Band Goes X.-Ghange
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
HOLLYWOOD – the Big Five Production Distribution Exhibition
HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927 -
Lerstl Ai*O Edward G
I [ Saturday, December 28, 15ju AMUSEMENTS DETROIT EVENING TIMES (PHONE CHERRY 8800) AMUSEMENTS PAGE 11 testing a fog device, Taylor be- on a rocky beach, Taylor follow- Quiz for Youthful Driver Screen Heroes Run coming entangled in a target ' ing him down to the rescue and Bizarre Accused of seriously Injuring * Film Herald Poll NewYear’s Gamut sleeve at machine gun practice; then leading fellow-flyers back to pedestrian in an auto accident, Adventure and barely pulling his plane out of the base through thick fog, after Kenneth R. Jones. 18. of 7114 Mil- ' \ THE AERIAL thrill*of "Flight a spin above the ocean, landings having perfected the fog device. ler road. Dearborn, was to be Appearing at Book Raiment Command” include scenes of Bob on and take-offs from an airplane questioned today by the prosecutor. Creates Furore Taylor forced to bail out at sea farrier, battle pracTtee at sea, the Gen. Hugh S. Johnson, “Amer- [The victim, William Cedoreack, and Statler in a thick fog, Shepperd Strud- jlocating of a disabled plane. Pid- Ira’s Fighting Thinker,” Writes 145. of 3009 femey avenue. Dear- For Stars wick crashing in flames while 'geon crashing in a forced landing Daily for the Time*. 'bom, is in Henry Ford Hospital. 'Hollywood Upset . HEIPv? Vs By BURDETTE JAY Over Latest HOLLYWOOD, Dec. 28.—The garment mo- y«» umk most bizarre in the At Favorite tion picture colony is John Lexter's ¦ w * ¦ ? ¦ ¦ Listings 4 « THIS STAR IDENTIFIES CO OPERATIVE THEATERS V dressing TODAY MOVIE gown which he wears By LOUELLA O. PARSONS betw'een scenes of "Scotland Yard’’ Century-Fox. -
Marilyn Monroe's Star Canon: Postwar American Culture and the Semiotics
University of Kentucky UKnowledge Theses and Dissertations--English English 2016 MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM Amanda Konkle University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.038 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Konkle, Amanda, "MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM" (2016). Theses and Dissertations--English. 28. https://uknowledge.uky.edu/english_etds/28 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Ebook Download Marilyn Monroe : Her Films, Her Life Ebook
MARILYN MONROE : HER FILMS, HER LIFE PDF, EPUB, EBOOK Michelle Vogel | 220 pages | 30 Apr 2014 | McFarland & Co Inc | 9780786470860 | English | Jefferson, NC, United States Marilyn Monroe : Her Films, Her Life PDF Book She was sexually assaulted by a new lodger in the home, and to make things worse, nobody would tell her what had happened to her mother. Marilyn appeared introspective in this candid shot in her New York hotel room. Her fame was unprecedented and she became an instantly recognizable symbol of beauty. Woodstock, NY: Overlook Press, She was determined to never go through that again. These afflictions caused her removal from a subsequent film, Something's Got to Give , and she died two months later of a drug overdose. But by then she was disillusioned with her success and bored with her "dumb blond" image. She prolly killed herself because she was probably stress overwhelmed or prolly felt like she wasting loved. That fact that she committed suicide is beyond comprehension. She proved her skill by winning various honors and attracting large audiences to her films. The affair served only to pinpoint the troubles in her marriage to Miller, with whom she had little more than a professional relationship by For one thing, it meant I could live in a more interesting world than the one around me. WorldCat is the world's largest library catalog, helping you find library materials online. Please create a new list with a new name; move some items to a new or existing list; or delete some items. The film actress Marilyn Monroe epitomized the Hollywood sex symbol with her provocative clothes, champagne blond tresses, and breathless, whisper-voiced manner of speaking. -
Robert C. Schmitt
ROBERT C. SCHMITT Hawai'i in the Movies, 1898—1959, Part IV THIS RESEARCH NOTE further amends the lists of feature films made in or about Hawai'i previously published by the Hawaiian His- torical Society. In 1988, the Society issued a monograph describing 120 such motion pictures produced prior to statehood.1 Three years later an addendum listed twelve others, plus further details about three of the films previously cited.2 Three others were added in 1992.3 Here are twenty-six more that have come to the author's attention since then, plus new material on one noted earlier. 1933 Lucky Devils RKO Radio. 3 Feb. 1933; Hon., NA. Sound, b&w, 60, 64, or 70 min. Dir., Ralph Ince. With Bill Boyd, Dorothy Wilson, William Gargan. Adventure-drama about Hollywood stuntmen. Halfway through the picture, the hero marries and honeymoons in Hawai'i.4 !934 Song of the Islands Palmer Miller and Curtis Nagel for the Hawaii Tourist Bureau. 1934; Hon., NA. Sound, Vericolor (an early two-color process), 40 min. Robert C. Schmitt, an associate editor of the Journal and a frequent contributor to its pages, is a retired statistician for the Hawai'i State Department of Business, Economic Develop- ment and Tourism. The Hawaiian Journal of History, vol. 30 (1996) 211 2 12 THE HAWAIIAN JOURNAL OF HISTORY Dir., NA. With Pualani Mossman, Sam Kapu, Ray Kinney, Don Blanding. A travelogue about the Islands, made for the Hawaii Tourist Bureau. The same title was used in a 1942 Betty Grable musical. Four ten- minute travelogues, one each for the major islands, were produced by the same group and also released in 1934. -
Twentieth Century Fox: 1935-1965
The Museum of Modern Art For Immediate Release June 1990 Twentieth Century Fox: 1935-1965 July 1 - September 11, 1990 This summer, The Museum of Modern Art pays tribute to Twentieth Century Fox with a retrospective of over ninety films made between 1935 and 1965. Opening on July 1, 1990, TWENTIETH CENTURY FOX: 1935-1965 traces three key decades in the history of the studio, celebrating the talents of the artists on both sides of the cameras who shaped this period. The exhibition continues through September 11. Formed in 1915, the Fox Film Corporation merged in 1935 with the much younger Twentieth Century to launch a major new studio. Under the supervision of Darryl F. Zanuck, Twentieth Century Fox developed a new house style, emphasizing epic biographies such as John Ford's The Prisoner of Shark Island (1936) and Allan Dwan's Suez (1938) and snappy urban pictures such as Sidney Lanfield's Hake Up and Live (1937) and Roy Del Ruth's Thanks a Million (1935). The studio also featured such fresh screen personalities as Tyrone Power, Alice Faye, and Shirley Temple. From this time on, the studio masterfully anticipated and shaped the tastes of the movie-going public. During World War II, Twentieth Century Fox made its mark with a series of exuberant Technicolor musicals featuring such actresses as Betty Grable and Carmen Miranda. After the war, the studio shifted focus and began to highlight other genres including films noirs such as Edmund Goulding's Nightmare Alley (1947) and Otto Preminger's Where the Sidewalk Ends (1950), wry satirical films such as Joseph L. -
“Broadway & Musicals” Showcase
“Broadway & Musicals” Showcase “Astaire Dancing: The Musical Films” by John Mueller (1985, HC/DJ). Minimum Bid: $4 With a dancing career that spanned half a century, Fred Astaire displayed unparalleled brilliance, beauty and timeless artistry. To better understand Astaire’s unique choreographic style, this book examines in detail each of the dance scenes of his 31 filmed musicals, Astaire’s personality & working methods, and his numerous contributions to filmed dance. “Glamorous Musicals: Fifty Years of Hollywood’s Ultimate Fantasy” by Ronald Bergen, Foreword by Ginger Rogers (1984, HC/DJ). Minimum Bid: $3 Gorgeous actors, leggy chorus girls, superb dancers & musicians, lavish costumes and sets—all are described with style, wit and perception in this generously illustrated book. Discover the artistry of the stars, and the mastery of the directors & designers, of over 100 Hollywood musicals. CD: “My Fair Lady” With Rex Harrison and Julie Andrews (Digitally Mastered CD of Original 1959 London Recording). Minimum Bid: $2 One of the greatest musical theater shows ever created, My Fair Lady is a charming adaptation of George Bernard Shaw's Pygmalion, pitting flower girl Eliza Doolittle (Julie Andrews) against Prof. Henry Higgins (Rex Harrison), the self-absorbed and ill-tempered linguist who bets that he can turn her into a lady by improving her diction. This classic recording includes popular songs such as: "Wouldn't It Be Loverly," "The Rain in Spain," "I Could Have Danced All Night," "On the Street Where You Live," and "Get Me to the Church on Time." Vintage Souvenir Program and Winter Garden Playbill for “Michael Todd’s Peep Show” (1950, SC). -
Maureen O'hara
Maureen O’Hara MAUREEN O’HARA ~ THE BIOGRAPHY AUBREY MALONE Copyright © 2013 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 17 16 15 14 13 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Dillon-Malone, A. (Aubrey) Maureen O’Hara : the biography / Aubrey Malone. pages cm Includes bibliographical references and index. ISBN 978-0-8131-4238-8 (hardcover : alk. paper) — ISBN 978-0-8131-4239-5 (epub) — ISBN 978-0-8131-4240-1 (pdf) 1. O’Hara, Maureen, 1920- 2. Motion picture actors and actresses— United States—Biography. I. Title. PN2287.O33M35 2013 791.4302’8092—dc23 [B] 2013022751 This book is printed on acid-free paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. Manufactured in the United States of America. Member of the Association of American University Presses Contents Introduction 1 1. Young Girl in a Hurry 7 2. Maiden Voyage 21 3. The Old Son of a Bitch 29 4. Saluting Uncle Sam 45 5. Civvy Street 71 6. Sojourn in Cong 95 7. Back to Bread and Butter 111 8. Keeping Things Confidential 135 9. -
HOLLYWOOD of the 1930S and 1940S
HOLLYWOOD OF THE 1930s AND 1940s AT THE GARDEN OF ALLAH by Dick LaBonté The Cast On the balcony: William Powell, Myrna Loy, Asta (a dog), Ronald Colman, Loretta Young, Greta Garbo, Melvyn Douglas, Veronica Lake, Spencer Tracy, Katherine Hepburn, James Stewart, Maureen O'Hara, Tyrone Power, Carole Lombard, Clark Gable, Vivien Leigh, Lawrence Olivier, Leslie Howard, Olivia de Haviland, Errol Flynn. Below the balcony: Cary Grant, Douglas Fairbanks, Jr., Victor McLaglen, Dick Powell, Ruby Keeler, Mickey Rooney, Judy Garland, Ginger Rogers, Fred Astaire, Gary Cooper, Marlene Dietrich. In the windows: Lou Costello, Bud Abbott, Mae West, Hattie McDaniel, Warner Oland, Sam Jaffe, Robert Benchley. Left background: Elizabeth Taylor with Lad (a dog, a.k.a. Lassie), Elsa Lancaster, Boris Karloff, Bette Davis, Bela Lugosi, Humphrey Bogart, Ingrid Bergman, Dooley Wilson, Lauren Bacall. Right background: Roy Rogers, John Wayne, Claire Trevor, Randolph Scott, William Boyd, Topper (a horse), George "Gabby"Hayes. Around the pool: Johnny Weismuller, Maureen O'Sullivan, Cheetah (a chimpanzee), C. Aubrey Smith, Bing Crosby, Dorothy Lamour, Bob Hope, Hedy Lamaar, Robert Taylor, Henry Fonda, David Niven, Claudette Colbert, Ava Gardner, Rita Hayworth, Orson Welles, John Barrymore, W.C. Fields, Shirley Temple. In the pool: Jane Wyman, Ronald Reagan, Ann Sheridan, Oliver Hardy, Stan Laurel, Jean Harlow, Edward G. Robinson, James Cagney, Lucille Ball, Jimmy Durante, Tallulah Bankhead, Joe E. Brown, Lana Turner, Groucho Marx, Alice Faye, Chico Marx, Frank Sinatra, Joan Crawford, Charles Laughton. On the diving board: Betty Grable, Harpo Marx. www.dicklabonte.com. -
FOLLOW the FLEET Program Note
RECOVERED TREASURES: GREAT FILMS FROM WORLD ARCHIVES January 15–February 20, 2011 FOLLOW THE FLEET Sunday, February 6, 4:30 p.m. 1936, 118 mins. Introduced by Rajendra Roy, The Museum of Modern Art. Restored by Museum of Modern Art. Directed by Mark Sandrich. Written by Allan G. Scott and Dwight Taylor. Based on the play Shore Leave by Hubert Osborne. Produced by Pandro S. Berman. Photographed by Dave Abel. Edited by Henry Berman. Original Music by Irving Berlin and Max Steiner. Choreography by Fred Astaire and Hermes Pan. Principal Cast: Fred Astaire (as Bake Baker), Ginger Rogers (Sherry Martin), Randolph Scott (Bilge Smith), Harriet Hilliard (Connie Martin), Astrid Allwyn (Iris Manning), Ray Mayer (Dopey Williams), Lucille Ball (Kitty Collins), Harry Beresford (Captain Hickey), Betty Grable (Trio Singer). From review in Variety, February 26, 1936: Excerpt from essay “Fellini’s Ginger and Fred: Postmodern Simulation Meets Fred Astaire, the Chris Columbus for the boys and Hollywood Romance,” by Millicent Marcus: girls on the hoof, hasn’t missed yet. And Follow the Fleet follows his others around the bases, keeping Mark Sandrich’s Follow the Fleet (1936), starring the record clean. With Ginger Rogers again Astaire and Rogers, is a powerful example of how opposite, and the Irving Berlin music to dance to spectacle can modify performers’ lives. It tells the and sing, Astaire once more legs himself and his story of two dancing partners reunited after a picture into the big-time entertainment class. separation of several years, who put on a benefit show and thus succeed in reconciling several pairs All the star team’s dancing efforts are honeys. -
Screen Directors' Playhouse
screen_directors.qxd:8 Page Booklet 9/20/10 1:59 PM Page 1 Full Hour Programs SCREEN DIRECTORS’ PLAYHOUSE CD 7: “My Favorite Wife” - 12/07/50 Cary Grant and Irene Dunne star in this screwball comedy about a Program Guide by Elizabeth McLeod man on the verge of marriage — who is stunned when his missing first wife suddenly reappears. Producer Leo McCarey introduces In these days of Netflix and video-on-demand, it’s hard to imagine a time when movies were this radio adaptation of the 1940 film. something you rarely had the chance to see once they left the theater. In the days before Hollywood came to terms with television, classic films were rarely reissued. For many years, radio played an CD 8: “The Lady Gambles” - 12/14/50 important role in filling that niche — with broadcast adaptations of top films helping to keep the big- This sobering, issue-oriented drama exploring the progressive screen memories alive. One of the most outstanding series of film adaptations to grace the postwar degradation of a woman’s life by addictive gambling stars Barbara era was NBC’s Screen Directors’ Playhouse. Stanwyck, William Conrad and John Dehner. Director Michael Gordon introduces this radio adaptation of the 1949 film. Film adaptations on radio had a long tradition. As early as the mid-1920’s, adaptations of silent films were heard over New York station WHN, as part of the long-running MGM Movie Club series, and CD 9: “A Foreign Affair” - 03/01/51 over KFWB in Hollywood, owned by Warner Brothers. -
Hollywood Canteen" Hope ANNOUNCER WENDELL NILES: for the Safety of Your Smile, Use Pepsodent Twice a Day, See Your Dentist Twice a Year
Bob "Hollywood Canteen" Hope ANNOUNCER WENDELL NILES: For the safety of your smile, use Pepsodent twice a day, see your dentist twice a year. MUSIC: Brass fanfare WENDELL NILES: From the Hollywood Canteen, "The Pepsodent Show" starring Bob Hope and his guest star, Bette Davis! MUSIC: Fanfare, segue to "Thanks for the Memory" -- [cheers and applause] BOB HOPE: [sings] Ah, thank you so much ... MUSIC: out. BOB HOPE: [launches into his fast-talking monologue] How do you do, ladies and gentlemen? This is Bob "Hollywood Canteen" Hope ... telling you soldiers to use Pepsodent whether your mouth has a lot or a few. And even though your tooth brush may be G.I., your teeth will never be P.U. ... Well, here we are back in Hollywood and you should have seen the reception I got at the railroad station. What a crowd. One guy insisted on putting me on his shoulders and carrying me for blocks and blocks. I finally said, "Gee, you certainly are a fan without equal." And he said, "No, I'm a cab driver without tires." ... And as - and as soon as Skinnay Ennis arrived in Hollywood, he went right over to the Red Cross blood bank to make a donation but a terrible thing happened. On his way over, a mosquito bit him and drained him dry. ... Everything has changed in Hollywood, though. It's all dimmed out down here along the coast and you can't have any lights shining toward the sky. In fact, in the drug stores, you have to play the pinball machines upside down.