. And we've got just the one puzzles, experienced players can challenge them­ for you. Wishbringer, Brian Moriarty's first work of selves by using logic alone. interactive fiction, is now available for only $14.95. To prepare you for your adventure, the In this award-winning story, you're an ordinary Wishbringer package includes a postal map of your mail clerk in an ordinary little town. But there's some­ home town, a mysterious sealed envelope, a copy of thing quite extraordinary in today's mail. It's a ransom note for a The Legend of Wishbringer, and an enchanted glow-in-the-dark kidnapped cat, and it will lead you through amazing adventures Wishbringer stone. to Wishbringer, a stone possessing undreamt-of powers. For You can order Wishbringer by simply filling out the form on although the note is addressed to someone in your ordinary little the reverse side. Then you're on your way to having your most town, it's postmarked for Special Delivery to Parts Unknown. And fabulous wishes come true. its true destination is somewhere beyond your wildest dreams .. .. G-IZB-01 We'll Help You Out! There's a solution to every puzzle in Beyond Zork, and a way out story.
    [Show full text]